Coffin Deep Quotes

An expensive coffin does not decrease the deceased’s chances of going to hell.

A premature death does not only rob one of the countless instances where one would have experienced pleasure, it also saves one from the innumerable instances where one would have experienced pain.

We stood in the graveyard, among the tombstones, forty-some dead people and me. A couple of my fellow funeral-goers had even been in their own coffins, deep under several feet of French soil.

The persons on whom I have bestowed my dearest love lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up for ever on my best affections. Deep affliction has only made them stronger; it ought, I think, for it should refine our nature.

The death of a billionaire is worth more to the media than the lives of a billion poor people.

He coughs. Not a good sound. Too deep, too full of coffins. Why is mankind so fucking cruel? Why?

My dear child,' said the old gentleman, moved by the warmth of Oliver's sudden appeal, 'you need not be afraid of my deserting you, unless you give me cause.' I never, never will, sir,' interposed Oliver. I hope not,' rejoined the old gentleman; 'I do not think you ever will. I have been deceived before, in the objects whom I have endeavoured to benefit; but I feel strongly disposed to trust you, nevertheless, and more strongly interested in your behalf than I can well account for, even to myself. The persons on whom I have bestowed my dearest love lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up for ever on my best affections. Deep affliction has only made them stronger; it ought, I think, for it should refine our nature.

Before he sat down, my internal heat-seekers sensed what was coming my way: deep blue eyes that melted girls like Velveeta in a microwave. I tried to resist those microwave eyes, but sometimes there's no defense against them. I had a feeling I'd be seeing him weeping over my coffin later that night.

The lake is darker than a coffin with the lid shut,” she’d say. “And as deep as the ocean. If you sink under, you’ll never come back up again. You’ll be trapped forever.

Most of us cling to life as if our existence were a result of our deed or choice.

But if we hate evil more than we love the good, we become damn good haters.... However deep, our anger, like that of Christ, must always and only measure our love.

Most human beings would have never been pained by the death of a human being if they had never seen a human being or pretending to be pained by that.

Cause I'm an angel, a demon. Yeah I'm hell and I'm heaven. I'm everything you couldn't be, now you believe in the devil. I got to pick up the pieces, I got to bury them deep... And when the dirt hits the coffin - Just go to sleep.

I have been deceived, before, in the objects whom I have endeavoured to benefit; but I feel strongly disposed to trust you, nevertheless; and I am more interested in your behalf than I can well account for, even to myself. The persons on whom I have bestowed my dearest love, lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up, forever,on my best affections. Deep affliction has but strengthened and refined them...

Dig deep, deep, my soul, to find the heart--the blood, the heat, the shrine and resting place. Dig deep, deep into the moist soil all the way to where they lie, those I love--she, Mother, with her dark hair loose and gone, her bones long since tumbled in the back of the vault, as other coffins came to rest in her spot, but in this dream I range them round me to hold as if she were there...

The things that matter are inside me, locked up below my breast as though in a grave, a place of permanence, my coffin-like treasure chest.

But his heart was heavy, notwithstanding; and he wished, as he crept into his narrow bed, that that were his coffin, and that he could be lain in a calm and lasting sleep in the churchyard ground, with the tall grass waving gently above his head, and the sound of the old deep bell to soothe him in his sleep.

Sixteen coffins. Stacked two high and four deep. The casings for the dead were made out of different kinds of wood, and they had aged in different ways—but what was inside them had something in common. They were the remains of the damned. Brothers who had not been granted proper Fade Ceremonies. Or could not be granted them.

My ancestors spent centuries in the hills of County Kerry, waist-deep in sheep shit, getting shot at by English soldiers, and my grandparents crossed the ocean in coffin ships to come to America, just so I could get possum rabies?

In front of the group was a legless man on a small wheeled trolley, who was singing at the top of his voice and banging two saucepans together. His name was Arnold Sideways. Pushing him along was Coffin Henry, whose croaking progress through an entirely different song was punctuated by bouts of off-the-beat coughing. He was accompanied by a perfectly ordinary-looking manin torn, dirty and yet expensive looking clothing, whose pleasant tenor voice was drowned out by the quaking of a duck on his head. He answered to the name of Duck Man, although he never seemed to understand why, or why he was always surrounded by people who seemed to see ducks where no ducks could be. And finally, being towed along by a small grey dog on a string, was Foul Ole Ron, generally regarded in Ankh-Morpork as the deranged beggars' deranged beggar. He was probably incapable of singing, but at least he was attempting to swear in time to the beat, or beats. The wassailers stopped and watched them in horror. People have always had the urge to sing and clang things at the dark stub of the year, when all sorts of psychic nastiness has taken advantage of the long grey days and the deep shadows to lurk and breed. Lately people had taken to singing harmoniously, which rather lost the affect. Those who really understood just clanged something and shouted. The beggars were not in fact this well versed in folkloric practice. They were just making a din in the well-founded hope that people would give them money to stop. It was just possible to make out consensus song in there somewhere. "Hogswatch is coming, The pig is getting fat, Please put a dollar in the old man's hat If you ain't got a dollar a penny will do-" "And if you ain't got a penny," Foul Ole Ron yodeled, solo, 'Then- fghfgh yffg mfmfmf..." The Duck man had, with great Presence of mind, clamped a hand over Ron's mouth.

Deep under the earth, inside its cardboard coffin, shrouded in the layers of white paper, the china doll with the jagged open crevasse in its skull was crying.

As for loneliness, it too has deep roots in selfishness, for its anguish stems less from having no one with whom to share one's burdens, more from having only one's burdens to share.

The South was a scary new world. The first time I saw a possum in my driveway, I shook a bony fist at the sky and cursed this godforsaken rustic hellhole. My ancestors spent centuries in the hills of County Kerry, waist-deep in sheep shit, getting shot at by English soldiers, and my grandparents crossed the ocean in coffin ships to come to America, just so I could get possum rabies?

