Coffee Stain Quotes

How wrong to think I was anyone else, like thinking grass stains make you a beautiful view, like getting kissed makes you kissable, like feeling warm makes you coffee, like liking movies makes you a director. How utterly incorrect to think it any other way, a box of crap is treasures, a boy smiling means it, a gentle moment is a life improved.

The stains could be seen only in the sunlight, so Ruth was never really aware of them until later, when she would stop at an outdoor cafe for a cup of coffee, and look down at her skirt and see the dark traces of spilled vodka or whiskey. The alcohol had the effect of making the black cloth blacker. This amused her; she had noted in her journal: 'booze affects material as it does people'.

Clothing left on the bed unfolded. Books stained with coffee spots. Tabs not paid until the last possible second. Boys kissed and then forgotten in a week’s time.

And…well, you were going to, ah…give him your flower—” I do a literal spit take. Coffee drizzles down my chin and neck, and I quickly grab a napkin to wipe it away before it stains my pajama top. “Oh my God. Mom. Don’t ever say that again. I beg of you.” “I was trying to be parental,” she says primly. “There’s parental, and then there’s Victorian England.” “All right. You were going to fuck him—” “That’s not parental either!

My mother, who would always buy her books new, hated it the vintage hardcovers with their cracked spines and threadbare cloth covers. True you couldn't go in there and buy the latest best seller, but when you held one of those volumes in your hands, you were leafing through another person'a life. Someone else had once loved that story, too. Someone else had carried that book in a backpack, devoured it over breakfast, mopped up that coffee stain at a Paris café, cried herself to sleep after that last chapter. The scent was distinctive: a slight damp mildew, a punch of dust. To me, it was the smell of history.

If there are #coffee stains on my @Harvard application, it’s because I was up all night Photoshopping a high school diploma. Please accept my apology, and please accept me.

For coffee-stained girls in libraries.

His eyes were cold and brown — like coffee stains…

I love the coffee for staining your teeth, and warming your palms in the morning. I would protect you till the end of time. I would lie down, in the middle of tornado, and cover you.

Some people won't dog-ear the pages. Others won't place the book facedown, pages splayed. Some won't dare make a mark in the margin. Get over it. Books exist to impart their worlds to you, not to be beautiful objects to save for some other day. We implore you to fold, crack, and scribble on your books whenever the desire takes you. Underline the good bits, exclaim "YES!" and "NO!" in the margins. Invite others to inscribe and date the frontispiece. Draw pictures, jot down phone numbers and Web addresses, make journal entries, draft letters to friends or world leaders. Scribble down ideas for a novel of your own, sketch bridges you want to build, dresses you want to design. Stick postcards and pressed flowers between the pages. When next you open the book, you'll be able to find the bits that made you think, laugh, and cry the first time around. And you'll remember that you picked up that coffee stain in the cafe where you also picked up that handsome waiter. Favorite books should be naked, faded, torn, their pages spilling out. Love them like a friend, or at least a favorite toy. Let them wrinkle and age along with you.

She is her odd self. The kiln has been fired. She is a person persnickity about keeping her house clean, but not above spitting on her desk to rub out a coffee stain. She will never be an athlete, or a mathematician, or a skinny person, or someone whose heart isn't snagged by the sight of fireflies on a summer night and the lilting cadence of a few good lines of poetry.

She often felt that she chased the ideal cup of coffee in her mind from table to table, the rich, thick, creamy coffee, spicy, bittersweet, that betrayed no hint of thinness or chemical flavoring, nothing less than total, fathomless devotion to the state of being itself. Every morning she pulled a delicate cup from its brass hook and filled it, hoping that it would be dark and deep and secret as a forest, and each morning it cooled too fast, had too much milk, stained the cup, made her nervous.

but when you held one of those volumes in your hands, you were leafing through another person’s life. Someone else had once loved that story, too. Someone else had carried that book in a backpack, devoured it over breakfast, mopped up that coffee stain at a Paris café, cried herself to sleep after that last chapter.

I spilled a cup of coffee all over my shirt. It's now stained with one hour of productive wakefulness.

If I were deaf, I’d wear loud clothing. My clothes would also be covered in coffee stains, because Helen Keller is my hero.

He's sitting on the edge of his twin-sized bed, his eyes cold, brown, and drained, like coffee stains.

When she thinks of the toxins built up inside of her from so many years of eating carelessly, of the resentment that has grown steadily over fifteen years of marriage, of the stretch marks and the varicose veins that came from two pregnancies, only one of them fulfilled, she thinks the inside of her body must tell a story like a tree. Were she to break open a bone, perhaps it would look like the inside of a coffee mug - riddled with lines, stained with brown blotches.

On a low coffee table, with circular and semicircular stains bitten into the dark veneer, lay a few wilted numbers of Time and Life. I flipped to the middle of the nearest magazine. The face of Eisenhower beamed up at me, bald and blank as the face of a fetus in a bottle.

Sticking your nose in a book might seem like the very opposite of grabbing life by the balls, but reading had always been one of my great loves, and it was one of the things I was most terrified to lose. Sure, there were always audiobooks, but the holy communion of bringing your eyes to paper and sweeping them across the page, left to right, left to right, left to right, the rhythm of that dance, the quiet of it, the sound of the page turning, the look of crinkled covers stained with the coffee you were drinking when you read that chapter that changed your life--you didn't get any of that when listening to an audiobook, and I wanted as much of that as I could get, while I still could.

It's a lost and lonely kind of feeling, To wake up wearing a disguise. I lie in bed staring at the ceiling, I don't know who I am There's little that I can Fully recognize.... But I'm taking small steps, 'Cause I don't know where I'm going. I'm taking small steps And I don't know what to say. Small steps, Trying to pull myself together, And maybe I'll discover A clue along the way.... Just to make it through the day and not to get hurt, Seems about the best that I can hope. Like coffee stains splattered on your sweatshirt There isn't any pattern. Everything's uncertain. It's difficult to cope.... But I'm taking small steps, 'Cause I don't know where I'm going. I'm taking small steps, And I've forgotten how to play. Small steps, Trying to pull myself together, And maybe I'll discover, A clue along the way.... And if someday my small steps bring me near you, Please don't rush to tell me all you feel. You don't have to speak for me to hear you. If I softly sigh, Look me in the eye And let me know I'm real.... Then we'll take small steps, 'Cause we won't know where we're going. We'll take small steps, And we'll have too much to say. Small steps, Hand in hand we'll walk together, And maybe we'll discover A clue along the way.... Small steps, 'Cause I don't know where I'm goin'. Small steps, I just take it day to day. Small steps, Somehow get myself together, Then maybe I'll discover Who I am on the way....

I sat down on the sofa, surrounded by years of coffee rings and sandwich stains. If the police ever did a DNA test on this sofa, it would be ninety per cent disappointment.

When Pablo Picasso was an old man, he was sitting in a café in Spain, doodling on a used napkin. He was nonchalant about the whole thing, drawing whatever amused him in that moment—kind of the same way teenage boys draw penises on bathroom stalls—except this was Picasso, so his bathroom-stall penises were more like cubist/impressionist awesomeness laced on top of faint coffee stains.

...when you held one of those volumes in your hands you were leafing through another person's life. Someone else had once loved that story, too. Someone else had carried that book in a backpack, devoured it over breakfast, mopped up that coffee stain at a Paris café, cried herself to sleep after the last chapter. The scent of their store was distinctive: a slight damp mildew, a pinch of dust. To me, it was the smell of history.

