Coconut Head Quotes

We've searched our database for all the quotes and captions related to Coconut Head. Here they are! All 79 of them:

I don’t think my memory of that night is ever coming back.” “Do you want me to hit you on the head with a coconut? It works on Gilligan’s Island.
Jennifer Echols (Forget You)
You didn't have to know Pilu for long to see that he floated through life like a coconut on the ocean. He always bobbed up. There was some sort of natural spring of cheerfulness that bubbled to the surface. Sadness was like a cloud across the sun, soon past. Sorrow was tucked away somewhere in his head, locked up in a cage with a blanket over it, like the captain's parrot.
Terry Pratchett (Nation)
Do you know the story of the monkeys of the shitty island?" I asked Nobory Wataya. He shook his head, with no sign of interest. "Never heard of it". "Somewhere, far, far away, there's a shitty island. An island without a name. An island not worth giving a name. A shitty island with shitty shape. On this shitty island grow palm trees that also have shitty shapes. And the palm trees produce coconuts that give off a shitty smell. Shitty monkeys live in the trees, and they love to eat these shitty-smelling coconuts,after which they shit the world's foulest shit. The shit falls on the ground and builds up shitty mounds, making the shitty palm trees that grow on them even shittier. It's an endless cycle." I drank the rest of my coffee. "As I sat here looking at you," I continued, " I suddenly remembered the story of this shitty island. What I'm trying to say is this. A certain kind of shittiness, a certain kind of stagnation, a certain kind of darkness, goes on propagating itself by its own power in its own self-contained cycle. And once it passed a certain point, no one can stop it -even if the person himself want to stop it.
Haruki Murakami (The Wind-Up Bird Chronicle)
We live in an age in which saving is subterfuge for spending. No doubt you sincerely believe that there is margarine in your refrigerator because it is more economical than butter. But you are wrong. Look in your bread drawer. How many boxes of cute snack crackers are there? How many packages of commercial cookies reeking of imitation vanilla badly masked with oil of coconut? How many presweetened breakfast cereals? Tell me now that you bought the margarine because you couldn't afford butter. You see - you can't. You bought the bread drawer of goodies because you were conned into them; and you omitted the butter because you were conned out of it. The world has slipped you culinary diagrams instead of food. It counts on your palate being not only wooden, but buried under ten coats of synthetic varnish as well. Therefore, the next time you go to check out of the supermarket, simply put back one box of crackers, circle round the dairy case again, swap your margarine for a pound of butter and walk up to the checker with your head held high, like the last of the big spenders. This is no time for cost-counters: It is time to be very rich or very poor - or both at once.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
Independence changed everything. Independence changed nothing. Eight years after the British left, we now had free government schools, running water and paved roads. But Jaipur still felt the same to me as it had ten years ago, the first time I stepped foot on its dusty soil. On the way to our first appointment of the morning, Malik and I nearly collided with a man carrying cement bags on his head when a bicycle cut between us. The cyclist, hugging a six-foot ladder under his arm, caused a horse carriage to sideswipe a pig, who ran squealing into a narrow alley. At one point, we stepped aside and waited for a raucous band of hijras to pass. The sari-clad, lipstick-wearing men were singing and dancing in front of a house to bless the birth of a baby boy. So accustomed were we to the odors of the city—cow dung, cooking fires, coconut hair oil, sandalwood incense and urine—that we barely noticed them.
Alka Joshi (The Henna Artist (The Jaipur Trilogy, #1))
You know, I'm really trying to cut down on this stuff. But..." Peabody ripped into the pack of cookies. "Thing is, weird, McNab doesn't think I'm chubby. And when a guy sees you naked, he knows where the extra layers are." "Peabody, do you have some delusion that I want to hear how McNab sees you naked?" She crunched into a cookie. "I'm just saying. Anyway, you know we have sex, so you've probably reached the conclusion we're naked when we're having it. You being an ace detective and all." "Peabody, in the chain of command, you may, on rare occasions and due to my astonishing good nature, respond to sarcasm with sarcasm. You are not permitted to lead with it. Give me a damn cookie." "They're coconut crunchies. You hate coconut." "Then why did you buy coconut?" "To piss you off." Grinning now, Peabody pulled another pack of cookies from her bag. "Then I bought chocolate chip, just for you." "Well, hand them over then." "Okay, so ..." Peabody ripped open the second pack, offered Eve a cookie. "Anyway, McNab's got a little, bitty butt, and hardly any shoulders. Still -- " "Stop. Stop right there. If I get an image of a naked McNab in my head, you're going back to traffic detail." Peabody munched, hummed, waited. "Damn it! There he is." Hooting with laughter, Peabody polished off the last cookie. "Sorry. Dallas, I'm sorry. I couldn't help it. Kinda cute, isn't he?
J.D. Robb (Witness in Death (In Death, #10))
I hit every red light for fifty blocks heading east toward Coconut Grove. They’re timed that way by our traffic planners, who might be getting kickbacks from the oil and tire companies.
Paul Levine (Night Vision (Jake Lassiter #2))
For all my rational Western intellect and education, I was for the moment overwhelmed by a primitive sense of living in a world ordered by a malign and perverted god, and it coloured my view of everything that afternoon—even the coconuts. The villagers sold us some and split them open for us. They are almost perfectly designed. You first make a hole and drink the milk, and then you split open the nut with a machete and slice off a segment of the shell, which forms a perfect implement for scooping out the coconut flesh inside. What makes you wonder about the nature of this god character is that he creates something that is so perfectly designed to be of benefit to human beings and then hangs it twenty feet above their heads on a tree with no branches.
Douglas Adams
Mother I had a beautiful house in Shingdi a vegetable garden Vines of bitter gourd lettuce English spinach and tousled coconut trees Coconuts fell on my darling husbands head One day we made love under the tree Now I was pregnant just like my orchard full of fruits with the love child Oh I ran as hard as I could from the shadow These were shadows of time shadows of the past ...
Mehreen Ahmed (Moirae)
An artist must regulate his life. Here is a time-table of my daily acts. I rise at 7.18; am inspired from 10.23 to 11.47. I lunch at 12.11 and leave the table at 12.14. A healthy ride on horse-back round my domain follows from 1.19 pm to 2.53 pm. Another bout of inspiration from 3.12 to 4.7 pm. From 5 to 6.47 pm various occupations (fencing, reflection, immobility, visits, contemplation, dexterity, natation, etc.) Dinner is served at 7.16 and finished at 7.20 pm. From 8.9 to 9.59 pm symphonic readings (out loud). I go to bed regularly at 10.37 pm. Once a week (on Tuesdays) I awake with a start at 3.14 am. My only nourishment consists of food that is white: eggs, sugar, shredded bones, the fat of dead animals, veal, salt, coco-nuts, chicken cooked in white water, mouldy fruit, rice, turnips, sausages in camphor, pastry, cheese (white varieties), cotton salad, and certain kinds of fish (without their skin). I boil my wine and drink it cold mixed with the juice of the Fuschia. I have a good appetite but never talk when eating for fear of strangling myself. I breathe carefully (a little at a time) and dance very rarely. When walking I hold my ribs and look steadily behind me. My expression is very serious; when I laugh it is unintentional, and I always apologise very politely. I sleep with only one eye closed, very profoundly. My bed is round with a hole in it for my head to go through. Every hour a servant takes my temperature and gives me another.
Erik Satie
I want coffee to taste of coffee. Maybe a little cream and sugar. I do not want coffee that tastes of potpourri or fruit or nuts or like licking the bottom of my spice drawer. And while I should not be eating donuts to begin with, I REALLY don't want to waste precious donut-related calories on Dunkin'. I'll head to the Doughnut Vault for a pistachio or coconut old fashioned, or maybe grab a Chocolate Bacon from Fritz Bakery for a real treat.
Stacey Ballis (Out to Lunch)
Life is an ocean. If a man is lightweight (simple, good and humble), then he can float like a coconut in the ocean. If a man is of head weight (arrogance) in nature, because of weight, he will drown in the ocean like a stone.
