Cocoa Quotes

We've searched our database for all the quotes and captions related to Cocoa. Here they are! All 100 of them:

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Life is rarely about what happened; it's mostly about what we think happened.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Every relationship is fundamentally a power struggle, and the individual in power is whoever likes the other person less.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Everybody is wrong about everything, just about all the time.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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What happened to fantasy for me is what also happened to rock and roll. It found a common denominator for making maximum money. As a result, it lost its tensions, its anger, its edginess and turned into one big cup of cocoa.
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Michael Moorcock
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If religion is the opiate of the people, tradition is an even more sinister analgesic, simply because it rarely appears sinister. If religion is a tight band, a throbbing vein, and a needle, tradition is a far homelier concoction: poppy seeds ground into tea; a sweet cocoa drink laced with cocaine; the kind of thing your grandmother might have made.
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Zadie Smith (White Teeth)
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I once loved a girl who almost loved me, but not as much as she loved John Cusack.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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But whenever I meet dynamic, nonretarded Americans, I notice that they all seem to share a single unifying characteristic: the inability to experience the kind of mind-blowing, transcendent romantic relationship they perceive to be a normal part of living. And someone needs to take the fall for this. So instead of blaming no one for this (which is kind of cowardly) or blaming everyone (which is kind of meaningless), I'm going to blame John Cusack.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Just the other day, I was in my neighborhood Starbucks, waiting for the post office to open. I was enjoying a chocolatey cafe mocha when it occurred to me that to drink a mocha is to gulp down the entire history of the New World. From the Spanish exportation of Aztec cacao, and the Dutch invention of the chemical process for making cocoa, on down to the capitalist empire of Hershey, PA, and the lifestyle marketing of Seattle's Starbucks, the modern mocha is a bittersweet concoction of imperialism, genocide, invention, and consumerism served with whipped cream on top.
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Sarah Vowell
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Important things are inevitably cliche, but nobody wants to admit that.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Being interesting has been replaced by being identifiable.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Personally, I like to think my brother is having a college experience like they do in the movies. I don't mean the big fraternity party kind of movie. More like the movie where the guy meets a smart girl who wears a lot of sweaters and drinks cocoa. They talk about books and issues and kiss in the rain. I think something like that would be very good for him, especially if the girl were unconventionally beautiful. They are the best kind of girls, I think. I personally find 'super models' strange. I don't know why this is.
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Stephen Chbosky (The Perks of Being a Wallflower)
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Do you know people who insist they like 'all kinds of music'? That actually means they like no kinds of music.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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What do nations care about the cost of war, if by spending a few hundred millions in steel and gunpowder they can gain a thousand millions in diamonds and cocoa?
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W.E.B. Du Bois
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There are two ways to look at life. The first view is that nothing stays the same and that nothing is inherently connected, and that the only driving force in anyone's life is entropy. The second is that everything pretty much stays the same (more or less) and that everything is completely connected, even if we don't realize it.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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In and of itself, nothing really matters. What matters is that nothing is ever in and of itself.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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When exactly did every housewife in America become a whore?
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Because when push comes to shove, we really don't want to have sex with our friends... unless they're sexy. And sometimes we do want to have sex with our blackhearted, soul-sucking enemies... assuming they're sexy.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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It was almost 3 a.m. before Connie got into bed. Sipping cocoa in the cold daylight and listening to the silence, only punctuated by the distant barking of dogs, she began to wonder what she had done. What if she had made a disastrous mistake?
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Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
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Outcasts may grow up to be novelists and filmmakers and computer tycoons, but they will never be the athletic ruling class.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Who Am I? Or (Perhaps More Accurately) Who Else Could Be Me?
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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The calories in chocolate don't count because chocolate comes from the cocoa bean, and everyone knows that beans are good for you.
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Jill Shalvis (At Last (Lucky Harbor, #5))
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He's been hung up on a one-night-stand he had five years ago with a girl that smelled like Cocoa Puffs.
