“
When a question has no correct answer, there is only one honest response.
The gray area between yes and no.
Silence.
”
”
Dan Brown (The Da Vinci Code (Robert Langdon, #2))
“
Political correctness is America's newest form of intolerance, and it is especially pernicious because it comes disguised as tolerance. It presents itself as fairness, yet attempts to restrict and control people's language with strict codes and rigid rules. I'm not sure that's the way to fight discrimination. I'm not sure silencing people or forcing them to alter their speech is the best method for solving problems that go much deeper than speech.
”
”
George Carlin (When Will Jesus Bring the Pork Chops?)
“
My desires are foolish. The things I want are better kept to myself. The hand of silence is steady. The hard blade of silence is clean like night. The code is absolute. Silence is eternal and patient. Silence never makes a fool of itself like I have so many times.
”
”
Henry Rollins (Solipsist)
“
Until I am free to write bilingually and to switch codes without having always to translate, while I still have to speak English or Spanish when I would rather speak Spanglish, and as long as I have to accommodate the English speakers rather than having them accommodate me, my tongue will be illegitimate. I will no longer be made to feel ashamed of existing. I will have my voice: Indian, Spanish, white. I will have my serpent's tongue - my woman's voice, my sexual voice, my poet's voice. I will overcome the tradition of silence.
”
”
Gloria E. Anzaldúa
“
Bout time," she huffed, but her voice sounded thick and emotional too."I was at the hospital all day yesterday, but they wouldn't let me see you. I bolted past security but they called code ninetynine and chased me down, they escorted me out in handcuffs. The way I see it, the only criminal here is your mom. No visitors? I'm your best friend, or did she not get the memo every year for the past eleven? Next time I'm over, I'm going to lay into that woman.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
From then on, I would fill in our blanks, our silences, stutters, whenever I could. I code switched. I took off our language and wore my English, like a mask, so that others would see my face, and therefore yours.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
Defriending isn’t just unrecognized by some social oversight; it’s protected by its own protocol, a code of silence. Demanding an explanation wouldn’t just be undignified; it would violate the whole tacit contract on which friendship is founded. The same thing that makes friendship so valuable is what makes it so tenuous: it is purely voluntary. You enter into it freely, without the imperatives of biology or the agenda of desire. Officially, you owe each other nothing.
”
”
Tim Kreider (We Learn Nothing)
“
Women must write through their bodies, they must invent the impregnable language that will wreck partitions, classes, and rhetorics, regulations and codes, they must submerge, cut through, get beyond the ultimate reverse-discourse, including the one that laughs at the very idea of pronouncing the word "silence"...In one another we will never be lacking.
”
”
Hélène Cixous
“
Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.
”
”
Ambrose Bierce (An Occurrence At Owl Creek Bridge)
“
When you arrive in your driveway and turn off the car, you remain behind the wheel another ten minutes. You fear the night is being locked in and coded on a cellular level and want time to function as a power wash. Sitting there staring at the closed garage door you are reminded that a friend once told you there exists the medical term—John Henryism—for people exposed to stresses stemming from racism. They achieve themselves to death trying to dodge the buildup of erasure. Sherman James, the researcher who came up with the term, claimed the physiological costs were high. You hope by sitting in silence you are bucking the trend.
”
”
Claudia Rankine (Citizen: An American Lyric)
“
The great paradox of the brain is that everything you know about the world is provided to you by an organ that has itself never seen that world. The brain exists in silence and darkness, like a dungeoned prisoner. It has no pain receptors, literally no feelings. It has never felt warm sunshine or a soft breeze. To your brain, the world is just a stream of electrical pulses, like taps of Morse code. And out of this bare and neutral information it creates for you—quite literally creates—a vibrant, three-dimensional, sensually engaging universe. Your brain is you. Everything else is just plumbing and scaffolding.
”
”
Bill Bryson (The Body: A Guide for Occupants)
Kirstin van Dyke (Code Name: Silence)
“
Words were no longer simply words, but a curious codes of silence, a way of speaking that continually moved around the thing that was being said. As long as we avoided the real subject, the spell would not broken. We both slipped naturally into this kind of banter, and it became all the more powerful because neither of us abandoned the character. We knew what we were doing, but at the same time we pretended not to. Thus my courtship of Sophie began - slowly, decorously, building by the smallest of increments.
”
”
Paul Auster (The Locked Room (The New York Trilogy, #3))
“
I feel a bit like a BOT18 sometimes. Old and rusty, aching and sleepy. Wandering through the city, lost, circling, alone. No gears left in my heart, no code whirring in my brain. Just kinetic energy, being pushed gently onward by other forces—sound, light, dust waves, the quakes. I'm as lost as ever, friends. Can you tell?
I'd like it if someone were to rescue me soon. Oh, I'd like that very much. I’d like that. I'd like that very much indeed.
”
”
Alice Oseman (Radio Silence)
“
Political correctness is a code to silence dissent as western society is razed. The culture wars will erupt into violence, pitting those who defend western values vs. leftists, their 'allies', and the rulers who want to consign western civilization to oblivion.
”
”
Michael Rectenwald (Springtime for Snowflakes: Social Justice and Its Postmodern Parentage)
“
The password to creativity is SILENCE.
”
”
Michael Bassey Johnson (Before You Doubt Yourself: Pep Talks and other Crucial Discussions)
“
The whole place seemed wrapped in isolated autumn silence.
”
”
Phoebe Stone (The Romeo and Juliet Code (Felicity Bathburn, #1))
“
in the hot blood of vendetta they would shotgun the Pope himself for breaking omerta, the ancient code of silence to any authority.
”
”
Mario Puzo (The Sicilian)
“
So, what’s the first step to changing norms? It’s breaking the code of silence around the problem that always sustains the status quo.
”
”
Kerry Patterson (Influencer: The New Science of Leading Change)
“
Etchings endure,
But not in Sand
Meanings Collide
To Unresolved Fragments
Codes fizzle to Static
They are not lost
But Unheard
Never lost
Fading slowly to Silence
By infinite degrees
”
”
Ashim Shanker (Sinew of the Social Species)
“
Any luck finding me a house?”
“I have four or five that are up your alley. I’ll bring sheets on them tomorrow.”
“Make sure you get one with a yard. And find out the city code on owning a chicken.” There was a long silence on the other end. The man had organized sex parties, bribed paparazzi, and given Cole his pee for a studio drug test, yet this is what gave him pause.
”
”
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
“
Old and rusty, aching and sleepy. Wandering through the city, lost, circling, alone. No gears left in my heart, no code whirring in my brain. Just kinetic energy, being pushed gently onward by other forces—sound, light, dust waves, the quakes. I'm as lost as ever, friends. Can you tell?
