“
To die, - To sleep, - To sleep!
Perchance to dream: - ay, there's the rub;
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
”
”
William Shakespeare (Hamlet)
“
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong."
He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin.
"My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
His dark eyes lifting to mine, he adds, "But I resist it."
"Why..." I swallow hard. "Why is that your first instinct?"
"Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just want to see it again. Want to see you awake.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.--Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd!
”
”
William Shakespeare (Hamlet)
“
They say sarcasm is the lowest form of wit," Valkyrie said.
China glanced at her. "They've obviously never met me.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
It was rather beautiful: the way he put her insecurities to sleep. The way he dove into her eyes and starved all the fears and tasted all the dreams she kept coiled beneath her bones.
”
”
Christopher Poindexter
“
Fear is the original sin. Almost all of the evil in the world has its origin in the fact that some one is afraid of something.It is a cold slimy serpent coiling about you. It is horrible to live with fear; and it is of all things degrading.
”
”
L.M. Montgomery (The Blue Castle)
“
It's not that I want you to go, it's just that I don't want you to stay." - China Sorrows -
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.
Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.
We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love
which sets us free.
”
”
Maya Angelou
“
If any of you survive, make sure I have an open casket," Jesper said as he hefted two slender coils of rope over his shoulder and signalled for Wylan to follow him across the roof. "The world deserves a few more moments with this face.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Stairs," Valkyrie said, disappointed.
"Not just ordinary stairs," Skulduggery told her as he led the way down. "Magic stairs."
"Really?"
"Oh, yes."
She followed him into the darkness. "How are they magic?"
"They just are."
"In what way?"
"In a magicky way."
She glared at the back of his head. "They aren't magic at all, are they?"
"Not really.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Nothingness lies coiled in the heart of being - like a worm.
”
”
Jean-Paul Sartre (Being and Nothingness)
“
When I carved this, my thoughts were on you, love. Your life is like this snake's coils. No matter how many turns it makes, you'll end up back where you belong. With me.
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
I need a weapon,” Valkyrie muttered.
“You’re an Elemental with a Necromancer ring, trained in
a variety of martial arts by some of the best fighters in the world,” Skulduggery pointed out. “I’m fairly certain that makes you a weapon.”
“I mean a weapon you hold. You have a gun, Tanith has a sword... I want a stick.”
“I’ll buy you a stick for Christmas.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
He's a contradiction: taut magic coiled to strike, gentleness at war with severity, a tongue as sharp as a whip's edge, yet skin so soft he could be swathed in clouds.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
Run, thought Victor, and he could see the response in Eli's coiled frame.
Chase me.
”
”
Victoria E. Schwab
“
You're right. And so was my snake."
Snake?"
He pulled my arm out to expose my bracelet. "When I carved this my thoughts were on you, love. Your life is like this snake's coils. No matter how many turns it makes, you'll end up back where you belong. With me.
”
”
Maria V. Snyder
“
I must be besotted,” he said evenly. “I have the imbecilic idea that you’re the prettiest girl I’ve ever seen. Except for your coiffure,” he added, with a disgusted glance at the coils and plumes and pearls. “That is ghastly.”
She scowled. “Your romantic effusions leave me breathless.
”
”
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
“
So he has no head'
'Thats usually what headless means'
'No head at all?'
'Your really not getting the whole headless thing are you?'
'Its just kind of silly even for us...
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Inside, my soul became so cold I hated everything. I even despised the sun, for I knew I would never be able to play in its warm presence. I cringed with hate whenever I heard other children laughing, as they played outside. My stomach coiled whenever I smelled food that was about to be served to somebody else, knowing it wasn't for me.
”
”
Dave Pelzer (A Child Called "It" (Dave Pelzer, #1))
“
The human phenomenon is but the sum
Of densely coiled layers of illusion
Each of which winds itself on the supreme insanity
That there are persons of any kind
When all there can be is mindless mirrors
Laughing and screaming as they parade about
in an endless dream
”
”
Thomas Ligotti
“
Plans are invitation to disappointment.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
The word 'however' is like an imp coiled beneath your chair. It induces ink to form words you have not yet seen, and lines to march across the page and overshoot the margin. There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.
”
”
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
“
Foes and false friends are all around me, Lord Davos. They infest my city like roaches, and at night I feel them crawling over me.” The fat man’s fingers coiled into a fist, and all his chins trembled. “My son Wendel came to the Twins a guest. He ate Lord Walder’s bread and salt, and hung his sword upon the wall to feast with his friends. And they murdered him. Murdered, I say, and may the Freys choke upon their fables. I drink with Jared, jape with Symond, promise Rhaegar the hand of my own beloved granddaughter…but never think that means I have forgotten. The north remembers, Lord Davos. The north remembers, and the mummer’s farce is almost done. My son is home.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
Every intimacy carries secreted somewhere below its initial lovely surfaces, the ever-coiled makings of complete catastrophe.