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Tara Sivec
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And when she at last came out, her eyes were dry. Her parents stared up from their silent breakfast at her. They both started to rise but she put a hand out, stopped them. β€˜I can care for myself, please,’ and she set about getting some food. They watched her closely. In point of fact, she had never looked as well. She had entered her room as just an impossibly lovely girl. The woman who emerged was a trifle thinner, a great deal wiser, and an ocean sadder. This one understood the nature of pain, and beneath the glory of her features, there was character, and a sure knowledge of suffering. She was eighteen. She was the most beautiful woman in a hundred years. She didn’t seem to care. β€˜You’re all right?’ her mother asked. Buttercup sipped her cocoa. β€˜Fine,’ she said. β€˜You’re sure?’ her father wondered. β€˜Yes,’ Buttercup replied. There was a very long pause. β€˜But I must never love again.’ She never did.
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William Goldman (The Princess Bride)
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Oh, comfortable cocoa!
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Dodie Smith (I Capture the Castle)
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Every one of Joel's important songs--including the happy ones--are ultimately about loneliness. And it's not 'clever lonely' (like Morrissey) or 'interesting lonely' (like Radiohead); it's 'lonely lonely,' like the way it feels when you're being hugged by someone and it somehow makes you sadder.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Whenever I can’t sleep, I like to lie in the darkness and pretend I’ve been assassinated. I’ve found this is the best way to get comfortable. I imagine I’m in the coffin at my funeral, and people from my past are walking by my corpse and making comments about my demise.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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More like the movie where the guy meets a smart girl who wears a lot of sweaters and drinks cocoa. They talk about books and issues and kiss in the rain.
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Stephen Chbosky (The Perks of Being a Wallflower)
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He appeared before me and departed. We were not able to speak to or touch each other. But in that short interval, he transformed many things inside me. He literally stirred my mind and body the way a spoon stirs a cup of cocoa, down to the depths of my internal organs and my womb.
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Haruki Murakami (1Q84 (1Q84, #1-3))
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The strength of your memory dictates the size of your reality
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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I began to cry. Barrons looked horrified. "Stop that immediately, Ms. Lane." "I can't." I sniffeled into my cup pf cocoa so he couldn't see my face. "Try harder!" I gave a great sniff and shudder, and turned it off. "I have not been her lover for...some time," he offered, watching me carefully. "Oh, get over yourself!
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Karen Marie Moning (Faefever (Fever, #3))
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Contrary to what you may have heard from Henry Rollins or/and Ian MacKaye and/or anyone else who joined a band after working in an ice cream shop, you can't really learn much about a person based on what kind of music they happen to like. As a personality test, it doesn't work even half the time. However, there is at least one thing you can learn: The most wretched people in the word are those who tell you they like every kind of music 'except country.' People who say that are boorish and pretentious at the same time.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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He was hard lines, chiseled flesh, bronzed skin. I was a marshmallow melting in a cup of cocoa.
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T.J. Klune (Tell Me It's Real (At First Sight, #1))
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It has not the arrogance of wine, the self- consciousness of coffee, nor the simpering innocence of cocoa.
