Hero Of The Rails Quotes

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Piper and Hazel were ready to go, but first Annabeth turned to Percy, who was leaning on the starboard rail, gazing over the bay. Annabeth took his hand. “What are you going to do while we’re gone?” “Jump in the harbor,” he said casually, like another kid might say, I’m going to get a snack.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Wish You Were Here So, so you think you can tell Heaven from Hell, Blue skys from pain. Can you tell a green field From a cold steel rail? A smile from a veil? Do you think you can tell? And did they get you to trade Your heros for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? And did you exchange A walk on part in the war For a lead role in a cage? How I wish, how I wish you were here. We're just two lost souls Swimming in a fish bowl, Year after year, Running over the same old ground. What have we found? The same old fears. Wish you were here.
Roger Waters
Ella is nervous,” the harpy muttered from her perch on the railing. “The elephant. The elephant is watching Ella.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Just sit tight. Reinforcements should be here soon. Hopefully nothing happens before-" Lightning crackled overhead. The wind picked up with a vengeance. Worksheets flew into the Grand Canyon, and the entire bridge shuddered. Kids screamed, stumbling and grabbing the rails. "I had to say something," Hedge grumbled. He bellowed into his megaphone: "Everyone inside! The cow says moo! Off the skywalk!" "I thought you said this thing was stable!" Jason shouted over the wind. "Under normal circumstances," Hedge agreed, "which these aren't.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
So, so you think you can tell Heaven from Hell Blue skies from pain Can you tell a green field From a cold steel rail? A smile from a veil? Do you think you can tell? Did they get you to trade Your heroes for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? And did you exchange A walk on part in a war For a lead role in a cage? How I wish, how I wish you were here We're just two lost souls Swimming in a fish bowl Year after year Running over the same old ground What have we found? The same old fears Wish you were here
David Gilmour
The others strapped themselves below - except for Coach Hedge, who insisted on clinging to the forward rail, yelling, "YEAH! Bring it on, Lake!
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Wish You Were Here" So, so you think you can tell Heaven from Hell, blue skies from pain. Can you tell a green field from a cold steel rail? A smile from a veil? Do you think you can tell? Did they get you to trade your heroes for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? Did you exchange a walk on part in the war for a lead role in a cage? How I wish, how I wish you were here. We're just two lost souls swimming in a fish bowl, year after year, Running over the same old ground. What have we found? The same old fears. Wish you were here.
David Gilmour
A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing
Robert Hass (Sun under Wood)
that’s what heroes do.” “I don’t want him to be a hero!” “He can’t change who he is any more than you can stop being Grisha.” I’d railed at him for wanting me to be something I couldn’t, and all the while, I’d demanded the same thing from him. “You know the problem with heroes and saints, Nikolai?” I asked as I closed the book’s cover and headed for the door. “They always end up dead.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Once they got there, it wasn’t a pretty landing. With the oars damaged and the foresail torn, Leo could barely manage a controlled descent. The others strapped themselves in below—except for Coach Hedge, who insisted on clinging to the forward rail, yelling, “YEAH! Bring it on, lake!” Leo stood astern, alone at the helm, and aimed as best he could. Festus creaked and whirred warning signals, which were relayed through the intercom to the quarterdeck. “I know, I know,” Leo said, gritting his teeth. He didn’t have much time to take in the scenery. To the southeast, a city was nestled in the foothills of a mountain range, blue and purple in the afternoon shadows. A flat desert landscape spread to the south. Directly beneath them the Great Salt Lake glittered like aluminum foil, the shoreline etched with white salt marshes that reminded Leo of aerial photos of Mars. “Hang on, Coach!” he shouted. “This is going to hurt.” “I was born for hurt!