Domestic Where's the wisdom in erasing a loved one's mess, so akin to his signature? Your honor, I only meant to strew the immaculate in his wake. To wipe the path ahead and behind reasonably clean. Futile, yes, but weren't such gestures essential to love's discipline once upon a time? Daily, I harvested dropped fruit peels and socks. I chased him through life with dustpan and broom, smoothed his body dents from the bed, soothed the mud tramped floors. Did I sin in this? Better to leave the habitat sweetly reeking of him than to spend years scrubbing up evidence of his existence. Archaelogists centuries hence may marvel at such relics: his mustard stained napkins, toothpicks chewed to splinters. Never let it be said that in my zeal to clean I robbed the future's museums. Who am I to call what flies to either side of the trail he blazes--half read magazines, cups of scummed over coffee and mashed out cigarettes--dirt?

I took over the business and kept my mother’s shop, turning it into a cozy little coffee house under a new name. I went in one day to get my usual cup of coffee and my life changed forever. A gorgeous, turquoise eyed blonde came crashing into my life and knocked me off my feet. She was fiery, strong and infuriatingly stubborn. I was hooked. She stained my shirt and stole my heart right there in that shop and I haven’t been able to get her out of my mind since. She’s amazing and I’ve fallen head over heels in love with her. She’s my happily ever after.

Sometimes, late at night, when I find myself clicking through photos of the alumni events I didn’t attend, I’ll pull out my old coffee-stained copy of Still Life with Woodpecker and blink at the last line: It’s never too late to have a happy childhood. And perhaps safer if it isn’t your own.

I like the disaster of the night sky, stars spilling this way and that as if they were upturned from a glass. I like the way good madness feels. I like the way laughter always spills. That's the word for it. It never just comes, it spills. I like the word 'again'. Again and again and again and again and again and again and again and again. I like the quiet sound a coffee cup makes when it's set down on a wooden table. So hushed. So inviting. Like morning light yawning through the window and stretching out onto the kitchen floor. I like the way girls' lips look like they're stained with berries. I like the way morning light breaks like a prism through the empty wine bottles on our dusty apartment floor. Glasses empty except for the midnight hour. I like the way blueberries stain my fingers during the summer. I like the way light hits your eyes and turns it into a color that doesn't exist anywhere else other than in this moment. I want it all. I want the breeze to call my name as it rushes down my street, looking for me. I want to feel grass underneath my bare feet and I want to feel the sun kiss freckles onto my cheeks. I want to hear you yell hello as you make your way towards me, not goodbye as you have to go. That's just a little bit about me.

September Day sloshed another half cup of coffee into the giant #1-Bitch mug, and glared out the frosty breakfast nook windows. North Texas didn’t get snow. That’s why she’d moved back home—well, one of several reasons. She shivered, relishing the warmth of the beverage, and toasted the storm with a curse. “Damn false advertising.” Her cat Macy meowed agreement. The blizzard drove icy wind through cracks in the antique windows and made the just-in-case candles on the dark countertop sputter. She pulled the fuzzy bathrobe closer around her neck. Normally the kitchen’s stained glass spilled peacock-bright color into the kitchen.

Such was the demand for sugar, the price of a sweet tooth was a toothless smile. Such was the demand for coffee, the price of caffeine was addiction, heart palpitations, osteoporosis and general irritability. The price of rum was chronic liver disease, alcoholism and permanent memory loss. The cost of tobacco was cancer, stained teeth and emphysema.

...to pick up an old-fashioned newspaper, ink barely dry, staining my fingers in that beautiful hue of grey that is messy and decadent at the same time. I lick to get to the Food section and the Arts and Entertainment section, my greedy little fingers wrapped around both the awkward pages of the dying art and my coffee mug as I curl into what I deem relaxation.

How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]

While other girls were blurry, displaying cracks or, at the very least, seams — ripped jeans, coffee-stained T-shirts, hair that poufed up in the rain — Sophia always looked sharp, clear, as if the resolution had been turned up on a microscope and angled straight at her, as if the money had formed a kind of shrink wrap that kept her protected from the normal destruction of the everyday.

I had started “hibernating” as best I could in mid-June of 2000. I was twenty-six years old. I watched summer die and autumn turn cold and gray through a broken slat in the blinds. My muscles withered. The sheets on my bed yellowed, although I usually fell asleep in front of the television on the sofa, which was from Pottery Barn and striped blue and white and sagging and covered in coffee and sweat stains.

Mrs. Indianapolis was in town again. She looked like a can of Sprite in her green and yellow outfit. She always likes to come down to the front desk just to chat. It was 4:04 am and thankfully I was awake and at the front desk when she got off the elevator and walked towards me. 
 “Good morning, Jacob,” she said.
 “My name is Jarod,” I replied.
 “When did you change your name?” “I was born Jarod, and I’ll probably die. Maybe.”
 “You must be new here. You look like a guy named Jacob that used to work at the front desk.”
 “Nope, I’m not new. And there’s no Jacob that’s worked the front desk, nor anybody who looks or looked like me. How can I assist you, Mrs. Indianapolis?”
 “I’d like to inform you that the pool is emitting a certain odor.”
 “What sort of odor?”
 “Bleach.”
 “Ah, that’s what we like to call chlorine. It’s the latest craze in the sanitation of public pools. Between you and me, though, I think it’s just a fad.”
 “Don’t get sassy with me, young man. I know what chlorine is. I expect a clean pool when I go swimming. But what I don’t expect is enough bleach to get the grass stain out of a shirt the size of Kentucky.”
 “That’s not our policy, ma’am. We only use about as much chlorine as it would take to remove a coffee stain the size of Seattle from a light gray shirt the size of Washington.” “Jerry, I don’t usually give advice to underlings, but I’m feeling charitable tonight. So I’ll tell you that if you want to get ahead in life, you have to know when to talk and when not to talk. And for a guy like you, it’d be a good idea if you decided not to talk all the time. Or even better, not to talk at all.”
 “Some people say some people talk too much, and some people, the second some people, say the first some people talk to much and think too little. Who is first and who is second in this case? Well, the customer—that’s you, lady—always comes first.”
 “There you go again with the talking. I’d rather talk to a robot than to you.”
 “If you’d rather talk to a robot, why don’t you just find your husband? He’s got all the personality and charm of a circuit board. Forgive me, I didn’t mean that.”
 “I should hope not!”
 “What I meant to say was fried circuit board. It’d be quite absurd to equate your husband’s banter to a functioning circuit board.”
 “I’m going to have a talk to your manager about your poor guest service.”
 “Go ahead. Tell him that Jerry was rude and see what he says. And by the way, the laundry room is off limits when no lifeguard is on duty.

I want to be down in Rosemont before the sun rises." His startled cursing follow me to the line. When I get back with my hot chocolate and his nervous twitch in a cup, Archer's alone at the table. "Before dawn?" he asks sourly. "Or as close to it as possible. Have you ever seen the sunrise through stained glass, Agent Archer?" "No," he says morosely. "I'm okay with that not changing." "But it's my birthday." He signs and sips his coffee.