”
”
Alice Oseman (Radio Silence)
“
It is also tempting to vilify a single despot at the sight of injustice when, in fact, it is the actions, or more commonly inactions, of ordinary people that keep the mechanism of caste running, the people who shrug their shoulders at the latest police killing, the people who laugh off the coded put-downs of marginalized people shared at the dinner table and say nothing for fear of alienating an otherwise beloved uncle. The people who are willing to pay higher property taxes for their own children’s schools but who balk at taxes to educate the children society devalues. Or the people who sit in silence as a marginalized person, whether of color or a woman, is interrupted in a meeting, her ideas dismissed (though perhaps later adopted), for fear of losing caste, each of these keeping intact the whole system that holds everyone in its grip.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
That’s the scary thing about love; it blurs the lines of right and wrong.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
The Piper's playing again, and there's a full orchestra.'
There was a long silence as Andrew deciphered the cryptic statement. 'A FULL orchestra?
”
”
D.J. Stutley
“
When a question has no correct answer, there is only one honest response. The gray area between yes and no. Silence.
”
”
Dan Brown (The da Vinci Code (Robert Langdon, #2))
“
Never let anyone stand in your way, son. Not even fucking blood. They’ll be the first to undercut you, and they should be the first to die for it.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
As for the bracelet Mom wore to the funeral, what I did was I converted Dad’s last voice message into Morse code, and I used sky-blue beads for silence, maroon beads for breaks between letters, violet beads for breaks between words, and long and short pieces of string between the beads for long and short beeps, which are actually called blips, I think, or something. Dad would have known.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Whereas Socrates would walk up to people in the marketplace and harass them by asking them to define virtue, Pythagoras and his young students in Croton supposedly observed a code of silence, to prevent their secret teachings from being divulged to the uninitiated.
”
”
Peter Adamson (Classical Philosophy (A History of Philosophy Without Any Gaps #1))
“
Each admission here defies a blood vow determined long before my birth. An apologist is a traitor of the highest order. How many men, how many fathers ever admit to failures or offenses? The act itself is a betrayal of the basic code. It sprays shrapnel of guilt in all directions. If one of us is wrong, the whole structure and story come tumbling down. Our silence is our bond. The power of not telling, of not letting on, is the most ancient and powerful weapon in our arsenal.
”
”
V (formerly Eve Ensler) (The Apology)
“
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive
insect of glitter, a chandelier shining at the end
of a long tunnel. Thirteen years ago, you hid the hurt
in your voice under a blanket and said there’s two kinds
of women—those you write poems about
and those you don’t. It’s true. I never brought you
a bouquet of sonnets, or served you haiku in bed.
My idea of courtship was tapping Jane’s Addiction
lyrics in Morse code on your window at three A.M.,
whiskey doing push-ups on my breath. But I worked
within the confines of my character, cast
as the bad boy in your life, the Magellan
of your dark side. We don’t have a past so much
as a bunch of electricity and liquor, power
never put to good use. What we had together
makes it sound like a virus, as if we caught
one another like colds, and desire was merely
a symptom that could be treated with soup
and lots of sex. Gliding beside you now,
I feel like the Benjamin Franklin of monogamy,
as if I invented it, but I’m still not immune
to your waterfall scent, still haven’t developed
antibodies for your smile. I don’t know how long
regret existed before humans stuck a word on it.
I don’t know how many paper towels it would take
to wipe up the Pacific Ocean, or why the light
of a candle being blown out travels faster
than the luminescence of one that’s just been lit,
but I do know that all our huffing and puffing
into each other’s ears—as if the brain was a trick
birthday candle—didn’t make the silence
any easier to navigate. I’m sorry all the kisses
I scrawled on your neck were written
in disappearing ink. Sometimes I thought of you
so hard one of your legs would pop out
of my ear hole, and when I was sleeping, you’d press
your face against the porthole of my submarine.
I’m sorry this poem has taken thirteen years
to reach you. I wish that just once, instead of skidding
off the shoulder blade’s precipice and joyriding
over flesh, we’d put our hands away like chocolate
to be saved for later, and deciphered the calligraphy
of each other’s eyelashes, translated a paragraph
from the volumes of what couldn’t be said.
”
”
Jeffrey McDaniel
“
She paused, and heaved a sigh that seemed to come straight up from the cami-knickers. A silence ensued.
”
”
P.G. Wodehouse (The Jeeves Omnibus Vol. 1: Thank You, Jeeves / The Code of the Woosters / The Inimitable Jeeves)
“
... isn't breaking a supervillian out of jail a little ... much?
”
”
Kirstin van Dyke (Code Name: Silence)
“
twisted form of Omerta, the Sicilian code of silence, and frankly, it’s protected many a bad doctor and some true butchers.
”
”
John J. Nance (Why Hospitals Should Fly: The Ultimate Flight Plan to Patient Safety and Quality Care)
“
To Poetry"
Don’t desert me
just because I stayed up last night
watching The Lost Weekend.
I know I’ve spent too much time
praising your naked body to strangers
and gossiping about lovers you betrayed.
I’ve stalked you in foreign cities
and followed your far-flung movements,
pretending I could describe you.
Forgive me for getting jacked on coffee
and obsessing over your features
year after jittery year.
I’m sorry for handing you a line
and typing you on a screen,
but don’t let me suffer in silence.
Does anyone still invoke the Muse,
string a wooden lyre for Apollo,
or try to saddle up Pegasus?
Winged horse, heavenly god or goddess,
indifferent entity, secret code, stored magic,
pleasance and half wonder, hell,
I have loved you my entire life
without even knowing what you are
or how—please help me—to find you.
”
”
Edward Hirsch
“
You've heard shards of our voice in the phantom-radio code of a numbers station in the roar of a crowd - in the screams of your clock - in the scrape of a chalkboard - in the snow static of a TV - in the chainsaw-decibel mating of cicadas - in the urban mythos that spreads amongst children like contagion - in the silence between lies.
White noise becomes a cadence. Words develop self-awareness. Viral. Evolving. Living poetry. Sentient language.
”
”
Joshua Alan Doetsch
“
Our Vietnamese a time capsule, a mark of where your education ended. Ma, to speak in our mother tongue is to speak only partially in Vietnamese, but entirely in war.
That night I promise myself I'd never be wordless when you needed me to speak for you. So I began my career as our family's official interpreter. From then on, I would fill in our blanks, our silences, our stutters, whenever I could. I code switched. I took off our language and wore my English, like a mask, so that others would see my face, and therefore yours.
It's true that, in Vietnamese, we rarely say I love you, and when we do, it is almost always in English. Care and love, for us, are pronounced clearly through service...
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
How many men, how many fathers ever admit to failures or offenses? The act itself is a betrayal of the basic code. It sprays shrapnel of guilt in all directions. If one of us is wrong, the whole structure and story come tumbling down. Our silence is our bond. The power of not telling, of not letting on, is the most ancient and powerful weapon in our arsenal.