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
she saw Percy leaning over the rail. His smile was better than any tapestry she's ever seen
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
As long as I live, I will always remember those wee children standing at the railing on that ship." - John Hanlon, the sailor
Deana J. Driver (The Sailor and the Christmas Trees)
A landscape glittered behind her voice. There were icicles in it and savage fields of ice, great storms boiling over a flat countryside striped with white rails - a chessboard beneath a storm. Horses were stretched forever at the gallop. Tiny men in silk were brave beyond bearing and sat on the horses like embryos with their knees in their mouths. The gorgeous names of horses were cried from mouth to mouth and circulated in a steam of fame. Lottery, The Hermit, the great mare Sceptre; the glorious ancestress Pocahontas, whose blood ran down like time into her flying children; Easter Hero, the Lamb, that pony stallion.
Enid Bagnold (National Velvet)
The crew of the Argo II assembled at the rail and cut the grappling lines. Piper brought out her new horn of plenty and, on Percy’s direction, willed it to spew Diet Coke, which came out with the strength of a fire hose, dousing the enemy deck. Percy thought it would take hours, but the ship sank remarkably fast, filling with Diet Coke and seawater. “Dionysus,” Percy called, holding up Chrysaor’s golden mask. “Or Bacchus—whatever. You made this victory possible, even if you weren’t here. Your enemies trembled at your name…or your Diet Coke, or something. So, yeah, thank you.” The words were hard to get out, but Percy managed not to gag. “We give this ship to you as tribute. We hope you like it.” “Six million in gold,” Leo muttered. “He’d better like it.
Rick Riordan (The Heroes of Olympus: Books I-III (The Heroes of Olympus, #1-3))
JASON WOULD’VE DIED FIVE TIMES on the way to the front door if not for Leo. First it was the motion-activated trapdoor on the sidewalk, then the lasers on the steps, then the nerve gas dispenser on the porch railing, the pressure-sensitive poison spikes in the welcome mat, and of course the exploding doorbell.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Carnegie dreamed up the Hero Fund himself. For all his ruthlessness as a businessman, he had a soft spot for civility. He disdained football as a sport for savages, so he donated a lake to Princeton University to give athletes another outlet. He was a pacifist and railed against the traditional definition of heroes as warriors. “The false heroes of barbarous man are those who can only boast of the destruction of their fellows,” he wrote. “The true heroes of civilization are those alone who save or greatly serve them.
Amanda Ripley (The Unthinkable: Who Survives When Disaster Strikes - and Why)
Wish You Were Here" So, so you think you can tell Heaven from Hell, blue skies from pain. Can you tell a green field from a cold steel rail? A smile from a veil? Do you think you can tell? Did they get you to trade your heroes for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? Did you exchange A walk-on part in the war for a lead role in a cage? How I wish, how I wish you were here. We're just two lost souls swimming in a fish bowl, year after year, Running over the same old ground. What have we found? The same old fears. Wish you were here.
David Gilmour (Pink Floyd: Wish You Were Here : Guitar Tab Edition [Songbook])
What would the poor and lowly do, without children?" said St. Clare, leaning on the railing, and watching Eva, as she tripped off, leading Tom with her. "Your little child is your only true democrat. Tom, now is a hero to Eva; his stories are wonders in her eyes, his songs and Methodist hymns are better than an opera, and the traps and little bits of trash in his pocket a mine of jewels, and he the most wonderful Tom that ever wore a black skin. This is one of the roses of Eden that the Lord has dropped down expressly for the poor and lowly, who get few enough of any other kind." "It's strange, cousin," said Miss Ophelia, "one might almost think you were a professor, to hear you talk.