A girl who is a writer… A girl who is a writer. She’s a woman who lives in her head because the voices of the characters who reside there are ever present demanding their voices be heard. A girl who is a writer. She’s the girl with a cup of coffee and a plate of food that has gotten cold because she couldn’t stop telling the story. A girl who is a writer. She’s the one who lives in a coffee stained flannel shirt but you won’t mind because it’s you who brings her the addiction that fuels her word count. A girl who is a writer. You’ll share her with the world and they will see parts of her naked soul, but you won’t mind because it’s who she is, not what she does. A girl who is a writer. She’s the one who dips her quill in the blood stains of her pain and splatters it on the world’s wall of graffiti filled artists. Her voice will stand out because she is a girl who is a writer. © Suzanne Steele

Epitaph. Not next year, not the next one, Not the year after that. But ages From here, Clad in love stained sleeping bags, Dying with feet wrapped in endless Shirts and pillow cases, Crumbling with 99 flakes clutched Between thumb and palm, dripping Yellow cream from twig fingers, Basking our white haired chests on Green grassed parks under purple Skies. Laughing over coffee after Bath tubs of coffee have passed Through our guts. Huddled, lonely, Under heaped clothes, here lay us...

When Pablo Picasso was an old man, he was sitting in a café in Spain, doodling on a used napkin. He was nonchalant about the whole thing, drawing whatever amused him in that moment—kind of the same way teenage boys draw penises on bathroom stalls—except this was Picasso, so his bathroom-stall penises were more like cubist/impressionist awesomeness laced on top of faint coffee stains. Anyway, some woman sitting near him was looking on in awe. After a few moments, Picasso finished his coffee and crumpled up the napkin to throw away as he left. The woman stopped him. “Wait,” she said. “Can I have that napkin you were just drawing on? I’ll pay you for it.” “Sure,” Picasso replied. “Twenty thousand dollars.” The woman’s head jolted back as if he had just flung a brick at her. “What? It took you like two minutes to draw that.” “No, ma’am,” Picasso said. “It took me over sixty years to draw this.” He stuffed the napkin in his pocket and walked out of the café. Improvement at anything is based on thousands of tiny failures, and the magnitude of your success is based on how many times you’ve failed at something.

She stared into her coffee, sitting in a thin blue dress that tangled in her calves. She often felt that she chased the ideal cup of coffee in her mind from table to table, the rich, thick, creamy coffee, spicy, bittersweet, that betrayed no hint of thinness or chemical flavoring, nothing less than total, fathomless devotion to the state of being itself. Every morning she pulled a delicate cup from its brass hook and filled it, hoping that it would be dark and deep and secret as a forest, and each morning it cooled too fast, had too much milk, stained the cup, made her nervous.

Sadly, the dark echoes of our time in Iraq still resonate with many of Echo Company, who battle with the effects of post-traumatic stress (PTS). Including me. I never refer to it as a disorder. A good friend of mine, Charles Adam Walker, taught me that. He wrote an article called “Postcombat Residue” in the December 2013 issue of the Marine Corps Gazette. It shaped the way I look at PTS today. Adam uses a prophetic analogy, likening the effects and residue of combat to those on a stained, well-used coffee mug. Indelibly tainted, yet still capable of performing its intended use day in and day out—but the residue will always remain.

The stale air, the incessant, inane clatter of the billiard balls, the perpetual hacking cough of a half-blind journalist opposite me, the spindle-shanked infantry officer, alternately picking his nose or combing his moustache with nicotine-stained fingers in front of a small pocket-mirror, the seething clump of vile, sweaty, gabbling Italians round the card table in the corner, now rapping their knuckles and squawking as they played their trumps, now hawking up a lump of phlegm and spewing it onto the floor: all that was bad enough, but to see it reflected two, three times over in the mirrors on the walls! It slowly sucked the blood out of my veins.

There are drafts of manuscripts spread over the floor where they slipped off the edge of the bed in the night. There is the unfinished canvas tacked to the wall and the scent of eucalyptus failing to mask the sickening smell of used turpentine and linseed oil. There are telltale drips of cadmium red staining the bathroom ­sink—along the edge of the ­baseboard—or splotches on the wall where the brush got away. One step into a living space and one can sense the centrality of work in a life. ­Half-­empty paper coffee cups. ­Half-­eaten deli sandwiches. An encrusted soup bowl. Here is joy and neglect. A little mescal. A little jacking off, but mostly just work..

There are drafts of manuscripts spread over the floor where they slipped off the edge of the bed in the night. There is the unfinished canvas tacked to the wall and the scent of the eucalyptus failing to mask the sickening smell of used turpentine and linseed oil. There are telltale drips of cadmium red staining the bathroom sink — along the edge of the baseboard — or splotches on the wall where the brush got away. One step into the living space and one can sense the centrality of work in a life. Half-empty paper coffee cups. Half-eaten deli sandwiches. An encrusted soup bowl. Here is joy and neglect. A little mescal. A little jacking off, but mostly just work. This is how I live, I am thinking.

A stack of Hawlatis on a ring-stained coffee table conjured the ardent recycler I’d broken up with two months before. Also on this table were an open can of Wild Tiger and a porcelain ashtray made to look like a crumpled Camels pack, completing a sort of Kurdish bachelor-pad tableau that inevitably led to comparisons with my own hermitic home life. But for a few moments there, distracted by the ashtray’s uncanny verisimilitude, I did succeed in not thinking about my singleness, nor about my dissertation, nor about when I was going to learn the results of my latest grant application and not about the long drive to Baghdad my parents and I were intending to make the following day—I was not even thinking about the drift and worthiness of my thinking—and I suppose another way of saying all this is I was happy.

I wore an emerald long-sleeved dress by Vivienne Tam and a pair of tangerine Christian Louboutins. I had seen the same look in one of Emerald's Vogues and asked Giada to overnight it. I learned quickly, though I wasn't very original. I'd changed in a coffee shop next to my apartment, then hopped into a cab. "Next time we must coordinate outfits beforehand," Michael whispered as we sat down. "I was going for 'salt of the earth' today." "Oh, I wanted to match the décor," I said. Tellicherry felt like a sexy, sinister jewel box. A rich sapphire blue stained the walls in large, meandering splotches, like dye dropped into water. Bronze silk leaped and dipped in the cushions. The waitresses wore black dresses with seductive lace panels revealing flesh-colored bits, and the waiters slinked in semi-sheer pajama-like outfits, conjuring bedtime escapades, none of which involved sleeping.

Body parts really don’t like to be cut, stabbed or hacked into sections, and they express their anger by leaking all over the fuck. Jesus, we’re, like, seventy percent water or something? And you learn that’s so fucking true when you go to a fresh scene. Pools of it. Drips of it. Speckles of it. Then you got the stained clothes, rugs, bedsheets, walls, flooring—or if it’s outside, the ground cover, the concrete, the asphalt. And then there’s the smell. Blood, sweat, urine, other shit. That juicy bouquet will get in your sinuses and stay there for hours afterward.” He shook his head again. “The older cases . . . the smell is worse than the mess. Water deaths, with the bloating, are just ugly—and if that gas that’s built up gets out? The stench will knock you on your ass. And I don’t know, I wasn’t too crazy for the burn deaths either. I mean, you’d think we’d realize we’re not different than any other mammal—cooked meat is cooked meat, period. But I’ve never seen a grown man puke up his coffee and donuts over a medium rare T-bone.

I take my coffee-stained shirt into the bathroom down the hall. Holding the stain under the faucet, something dark on the underside of my shirt catches my eye, and I groan. Great, what bizarre stain is this now? My fingers glide under the fabric, and I feel something plastic. I am mystified, so I flip over the shirt. Stuck to my shirt is a button pinned to the side hem. It’s pale blue with white lettering. YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. I stare at this in disbelief. Why is there a motivational button stuck to my shirt? YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. The statement is crap, because some of us will never be able to let go of what chases us. YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. The words nearly scream at me. Against my will, I smile. This is so weird, a button showing up on my shirt. So random. And yet, I admit, sort of wonderful. It’s a nice sentiment, and I should probably take it to heart. This button is probably smarter than I am.

