Coffee Vending Machine Quotes

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We go in a skyscraper that's Paul's office, he says he's crazy busy but he makes a Xerox of my hands and buys me a candy bar out of the vending machine. Going down in the elevator pressing the buttons, I play I'm actually inside a vending machine. We go in a bit of the government to get Grandma a new Social Security card because she lost the old one, we have to wait for years and years. Afterwards she takes me in a coffee shop where there's no green beans, I choose a cookie bigger than my face.
Emma Donoghue (Room)
During the school year, I practically lived in Dongguk’s modern, glass-walled library, with its stacks of tantalizing books and its high-speed Internet access. It became my playground, my dining room, and sometimes my bedroom. I liked the library best late at night, when there were fewer students around to distract me. When I needed a break, I took a walk out to a small garden that had a bench overlooking the city. I often bought a small coffee from a vending machine for a few cents and just sat there for a while, staring into the sea of lights that was metropolitan Seoul. Sometimes I wondered how there could be so many lights in this place when, just thirty-five miles north of here, a whole country was shrouded in darkness. Even in the small hours of the morning, the city was alive with flashing signs and blinking transmission towers and busy roadways with headlights traveling along like bright cells pumping through blood vessels. Everything was so connected, and yet so remote. I would wonder: Where is my place out there? Was I a North Korean or a South Korean? Was I neither?
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
At the nurses’ station the night-shift RNs cluster on chairs, looking like birds wanting to shove their tired heads under a free wing. Their lined faces and heavy-lidded eyes show how hard it is to stay awake and alert for an entire night. I don’t work a lot of nights, but when I do I feel it. I hit a wall at 2:00 a.m., then again at 4:00. The hospital’s strong tea, bad coffee, Diet Coke from the vending machine—they all help, but nothing non-pharmaceutical will really make me feel awake for the entire night, and I’m not going down the pharmacologic road. The day after, even if I sleep all morning and afternoon, it feels as though I’m seeing the world through gauze.
Theresa Brown (The Shift: One Nurse, Twelve Hours, Four Patients' Lives)
Mavis packs: many separate top and bottom options, including but not limited to multiple shorts and shirts, dresses short and long, skirts, running/exercise tanks and shorts, a special moisture-wicking-type bra, athletic socks, several sandals, a pair of gym shoes, at least one romper, an extra carburetor, a full silver service, a twin-size bed, several different types of Tylenol, and a cooler full of dry snacks and drinks and coffee. It never even occurred to me that I might do anything other than survive off of whatever I could find in a vending machine or from room service. She is a real-life adult. It’s impressive.
Samantha Irby (We Are Never Meeting in Real Life.)
A more complex example is a cooking recipe. An algorithm for preparing vegetable soup may tell us: 1.​Heat half a cup of oil in a pot. 2.​Finely chop four onions. 3.​Fry the onion until golden. 4.​Cut three potatoes into chunks and add to the pot. 5.​Slice a cabbage into strips and add to the pot. And so forth. You can follow the same algorithm dozens of times, each time using slightly different vegetables, and therefore getting a slightly different soup. But the algorithm remains the same. A recipe by itself cannot make soup. You need a person to read the recipe and follow the prescribed set of steps. But you can build a machine that embodies this algorithm and follows it automatically. Then you just need to provide the machine with water, electricity and vegetables – and it will prepare the soup by itself. There aren’t many soup machines around, but you are probably familiar with beverage vending machines. Such machines usually have a slot for coins, an opening for cups, and rows of buttons. The first row has buttons for coffee, tea and cocoa. The second row is marked: no sugar, one spoon of sugar, two spoons of sugar. The third row indicates milk, soya milk, no milk. A man approaches the machine, inserts a coin into the slot and presses the buttons marked ‘tea’, ‘one sugar’ and ‘milk’. The machine kicks into action, following a precise set of steps. It drops a tea bag into a cup, pours boiling water, adds a spoonful of sugar and milk, and ding! A nice cup of tea emerges. This is an algorithm.17