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Kakuzō Okakura (The Book of Tea)
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I remember saying things, but I have no idea what was said. It was generally a friendly conversation.” β€”Associated Press reporter Jack Sullivan, attempting to recount a 3 A.M. exchange we had at a dinner party and inadvertently describing the past ten years of my life.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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The Sims is an escapist vehicle for people who want to escape to where they already are, which is why I thought this game was made precisely for me.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Though I obviously have no proof of this, the one aspect of life that seems clear to me is that good people do whatever they believe is the right thing to do. Being virtuous is hard, not easy. The idea of doing good things simply because you're good seems like a zero-sum game; I'm not even sure those actions would still qualify as 'good,' since they'd merely be a function of normal behavior. Regardless of what kind of god you believe in--a loving god, a vengeful god, a capricious god, a snooty beret-wearing French god, or whatever--one has to assume that you can't be penalized for doing the things you believe to be truly righteous and just. Certainly, this creates some pretty glaring problems: Hitler may have thought he was serving God. Stalin may have thought he was serving God (or something vaguely similar). I'm certain Osama bin Laden was positive he was serving God. It's not hard to fathom that all of those maniacs were certain that what they were doing was right. Meanwhile, I constantly do things that I know are wrong; they're not on the same scale as incinerating Jews or blowing up skyscrapers, but my motivations might be worse. I have looked directly into the eyes of a woman I loved and told her lies for no reason, except that those lies would allow me to continue having sex with another woman I cared about less. This act did not kill 20 million Russian peasants, but it might be more 'diabolical' in a literal sense. If I died and found out I was going to hell and Stalin was in heaven, I would note the irony, but I couldn't complain. I don't make the fucking rules.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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The goal of being alive is to figure out what it means to be alive.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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I doubt that pornography has been good for the advancement of society, but I suspect it’s done wonders for the advancement of computer technology.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Holy mother of Lord Cocoa Puffs
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Lauren Oliver (Before I Fall)
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Do you understand? Do you see the forest through the trees? Do you not see what I am no longer not saying to you? If soβ€”congratulations! Prepare to have sex constantly.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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We are losing the ability to understand anything that's even vaguely complex.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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The name for the cocoa tree is theobroma, which means "food of the gods." I know that chocolate is meant for us, however, because the melting point for good chocolate just happens to be the temperature within your very human mouth.
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Erica Bauermeister (The School of Essential Ingredients)
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It was fine," I said stiffly. "We played Mouse Trap." "Is that what they're calling it these days?" she asked, throwing me a terrible grin. "I have to go give Rachel a quick bath. Feel free to make yourself some cocoa or whatever you like!" She stopped short of adding "...future child-bride of my only son.
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Maureen Johnson (Let It Snow: Three Holiday Romances)
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Here is the easiest way to explain the genius of Johnny Cash: Singing from the perspective of a convicted muderer in the song "Folsom Prison Blues,: Cash is struck by pangs of regret when he sits in his cell and hears a distant train whistle. This is because people on that train are "probably drinkin' coffee." And this is also why Cash seems completely credible as a felon: He doesn't want freedom or friendship or Jesus or a new lawyer. He wants coffee. Within the mind of a killer, complex feeling are eerily simple. This is why killers can shoot men in Reno just to watch them die, and the rest of us usually can't.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Pundits are always blaming TV for making people stupid, movies for desensitizing the world to violence, and rock music for making kids take drugs and kill themselves. These things should be the least of our worries. The main problem with mass media is that it makes it impossible to fall in love with any acumen of normalcy. There is no 'normal,' because everybody is being twisted by the same sources simultaneously.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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No woman will ever satisfy me. I know that now, and I would never try to deny it. But this is actually okay, because I will never satisfy a woman, either. Should I be writing such thoughts? Perhaps not. Perhaps it’s a bad idea. I can definitely foresee a scenario where that first paragraph could come back to haunt me, especially if I somehow became marginally famous.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Split the Castle open, find me, find you. We, two, felt sand, wind, air. One felt whip. Whipped, Once shipped. We, two, black. Me, you. One grew from cocoa's soil, birthed from nut, skin uncut, still bleeding. We two, wade. The waters seem different but are same. Our same. Sister skin. Who knew? Not me. Not you
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Yaa Gyasi (Homegoing)
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His eyes shone playfully, turning his irises a deep cocoa. "That's why I like you, you're a challenge." I folded my arms and leaned back on one leg. "Oh, so that's why..." "Well, that and your ass." My cheeks flamed. "Thanks." "And your breasts." "Got it." "And what's between your-" "Dex," I warned, cutting him off.
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Karina Halle (Into the Hollow (Experiment in Terror, #6))
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Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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You come in all tall, dark, and deadly and my lady parts go all cuckoo for cocoa puffs and shit.