That was the whole trouble with police work. You come plunging in. a jagged Stone Age knife, to probe the delicate tissues of people's relationships, and of course you destroy far more than you discover. And even what you discover will never be the same as it was before you came; the nubbly scars of your passage will remain. At the very least. you have asked questions that expose to the destroying air fibers that can only exist and fulfill their function in coddling darkness. Cousin Amy, now, mousing about in back passages or trilling with feverish shyness at sherry parties—was she really made all the way through of dust and fluff and unused ends of cotton and rusty needles and unmatching buttons and all the detritus at the bottom of God's sewing basket? Or did He put a machine in there to tick away and keep her will stern and her back straight as she picks out of a vase of brown-at-the-edges dahlias the few blooms that have another day's life in them? Or another machine, one of His chemistry sets, that slowly mixes itself into an apparently uncaused explosion, poof!, and there the survivors are sitting covered with plaster dust among the rubble of their lives. It's always been the explosion by the time the police come stamping in with ignorant heels on the last unbroken bit of Bristol glass; with luck they can trace the explosion back to harmless little Amy, but as to what set her off—what were the ingredients of the chemistry set and what joggled them together—it was like trying to reconstruct a civilization from three broken pots and a seven-inch lump of baked clay which might, if you looked at its swellings and hollows the right way, have been the Great Earth Mother. What's more. people who've always lived together think that they are still the same—oh, older of course and a bit more snappish, but underneath still the same laughing lad of thirty years gone by. "My Jim couldn't have done that." they say. "I know him. Course he's been a bit depressed lately, funny like. but he sometimes goes that way for a bit and then it passes off. But setting fire to the lingerie department at the Army and Navy, Inspector—such a thought wouldn't enter into my Jim's head. I know him." Tears diminishing into hiccuping snivels as doubt spreads like a coffee stain across the threadbare warp of decades. A different Jim? Different as a Martian, growing inside the ever-shedding skin? A whole lot of different Jims. a new one every seven years? "Course not. I'm the same. aren't I, same as I always was—that holiday we took hiking in the Peak District in August thirty-eight—the same inside?" Pibble sighed and shook himself. You couldn't build a court case out of delicate tissues. Facts were the one foundation.

And the truth is that then I felt a shiver and I looked at the one who was awake, who was still studying the only poem in the world by Cesárea Tinajero, and I said to him: I think something's wrong with your friend. And the one who was reading raised his eyes and looked at me as if I were behind a window or he were on the other side of a window, and said: relax, nothing's wrong. Goddamn psychotic boys! As if speaking in one's sleep were nothing! As if making promises in one's sleep were nothing! And then I looked at the walls of my front room, my books, my photographs, the stains on the ceiling, and then I looked at them and I saw them as if through a window, one of them with his eyes open and the other with his eyes shut, but both of them looking, looking out? looking in? I don't know, all I know is that their faces had turned pale, as if they were at the North Pole, and I told them so, and the one who was sleeping breathed noisily and said: it's more as if the North Pole had descended on Mexico City, Amadeo, that's what he said, and I asked: boys, are you cold? a rhetorical question, or a practical question, because if the answer was yes, I was determined to make them coffee right away, but ultimately it was really a rhetorical question, if they were cold all they had to do was move away from the window, and then I said: boys, is it worth it? is it worth it? is it really worth it? and the one who was asleep said Simonel.

How?” Dr. Tuttle asked. “Slit her wrists,” I lied. “Good to know.” Her hair was red and frizzy. The foam brace she wore around her neck had what looked like coffee and food stains on it, and it squished the skin on her neck up toward her chin. Her face was like a bloodhound’s, folded and drooping, her sunken eyes hidden under very small wire-framed glasses with Coke-bottle lenses. I never got a good look at Dr. Tuttle’s eyes. I suspect that they were crazy eyes, black and shiny, like a crow’s. The pen she used was long and purple and had a purple feather at the end of it. “Both my parents died when I was in college,” I went on. “Just a few years ago.” She seemed to study me for a moment, her expression blank and breathless. Then she turned back to her little prescription pad. “I’m very good with insurance companies,” she said matter-of-factly. “I know how to play into their little games. Are you sleeping at all?” “Barely,” I said. “Any dreams?” “Only nightmares.” “I figured. Sleep is key. Most people need upwards of fourteen hours or so. The modern age has forced us to live unnatural lives. Busy, busy, busy. Go, go, go. You probably work too much.” She scribbled for a while on her pad. “Mirth,” Dr. Tuttle said. “I like it better than joy. Happiness isn’t a word I like to use in here. It’s very arresting, happiness. You should know that I’m someone who appreciates the subtleties of human experience. Being well rested is a precondition, of course. Do you know what mirth means? M-I-R-T-H?” “Yeah. Like The House of Mirth,” I said. “A sad story,” said Dr. Tuttle. “I haven’t read it.” “Better you don’t.

Another revolution around the sun and I was still no closer to getting home. Laying on my lumpy mattress in my blood-stained shirt and dusty jeans with my arm over my eyes, I tried to imagine I was lying on Violet's couch. Clara paced in her cell and I let myself believe it was Violet, padding around the kitchen. My memory kicked up the image of her in tiny cotton shorts and a baggy Beatles t-shirt making coffee. My chest swelled and more than ever I wished I could see her face again, hear her voice.

The last thing I saw before darkness enveloped me was a stain on my DCU pants from the vanilla latte I’d spilled on my leg after I’d stopped at the coffee shop next to the DFAC on my way to the chapel. Nice, I thought, I’m flying into battle smelling of Starbucks. Very GI Joe. No wonder the Army guys make fun of us

But of course that was absurd. I was just being my normal, nasty, and suspicious self, seeing wickedness lurking in every shadow—even when there wasn’t actually a shadow. I pushed the thought away and stepped over to my desk to see whether any real damage had been done. The coffee had spilled right in the center of the blotter, which was lucky. One small tendril had splatted onto a file folder on the right-hand side, but only enough to leave a small stain on the outside, and not enough to soak through to the papers inside.

It’s not that I don’t love you. It’s the sound I heard when I was 9 and my father slammed the front door so hard behind him I swear to god it shook the whole house. For the next 3 years I watched my mother break her teeth on vodka bottles. I think she stopped breathing when he left. I think part of her died. I think he took her heart with him when he walked out. Her chest is empty, just a shattered mess or cracked ribs and depression pills. It’s not that I don’t love you. It’s all the blood in the sink. It’s the night that I spent 12 hours in the emergency room waiting to see if my sister was going to be okay, after the boy she loved, told her he didn’t love her anymore. It’s the crying, and the fluorescent lights, and white sneakers and pale faces and shaky breaths and blood. So much blood. It’s not that I don’t love you. It’s the time that I had to stay up for two days straight with my best friend while she cried and shrieked and threw up on my bedroom floor because her boyfriend fucked his ex. I swear to god she still has tear streaks stained onto her cheeks. I think when you love someone, it never really goes away. It’s not that I don’t love you. It’s the six weeks we had a substitute in English because our teacher was getting divorced and couldn’t handle getting out of bed. When she came back she was smiling. But her hands shook so hard when she held her coffee, you could see that something was broken inside. And sometimes when things break, you can’t fix them. Nothing ever goes back to how it was. I got an A in English that year. I think her head was always spinning too hard to read any essays. It’s not that I don’t love you. It’s that I do.