Sivakumar Gowder
Every moment for all the generations was leading to you here on my lap, your head against your granddaddy’s chest, already four years old. Hair smelling like coconut oil. Something beneath that, though. Little-girl sweat—almost sour, but then just when I think that’s what it is, it turns, sweetens somehow. Makes me want to sit here forever breathing in your scalp. When did your arms get so long? Your feet so big? These footie pajamas with reindeer all over them remind me of the ones your mama used to wear. She used to fall asleep on my lap just like this. Back at the other house. Oh time time time time. Where’d you go where’d you go? My legs hurt tonight. Another place too—deep in my back somewhere, there’s a dull, aching pain. I try not to think about it. Old people used to always say, You only as old as you feel. Here I am closer to fifty than forty, but I feel older than that most days. Feel like the world is trying to pull me down back into it. Like God went ahead and said, I’ve changed my mind about you, Po’Boy. A bath with Epsom salts helps some evenings. Ginger tea keeps Sabe’s good cooking in my belly. Sitting here holding you at the end of the day—that’s . . . well, I’m not going to lie and say this isn’t the best thing that ever happened to my life because it is. Look at you laughing in your sleep. Got me wondering what you’re dreaming about. What’s making you laugh like that? Tell your granddaddy what’s playing in your pretty brown head, my little Melody. Name like a song. Like you were born and it was cause for the world to sing. You know how much your old granddaddy loves when you sing him silly songs? Sabe says she’s gonna have to get some earplugs if she has to hear one more verse of “Elmo’s World” or that song about how to grow a garden. But me, I can listen to your voice forever. Can’t hear you singing enough.
Jacqueline Woodson (Red at the Bone)
No way you can get stuck. Your head is much smaller. Look at this big coconut of mine. It's practically Jupiter. Yours is more like, I don't know, Mercury or something." "That doesn't mean I'm going along with an idea that you're pulling out of Uranus." We both stopped to snicker. Hard to resist a Uranus joke.
Brad Parks (The Girl Next Door (Carter Ross, #3))
I decide that if I ever get to come back here under different, nonstressful circumstances, I will stay at this hotel and drink fruity drinks and lay in the sand until my skin looks like it had a makeout session with the sun. But today, I’m looking for an inconspicuous way into the water. We head out of the lobby and get waylaid by hula dancers in grass skirts handing out necklaces of flowers. Apparently Toraf doesn’t like necklaces of flowers; as one of the women raises it above his head, he slaps her hand away. I show him, as I accept the gift around my neck, that the woman with the coconut boobs was just trying to be his friend. Just like all the women he’s come across so far. “Humans are too weird,” he whispers, unconvinced. I wonder what Toraf would think of Disney World. Our hotel is right on the water, so we pass through the lobby to the back. The beach is lined with lounge chairs and umbrellas and people scantily clad and people who shouldn’t be scantily clad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.
Hilary Mantel (An Experiment in Love: A Novel)
Coconut trees were fireworks that arced into the sky and exploded in green. Pandanus trees, angular and mop-headed, seemed cut from the pages of a Dr. Seuss book. Breadfruit trees cast generous shadows. The lagoon, never more than twenty feet away, fulfilled every postcard cliché of tropical paradise. On the beach, muscular island men were beaching their wooden sailing canoe after a morning on the water, strings sagging with the weight of colorful reef fish.
Peter Rudiak-Gould (Surviving Paradise: One Year On A Disappearing Island)
Caprylic acid comprises 5–6 percent of the fat found in coconut oil, so you’d have to eat more than a dozen tablespoons of coconut oil to get the amount of caprylic acid in just 1 tablespoon of Brain Octane Oil. It requires the most coconut oil to manufacture, but it is far more potent than XCT oil, generic MCT oil, or coconut oil, and most people can have a lot more of it without the digestive problems of generic MCT oil. A recent groundbreaking study looked at the effects of intermittent fasting with coconut oil versus the effects of intermittent fasting with two subtypes of MCTs, the ones found in XCT oil. When subjects fasted and then consumed coconut oil, their ketone levels remained static—the coconut oil did not raise their ketone levels at all compared to fasting. When they fasted and then consumed a combination of coconut oil and other MCTs, their ketone levels went up slightly. But they got by far the biggest boost in ketones after fasting and then consuming Brain Octane Oil.
Dave Asprey (Head Strong: The Bulletproof Plan to Activate Untapped Brain Energy to Work Smarter and Think Faster-in Just Two Weeks)
Rayna does not get sick on planes. Also, Rayna does not stop talking on planes. By the time we land at Okaloosa Regional Airport, I’m wondering if I’ve spoken as many words in my entire life as she did on the plane. With no layovers, it was the longest forty-five minutes of my whole freaking existence. I can tell Rachel’s nerves are also fringed. She orders an SUV limo-Rachel never does anything small-to pick us up and insists that Rayna try the complimentary champagne. I’m fairly certain it’s the first alcoholic beverage Rayna’s ever had, and by the time we reach the hotel on the beach, I’m all the way certain. As Rayna snores in the seat across from me, Rachel checks us into the hotel and has our bags taken to our room. “Do you want to head over to the Gulfarium now?” she asks. “Or, uh, rest up a bit and wait for Rayna to wake up?” This is an important decision. Personally, I’m not tired at all and would love to see a liquored-up Rayna negotiate the stairs at the Gulfarium. But I’d feel a certain guilt if she hit her hard head on a wooden rail or something and then we’d have to pay the Gulfarium for the damages her thick skull would surely cause. Plus, I’d have to suffer a reproving look from Dr. Milligan, which might actually hurt my feelings because he reminds me a bit of my dad. So I decide to do the right thing. “Let’s rest for a while and let her snap out of it. I’ll call Dr. Milligan and let him know we’ve checked in.” Two hours later, Sleeping Beast wakes up and we head to see Dr. Milligan. Rayna is particularly grouchy when hungover-can you even get hungover from drinking champagne?-so she’s not terribly inclined to be nice to the security guard who lets us in. She mutters something under her breath-thank God she doesn’t have a real voice-and pushes past him like the spoiled Royalty she is. I’m just about aggravated beyond redemption-until we see Dr. Milligan in a new exhibit of stingrays. He coos and murmurs as if they’re a litter of puppies in the tank begging to play with him. When he notices our arrival he smiles, and it feels like a coconut slushy on a sweltering day and it almost makes up for the crap I’ve been put through these past few days.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I reached into my bag and pulled out the macaroons, holding them between us. “Here. These are for you.” He glanced at the white bakery box, his frown even more severe than before. He didn’t take the box. “What’s in there?” The look of suspicion made me smile in spite of myself. “Cookies.” “Where’d you get them?” “I made them.” His expression cleared and he snatched the box from my hands. “You did? What kind?” “Macaroons.” “Coconut!” He’d ripped open the box with impressive speed, his eyes widening with what looked like elation. “Come to me,” he said reverently to the cookies. “I hate coconut,” Derek said conversationally, coming to stand next to me. “She didn’t bring them for you, did she?” Matt said, his head doing an unexpected, sassy bobbing movement. I rolled my lips between my teeth, breathing through my nose while my eyes bounced between the two men. “Maybe she will, next time.” Derek grinned at me. “I like chocolate.” Matt’s eyes cut to mine. “Are you making a mental note? You look like you’re making a mental note. Don’t. Don’t make a mental note. Don’t bring him cookies.” “Gentlemen.” I pasted on my best professional smile. “I will be happy to bring cookies, to you both, but first I need to see what you’ve been working on.” “Fine.
Penny Reid (Dating-ish (Knitting in the City, #6))
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned. I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.” “But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then. I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.” The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.” “You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too. “Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—” “You weren’t thinking.” She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—” “The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.” She ignored me again. “Everything makes me cry and I itch. I itch so bad.” “Do I… want to know where you’re itching?” “Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.” I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever. “He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.” “You know you can come stay with us if you want.” She made a noise. “I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.” She sighed. “I would. I really would, but I couldn’t leave Aiden.” And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too. “Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—” Vanessa let out another loud laugh. “You jerk.” “What? You could.” There was a pause. “I don’t even know why I bother with you half the time.” “Because you love me?” “I don’t know why.” “Tia,” Louie hissed, rubbing his belly like he was seriously starving. “Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?” Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.” “Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—” “Goddammit, Diana—” I laughed. “Love you. I’ll call you back. Bye!” “Vanny has a whale?” Lou asked.