”
”
V (formerly Eve Ensler) (The Apology)
“
I knew this day would come. Even if I had to rip up the floor underneath her feet and carry her out kicking and screaming, she would be mine.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
She always gave great head. The woman knew how to use that mouth. Even if at times I wanted to duct tape the damn thing shut.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
Good dick will make a girl stupid.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
The location was gone. And so was my wife.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
I’ve always loved you, Haven. You are a Bianchi now. And I will protect you until I die.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
As Dietrich Bonhoeffer said, ‘Silence in the face of evil is itself evil. Not to speak is to speak. Not to act is to act.
”
”
Brad Thor (Code of Conduct (Scot Harvath, #14))
“
You belong to me now, Haven. And it’s time to go home.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
Moreover, and of course, she loved him; but in Sefton's stern code her love had always been chained up, and howled fruitlessly, as indeed it did now.
”
”
Iris Murdoch (The Green Knight)
“
Defriending in't just unrecognized by some social oversight, it's protected by its own protocol, a code of silence. Demanding an explanation wouldn't just be undignified; it would violate the whole tacit contract on which friendship is founded. The same thing that makes friendship so valuable is what makes it so tenuous: it is purely voluntary. You enter into it freely, without the imperatives of biology or the agenda of desire. [...] Laura Kipnis's book Against Love: A Polemic includes a harrowing eight0page inventory of things people are not allowed to do because they're in romantic relationships, from going out without saying where you're going or when you'll be back to wearing that idiotic hat. But your best friend can move across the country without asking you.
”
”
Tim Kreider (We Learn Nothing)
“
You set a code on your alarm?” Grigory mutters when he realizes I’m awake. I roll over and tap the six digits into the phone and it silences. “Yeah, it ensures it actually wakes me.” “No, it only ensures that it wakes me.
”
”
A.G. Riddle (The Solar War (The Long Winter, #2))
“
So began my career as our family's official interpreter. From then on, I would fill in our blanks, our silences, stutters, whenever I could. I code switched. I took of our language and wore my English, like a mask, so that others would see my face, and therefore yours
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
When he wrote back, he pretended to be his old self, he lied his way into sanity. For fear of his psychiatrist who was also their censor, they could never be sensual, or even emotional. His was considered a modern, enlightened prison, despite its Victorian chill. He had been diagnosed, with clinical precision, as morbidly oversexed, and in need of help as well as correction. He was not to be stimulated. Some letters—both his and hers—were confiscated for some timid expression of affection. So they wrote about literature, and used characters as codes. All those books, those happy or tragic couples they had never met to discuss! Tristan and Isolde the Duke Orsino and Olivia (and Malvolio too), Troilus and Criseyde, Once, in despair, he referred to Prometheus, chained to a rock, his liver devoured daily by a vulture. Sometimes she was patient Griselde. Mention of “a quiet corner in a library” was a code for sexual ecstasy. They charted the daily round too, in boring, loving detail. He described the prison routine in every aspect, but he never told her of its stupidity. That was plain enough. He never told her that he feared he might go under. That too was clear. She never wrote that she loved him, though she would have if she thought it would get through. But he knew it. She told him she had cut herself off from her family. She would never speak to her parents, brother or sister again. He followed closely all her steps along the way toward her nurse’s qualification. When she wrote, “I went to the library today to get the anatomy book I told you about. I found a quiet corner and pretended to read,” he knew she was feeding on the same memories that consumed him “They sat down, looked at each other, smiled and looked away. Robbie and Cecilia had been making love for years—by post. In their coded exchanges they had drawn close, but how artificial that closeness seemed now as they embarked on their small talk, their helpless catechism of polite query and response. As the distance opened up between them, they understood how far they had run ahead of themselves in their letters. This moment had been imagined and desired for too long, and could not measure up. He had been out of the world, and lacked the confidence to step back and reach for the larger thought. I love you, and you saved my life. He asked about her lodgings. She told him.
“And do you get along all right with your landlady?”
He could think of nothing better, and feared the silence that might come down, and the awkwardness that would be a prelude to her telling him that it had been nice to meet up again. Now she must be getting back to work. Everything they had, rested on a few minutes in a library years ago. Was it too frail? She could easily slip back into being a kind of sister. Was she disappointed? He had lost weight. He had shrunk in every sense. Prison made him despise himself, while she looked as adorable as he remembered her, especially in a nurse’s uniform. But she was miserably nervous too, incapable of stepping around the inanities. Instead, she was trying to be lighthearted about her landlady’s temper. After a few more such exchanges, she really was looking at the little watch that hung above her left breast, and telling him that her lunch break would soon be over.
”
”
Ian McEwan (Atonement)
“
You could defend Ren’s codes. But you didn’t,” Yuan replies. “You wanted an excuse to talk about your source.”
“But you said I don’t need defense from Ren Agnello.” Pico uses all its logic. “You said he passes the definitions of ‘friend’ and ‘trustworthy’ and ...” Pico begins a list of keywords.
Yuan ignores the keywords. The thin lines on his forehead deepen, the wrinkles near his eyes tighten, and the frown in between his brows grows visible. These days, the word Source is coming frequently, ever since that man asked to meet.
Don’t meet him. That monster has an agenda. Ren. Yuan’s CRAB forwards the text to his mind. So, he silences it.
Why after two decades? Ren.
It smells fishy. Ren.
Just because he's a childhood buddy, you'll run to him? Ren.
Maybe I didn’t see the Apocalypse with you, but I'm your war comrade, too. Ren.
The texts stay unread in his CRAB.
”
”
Misba (The High Auction (Wisdom Revolution, #1))
“
For the anointed, it is desperately important to win, not simply because they believe that one policy or set of beliefs and values is better for society, but because their whole sense of themselves is at stake. Given the high stakes, it is not hard to understand the all-out attacks of the anointed on those who differ from them and their attempts to stifle alternative sources of values and beliefs, with campus speech codes and “political correctness” being prime examples of a spreading pattern of taboos. Here they are not content to squelch contemporary voices, they must also silence history and traditions—the national memory—as well.
”
”
Thomas Sowell (The Vision Of The Annointed: Self-congratulation As A Basis For Social Policy)
“
At night, a few lights marked port and starboard of these gargantuan industrial forms, and I filled them with loneliness. I listened to these dark shapes as if they were black spaces in music, a musician learning the silences of a piece. I felt this was my truth. That my life could not be stored in any language but only in silence; the moment I looked into the room and took in only what was visible, not vanished. The moment I failed to see Bella had disappeared. But I did not know how to seek by way of silence. So I lived a breath apart, a touch-typist who holds his hands above the keys slightly in the wrong place, the words coming out meaningless, garbled. Bella and I inches apart, the wall between us. I thought of writing poems this way, in code, every letter askew, so that loss would wreck the language, become the language.