Thanks, Neel. I’m so sorry to put you through this again.” “Of course. It makes these things kinda fun.” He grinned and straightened his rimless glasses. If he was surprised that she was here, he hid it well and she loved him for it. “Nisha wants you to wear the green one.” He nodded at the green garment bag Trisha had taken from him. “But she thought you should have choices.” They smiled knowingly at each other. If Nisha had decided on the green one, the green one it would be. Trisha was currently wearing standard-issue blue scrubs with a coffee stain that spanned her entire torso, which pretty much summed up her fashion expertise. “Which shoes?” she asked. Neel handed her a box and glanced at the stain painted across her chest. “Tough surgery?” He pointed to the cobblestone path that circled around the side of the house. She followed him toward the pool house. “Hit the wrong artery. You wouldn’t believe the force of the blood.” “You’ve been watching Kill Billagain, haven’t you?” “It’s surgeon catnip. I can’t stop.” Smiling, she twisted around and pushed the door to the pool house open with her back. “Is Nisha going to come and help with my hair?” Because if she didn’t get to tell her sister about the grant in the next two minutes, she was going to burst. Plus, she had to know how Nisha had managed to break it to their father that she was going to be here. “Your hair looks just—” Neel’s cell phone buzzed and he looked down at it. Her own phone sat dead in her pocket. She’d forgotten to charge it. “I’m not supposed to tell you your hair looks nice. Nisha’s sending someone. And you’ve got to hurry. There’s an angry emoji. She can’t believe you’re late.” He kept his face carefully neutral as he dumped the rest of the items he was carrying on the couch. As he headed for the door, he stopped and turned around, reading off his phone again. “She says it’s okay. Don’t worry. Smiley emoji.” Neel did the most adorable subtle eye rolls he thought no one saw. “And she wants you to know you won’t be sorry you came.” He looked up from his wife’s message, the slightest flush on his cheeks. “An emoji’s winking at you, and fanning itself. And—oh, for heaven’s sake. Just hurry up and get in there. Apparently, there’s a butt in there you have to see to believe.

Hours of insanity and escape . . . in which I write inadequate verse, read, rage . . . record anecdotes which fade into the page like stains . . . beat time with my pencil’s business end . . . nip at the loose skin on the side of my hand with my teeth . . . cast schemes and tropes like horoscopes . . . practice catachresis as though it were croquet . . . grrrowl . . . kick wastebaskets into corners . . . realize that when I picture my methods of construction all the images are architectural, but when I dream of the ultimate fiction—that animal entity, the made-up syllabic self—I am trying to energize old, used-up, stolen organs like Dr. Frankenstein . . . grrrind . . . throw wet wads of Kleenex from a spring or winter cold into the corner where they mainly miss the basket . . . O . . . Ohio: I hear howling from both Os . . . play ring agroan the rosie . . . pace . . . put an angry erection back in my pants . . . rhyme . . . Then occasionally perceive beneath me on the page a few lines which . . . while I was elsewhere must have . . . yes, a few lines which have . . . which have the sound . . . the true whistle of the spirit. Wait’ll they read that, I say, perhaps even aloud, over the water running in the kitchen sink, over the noise of my writing lamp, coffee growing cold in the cup, the grrowl of my belly. Yet when I raise my right palm from the paper where, in oath, I’ve put it, the whistle in those words is gone, and only the lamp sings. Till I pull its chain like a john.

For coffee-stained girls in libraries.

He was still wearing the khaki pants, his more formal shirt now unbuttoned and a little askew, the sleeves rolled up just past his elbows. His dark hair hung over one eye, but I could see his gaze sweeping over me, taking me in. At least this time I wasn't wearing coffee-stained pajama pants. I'd put on what was essentially my uniform that morning--- black leggings, black T-shirt, my long hair in a messy bun, and winged eyeliner because fuck it why not.

If you want a marriage proposal and a June wedding, that’s fine. But it’s not something that’ll happen between us, and the faster you sober up, the quicker you understand I’m just a coffee stain in your autobiography, Charlie. Not a chapter. Certainly not the hero. I can’t take you out. Can’t be seen with you. Cannot love you the way you deserve to be loved.

overloaded horses bent backwards by the chisel of the mason who once sculpted an eternal now on the brow of the wingless archangel, time-deformed cherubim and the false protests, overweight bowels fallen from the barracks of the pink house carved with grey rain unfallen, never creaking, never opening door, with the mouth wide, darkened and extinguished like a burning boat floating in a voiceless sea, bottle of rum down threadbare socks, singing from pavement to pavement, bright iridescent flame, "Oh, my Annie, my heart is sore!", slept chin on the curb of the last star, the lintel illuminated the forgotten light cast to a different plane, ah the wick of a celestial candle. The piling up of pigeons, tram lines, the pickpocket boys, the melancholy silver, an ode to Plotinus, the rattle of cattle, the goat in the woods, and the retreat night in the railroad houses, the ghosts of terraces, the wine shakes, the broken pencils, the drunk and wet rags, the eucalyptus and the sky. Impossible eyes, wide avenues, shirt sleeves, time receded, 'now close your eyes, this will not hurt a bit', the rose within the rose, dreaming pale under sheets such brilliance, highlighting unreality of a night that never comes. Toothless Cantineros stomp sad lullabies with sad old boots, turning from star to star, following the trail of the line, from dust, to dust, back to dust, out late, wrapped in a white blanket, top of the world, laughs upturned, belly rumbling by the butchers door, kissing the idol, tracing the balconies, long strings of flowers in the shape of a heart, love rolls and folds, from the Window to Window, afflicting seriousness from one too big and ever-charged soul, consolidating everything to nothing, of a song unsung, the sun soundlessly rising, reducing the majesty of heroic hearts and observing the sad night with watery eyes, everything present, abounding, horses frolic on the high hazy hills, a ships sails into the mist, a baby weeps for mother, windows open, lights behind curtains, the supple avenue swoons in the blissful banality, bells ringing for all yet to come forgotten, of bursting beauty bathing in every bright eternal now, counteract the charge, a last turn, what will it be, flowers by the gate, shoe less in the park, burn a hole in the missionary door, by the moonlit table, reading the decree of the Rose to the Resistance, holding the parchment, once a green tree, sticking out of the recital and the solitaire, unbuttoning her coat sitting for a portrait, uncorking a bottle, her eyes like lead, her loose blouse and petticoat, drying out briefs by the stone belfry and her hair in a photo long ago when, black as a night, a muddy river past the weeds, carrying the leaves, her coffee stained photo blowing down the street. Train by train, all goes slow, mist its the morning of lights, it is the day of the Bull, the fiesta of magic, the castanets never stop, the sound between the ringing of the bells, the long and muted silence of the distant sea, gypsy hands full of rosemary, every sweet, deep blue buckets for eyes, dawn comes, the Brahmanic splendour, sunlit gilt crown capped by clouds, brazen, illuminated, bright be dawn, golden avenues, its top to bottom, green to gold, but the sky and the plaza, blood red like the great bleeding out Bull, and if your quiet enough, you can hear the heart weeping.