The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.

it would much subtract from the glory of the exploit had St. George but encountered a crawling reptile of the land, instead of doing battle with the great monster of the deep. Any man may kill a snake, but only a Perseus, a St. George, a Coffin, have the heart in them to march boldly up to a whale.

Who was this girl alone so late at night in search of a faded cassette illusion to disembowel the clocks of time’s intrusion? Those eyes belonged to the most beautiful maniac I’ve ever met. Our love is a vine of entrails that can follow any coffin anywhere, no matter how deep any gravedigger might travel.

They were buried six feet deep in the darkness. All they needed was the monotonous chanting of the priest, his voice muffled but not entirely obscured by the new-packed darkness, above which the mourners stood. The mourners were not even aware that they were here, they were alive, they were screaming and scratching and clawing at the coffin-lid darkness, the air was flaking and rusting away, the air was turning into poison gas, hope fading until hope itself was a darkness, and above all of it the nodding chapel-bell voice of the priest and the impatient, shuffling feet of mourners anxious to be off into the warm May sunshine. Then, overmastering that, the sighing, shuffling chorus of the bugs and the beetles, squirming their way through the earth, come for the feast.

Pham Nuwen spent years learning to program/explore. Programming went back to the beginning of time. It was a little like the midden out back of his father’s castle. Where the creek had worn that away, ten meters down, there were the crumpled hulks of machines—flying machines, the peasants said—from the great days of Canberra’s original colonial era. But the castle midden was clean and fresh compared to what lay within the Reprise’s local net. There were programs here that had been written five thousand years ago, before Humankind ever left Earth. The wonder of it—the horror of it, Sura said—was that unlike the useless wrecks of Canberra’s past, these programs still worked! And via a million million circuitous threads of inheritance, many of the oldest programs still ran in the bowels of the Qeng Ho system. Take the Traders’ method of timekeeping. The frame corrections were incredibly complex—and down at the very bottom of it was a little program that ran a counter. Second by second, the Qeng Ho counted from the instant that a human had first set foot on Old Earth’s moon. But if you looked at it still more closely. . .the starting instant was actually some hundred million seconds later, the 0-second of one of Humankind’s first computer operating systems. So behind all the top-level interfaces was layer under layer of support. Some of that software had been designed for wildly different situations. Every so often, the inconsistencies caused fatal accidents. Despite the romance of spaceflight, the most common accidents were simply caused by ancient, misused programs finally getting their revenge. “We should rewrite it all,” said Pham. “It’s been done,” said Sura, not looking up. She was preparing to go off-Watch, and had spent the last four days trying to root a problem out of the coldsleep automation. “It’s been tried,” corrected Bret, just back from the freezers. “But even the top levels of fleet system code are enormous. You and a thousand of your friends would have to work for a century or so to reproduce it.” Trinli grinned evilly. “And guess what—even if you did, by the time you finished, you’d have your own set of inconsistencies. And you still wouldn’t be consistent with all the applications that might be needed now and then.” Sura gave up on her debugging for the moment. “The word for all this is ‘mature programming environment.’ Basically, when hardware performance has been pushed to its final limit, and programmers have had several centuries to code, you reach a point where there is far more signicant code than can be rationalized. The best you can do is understand the overall layering, and know how to search for the oddball tool that may come in handy—take the situation I have here.” She waved at the dependency chart she had been working on. “We are low on working fluid for the coffins. Like a million other things, there was none for sale on dear old Canberra. Well, the obvious thing is to move the coffins near the aft hull, and cool by direct radiation. We don’t have the proper equipment to support this—so lately, I’ve been doing my share of archeology. It seems that five hundred years ago, a similar thing happened after an in-system war at Torma. They hacked together a temperature maintenance package that is precisely what we need.” “Almost precisely.

I can't forgive myself. You tell me there's nothing I can do about a natural change in feelings, but my relationship with Naoko was not that simple. If you stop and think about it, she and I were bound together at the border between life and death. It was like that for us from the start." "If you feel some kind of pain with regard to Naoko's death, I would advise you to keep on feeling that pain for the rest of your life. And if there's something you can learn from it, you should do that, too. But quite aside from that, you should be happy with Midori. Your pain has nothing to do with your relationship with her. If you hurt her any more than you already have, the wound could be too deep to fix. So, hard as it may be, you have to be strong. You have to grow up more, be more of an adult. I left the sanatorium and came all the way up here to Tokyo to tell you that---all the way on that coffin of a train.

The last funeral I had attended was Kathy’s, a “green” funeral. No coffin, no headstone; we carried her shroud-wrapped body on a handcart deep into a forest in her native Virginia to a designated area where we, her friends, dug the grave. Kathy weighed practically nothing at the end. We lifted her off the cart and laid her in the ground. After we filled the grave, we scattered leaves over the freshly turned earth and brushed away our footprints with branches.

I know you want her to be alive--you feel like you need her to carry on. But the body in the coffin is just that: a body, the shell of the person you love. The essence of Mrs. Quince, the one you know and love, is all around us, in nature and the stars, in every recipe of hers that you cook, and deep inside your heart....No matter how many times we say that someone is dead, the fact is we simply can't imagine a world without them. [Audrey Landon, to Nell Brown]

When a sin comes back (its memory) you absolutely must bury it. How to bury the memory of a sin that comes from a distant past? I shut it up in a clay pot. Then I dug right into the cold hard ground, deep down. Without of course telling anyone what I had in the pot,then I stuck this pot the size of a little quart saucepan into the ground and I covered the hole in the ground with ice for a long time, and that despite the presence of people who had no inkling what I was ridding myself of in this little improvised coffin.