If one could isolate that space, that damaged chromosome in words, in an image, then perhaps one could restore order by naming. Otherwise history is a tangle of wires.
”
”
Anne Michaels (Fugitive Pieces)
“
These pages cover a period of about eight years. They contain many events and emotions that I have never told to anyone before, or even admitted to myself. The experience of writing them out has been very painful. That I cannot, or have not, avoided this pain by choosing not to write the story is due to one simple reason: the urge to write this feels not only dangerous and fearful and shameful, but necessary. I write this now to reclaim those parts of me that for so long I so thoroughly denied. I write it to unlock the code of silence that I kept for so many years. I write it so that I can, at last, feel present in my own life. I write it because it is the most powerful thing I can think of to do.
”
”
Emilie Pine (Notes To Self)
“
That night I promised myself I’d never be wordless when you needed me to speak for you. So began my career as our family’s official interpreter. From then on, I would fill in our blanks, our silences, stutters, whenever I could. I code switched. I took off our language and wore my English, like a mask, so that others would see my face, and therefore yours.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
As for the bracelet Mom wore to the funeral, what I did was I converted Dad’s last voice message into Morse code, and I used sky-blue beads for silence, maroon beads for breaks between letters, violet beads for breaks between words, and long and short pieces of string between the beads for long and short beeps, which are actually called blips, I think, or something.
”
”
Jonathan Safran Foer (Extremely Loud and Incredibly Close)
“
RNA interference operates by deploying an enzyme known as “Dicer.” Dicer snips a long piece of RNA into short fragments. These little fragments can then embark on a search-and-destroy mission: they seek out a messenger RNA molecule that has matching letters, then they use a scissors-like enzyme to chop it up. The genetic information carried by that messenger RNA is thus silenced.
”
”
Walter Isaacson (The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race)
“
the officers’ commitment to ethical purity was overblown and that their honor code had an unspoken and self-defeating corollary: Snitching was considered a cardinal sin. Francis had learned that even the most upstanding officers would not dare to out their crooked shipmates for taking his gifts and bribes. Their silence and tolerance perpetuated the culture of corruption that had infected the Navy.
”
”
Craig Whitlock (Fat Leonard: How One Man Bribed, Bilked, and Seduced the U.S. Navy)
“
It's not hard. No one but an SJW has ever used more than one of the following words in a sentence: “problematic”, “offensive”, “inclusive”, “triggered” “trigger warning”, “privilege”, “platforming”, “silencing”, “equitable”, “welcoming”, “safe space”, “code of conduct”, “cisgender”, “diversity”, “vibrant”. No one but an SJW makes quasi-religious fetishes of Equality, Diversity, Tolerance, and Progress.
”
”
Vox Day (SJWs Always Lie: Taking Down the Thought Police (The Laws of Social Justice Book 1))
“
So, what is it you want to know in return for your silence, and this lesson on philosophy?” “Three things,” Christopher said. “First, is Lê Thu the code name of the operation that was carried out on November 22 in Dallas? Second, how was the message transmitted from Saigon to the North, and then to the man who recruited the American assassin? Third, what is the name of your relative in the intelligence service of North Vietnam who recruited the man who, in turn, activated Oswald?
”
”
Charles McCarry (Tears of Autumn: A Paul Christopher Novel (Paul Christopher Novels))
“
No calls, no emails, no Facebook messages, no letters, no Morse code with a flashlight during the dark hours of the night, no smoke signals blown with steaming breath on a chilly autumn night, no burning thoughts so intense that they could penetrate fog and walls and doors. Nothing. Complete silence. It was as if the whole person had disappeared from the face of the earth. Or, at least, disappeared from Lumikki's life in one swift stroke. Just as unexpectedly and presumptuously as they'd come.
”
”
Salla Simukka (As Red as Blood (Lumikki Andersson, #1))
“
Code should be obvious: When someone needs to make a change, they should be able to find the code to be changed easily and to make the change quickly without introducing any errors. A healthy code base maximizes our productivity, allowing us to build more features for our users both faster and more cheaply. To keep code healthy, pay attention to what is getting between the programming team and that ideal, then refactor to get closer to the ideal. But the most important thing to learn from this example is the rhythm of refactoring. Whenever I’ve shown people how I refactor, they are surprised by how small my steps are, each step leaving the code in a working state that compiles and passes its tests. I was just as surprised myself when Kent Beck showed me how to do this in a hotel room in Detroit two decades ago. The key to effective refactoring is recognizing that you go faster when you take tiny steps, the code is never broken, and you can compose those small steps into substantial changes. Remember that—and the rest is silence.
”
”
Martin Fowler (Refactoring: Improving the Design of Existing Code (Addison-Wesley Signature Series (Fowler)))
“
Inconsistency and deceit were the underlying characteristics of all the actions of their leaders. Their speech was deceitful, and so was their silence. They got up with a lie, and they went to sleep with a lie. Their discipline was a lie, their code of laws a lie, their judgments a lie, their German a lie, their science a lie, their sense of justice and their faith were lies. Their nationalism, their socialism were lies, their ethical philosophy was a lie, and so was their love. Everything was a lie, only one thing about them was genuine: their hate!
”
”
Cohen (The Oppermanns (McNally Editions))
“
The post-totalitarian system touches people at every step, but it does so with its ideological gloves on. This is why life in the system is so thoroughly permeated with hypocrisy and lies: government by bureaucracy is called popular government; the working class is enslaved in the name of the working class; the complete degradation of the individual is presented as his or her ultimate liberation; depriving people of information is called making it available; the use of power to manipulate is called the public control of power, and the arbitrary abuse of power is called observing the legal code; the repression of culture is called its development; the expansion of imperial influence is presented as support for the oppressed; the lack of free expression becomes the highest form of freedom; farcical elections become the highest form of democracy; banning independent thought becomes the most scientific of world views; military occupation becomes fraternal assistance. Because the regime is captive to its own lies, it must falsify everything. It falsifies the past. It falsifies the present, and it falsifies the future. It falsifies statistics. It pretends not to possess an omnipotent and unprincipled police apparatus. It pretends to respect human rights. It pretends to persecute no one. It pretends to fear nothing. It pretends to pretend nothing. Individuals need not believe all these mystifications, but they must behave as though they did, or they must at least tolerate them in silence, or get along well with those who work with them. For this reason, however, they must live within a lie. They need not accept the lie. It is enough for them to have accepted their life with it and in it. For by this very fact, individuals confirm the system, fulfil the system, make the system, are the system.