I wrote against the loneliness of three people becoming one each. I wrote about the high desert and the mountains and alpine meadows while I listened to the rain and drank coffee and lived among wide rivers and Douglas-fir and hawthorn trees. I wrote about motherhood and not spanking and trying not to yell. I wrote bigger things about being free and saying no and about god as something other than stained glass, robe-shrouded men, sin listing, and forgiveness on knees. I wrote about the matriarchy Mom whispered in my ear in the red dust about being in charge of the food source, seeking other gods, and then seeking nothing and untying the knots in my mind, pulling out poetic threads, removing what wasn’t needed.

he told me i was like a poem, all kinds of feelings bundled into one but i am a song without melody, a screeching noise you don't want to hear i am like an ointment but for the wrong wound; i can't heal you but i would burn i am like that paragraph you delete before sending an okay the last drop of coffee still stuck on your discarded cup i am the rubber band on your wrist, i am lost as soon as you set me down and like the moon on a moonless night i am there but not in your world, not in your eyes, not in your heart. i could have been your comfort shoe, but i broke your feet and you discarded me so now I'm just an occupied space on your shelf you don't use anymore I'm like the stain on the mirror when you're taking pictures; an irritation that stays like the push and shove on the subway station that doesn't make you stop and stare but the one that keeps you moving, completely unaware i'm the stranger on the street that you see yet you don't your eyes pass through me, not in focus, not in the zone i'm not the art kind of beautiful, i'm the beauty that lies there, ignored my existence is poetry, unnoticed, unaware, invisible to your eyes and you just keep moving and i stay, i stay, i stay right there

Everyone's fears were different. My mother's had tasted like chardonnay and warm sugar; my father's tasted like too many nights without sleep—like black coffee and Prozac and chewing on the end of a pen until ink stained your teeth. This boy's fear was the prickling of a thousand tiny feet over my skin.

But she is not those people; she is her odd self. The kiln has been fired; she is a person persnickety about keeping her house clean but not above spitting on her desk to rub out a coffee stain; she will never be an athlete or a mathematician or a skinny person or someone whose heart isn’t snagged by the sight of fireflies on a summer night and the lilting cadence of a few good lines of poetry.

The first half of your detention will be spent digging an eight foot deep hole in the meadow.” Darius stalked off with the other guys and I moved forward to collect my shovel. Orion scooped it up, holding it out for me. Before I took it he caught my hand, brushing his thumb across my palm and sending a shiver through me. He repeated the process on the other hand then pressed his index finger to his lips. “That'll stop your skin chaffing,” he whispered. I stared at him in complete surprise as he passed me the shovel and moved aside. “Thank you,” I said, confused as I stepped past him, making my way through the high grass and colourful array of meadow flowers as I walked toward the Heirs. The four of them had formed a circle and were already getting to work digging the hole. ... “Vega!” Orion beckoned me and I was grateful to put the shovel down. I was a little dizzy as I walked up to his high metal chair where he was sitting a few feet above my head. He now had a large umbrella set up over it and a flask of coffee in his hand which he'd apparently brought with him. His Atlas was propped on his knee and he looked like he was thoroughly enjoying his morning as he gazed down at my mud stained skin with a bright smile. Thanks to his magic, at least I didn't have any blisters on my hands. “Water.” Orion waved his hand and water gathered in the air before me, circling into a glistening sphere. Orion tossed me a cup and I caught it at the last second. The water dropped straight into it with a splash and I guzzled it down greedily, “That's favouritism, sir!” Caleb called. “You're right, how rude of me!” Orion shouted back, lifting a hand and a torrential waterfall poured down on all of the heirs. Max crowed like a cockerel, pounding his chest, seemingly spurred on by the downpour. The others didn't seem quite as happy as the water continued to fall down on them. A laugh rushed from my throat and Orion threw me a wink. “So I'm having a little trouble, Miss Vega.” “With what, sir?” “Telling you apart from your sister,” he said in a low voice that I imagined only I could hear through the torrential storm he was still casting over the Heirs. “And you never did answer my question. Blue or green?” A smile twisted up my lips and I shrugged, deciding to leave him in continued suspense over that question, walking back to join the group. “I want an answer by sundown,” he called after me and my grin grew even wider. ... “Shut the fuck up!” Orion shouted. “I'm trying to concentrate here.” “Watching porn again, sir?” Seth shot at him with a smirk. “Yeah, your mom's really improved since the last edition,” he answered without missing a beat and Seth's face dropped into a scowl as a laugh tore from my throat. “Do you know who is always watching porn?” Max chipped in. “You?” the three other guys answered in unison. They all burst out laughing and I fought the urge to join in. “Hilarious,” Max said dryly. “I meant Washer. He snuck off in class the other day to rub one out.” “Useless. Well up you go then,” he said and I moved toward the ladder, taking hold of the first rung. Orion stepped up close behind me and his fingers brushed my waist, barely perceptible but I felt it everywhere. It scored a line of goosebumps across my back and a heavenly shiver fluttered up my spine. Heated air pushed under my clothes, drying them out almost instantly. “Thank you,” I whispered for the second time today. What’s gotten into him? He took hold of the ladder either side of my hands. “Up,” he breathed against my cheek and hot wax seemed to pour down each of my legs, making it almost impossible to move. But somehow, I managed it.

If Anger could speak, it would beg to be seen It would scream and scream until it’s throat gave out— “Fight for my life!”; I was a burdened child And not much about that has changed. If Grief had a voice It would sound like a little girl, Carrying the weight of a life held too close to her bones; Of love like coffee stained teeth. The lives we have lived deserve proper funerals But the putting to rest; That, my dear friend, is the beast.

Yes, I’d like to order a cup of coffee with a smile as bright as the screen on my phone. I’ll take her with 4 swirls of crème, maybe 12 scoops of sugar. Excessively sweet to the point the inside of my mouth puckers but, I can’t stop drinking. I want her lips to overfill the cup and rush to meet mine just before the gap closes good when I pull her close. If I spill any of her on my clothes, I want it to be her that stains & gives me something to remember her throughout the day.

There’s nothing quite like a perfectly stocked maid’s trolley early in the morning. It is, in my humble opinion, a cornucopia of bounty and beauty. The crisp little packages of delicately wrapped soaps that smell of orange blossom, the tiny Crabtree & Evelyn shampoo bottles, the squat tissue boxes, the toilet-paper rolls wrapped in hygienic film, the bleached white towels in three sizes—bath, hand, and washcloth—and the stacks of doilies for the tea-and-coffee service tray. And last but not least, the cleaning kit, which includes a feather duster, lemon furniture polish, lightly scented antiseptic garbage bags, as well as an impressive array of spray bottles of solvents and disinfectants, all lined up and ready to combat any stain, be it coffee rings, vomit—or even blood. A well-stocked housekeeping trolley is a portable sanitation miracle; it is a clean machine on wheels. And as I said, it is beautiful.

looked more like one of those co-working hangouts that urban hipsters liked than an actual police station. It had annoyed the boys and girls in blue who had taken pride in their moldy, crumbling bunker with its flickering fluorescent lights and carpet stained from decades of criminals. Their annoyance at the bright paint and slick new office furniture was the only thing I didn’t hate about it. The Knockemout PD did their best to rediscover their roots, piling precious towers of case folders on top of adjustable-height bamboo desks and brewing too cheap, too strong coffee 24/7. There was a box of stale donuts open on the counter and powdered sugar fingerprints everywhere. But so far nothing had taken the shine off the newness of the fucking Knox Morgan Building. Sergeant Grave Hopper was behind his desk stirring half a pound of sugar into his coffee. A reformed motorcycle club member, he now spent his weeknights coaching his daughter’s softball team and his weekends mowing lawns. His and his mother-in-law’s. But once a year, he’d pack up his wife on the back of his bike, and off they’d go to relive their glory days on the open road. He spotted me and my guest and nearly upended the entire mug all over himself. “What’s goin’ on, Knox?” Grave asked, now

I am in a T-shirt and my underwear. There’s a coffee stain on my shirt. It’s been there for days. When you don’t have anyone to witness how dirty you are, you find out how truly dirty you are willing to be.

