Coincidence Dress Quotes

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Admit it. You aren’t like them. You’re not even close. You may occasionally dress yourself up as one of them, watch the same mindless television shows as they do, maybe even eat the same fast food sometimes. But it seems that the more you try to fit in, the more you feel like an outsider, watching the “normal people” as they go about their automatic existences. For every time you say club passwords like “Have a nice day” and “Weather’s awful today, eh?”, you yearn inside to say forbidden things like “Tell me something that makes you cry” or “What do you think deja vu is for?”. Face it, you even want to talk to that girl in the elevator. But what if that girl in the elevator (and the balding man who walks past your cubicle at work) are thinking the same thing? Who knows what you might learn from taking a chance on conversation with a stranger? Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the others…
Timothy Leary
Dressing up is inevitably a substitute for good ideas. It is no coincidence that techincally inept business types are known as "suits.
Paul Graham
He’d meant what he said, that he believed Libby Rhodes to be present in every theoretical universe of his existence; to be a person of great significance in every single one. It was too familiar, too traceable. Too many places their lives would have collided, a web of unavoidable consequences where coincidence dressed up like fate. Within it, Nico truly believed all their other outcomes ricocheted, but eventually returned. Other lives, other existences, it didn’t matter. They were polarities, and wherever they went, his half would always find hers.
Olivie Blake (The Atlas Complex (The Atlas, #3))
It’s no coincidence that social justice warriors are frequently out of shape, poorly dressed, and have messy hair, along with their overall disheveled appearance. If some dress for success, they dress for failure.
Dave Rubin (Don't Burn This Book: Thinking for Yourself in an Age of Unreason)
Fairy tales are rife with transformation — from beast to handsome prince, from dirty scullery maid to well-dressed princess. It is perhaps no coincidence that nature in the Cinderella stories facilitates transformation, for nature itself is a changeable thing, from season to season, from a sunny day to rain, from an egg to a flying bird in a matter of weeks. (Source: "The Nature of Cinderella".)
Marie Rutkoski
I'd been holding the dress up to myself and gazing at my reflection in the store's mirror. "Seth, this is just a party. And it's definitely not a dress Cinderella would wear." "Then be Callierella," he said with a wink. "Or Calliepunzel and you can lock yourself in your bedroom until Kayden begs for you to let him in." I had snorted a laugh. "Are you drunk? I mean, I know you had a margarita at lunch, but it usually takes a lot more for you to get tipsy." "I'm not drunk," he said, snatching the dress from my hand. "I'm just trying to give you the fairy-tale you deserve." "Life isn't a fairy-tale," I replied. But in the end, I bought the dress, kind of wishing it was.
Jessica Sorensen (The Redemption of Callie & Kayden (The Coincidence, #2))
Maybe...Maybe this was one of those moments in life, one of those karmic incidents you had to embrace. Maybe the universe had put this man in my path for a reason. Maybe it wasn't coincidence that he'd been there to unlock the dressing room door.
Annabel Joseph (Waking Kiss (BDSM Ballet, #1))
They are pursued by a pair of hawk-faced men dressed in black and white: both forbidding, both hungry, but one tall and slender, the other short and fat. Two reflections of the same soul in the cosmic house of mirrors, or uncanny coincidence? It is impossible to say.
Mohsin Hamid (Moth Smoke)
Dead on time. Not late at all. He was small, white as a sheet, thin as a specter, always moving, even when he was still. The twenty-nine-year-old veteran. He was dressed all in black. He saw Westwood and headed over. He nodded three ways and sat down. He said, “The Valley likes irony, but you got to agree happy hour in a Soviet shrine is the ultimate contradiction in terms. And speaking of the former USSR, my blog alerts tell me a Ukrainian named Merchenko was a mob hit last night. Which is a happy coincidence. But he will be replaced. The market will fill the void. So I’m still not going public.