Mariana Zapata (Wait for It)
Lou hoisted up her gown and winced as she tottered across the parking lot. The sparkly four-inch heels had looked so pretty in the box, but they felt like a mortar and pestle grinding each bone in her foot. She missed her green Crocs. Lou plucked at the tight elastic, squeezing her under the sleek black dress her fiancé, Devlin, had given her. He walked five steps ahead of her, so she scurried to catch up. "Overstuffed truffle and foie gras sausage," Lou said. Devlin's face crinkled in confusion. "What?" "It's a new dish, inspired by how I feel in these clothes. Maybe served over brown butter dumplings..." Lou tilted her head, visualizing the newly formed meal.
Amy E. Reichert (The Coincidence of Coconut Cake)
The stern broad-shouldered spear-girl and her jollier companion seemed to think them to some degree their property. The one opened the drinking-coconuts and passed them, the other handed the dried fishes, one by one. But not very valuable property: the spear-girl, whose name appeared to be Taio, looked at the white, hairy, waterlogged, waterwrinkled skin of Jack's leg where his trousers were rolled back, and uttered a sound of sincere and candid disgust, while the other one, Manu, took hold of a lock of his long yellow hair, now untied and hanging down his back, plucked out a few strands, turned them in her fingers and tossed them over the side, shaking her head and then carefully washing her hands.
Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
A young person for Monsieur Jagiello,’ said the guard, with a grin. He stood away from the door, and there was the young person, holding a cloth-covered basket, blushing and hanging her pretty head. The others walked away to the window and talked in what they meant to be a detached, natural way; but few could help stealing glances at the maiden, and none could fail to hear Jagiello cry, ‘But my dear, dear Mademoiselle, I asked for black pudding and apples, no more. And here is foie gras, a gratin of lobster, a partridge, three kinds of cheese, two kinds of wine, a strawberry tart . . . ’ ‘I made it myself,’ said the young person. ‘I am sure it is wonderfully good: but it is much more than I can ever afford.’ ‘You must keep up your strength. You can pay for it later – or in some other way – or however you like.’ ‘But how?’ asked Jagiello, in honest amazement. ‘By a note of hand, do you mean?’ ‘Pray step into the passage,’ said she, pinker still. ‘There you are again,’ said Jack, drawing Stephen into another room. ‘Yesterday it was a thundering great patty, with truffles; and tomorrow we shall see a wedding-cake for his pudding, no doubt. What they see in him I cannot conceive. Why Jagiello, and the others ignored? Here is Fenton, for example, a fine upstanding fellow with side-whiskers that are the pride of the service – with a beard as thick as a coconut – has to shave twice a day – as strong as a horse, and a very fair seaman; but there are no patties for him.
Patrick O'Brian (The Surgeon's Mate (Aubrey/Maturin, #7))
You know those statistics people are always spouting off, about teenage boys thinking about sex every seven seconds? Is that really true?” “Nope. And I just want to point out that you’re the one who keeps bringing up sex. I think teenage girls might be more obsessed than boys.” “Maybe,” I say, and his eyes widen, all excited. Hastily I add, “I mean, I’m definitely curious about it. It’s definitely a thought. But I don’t see myself doing it anytime soon. With anybody. Including you.” I can tell Peter is embarrassed, the way he rushes to say, “Okay, okay, I got it. Let’s just change the subject.” Under his breath he mutters, “I didn’t even want to talk about it in the first place.” It’s sweet that he’s embarrassed. I didn’t think he would be, with all his experience. I tug on his sweater sleeve. “At some point, when I’m ready, if I’m ready, I’ll let you know.” And then I pull him toward me and press my lips against his softly. His mouth opens, and so does mine, and I think, I could kiss this boy for hours. Mid-kiss, he says, “Wait, so we’re never having sex? Like ever?” “I didn’t say never. But not now. I mean, not until I’m really, really sure. Okay?” He lets out a laugh. “Sure. You’re the one driving this bus. You have been from the start. I’m still catching up.” He snuggles closer and sniffs my hair. “What’s this new shampoo you’re wearing?” “I stole it from Margot. It’s juicy pear. Nice, right?” “It’s all right, I guess. But can you go back to the one you used to wear? The coconut one? I love the smell of that one.” A dreamy look crosses his face, like evening fog settling over a city. “If I feel like it,” I say, which makes him pout. I’m already thinking I should buy a bottle of the coconut hair mask, too, but I like to keep him on his toes. Like he said, “I’m the one driving this bus. Peter pulls me against him so he’s curved around my back like shelter. I let my head rest on his shoulder, rest my arms on his kneecaps. This is nice. This is cozy. Just me and him, just for a while, apart from the rest of the world.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
He had in his head a scrapbook of the tastes that had impacted him the most during his travels: goat cheese and olive oil in California, the tropical fruits and chilies of South America, everything that had touched his lips in Japan. When Angelo and Paolo talk about their travels, they turn to the memories- the parties, the people, the crazy times had, always with the metronome of mozzarella beating in the background. But what followed Vito were the flavors- the dishes, the ingredients, and techniques unknown to most of Italy. "When I came back from Japan, there were six kilos of matcha, two kilos of coconut powder, and twelve bottles of Nikka whiskey in my bag. In Rome they stopped me and opened the bag. They thought they had caught me with cocaine. I told the guy to open up the bag and taste." Vito didn't drink Nikka (he and his brothers rarely drink alcohol); instead, he emptied all twelve bottles into a wooden bucket, where he now soaks blue cheese made from sheep's milk to make what he calls formaggio clandestino. He stirs up a spoon of high-grade matcha powder into Dicecca's fresh goat yogurt and sells it in clear plastic tubs, anxious for anyone- a loyal client, a stranger, a disheveled writer- to taste something new.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.
Kenneth Rexroth (Collected Shorter Poems)
About two thousand years ago … If you are flying directly into a hurricane, it is probably useful to be a dragon who can see the future. Then again, if you are a dragon who can see the future, you are most likely far too smart to fly directly into a hurricane. And yet, according to Clearsight’s visions, that was exactly what she needed to do. She shook out her black wings, which were already tired from how far she’d flown all morning and the day before. Her talons clung to the slippery wet rock below her. Her scales felt itchy with salt from the ocean spray. Above her, the sun peeked wearily through cracks in the dull gray clouds. She closed her eyes, tracing the future paths ahead of her. In one direction — south and a little east — there was a small island with a warm sandy beach. Two coconut palms nodded toward each other and there were lazy tiger sharks to eat. The hurricane would pass it by completely. If she went there, Clearsight could rest, eat, and sleep in safety. Then she could continue on in two days, after the storm was over. But in the other direction — a long flight west and slightly north — the lost continent was waiting for her. She knew it was real now. When she’d left Pyrrhia to find it, she’d half expected to fly all the way around the world and end up back on Pyrrhia’s other coast. No one was sure another continent even existed . . . and if it did, everyone knew it was too far away to fly to. Any dragon would tire, fall into the sea, and drown before reaching it. But Clearsight wasn’t any dragon. She had something no one else did: the ability to carefully trace the paths of multiple possible futures. Standing on the edge of Pyrrhia, she could see which direction would take her to an island where she could rest. And then the next day: to another island. Shifting her course slightly each day, guided by her visions, she had found a trail of small islands to take her safely across the ocean. A gust of wind roared over her, splattering a handful of raindrops onto her head.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
She was floating, arms outspread, water lapping her body, breathing in a summery fragrance of salt and coconut. There was a pleasantly satisfied breakfast taste in her mouth of bacon and coffee and possibly croissants. She lifted her chin and the morning sun shone so brightly on the water, she had to squint through spangles of light to see her feet in front of her. Her toenails were each painted a different color. Red. Gold. Purple. Funny. The nail polish hadn’t been applied very well. Blobby and messy. Someone else was floating in the water right next to her. Someone she liked a lot, who made her laugh, with toenails painted the same way. The other person waggled multicolored toes at her companionably, and she was filled with sleepy contentment. Somewhere in the distance, a man’s voice shouted, “Marco?” and a chorus of children’s voices cried back, “Polo!” The man called out again, “Marco, Marco, Marco?” and the voices answered, “Polo, Polo, Polo!” A child laughed; a long, gurgling giggle, like a stream of soap bubbles. A voice said quietly and insistently in her ear, “Alice?” and she tipped back her head and let the cool water slide silently over her face. Tiny dots of light danced before her eyes. Was it a dream or a memory? “I don’t know!” said a frightened voice. “I didn’t see it happen!” No need to get your knickers in a knot. The dream or memory or whatever it was dissolved and vanished like a reflection on water, and instead fragments of thought began to drift through her head, as if she were waking up from a long, deep sleep, late on a Sunday morning. Is cream cheese considered a soft cheese? It’s not a hard cheese. It’s not . . . . . . hard at all. So, logically, you would think . . . . . . something. Something logical. Lavender is lovely. Logically lovely. Must prune back the lavender! I can smell lavender. No, I can’t. Yes, I can. That’s when she noticed the pain in her head for the first time. It hurt on one side, a lot, as if someone had given her a good solid thwack with a baseball bat. Her thoughts sharpened. What was this pain in the head all about?