Nobody falls that way without being pushed. I know. And I know how it feels and looks, a body that falls fighting air all the way down, grabbing on to clumps of nothing and begging once, just once, just goddamn once, Jesus, you sniveling son of a mongrel bitch, just once that air gives a grip. And you land in a ditch five feet deep or on a marble-tiled floor sixteen feet down, still fighting when the floor rises up and smashes into you because it got tired of waiting for blood. And we’re still dead but we wake up, me a crushed spider, him a burned cockroach. I have no memory of coffins.

The nail in the coffin of my brief career as a linguist was probably a seminar I took that winter about the philosophy of language. The aim of this seminar was to formulate a theory that would explain to a Martian "what it is that we know when we know a language." I could not imagine a more objectless, melancholy project. The solution turned out to consist of a series of propositions having the form "'Snow is white' is true iff snow is white." The professor, a gaunt logician with a wild mane of red hair and a deep concern about Martians, wrote this sentence on the board during nearly every class, and we would discuss why it wasn't trivial. Outside the window, snow piled deeper and deeper. (...) I had expected linguistics (the general study of language) to resemble a story, and Russian (the study of a particular language) to resemble a set of rules, but the reality was just the opposite.

He handed me something done up in paper. 'Your mask,' he said. 'Don't put it on until we get past the city-limits.' It was a frightening-looking thing when I did so. It was not a mask but a hood for the entire head, canvas and cardboard, chalk-white to simulate a skull, with deep black hollows for the eyes and grinning teeth for the mouth. The private highway, as we neared the house, was lined on both sides with parked cars. I counted fifteen of them as we bashed by; and there must have been as many more ahead, in the other direction. We drew up and he and I got out. I glanced in cautiously over my shoulder at the driver as we went by, to see if I could see his face, but he too had donned one of the death-masks. 'Never do that,' the Messenger warned me in a low voice. 'Never try to penetrate any other member's disguise.' The house was as silent and lifeless as the last time - on the outside. Within it was a horrid, crawling charnel-house alive with skull-headed figures, their bodies encased in business-suits, tuxedos, and evening dresses. The lights were all dyed a ghastly green or ghostly blue, by means of colored tissue-paper sheathed around them. A group of masked musicians kept playing the Funeral March over and over, with brief pauses in between. A coffin stood in the center of the main living-room. I was drenched with sweat under my own mask and sick almost to death, even this early in the game. At last the Book-keeper, unmasked, appeared in their midst. Behind him came the Messenger. The dead-head guests all applauded enthusiastically and gathered around them in a ring. Those in other rooms came in. The musicians stopped the Death Match. The Book-keeper bowed, smiled graciously. 'Good evening, fellow corpses,' was his chill greeting. 'We are gathered together to witness the induction of our newest member.' There was an electric tension. 'Brother Bud!' His voice rang out like a clarion in the silence. 'Step forward.' ("Graves For Living")

Every time the cataclysmic concept has come to life, the 'beast' has been stoned, burned at the stake, beaten to a pulp, and buried with a vengeance; but the corpse simply won't stay dead. Each time, it raises the lid of its coffin and says in sepulchral tones: 'You will die before I.' The latest of the challengers is Prof. Frank C. Hibben, who in his book, 'The Lost Americans,' said: 'This was no ordinary extinction of a vague geological period which fizzled to an uncertain end. This death was catastrophic and all inclusive. [...] What caused the death of forty million animals. [...] The 'corpus delicti' in this mystery may be found almost anywhere. [...] Their bones lie bleaching in the sands of Florida and in the gravels of New Jersey. They weather out of the dry terraces of Texas and protrude from the sticky ooze of the tar pits off Wilshire Boulevard in Los Angeles. [...] The bodies of the victims are everywhere. [...] We find literally thousands together [...] young and old, foal with dam, calf with cow. [...] The muck pits of Alaska are filled with evidence of universal death [...] a picture of quick extinction. [...] Any argument as to the cause [...] must apply to North America, Siberia, and Europe as well.' '[...] Mamooth and bison were torn and twisted as though by a cosmic hand in a godly rage.' '[...] In many places the Alaskan muck blanket is packed with animal bones and debris in trainload lots [...] mammoth, mastodon [...] bison, horses, wolves, bears, and lions. [...] A faunal population [...] in the middle of some cataclysmic catastrophe [...] was suddenly frozen [...] in a grim charade.' Fantastic winds; volcanic burning; inundation and burial in muck; preservation by deep-freeze. 'Any good solution to a consuming mystery must answer all of the facts,' challenges Hibben.

My mother’s brother Johnny was a Vietnam vet, and he too had been wounded. He had spent a long time in a hospital and he understood more than most what I was going through. Or at least he thought he did, and I appreciated that--even if I didn’t act like it at first. Uncle Johnny started to visit every weekend. He’d come and sit with me to give my parents a little breather. After my dad won the battle over my medication, I was, as I said, a little more lucid. I was also a little more ornery. I wouldn’t let anyone turn on that little red radio. I didn’t even care if Sheryl Crow was telling me what was good. I was more aware of my pain. Just lying there and listening or doing anything at all hurt. My whole body hurt and everyone and everything was to blame. All I wanted to do was sit in silence with the door shut. Uncle Johnny obliged me for a while. He’d come in and sit down in the chair next to my bed. He sat and stared blankly right along with me. But after a while, he couldn’t handle that anymore. One day, on the verge of dying of boredom, Uncle Johnny had had enough. He turned to me and said sternly, “Noah, I’m not gonna sit in here like we’re in an oversized coffin. We’re either opening the door or we’re turning the TV on. Which one do you want?” I rolled my eyes and grumbled for a few minutes before answering, “All right. Turn on the TV.” Without hesitation Uncle Johnny shot up out of that chair and reached up to hit the power button on the TV mounted from the ceiling. No sooner had his butt hit the chair seat than he was right back up again. “Fuck that. I am opening the door, too, because I want it open.” He vigorously emphasized his intention so I didn’t protest. He marched over and swung that door open. I swear he might have even taken a deep breath as if it were fresh mountain air. Then he came back to his chair and sat down.