Lee Child (Make Me (Jack Reacher, #20))
Because it wasn’t enough to be accompanied by the beast who scared the crap out of every god in Heaven, Xuanzang was assigned a few more traveling companions. The gluttonous pig-man Zhu Baijie. Sha Wujing, the repentant sand demon. And the Dragon Prince of the West Sea, who took the form of a horse for Xuanzang to ride. The five adventurers, thusly gathered, set off on their— “Holy ballsacks!” I yelped. I dropped the book like I’d been bitten. “How far did you get?” Quentin said. He was leaning against the end of the nearest shelf, as casually as if he’d been there the whole time, waiting for this moment. I ignored that he’d snuck up on me again, just this once. There was a bigger issue at play. In the book was an illustration of the group done up in bold lines and bright colors. There was Sun Wukong at the front, dressed in a beggar’s cassock, holding his Ruyi Jingu Bang in one hand and the reins of the Dragon Horse in the other. A scary-looking pig-faced man and a wide-eyed demon monk followed, carrying the luggage. And perched on top of the horse was . . . me. The artist had tried to give Xuanzang delicate, beatific features and ended up with a rather girly face. By whatever coincidence, the drawing of Sun Wukong’s old master could have been a rough caricature of sixteen-year-old Eugenia Lo from Santa Firenza, California. “That’s who you think I am?” I said to Quentin. “That’s who I know you are,” he answered. “My dearest friend. My boon companion. You’ve reincarnated into such a different form, but I’d recognize you anywhere. Your spiritual energies are unmistakable.” “Are you sure? If you’re from a long time ago, maybe your memory’s a little fuzzy.” “The realms beyond Earth exist on a different time scale,” Quentin said. “Only one day among the gods passes for every human year. To me, you haven’t been gone long. Months, not centuries.” “This is just . . . I don’t know.” I took a moment to assemble my words. “You can’t walk up to me and expect me to believe right away that I’m the reincarnation of some legendary monk from a folk tale.” “Wait, what?” Quentin squinted at me in confusion. “I said you can’t expect me to go, ‘okay, I’m Xuanzang,’ just because you tell me so.” Quentin’s mouth opened slowly like the dawning of the sun. His face went from confusion to understanding to horror and then finally to laughter. “mmmmphhhhghAHAHAHAHA!” he roared. He nearly toppled over, trying to hold his sides in. “HAHAHAHA!” “What the hell is so funny?” “You,” Quentin said through his giggles. “You’re not Xuanzang. Xuanzang was meek and mild. A friend to all living things. You think that sounds like you?” It did not. But then again I wasn’t the one trying to make a case here. “Xuanzang was delicate like a chrysanthemum.” Quentin was getting a kick out of this. “You are so tough you snapped the battleaxe of the Mighty Miracle God like a twig. Xuanzang cried over squashing a mosquito. You, on the other hand, have killed more demons than the Catholic Church.” I was starting to get annoyed. “Okay, then who the hell am I supposed to be?” If he thought I was the pig, then this whole deal was off. “You’re my weapon,” he said. “You’re the Ruyi Jingu Bang.” I punched Quentin as hard as I could in the face.
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented
Geraldine Brooks (The Best American Short Stories 2011)
Absolute solution comes from absolute problem, ultimate certainty comes from ultimate uncertainty, total acceptance comes from total rejection, complete perfection comes from complete flaw, ample richness comes from ample poverty, foolproof protection comes from unyielding danger and unlimited liberty comes from unlimited restriction. Each one is coincident of another as dark is coincident of light. To such a degree, never try to escape from them.Rather bravely and wisely engage to sort them out . You know, these wonderful stuffs fetch for its tail all wonderful-reverse-stuffs, making your life tested and dignified. Never give up rather wake-up, have a great shower, eat, dress up and join in the struggle. Neither dishearten yourself nor give ears to others' words, just keep faith on you, believe your own intuition and keep the struggle going... I am damn sure, Success, it must lay its head eventually beneath your noble feet as a flunky of order execution and will crown you as the king." Many Cheers from Lord Robin
Lord Robin
The bonds of family can be wonderful but there is a time to know when to stand apart." She held out a hand to Rycca on the nearby bench. "Besides, we are your family now, all of us, and we know your worth." Deeply touched, Rycca had to blink several times before she could respond. She knew both women spoke pure truth and loved them for it.After a lifetime of emotional solitude unbroken but for Thurlow, it was still difficult for her to comprehend that she was no longer alone. Yet was she beginning to understand it. Softly,she said, "I worry over Dragon. He refuses to talk of my father or of what will happen now that we are here, but I fear he is planning to take matters into his own hands." Cymbra and Krysta exchanged a glance. Quietly,Cymbra said, "Your instinct is not wrong. Dragon simmers with rage at the harm attempted