”
”
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
“
No matter what she did with her hair it took about three minutes for it to tangle itself up again, like a garden hosepipe in a shed [Which, no matter how carefully coiled, will always uncoil overnight and tie the lawnmower to the bicycles].
”
”
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
“
I carefully lay out the provisions. One thin black sleeping bag that reflects body heat. A pack of crackers. A pack of dried beef strips. A bottle of iodine. A box of wooden matches. A small coil of wire. A pair of sunglasses. And a half-gallon plastic bottle with a cap for carrying water that's bone dry.
No water. How hard would it have been for them to fill up the bottle?
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Devoutly to be wish'd. To die, to sleep; To sleep, perchance to dream—For in that sleep of death what dreams may come,When we have shuffled off this mortal coil, Must give us pause, there's the respect, That makes calamity of so long life
”
”
William Shakespeare (Hamlet)
“
Never before had I known the sudden quiver of understanding that travels from word to brain to heart, the way a new language can move, coil, swim into life under the eyes, the almost savage leap of comprehension, the instantaneous, joyful release of meaning, the way the words shed their printed bodies in a flash of heat and light.
”
”
Elizabeth Kostova (The Historian)
“
One world on its own is a strange enough seethe of coiling, unknowable veins of intention and chance, but two? Where two worlds mingle breath through rips in the sky, the strange becomes stranger, and many things may come to pass that few imaginations could encompass.
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
Daemon was suddenly in front of me. I took an involuntary step back. "Do you think I didn't enjoy kissing you? That I haven't thought about it every second since then? And I know you have. Just admit it."
In the pit of my stomach, tight coils thrummed. "What is the point of this?"
"Have you?"
"Oh, for crap's sake, yes, I have. I do! Do you want me to write it down for you? Send you an e-mail or a text? Will that make you feel better?"
Daemon arched a brow. "You don't need to be sarcastic.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
We made love like two coiled up fire hoses. When there’s no fire in the romance, why not act like a couple of sleeping snakes?
”
”
Jarod Kintz (This Book is Not for Sale)
“
Chapter 1.
He adored New York City. He idolized it all out of proportion...no, make that: he - he romanticized it all out of proportion. Yeah. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.'
Uh, no let me start this over.
'Chapter 1.
He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles...'.
Ah, corny, too corny for my taste. Can we ... can we try and make it more profound?
'Chapter 1.
He adored New York City. For him, it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in...'
No, that's going to be too preachy. I mean, you know, let's face it, I want to sell some books here.
'Chapter 1.
He adored New York City, although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage...'
Too angry, I don't want to be angry.
'Chapter 1.
He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.'
I love this.
'New York was his town, and it always would be.
”
”
Woody Allen (Manhattan)
“
I don't know how to describe the sound of a world crashing. Maybe there is no sound, just a great emptiness, an enveloping sorrow, a creeping nothingness that coils itself around you like a stiff wire.
”
”
Charles M. Blow (Fire Shut Up in My Bones)
“
You're under arrest for multiple counts of murder. You have the right to not much at all, really. Do you have anything to say in your defense?
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Not to be born at all
Is best, far best that can befall,
Next best, when born, with least delay
To trace the backward way.
For when youth passes with its giddy train,
Troubles on troubles follow, toils on toils,
Pain, pain forever pain;
And none escapes life's coils.
Envy, sedition, strife,
Carnage and war, make up the tale of life.
”
”
Sophocles (Oedipus at Colonus (The Theban Plays, #2))
“
Man up?" He sat back in a lazy, arrogant sprawl, but the coiled tension was in every muscle in his body. "It's a good thing I love you or I'd find that particularly insulting.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
She had been a teenager once, and she knew that, despite the apparent contradictions, a person's teenage years lasted well into their fifties.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
I coiled my empty straw wrapper around like a snake. Then I bit it before it could bite me. My love is as dangerous as my drinking habits.
”
”
Jarod Kintz (Love quotes for the ages. And the ageless sages.)
“
There is a patience of the wild--dogged, tireless, persistent as life itself--that holds motionless for endless hours the spider in its web, the snake in its coils, the panther in its ambuscade; this patience belongs peculiarly to life when it hunts its living food;
”
”
Jack London (The Call of the Wild)
“
Tiny coils of tension formed in my stomach. Part of me wanted to be reminded of what I surely had not forgotten. Thank the gods, the smarter, logical part of me won out. "There was nothing worth remembering."
"Now you insult me after throwing a dagger at my face? You've wounded my tender feelings.