Harriet Beecher Stowe (Uncle Tom's Cabin)
Ione III. TO-DAY my skies are bare and ashen, And bend on me without a beam. Since love is held the master-passion, Its loss must be the pain supreme — And grinning Fate has wrecked my dream. But pardon, dear departed Guest, I will not rant, I will not rail; For good the grain must feel the flail; There are whom love has never blessed. I had and have a younger brother, One whom I loved and love to-day As never fond and doting mother Adored the babe who found its way From heavenly scenes into her day. Oh, he was full of youth's new wine, — A man on life's ascending slope, Flushed with ambition, full of hope; And every wish of his was mine. A kingly youth; the way before him Was thronged with victories to be won; so joyous, too, the heavens o'er him Were bright with an unchanging sun, — His days with rhyme were overrun. Toil had not taught him Nature's prose, Tears had not dimmed his brilliant eyes, And sorrow had not made him wise; His life was in the budding rose. I know not how I came to waken, Some instinct pricked my soul to sight; My heart by some vague thrill was shaken, — A thrill so true and yet so slight, I hardly deemed I read aright. As when a sleeper, ign'rant why, Not knowing what mysterious hand Has called him out of slumberland, Starts up to find some danger nigh. Love is a guest that comes, unbidden, But, having come, asserts his right; He will not be repressed nor hidden. And so my brother's dawning plight Became uncovered to my sight. Some sound-mote in his passing tone Caught in the meshes of my ear; Some little glance, a shade too dear, Betrayed the love he bore Ione. What could I do? He was my brother, And young, and full of hope and trust; I could not, dared not try to smother His flame, and turn his heart to dust. I knew how oft life gives a crust To starving men who cry for bread; But he was young, so few his days, He had not learned the great world's ways, Nor Disappointment's volumes read. However fair and rich the booty, I could not make his loss my gain. For love is dear, but dearer, duty, And here my way was clear and plain. I saw how I could save him pain. And so, with all my day grown dim, That this loved brother's sun might shine, I joined his suit, gave over mine, And sought Ione, to plead for him. I found her in an eastern bower, Where all day long the am'rous sun Lay by to woo a timid flower. This day his course was well-nigh run, But still with lingering art he spun Gold fancies on the shadowed wall. The vines waved soft and green above, And there where one might tell his love, I told my griefs — I told her all! I told her all, and as she hearkened, A tear-drop fell upon her dress. With grief her flushing brow was darkened; One sob that she could not repress Betrayed the depths of her distress. Upon her grief my sorrow fed, And I was bowed with unlived years, My heart swelled with a sea of tears, The tears my manhood could not shed. The world is Rome, and Fate is Nero, Disporting in the hour of doom. God made us men; times make the hero — But in that awful space of gloom I gave no thought but sorrow's room. All — all was dim within that bower, What time the sun divorced the day; And all the shadows, glooming gray, Proclaimed the sadness of the hour. She could not speak — no word was needed; Her look, half strength and half despair, Told me I had not vainly pleaded, That she would not ignore my prayer. And so she turned and left me there, And as she went, so passed my bliss; She loved me, I could not mistake — But for her own and my love's sake, Her womanhood could rise to this! My wounded heart fled swift to cover, And life at times seemed very drear. My brother proved an ardent lover — What had so young a man to fear? He wed Ione within the year. No shadow clouds her tranquil brow, Men speak her husband's name with pride, While she sits honored at his side —
Paul Laurence Dunbar
So, boy, how does it feel to be pouring out a never-ending stream of--?” “Stop that!” I scowled at my brothers as I shooed them away from Milo. “How can you make such jokes in front of him?” “To be honest, the only thing in front of him right now is the sea and the supper he ate three days ago.” Castor’s grin got wider. Polydeuces was contrite. “We mean well, Helen. We’re only trying to make him laugh. A good laugh might take his mind off being so ill.” “It’s a shame we’re bound straight for Corinth,” the old sailor said, rubbing the back of his neck. “Since nothing else seems to be working for this lad, could be that a short rest on dry land would steady his stomach.” “You think we’d ever be able to get him back on board afterward?” Castor asked. The sailor shrugged. “What would he have to say about it? He’s your slave, isn’t he?” “He’s our sister’s slave, or was,” Castor replied. “She freed him as soon as she bought him.” “And still he came onto this ship with you, sick as seafaring makes him?” “This is his first voyage,” I said, stooping beside Milo to place one arm protectively around him. “He didn’t know he’d get sick.” “Oh, he’d have come along even if he’d known that a sea monster was waiting to gobble him