She’s halfway across the linoleum, menu in hand, when she notes the man sitting at her table. He sits with his head bowed, focused on his hands clasped in front of him. Golden afternoon sunlight kisses his skin, the line of a tattoo barely visible above his collarbones. His profile is all sharp lines, bladed from the bridge of his nose all the way through to his jaw—the bone structure of a Grecian statue. His dark curly hair is pulled into a bun at the nape of his neck. Unfairly pretty, she thinks. Suddenly, she’s conscious that she’s been working all day, sweat wicking through her shirt, that she smells like stale coffee, and that there’s an unidentifiable stain—probably jam—just underneath her collar. The world is desperately cruel sometimes.

eye combination my mother always made a fuss about. Maybe that’s why my skin crawled every time someone commented on how attractive a couple we were. It was more a reflection on me than us. He lifts his hand and moves my hair off my forehead. The gesture is intimate, but I’m too stunned to stop him. He brushes his thumb over the scar on my temple. “I was worried about you. You wouldn’t let me see you in the hospital. Or after?” A sigh escapes before I can school my features into something a little more… regretful. “Well, I was embarrassed.” That’s a lie. I just didn’t want to face whatever the fuck emotional roller coaster I was riding the last six months. Seriously. My life went from normal to shit in a split second. Adding Jack—and the life that I thought I had, the one that seemed to go up in a puff of smoke when I woke up in the hospital—would’ve been more pain than I was ready to accept. “Violet!” I step away from Jack, ignoring his wounded expression, and turn to my other friends. Half the dance team is here, and they all crowd around me. Someone pulls at my coffee-stained blouse, and another swoops in to clean the floor where my cup dropped. I had forgotten, in my Jack-shock. “Lucky it wasn’t hot.” Willow nudges me. “Luck and I aren’t on speaking terms.” She visited faithfully every day while I was stuck in the hospital. Kept me sane, kept me looped in to the gossip. She’s the only one who knows what I went through, and I’m keeping it that way. I’m not in the habit of airing my dirty laundry—or my newfound nightmares. I’ve been plagued by bright lights, crunching metal, and snapping bones. She rolls her eyes at my luck comment. “You need to change. We’re taking you out.” Oh boy. My first instinct is to say no, but honestly? I could use a bit of normalcy. My therapist—the talk one, not the physical one—said something about getting back into a routine. Well, for the last two years, I’ve gone out with my girls on Friday nights. There’s nothing more normal than that. I’m actually looking forward to it. She leads the way to the bedroom I haven’t been in since… before. She steps aside and lets me do the honors. Opening the door is like cracking into a time capsule. Fucking devastating. Willow stands behind me, her hand on my shoulder, as I stare around at the remnants of the person I used to be. If I wasn’t aware of how different I was after six months away, I am now. Mentally, physically. There are still clothes that I left on the floor. My chair is pulled out and covered in clothes. There’s a pile of books that I had planned to conquer over the summer in the center of the desk. My bed is made. “I kept the door open

I scrubbed with cold water for several minutes without really removing the stain. The paper towels kept falling apart, leaving dozens of small wet crumbs of paper all over the shirt without affecting the stain. This coffee was amazing stuff; perhaps it was part paint or fabric dye—that would explain the taste.

September Day sloshed another half cup of coffee into the giant #1-Bitch mug, and glared out the frosty breakfast nook windows. North Texas didn’t get snow. That’s why she’d moved back home—well, one of several reasons. She shivered, relishing the warmth of the beverage, and toasted the storm with a curse. “Damn false advertising.” Her cat Macy meowed agreement. The blizzard drove icy wind through cracks in the antique windows and made the just-in-case candles on the dark countertop sputter. She pulled the fuzzy bathrobe closer around her neck. Normally the kitchen’s stained glass spilled peacock-bright color into the kitchen. Not today, though. The reinforced security grills on the windows and dark clouds outside transformed the room’s slate floor, bright countertops and brushed-steel appliances into a grim cell. Overhead lights flickered on, off and back on again. They’d done that for the past hour. Crap. More stuff for the contractors to fix. One candle guttered in the draft, and September mentally added window caulk to her list. She prayed the electricity wouldn’t go out, since the backup generator in the garage would take finagling to find, let alone to start. She

September Day sloshed another half cup of coffee into the giant #1-Bitch mug, and glared out the frosty breakfast nook windows. North Texas didn’t get snow. That’s why she’d moved back home—well, one of several reasons. She shivered, relishing the warmth of the beverage, and toasted the storm with a curse. “Damn false advertising.” Her cat Macy meowed agreement. The blizzard drove icy wind through cracks in the antique windows and made the just-in-case candles on the dark countertop sputter. She pulled the fuzzy bathrobe closer around her neck. Normally the kitchen’s stained glass spilled peacock-bright color into the kitchen. Not today, though. The reinforced security grills on the windows and dark clouds outside transformed the room’s slate floor, bright

I am not mad,” Cecily insisted, letting her butter knife clatter to her plate. “I know what I saw. I am not the sort of hysterical female who imagines things.” “Are you sure?” Luke sipped his coffee. “Are you certain you’re not exactly that sort of female? The type to harbor romantic illusions and cling to them for years, hoping they’ll one day become the truth?” Ah, if looks could fillet a man, Luke would have been breakfast. But he would rather have Cecily’s anger than her indifference, and for the first time in nine days, that was what he was sensing from her. Whatever, or whoever, she had encountered in the forest—be it man, animal, or something in-between—it had captured her imagination, and her loyalty as well. Those treasures that had so recently, if undeservedly, belonged to him. Not anymore. The way she defended her tale so stridently, the lively spark in her eyes, the fetching blush staining her throat . . . Luke felt these subtle signals like jabs to his gut. She was falling out of love with him. And fast. “I’ve

Should I assume that you didn’t steal any sips of this today like usual?” “I’ve told you countless times before that I don’t drink your coffee. I don’t like the extra vanilla you always request.” He spun the nearly empty cup around in his hands, tapping the part where remnants of my red lipstick stained the lid. 

Apple’s brand czar, Hiroki Asai, is a quiet executive almost completely unknown to the general public. He studied printed design at California Polytechnic State University, where Mary LaPorte, his graphic design professor, remembered him as a stickler for details and aesthetic integrity. “If he wanted a coffee cup stain on a poster, then he would make sure it was coffee, and not brown ink,” she recalled.

Dude owns property,” Kevin mused, scrolling through a dense file that had been scanned—sloppily, with blurring and the ghost of a coffee-mug stain—from a paper original. “Yeah. Here. There’s a massage parlor in Brooklyn. The feds are keeping an eye on it. They know his crew is running a brothel in the basement, but they’re just waiting for a meatier charge to slap ’em with before they make a bust.

Paperback novelettes with faded covers still bore coffee stains and greasy fingerprints from their first readers. The books can never forget their readers, though the readers have no doubt forgotten all about the books’ contents.