”
”
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
“
My body melts into his hard one until his strong arm, coiled around my small waist, is all that hols me upright. I don't know if I'm bad for him, or him for me. All I know is that this is as inevitable as an incoming tsunami, and I'm just bracing for the swim of my life.
”
”
Katy Evans (Real (Real, #1))
“
So one day he found her crying
Coiled up on the dirty ground
Her prince finally came to save her
& the rest you can figure out
But it was a trick
& the clock struck twelve
Well make sure to build your home brick by boring brick
or the wolf's gonna blow it down
Keep your feet on the ground
When your head's in the clouds
”
”
Hayley Williams
“
I find it rude to laugh at a man with a sword.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
But I'm really enjoying my retirement. I get to sleep in every day. I do crossword puzzles and eat cake.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Music. Close your eyes and it's a rosebush blooming in time lapse so that it shoots and blossoms flow outward in a swift choreography of growth and collapse, twine and coil, release and fade.
Close your eyes and music paints light vines and calligraphy on the darkness within you.
”
”
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
“
Did you eat my Twinkies?"
She gulped. Keeping her eyes glued to the whip, she said, "Exactly what Twinkies are we talking about?"
"The Twinkies in the cupboard over the sink. The only Twinkies in the trailer." His fingers convulsed around the coils of leather.
Oh, Lord, she thought. Flayed to death for a Twinkle.
"Well?"
"It, uh — it won't happen again, I promise you. But they didn't have any special marking on them, so there was no way I could tell they were yours." Her eyes remained riveted on the whip. "And normally I wouldn't have eaten them— I never eat junk food-—but I was hungry last night, and, well, when you think about it, you'll have to admit I did you a favor because they're clogging my arteries now instead of yours."
His voice was quiet. Too quiet. In her mind she heard the howl of a rampaging Cossack baying at a Russian moon. "Don't touch my Twinkies. Ever. If you want Twinkies, buy your own.
”
”
Susan Elizabeth Phillips (Kiss an Angel)
“
Sometimes it's not what you say, Valkyrie, it's just the fact that you're saying it.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Outside, the night lay coiled in the street, cobra-cold and scaled with stars.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
He pulled my arm out to expose my bracelet. "When I carved this, my thoughts were on you, love. Your life is like this snake's coils. No matter how many turns it makes, you'll end up back where you belong. With me." His sapphire eyes held a promise. - Valek
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
Personally, I think knees should be kept for the eighth or ninth date, or the wedding day. As a nice surprise you know? 'oh, my darling, you have knees! I never would have thought
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
... and when he put his mind to it, he could make his words coil themselves around and around the listener until they held her in some sort of a mild hypnotic spell.
”
”
Roald Dahl (Switch Bitch)
“
Corrival looked around. 'So is this it? Is everyone here? Erskine, maybe you should start the ball rolling. I have places to go and things to do.'
'Me?' Ravel asked. 'Why do I have to start it? You're the most respected mage here. You start it, or Skulduggery.'
Skulduggery shook his head. 'I can't start it. I don't like most of these people. I might start shooting.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Two generations of Americans knew more about the Ford coil than the clitoris, about the planetary system of gears that the solar system of stars.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
... What do you want, Ash?"
"Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her."
I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium.
"Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin.
"This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself."
"Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough."
"Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die."
"Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face.
"I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone.
"So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?"
I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
For in that sleep of death what dreams may come When we have shuffled off this mortal coil,Must give us pause
”
”
William Shakespeare
“
All her life she had wanted to squeeze the toothpaste really squeeze it,not just one little squirt...The paste coiled and swirled and mounded in the washbasin. Ramona decorated the mound with toothpaste roses as if it was a toothpaste birthday cake
”
”
Beverly Cleary (Ramona and Her Mother (Ramona Quimby, #5))
“
I mean you ACRES of harm,' Dalrymple growled. 'Untold QUANTITIES of harm. I will visit a whole CONTINENT of harm upon you before we are through.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
The roots of our grief coil so deeply into loss that death has come
to live with us like a family member who makes you happy by avoiding
you, but who is still one of the family. Our anger is a rage that
Westerners cannot understand. Our sadness can make the stones
weep. And the way we love is no exception
”
”
Susan Abulhawa (Mornings in Jenin)
“
The drug of love was no escape, for in its coils lie latent dreams of greatness which awaken when men and women fecundate each other deeply. Something is always born of man and woman lying together and exchanging the essences of their lives. Some seed is always carried and opened in the soil of passion. The fumes of desire are the womb of man's birth and often in the drunkeness of caresses history is made, and science, and philosophy. For a woman, as she sews, cooks, embraces, covers, warms, also dreams that the man taking her will be more than a man, will be the mythological figure of her dreams, the hero, the discoverer, the builder....Unless she is the anonymous whore, no man enters woman with impunity, for where the seed of man and woman mingle, within the drops of blood exchanged, the changes that take place are the same as those of great flowing rivers of inheritance, which carry traits of character from father to son to grandson, traits of character as well as physical traits. Memories of experience are transmitted by the same cells which repeated the design of a nose, a hand, the tone of a voice, the color of an eye. These great flowing rivers of inheritance transmitted traits and carried dreams from port to port until fulfillment, and gave birth to selves never born before....No man and woman know what will be born in the darkness of their intermingling; so much besides children, so many invisible births, exchanges of soul and character, blossoming of unknown selves, liberation of hidden treasures, buried fantasies...