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Amelia Hutchins (Escaping Destiny (The Fae Chronicles, #3))
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Everyone knows that the Internet is changing our lives, mostly because someone in the media has uttered that exact phrase every single day since 1993. However, it certainly appears that the main thing the Internet has accomplished is the normalization of amateur pornography. There is no justification for the amount of naked people on the World Wide Web, many of whom are clearly (clearly!) doing so for non-monetary reasons. Where were these people fifteen years ago? Were there really millions of women in 1986 turning to their husbands and saying, 'You know, I would love to have total strangers masturbate to images of me deep-throating a titanium dildo, but there's simply no medium for that kind of entertainment. I guess we'll just have to sit here and watch Falcon Crest again.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Hot cocoa and cold toes remind me of Christmas.
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Toni Sorenson
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The most wretched people in the world are those who tell you they like every kind of music 'except country.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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A homeless man once told me that dancing to rap music is the cultural equivalent of masturbating, and I'd sort of fell the same way about playing John Madden Football immediately after filing my income tax: It's fun, but - somehow - vaguely pathetic.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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But it goes without saying that Michael Jordan could never date Pamela Anderson. That would cause the apocalypse.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Mostly, we argued about who which of us was better at arguing, and particularly about who had won the previous argument.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Hygge has been called everything from β€œthe art of creating intimacy,” β€œcoziness of the soul,” and β€œthe absence of annoyance,” to β€œtaking pleasure from the presence of soothing things,” β€œcozy togetherness,” and my personal favorite, β€œcocoa by candlelight”.
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Meik Wiking (The Little Book of Hygge: The Danish Way to Live Well)
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Making Cocoa For Kingsley Amis It was a dream I had last week And some kind of record seemed vital. I knew it wouldn't be much of a poem But I love the title.
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Wendy Cope (Making Cocoa for Kingsley Amis)
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Men, she thought, were one of the world's few sure comforts, like a fire on a cold October night, like cocoa, like broken-in-slippers. Their clumsy affections, their bristly faces, and their willingness to do what needed to be done - cook an omelette, change lightbulbs, make with hugging - sometimes almost made being a woman fun.
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Joe Hill (NOS4A2)
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I tell you what, Rory. If you're ready in an hour, I'll buy you an extra-large cup of cocoa before we go out, one before we come home and as many as you want in between." As many as she wanted? Dear God, she was in heaven, she thought with a content little sigh before something occurred to her and when it did, her eyes narrowed dangerously on him. "This isn't some sort of sick joke, is it?" she demanded, because really, this was hot cocoa and she didn't screw around when it came to her cocoa.
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R.L. Mathewson (Checkmate (Neighbor from Hell, #3))
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And at last father flung the rug off as if it were hampering him and strode over to the table saying, 'cocoa, cocoa!'-- it might have been the most magnificent drink in the world; which, personally, I think it is.
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Dodie Smith (I Capture the Castle)
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Should she stick with the nice, sensitive guy who treats her well (Ben Stiller), or should she roll the dice with the frustrating boho bozo who treats her like crap (Ethan Hawk)? Winona made the kind of romantic decision most people my age would have made in 1994: She pursued a path that was difficult and depressing, and she did so because it showed the slightest potential for transcendence.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Here is a story that’s stranger than strange. Before we begin you may want to arrange: a blanket, a cushion, a comfortable seat, and maybe some cocoa and something to eat. I’ll warn you, of course, before we commence, my story is eerie and full of suspense, brimming with danger and narrow escapes, and creatures of many remarkable shapes. Dragons and ogres and gorgons and more, and creatures you’ve not even heard of before. And faraway places? There’s plenty of those! (And menacing villains to tingle your toes.) So ready your mettle and steady your heart. It’s time for my story’s mysterious start...