to you. In Landsende I caught a mere glimpse of it,and it was like peering into one of those mountains that belch fire." Despite the heat of the sauna, Rycca shivered. "He came close to losing his life once because of me.I cannot bear for it to happen again." There was silence for a moment,broken only by the crackling of the fire and the hiss of steam.Finally, Cymbra said, "We are each of us married to an extraordinary man. There is something about them...even now I don't really know how to explain it." She looked at Krysta. "Have you told Rycca about Thorgold and Raven?" Krysta shook her head. "There was no time before." She turned on her side on the bench,facing the other two. "Thorgold and Raven are my...friends. They are somewhat unusual." Cymbra laughed at that,prompting a chiding look from Krysta,who went on to say, "I'm not sure how but I think somehow I called them to me when I was a child and needed them very much." "Krysta has the gift of calling," Cymbra said, "as I do of feeling and you do of truthsaying. Doesn't it strike you as odd that three very unusual women, all bearing special gifts, ccame to be married to three extraordinary men who are united by a common purpose,to bring peace to their peoples?" "I had not really thought about it," said Rycca, who also had not known of Krysta's gift and was looking at her with some surprise. All three of them? That was odd. "I believe," said Cymbra, who clearly had been thinking about it, "that there is a reason for it beyond mere coincidence. I think we are meant to be at their sides, to help them as best we can, the better to transform peace from dream to reality." "It is a good thought," Krysta said. Rycca nodded. Very quietly, she said, "Blessed are the peacemakers." Cymbra grinned. "And poor things, we appear to be their blessings. So worry not for Dragon, Rycca. He will prevail. We will all see to it." They laughed then,the trio of them, ancient and feminine laughter hidden in a chamber held in the palm of the earth. The steam rose around them, half obscuringm half revealing them. In time,when the heat had become too intense,they rose, wrapped themselves in billowing cloths,and ran through the gathering darkness to the river, where they frolicked in cool water and laughed again beneath the stars. The torches had been lit by the time they returned to the stronghold high on the hill. They dressed and hastened to the hall,where they greeted their husbands, who stood as one when they entered,silent and watchful men before beauty and strength, and took their seats at table. Wine was poured, food brought,music played. They lingered over the evening,taking it into night. The moon was high when they found the sweet,languid sanctuary of their beds. Day came too swiftly.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
After the assembly I’m getting my chem book out of my locker when Peter comes over and leans his back against the locker next to mine. Through his mask he says, “Hey.” “Hey,” I say. And then he doesn’t say anything else; he just stands there. I close my locker door and spin the combination lock. “Congratulations on winning best group costume.” “That’s it? That’s all you’re going to say?” Huh? “What else am I supposed to say?” Just then Josh walks by with Jersey Mike, who’s dressed up as a hobbit, hairy feet and all. Walking backward, Josh points his wand at me and says, “Expelliarmus!” Automatically I point my wand back at him and say, “Avada Kedavra!” Josh clutches his chest like I’ve shot him. “Way harsh!” he calls out, and he disappears down the hallway. “Uh…don’t you think it’s weird for my supposed girlfriend to wear a couples costume with another guy?” Peter asks me. I roll my eyes. I’m still mad at him from this morning. “I’m sorry, I can’t talk to you when you look like this. How am I supposed to have a conversation with a person in head-to-toe latex?” Peter pushes his mask up. “I’m serious! How do you think it makes me look?” “First of all, it wasn’t planned. Second of all, nobody cares what my costume is! Who would even notice something like that?” “People notice,” Peter huffs. “I noticed.” “Well, I’m sorry. I’m very sorry that a coincidence like this would ever occur.” “I really doubt it was a coincidence,” Peter mutters. “What do you want me to do? Do you want me to pop over to the Halloween store during lunch and buy a red wig and be Mary Jane?” Smoothly Peter says, “Could you? That’d be great.” “No, I could not. You know why? Because I’m Asian, and people will just think I’m in a manga costume.” I hand him my wand. “Hold this.” I lean down and lift the hem of my robe so I can adjust my knee socks. Frowning, he says, “I could have been someone from the book if you’d told me in advance.” “Yes, well, today you’d make a really great Moaning Myrtle.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
the Mercatus Center dismissed it as a lobbying shop dressed up as a nonprofit, calling it “a means of laundering economic aims.” The lawyer explained the strategy: “You take corporate money and give it to a neutral-sounding think tank,” which “hires people with pedigrees and academic degrees who put out credible-seeming studies. But they all coincide perfectly with the economic interests of their funders.