”
”
Anaïs Nin (The Four-Chambered Heart: V3 in Nin's Continuous Novel)
“
When I tried to show him how an electromagnet works by making a little coil of wire and hanging a nail on a piece of string, I put the voltage on, the nail swung into the coil, and Jerry said, “Ooh! It’s just like fucking!
”
”
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
“
Darkness coiled between what he wanted them to believe and the self he despised. It only made him more alone. How could you save someone when he didn't let you kno him? What a waste. The beauty he murdered in this place. He could never see what he had, only what he failed to achieve.
”
”
Janet Fitch (Paint it Black)
“
Are we living a life that is safe from harm? Of course not. We never are. But that’s not the right question. The question is: Are we living a life that is worth the harm?
”
”
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
“
Don’t kill me,” he sobbed as he lay there. “Oh God, please don’t kill me.”
“If you had let me finish,” Skulduggery said, slightly annoyed, “you would have heard me say, ‘Come out, we’re not
going to hurt you’. Idiot.”
“He probably wouldn’t have said idiot,” Valkyrie told the sobbing man. “We’re trying our best to be nice.”
The man blinked through his tears, and looked up.
“You’re... You’re not going to kill me?”
“No, we’re not,” Valkyrie said gently, “so long as you wipe your nose right now.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Valkyrie Cain got out of the passenger side. She zipped up
her black jacket against the cold, and joined Skulduggery as he
walked up to the front door. She glanced at him, and saw that he was smiling.
"Stop doing that,” she sighed.
“Stop doing what?” Skulduggery responded in that gloriously velvet voice of his.
“Stop smiling. The person we want to talk to lives in the only dark house on a bright street. That’s not a good sign.”
“I didn’t realise I was smiling,” he said.
They stopped at the door, and Skulduggery made a concerted effort to shift his features. His mouth twitched
downwards. “Am I smiling now?”
“No.”
“Excellent,” he said, and the smile immediately sprang back up.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
The problem with living so long is that we get used to it. We watch the mortals age and wither and die around us, watch the world change and decay...but no matter the hardship or the pain or the sorrow we suffer, we choose to continue living. Out of sheer habit, I think.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
All you can depend on now is that
Sorrow will remain faithful to itself.
More than you, it knows its way
And will find the right time
To pull and pull the rope of grief
Until that coiled hill of tears
Has reduced to its last drop.
”
”
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
“
What I find to be very bad advice is the snappy little sentence, 'Write what you know.' It is the most tiresome and stupid advice that could possibly be given. If we write simply about what we know we never grow. We don't develop any facility for languages, or an interest in others, or a desire to travel and explore and face experience head-on. We just coil tighter and tighter into our boring little selves. What one should write about is what interests one.
”
”
Annie Proulx
“
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong."
He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin.
"My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
She had what the Victorians would call a finely shaped head. You could imagine the skull quite easily.
I'd know her head anywhere.
And what's inside it. I think of that, too: her mind. Her brain, all those coils, and her thoughts shuttling through those coils like fast, frantic centipedes. Like a child, I picture opening her skull, unspooling her brain and sifting through it, trying to catch and pin down her thoughts. What are you thinking, Amy?
”
”
Gillian Flynn (Gone Girl)
“
Valkyrie smiled patiently. "I like how you do your make-up. Do you use a brush, or just dip your head in the bucket?
”
”
Derek Landy
“
Thinking about time is to acknowledge two contradictory certainties: that our outward lives are governed by the seasons and the clock; that our inward lives are governed by something much less regular-an imaginative impulse cutting through the dictates of daily time, and leaving us free to ignore the boundaries of here and now and pass like lightning along the coil of pure time, that is, the circle of the universe and whatever it does or does not contain.
”
”
Jeanette Winterson (Sexing the Cherry)
“
All right," he said.
Magnus whipped toward him in the dark, all coiled energy now, all cheekbones and shimmering eyes. “Really?”
