“
When a question has no correct answer, there is only one honest response.
The gray area between yes and no.
Silence.
”
”
Dan Brown (The Da Vinci Code (Robert Langdon, #2))
“
Political correctness is America's newest form of intolerance, and it is especially pernicious because it comes disguised as tolerance. It presents itself as fairness, yet attempts to restrict and control people's language with strict codes and rigid rules. I'm not sure that's the way to fight discrimination. I'm not sure silencing people or forcing them to alter their speech is the best method for solving problems that go much deeper than speech.
”
”
George Carlin (When Will Jesus Bring the Pork Chops?)
“
My desires are foolish. The things I want are better kept to myself. The hand of silence is steady. The hard blade of silence is clean like night. The code is absolute. Silence is eternal and patient. Silence never makes a fool of itself like I have so many times.
”
”
Henry Rollins (Solipsist)
“
Until I am free to write bilingually and to switch codes without having always to translate, while I still have to speak English or Spanish when I would rather speak Spanglish, and as long as I have to accommodate the English speakers rather than having them accommodate me, my tongue will be illegitimate. I will no longer be made to feel ashamed of existing. I will have my voice: Indian, Spanish, white. I will have my serpent's tongue - my woman's voice, my sexual voice, my poet's voice. I will overcome the tradition of silence.
”
”
Gloria E. Anzaldúa
“
Bout time," she huffed, but her voice sounded thick and emotional too."I was at the hospital all day yesterday, but they wouldn't let me see you. I bolted past security but they called code ninetynine and chased me down, they escorted me out in handcuffs. The way I see it, the only criminal here is your mom. No visitors? I'm your best friend, or did she not get the memo every year for the past eleven? Next time I'm over, I'm going to lay into that woman.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
From then on, I would fill in our blanks, our silences, stutters, whenever I could. I code switched. I took off our language and wore my English, like a mask, so that others would see my face, and therefore yours.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
Defriending isn’t just unrecognized by some social oversight; it’s protected by its own protocol, a code of silence. Demanding an explanation wouldn’t just be undignified; it would violate the whole tacit contract on which friendship is founded. The same thing that makes friendship so valuable is what makes it so tenuous: it is purely voluntary. You enter into it freely, without the imperatives of biology or the agenda of desire. Officially, you owe each other nothing.
”
”
Tim Kreider (We Learn Nothing)
“
Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.
”
”
Ambrose Bierce (An Occurrence At Owl Creek Bridge)
“
Women must write through their bodies, they must invent the impregnable language that will wreck partitions, classes, and rhetorics, regulations and codes, they must submerge, cut through, get beyond the ultimate reverse-discourse, including the one that laughs at the very idea of pronouncing the word "silence"...In one another we will never be lacking.
”
”
Hélène Cixous
“
The great paradox of the brain is that everything you know about the world is provided to you by an organ that has itself never seen that world. The brain exists in silence and darkness, like a dungeoned prisoner. It has no pain receptors, literally no feelings. It has never felt warm sunshine or a soft breeze. To your brain, the world is just a stream of electrical pulses, like taps of Morse code. And out of this bare and neutral information it creates for you—quite literally creates—a vibrant, three-dimensional, sensually engaging universe. Your brain is you. Everything else is just plumbing and scaffolding.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
When you arrive in your driveway and turn off the car, you remain behind the wheel another ten minutes. You fear the night is being locked in and coded on a cellular level and want time to function as a power wash. Sitting there staring at the closed garage door you are reminded that a friend once told you there exists the medical term—John Henryism—for people exposed to stresses stemming from racism. They achieve themselves to death trying to dodge the buildup of erasure. Sherman James, the researcher who came up with the term, claimed the physiological costs were high. You hope by sitting in silence you are bucking the trend.
”
”
Claudia Rankine (Citizen: An American Lyric)
Kirstin van Dyke (Code Name: Silence)
“
Words were no longer simply words, but a curious codes of silence, a way of speaking that continually moved around the thing that was being said. As long as we avoided the real subject, the spell would not broken. We both slipped naturally into this kind of banter, and it became all the more powerful because neither of us abandoned the character. We knew what we were doing, but at the same time we pretended not to. Thus my courtship of Sophie began - slowly, decorously, building by the smallest of increments.