up,” Castor said, with another of those annoying, conspiratorial winks to his twin. “Anything rather than be separated from you, little sister.” Polydeuces eagerly took up his brother’s game. “That’s true,” he hastened to tell the old sailor. “If you could have seen the way he’s been gazing at her, all the way from Calydon!” “Can we blame him, Polydeuces?” Castor asked with mock sincerity. “Our little sister is the most beautiful woman in the world.” They collapsed laughing into each other’s arms. Milo made a great effort and pushed himself away from the rail, away from me. He took two staggering steps, fists clenched. “She is.” Then he spun around and lurched for the ship’s side once more. My brothers exchanged a look of pure astonishment. The old sailor chuckled. “He may have been a slave, Lady Helen, but he’s braver than many a free man, to talk back to princes that way! But it wouldn’t be the first time a man found courage he never knew he had until he met the right woman.” My face flamed. I wanted to thank Milo for putting an end to my brothers’ teasing--whether or not it was all in fun, I still found it annoying--but I was strangely tongue-tied. Fortunately for me, the old sailor chose that moment to say, “That’s not something you see every day, a mouse trying to take a bite from a lion’s tail. Mark my words, this lad has the makings of a great hero. Why, if I had it my way, I’d put in at the next port and carry him all the way to Apollo’s temple at Delphi, just to see what marvels the Pythia would have to predict about his future.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
How do you feel, my lord?” “Well enough to go downstairs for a while,” Devon said. “But I’m not what anyone would call spry. And if I sneeze, I’m fairly certain I’ll start bawling like an infant.” The valet smiled slightly. “You’ll have no shortage of people eager to help you. The footmen literally drew straws to decide who would have the privilege of accompanying you downstairs.” “I don’t need anyone to accompany me,” Devon said, disliking the idea of being treated like some gouty old codger. “I’ll hold the railing to keep myself steady.” “I’m afraid Sims is adamant. He lectured the entire staff about the necessity of protecting you from additional injury. Furthermore, you can’t disappoint the servants by refusing their help. You’ve become quite a hero to them after saving those people.” “I’m not a hero,” Devon scoffed. “Anyone would have done it.” “I don’t think you understand, my lord. According to the account in the papers, the woman you rescued is a miller’s wife--she had gone to London to fetch her little nephew, after his mother had just died. And the boy and his sisters are the children of factory workers. They were sent to live in the country with their grandparents.” Sutton paused before saying with extra emphasis, “Second-class passengers, all of them.” Devon gave him a look askance. “For you to risk your life for anyone was heroic,” the valet said. “But the fact that a man of your rank would be willing to sacrifice everything for those of such humble means…Well, as far as everyone at Eversby Priory is concerned, it’s the same as if you had done it for any one of them.” Sutton began to smile as he saw Devon’s discomfited expression. “Which is why you will be plagued with your servants’ homage and adoration for decades to come.” “Bloody hell,” Devon muttered, his face heating. “Where’s the laudanum?” The valet grinned and went to ring the servants’ bell.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Away deep in the aim to study himself in the school of the land his ancestors' gravestones flowered, Rip planned to burn his oil on the journey for growth by the hike, the thumb, the hitch, the rod, the freight, the rail, and he x'd New York on a map and pencilled his way to and into and through and under and up and between and over and across states and capitals and counties and cities and towns and villages and valleys and plains and plateaus and prairies and mountains and hills and rivers and roadways and railways and waterways and deserts and islands and reservations and titanic parks and shores and, ocean across to ocean and great lakes down to gulfs, Rip beheld the west and the east and the north and the south of the Brobdingnagian and, God and Christ and Man, it was a pretty damn good grand big fat rash crass cold hot pure mighty lovely ugly hushed dark lonely loud lusty bitchy tender crazy cruel gentle raw sore dear deep history-proud precious place to see, and he sure would, he thought, make the try to see it and smell it and walk and ride and stop and talk and listen in it and go on in it and try to find and feel and hold and know the beliefs in it and the temper and the talents in it and the omens and joys and hopes and frights and lies and laughs and truths and griefs and glows and gifts and glories and glooms and wastes and profits and the pulse and pitch and the music and the magic and the dreams and facts and the action and the score and the scope and span of the mind and the heart and spine and logic and ego and spirit in the soul and the goal of it.