“Really,” Alec said. He reached out a hand, and interlinked his fingers with Magnus’s. There was a glow being woken in Alec’s chest, where all had been dark. Magnus cupped his long fingers under Alec’s jawline and kissed him, his touch light against Alec’s skin: a slow and gentle kiss, a kiss that promised more later, when they were no longer on a roof and could be seen by anyone walking by.
“So I’m your first ever Shadowhunter, huh?” Alec said when they separated at last.
“You’re my first so many things, Alec Lightwood,” Magnus said.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
I understand perfectly. Darquesse isn't a separate entity. She isn't another person. She's you. If you make the wrong choices, if you stop loving the people who love you, if you allow the world to twist and turn and change you, then yes, the future we've seen will come to pass. But if you fight, and if you kick, and struggle, and refuse to give in to the apathy, or the anger, or the hopelessness, then you'll change the future, and you'll walk your own path. And I'll be right there beside you, Valkyrie. I'll always be beside you.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Patch's eyes grazed me with silent heat. My reflection swirled in them, red hair and lips aflame. I was connected to him by a force I couldn't control, a tiny thread that tethered my soul to his. With the moon at his back, shadows painted the faint hollows beneath his eyes and cheekbones, making him look breathtakingly handsome and equally diabolical. His hands steadied my face, holding me still before him. The wind tangled my hair around his wrists, twining us together. His thumbs moved across my cheekbones in a slow, intimate caress. Despite the cold, a steady burn coiled up inside me, vulnerable to his touch. His fingers traced lower, lower, leaving behind a hot, delicious ache. I closed my eyes, my joints melting. He lit me up like a flame, light and heat burning at a depth I'd never fathomed. His thumb stroked my lip, a soft, seductive tease. I gave a sharp sigh of pleasure.
"Kiss you now?" he asked.
I couldn't speak; a wilted no was my reply.
His mouth, hot and daring, met mine. All play had left him, and he kissed me with his own black fire, deep and possessive, consuming my body, my soul, and laying waste to all past notions of what it meant to be kissed.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
Not as the plants and flowers of Earth, growing peacefully beneath a simple sun, were the blossoms of the planet Lophai. Coiling and uncoiling in double dawns; tossing tumultuously under vast suns of jade green and balas-ruby orange; swaying and weltering in rich twilights, in aurora-curtained nights, they resembled fields of rooted serpents that dance eternally to an other-worldly music.
”
”
Clark Ashton Smith (Lost Worlds)
“
When you love someone for their mind, you can't expect that their heart will belong to you too.
”
”
Emily Suvada (This Mortal Coil (This Mortal Coil, #1))
“
All the beauty in the world was made within the oppressive limitations of time and death and impermanence.
”
”
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
“
I was observing her closely as I talked, and after a while I began to get the impression that she was not, in fact, quite so merry and smiling a girl as I had been led to believe at first. She seemed to be coiled in herself, as though with a secret she was jealously guarding. The deep-blue eyes moved too quickly about the room, never settling or resting on one thing for more than a moment; and over all her face, though so faint that they might not even have been there, those small downward lines of sorrow.
”
”
Roald Dahl (Someone Like You)
“
I wanted you, nameless Woman of the South,
No wraith, but utterly—as still more alone
The Southern Cross takes night
And lifts her girdles from her, one by one—
High, cool,
wide from the slowly smoldering fire
Of lower heavens,—
vaporous scars!
Eve! Magdalene!
or Mary, you?
Whatever call—falls vainly on the wave.
O simian Venus, homeless Eve,
Unwedded, stumbling gardenless to grieve
Windswept guitars on lonely decks forever;
Finally to answer all within one grave!
And this long wake of phosphor,
iridescent
Furrow of all our travel—trailed derision!
Eyes crumble at its kiss. Its long-drawn spell
Incites a yell. Slid on that backward vision
The mind is churned to spittle, whispering hell.
I wanted you . . . The embers of the Cross
Climbed by aslant and huddling aromatically.
It is blood to remember; it is fire
To stammer back . . . It is
God—your namelessness. And the wash—
All night the water combed you with black
Insolence. You crept out simmering, accomplished.
Water rattled that stinging coil, your
Rehearsed hair—docile, alas, from many arms.
Yes, Eve—wraith of my unloved seed!
The Cross, a phantom, buckled—dropped below the dawn.
Light drowned the lithic trillions of your spawn.