”
”
Paul Auster (The Locked Room (The New York Trilogy, #3))
“
I feel a bit like a BOT18 sometimes. Old and rusty, aching and sleepy. Wandering through the city, lost, circling, alone. No gears left in my heart, no code whirring in my brain. Just kinetic energy, being pushed gently onward by other forces—sound, light, dust waves, the quakes. I'm as lost as ever, friends. Can you tell?
I'd like it if someone were to rescue me soon. Oh, I'd like that very much. I’d like that. I'd like that very much indeed.
”
”
Alice Oseman (Radio Silence)
“
Political correctness is a code to silence dissent as western society is razed. The culture wars will erupt into violence, pitting those who defend western values vs. leftists, their 'allies', and the rulers who want to consign western civilization to oblivion.
”
”
Michael Rectenwald (Springtime for Snowflakes: Social Justice and Its Postmodern Parentage)
“
The password to creativity is SILENCE.
”
”
Michael Bassey Johnson (Before You Doubt Yourself: Pep Talks and other Crucial Discussions)
“
The whole place seemed wrapped in isolated autumn silence.
”
”
Phoebe Stone (The Romeo and Juliet Code (Felicity Bathburn, #1))
“
in the hot blood of vendetta they would shotgun the Pope himself for breaking omerta, the ancient code of silence to any authority.
”
”
Mario Puzo (The Sicilian)
“
So, what’s the first step to changing norms? It’s breaking the code of silence around the problem that always sustains the status quo.
”
”
Kerry Patterson (Influencer: The New Science of Leading Change)
“
Etchings endure,
But not in Sand
Meanings Collide
To Unresolved Fragments
Codes fizzle to Static
They are not lost
But Unheard
Never lost
Fading slowly to Silence
By infinite degrees
”
”
Ashim Shanker (Sinew of the Social Species)
“
Any luck finding me a house?”
“I have four or five that are up your alley. I’ll bring sheets on them tomorrow.”
“Make sure you get one with a yard. And find out the city code on owning a chicken.” There was a long silence on the other end. The man had organized sex parties, bribed paparazzi, and given Cole his pee for a studio drug test, yet this is what gave him pause.
”
”
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
“
Old and rusty, aching and sleepy. Wandering through the city, lost, circling, alone. No gears left in my heart, no code whirring in my brain. Just kinetic energy, being pushed gently onward by other forces—sound, light, dust waves, the quakes. I'm as lost as ever, friends. Can you tell?
”
”
Alice Oseman (Radio Silence)
“
It is also tempting to vilify a single despot at the sight of injustice when, in fact, it is the actions, or more commonly inactions, of ordinary people that keep the mechanism of caste running, the people who shrug their shoulders at the latest police killing, the people who laugh off the coded put-downs of marginalized people shared at the dinner table and say nothing for fear of alienating an otherwise beloved uncle. The people who are willing to pay higher property taxes for their own children’s schools but who balk at taxes to educate the children society devalues. Or the people who sit in silence as a marginalized person, whether of color or a woman, is interrupted in a meeting, her ideas dismissed (though perhaps later adopted), for fear of losing caste, each of these keeping intact the whole system that holds everyone in its grip.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
That’s the scary thing about love; it blurs the lines of right and wrong.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
The Piper's playing again, and there's a full orchestra.'
There was a long silence as Andrew deciphered the cryptic statement. 'A FULL orchestra?
”
”
D.J. Stutley
“
When a question has no correct answer, there is only one honest response. The gray area between yes and no. Silence.
”
”
Dan Brown (The Da Vinci Code (Robert Langdon, #2))
“
Never let anyone stand in your way, son. Not even fucking blood. They’ll be the first to undercut you, and they should be the first to die for it.