Alan Kapelner (All the Naked Heroes: A Novel of the Thirties)
I don’t trust the goddess,” Annabeth admitted. “But I do trust my friends. This isn’t a trick, Reyna. We can work together.” Reyna finished her cup of chocolate. She set the cup on the terrace railing and gazed over the valley as if imagining battle lines. “I believe you mean it,” she said. “But if you go to the ancient lands, especially Rome itself, there is something you should know about your mother.” Annabeth’s shoulders tensed. “My—my mother?” “When I lived on Circe’s island,” Reyna said, “we had many visitors. Once, perhaps a year before you and Percy arrived, a young man washed ashore. He was half mad from thirst and heat. He’d been drifting at sea for days. His words didn’t make much sense, but he said he was a son of Athena.” Reyna paused as if waiting for a reaction. Annabeth had no idea who the boy might have been. She wasn’t aware of any other Athena kids who’d gone on a quest in the Sea of Monsters, but still she felt a sense of dread. The light filtering through the grapevines made shadows writhe across the ground like a swarm of bugs. “What happened to this demigod?” she asked.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
To a person of infamous character, the pompous Pharisee would be doubly contemptuous, and a woman conscious of unworthiness would be sorely wounded by his manners; besides, at a feast, her tears would be much out of place, and therefore she would be the more rudely rebuked; but how fearless she was, and how bravely she held her tongue when Simon railed! What will not men and women do when grace moves them to love, and love prompts them to courage! Ay, into the very jaws of hell the grace of God would make a believer dare to enter, if God commanded him. There is no mountain too high for a believing foot to scale, and no furnace too hot for a believing heart to bear. Let Rome and its amphitheatres, Piedmont and its snow, France and its galleys, Smithfield and its stakes, the Netherlands and their rivers of blood, all speak of what grace can do when once it reigns in the heart, what heroes it can make of the very weakest and most timid of God’s children, where it rules supreme.
Charles Haddon Spurgeon
The monsters swooped down, shattering the glass roof of the car, and the entire train toppled off the rails.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
So, so you think you can tell Heaven from Hell, Blue skys from pain. Can you tell a green field From a cold steel rail? A smile from a veil? Do you think you can tell? And did they get you to trade Your heros for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? And did you exchange A walk on part in the war For a lead role in a cage?
Pink Floyd (Wish You Were Here)
He carried Claire out of the room and down the steps, feeling the whole way like maybe he should hold onto the railing. “Ja. Nigh-nigh,” Claire said, big blue eyes looking at him. “Uh, sure.” He knew three languages, and none of them were helping him out right now.
Laura Kaye (One Night with a Hero (The Hero, #2))
denna låt är en av de finaste låtar jag någonsin hört. herremingud va texten är vacker. det som händer vid 7:39 och efteråt är helt magiskt. denna värld förtjänar inte justin vernon, tänk att han skrivit både denna och re:stacks <3 The hills speaking softly to brag The rain is so quiet it's sad In liberty it rains so loud we can't hear It's so hard to see outside when it rains down here The arches hold together St. Louis And the mighty Mississippi splits right through us Before my arches rebuild, they must have a song But I can't proceed until the rain is gone Blue grey background on those moss green pines Heavy grown raindrops clinging to the electrical lines Floating in an atmosphere of truth and hidden lies Sometimes out here, I feel like my heroes can save my life Through the window of this ricket rail car And I see the world scene by scene The silver mountains and blue streams I will only ever smell the train steam We hear Louis Armstrong play his horn on the shortwave radio His sound breaks my heart with a stone in my throat Like a sword through a heart, leaking tears onto the ground So hard to see when it rains down here Alone, is where I been leading to be So I, just been sailing the seas The wind can blow me wherever it needs to take me The skipper taunts the sky Thunder and waves crashing into the side It will never break him, it will never save him
Justin Vernon