”
”
Hart Crane (The Bridge)
“
Tanith frowned. Did people still go on DATES any more? She was sure they did. They probably called it something different though. She tried to think of the last date she'd been on. The last PROPER date. Did fighting side by side with Saracen Rue count as a date? They ended up snuggling under the moonlight, drenched in gore and pieces of brain - so it had PROBABLY been a date. If it wasn't, it was certainly a fun time had by all. Well, not ALL. But she and Saracen had sure had a blast.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Kaylee, this means something to me.” His hands trailed down my arms to cup my elbows, and his gaze held mine. “With any
luck, we’re going to have millions of moments over the course of eternity, and I plan to love every one of them. But we’ll never
have this moment again, and this is very important to me.” The twists of blue in his eyes coiled so tightly the color was almost gone,
lost among pale shades of a need so deep it couldn’t possibly be captured in a kiss, or a touch. “I need to know that this is important
to you, too. I need to know that this isn’t like last time. That you’re not doing this just so you can say you’ve done it. Because that’s
not good enough for me. That’s not good enough for us.
”
”
Rachel Vincent (Before I Wake (Soul Screamers, #6))
“
A baby is God's opinion that life should go on. A book that does nothing to you is dead. A baby, whether it does anything to you, represents life. If a bad fire should break out in this house and I had my choice of saving the library or the babies, I would save what is alive. Never will a time come when the most marvelous recent invention is as marvelous as a newborn baby. The finest of our precision watches, the most super-colossal of our supercargo plants, don't compare with a newborn baby in the number and ingenuity of coils and springs, in the flow and change of chemical solutions, in timing devices and interrelated parts that are irreplaceable. A baby is very modern. Yet it is also the oldest of the ancients. A baby doesn't know he is a hoary and venerable antique — but he is. Before man learned how to make an alphabet, how to make a wheel, how to make a fire, he knew how to make a baby — with the great help of woman, and his God and Maker.
”
”
Carl Sandburg
“
I’m in control.
But it’s a lie, because now I’ve tasted him. His lips are salty-sweet with yesterday’s laughter … digging in the black sands beneath Wonderland’s sunshine, playing leapfrog atop mushroom caps, and resting in the shade of black satin wings.
I try to shake off the spell, but he angles his face and deepens the kiss. “Embrace me … embrace your destiny.” He breaks the barrier of my lips, touching his tongue to mine, a sensation too wickedly delicious to deny. As our tongues entwine, his lullaby purrs through my blood and bones, carrying me to the stars.
Behind closed eyes, I’m floating against a velvet sky, lungs filled with night air. On some level, I know I’m still in the middle of a fire-warmed chamber, yet my wings pantomime flight on a cool breeze. I’m dancing with Morpheus in the heavens, no longer imprisoned by gravity.
Fluttering our wings in unison, we twist and whirl a weightless waltz among stars that coil and uncoil in feathery sparks high above Wonderland’s warped and wonderful landscapes. Each time we spin, then return to each other’s arms, I laugh, because at last I’m me.
I’m a me I’ve longed to be in my innermost fantasies—spontaneous, impetuous, and seductive.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
There is always a moment when stories end, a moment when everything is blue and black and silent, and the teller does not want to believe it is over, and the listener does not, and so they both hold their breath and hope fervently as pilgrims that it is not over, that there are more tales to come, more and more, fitted together like a long chain coiled in the hand. They hold their breath; the trees hold theirs, the air and the ice and the wood and the Gate. But no breath can be held forever, and all tales end.
”
”
Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
“
Who are you?" she said, barely able to hear her own words as her heartbeat thrummed in her ears.
"This is your dream, remember? Tell me who I am," he said smiling, absently coiling a tendril of her long brown hair around a finger.
She narrowed her eyes at him. "If this is my dream, oneiroi, then answer my question. Who are you?"
He was hearing her true voice: that of a natural ruler. She watched him smile at her fearlessness, even as he loomed over her. He leaned down and whispered in her ear, "I am your lord husband.
”
”
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
“
I saw Oberon charge into the fray on a huge black warhorse, glamour swirling around him, and sweep a hand toward the thickest of the fighting. Vines and roots erupted from the ground, coiling around the Iron fey, strangling them or pulling them beneath the earth. Atop a rise, Mab raised her arms, and a savage whirlwind swept across the field, freezing fey solid or impaling them with ice shards. The armies of Summer and Winter howled with renewed vigor and threw themselves at the enemy.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
I took the liberty of designing your pennant,” said Rhy, resting his elbows on the gallery’s marble banister. “I hope you don’t mind.”
Kell cringed. “Do I even want to know what’s on it?”
Rhy tugged the folded piece of fabric from his pocket, and handed it over. The cloth was red, and when he unfolded it, he saw the image of a rose in black and white. The rose had been mirrored, folded along the center axis and reflected, so the design was actually two flowers, surrounded by a coil of thorns.
“How subtle,” said Kell tonelessly.
“You could at least pretend to be grateful.”
“And you couldn’t have picked something a little more … I don’t know … imposing? A serpent? A great beast? A bird of prey?”