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Robert Paul Weston (Zorgamazoo)
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...I've spent the last fifteen years of my life railing against the game of soccer, an exercise that has been lauded as "the sport of the future" since 1977. Thankfully, that future dystopia has never come.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Everything said about Gen Xers--both positive and negative--was completely true. Twenty-somethings in the nineties rejected the traditional working-class American lifestyle because (a) they were smart enough to realize those values were unsatisfying, and (b) they were totally fucking lazy. Twenty-somethings in the nineties embraced a record like Nirvana's Nevermind because (a) it was a sociocultural affront to the vapidity of the Reagan-era paradigm, and (b) it fucking rocked. Twenty-somethings in the nineties were by and large depressed about the future, mostly because (a) they knew there was very little to look forward to, and (b) they were obsessed with staring into the eyes of their own self-absorbed sadness. There are no myths about Generation X. It's all true.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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We argued about how hard it would be to ride a bear, assuming said bear was muzzled.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Peter’s gone away on his training weekend. It’s only been one day and I’m already longing for him the way I long for Christmas in July. Peter is my cocoa in a cup, my red mittens, my Christmas morning feeling. He
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Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
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In a pocket of his knapsack he'd found a last half packet of cocoa and he fixed it for the boy and then poured his own cup with hot water and sat blowing at the rim. You promised not to do that, the boy said. What? You know what, Papa. He poured the hot water back into the pan and took the boy's cup and poured some of the cocoa into his own and then handed it back. I have to watch you all the time, the boy said.
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Cormac McCarthy (The Road)
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Gmorning November You lurch & you lumber From bonfire to ember From waking to slumber You deaden the grass & you piss in the pot The birds all haul ass And the pumpkins all rot Remember, November: Momentous elections Ignite us, divide us, Divine new directions Novemberβ€” Chill. Gnight, November Come in from the cold We're making hot cocoa with WHOLE milk: we're bold. CHILL, November. CHILL.
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Lin-Manuel Miranda
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Week after Clyde left you I heard that Cocoa wake up to her cootchie spoilt like a rotten oyster. Didn't get better for three months. Bertrina she good friends with Cocoa She knows your prayer works.
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Kathryn Stockett (The Help)
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The desire to be cool isβ€”ultimatelyβ€”the desire to be rescued.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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It appears that countless women born between the years of 1965 and 1978 are in love with John Cusack. I cannot fathom how he isn't the number-one box office star in America, because every straight girl I know would seel her soul to share a milkshake with that motherfucker.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Everyone who loves pro basketball assumes it's a little fixed. We all think the annual draft lottery is probably rigged, we all accept that the league aggressively wants big market teams to advance deep into the playoffs, and we all concede that certain marquee players are going to get preferential treatment for no valid reason. The outcomes of games aren't predeteremined or scripted but there are definitely dark forces who play with our reality. There are faceless puppet masters who pull strings and manipulate the purity of justice. It's not necessarily a full-on conspiracy, but it's certainly not fair. And that's why the NBA remains the only game that matters: Pro basketball is exactly like life.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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We would sit in the living room, drink a case of Busch beer, and throw the empty cans into the kitchen for no reason whatsoever, beyond the fact that it was the most overtly irresponsible way for any two people to live.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Real people are actively trying to live like fake people, so real people are no less fake. Every comparison becomes impractical. This is why the impractical has become totally acceptable; impracticality almost seems cool.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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The idea was flawed, of course," he said irritably. "Innately and fatally flawed. It depended on two of the human race's greatest myths: the possibility of permanence, and the simplicity of human nature. Both of which are all well and good in literature, but the purest fantasy outside the covers of a book. Our story should have stopped that night with the cold cocoa, the night we moved in: and they all lived happily ever after, the end. Inconveniently, however, real life demanded that we keep on living.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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Cacao has great nutritional value, a lot of protein, which strengthens a person, and without sugar it is not fattening.