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Is that for us?” Extreme hunger had temporarily impaired my ability to listen. After puking up my coffee before our interview with Cobb, I’d managed to down half of a stale bologna sandwich from a vending machine at the Williamsport Airport. And now that my gut wasn’t twisted into a million knots, I could see how inadequate my energy reserves had become
John W. Mefford (At Large (Redemption Thriller #2; Alex Troutt Thriller, #2))
Lily Anne Morgan. Dexter’s DNA, living and moving on through time to another generation, and more, into the far-flung future, a day beyond imagination—taking the very essence of all that is me and moving it forward past the clock-fingered reach of death, sprinting into tomorrow wrapped in Dexter’s chromosomes—and looking very good doing it. Or so it seems to her loopy father. Everything has changed. A world with Lily Anne Morgan in it is so completely unknown: prettier, cleaner, neater edges, brighter colors. Things taste better now, even the Snickers bar and cup of vending machine coffee, all I have had for twenty-four hours. The candy bar’s flavor was far more subtle than I had known before, and the coffee tasted of hope. Poetry flows into my icy cold brain and trickles down to my fingertips, because all is new and wonderful now. And far beyond the taste of the coffee is the taste of life itself. Now it is something to nurture, protect, and delight in. And the thought comes from far out beyond bizarre that perhaps life is no longer something to feed on in the terrible dark frenzy of joy that has defined me until this new apocalyptic moment. Maybe Dexter’s world should die now, and a new world of pink delight will spring from the ashes. And the old and terrible need to slash the sheep and scatter the bones, to spin through the wicked night like a thresher, to seed the moonlight with the tidy leftovers of Dexter’s Dark Desiring? Maybe it’s time to let it go, time to let it drain away until it is all gone, vanished utterly. Lily Anne is here and I want to be different. I want to be better than what I have been. I
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
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BUILDING RENEWAL INTO YOUR WORKDAY – Tony Schwartz Zeke is a creative director at a large agency. The workday he described when we first met was typical of the managers and leaders I meet in my travels. After six or six and a half hours of sleep—which never felt like enough—Zeke’s alarm went off at 5:30 a.m. each morning. His first move was to take his iPhone off the night table and check his e-mail. He told himself he did this in case something urgent had come in overnight, but the truth was he just couldn’t resist. Zeke tried to get to the gym at least two times a week, but he traveled frequently, and at home he was often just too tired to work out. Once he got to work—around 7:30 a.m. most days—Zeke grabbed a cup of coffee, sat down at his desk, and checked his e-mail again. By then, twenty-five or more new messages were typically waiting in his in-box. If he didn’t have an early meeting, he might be online for an hour or more without once looking up. Zeke’s days were mostly about meetings. They were usually scheduled one after the other with no time in between. As a result, he would race off to the next meeting without digesting what he’d just taken in at the last one. Lunch was something Zeke squeezed in. He usually brought food back to his desk from the cafeteria and worked while he ate. Around two or three in the afternoon, depending on how much sleep he’d gotten the previous night, Zeke began to feel himself fading. Given his company’s culture, taking even a short nap wasn’t an option. Instead, for a quick hit of energy, he found himself succumbing to a piece of someone’s leftover birthday cake, or running to the vending machine for a Snickers bar. With so many urgent demands, Zeke tended to put off any intensive, challenging work for later. By the end of the day, however, he rarely had the energy to get to it. Even so, he found it difficult to leave work with so much unfinished business. By the time he finally did, usually around 7:30 or 8 p.m., he was pretty much running on empty. After dinner, Zeke tried to get to some of the work he had put off earlier in the day. Much of the time, he simply ended up returning to e-mail or playing games online. Either way, he typically stayed up later than he knew he should. How closely does this match your experience? To the extent that it does resonate, how did this happen? Most important, can you imagine working the way you do now for the next ten or twenty years? YOUR CAPACITY IS LIMITED The challenge is that the demand in our lives increasingly exceeds our capacity.