One day, on the verge of dying of boredom, Uncle Johnny had had enough. He turned to me and said sternly, “Noah, I’m not gonna sit in here like we’re in an oversized coffin. We’re either opening the door or we’re turning the TV on. Which one do you want?” I rolled my eyes and grumbled for a few minutes before answering, “All right. Turn on the TV.” Without hesitation Uncle Johnny shot up out of that chair and reached up to hit the power button on the TV mounted from the ceiling. No sooner had his butt hit the chair seat than he was right back up again. “Fuck that. I am opening the door, too, because I want it open.” He vigorously emphasized his intention so I didn’t protest. He marched over and swung that door open. I swear he might have even taken a deep breath as if it were fresh mountain air. Then he came back to his chair and sat down. There was a movie on starring Matthew Broderick. I’d never heard of it before but Uncle Johnny was explaining to me that this was a remake and Gene Wilder had played Broderick’s character in the original film. In spite of myself, and my stubborn wish to sit and suffer in silence, I really liked the movie. And I remember thinking, I am really enjoying myself. I even turned to Uncle Johnny and said, “I’m glad we turned the TV on. This is great!” Uncle Johnny just smiled as if to say, “Of course! Finally!” We were right in the middle of the movie when one of my machines started to malfunction. The machine’s beeps drowned out the movie. A nurse came in to fix the problem and it just happened to be the hot nurse I had a crush on. She had short hair, a few tattoos on her arm, and she always wore a bandana over her head. The machine she was trying to fix was plugged in on the other side of the bed, up against the wall. “Oh, I see. Hold on. I have to move the bed out from the wall to fix this,” she said. At this point I was just watching her. She fixed the machine and pushed the bed back up against the wall. She actually hit the wall with the bed and zap! The TV went out! “WHAT?! NO!” I screamed. She couldn’t get it to turn back on. She tried but nothing worked. “Oh no, I’m sorry. We’ll have to get maintenance down here to fix it,” she said with an apologetic look that I met with a glare of disdain. She was no longer hot to me. She was just the nurse who broke the TV. Maintenance didn’t come to repair the TV until the next day. I didn’t get to watch the rest of the movie. In fact, I never saw the end of the movie and I didn’t even know the name of it until years later. Maybe one of these days I’ll get to see The Producers from start to finish.

Josephson had died just north of Abd al-Kuri Island, an uninhabited, mountainous desert with, on its eastern side, perhaps the world’s wildest and finest beach. To mollify Holworthy, in a moment of weakness not long after they had departed Lemonnier, Rensselaer had considered leaving a few SEALs there on the way south, to observe traffic, as on occasion irregular forces were ordered to do. But he had decided then that rather than mollify Holworthy, he would keep him down. The rendezvous point with the Puller wasn’t far, and, arriving first, Athena waited. The Puller was out of sight but in radio contact. Eventually they saw her to the west, and she came even with Athena at dusk, although in that latitude, as Josephson had learned, dusk is so short it hardly exists. With the lights of the Puller blazing despite wartime conditions, her vast superstructure, hollow and beamed like a box-girder bridge, was cast in flares and shadows. A brow was extended from a door in the side and fixed to Athena’s main deck. As a gentle swell moved the two ships up and down at different rates, the hinged brow tilted slightly one way and then another. The Iranian prisoners were escorted over the brow and to the brig in the Puller, which would take them very close to their own country, but then to the United States. They were bitter and depressed. The huge ship into the darkness of which they were swallowed seemed like an alien craft from another civilization, which, for them, it was. A gray metal coffin was carried to Athena by a detail from the Puller. This was a sad thing to see, sadder than struggle, sadder than blood. It disappeared below. Josephson’s body was placed inside it and the flag draped over it. Six of Athena’s crew in dress uniform carried it slowly to the brow and set it on deck. After a long silence, Rensselaer spoke a few words. “Our shipmates Speight and Josephson are no longer with us—Speight committed to the deep, lost except to God. And Josephson, who will go home. Neither of these men is unique in death. They are still very much like us, and we are like them: it’s only a matter of time—however long, however short. If upon gazing at this coffin you feel a gulf between you, the living, and him, one of the dead, remember that our fates are the same, and he isn’t as far from us as we may imagine. “At times like this I question our profession. I question the enterprise of war. And then I go on, as we shall, and as we must. In this spirit we bid goodbye to Ensign Josephson, to whom you might have been brothers, and I and the chiefs, perhaps, fathers. May God bless and keep him.” Then the captain read the 23rd Psalm, a salute was fired, and Josephson’s coffin was lifted to the shoulders of its bearers and slowly carried into the depths of the Puller. When he died, he was very young.