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Samael Aun Weor
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Logan didn't know what he'd been expecting to see- maybe some ground-up powder or specially aged cocoa beans from an exotic island. Instead, he saw their faces, full of anticipation, staring back up at him.
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Wendy Mass (The Candymakers (The Candymakers, #1))
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When she felt the hot creamy chocolate go down her throat and into her stomach some of the tension in her body disappeared. Three long sips later and she felt close to being able to face the day. By the time half the cocoa was gone she was in her special place, the place where everything was fine and she could face anything including Connor and a visit from her dad. By the time she finished the rest of the cocoa she'd be able to keep this calm going for the rest of the day, but of course she needed a second cup.
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R.L. Mathewson (Checkmate (Neighbor from Hell, #3))
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There was a time in our very recent history when it was β€œinteresting” to be a Star Wars fan. It was sort of like admitting you masturbate twice a day or that your favorite band was They Might Be Giants. Star Wars was something everyone of a certain age secretly loved but never openly recognized
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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She imagines the cocoa brown of Nnedi's eyes lighting up, her lips moving quickly, explaining that riots do not happen in a vacuum, that religion and ethnicity are often politicized because the ruler is safe if the hungry ruled are killing one another.
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Chimamanda Ngozi Adichie (The Thing Around Your Neck)
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The slave trade was not controlled by any state or government. It was a purely economic enterprise, organised and financed by the free market according to the laws of supply and demand. Private slave-trading companies sold shares on the Amsterdam, London and Paris stock exchanges. Middle-class Europeans looking for a good investment bought these shares. Relying on this money, the companies bought ships, hired sailors and soldiers, purchased slaves in Africa, and transported them to America. There they sold the slaves to the plantation owners, using the proceeds to purchase plantation products such as sugar, cocoa, coffee, tobacco, cotton and rum.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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Why do you keep saying that " he asked in response "Apples and oranges aren't that different really. I mean they're both fruit. Their weight is extremely similar. They both contain acidic elements. They're both roughly spherical. They serve the same social purpose. With the possible exception of a tangerine I can't think of anything more similar to an orange than an apple. If I was having lunch with a man who was eating an apple and-while I was looking away-he replaced that apple with an orange I doubt I'd even notice. So how is this a metaphor for difference I could understand if you said 'That's like comparing apples and uranium ' or 'That's like comparing apples with baby wolverines ' or 'That's like comparing apples with the early work of Raymond Carver ' or 'That's like comparing apples with hermaphroditic ground sloths.' Those would all be valid examples of profound disparity.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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I want fake love. But that's all I want, and that's why I can't have it.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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This was going to be what my kids grew up believing Christmas was all about and I loved it. Cuddling on the sofa watching Christmas movies and drinking hot cocoa while I laid my hand on Blair's stomach and enjoying my boy kick. This was something money couldn't buy. Not this kind of happiness. ~Rush Finlay
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Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
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By now, everyone I know is one of seven strangers, inevitably hoping to represent a predefined demographic and always failing horribly. The Read World is the real world is The Real World is the read world. It’s the same true story, even when it isn’t.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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The mass media causes sexual misdirection: It prompts us to need something deeper than what we want. This is why Woody Allen has made nebbish guys cool; he makes people assume there is something profound about having a relationship based on witty conversation and intellectual discourse. There isn't. It's just another gimmick, and it's no different than wanting to be with someone because they're thin or rich or the former lead singer of Whiskeytown.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Toby Keith writes songs like 1993's "Should've Been a Cowboy," and what's compelling is that you can't deconstruct its message. "Should've Been a Cowboy" is not like Bon Jovi's "Wanted Dead or Alive," where Jon Bon Jovi claimed to live like a cowboy; Toby Keith wants to be a cowboy for real.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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If Daddy was a color, he would be a forest greenβ€”thick, lush, calm, whispering refreshing wisdom only few could hear. If Michael was a color, he would be bark brownβ€”cocoa, mocha, chocolate, the color of earth. Quiet, supportive, but strong. A softness that love grows from. Together, they are the tree I lean on when I’m weary. The tree I swing from. The tree of life when surrounded by death.