Jane Mayer (Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right)
Ned Sherrin Ned Sherrin is a satirist, novelist, anthologist, film producer, and celebrated theater director who has been at the heart of British broadcasting and the arts for more than fifty years. I had met Diana, Princess of Wales--perhaps “I had been presented to” is more accurate--in lineups after charity shows that I had been compering and at which she was the royal guest of honor. There were the usual polite exchanges. On royal visits backstage, Princess Alexandra was the most relaxed, on occasion wickedly suggesting that she caught a glimpse of romantic chemistry between two performers and setting off giggles. Princess Margaret was the most artistically acute, the Queen the most conscientious; although she did once sweep past me to get to Bill Haley, of whom she was a fan. Prince Edward could, at one time, be persuaded to do an irreverent impression of his older brother, Prince Charles. Princess Diana seemed to enjoy herself, but she was still new to the job and did not linger down the line. Around this time, a friend of mine opened a restaurant in London. From one conversation, I gathered that although it was packed in the evenings, business was slow at lunchtime. Soon afterward, I got a very “cloak-and-dagger” phone call from him. He spoke in hushed tones, muttering something like “Lunch next Wednesday, small party, royal person, hush-hush.” From this, I inferred that he wanted me and, I had no doubt, other friends to bring a small party to dress the restaurant, to which he was bringing the “royal person” in a bid to up its fashionable appeal during the day. When Wednesday dawned, the luncheon clashed with a couple of meetings, and although feeling disloyal, I did not see how I was going to be able to round up three or four people--even for a free lunch. Guiltily, I rang his office and apologized profusely to his secretary for not being able to make it. The next morning, he telephoned, puzzled and aggrieved. “There were only going to be the four of us,” he said. “Princess Diana had been looking forward to meeting you properly. She was very disappointed that you couldn’t make it.” I felt suitably stupid--but, as luck had it, a few weeks later I found myself sitting next to her at a charity dinner at the Garrick Club. I explained the whole disastrous misunderstanding, and we had a very jolly time laughing at the coincidence that she was dining at this exclusive club before her husband, who had just been elected a member with some publicity. Prince Charles was in the hospital at the time recuperating from a polo injury. Although hindsight tells us that the marriage was already in difficulties, that was not generally known, so in answer to my inquiries, she replied sympathetically that he was recovering well. We talked a lot about the theater and her faux pas some years before when she had been to Noel Coward’s Hay Fever and confessed to the star, Penelope Keith, that it was the first Coward play that she had seen. “The first,” said Penelope, shocked. “Well,” Diana said to me, “I was only eighteen!” Our meeting was at the height of the AIDS crisis, and as we were both working a lot for AIDS charities, we had many notes to compare and friends to mourn. The evening ended with a dance--but being no Travolta myself, I doubt that my partnering was the high point for her.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
In money matters she was scrupulousness itself. Theobald made her a quarterly allowance for her dress, pocket money and little charities and presents. In these last items she was liberal in proportion to her income; indeed she dressed with great economy and gave away whatever was over in presents or charity. Oh, what a comfort it was to Theobald to reflect that he had a wife on whom he could rely never to cost him a sixpence of unauthorised expenditure! Letting alone her absolute submission, the perfect coincidence of her opinion with his own upon every subject and her constant assurances to him that he was right in everything which he took it into his head to say or do, what a tower of strength to him was her exactness in money matters! As years went by he became as fond of his wife as it was in his nature to be of any living thing, and applauded himself for having stuck to his engagement — a
Samuel Butler (Complete Works of Samuel Butler)
Focusing on the public school system, former Secretary of Education, William Bennett explains the moral crisis in that institution by contrasting the concerns of teachers in two different eras: 'Over the years teachers have been asked to identify the top problems in America's schools. In 1940 teachers identified them as talking out of turn; chewing gum; making noise; running in the hall; cutting in line; dress code infractions; and littering. When asking the same question in 1990, teachers identified drug abuse; alcohol abuse; pregnancy; suicide; rape; robbery; and assault.' During the thirty-year period of 1960 to 1990, 'there has been a 560 percent increase in violent crime; more than a 400 percent increase in illegitimate births; a quadrupling in divorces; a tripling of the percentage of children living in single-parent homes; more than a 200 percent increase in the teenage suicide rate; and a drop of 75 points in the average SAT scores of high-school students.' We do not believe it is a coincidence that the increase of moral mayhem described by Bennett corresponds with an increased acceptance of moral relativism. In fact, relativism has been officially incorporated in the educational curriculum, known as values clarification.