Olive,’ Mum said, stroking my fringe. ‘I need you to listen to me, and I need you to be brave.’ Opening my eyes again, I swallowed nervously. ‘What’s happened?’ ‘Your sister didn’t arrive at work today.’ Sukie was a typist for an insurance company in Clerkenwell. She said it was the dullest job ever. ‘Isn’t today Saturday, though?’ I asked. ‘She was due in to do overtime. No one’s seen her since she was with you and Cliff last night. She’s missing.’ ‘Missing?’ I didn’t understand. Mum nodded. The nurse added rather unhelpfully: ‘We’ve had casualties from all over London. It’s been chaos. All you can do is keep hoping for the best.’ It was obvious what she meant. I glanced at Mum, who always took the opposite view in any argument. But she stayed silent. Her hands, though, were trembling. ‘Missing isn’t the same as dead,’ I pointed out. Mum grimaced. ‘That’s true, and I’ve spoken to the War Office: Sukie’s name isn’t on their list of dead or injured but-’ ‘So she’s alive, then. She must be. I saw her in the street talking to a man,’ I said. ‘When she realised I’d followed her she was really furious about it.’ Mum looked at me, at the nurse, at the bump on my head. ‘Darling, you’re concussed. Don’t get overexcited now.’ ‘But you can’t think she’s dead.’ I insisted. ‘There’s no proof, is ther?’ ‘Sometimes it’s difficult to identify someone after…’ Mum faltered. I knew what she couldn’t say: sometimes if a body got blown apart there’d be nothing left to tie a name tag to. It was why we’d never buried Dad. Perhaps if there’d been a coffin and a headstone and a vicar saying nice things, it would’ve seemed more real. This felt different, though. After a big air raid the telephones were often down, letters got delayed, roads blocked. It might be a day or two before we heard from Sukie, and worried though I was, I knew she could look after herself. I wondered if it was part of Mum being ill, this painting the world black when it was grey. My head was hurting again so I lay back against the pillows. I was fed up with this stupid, horrid war. Eighteen months ago when it started, everyone said it’d be over before Christmas, but they were wrong. It was still going on, tearing great holes in people’s lives. We’d already lost Dad, and half the time these days it felt like Mum wasn’t quite here. And now Sukie – who knew where she was? I didn’t realise I was crying again until Mum touched my cheek. ‘It’s not fair,’ I said weakly. ‘War isn’t fair, I’m afraid,’ Mum replied. ‘You only have to walk through this hospital to see we’re not the only ones suffering. Though that’s just the top of the iceberg, believe me. There’s plenty worse going on in Europe.’ I remembered Sukie mentioning this too. She’d got really upset when she told me about the awful things happening to people Hitler didn’t like. She was in the kitchen chopping onions at the time so I wasn’t aware she was crying properly. ‘What sort of awful things?’ I’d asked her. ‘Food shortages, people being driven from their homes.’ Sukie took a deep breath, as if the list was really long. ‘People being attacked for no reason or sent no one knows where – Jewish people in particular. They’re made to wear yellow stars so everyone knows they’re Jews, and then barred from shops and schools and even parts of the towns where they live. It’s heartbreaking to think we can’t do anything about it.’ People threatened by soldiers. People queuing for food with stars on their coats. It was what I’d seen on last night’s newsreel at the cinema. My murky brain could just about remember those dismal scenes, and it made me even more angry. How I hated this lousy war. I didn’t know what I could do about it, a thirteen-year-old girl with a bump on her head. Yet thinking there might be something made me feel a tiny bit better.

I never heard him say sorry or thank you or even I love you. He lined Mom's coffin with those words and buried them six feet deep.

What is it?” Leo’s arms closed around her. Gasping, she buried her face against the solid surface of his chest. They were half sitting, half lying amid heaps of rotted timber, stone, and earth. One of his hands came to her head, curving over her skull protectively. “What happened?” Her voice was muffled in his shirt. “Undercroft.” He smoothed her hair and pressed her even closer into the protection of his body. “Yes. Why does that frighten you?” She could hardly speak between panting breaths. “Isn’t that … where they keep the bodies?” The tremulous question hung in the air as Leo puzzled over it. “Oh. No, it’s not that kind of undercroft.” A quiver of rueful amusement ran through his voice, and she felt his mouth touch the rim of her ear. “You’re thinking of one of the rooms beneath modern churches, where the deceased are put away. But a medieval undercroft is different. It’s only a storeroom beneath the keep.” Catherine didn’t move. “There are no s-skeletons in here?” “No. Nor skulls, nor coffins.” His hand continued to stroke tenderly over her hair. “Poor darling. It’s all right. Nothing fearsome down here. Take a deep breath. You’re safe.” Catherine continued to lie in his arms as she caught her breath. She tried to take in the fact that Leo, her enemy and tormentor, was calling her “poor darling” and petting her. His lips brushed her temple and lingered gently. Holding still, she absorbed the sensation. She had never been attracted to men of his size, preferring those of less intimidating stature. But he was strong and comforting, and he seemed so genuinely concerned, and his voice was like dark velvet wrapping around her.

Claire slumped down into the overstuffed chair in her office as she watched her sister go through Paul’s collection of files. Lydia seemed energized by the prospect of uncovering more lurid details, but Claire felt as though she was suffocating under the weight of every new revelation. She couldn’t believe that only two days ago, she had watched Paul’s coffin as it was lowered into the ground. Her body might as well have been buried along with him. Her skin felt desiccated. She had a deep chill in her bones. Even blinking was a challenge, because the temptation to keep her eyes closed was almost too much to resist.

Who was the rogue Hildegard had been talking about? How many players were involved in this game? How deep was the mire Clementine had walked into here in Dead … The front door crashed open. She gasped, frowning down at the desk drawer. Someone had come for the rings!

The sickening crunch threw Penric out of his coffin-sized bunk and onto the deck of his scarcely larger cabin, and from deep sleep into frantically confused consciousness in the same moment.

Love when I am dead, I shall not be very far, I will peep in at your window, a faint white star, Or when the wind arises - see the cedar tips - They'll be my ghost-like fingers seeking for your lips, I'll wrest the coffin lid and speed me from my lair, You'll feel the aura of my presence steal softly through your hair. Forgotten, unforgetting - for you I cannot die, Nor you for me - We've drunk too deep Love's Immortality