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Tiffany D. Jackson (Monday's Not Coming)
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This was real life cocoa. The kind you gave someone you loved because you couldn't think of anything else to do and both of you were a mess. It was the kind you stirred while your gut was knotted and your mouth was dry and you were thinking seriously of crying, but you were too much of a male for that kind of display. It was the kind you made with all the love you hadn't expressed and might well not have the voice or the chance to speak of.
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J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
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The roses started him thinking, how the oddity of them was beautiful and how that oddity was contrived to give them value. β€œIt just struck me – clear and complete all at once – no long figuring about it.” He realized that children could be designed. β€œAnd I thought to myself, now that would a rose garden worthy of a man’s interest.” We children would smile and hug him and he would grin around at us and send the twins for a pot of cocoa from the drink wagon and me for a bag of popcorn because the red-haired girls would just throw it out when they finished closing the concession anyway. And we would all be cozy in the warm booth of the van, eating popcorn and drinking cocoa and feeling like Papa’s roses.
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Katherine Dunn (Geek Love)
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A few years ago I was having a hot-cocoa nightcap at a dessert shop in Pasadena, California. Ordered it with whipped cream, of course. When it arrived at the table, I saw no trace of the stuff. After I told the waiter that my cocoa had no whipped cream, he asserted I couldn’t see it because it sank to the bottom. But whipped cream has low density, and floats on all liquids that humans consume. So I offered the waiter two possible explanations: either somebody forgot to add the whipped cream to my hot cocoa or the universal laws of physics were different in his restaurant. Unconvinced, he defiantly brought over a dollop of whipped cream to demonstrate his claim. After bobbing once or twice the whipped cream rose to the top, safely afloat. What better proof do you need of the universality of physical law?
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Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
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Americans have become conditioned to believe the world is a gray place without absolutes; this is because we’re simultaneously cowardly and arrogant. We don’t know the answers, so we assume they must not exist. But they do exist. They are unclear and/or unfathomable, but they’re out there. Andβ€”perhaps surprisinglyβ€”the only way to find those answers is to study NBA playoff games that happened twenty years ago. For all practical purposes, the voice of Brent Musburger was the pen of Ayn Rand.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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My feelings about politics and literature and mathematics and the rest of life’s minutiae can only be described through a labyrinthine of six-sided questions, but everything that actually matters can be explained by Lindsey fucking Buckingham and Stevie fucking Nicks in four fucking minutes.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Snow is...a beautiful reminder of life and all its quirks. It makes me pause. Think. Stay still. Even my mind takes the hint. It makes me feel giddy. Like a kid. I bring my hot cocoa to the window and simply sit and reminisce...It brings me back to days of school cancellations and snow igloos and King of the Mountain games in my childhood neighborhood...That for this one moment in time, I’m not an adult with all the headaches that can accompany that responsibility, but instead, I’m still the girl in pigtails with the handmade hat and mittens, just waiting to build her next snowman.
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R.B. O'Brien
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1. Are her lips like the hot chocolate your mother made During the winter months when you were seven? Or have you not tasted her well enough to find the fine granules of cocoa that lightly come with each kiss? 2. Do you know her favorite songs? Not when she is happy, but when she is sad. What music reaches inside her ribcage and softly consoles her heart? 3. When she is sad, are you on the phone or are you at her door? Words do not wipe away tears, fingers do. 4. Do you know all the things that keep her up at night? Do you know why she has gone three days without sleep? Do you know of the insurmountable waves of sadness that wash over her like a tsunami? 5. Do you know the things to say that will calm her heartbeat? The places to touch? The places to love? 6. Everytime you see her do you kiss her like it’s the last time but love her like it’s the first? 7. Do you love her? 8. Do you love her?