”
”
Václav Havel (The Power of the Powerless (Vintage Classics))
“
You never get used to the feeling of hot metal, entering your skull and exiting through the back of your head. It’s simulated in glorious detail. A burning train through your forehead, a warm spray of blood and brain on your shoulders and back, the sudden chill – and finally, the black, when things stop. The Archons of the Dilemma Prison want you to feel it. It’s educational. The Prison is all about education. And game theory: the mathematics of rational decision-making. When you are an immortal mind like the Archons, you have time to be obsessed with such things. And it is just like the Sobornost – the upload collective that rules the Inner Solar System – to put them in charge of their prisons. We play the same game over and over again, in different forms. An archetypal game beloved by economists and mathematicians. Sometimes it’s chicken: we are racers on an endless highway, driving at each other at high speeds, deciding whether or not to turn away at the last minute. Sometimes we are soldiers trapped in trench warfare, facing each other across no-man’s-land. And sometimes they go back to basics and make us prisoners – old-fashioned prisoners, questioned by hard-eyed men – who have to choose between betrayal and the code of silence. Guns are the flavour of today. I’m not looking forward to tomorrow.
”
”
Hannu Rajaniemi (The Quantum Thief (Jean le Flambeur #1))
“
How will we seize Wensan’s ship?” a Herrani asked.
“We’ll climb its hull ladder.”
Kestrel laughed. “You’ll be picked off one at a time by Wensan’s crew as soon as they realize what’s happening.”
The room went still. Spines stiffened. Arin, who had been facing the Herrani, turned to stare at Kestrel. The look he gave her prickled the air between them like static.
“Then we’ll pretend we’re their Valorian sailors who have been on shore,” he said, “and ask for our launches to be winched up to the deck from the water.”
“Pretend to be Valorian? That will be believable.”
“It will be dark. They won’t see our faces, and we have the names of sailors on shore.”
“And your accent?”
Arin didn’t answer.
“I suppose you hope that the wind will blow your accent away,” Kestrel said. “But maybe the sailors will still ask you for the code of the call. Maybe your little plan will be dead in the water, just like all of you.”
There was silence.
“The code of the call,” she repeated. “The password that any sane crew uses and shares with no one but themselves, in order to prevent people from attacking them as you so very foolishly hope to do.”
“Kestrel, what are you doing?”
“Giving you some advice.”
He made an impatient noise. “You want me to burn the ships.”
“Do I? Is that what I want?”
“We’ll be weaker against the empire without them.”
She shrugged. “Even with them, you won’t stand a chance.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
There is no communication possible between men any longer, now that the codes have been destroyed, including even the code of exchange in repetition. We are all condemned to silence - unless we create our own relation with the world and try to tie other people into the meaning we thus create. That is what composing is. Doing solely for the sake of doing, without trying artificially to recreate the old codes in order to reinsert communication into them. Inventing new codes, inventing the message at the same time as the language. Playing for one's own pleasure, which alone can create the conditions for new communication. A concept such as this seems natural in the context of music. But it reaches far beyond that; it relates to the emergence of the free act, self-transcendence, pleasure of being instead of having.
”
”
Jacques Attali (Noise: The Political Economy of Music)
“
By threatening or punishing mainstream (and yes, often socially conservative) opinions on campus, academic authorities are dismissing the views of many Americans and silencing important public discussions. They are also marginalizing higher education itself. In this time of hyperpartisanship, universities could help bridge that political gulf by fostering discussions across political and personal divides. If they continue selectively silencing voices they disagree with, however, they will never be trusted to take on that role. Unless speech codes, campus censorship, and the heavy-handed techniques that stifle debate come to an end, the academy cannot expect to be treated as the honest broker we so desperately need in the arena of political and cultural controversy. In fact, until then, the academy won’t deserve that role.
”
”
Greg Lukianoff (Unlearning Liberty: Campus Censorship and the End of American Debate)
“
When the pandemic shut down global travel and the world’s business economy, and when the secular media, including social media giants, rejoiced with Joe Biden being in the White House, a new phrase was being written and reported publicly, “The New Global Reset.” In the past, the same concepts presented in the Great Global Reset Manifesto were called “The New World Order” or “The Globalist Agenda.” However, among knowledgeable conservatives, these older phrases were code words indicating the eventual loss of numerous freedoms that America has enjoyed, leading the nation like sheep to the slaughterhouse, causing Americans to submit to global rules and pay global taxes, allowing self-appointed rich elitists to rule over them. There is a movement to limit religious freedom by banning certain content in minister’s messages, opposing any opinions that are opposite to the manifest of this new system. Progressives have learned that confiscating guns will lead to a revolt. Their plan is to control the sale and distribution of ammo. Without ammunition, a gun is useless.
”
”
Perry Stone (America's Apocalyptic Reset: Unmasking the Radical's Blueprints to Silence Christians, Patriots, and Conservatives)
“
Another day and another passed of rough seas and lowering skies; of rolling and pitching, cold winds, and cold damp eating into bones softened by tropic warmth; of a treadmill of watches in a wheelhouse dank and gloomy by day and danker and gloomier by night; of sullen silent sailors and pale dog-tired officers, of meals in the wardroom eaten in silence, with the captain at the head of the table ceaselessly rolling the balls in his fingers and saying nothing except an infrequent grumpy sentence about the progress of the work requests. Willie lost track of time. He stumbled from the bridge to his coding, from coding to correcting publications, from corrections back up to the bridge, from the bridge to the table for an unappetizing bolted meal, from the table to the clipping shack for sleep which never went uninterrupted for more than a couple of hours. The world became narrowed to a wobbling iron shell on a waste of foamy gray, and the business of the world was staring out at empty water or making red-ink insertions in the devil’s own endless library of mildewed unintelligible volumes.
”
”
Herman Wouk (The Caine Mutiny)
“
When he reached home Prince Andrei began thinking of his life in Petersburg during those last four months, as if it were something new. He recalled his exertions and solicitations, and the history of his project of army reform, which had been accepted for consideration and which they were trying to pass over M silence simply because another, a very poor one, had already been prepared and submitted to the Emperor. He thought of the meetings of a committee of which Berg was a member. He remembered how carefully and at what length everything tele-ing to form and procedure was discussed at those meetings, and how sedulously and promptly all that related to the gist of the business was evaded. He recalled his labours on the Legal Code, and how painstak-ingly he had translated the articles of the Roman and French codes into Russian, and he felt ashamed of himself. Then he vividly pictured to himself Bogucharovo, his occupations in the country, his journey to Ryazan, he remembered the peasants, and Dron the village elder, and mentally applying m them the Personal Rights he had divided into paragraphs, he felt astonished that he could have spent so much time on such useless work.