Liane Moriarty (What Alice Forgot)
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
Viet Thanh Nguyen (The Sympathizer)
Shura, I did quit. I want you to quit, too.” He sat and considered her. His brow was furled. “You’re working too hard,” she said. “Since when?” “Look at you. All day in the dank basement, working in cellars... what for?” “I don’t understand the question. I have to work somewhere. We have to eat.” Chewing her lip, Tatiana shook her head. “We still have money— some of it left over from your mother, some of it from nursing, and in Coconut Grove you made us thousands carousing with your boat women.” “Mommy, what’s carousing?” said Anthony, looking up from his coloring. “Yes, Mommy, what’s carousing?” said Alexander, smiling. “My point is,” Tatiana went on, poker-faced, “that we don’t need you to break your back as if you’re in a Soviet labor camp.” “Yes, and what about your dream of a winery in the valley? You don’t think that’s back-breaking work?” “Yes . . .” she trailed off. What to say? It was just last week in Carmel that they’d had that wistful conversation. “Perhaps it’s too soon for that dream.” She looked deeply down into her plate. “I thought you wanted to settle here?” Alexander said in confusion. “As it turns out, less than I thought.” She coughed, stretching out her hand. He took it. “You’re away from us for twelve hours a day and when you come back you’re exhausted. I want you to play with Anthony.” “I do play with him.” She lowered her voice. “I want you to play with me, too.” “Babe, if I play with you any more, my sword will fall off.” “What sword, Dad?” “Anthony, shh. Alexander, shh. Look, I don’t want you to fall asleep at nine in the evening. I want you to smoke and drink. I want you to read all the books and magazines you haven’t read, and listen to the radio, and play baseball and basketball and football. I want you to teach Anthony how to fish as you tell him your war stories.” “Won’t be telling those any time soon.” “I’ll cook for you. I’ll play dominoes with you.” “Definitely no dominoes.” “I’ll let you figure out how I always win.” A Sarah Bernhardt-worthy performance. Shaking his head, he said slowly, “Maybe poker.” “Absolutely. Cheating poker then.” Rueful Russian Lazarevo smiles passed their faces. “I’ll take care of you,” she whispered, the hand he wasn’t holding shaking under the table. “For God’s sake, Tania... I’m a man. I can’t not work.” “You’ve never stopped your whole life. Come on. Stop running with me.” The irony in that made her tremble and she hoped he wouldn’t notice. “Let me take care of you,” Tatiana said hoarsely, “like you know I ache to. Let me do for you. Like I’m your nurse at the Morozovo critical care ward. Please.” Tears came to her eyes. She said quickly, “When there’s no more money, you can work again. But for now... let’s leave here. I know just the place.” Her smile was so pathetic. “Out of my stony griefs, Bethel I’ll raise,” she whispered. Alexander was silently contemplating her, puzzled again, troubled again. “I honestly don’t understand,” he said. “I thought you liked it here.” “I like you more.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
The number of pit bulls who cause trouble is statistically irrelevant. Media will have you believe that pit bulls are running rampant and attacking people. More people die every year from coconuts falling onto their heads than from pit bull attacks! We need perspective. — Mary Harwelik, a professional dog trainer and director of The Real Pit Bull Foundation in Garwood, N.J.
Dog Fancy Magazine (American Pit Bull Terrier (Smart Owner's Guide))
4 tbsps coconut oil 3 drops lavender essential oil 1 tbsp olive oil   Apply heat to the coconut oil until it begins to liquefy and then add the remaining ingredients. Apply the mixture to your hair and then comb it throughout your head.  Let the solution sit in your hair for 20-30 minutes and then wash.  Make sure you rinse and shampoo a few times to make sure you get the solution completely out of your hair.
Brian Night (Coconut Oil and Apple Cider Vinegar: How To Use Apple Cider Vinegar and Coconut Oil To Lose Weight, Prevent Allergies, And Boost Your Immune System)
suffer from an itchy and dry scalp. Apple cider vinegar is also a great remedy if you suffer from dandruff.  Finally, many users report a stronger head of hair.  Apple cider vinegar will promote a strong and healthy shaft, which will create strong, great-looking hair.
Ben Night (Apple Cider Vinegar and Coconut Oil)
WEEK#1 SHOPPING LIST   *FRUITS & VEGETABLES ALL ORGANIC AND/OR WILD *MEATS FREE RANGE, NO ANTIBIOTICS OR HORMONES ADDED *FISH OCEAN WISE & WILD *Remember to always read the ingredients and check for added sugars, chemicals and MSG etc.   1 LEMON 2 LIMES 4 MEDIUM YELLOW ONIONS 1 BUNDLE ORGANIC GREEN ONIONS 1 RED ONION 1 GINGER ROOT 2 WHOLE GARLIC 1 BUNDLE OF ASPARGUS 2 CAULIFLOWER HEADS 2 ORGANIC RED PEPPERS 2 GREEN PEPPERS 3 AVOCADOS 1 PACK BOK CHOY 15 ORGANIC TOMATOES 1 SPAGHETTI SQUASH 3 SWEET POTATOES 1 YAM 2 BUNDLES OF ORGANIC BROCCOLI 6 ZUCCHINI 4 CARROTS 3 BEETS 12-15 BROWN MUSHROOMS 1 SMALL BAG/BOX ARUGULA SALAD 1 BUNDLE OF ROMAINE LETTUCE 1 BUNDLE FRESH BASIL   2 APPLES 1 BANANA 1 SMALL PACKAGE FRESH OR FROZEN WILD BLUEBERRIES 1 ORANGE   2 PACKAGES FREE RANGE NO ANTIOBIOTIC EGGS (24 TOTAL)   1 20oz (750Ml) TOMATO SAUCE 1 CAN 14OZ TOMATO PUREE 2 8oz (250mL) CANS COCONUT CREAM 2 16oz (500mL) CANS COCONUT MILK 1 12OZ CAN PUMPKIN PUREE   JAR OF OLIVES (no sugars added)   1 - ½ LB SMALL BAG (200G) OF REAL CRAB MEAT 2 – 2 LB BAGS (400G EACH) OF FROZEN WILD SHRIMP & SCALLOP MEDLEY 1 LARGE PIECE WILD SOCKEY SALMON (FRESH) 1 LB BEEF SIRLOIN 1LB GROUND BEEF 1 ½ LB (750G) NO-ANTIOBIOTIC CHICKEN SLICES 4 NO-ANTIOBIOTIC ALL NATURAL CHICKEN BREAST 7OZ (400G) ORGANIC GROUND TURKEY 1 PACKAGE MSG-FREE, NO NITRATE BACON   100G DRIED FRUIT (BLUEBERRIES, CRANBERRIES) 200G HAZELNUTS 100G ALMONDS 100G CASHEWS 100 WALNUTS 100G SESAME SEEDS 50G PUMPKIN SEEDS   1 BOTTLE NO SULFITE ORGANIC WHITE WINE (OPTIONAL)  
Paleo Wired (Practical 30 Day Paleo Program For Weight Loss - Paleo Diet: A BEGINNER’S GUIDE TO HEALTHY RECIPES FOR WEIGHT LOSS AND OPTIMAL HEALTH’(paleo diet, diet chllenge, paleo guide to weight loss))
Fortunately, making friends in law school is easy because of the psychological bonding effects of group terror. In a famous social psychology experiment, researchers put a group of monkeys in the same cage with a group of lions. Monkeys and lions usually don’t socialize because the lions eat the monkeys, which causes hard feelings. Early in the experiment, it appeared events would follow this customary pattern as the lions began chasing the monkeys and the monkeys began bonking the lions on the heads with coconuts. At this point, the researchers inserted a Contracts professor into the cage who began conducting a Socratic dialogue about the doctrine of promissory estoppel. An amazing transformation occurred. The lions and monkeys immediately locked paws and began singing pub songs. Within a few minutes, the lions were giving the monkeys foot massages and the monkeys were encouraging the lions to get in touch with their inner cubs. Okay, that wasn’t a real experiment, but I’m confident it would work out that way. That’s what
Andrew J. McClurg (McClurg's 1L of a Ride: A Well-Traveled Professor's Roadmap to Success in the First Year of Law School, 2d: A Well-Traveled Professor's Roadmap to Success ... the First Year of Law Schoo (Career Guides))
1/10 I think I have made a friend. A woman named Malun. She came by today with some lovely little coconut shell drinking cups for us, a few cooking pots, & a full bilum bag of yams & smoked fish. She speaks several local languages but only a small bit of pidgin so we mostly flapped our arms and laughed. She is older, past childbearing, head shaved like all married women here, muscular & stern until she breaks into giggles which seem against her strong will. By the end of the visit she was trying on my shoes.