“A bloody handprint?” retorted Rhy. “Oh, what about a glowing black eye?”
Kell glowered.
“You’re right,” continued Rhy, “I should have just drawn a frowning face. But then everyone would know it’s you. I thought this was rather fitting.
”
”
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
“
When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful.
The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do.
”
”
Audrey Niffenegger (The Time Traveler's Wife)
“
Boys are like elastic bands. It doesn't mean that boys are made of elastic, which is a plus because nobody wants a boyfriend made out of rubber. On the other hand, if they were made out of rubber, you could save yourself a lot of time and effort and heartache by just rustling one up out of a car tire. Boys are different from girls. Girls like to be cozy all the time but boys don't. First of all, they like to get all close to you like a coiled-up rubber band, but after a while, they get fed up with being too coiled and need to stretch away to their full stretchiness. Then, after a bit of on-their-own strategy, they ping back to be close to you. So in conclusion on the boy front, you have to play hard to get and also let them be elastic bands.
”
”
Louise Rennison (On the Bright Side, I'm Now the Girlfriend of a Sex God (Confessions of Georgia Nicolson, #2))
“
When I was small, I never wanted to step in puddles. Not because of any fear of drowned worms or wet stockings; I was by and large a grubby child, with a blissful disregard for filth of any kind.
It was because I couldn't bring myself believe that that perfect smooth expanse was no more than I thin film of water over solid earth. I believed it was an opening into some fathomless space. Sometimes, seeing the tiny ripples caused by my approach, I thought the puddle impossibly deep, a bottomless sea in which the lazy coil of a tentacle and gleam of scale lay hidden, with the threat of huge bodies and sharp teeth adrift and silent in the far-down depths.
And then, looking down into reflection, I would see my own round face and frizzled hair against a featureless blue sweep, and think instead that the puddle was the entrance to another sky. If I stepped in there, I would drop at once, and keep on falling, on and on, into blue space.
The only time I would dare walk though a puddle was at twilight, when the evening stars came out. If I looked in the water and saw one lighted pinprick there, I could slash through unafraid--for if I should fall into the puddle and on into space, I could grab hold of the star as I passed, and be safe.
Even now, when I see a puddle in my path, my mind half-halts--though my feet do not--then hurries on, with only the echo of the though left behind.
What if, this time, you fall?
”
”
Diana Gabaldon (Voyager (Outlander, #3))
“
The Earl of Woolsey was indeed completely nude. He did not seem particularly perturbed by this fact, but Miss Tarabotti felt the sudden need to close her eyes tight and think about asparagus or something equally mundane. Coiled about him as she was, her chin wedged over one of his massive shoulders, she was being forced to look down, directly at a nicely round, but embarrassing bare, moon. And not the kind that caused werewolves to change either. Although it did seem to be changing aspects of her own anatomy that she would rather not think about. It was all a very heady - or bottomy? -experience.
”
”
Gail Carriger (Soulless (Parasol Protectorate, #1))
“
He'd once known a man who said that life hinged on the moment, that everything changed in the blink of an eye. Tesseract knew the truth of that as well as anybody. It was in those moments that he struck, after all, snatching people's lives away. He'd always known that it was only a matter of time before one of those moment's worked against him.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
What's a Dullahan?'
'He's a headless horseman, in the service of the banshee.'
'Headless?'
'Yes.'
'Seriously?'
'Yes.'
'So he has no head?'
'That's usually what headless means.'
'No head at all?'
'You're really getting hung up on this headless thing, aren't you?'
'It's just kind of silly, even for us.'
'Yet you spend your days with a living skeleton.'
'But at least he has a head.'
'True.'
'He even has a spare.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Cabal regarded her with mild amusement. “Smile when you whisper,” he advised her. “You’re supposed to be flirting with me, if you recall?”
She stared at him icily. Then suddenly her expression thawed and she smiled winsomely, her eyes dewy with romantic love. “Oh, sweetheart… somebody tried to kill you? Whosoever would do such a thing to my nimpty-bimpty snookums?”
Cabal could not have been more horrified if she’d pulled off her face to reveal a gaping chasm of eternal night from which glistening tentacles coiled and groped. That had already happened to him once in his life, and he wasn’t keen to repeat the experience.
“What?” he managed in a dry whisper.
“Smile when you whisper,” she said, her expression fixed and blood-curdlingly coquettish. You’re supposed to be flirting with me, remember?”
“Please don’t do that.
”
”
Jonathan L. Howard (Johannes Cabal the Detective (Johannes Cabal, #2))
“
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze.
The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine.
And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too.
How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me.
But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it.
Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—”
Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me.
When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?”
“Nothing—”
“Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!”
His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.”
Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.”
“Lee—”
“I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.”