The priest and his desires Not alone, but a lonely monastery priest, Resisting hard not to venture out and pursue the need for love and passion driven heist, Bound by his sanctum and religion, He tries not to give in to any seduction, Adam and Eve blamed the devil, The priest is baffled to decide who shall he blame for this evil, He rolls and turns restlessly in the bed of his desires, And every night after the Church service he deals with these raging fires, He is dressed in his black robe on the much anticipated Sunday mass, But he is distracted and sees passions and desires cast on peoples faces and even on mosaic glass, At the end of the service he serves all some fine and red wine, And when he stands face to face with a beautiful woman his inner self says “I wish you were mine!’” His Sunday night is spent in her curled hair locks, He is shackled to her beautiful face and desires that fasten around him like unbreakable locks, He often touches his cross that he wears always, Still his nights are restless and now it is so even during the sunny Spring days, He bows before the Altar and makes a solemn confession, “My Lord! her face and her overpowering beauty have become my obsession, Am I still worthy of worshipping you my God? For I have silently started worshiping this feeling of loving her and I do not feel odd, It is her thoughts that possess me even during my sermons, In her absence, not yours My Lord, everything presents itself like bad omens, To tame my wandering thoughts I refer to the Holy Book, But through it too peeps her face and her mesmerising look, I wonder if I shall quit clergy, And adopt this new synergy, I am drowning farther and farther in this mental eclipse, And I only want to think of her beautiful face, her warm skin and her red lips, Shall I forsake my black robe, My Lord, and not Thee? Or Forsake her and thereby my black robe and Thee? Because without her I do not feel anything that is a part of me, And without being me, how can I anything else be, Perhaps I am supposed to be a man of God but not a man, Never to fulfillmy own desires for I am busy fulfilling Your plan, So let me live with my state and the social taboo, While every night I place my desires in the coffin along with the happy morning cuckoo.” The Lord smiles at him, “It is your personal battle and it is grim, You desire her, her face, her charming ways, You think of her during nights and during the bountiful days, But you think of me too and that is enough for me to know, So seek her and kiss her grace, for then you shall better baptise in my glow, And before you fall too low, Rise to your calling and you shall reap as you shall sow, Whether you wear a black robe or her kisses, I shall judge you on how you made others feel with or without your kisses.” Said the Lord in His emphatic voice, And the priest stood up and made the right choice! To love the woman he loved and missed, And he felt something divine within him, whenever her deep beauty he kissed! Source of inspiration : The Thorn Birds 1983 Drama

The priest and his desires Not alone, but a lonely monastery priest, Resisting hard not to venture out and pursue the need for love and passion driven heist, Bound by his sanctum and religion, He tries hard not to give in to any form of seduction, Adam and Eve blamed the devil, The priest is baffled to decide who shall he blame for this evil? He rolls and turns restlessly in the bed of his desires, And every night after the Church service he deals with these raging fires, He is dressed in his black robe on the much anticipated Sunday mass, But he is distracted when he sees passions and desires cast on peoples faces and even on mosaic glass, At the end of the service he serves all some fine and red wine, And when he comes face to face with a beautiful woman, his inner self says “I wish you were mine!’” His Sunday night is spent in her curled hair locks, He is shackled to her beautiful face and desires that fasten around him like unbreakable locks, He often touches his cross that he wears always, Still his nights are restless and now it is so even during the sunny Spring days, He bows before the Altar and makes a solemn confession, “My Lord! her face and her overpowering beauty have become my obsession, Am I still worthy of worshipping you my God? For I have silently started worshiping this feeling of loving her and I do not feel odd, It is her thoughts that possess me even during my sermons, In her absence, not yours My Lord, everything presents itself like bad omens, To tame my wandering thoughts I refer to the Holy Book, But through it too peeps her face and her mesmerising look, I wonder if I shall quit clergy, And adopt this new synergy? I am drowning farther and farther in this mental eclipse, And I only want to think of her beautiful face, her warm skin and her red lips, Shall I forsake my black robe, My Lord, and not Thee? Or Forsake her and thereby my black robe and as well Thee? Because without her I do not feel anything that is a part of me, And without being me, how can I anything else be, Perhaps I am supposed to be a man of God but not a man, Never to fulfil my own desires for I am busy fulfilling Your plan, So let me live with my state and the social taboo, While every night I place my desires in the coffin along with the happy morning cuckoo.” The Lord smiles at him, “It is your personal battle and it is grim, You desire her, her face, her charming ways, You think of her during nights and during the bountiful days, But you think of me too and that is enough for me to know, So seek her and kiss her grace, for then you shall better baptise in my glow, And before you fall too low, Rise to your calling and you shall reap as you shall sow, Whether you wear a black robe or her kisses, I shall judge you on how you made others feel with or without your kisses.” Said the Lord in His emphatic voice, And the priest stood up and made the right choice! To love the woman he loved and missed, And he felt something divine within him, whenever her deep beauty he kissed! Source of inspiration : The Thorn Birds . 1983 Drama

They acknowledged the innocent child hiding in the corner of their hearts, holding a sugar-and-butter sandwich. That one. The one who lodged deep in their fat, thin, old, young skin, and was the one the world had hurt. Or they thought of their son newly killed and remembered his legs in short pants and wondered where the bullet went in. Or they remembered how dirty the room looked when their father left home and wondered if that is the way the slim, young Jew felt, he who for them was both son and lover and in whose downy face they could see the sugar-and-butter sandwiches and feel the oldest and most devastating pain there is: not the pain of childhood, but the remembrance of it. Then they left their pews. For with some emotions one has to stand. They spoke, for they were full and needed to say. They swayed, for the rivulets of grief or of ecstasy must be rocked. And when they thought of all the life and death locked into that little closed coffin they danced and screamed, not to protest God's will but to acknowledge it and confirm once more their conviction that the only way to avoid the Hand of God is to get in it.