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Nishat Ahmed
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Knowledge of physical laws can, in some cases, give you the confidence to confront surly people. A few years ago I was having a hot-cocoa nightcap at a dessert shop in Pasadena, California. I had ordered it with whipped cream, of course. When it arrived at the table, I saw no trace of the stuff. After I told the waiter that my cocoa was plain, he asserted I couldn’t see the whipped cream because it sank to the bottom. Since whipped cream has a very low density and floats on all liquids that humans consume, I offered the waiter two possible explanations: either somebody forgot to add the whipped cream to my hot cocoa or the universal laws of physics were different in his restaurant. Unconvinced, he brought over a dollop of whipped cream to test for himself. After bobbing once or twice in my cup, the whipped cream sat up straight and afloat. What better proof do you need of the universality of physical laws?
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Neil deGrasse Tyson (Death by Black Hole: And Other Cosmic Quandaries)
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And if someone were to ask, Noah, what’s the most important aspect of story? I would most likely answer, character, but I’m not sure that’s true, because my favorite books contain my favorite places. I do not say, I love Harry Potter, or I love Frodo Baggins; I say, I love Hogwarts, and I love Middle-earth. Thoreau’s Walden is less about the book, more about the pond. The woods. And so setting, I think, is the secret weapon of storytelling. I always want to meet new people until I’ve met them. I think if I spend enough time with a person so we get woven together like an old basket, eventually we’ll think in similar patterns until our various histories are apples and oranges spilling over the edge of the basket, and I think this kind of shared history is dangerous. I think it’s okay to recognize a thing’s faults and still like that thing. Because apples and oranges spilling from a basket can be beautiful too. I think I’m whatever personality hates personality tests. I think nostalgia is just a soul’s way of missing a thing, and like long-distance love, nostalgia grows deeper with time until the reality of what a thing actually was gets blurred to the point you miss the idea of the thing more than the thing itself. I like the idea of hot cocoa more than drinking
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David Arnold (The Strange Fascinations of Noah Hypnotik)
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When no one is watching Mother Earth, and most of the time no one is, she sings softly to herself. Certainly no one is watching after her, to the point where she's now calling herself M. Earth, using her first initial only, like the early women writers who did not want their work to be automatically dismissed because of their gender disadvantage. Though she is grand, M. Earth is feeling, perhaps, overly feminine, and therefore vulnerable. Don't even mention the word Gaia; it's such a projection! She thinks she could benefit from a more macho profile, a little kick-ass to make her point. Perhaps a little masculine detachment would be helpful, or a thicker skin. Because, frankly, she's been trampled, poisoned, stripped bare, robbed blind, and blamed for just about everything that's come down the pike. And like all mothers, everyone just assumes she'll always be there for them with open, loving arms, and a cup of hot cocoa. That it will be her pleasure to feed them, lick their wounds, and clean a load or two of their dirty laundry. She's looking for a little more respect.
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Sharon Weil (Donny and Ursula Save the World)
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Granny Trill and Granny Wallon were traditional ancients of a kind we won’t see today, the last of that dignity of grandmothers to whom age was its own embellishment. The grandmothers of those days dressed for the part in that curious but endearing uniform which is now known to us only through music-hall. And our two old neighbours, when setting forth on errands, always prepared themselves scrupulously so. They wore high laced boots and long muslin dresses, beaded chokers and candlewick shawls, crowned by tall poke bonnets tied with trailing ribbons and smothered with inky sequins. They looked like starlings, flecked with jet, and they walked in a tinkle of darkness. Those severe and similar old bodies enthralled me when they dressed that way. When I finally became King (I used to think) I would command a parade of grandmas, and drill them, and march them up and down - rank upon rank of hobbling boots, nodding bonnets, flying shawls, and furious chewing faces. They would be gathered from all the towns and villages and brought to my palace in wagon-loads. No more than a monarch’s whim, of course, like eating cocoa or drinking jellies; but far more spectacular any day than those usual trudging guardsmen.
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Laurie Lee (Cider with Rosie)