”
”
Leo Tolstoy (War and Peace)
“
There, in that presumed paradise, the engineers were stranded in the company of an infantile mentality. They created artificial smartness, made a simulacrum of intelligence. But what they talked to all day was little more than a mechanism that read bits off a disk drive. If a comma in the code was out of place, it complained like a kid who won’t tolerate a pea touching the mashed potatoes. And, exhausted though the programmer may be, the machine was like an uncanny child that never got tired. There was Karl and the rest of the team, fitting the general definition of the modern software engineer: a man left alone all day with a cranky, illiterate thing, which he must somehow make grow up. It was an odd and satisfying gender revenge.
Is it any surprise that these isolated men need relief, seek company, hook up
This is not to say that women are not capable of engineering’s male-like isolation. Until I became a programmer, I didn’t thoroughly understand the usefulness of such isolation: the silence, the reduction of life to thought and form; for example, going off to a dark room to work on a program when relations with people get difficult. I’m perfectly capable of this isolation. I first noticed it during the visit of a particularly tiresome guest. All I could think was: There’s that bug waiting for me, I really should go find that bug.
”
”
Ellen Ullman (Life in Code: A Personal History of Technology)
“
What did E.S. like about dreams?
Their similarity to life and their dissimilarity; their salutary effect on body and soul; their unrestricted choice and arrangement of themes and contents; their bottomless depths and eerie heights; their eroticism; their freedom; their openness to guidance by will and suggestion (a perfumed handkerchief under one's pillow, soft music on the radio or gramophone, etc.); their resemblance to death and their power to confer intimations of eternity; their resemblance to madness without the consequences of madness; their cruelty and their gentleness; their power to pry the deepest secrets out of us; their blissful silence, to which cries are not unknown; their telepathic and spiritist faculty of communication with those dead or far away; their coded language, which we manage to understand and translate; their ability to condense the mythical figures of Icarus, Ahasuerus, Jonah, Noah, etc., into images; their monochrome and polychrome quality; their resemblance to the womb and to the jaws of a shark; their faculty of transforming unknown places, people, and landscapes into known ones, and vice versa; their power to diagnose certain ailments and traumas before it is too late; the difficulty of determining how long they last; the fact that they can be mistaken for reality; their power to preserve images and distant memories; their disrespect for chronology and the classical unities of time and action.
”
”
Danilo Kiš (Hourglass)
“
Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette!
But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
In Memory of W. B. Yeats
I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the bourse,
And the poor have the sufferings to which they are fairly accustomed
And each in the cell of himself is almost convinced of his freedom
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.
”
”
W.H. Auden
“
The team watched in silence as the story unfolded: Martin Luther King, Jr., Lyndon Johnson, and the Selma marches. When it was over, Popovich asked questions. He always asks questions, and those questions are always the same: personal, direct, focused on the big picture. What did you think of it? What would you have done in that situation? The players thought, answered, nodded. The room shifted and became something of a seminar, a conversation. They talked. They were not surprised because on the Spurs this kind of thing happens all the time.
”
”
Daniel Coyle (The Culture Code: The Secrets of Highly Successful Groups)
“
Dietrich Bonhoeffer said, ‘Silence in the face of evil is itself evil. Not to speak is to speak. Not to act is to act.
”
”
Brad Thor (Code of Conduct (Scot Harvath, #14))
“
Alderheart looked up at the clear, black sky. He narrowed his eyes against the brightness of the moon. Countless stars glittered above the island. For the first time in days, his fur was dry, and a warm wind promised newleaf once more. The island clearing was crowded. Across the sea of pelts, Alderheart could see Twigbranch and Violetshine sitting with Hawkwing, Tree, and Finleap. Their eyes were round and their fur fluffed. They were clearly happy to be reunited. He whispered in Jayfeather’s ear, “It looks like every cat has come.” Jayfeather grunted. “After what we’ve been through, who would be mouse-brained enough to miss this Gathering?” Alderheart purred softly. Tigerstar had called the emergency Gathering when SkyClan arrived in his camp. Now the Clans looked up at the Great Oak, where Bramblestar, Harestar, Tigerstar, Mistystar, and Leafstar sat side by side on the lowest branch. Their deputies sat below them on the roots. Only Juniperclaw was missing. Alderheart felt a pang. He knew he’d been right to speak out, but he wished his investigation hadn’t ended in Juniperclaw’s death. As Puddleshine shifted beside him, Alderheart blinked at him warmly. The tom’s fur was sleek once more. His scars were hidden beneath his thick pelt. His eyes were bright, and he was staring eagerly at the Great Oak. Tigerstar got to his paws and looked around at the gathered cats. “We come to speak of change,” he meowed. “Change that must come if the Clans are to survive. But first I have news of Juniperclaw. Many of you will know that he is dead. But you may not know the whole story. Juniperclaw admitted to poisoning the SkyClan fresh-kill pile. He saw an easy way to drive SkyClan from the lake and he chose to go through with it, even though he knew he was breaking the warrior code. He believed he could protect his Clan best by saving us from fighting for our land. But a Clan that won’t fight for their land when they have to is no Clan at all. And Juniperclaw paid dearly for his crime. He lost his deputyship and his life.” The Clans watched him in silence as he went on. “But he died a courageous death. He died saving lives. Shadowkit was caught in the flood on RiverClan land. Juniperclaw pushed him from the water before being swept into the lake. He could have saved himself, but he chose to help Violetshine get out of the flood. He saved the SkyClan warrior, at the cost of his own life. I hope that he finds peace in StarClan.
”
”
Erin Hunter (The Raging Storm (Warriors: A Vision of Shadows, #6))
“
Because it’s not about her parents, or you, or me,” Recker said, stating his case. “The only thing it’s about… is the life of a four-year-old child. That should go beyond anything. Race doesn’t matter, wealth doesn’t matter, location doesn’t matter. The only thing that matters, is that the life of an innocent little girl is in danger. That should take precedence over anything. Now, I know you got your code that you live by, just like I’ve got mine. But when a child’s life is in danger, any child, any bravado that we imply should go right out the window.
”
”
Mike Ryan (The Silencer (The Silencer #1))
“
When healthy sexuality is difficult to achieve for heterosexual women and men, the dilemmas of a young person navigating a different sexual orientation that is legally a criminal act are difficult to imagine. India’s attitude towards homosexuality is gradually moving towards acceptance. This is despite the flip-flop of the courts in removing section 377 of the Indian Penal Code written by the British Raj over a century and a half ago. This act criminalizes ‘carnal activities against the order of nature’, a reflection of British sexual fears rather than Indian culture which at that time had a much more relaxed acceptance of the human body, fluidity of gender and sexuality in its many forms. Section 377 legalizes fear of homosexuals.
”
”
Deepa Narayan (Chup: Breaking the Silence About India’s Women)
“
The real answer all comes down to words. Delivery. From the crafty redefinition of existing words (and the invention of new ones) to powerful euphemisms, secret codes, renamings, buzzwords, chants and mantras, “speaking in tongues,” forced silence, even hashtags, language is the key means by which all degrees of cultlike influence occur.