“We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
The door flew open, almost smacking me in my face. I opened my mouth to yell at the asshole busting the door, but stopped the moment i came face-to-face with my own personal siren, my nymph-Echo. This time, she wouldn't walk away.
Wrapping my arms around her, I walked her backward into the brick. "Tell me you chose me, Echo."
She licked her lips. Those green eyes smoldered, calling me to her. "I chose you."
For the first time in three years, the coil forever tightened in my gut relaxed. "You will never regret it. I promise."
I wanted her. All of her, but Echo deserved more than a quick thrill and better than a guy like me. Everything needed to be slow and deliberate. I wanted to blow her mind with every touch and every kiss so her every thought always came back to me. I would never touch anyone else again without thinking about her.
I'd promised she would be more and i needed to keep that promise. Tearing my self away, i took her delicate hand in mine and headed toward my car. "Come on."
"Where are we going?"
I opened the passenger door and turned to face her. Echo's innocent eyes were wide with comfusion. She wouldn't be with me. We'd both been through hell, but Echo deserved better. Still, i wasn't all bad. I used to be good, like her, She needed to know that. "Someplace special.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
He sighed and opened the black box and took out his rings and slipped them on. Another box held a set of knives and Klatchian steel, their blades darkened with lamp black. Various cunning and intricate devices were taken from velvet bags and dropped into pockets. A couple of long-bladed throwing tlingas were slipped into their sheaths inside his boots. A thin silk line and folding grapnel were wound around his waist, over the chain-mail shirt. A blowpipe was attached to its leather thong and dropped down the back of his cloak; Teppic picked a slim tin container with an assortment of darts, their tips corked and their stems braille-coded for ease of selection in the dark.
He winced, checked the blade of his rapier and slung the baldric over his right shoulder, to balance the bag of lead slingshot ammunition. As an afterthought he opened his sock drawer and took a pistol crossbow, a flask of oil, a roll of lockpicks and, after some consideration, a punch dagger, a bag of assorted caltrops and a set of brass knuckles.
Teppic picked up his hat and checked it's lining for the coil of cheesewire. He placed it on his head at a jaunty angle, took a last satisfied look at himself in the mirror, turned on his heel and, very slowly, fell over.
”
”
Terry Pratchett (Pyramids (Discworld, #7))
“
Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound.
Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all.
Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least.
First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it.
"Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death.
In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star.
Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.
”
”
Frederick Buechner (Godric)
“
Magnus threw the monkey a fig. The monkey took the fig.
"There," said Magnus. "Let us consider the matter settled."
The monkey advanced, chewing in a menacing fashion.
"I rather wonder what I am doing here. I enjoy city life, you know," Magnus observed. "The glittering lights, the constant companionship, the liquid entertainment. The lack of sudden monkeys."
He ignored Giuliana's advice and took a smart step back, and also threw another piece of fruit. The monkey did not take the bait this time. He coiled and rattled out a growl, and Magnus took several more steps back and into a tree.
Magnus flailed on impact, was briefly grateful that nobody was watching him and expecting him to be a sophisticated warlock, and had a monkey assault launched directly to his face.
He shouted, spun, and sprinted through the rain forest. He did not even think to drop the fruit. It fell one by one in a bright cascade as he ran for his life from the simian menace. He heard it in hot pursuit and fled faster, until all his fruit was gone and he ran right into Ragnor.
"Have a care!" Ragnor snapped.
He detailed his terrible monkey adventure twice.
"But of course you should have retreated at once from the dominant male," Giuliana said. "Are you an idiot? You are extremely lucky he was distracted from ripping out your throat by the fruit. He thought you were trying to steal his females."
"Pardon me, but we did not have the time to exchange that kind of personal information," Magnus said. "I could not have known! Moreover, I wish to assure both of you that I did not make any amorous advances on female monkeys." He paused and winked. "I didn't actually see any, so I never got the chance."
Ragnor looked very regretful about all the choices that had led to his being in this place and especially in this company. Later he stooped and hissed, low enough so Giuliana could not hear and in a way that reminded Magnus horribly of his monkey nemesis: "Did you forget that you can do magic?"
Magnus spared a moment to toss a disdainful look over his shoulder.
"I am not going to ensorcel a monkey! Honestly, Ragnor. What do you take me for?
”
”
Cassandra Clare (The Bane Chronicles)
“
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there.
What are you doing here?
I was taking a walk and I saw you and I followed you.
What do you want.
I want you to stop.
I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks.
It's okay.
I breathe hard, close my eyes, let myself be held.
It's okay.
Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says.
Okay.
Okay.
Okay.
Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry.
It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying.
She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything.
It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken.
THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers.
You're okay.
You're okay.
You're okay.
”
”
James Frey