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
Shopping Dana Gioia I enter the temple of my people but do not pray. I pass the altars of the gods but do not kneel Or offer sacrifices proper to the season. Strolling the hushed aisles of the department store, I see visions shining under glass, Divinities of leather, gold, and porcelain, Shrines of cut crystal, stainless steel, and silicon. But I wander the arcades of abundance, Empty of desire, no credit to my people, Envying the acolytes their passionate faith. Blessed are the acquisitive, For theirs is the kingdom of commerce. Redeem me, gods of the mall and marketplace. Mercury, protector of cell phones and fax machines, Venus, patroness of bath and bedroom chains, Tantalus, guardian of the food court. Beguile me with the aromas of coffee, musk, and cinnamon. Surround me with delicately colored soaps and moisturizing creams. Comfort me with posters of children with perfect smiles And pouting teenage models clad in lingerie. I am not made of stone. Show me satins, linen, crepe de chine, and silk, Heaped like cumuli in the morning sky, As if all caravans and argosies ended in this parking lot To fill these stockrooms and loading docks. Sing me the hymns of no cash down and the installment plan, Of custom fit, remote control, and priced to move. Whisper the blessing of Egyptian cotton, polyester, and cashmere. Tell me in what department my desire shall be found. Because I would buy happiness if I could find it, Spend all that I possessed or could borrow. But what can I bring you from these sad emporia? Where in this splendid clutter Shall I discover the one true thing? Nothing to carry, I should stroll easily Among the crowded countertops and eager cashiers, Bypassing the sullen lines and footsore customers, Spending only my time, discounting all I see. Instead I look for you among the pressing crowds, But they know nothing of you, turning away, Carrying their brightly packaged burdens. There is no angel among the vending stalls and signage. Where are you, my fugitive? Without you There is nothing but the getting and the spending Of things that have a price. Why else have I stalked the leased arcades Searching the kiosks and the cash machines? Where are you, my errant soul and innermost companion? Are you outside amid the potted palm trees, Bumming a cigarette or joking with the guards, Or are you wandering the parking lot Lost among the rows of Subarus and Audis? Or is it you I catch a sudden glimpse of Smiling behind the greasy window of the bus As it disappears into the evening rush?
Vaddhaka Linn (The Buddha on Wall Street: What's Wrong with Capitalism and What We Can Do about It)
Well, you think, you have the answers to everything right here. But how do you even know where to start? How do you know what questions to spend your time on, when every sliver of information, every history-shattering revelation he drops over vending-machine coffee or idly while you draw his blood, throws up its own infinite library of further questions?
Keanu Reeves (The Book of Elsewhere)
Halfway home from Plaza Espana, I was in no rush and stopped by a quiet, closed little square on my way, called Plaza de Santa Madrona. I bought a Lucky Strike, “blando” softpack, “sin aditivos”, from a small bar's cigarette vending machine and ordered a cafe cortado, my favorite coffee in Spain. Both Adam and I smoked the same type of cigarettes in Spain; that was the best one. In Italy, I preferred to smoke MS Azzurro and caffe corretto con La Vecchia Romagna - a short, strong espresso with a shot of Italian cognac. That could wake you up after a seventeen-hour roadtrip from Budapest to Gaeta, which was necessary as administrative duties had been added to my interpreter roles over time. If I made a mistake, I wouldn't receive a bonus. Indeed. There was speech. Only once or twice in almost 5 years by the end of 2014. I knew I would end up at the Magalhaes and Radas corner, walking that way towards home anyhow. I was just sitting on that little square, surrounded by buildings; I was the only person sitting at the bar terrace. This was the first time I did not want to go home to Carrer Radas. There was a fountain in the middle; you could almost hear the water running down into a tub, echoing on the hidden little street which had no traffic whatsoever. It was almost like a holy moment - “Santa Madrona, help me,” I thought. I, the atheist, was asking for some miracle in that silent, peaceful, hidden little plazita where time seemed to stand still.
Tomas Adam Nyapi