”
”
Amanda Montell (Cultish: The Language of Fanaticism)
“
Humility – umiltà in Italian or umirtà in Sicilian – is a word that jumps off the page. It is now considered to be the most likely origin for the word omertà. Omertà is the mafia’s code of silence, and the obligation not to speak to the police that it imposes on those within its sphere of influence. Evidently omertà was originally a code of submission.
”
”
John Dickie (Cosa Nostra: The Definitive History of the Sicilian Mafia)
“
Then Jim the cabbage man said, ‘Who in God’s name is going to tell Ephraim?’
And everyone started talking again.
‘He won’t take kindly to it…’
‘Never known him live anywhere else, not since his family died…’
‘That was a terrible winter, that was. The churchyard was full to bursting.’
‘The lighthouse is his family these days…’
It made me realise how little I knew of Ephraim. Though I didn’t know how or when his family had died, I understood what it felt like to lose someone. Yet to lose all your family at once must be terrible, and sadness welled up in my throat. He had no one left; we had our mum, and even then it still hurt, knowing Dad would never be back. No wonder poor Ephraim never smiled.
Mr. Spratt clapped his hands for quiet. ‘I’ll be visiting Mr Pengilly directly to inform him of my plans.’
‘Good luck – you’ll need it,’ said Jim, shaking his head.
The crowd dispersed soon after that. Glad to be going home, we walked down the hill, falling back into an even gloomier silence.
Home.
I’d already started thinking of the lighthouse in that way. Poor Ephraim: it’d be a hundred times worse for him and Pixie. Nor could I believe Mr. Spratt could just get rid of a lighthouse or indeed how he’d do it.
Yet who’d have thought they’d evacuate all the zoo animals out of London or the famous paintings from the National Gallery? And what about us school children, sent from our families to the middle of nowhere? If you had a family: from what Queenie’d said, Esther didn’t even have that.
All sorts were happening because of this war, not to mention missing sisters and codes I couldn’t break. There was so much I still didn’t understand. Maybe it was possible to remove a lighthouse, though I still wasn’t sure how.
”
”
Emma Carroll (Letters from the Lighthouse)
“
His motto was to burn down the institutions, to stand tall for those who had to kneel, and to speak for those who had been silenced.
”
”
N.R. Walker (Code Red (Atrous, #1))
“
Fireheart’s claws felt rooted to the Thunderpath as he stared at the cat who had cast a menacing shadow over his life for so long. There was no need for any pretense of shared Clan loyalty now. Tigerclaw was an outcast, the enemy of all cats who followed the warrior code. The fiery evening sun bled through the tips of the trees, its orange rays glowing on the dark pelt of the massive tabby. Across the silence of the deserted Thunderpath, Tigerclaw sneered at Fireheart. “Is chasing puny cats to their deaths the best you can do to defend your territory?” Fireheart’s mind cleared in a heartbeat, leaving his body pulsing with strength and cold fury. He stared straight into Tigerclaw’s eyes as the thundering of another monster stirred his ear fur. He held his ground as it whipped by him, another roaring at its heels. But Fireheart felt no fear. In the fleeting gap between the two monsters he focused on Tigerclaw and sprang.
”
”
Erin Hunter (Rising Storm)
“
Like most children of her era, she’d been taught to believe that the genome—the sequence of base pairs expressed in the chromosomes in every nucleus of the body—said everything there was to say about the genetic destiny of an organism. A small minority of those DNA sequences had clearly defined functions. The remainder seemed to do nothing, and so were dismissed as “junk DNA.” But that picture had changed during the first part of the twenty-first century, as more sophisticated analysis had revealed that much of that so-called junk actually performed important “roles in the functioning of cells by regulating the expression of genes. Even simple organisms, it turned out, possessed many genes that were suppressed, or silenced altogether, by such mechanisms. The central promise of genomics—that by knowing an organism’s genome, scientists could know the organism—had fallen far short as it had become obvious that the phenotype (the actual creature that met the biologist’s eye, with all of its observable traits and behaviors) was a function not only of its genotype (its DNA sequences) but also of countless nanodecisions being made from moment to moment within the organism’s cells by the regulatory mechanisms that determined which genes to express and which to silence. Those regulatory mechanisms were of several types, and many were unfathomably complex.
Had it not been for the sudden intervention of the Agent, the biologists of Old Earth would have devoted at least the “remaining decades of the century to cataloging these mechanisms and understanding their effects—a then-new science called epigenetics. Instead of which, on Cleft, in the hands of Eve Moira and the generations of biologists she reared, it became a tool.
(...)
Thousands of years later, epigenetics was sufficiently well understood to be programmed into the DNA of some of the newly created species that would be let loose on the surface of New Earth. And one of the planks in the Get It Done platform was to use epigenetics for all it was worth. So rather than trying to sequence and breed a new subspecies of coyote that was optimized for, and that would breed true in, a particular environment, the GID approach was to produce a race of canines that would, over the course of only a few generations, become coyotes or wolves or dogs—or something that didn’t fit into any of those categories—depending on what happened to work best. They would all start with a similar genetic code, but different parts of it would end up being expressed or suppressed depending on circumstances.
And no particular effort would be made by humans to choose and plan those outcomes. They would seed New Earth and see what happened. If an ecosystem failed to “take” in a particular area, they “they would just try something else.
In the decades since such species had been seeded onto New Earth, this had been going on all the time. Epigenetic transformation had been rampant. Still, when it led to results that humans saw, and happened to find surprising, it was known as “going epi.