Francis J. Beckwith (Relativism: Feet Firmly Planted in Mid-Air)
Absolute solution comes from absolute problem, ultimate certainty comes from ultimate uncertainty, total acceptance comes from total rejection, complete perfection comes from complete flaw, ample richness comes from ample poverty, foolproof protection comes from unyielding danger and unlimited liberty comes from unlimited restriction. Each one is coincident of another as dark is coincident of light. To such a degree, never try to escape from them.Rather bravely and wisely engage to sort them out . You know, these wonderful stuffs fetch for its tail all wonderful-reverse-stuffs, making your life tested and dignified. Never give up rather wake-up, have a great shower, eat, dress up and join in the struggle. Neither dishearten yourself nor give ears to others' words, just keep faith on you, believe your own intuition and keep the struggle going... I am damn sure, Success, it must lay its head eventually beneath your noble feet as a flunky of order execution and will crown you as the king. Many Cheers from Lord Robin.
Lord Robin
In the Catholic world, it is well established that modesty is more than just a hemline, but we cannot ignore the elephant in the room either. Few Catholics have yet to understand what it truly means to dress appropriately for Mass; many people dress as if they just came back from the beach or just rolled out of bed. Then we have the few, yet the loud, Catholics who seemed to have made it their life’s duty to remind others, regardless of time, place, or charity, that, according to them, their particular outfit is “of the devil.” While at the same time, many more Catholics, men and women, have come to believe that the amount of clothing that we wear doesn’t matter, as long as we have love in our hearts. But neither of these ideologies seem to coincide with Church Tradition. What we Catholics need to ask ourselves is, “If how we dress, most especially in the Presence of the Blessed Sacrament, is as vitally important as the Church has always said until lately, how then is it suddenly not an issue?
Julia Black (Catholic Modesty: What It Is, What It Isn't, and Why It's Still Important)
It’s no coincidence that social justice warriors are frequently out of shape, poorly dressed, and have messy hair, along with their overall disheveled appearance. If some dress for success, they dress for failure. Now get out there and buy yourself something nice. Your future deserves it.
Dave Rubin (Don't Burn This Book: Thinking for Yourself in an Age of Unreason)
Jamie arched an eyebrow, deconstructing the situation.  He was headed to work by the look of him, and judging from the direction he came from, he lived on the upmarket residential street that this one intersected. Homeless shelters often drove house prices down, and someone dressed like him would be a prime target for begging. And he’d obviously experienced enough of it to not even want to look at them as he passed. Roper wasn’t so understanding and inhaled hard to shout after him, coughing hoarsely as he did, unable to catch his breath. ‘Roper,’ Jamie said quickly, moving towards him, shaking her head. ‘Don’t.’ Roper leaned forward, reddening, then hawked and spat a chunk of brown phlegm onto the tarmac. He stood up then, hands on his hips, forehead creased, a vein bulging in his temple. ‘Why not?’ he squeezed out. ‘You heard what he said. You think that’s a coincidence?’ Jamie looked after him.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Tolstoy was always as keen to do as to teach. As with most intellectuals, there came a time in his life when he felt the need to identify himself with ‘the workers’. It popped up intermittently in the 1860s and 1870s, then began in earnest in January 1884. He dropped his title (though not his authoritative manner) and insisted on being called ‘plain Leo Nikolayevich’. This mood coincided with one of those sartorial gestures intellectuals love: dressing as a peasant. The class transvestism suited Tolstoy’s love of drama and costume. It also suited him physically, for he had the build and features of a peasant. His boots, his smock, his beard, his cap became the uniform of the new Tolstoy, the world-seer. It was a prominent part of that instinctive talent for public relations which most of these great secular intellectuals seem to possess. Newspaper reporters came thousands of miles to see him. Photography was now universal, the newsreel just beginning in Tolstoy’s old age. His peasant dress was ideally suited to his epiphany as the first media prophet.
Paul Johnson (Intellectuals: A fascinating examination of whether intellectuals are morally fit to give advice to humanity)
Lou hoisted up her gown and winced as she tottered across the parking lot. The sparkly four-inch heels had looked so pretty in the box, but they felt like a mortar and pestle grinding each bone in her foot. She missed her green Crocs. Lou plucked at the tight elastic, squeezing her under the sleek black dress her fiancé, Devlin, had given her. He walked five steps ahead of her, so she scurried to catch up. "Overstuffed truffle and foie gras sausage," Lou said. Devlin's face crinkled in confusion. "What?" "It's a new dish, inspired by how I feel in these clothes. Maybe served over brown butter dumplings..." Lou tilted her head, visualizing the newly formed meal.
Amy E. Reichert (The Coincidence of Coconut Cake)