Lily King (Euphoria)
hatch our survival plan in the coolest place we could find. We made our way into the cluttered room at the windowed front of the deckhouse—what our boat builders back in Hong Kong called the “lavish grand salon” in their sales brochures. With us, it was more like the messy rumpus room. True, the room had, as advertised, “a curved couch, sleek teak paneling, and hardwood cabinetry with a built-in sink.” But the sink had dirty dishes and empty soda bottles in it, the paneled walls were cluttered with a collection of my parents’ favorite treasures (including a conquistador helmet, a rare African tribal mask, a grog jug shaped like a frog, a rusty cannonball from a Confederate gunboat, a bronze clock covered with cherubs that probably belonged to King Louis XIV, and, in a glass shadow box, a rusty steak knife from the Titanic). There were assorted trinkets, necklaces, and coconut heads suspended from the ceiling. Add a heap of scuba and snorkel gear and assorted socks, shoes, and T-shirts on the floor (the floor is our laundry basket), and our grand salon looked more like a live-in recycling bin. “Have we even seen a map for this treasure hunt?” asked Beck. “Nope. Dad just said we needed to be in the Caymans.” “Then we need to find his map.
James Patterson (Treasure Hunters - FREE PREVIEW EDITION (The First 10 Chapters))
Some bratty boys from the neighborhood decide to make a secret clubhouse in my skull. They don't ask me about it, but I have no argument against the plan. So, every afternoon getting home from school they occupy my head. The kids laugh loudly, and crack their chip bags. Sometimes smoke flies out of my ear. I suspect they are experimenting with their first cigarettes. Of course, I was just like them when I was their age, so I'm not going to tell on them; that’s for sure. If only they wouldn’t leave such a mess every time. It can be really awkward, when having a conversation with someone I begin to shake or nod my head and suddenly a crumpled porn magazine falls out from my ear. Soon, the parents get wind of the secret clubhouse, and they step into my apartment swinging a bone saw. They insist on looking in my skull; telling me they have the right to know what their boys are up to behind their backs. Now, the kids and I are both punished – they are grounded in their rooms, as for me, the parents won't give back my skullcap. It's quite embarrassing. Going to work in the mornings some cheeky brats on the bus are having a great time pushing spitballs and chewed bubble gum between my brain wrinkles when I'm not looking. That’s enough, I decide one morning, I have rights too. So I knock on the mother's door, who has my upper head. She just stands there in the door, smoking, holding my skullcap in her hand, which looks like a half hairy coconut, and she flicks the ash into it. After I’m done with my speech about human rights, she slams the door in my face. I have no time for a second round I must leave to work. Scratching out a used ticket from my brain wrinkles I catch the next bus. A young couple whispers and chuckles behind me. I quickly get off at the next stop, before they could plan a secret date in my occipital lobe.
Zoltan Komor (Tumour-Djinn)
I head back to my apartment, but not before popping into a small creperie for a Nutella, banana, and coconut crepe because, let's be honest, I'm only human. The shop sits a few doors down from Peregrine Espresso, and even though I spend most days surrounded by flaky croissants and fudge brownies, God help me, I still cannot resist the siren song of a sweet Nutella crepe. I order it to go, but I dive in before I even leave the store because Nutella is my kryptonite. The rich chocolate hazelnut spread oozes from within the sweet eggy crepe, each bite filled with fresh bananas and bits of toasted coconut.
Dana Bate (A Second Bite at the Apple)
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.
Viet Thanh Nguyen (The Sympathizer)
It is easy to ascribe the success of such hokum to the gullibility of another age, until we stop to reflect that the techniques successfully used to sell patent medicine are still routinely used today. The lotions and potions of our times inevitably promise youthfulness, health, or weight loss, thanks to exotic ingredients like antioxidants, amino acids, miracle fruits like the pomegranate and açaí berry, extracted ketones, or biofactors. There is scarcely a shampoo or lotion for sale that does not promise an extraordinary result owing to essence of coconut, or rosemary extracts, or another botanical. As devotees of technology we are, if anything, more susceptible to the supposed degree of difference afforded by some ingenious proprietary innovation, like the “air” in Nike’s sports shoes, triple reverse osmosis in some brands of water, or the gold-plating of audio component cables. For all our secular rationalism and technological advances, potential for surrender to the charms of magical thinking remains embedded in the human psyche, awaiting only the advertiser to awaken it.
Tim Wu (The Attention Merchants: The Epic Scramble to Get Inside Our Heads)
A pound of butter and Lord knows how much sugar later, my head was clear, my spirit was calm, and I had a delicious calamansi-ginger pie cooling on the counter. I twisted shut the lid of the jar I'd filled with the excess calamansi-ginger curd and sighed in satisfaction. Now this was bliss. The sweetness of the coconut shortbread crust scented the air, interspersed with the zest of citrus and zing of ginger. If I could bottle this scent, I'd wear it forever.
Mia P. Manansala (Arsenic and Adobo (Tita Rosie's Kitchen Mystery, #1))
Cauliflower, Coconut, and Turmeric Soup Serves: 4 ½ cup unsweetened shredded coconut 1 teaspoon chopped fresh ginger 1 cup water 1 medium onion, chopped 4 cloves garlic, chopped 3 cups sliced shiitake mushrooms 1 head cauliflower, cut into pieces 4½ cups low-sodium or no-salt-added vegetable broth ½ teaspoon turmeric ½ teaspoon ground coriander ¼ cup raw macadamia nuts ¼ cup raw walnuts 1 bunch kale, tough stems removed, chopped ½ cup shredded cooked chicken or ½ cup raw chopped shrimp, optional (see Note) Blend coconut, ginger, and water in a high-powered blender until smooth and creamy. In a soup pot, heat 2 to 3 tablespoons water and water-sauté onion and garlic for 2 minutes, then add mushrooms and sauté until onions and mushrooms are tender. Add blended coconut mixture, cauliflower, vegetable broth, turmeric, and coriander. Bring to a boil, reduce heat, cover, and simmer for 15 minutes or until the cauliflower is tender. In a high-powered blender, blend two-thirds of the soup liquid and vegetables with the macadamia nuts and walnuts until smooth and creamy. Return to the pot and reheat. Steam the kale until wilted and just tender, about 6 to 8 minutes. Divide steamed kale into four soup bowls and serve the soup on top. For added crunch, top with Crispy Chickpeas (page 328). Note: If desired, add chicken or shrimp after soup is blended and returned to the soup pot. Add ½ cup cooked shredded chicken and reheat or add ½ cup chopped raw shrimp and simmer for 3 to 4 minutes or until shrimp turns pink. PER SERVING: CALORIES 305; PROTEIN 9.3g; CARBOHYDRATE 29g; TOTAL FAT 19.7g; SATURATED FAT 8.1g; SODIUM 246mg; FIBER 9.1g; BETA-CAROTENE 7728mcg; VITAMIN C 175mg; CALCIUM 205mg; IRON 3.8mg; FOLATE 123mcg; MAGNESIUM 94mg; ZINC 1.7mg; SELENIUM 6.6mcg
Joel Fuhrman (The End of Heart Disease: The Eat to Live Plan to Prevent and Reverse Heart Disease (Eat for Life))
sometimes I wonder if Mary breastfed Jesus. if she cried out when he bit her or if she sobbed when he would not latch. and sometimes I wonder if this is all too vulgar to ask in a church full of men without milk stains on their shirts or coconut oil on their breasts preaching from pulpits off limits to the Mother of God. but then I think of feeding Jesus, birthing Jesus, the expulsion of blood and smell of sweat, the salt of a mother’s tears onto the soft head of the Salt of the Earth, feeling lonely and tired hungry annoyed overwhelmed loving and I think, if the vulgarity of birth is not honestly preached by men who carry power but not burden, who carry privilege but not labor, who carry authority but not submission, then it should not be preached at all. because the real scandal of the Birth of God lies in the cracked nipples of a fourteen year old and not in the sermons of ministers who say women are too delicate to lead.