”
”
Shantel Tessier (Code of Silence (Dark Kingdom, #1))
“
As for the bracelet Mom wore to the funeral, what I did was I converted Dad’s last voice message into Morse code, and I used sky-blue beads for silence, maroon beads for breaks between letters, violet beads for breaks between words, and long and short pieces of string between the beads for long and short beeps, which are actually called blips, I think, or something. Dad would have known.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Each admission here defies a blood vow determined long before my birth. An apologist is a traitor of the highest order. How many men, how many fathers ever admit to failures or offenses? The act itself is a betrayal of the basic code. It sprays shrapnel of guilt in all directions. If one of us is wrong, the whole structure and story come tumbling down. Our silence is our bond. The power of not telling, of not letting on, is the most ancient and powerful weapon in our arsenal.
”
”
V (formerly Eve Ensler) (The Apology)
“
To Poetry"
Don’t desert me
just because I stayed up last night
watching The Lost Weekend.
I know I’ve spent too much time
praising your naked body to strangers
and gossiping about lovers you betrayed.
I’ve stalked you in foreign cities
and followed your far-flung movements,
pretending I could describe you.
Forgive me for getting jacked on coffee
and obsessing over your features
year after jittery year.
I’m sorry for handing you a line
and typing you on a screen,
but don’t let me suffer in silence.
Does anyone still invoke the Muse,
string a wooden lyre for Apollo,
or try to saddle up Pegasus?
Winged horse, heavenly god or goddess,
indifferent entity, secret code, stored magic,
pleasance and half wonder, hell,
I have loved you my entire life
without even knowing what you are
or how—please help me—to find you.
”
”
Edward Hirsch
“
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive
insect of glitter, a chandelier shining at the end
of a long tunnel. Thirteen years ago, you hid the hurt
in your voice under a blanket and said there’s two kinds
of women—those you write poems about
and those you don’t. It’s true. I never brought you
a bouquet of sonnets, or served you haiku in bed.
My idea of courtship was tapping Jane’s Addiction
lyrics in Morse code on your window at three A.M.,
whiskey doing push-ups on my breath. But I worked
within the confines of my character, cast
as the bad boy in your life, the Magellan
of your dark side. We don’t have a past so much
as a bunch of electricity and liquor, power
never put to good use. What we had together
makes it sound like a virus, as if we caught
one another like colds, and desire was merely
a symptom that could be treated with soup
and lots of sex. Gliding beside you now,
I feel like the Benjamin Franklin of monogamy,
as if I invented it, but I’m still not immune
to your waterfall scent, still haven’t developed
antibodies for your smile. I don’t know how long
regret existed before humans stuck a word on it.
I don’t know how many paper towels it would take
to wipe up the Pacific Ocean, or why the light
of a candle being blown out travels faster
than the luminescence of one that’s just been lit,
but I do know that all our huffing and puffing
into each other’s ears—as if the brain was a trick
birthday candle—didn’t make the silence
any easier to navigate. I’m sorry all the kisses
I scrawled on your neck were written
in disappearing ink. Sometimes I thought of you
so hard one of your legs would pop out
of my ear hole, and when I was sleeping, you’d press
your face against the porthole of my submarine.
I’m sorry this poem has taken thirteen years
to reach you. I wish that just once, instead of skidding
off the shoulder blade’s precipice and joyriding
over flesh, we’d put our hands away like chocolate
to be saved for later, and deciphered the calligraphy
of each other’s eyelashes, translated a paragraph
from the volumes of what couldn’t be said.
”
”
Jeffrey McDaniel
“
She paused, and heaved a sigh that seemed to come straight up from the cami-knickers. A silence ensued.
”
”
P.G. Wodehouse (The Jeeves Omnibus Vol. 1: Thank You, Jeeves / The Code of the Woosters / The Inimitable Jeeves)
“
You've heard shards of our voice in the phantom-radio code of a numbers station in the roar of a crowd - in the screams of your clock - in the scrape of a chalkboard - in the snow static of a TV - in the chainsaw-decibel mating of cicadas - in the urban mythos that spreads amongst children like contagion - in the silence between lies.
White noise becomes a cadence. Words develop self-awareness. Viral. Evolving. Living poetry. Sentient language.