She settled down on the coffin-shaped couch against the wall, folding her hands in her lap. Jack held up a bony finger and retreated into an adjoining--- the kitchen, she realized as she took a peek--- then returned a moment later with a steaming cup of what turned out to be rotten mushroom tea. She took it from him gratefully, breathing in the salty scent before taking a long, deep swig. "So good," she murmured after she'd swallowed, then took a second sip. She hadn't realized how hungry and thirsty she'd been. The sugary snacks she'd eaten earlier hadn't filled her up. But this was the kind of cauldron concoction that stuck to your bones (if you had any, that was).

firmly by the shoulders. Jon says, ‘How the hell did you ever get keys for this place?’ I chuckle, though there is really nothing to laugh about. It is the irony, I suppose. ‘The first summer I was here, I landed one day to find that the Lighthouse Board had sent in decorators to paint the place. Everything was opened up. The guys were okay with me taking a look around and we got chatting. The forecast was good, and they expected to be here for a few days. So I spun them the story about writing a book and said I would probably be back tomorrow. And I was. Only this time with a pack of Blu-tack. When they were having their lunch, I took the keys from the inner and outer doors and made impressions. Dead simple. Had keys cut, and access to the place whenever I wanted thereafter.’ The final panel falls away in my hands, and I reach in to retrieve a black plastic bag. I hand it up to Jon, and he peels back the plastic to look inside. As I stand up, I lift one of the wooden panels. I know that this is the one chance I will get, while he is distracted, and I swing the panel at his head as hard as I can. The force with which it hits him sends a judder back up my arms to my shoulders, and I actually hear it snap. He falls to his knees, dropping the hard drive, and his gun skids away across the floor. Sally is so startled, she barely has time to move before I punch her hard in the face. I feel teeth breaking beneath the force of my knuckles, behind lips I once kissed with tenderness and lust. Blood bubbles at her mouth. I grab Karen by the arm and hustle her fast down the corridor, kicking open the door and dragging her out into the night. The storm hits us with a force that assails all the senses. The wind is deafening, driving stinging rain horizontally into our faces. The cold wraps icy fingers around us, instantly numbing. Beyond the protection of the walls, it is worse, and I find it nearly impossible to keep my feet as I pull my daughter off into the dark. Only the relentless turning of the lamp in the light room above us provides any illumination. We turn right, and I know that almost immediately the island drops away into a chasm that must be two or three hundred feet deep. I can hear the ocean rushing into it. Snarling, snapping at the rocks below and sending an amplified roar almost straight up into the air. I guide Karen away from it, half-dragging her, until we reach a small cluster of rocks and I push her flat into the ground behind them. I tear away the tape that binds her wrists, then roll her on to her back to peel away the strip of it over her mouth. She gasps, almost choking, and I feel her body next to mine, racked by sobs, as she

He sat back with a sigh. “This is the peril of loving a psychologist, isn’t it?” Anne smiled. “That and the bad sex jokes.” He perked up. “There are bad sex jokes?” “So many bad sex jokes. Thousands of them.” “That’ll give me something to look forward to then.” “MURPHY.” He leaned closer as they waited for the formal arrival of Jetta Ommunsdotter in Terry and Gemma’s drawing room. “Yes, love?” “What do a condom and a coffin have in common?” “I’m shocked that I don’t know. What do a condom and a coffin have in common?” “They both hold stiffs. But one is coming and one is going.” The corner of his mouth turned up. “I

It seems I’ve been asleep for a very long time. A vampire in a darkened coffin. As though the fresh scent of virgin blood is in the air, and I’ve awakened with a need thumping so deep I’m scaring myself.

My apostasy saddens her. This is very true. There are few of us left, and every loss now is another coffin nail. There is great beauty in the faith, and very deep truth. But there is also a bitterness at the core that I found at some point I could no longer deny.

Sir, they're here to take Mr. Vice President. I'm clearing out the room to give you a moment alone. They won't wait long," a younger sounding guard said. Kane never saw him. The man spoke from behind Kane's back, and then immediately turned and left the room again, drawing the doors closed behind him with a soft click. Kane stared at the casket. This was it, his last time with Avery. He stood; his tired gritty eyes roamed the top of the closed mahogany box. He wished he had one last look at Avery before they took him away. Kane placed both hands on top of the coffin, his eyes filled with tears. Tears that just wouldn't stop flowing. He leaned in, placing his forehead close to where he thought Avery's would be, and he softly whispered, hoping Avery could hear his words, "I have to leave you now. I know you would fight this, but you have to do this part alone. They have so much planned to honor you today. It's exactly the way you would have wanted it. It's what you deserve…" Kane closed his eyes tighter, saying goodbye to Avery was the hardest thing he'd ever had to do. He took a deep breath, trying to get through everything he wanted to say. "I love you, Avery. Always. You completed my life. You made me whole, gave me hope, made me a better man. For me, you were everything right in my life. And I know you're in heaven smiling down on us. You're too good a man to be kept out because of me. I know you have to be one of God's special angels. I know you're there, and I'm happy for you. I just miss you so much already. I'm trying to pull myself together here, but I'm failing, and I'm sorry. I'm just lost without you.

You see, I was ready to swim deep for you But you felt like this was skin deep for you No coffin, but I'd die for you No coughing, but I'd lie for you

The caterpillar who inches along the ground, plagued by shadows and predators, who can’t even see the sky—does she still imagine being in it? Does she dream of flying, of sunlight flashing off iridescent wings? Does she feel that primal urge within her cells, a flickering deep within her DNA, like a whisper—that she wasn’t made for this? That there’s more, so much more—but she’ll have to destroy herself to reach it. It will be her destruction or her salvation. She doesn’t know which. She spins her own coffin anyway.

Is that what your father told you?” Tobias clicked his tongue. “Your family is full of liars, Samkiel. Too bad you won’t be around to figure that out.” Liam squared his shoulders as he glared at Tobias. “It does not matter who or what you are. It will take an army to detain me.” Tobias’s laugh was cold and downright deadly. He stretched his arms out to the sides, squeezing his hands into fists. His talons dug into his palms, drawing fresh blood. He spoke in the ancient tongue of Ig’Morruthens. Blood welled between his fingers and dripped onto the floor. It sizzled, dark smoke swirling as it made contact with the stones. “Well, it’s a good thing, Samkiel,” he said, his voice deep and menacing, “that I have bodies to spare.” The mausoleum shook as the stone absorbed his blood. Liam and I watched in horror as the lids slowly slid off the coffins. Hollow wails and moans filled the crypt, the ground busting open beneath us as the dead rose.