Hopefully, once they’d spoken to Grace, she’d have more to ask and the calls would necessitate themselves.  Roper turned into the street with the shelter on it and pulled the handbrake up without pressing the button. It clicked angrily and Jamie resisted the urge to tell him that it wasn’t good for the car. They got out and she breathed through her nose again.  The air was marginally fresher.  Her watch told her it was half past twelve and the smell of soup coming out of the shelter, as well as the growing line of homeless people, told her that it was nearly lunchtime.  The door was closed and another piece of paper had been stuck over the last one. It read ‘Hot food for all. 1pm.’  The people outside were lined up neatly, hugging the right-hand rail and stretching down onto the pavement and along the street. Jamie did a quick headcount down and got to twenty-two before Roper moved in front of her and she lost the number.  He looked back, dipped his head towards the door, and she went after him.  A guy with a shaggy beard and a lined face wearing two coats opened his mouth to tell them there was a line, and then had his sixth-sense tweaked and clammed up.  Roper gave him a glance and then pulled the door open and headed inside.  The room was much the same as it was before — except it was now empty of bodies and a dozen or so folding chairs had been set out for people to sit and eat. The camp table at the back that the coffee still had been on was now mostly filled by a big soup heater. It looked like it was older than Jamie was and the caked droplets of a thousand broths stained the side.

Ants are averse to coffee grounds.  So the next time you will replace your coffee on your coffee maker or percolator, remember to save those coffee grounds.  Put them near your door or on the window sills and you will never see ants in your house again!

In the kitchen Anna was quietly plotting to get rid of him. A brief talk, then she would contact the publisher and ask for someone more suitable. When she bore her best china cautiously back into the room she found him on his feet, examining things. 'Here we are,' she said, speaking drily, trying to call him back to his place. 'Who's this guy?' Dick asked, staring at a happy, rounded man having his photograph taken on a boat with a huge fish at his feet. 'That is my Uncle Max,' Anna said impatiently. 'Here is your coffee.' 'Great. I need a cup. Strong and black.' Dick was feeling his reckless self coming out: so what is she thinks I'm a scruff? Push some buttons and see what the old cow's made of. Anna regretted that he must place his stained body upon her newly-cleaned velvet. She was grateful for having no sense of smell. 'Tell me what you have written, Mr Michaels?' He noticed the challenge. 'All sorts of rubbish,' he said unhelpfully, wishing to add the word 'rubbish', but showing admirable restraint. 'I write anything that's required.' As he spoke he noticed an unrealised pride in his humble craft. 'I turn things into readable English so people will be interested. You see, not everyone who has had an interesting life knows how to make it sound good; that's my job.' He could see her expression soften. Something simian amid the fine features? 'I make a great effort not to change the original intention, of course...' 'You call that a ghost, I think?' 'Yeah. The ghost brings people's lives to life.

If my life was pulled into the pages of a book, there would be coffee stains and wrinkles along the lines of that narrative. Because all I can wish is that the book of my life would be well read and well loved. Living within words and the sound of writing.

Barista Basics Caffè, espresso Short shot of black coffee. Ristretto Short espresso. Lungo Long espresso. Americano Espresso with added hot water. Macchiato Espresso ‘stained’ with a little milk. Cappuccino Espresso with steamed milk. Cappuccino scuro Strong (dark) cappuccino. Marochino Small cappuccino with cocoa. Latte macchiato Dash of coffee in steamed milk. Deca Decaf. Corretto Spiked espresso, usually with grappa.

They sat at a metal table covered by stained and cracked Formica laminate. A huge woman with shoulder-length braids pranced over. Baldwin couldn’t believe how lightly she moved considering her bulk. Her waitress uniform was spotless, and Lurene was stitched in fancy black embroidery above her ample left breast. She slapped down two cups, filled them with strong black coffee and gave the men a look. “Good morning,” Baldwin said. “We’d like—” “Let me guess, sugar. The works.” She yelled back over her shoulder to a rheumy-eyed black man with grizzled hair who could be seen in the kitchen. “Eugene, two full plates.” She turned back to them.

Her skin was so tan that it reminded Krista of a stain. Coffee on blonde wood.

At last that great supper was over, everything had been eaten; the enormous roast goose had dwindled to a very skeleton. Mr. Sieppe had reduced the calf’s head to a mere skull; a row of empty champagne bottles—“dead soldiers,” as the facetious waiter had called them—lined the mantelpiece. Nothing of the stewed prunes remained but the juice, which was given to Owgooste and the twins. The platters were as clean as if they had been washed; crumbs of bread, potato parings, nutshells, and bits of cake littered the table; coffee and ice-cream stains and spots of congealed gravy marked the position of each plate. It was a devastation, a pillage; the table presented the appearance of an abandoned battlefield

Feelings are never quite as neatly finished or sheer-sided as films and novels suggest. They're messier, less a clearly defined terminus than a churning voyage. Rather than coming to a clear end, they simply get overtaken by other things. Just the outline remains, the coffee-cup stain on the much-loved table of our lives

Mr. Larkin was just telling us about the jerks in Washington messing around with NASA.” “Jerks? No, jerks doesn’t even begin to cover it kid. Hell, there aren’t even swear words that exist for the unwashed flipflops making these kinds of decisions. We’ve got the worst group of sticky doorknobs in office right now; these used Q-tips don’t even have the presence of mind to see that maned space flight is worth any cost. They’re buffering YouTube videos, they’re coffee rings on the stain of humanity.

She was a bubbling effervescent half-full glass in a world of cold black coffee in stained cups.

In Summation A poem by Taylor Swift At this hearing I stand before my fellow members of the Tortured Poets Department With a summary of my findings A debrief, a detailed rewinding For the purpose of warning For the sake of reminding As you might all unfortunately recall I had been struck with a case of a restricted humanity Which explains my plea here today of temporary i n s a n i t y You see, the pendulum swings Oh, the chaos it brings Leads the caged beast to do the most curious things Lovers spend years denying what’s ill fated Resentment rotting away galaxies we created Stars placed and glued meticulously by hand next to the ceiling fan Tried wishing on comets. Tried dimming the shine. Tried to orbit his planet. Some stars never align. And in one conversation, I tore down the whole sky Spring sprung forth with dazzling freedom hues Then a crash from the skylight bursting through Something old, someone hallowed, who told me he could be brand new And so I was out of the oven and into the microwave Out of the slammer and into a tidal wave How gallant to save the empress from her gilded tower Swinging a sword he could barely lift But loneliness struck at that fateful hour Low hanging fruit on his wine stained lips He never even scratched the surface of me. None of them did. “In summation, it was not a love affair!” I screamed while bringing my fists to my coffee ringed desk It was a mutual manic phase. It was self harm. It was house and then cardiac arrest. A smirk creeps onto this poet’s face Because it’s the worst men that I write best. And so I enter into evidence My tarnished coat of arms My muses, acquired like bruises My talismans and charms The tick, tick, tick of love bombs My veins of pitch black ink All’s fair in love and poetry Sincerely, The Chairman of The Tortured Poets Department

He took out a thick envelope and my eyes narrowed as I recognised the Vega Twins’ personal file. I’d read it back to front before I’d gone to Earth to find them. It even had a coffee mug stain on it that I’d left there myself. Everything about their birthright was in that document. And it certainly didn’t belong in the hands of Lionel Acrux. It had been locked up tight in Nova’s office.