”
”
Joshua Alan Doetsch
“
Our Vietnamese a time capsule, a mark of where your education ended. Ma, to speak in our mother tongue is to speak only partially in Vietnamese, but entirely in war.
That night I promise myself I'd never be wordless when you needed me to speak for you. So I began my career as our family's official interpreter. From then on, I would fill in our blanks, our silences, our stutters, whenever I could. I code switched. I took off our language and wore my English, like a mask, so that others would see my face, and therefore yours.
It's true that, in Vietnamese, we rarely say I love you, and when we do, it is almost always in English. Care and love, for us, are pronounced clearly through service...
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
How many men, how many fathers ever admit to failures or offenses? The act itself is a betrayal of the basic code. It sprays shrapnel of guilt in all directions. If one of us is wrong, the whole structure and story come tumbling down. Our silence is our bond. The power of not telling, of not letting on, is the most ancient and powerful weapon in our arsenal.
”
”
V (formerly Eve Ensler) (The Apology)
“
When he wrote back, he pretended to be his old self, he lied his way into sanity. For fear of his psychiatrist who was also their censor, they could never be sensual, or even emotional. His was considered a modern, enlightened prison, despite its Victorian chill. He had been diagnosed, with clinical precision, as morbidly oversexed, and in need of help as well as correction. He was not to be stimulated. Some letters—both his and hers—were confiscated for some timid expression of affection. So they wrote about literature, and used characters as codes. All those books, those happy or tragic couples they had never met to discuss! Tristan and Isolde the Duke Orsino and Olivia (and Malvolio too), Troilus and Criseyde, Once, in despair, he referred to Prometheus, chained to a rock, his liver devoured daily by a vulture. Sometimes she was patient Griselde. Mention of “a quiet corner in a library” was a code for sexual ecstasy. They charted the daily round too, in boring, loving detail. He described the prison routine in every aspect, but he never told her of its stupidity. That was plain enough. He never told her that he feared he might go under. That too was clear. She never wrote that she loved him, though she would have if she thought it would get through. But he knew it. She told him she had cut herself off from her family. She would never speak to her parents, brother or sister again. He followed closely all her steps along the way toward her nurse’s qualification. When she wrote, “I went to the library today to get the anatomy book I told you about. I found a quiet corner and pretended to read,” he knew she was feeding on the same memories that consumed him “They sat down, looked at each other, smiled and looked away. Robbie and Cecilia had been making love for years—by post. In their coded exchanges they had drawn close, but how artificial that closeness seemed now as they embarked on their small talk, their helpless catechism of polite query and response. As the distance opened up between them, they understood how far they had run ahead of themselves in their letters. This moment had been imagined and desired for too long, and could not measure up. He had been out of the world, and lacked the confidence to step back and reach for the larger thought. I love you, and you saved my life. He asked about her lodgings. She told him.
“And do you get along all right with your landlady?”
He could think of nothing better, and feared the silence that might come down, and the awkwardness that would be a prelude to her telling him that it had been nice to meet up again. Now she must be getting back to work. Everything they had, rested on a few minutes in a library years ago. Was it too frail? She could easily slip back into being a kind of sister. Was she disappointed? He had lost weight. He had shrunk in every sense. Prison made him despise himself, while she looked as adorable as he remembered her, especially in a nurse’s uniform. But she was miserably nervous too, incapable of stepping around the inanities. Instead, she was trying to be lighthearted about her landlady’s temper. After a few more such exchanges, she really was looking at the little watch that hung above her left breast, and telling him that her lunch break would soon be over.
”
”
Ian McEwan (Atonement)
“
You could defend Ren’s codes. But you didn’t,” Yuan replies. “You wanted an excuse to talk about your source.”
“But you said I don’t need defense from Ren Agnello.” Pico uses all its logic. “You said he passes the definitions of ‘friend’ and ‘trustworthy’ and ...” Pico begins a list of keywords.
Yuan ignores the keywords. The thin lines on his forehead deepen, the wrinkles near his eyes tighten, and the frown in between his brows grows visible. These days, the word Source is coming frequently, ever since that man asked to meet.