Kaitlin Hardy Shetler
Serge shook his head vigorously. “I possess a rare physical constitution that demands I ignore advice.
Tim Dorsey (Coconut Cowboy (Serge Storms, #19))
Top Gun. Your favorite movie.” “Fuck Tom Cruise.” He shook his head. “What an unattainable standard to have as a pilot. And introducing my bedroom to women as ‘my personal cockpit’ never got the reaction I hoped it would.” Frankie looked genuinely distraught and I tampered a laugh by sinking my teeth into my bottom lip. “You’re laughing at a man’s pain.
Karissa Kinword (Christmas in Coconut Creek (Dirty Delta, #1))
Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer #1))
her seat and Josh just quietly shook his head. “And there is the matter of the roof.
Hope Holloway (A Haven in the Keys (Coconut Key, #4))
Perhaps under the influence of too much Filipino palm wine, Pigafetta marveled at the coconut and all its uses. “This palm bears a fruit, named cocho, which is as large as the head or thereabouts, and its first husk is green and two fingers thick, in which are found certain fibers of which those people make the ropes by which they bind their boats. Under this husk is another, very hard and thicker than that of a nut. . . . And under the said husk there is a white marrow of a finger’s thickness, which they eat with meat and fish, as we do bread, and it has the flavor of an almond. . . . From the center of this marrow there flows a water which is clear and sweet and very refreshing, like an apple.” The Filipinos taught their visitors how to produce milk from the coconut, “as we proved by experience.” They pried the meat of the coconut from the shell, combined it with the coconut’s liquor, and filtered the mixture through cloth. The result, said the chronicler, “became like goat’s milk.” Pigafetta was so moved by the coconut’s versatility that he declared, with some exaggeration, that two palm trees could sustain a family of ten for a hundred years. Their idyll lasted a week, each day bringing with it new discoveries and a growing intimacy with their genial Filipino hosts. “These people entered into very great familiarity and friendship with us, and made us understand several things in their language, and the name of some islands which we saw before us,” Pigafetta commented. “We took great pleasure with them, because they were merry and conversable.” But Magellan nearly destroyed the idyll when he invited the Filipinos aboard Trinidad. He incautiously showed his guests “all his merchandise, namely cloves, cinnamon, pepper, walnut, nutmeg, ginger, mace, gold, and all that was in the ship.” Clearly
Laurence Bergreen (Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe)
Jerry turns right and jostles through a crowd onto Casco Viejo, where the smell of fried plantains and sweet coconut lingers on the warm night air. He heads us down a narrow street of elegant colonial buildings tucked inside the centuries-old city walls. Everywhere, we pass bars and brothels open to restless newcomers seeking another raucous night.
Michael Chapman Pincher (Long Lost Love: Diary of a Rambling Romeo: Outclassing the Men: Fearless females take the lead on this Epic Voyage)
But now she needs something else. Now she rests her head on the coconut pillow and begins to read Mrs. Dalloway. Now she knows what it feels like to be beyond the traditional plot points of a life, to sit on a chair in an empty room feeling like there is nothing more than this solemn march forward.
Alison Espach (The Wedding People)
Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!
Chris Grabenstein (Mr. Lemoncello's Library Olympics (Mr. Lemoncello's Library, #2))
Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!” SPLAT! Fifty gallons of syrupy, goopy tomato sauce slimed him from above. It oozed down his face and dribbled off his ears. Everybody laughed. So Kyle, who loved being the class clown almost as much as he loved playing (and winning) Mr. Lemoncello’s wacky games, went ahead and read the whole list of banned words as quickly as he could. “Mustard-mayonnaise-pickle-relish.” SQUOOSH! He was drenched by buckets of yellow glop, white sludge, and chunky green gunk. The slop slid along his sleeves, trickled into his pants, and puddled on the floor. His four friends busted a gut laughing at Kyle, who was soaked in more “condiments” (the word on his card) than a mile-
Chris Grabenstein (Mr. Lemoncello's Library Olympics (Mr. Lemoncello's Library, #2))
CABBAGE SALAD TOTAL TIME: 40 minutes | SERVES: 1 or 2 2 tablespoons coconut oil 1 onion, chopped ½ head cabbage, shredded ½ cup pine nuts 4 tablespoons coconut oil 1 teaspoon apple cider vinegar 1 teaspoon sea salt ½ teaspoon pepper 1.   Add coconut oil and the onion to a skillet
Josh Axe (Eat Dirt: Why Leaky Gut May Be the Root Cause of Your Health Problems and 5 Surprising Steps to Cure It)
Mala was troubled. Was this the day when she would either put an end to their trysts or tell Ambrose about the heavy hand with which her father ruled her life? Ambrose breathed in the sugary aroma of her sweat. Her scalp had a faint scent of coconut oil. Even though he wore a concoction of clove oil, bay leaves and cardamom, the natural fragrance of his sweet-and-tangy skin rose from his shirt. She knew now the taste of his skin by its smell. She pressed her face against his chest. He didn't smell like her father, of rum and stale genitals, the shrill severity of soured secretions. Ambrose brought his lips down to her temples and she closed her eyes and lifted her head.
Shani Mootoo
In the general fiction section Ava discovered a well-thumbed edition of the latest bestseller. One million copies sold! Pah again! She cracked the book open at the spine, knew just where the join was weakest. She laid it open like a sacrificial goat on the carped, hidden between the shelves of books. Then she unleashed her machete, samurai-warrior style, and raising it above her head brought it down, and cleaved the book in twain, splitting it down the middle like a coconut. And that was when, seeing the scimitar rise again, the librarian screamed.
Mark O'Flynn (The Last Days of Ava Langdon)
By then we had passed through the small town beyond the Bar None Bar. Dad was driving and smoking with one hand and holding a brown bottle of beer with the other. Lori was in the front seat between him and Mom, and Brian, who was in back with me, was trying to trade me half of his 3 Musketeers for half of my Mounds. Just then we took a sharp turn over some railroad tracks, the door flew open, and I tumbled out of the car. I rolled several yards along the embankment, and when I came to a stop, I was too shocked to cry, with my breath knocked out and grit and pebbles in my eyes and mouth. I lifted my head in time to watch the Green Caboose get smaller and smaller and then disappear around a bend. Blood was running down my forehead and flowing out of my nose. My knees and elbows were scraped raw and covered with sand. I was still holding the Mounds bar, but I had smashed it during the fall, tearing the wrapper and squeezing out the white coconut filling, which was also covered with grit.
Jeannette Walls (The Glass Castle)
We know now that all the people of Polynesia carry taro root and coconut palm and breadfruit with them when they settle a new island, but they themselves will tell you that the gods planted these things here. Some of their stories are quite fabulous. They say that the breadfruit tree was crafted by the gods to resemble a human body, as a clue to humans, you see- to tell us that the tree is useful. They say that this is why the leaves of the breadfruit resemble hands- to show humans that they should reach toward this tree and find sustenance there. In fact, the Tahitians say that 'all' the useful plants on this island resemble parts of the human body, as a message from the gods, you see. This is why coconut oil, which is helpful for headaches, comes from the coconut, which looks like a head. 'Mape' chestnuts are said to be good for kidney ailments, for they resemble kidneys themselves, or so I am told. The bright red sap of the 'fei' plant is meant to be useful for blood ailments." "The signature of all things," Alma murmured.