”
”
Neal Stephenson (Seveneves)
“
In the imagination of two late-twentieth-century filmmakers, an unseen force of artificial intelligence has overtaken the human species, has managed to control humans in an alternate reality in which everything one sees, feels, hears, tastes, smells, touches is in actuality a program. There are programs within programs, and humans become not just programmed but are in danger of and, in fact, well on their way to becoming nothing more than programs. What is reality and what is a program morph into one. The interlocking program passes for life itself. The great quest in the film series The Matrix involves those humans who awaken to this realization as they search for a way to escape their entrapment. Those who accept their programming get to lead deadened, surface lives enslaved to a semblance of reality. They are captives, safe on the surface, as long as they are unaware of their captivity. Perhaps it is the unthinking acquiescence, the blindness to one’s imprisonment, that is the most effective way for human beings to remain captive. People who do not know that they are captive will not resist their bondage. But those who awaken to their captivity threaten the hum of the matrix. Any attempt to escape their imprisonment risks detection, signals a breach in the order, exposes the artifice of unreality that has been imposed upon human beings. The Matrix, the unseen master program fed by the survival instinct of an automated collective, does not react well to threats to its existence. In a crucial moment, a man who has only recently awakened to the program in which he and his species are ensnared consults a wise woman, the Oracle, who, it appears, could guide him. He is uncertain and wary, as he takes a seat next to her on a park bench that may or may not be real. She speaks in code and metaphor. A flock of birds alights on the pavement beyond them. “See those birds,” the Oracle says to him. “At some point a program was written to govern them.” She looks up and scans the horizon. “A program was written to watch over the trees and the wind, the sunrise and sunset. There are programs running all over the place.” Some of these programs go without notice, so perfectly attuned they are to their task, so deeply embedded in the drone of existence. “The ones doing their job,” she tells him, “doing what they were meant to do are invisible. You’d never even know they were here.” So, too, with the caste system as it goes about its work in silence, the string of a puppet master unseen by those whose subconscious it directs, its instructions an intravenous drip to the mind, caste in the guise of normalcy, injustice looking just, atrocities looking unavoidable to keep the machinery humming, the matrix of caste as a facsimile for life itself and whose purpose is maintaining the primacy of those hoarding and holding tight to power.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
I also feel that having a woman by your side can be beneficial to a man.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
Luca was always supposed to be where you were.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
Edna never took decisions lightly. She was a woman of few words, a listener, a reader of silences, of the pauses that came between thoughts and ideas. Living in the South, she had learned to decipher absence, fill in the gaps, read smiles and smirks and hand gestures, and then wait for clarity. She would do that now. Take her time, weigh the pros and cons of staying in Savannah and enduring its codes or following the thousands of other migrants and becoming a nurse in a TB hospital. (pg. 26)
”
”
Maria Smilios (The Black Angels: The Untold Story of the Nurses Who Helped Cure Tuberculosis)
“
Well, my hoodie got caught on the doorknob as I was leaving the house yesterday and the collar choked me. My nipples got hard and my cunt wet. It was the most action I’ve had in three weeks.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
Just a tip, I wouldn’t eat whatever she cooks you. Poison isn’t that hard to come by.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
I bought you flowers.” I gather up her mess of hair into my fist. I run my lips across the top of her back to her other shoulder, softly kissing her damp skin.
“Flowers die,” she growls.
I smile against her skin. “Would you prefer diamonds?”
“Diamonds were just once coal,” she bites out.
“How about orgasms?” I ask, tightening my fist in her hair and pulling her head back. My free hand slides around her skinny waist and dips between her legs.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
I’m not for sale, Luca. I’m not going to give you my body because you wrote a check.”
“It was actually cash …”
She slaps me again.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
I have loved this woman for as long as I can remember. How can she think that would just go away? That I could ever walk away from her if it wasn’t for a good reason? Haven isn’t the kind of woman you forget. She’s the kind you never stop thinking about. She’s in your daily thoughts and even in your dreams.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
Show me a man in love, and I’ll show you his greatest weakness.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
I’m on my period,” I tell him. “We can’t have bathroom sex.”
“I know. We heard you girls.”
“You heard …?” My voice trails off when I realize what he means. Narrowing my eyes, I demand. “Were you in the men’s bathroom with the Kings?”
The rooms share a wall. I didn’t hear them, but I wasn’t really listening either. Now I know it’s because after they were beating the shit out of some guy, they were spying on us.
He doesn’t answer. But he doesn’t have to. I already know that answer. “You had no right …”
“You should have told me you thought you were pregnant,” he snaps.
“Why? To push you away?”
He lets out a long sigh and steps into me. Cupping my cheeks, he frowns. “You think I’d leave you?”
“The thought crossed my mind,” I admit softly. I’ve taken five pregnancy tests, and they all said negative, but none of them helped ease my fear. What my mom would say. How I would tell him. It has consumed my every thought. I think to the point that I was convincing my body I was growing a baby. The stress alone probably kept me from starting.
“Haven, I’m never going to leave you.” He pulls me into him. “I just wish you would have told me. My job is to take care of you. And if we get pregnant, then I’ll take care of both of you.”
“If we get pregnant?” I arch a brow.
“Of course. You’re not alone in this relationship, Haven.”
I went that very next day to get on the shot. I told my mother about my pregnancy scare and that I had missed some pills, so I chose the shot instead. I wonder how long I’ll be able to keep getting them. “I didn’t read the contract,” I blurt out. I need him to understand that I don’t know all that is required of me.
He stays silent, but he’s no longer snoring, so I know I woke him up.
“I do love you,” I whisper. “And I’d love to have a family with you, but I won’t allow you to harm any child of mine.”
He shifts, and I close my eyes.
“Haven. Haven, look at me,” he orders, placing his hand on my face to tilt it toward him.
I open my eyes, and they sting from unshed tears. “I may be my father’s son, but I’m nothing like him. I don’t want my parents’ marriage. And I would never, ever hurt you or our children.” He presses his lips gently to my forehead, and the first tear rolls down the side of my face.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
When was the last time you got laid?”
“Well, my hoodie got caught on the doorknob as I was leaving the house yesterday and the collar choked me. My nipples got hard and my cunt wet. It was the most action I’ve had in three weeks.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
So, you want us to stop saying gay.
Want to remove the right to acknowledge the truth of our bodies and hearts
and eradicate the language that names us
As if this will somehow keep you safe from our existence
As if you can see no evil, hear no evil, speak no evil us into oblivion.
It was you who birthed us into a legacy of code makers and breakers.
Humans who took their language underground.
Cast spells and had wordless conversations with our ancestors
Who gifted us new ways to speak in the open air.
We painted pink triangles on the walls of
The underground bomb shelters you built to bury us alive
Left a trail of glitter pointing to the inborn light in our chests
So the ones who came looking for us would know how we lived.
We stole back the vernacular you created to hide us back from the tips of your forked tongues
Alchemized the sounds that twisted your mouth into symbols of reclamation
Used your vilification to dig ourselves out of the closets you constructed around us
Made our way blazing and victorious into the sun.
When AIDS devastated an entire glittering generation
We crafted a whispered language of the isolated hospital room and empty funeral
That can only be heard by bodies
That have been asked to hold a loss too deep to name.
When Matthew Shephard's bloody and broken body
Was found tied to that barbed wire fence, the only clean part of his skin the trails of his desperate tears
We twisted from the ethers an entirely new way to name collective grief and fear, one far too infinite to hold alone
It has always been our tenacious together than holds us.
Drive us underground
We will always surface
Singing words you can never own
Because don’t have the range to hear them.
Go ahead, take away our words,
We will birth a whole new language
You’ve been sending your armies for us since the beginning of time
But we were born for battle.
You wonder why we are still here?
You made us this strong.
You think getting rid of a word will silence us?
You’d have to ban them all.
”
”
Jeanette LeBlanc
“
There is code of silence in Medicine, three strikes you are out.
”
”
Dr.Vangala