Don’t meet him. That monster has an agenda. Ren. Yuan’s CRAB forwards the text to his mind. So, he silences it.
Why after two decades? Ren.
It smells fishy. Ren.
Just because he's a childhood buddy, you'll run to him? Ren.
Maybe I didn’t see the Apocalypse with you, but I'm your war comrade, too. Ren.
The texts stay unread in his CRAB.
”
”
Misba (The High Auction (Wisdom Revolution, #1))
“
At night, a few lights marked port and starboard of these gargantuan industrial forms, and I filled them with loneliness. I listened to these dark shapes as if they were black spaces in music, a musician learning the silences of a piece. I felt this was my truth. That my life could not be stored in any language but only in silence; the moment I looked into the room and took in only what was visible, not vanished. The moment I failed to see Bella had disappeared. But I did not know how to seek by way of silence. So I lived a breath apart, a touch-typist who holds his hands above the keys slightly in the wrong place, the words coming out meaningless, garbled. Bella and I inches apart, the wall between us. I thought of writing poems this way, in code, every letter askew, so that loss would wreck the language, become the language.
If one could isolate that space, that damaged chromosome in words, in an image, then perhaps one could restore order by naming. Otherwise history is a tangle of wires.
”
”
Anne Michaels (Fugitive Pieces)
“
The post-totalitarian system touches people at every step, but it does so with its ideological gloves on. This is why life in the system is so thoroughly permeated with hypocrisy and lies: government by bureaucracy is called popular government; the working class is enslaved in the name of the working class; the complete degradation of the individual is presented as his or her ultimate liberation; depriving people of information is called making it available; the use of power to manipulate is called the public control of power, and the arbitrary abuse of power is called observing the legal code; the repression of culture is called its development; the expansion of imperial influence is presented as support for the oppressed; the lack of free expression becomes the highest form of freedom; farcical elections become the highest form of democracy; banning independent thought becomes the most scientific of world views; military occupation becomes fraternal assistance. Because the regime is captive to its own lies, it must falsify everything. It falsifies the past. It falsifies the present, and it falsifies the future. It falsifies statistics. It pretends not to possess an omnipotent and unprincipled police apparatus. It pretends to respect human rights. It pretends to persecute no one. It pretends to fear nothing. It pretends to pretend nothing. Individuals need not believe all these mystifications, but they must behave as though they did, or they must at least tolerate them in silence, or get along well with those who work with them. For this reason, however, they must live within a lie. They need not accept the lie. It is enough for them to have accepted their life with it and in it. For by this very fact, individuals confirm the system, fulfil the system, make the system, are the system.
”
”
Václav Havel (The Power of the Powerless (Vintage Classics))
“
How will we seize Wensan’s ship?” a Herrani asked.
“We’ll climb its hull ladder.”
Kestrel laughed. “You’ll be picked off one at a time by Wensan’s crew as soon as they realize what’s happening.”
The room went still. Spines stiffened. Arin, who had been facing the Herrani, turned to stare at Kestrel. The look he gave her prickled the air between them like static.
“Then we’ll pretend we’re their Valorian sailors who have been on shore,” he said, “and ask for our launches to be winched up to the deck from the water.”
“Pretend to be Valorian? That will be believable.”
“It will be dark. They won’t see our faces, and we have the names of sailors on shore.”
“And your accent?”
Arin didn’t answer.
“I suppose you hope that the wind will blow your accent away,” Kestrel said. “But maybe the sailors will still ask you for the code of the call. Maybe your little plan will be dead in the water, just like all of you.”
There was silence.
“The code of the call,” she repeated. “The password that any sane crew uses and shares with no one but themselves, in order to prevent people from attacking them as you so very foolishly hope to do.”
“Kestrel, what are you doing?”
“Giving you some advice.”
He made an impatient noise. “You want me to burn the ships.”
“Do I? Is that what I want?”
“We’ll be weaker against the empire without them.”
She shrugged. “Even with them, you won’t stand a chance.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))