Elizabeth Gilbert (The Signature of All Things)
As much as Milly loved seeing Asa on that tractor, a part of her dreaded the days he came to mow, not only because her father made her go out to him with cookies and lemonade and watched her closely the entire time, but also because on those nights, Bett and Twiss would trick her into talking about Asa, and Milly would fall for their tricks. Milly understood Twiss's reasons for teasing her- Twiss didn't want to lose her- but she never understood Bett's. Bett would start innocently enough. "I heard Milly was talking to someone in the meadow the other day. I heard she baked him a red velvet cake shaped like a heart." "I heard she did more than that," Twiss would say. "With Mr. Peterson." "She likes them old, yep, she does." "Wrinkly," Bett would say. "Hairy." "Pruney!" When Milly could no longer stand the teasing, she'd pull her blanket over her head and say, "It wasn't Mr. Peterson I was talking to, it was Asa! And it wasn't red velvet cake, it was butter cookies! They weren't shaped like hearts, either!" And then the laughter would come, and Milly would know she'd been fooled into giving up another part of herself that she preferred to keep secret. The night she first told them about how much she admired Asa's work ethic (when she really just meant him), Bett and Twiss had made fun of her, and of Asa's slight stutter. "M-M-May I eat one of your cookies?" "Y-Y-Yes, you may." "M-M-May I love you like coconut flakes?" "L-L-Love me like coconut flakes, you may." They laughed when they said the word "love," but that was the word Milly had begun to think about- the possibility of it- whenever she was with Asa and, even more often, when she was without him. The word was with her when she pinned clothes to the line, or scrubbed the linoleum, or baked a pie. Sometimes, when no one was looking, she'd trace an A into a well of flour or hold a mop as though she were holding Asa's hand.
Rebecca Rasmussen (The Bird Sisters)
Our penultimate lot, ladies and gentlemen, exudes an air of mystical melancholy. The tooth itself is crocodilian, but its aura is almost angelic. Note the curve; it is like a wing in ascent. Its owner, Mr. Jorge Francisco Isidoro Luis Borges, was a man of average height. His short, thin legs supported a torso, which was at once solid and svelte. His head was the size of a small coconut, and he had a slender, flexible neck. He was a pantheist.
Valeria Luiselli (The Story of My Teeth)
The man was a father of three children, a poor Tausug farmer on Jolo Island, and suddenly, it all ended with a coconut falling out of a tree and splitting his head open. Think about the chances of that and how unlucky that action is…Both are moving objects, and they met at a single point to take his life.
Chester Wong (Yellow Green Beret: Stories of an Asian-American Stumbling Around U.S. Army Special Forces)
When I reached the sunny sand beach, I slipped off my shoes and thrust my bare toes down into the warm, bone-dry sand. . . . Soon the palm-tops closed over my head, and I went on, right in towards the centre of the tiny island. Green coconuts hung under the palm-tufts, and some luxuriant bushes were thickly covered with snow-white blossoms, which smelt so sweet and seductive that I felt quite faint. . . . I was completely overwhelmed. I sank down on my knees and thrust my fingers deep down into the dry warm sand.
Christina Thompson (Sea People: The Puzzle of Polynesia)
His main ingredient is sea bream... At least the head of one!" Aah, now I see. He's making Fish-Head Curry! FISH-HEAD CURRY Originating in Singapore and Malaysia... ... it uses the whole head of a white-meat fish so that even delicately flavorful parts, like the eyes and cheeks, can be enjoyed! "Next, he's put some baking powder into a bowl... ... along with baking soda... yogurt... It's naan! He's making naan bread!" "So he intends to serve his curry with naan instead of rice? That's fairly... ordinary." "I'd expected something a little more unique from Professor Shiomi's prized apprentice." "Isn't it a display of confidence on his part? Not relying on some wacky, unusual dish to generate surprise?" "No... That naan. If he's doing what I think he's doing...!" "Shhh. That's right, Jun. This... ... is just the beginning of my dish! " "Hayama has left the naan to rise... returning to his curry! He's adding a pinch of lemongrass for fragrance, and-" "Whoa! It's a dash of freshness to the otherwise mild and soft coconut milk..." "Just the refreshing scent is enough to make my mouth water!
Yūto Tsukuda (食戟のソーマ 6 [Shokugeki no Souma 6] (Food Wars: Shokugeki no Soma, #6))
Serves 2 Prep time: 10 minutes Cook time: 15 minutes Total time: 25 minutes 1 head cauliflower, cut into florets (about 4 cups) 2 cloves garlic, minced ½ cup coconut cream 2 tablespoons ghee or clarified butter 1 teaspoon salt ¼ teaspoon black pepper ½ cup chicken broth 1 tablespoon minced fresh parsley This may be the most versatile recipe ever. It’s a lighter substitute for mashed potatoes, and has dozens of variations to match nearly any style of cuisine. Add more chicken broth if you like it extra creamy, or keep the chicken broth to just a tablespoon or so if you prefer it really thick. Try topping with crumbled Whole30-compliant bacon or crispy prosciutto; add a blend of fresh herbs like rosemary, oregano, and thyme; kick it up a notch with 2 tablespoons of grated, peeled fresh horseradish root or 1 teaspoon chili powder; add a dollop of whole grain mustard (perfect alongside pork); or stir in shredded cabbage and kale sautéed in clarified butter or ghee. Bring 2 cups of water to a boil in a large pot over medium-high heat. Add the cauliflower florets and garlic and simmer until the florets are fork-tender, about 15 minutes. Drain the cauliflower and transfer to a food processor. Add the coconut cream, ghee, salt, and pepper and pulse until the cauliflower begins to turn smooth in consistency. Add the chicken broth one tablespoon at a time, pulsing to mix, until the desired consistency is achieved. Add the parsley and continue blending until completely smooth. Serve warm. Make It a Meal: This dish goes well with anything. Seriously, anything. But if you made us pick a few favorites, we’d say Braised Beef Brisket, Chicken Meatballs, Halibut with Citrus-Ginger Glaze, and Walnut-Crusted Pork Tenderloin. ✪Mashing You can use a variety of tools for this dish, depending on how you prefer the texture of your mash. If you prefer a silky smooth mash, the food processor is a must. If you like it really chunky, use a hand tool (like a potato masher or large kitchen fork) instead. If you like your mash somewhere in between, try using an immersion blender.
Melissa Urban (The Whole30: The 30-Day Guide to Total Health and Food Freedom)
Satisfied mind ----------------- Silent all around — solitude Suddenly the cricket makes the melody Walking in rows of chained ants The white cotton cloud goes float far unknown Astray sea gull at the target of the hunter eagle The colorful butterflies are flies away their wings flutter of at the exuberance of free mind The head- high mountain wants to touch the sky In the ocean, the rushing ship’s tired sailor waiting to be anchored in the harbor The spiral coconut tree on edge say goodbye with swinging to the newcomer ship In the flickering light of the sun, pearl glows in vast sands In the swarm of coil-rolled mosquitoes, finch’s suddenly clutch The evening lamp is lit in the dim light of the firefly Don’t know why, the billowy waves of the distant sea, endless drunk dancing on the beach? The boundless blue sky is seeing steadfast The calamitous howling of trampled beach, grain of sand, insects, creeper-shrub hurts the horizon Maybe they are candidates for the grace, salvation or love touch of the creator Sometimes the nature is calm Momentary peace, liveliness and satisfaction! But, the invisible rule goes his way to an unknown destination Suddenly a gentle breeze blows Beckoning with the hand of the magical silver moon, a thrill overwhelm Thrilled, I’m fascinated This is an unadulterated purity and holy feelings of happiness.
Ashraful
Newspapers usually describe globalization in purely economic terms, but it is also a biological phenomenon; indeed, from a long-term perspective it may be primarily a biological phenomenon. Two hundred and fifty million years ago the world contained a single landmass known to scientists as Pangaea. Geological forces broke up this vast expanse, splitting Eurasia and the Americas. Over time the two divided halves of Pangaea developed wildly different suites of plants and animals. Before Colón a few venturesome land creatures had crossed the oceans and established themselves on the other side. Most were insects and birds, as one would expect, but the list also includes, surprisingly, a few farm species—bottle gourds, coconuts, sweet potatoes—the subject today of scholarly head-scratching. Otherwise, the world was sliced into separate ecological domains. Colón’s signal accomplishment was, in the phrase of historian Alfred W. Crosby, to reknit the seams of Pangaea.