I was sprawled on the sands of a small island off the coast of Maine. The tide was coming in, water tickling my feet as it crept across the beach. It was deep night, the sky like velvet, spangled with stars.

Shards seldom radiate the beauty of fullness as a mirror does Even after you go, The splendour of the coffin I carry shall match the splendour of your near maternal love; And in its splendour shall I seek an atonement for all that I couldn't.

This -- this religion of theirs -- was filthy; ugly, like the shiny black covers of their Bibles where their fingers left a grey, greasy smear. Filthy and frightful; like funerals. You might as well be buried alive, five coffins deep in a pit of yellow clay.

The silence of the house was so deep that each tick of the clock seemed to enfigure in sound the brass works rotating behind the dial. The clock seemed a device for preserving and telegraphing the heartbeats of my grandfather and my grandmother and my mother and Kate, and a coffin, and a reliquary, and finally just a plain old beautiful clock.

Jesse was moaning in her sleep. She was a delicate woman of thirty-five with long curly red hair. She lay deep in a shapeless feather mattress, cradled in a wooden bed which hung from the ceiling on four rusted chains. Somewhere in the big rambling house a clock chimed. She must wake up. Two hours until the Vampire Lestat’s concert. But she could not leave the twins now. This was new to her, this part unfolding so rapidly, and the dream was maddeningly dim as all the dreams of the twins had been. Yet she knew the twins were in the desert kingdom again. The mob surrounding the twins was dangerous. And the twins, how different they looked, how pale. Maybe it was an illusion, this phospherescent luster, but they appeared to glow in the semidarkness, and their movements were languid, almost as if they were caught in the rhythm of a dance. Torches were thrust at them as they embraced one another; but look, something was wrong, very wrong. One of them was now blind. Her eyelids were shut tight, the tender flesh wrinkled and sunken. Yes, they have plucked out her eyes. And the other one, why she make those terrible sounds? “Be still, don’t fight anymore,” said the blind one, in the ancient language which was always understandable in the dreams. And out of the other win came a horrid, gutteral moaning. She couldn’t speak. They’d cut out her tongue! I don’t want to see any more, I want to wake up. But the soldiers were pushing their way through the crowd, something dreadful was to happen, and the twins became suddenly very still. The soldiers took hold of them, dragged them apart. Don’t separate them! Don’t you know what this means to them? Get the torches away. Don’t set them on fire! Don’t burn their red hair. The blind twin reached out for her sister, screaming her name: “Mekare!” And Mekare, the mute one, who could not answer, roared like a wounded beast. The crowd was parting, making way for two immense stone coffins, each carried in a great heavy bier. Crude these sarcophagi, yet the lids had the roughened shape of human faces, limbs. What have the twins done to be put in these coffins? I can’t stand it, the biers being set down, the twins dragged towards the coffins, the crude stone lids being lifted. Don’t do it! The blind one is fighting as if she can see it, yet they are overpowering her, lifting her and putting her inside the stone box. In mute terror, Mekare is watching, though she herself is being dragged to the bier. Don’t lower the lid, or I will scream for Mekare! For both of them- Jesse sat up, her eyes opened. She had screamed. Alone in the house, with no one to hear her, she’d screamed and she could feel the echo still. Then nothing but the quiet settling around her, and the faint creaking of the bed as it moved on its chains. The song of the birds outside in the forest, the deep forest; and her own curious awareness that the clock had struck six.

After a pause, the firstborn son of the Ozri family approached his father. I noticed now that his eyes were also red from crying. "Yes, Father," he said. "I want to say something." He bent over Koby's coffin and took a deep breath. "Koby," he said in a trembling voice, "my little brother." He burst into tears and the rest of the mourners joined him. "I want to ask you for forgiveness… forgiveness for years of alienation and lack of concern. You turned to paths that were unacceptable to us, and rather than trying to help you, each of us chose to look after his own interests. We should have tried to accept you; that way, perhaps, we could have saved you. You were a good person, I always knew it. You had a bigger heart than most people I know. Forgive me, dear brother." He burst into tears again. "Forgive me.

The month Athyr was the second month after the autumnal equinox, at which time the civil year of the Jew and the patriarchs began. According to this statement, then, Osiris was "shut up in his coffin" on the 17th day of the second month of the patriarchal year. Compare this with the Scriptural account of Noah's entering into the ark, and it will be seen how remarkably they agree (Gen. vii. 11), "In the six hundredth year of Noah's life, in the SECOND MONTH, in the SEVENTEENTH DAY of the month, were all the fountains of the great deep broken up; in the self-same day entered Noah into the ark." The period, too, that Osiris (otherwise Adonis) was believed to have been shut up in his coffin, was precisely the same as Noah was confined in the ark, a whole year.

Each layer was a clean, crisp white. Marzipan over rich Vienna cream icing, edged with sugar lace, a delicate spidery web of lines, the perfect allusion of the bobbin lace that Princess Rose liked to weave. Or at least claimed she wove as a useful anecdote. His notes stated that she gave biannual speeches as patron of the City of London Arts and Crafts Guild. Flowers wound up the side of the cake, the blooming vine of a fairy tale. He studied the effect with distaste. A tap of the leftmost flower, and the petals changed color from an iridescent pink to a deep, brooding blood purple, almost black in tone. He swept his hand in front of the cake. One after another, the edges of the peony poppies bled, thee dark color leaching over the celestial pink. Still fairy tale, but with the inevitable malevolent element. Better. Also better suited to a dungeon or coffin than a reception table, but from the impression he got of the bride, the Tim Burton vibe was strongly in her wheelhouse.