Charles C. Mann (1493: Uncovering the New World Columbus Created)
Here’s my protocol for my usual monthly 3-day fast from Thursday dinner to Sunday dinner: On Wednesday and Thursday, plan phone calls for Friday. Determine how you can be productive via cell phone for 4 hours. This will make sense shortly. Have a low-carb dinner around 6 p.m. on Thursday. On Friday, Saturday, and Sunday mornings, sleep as late as possible. The point is to let sleep do some of the work for you. Consume exogenous ketones or MCT oil upon waking and 2 more times throughout the day at 3- to 4-hour intervals. I primarily use KetoCaNa and caprylic acid (C8), like Brain Octane. The exogenous ketones help “fill the gap” for the 1 to 3 days that you might suffer carb withdrawal. Once you’re in deep ketosis and using body fat, they can be omitted. On Friday (and Saturday if needed), drink some caffeine and prepare to WALK. Be out the door no later than 30 minutes after waking. I grab a cold liter of water or Smartwater out of my fridge, add a dash of pure, unsweetened lemon juice to attenuate boredom, add a few pinches of salt to prevent misery/headaches/cramping, and head out. I sip this as I walk and make phone calls. Podcasts also work. Once you finish your water, fill it up or buy another. Add a little salt, keep walking, and keep drinking. It’s brisk walking—NOT intense exercise—and constant hydration that are key. I have friends who’ve tried running or high-intensity weight training instead, and it does not work for reasons I won’t bore you with. I told them, “Try brisk walking and tons of water for 3 to 4 hours. I bet you’ll be at 0.7 mmol the next morning.” One of them texted me the next morning: “Holy shit. 0.7 mmol.” Each day of fasting, feel free to consume exogenous ketones or fat (e.g., coconut oil in tea or coffee) as you like, up to 4 tablespoons. I will often reward myself at the end of each fasting afternoon with an iced coffee with a bit of coconut cream in it. Truth be told, I will sometimes allow myself a SeaSnax packet of nori sheets. Oooh, the decadence. Break your fast on Sunday night. Enjoy it. For a 14-day or longer fast, you need to think about refeeding carefully. But for a 3-day fast, I don’t think what you eat matters much. I’ve done steak, I’ve done salads, I’ve done greasy burritos. Evolutionarily, it makes no sense that a starving hominid would need to find shredded cabbage or some such nonsense to save himself from death. Eat what you find to eat.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Well, his head of security certainly did a good job. I love coconut, strawberry jam, and pina colada. So, yay to that intrusive bastard.
Georgia Le Carre (Submitting to the Billionaire)
You came in with a picky head, uneven and coarse, disguised underneath a baseball cap, and you left swiftly afterwards a new man, smelling sweetly of coconut oil and with a cut as sharp and clean as a swear word.
Zadie Smith (White Teeth)
Imara smoothed the hair on the back of her neck then flounced the curls on top of her head. She tugged at the strands of hair on the back of her neck while she stared at the jar of coconut oil on her desk. With a nod to herself, she threw the coconut oil into the backpack. It took up valuable space, but she’d never be able to tame her curls without it.
Kay L. Moody (Truth Seer: A Futuristic Young Adult Dystopian Filled with Illusion Games (Truth Seer Trilogy Book 1))
27 Places Where You Won't Find Love 1. The spoon with which you measure salt 2. Plastic plates stacked neatly on a shelf 3. Flowers - marigolds and chrysanthemums and roses - and the shop that sells these 4. Earrings lost in the backseat of a tuktuk while looking for the Malayalam translation of "I love you" in the dark 5. Bookshelves with borrowed books, never read 6. Fifty watches, three of which were for sale 7. Coffee whose flavor was slightly off 8. A red bridge that goes by gold, which has replicas everywhere 9. The replicas themselves 10. The rearview mirror of a car 11. The burnt sienna pavement where you hurt yourself 12. A protein shake whose taste grew on you thanks to someone else. With eggs and coconut and toast 13. An island untouched by civilization 14. Another ravaged by war 15. A declined invitation to brunch 16. Dinner gone cold after a long wait, and thrown away the next day 17. An unacknowledged text message 18. Laughter ringing through a movie hall during a scene that didn't warrant it 19. Retainers stored in a box next to baby oil in the medicine cabinet 20. A gold pendant 21. A white and red cable car 22. A helmet too small for your head and another too large 23. Dreams with their own background score 24. Misplaced affection 25. A smile between strangers, with you standing on the outside looking in 26. Your bed 27. The future
Sreesha Divakaran
Britain had become a kind of cargo cult, a jumble of disassociated local customs, rituals and superstitions: uncanny relics of the distant, unknowable Britain of ancient days. Why, for instance, do sword dancers lock weapons in magical shapes such as the pentagram or the six-pointed star, led by a man wearing a fox’s head? What is the straw bear plodding round the village of Whittlesey in Cambridgeshire every January? Why do a bunch of Nutters black up their faces and perform a coconut dance in several Lancashire villages? What possesses people to engage in the crazed ‘furry dance’, singing the ‘Hal-An-Tow’ song, on 6 May at Helston in Cornwall? Why do beribboned hobby horses canter round the streets of Padstow and Minehead every May Day, with attendant ‘Gullivers’ lunging at onlookers with a giant pair of pincers? The persistence of such rites, and the apparent presence of codes, occult symbolism and nature magic in the dances, mummers’ plays and balladry of yore, have provided a rich compost for some of the outgrowths of folk in the 1960s and afterwards. Even to dip a toe into the world of folklore is to unearth an Other Britain, one composed of mysterious fragments and survivals – a rickety bridge to the sweet grass of Albion. As Bert Lloyd mentioned, ‘To our toiling ancestors [these customs] meant everything, and in a queer irrational way they can still mean much to us.’1
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
I want you to see the spring where the water comes from. Be careful of the coconuts. They may fall on your head. If you hear one coming from the trees, you must get out from under fast.
Gertrude Chandler Warner (The Boxcar Children Bookshelf (Books #1-12) (The Boxcar Children Mysteries Book 1))
Kitty’s been running around with her friends, and she’s deigned to help me out at the cake walk for an hour when Peter walks in with his little brother, Owen. “Pour Some Sugar on Me” is playing. Kitty goes over to say hello, while I busy myself looking at my phone as she’s showing them the cakes. I’ve got my head down, pretend-texting, when Peter comes up beside me. “Which cake is yours? The coconut one?” My head snaps up. “I would never buy a grocery-store cake for this.” “I was joking, Covey. Yours is the caramel one. I can tell by the way you frosted it so fancy.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Which cake is yours? The coconut one?” My head snaps up. “I would never buy a grocery-store cake for this.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Later, while Andrew Demont was in hospital in Halifax, Ed White visited him and told him that the water had been up to Demont’s lips by the time White was able to secure him in the rope-harness. Demont told me that at the top of the shaft he could smell nothing, but that as he started down the ladder, a foul-smelling odor had overwhelmed him. As he looked into the shaft he could see Karl Graeser sitting underwater, with only the very top of his head showing. Andrew said he saw Bobby, his eyes closed, supporting his dad’s head just above the waterline. Andrew said he placed his hand on Bobby’s shoulder, and then he, too, drifted into unconsciousness. Apparently he stayed like that as the water slowly rose around him, until Ed White came to rescue him. Many years later I was told that the gas that overwhelmed the men was probably hydrogen sulphide, a lethal gas that can form when rotting vegetation is combined with salt water. Apparently, it can be odourless or have a foul rotten-egg smell, depending on the concentration. There is no doubt in my mind that there was salt water in the ground near the new shaft. Right beside it were two tall apple trees. The apples that grew on those trees looked like a type we call “Transparents” in Ontario. Those two trees looked exactly like others on the island, but they bore delicious, crisp, tangy fruit, whereas apples from similar trees were tasteless. A local woman told me that when apple trees grow near the sea in a mix of fresh water and salt water, they produce juicy, sharp, flavourful apples. Could the salt water that nurtured those apples have reacted with the coconut fibre, eel grass, and other old vegetation that had lain dormant for so long in the pirates’ beachwork, producing the deadly hydrogen sulphide? Could the “porridge-like” earth that was encountered only at this location on the island be in some way related to this toxic combination? We may never know.
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
Simultaneously all three went for the ball, and the coconut-like sound of their heads colliding secretly delighted the bird.
Gary Larson
Battles in Micronesia were so pitched and bloody that Gilbertese warriors would outfit themselves head to foot with doormat-thick armor fashioned from coconut hulls. On top of the significant humiliation of making one's entrance onto the battlefield looking like an enormous macramé planter was the fact that the armor was so bulky that it required the assistance of several squires to help maneuver you.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)