Cocktails Quotes

We've searched our database for all the quotes and captions related to Cocktails. Here they are! All 100 of them:

Hear no evil, speak no evil, and you won't be invited to cocktail parties.
Oscar Wilde
We were not a hugging people. In terms of emotional comfort it was our belief that no amount of physical contact could match the healing powers of a well made cocktail.
David Sedaris (Naked)
Darling, when things go wrong in life, you lift your chin, put on a ravishing smile, mix yourself a little cocktail...
Sophie Kinsella
We die to each other daily. What we know of other people is only our memory of the moments during which we knew them. And they have changed since then. To pretend that they and we are the same is a useful and convenient social convention which must sometimes be broken. We must also remember that at every meeting we are meeting a stranger.
T.S. Eliot (The Cocktail Party)
He was wooing me. And I was letting him woo. I wanted the woo. I deserved the woo. I needed the wow that would surely follow the woo, but for now, the woo? It was whoa.
Alice Clayton (Wallbanger (Cocktail, #1))
How 'bout a shot of truth in that denial cocktail.
Jennifer Salaiz
Fucking Wallbanger,” I hissed, frozed on the spot. His grin slid off as well as he played place-the-face for a moment. “Fucking Pink Nightie Girl.
Alice Clayton (Wallbanger (Cocktail, #1))
Waiting for the correct time to descend for cocktails, Mary sat on her bed and reviewed her impressions of the house party one by one. Belinda Choudhry M. P. she knew least. As mother of murdered Perdita, she was sure to be a volatile addition.
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
I moaned like a whore in church. To be fair, I’d never actually heard a whore moan in church, but I had a feeling it sounded a lot like the unholy sounds pouring forth from my mouth.
Alice Clayton (Wallbanger (Cocktail, #1))
Half the harm that is done in this world is due to people who want to feel important. They don't mean to do harm; but the harm does not interest them. Or they do not see it, or they justify it because they are absorbed in the endless struggle to think well of themselves.
T.S. Eliot
It will do you no harm to find yourself ridiculous. Resign yourself to be the fool you are... ...We must always take risks. That is our destiny...
T.S. Eliot (The Cocktail Party)
Simon does commando. God bless America.
Alice Clayton (Wallbanger (Cocktail, #1))
Monday, June 9: People think they know you. They think they know how you're handling a situation. But the truth is no one knows. No one knows what happens after you leave them, when you're lying in bed or sitting over your breakfast alone and all you want to do is cry or scream. They don't know what's going on inside your head--the mind-numbing cocktail of anger and sadness and guilt. This isn't their fault. They just don't know. And so they pretend and they say you're doing great when you're really not. And this makes everyone feel better. Everybody but you.
William H. Woodwell Jr.
Wine?” “Am I breathing?” “Wine it is.
Alice Clayton (Wallbanger (Cocktail, #1))
And I. I too. Quite collected at cocktail parties, meanwhile in my head I'm undergoing open-heart surgery.
Anne Sexton (Transformations)
We all need someone to look at us. we can be divided into four categories according to the kind of look we wish to live under. the first category longs for the look of an infinite number of anonymous eyes, in other words, for the look of the public. the second category is made up of people who have a vital need to be looked at by many known eyes. they are the tireless hosts of cocktail parties and dinners. they are happier than the people in the first category, who, when they lose their public, have the feeling that the lights have gone out in the room of their lives. this happens to nearly all of them sooner or later. people in the second category, on the other hand, can always come up with the eyes they need. then there is the third category, the category of people who need to be constantly before the eyes of the person they love. their situation is as dangerous as the situation of people in the first category. one day the eyes of their beloved will close, and the room will go dark. and finally there is the fourth category, the rarest, the category of people who live in the imaginary eyes of those who are not present. they are the dreamers.
Milan Kundera
Get your ass over here right now, you motherfucking scary movie pusher.
Alice Clayton (Wallbanger (Cocktail, #1))
Sweet dreams and thin walls... Mother of Pearl. He'd heard me.
Alice Clayton (Wallbanger (Cocktail, #1))
You gonna bang my walls, Simon?” I laughed. “You have no idea,” he promised.
Alice Clayton (Wallbanger (Cocktail, #1))
Hi, pot. It’s me, kettle,” Sophia snapped back. “Hi kettle, you have about thirty seconds before this pot kicks your ass.
Alice Clayton (Wallbanger (Cocktail, #1))
Spiritual but not religious,” Zachary clarifies. He doesn’t say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending.
Erin Morgenstern (The Starless Sea)
Peeling apples, just peeling apples. Didn’t feel your boobs. No, no, not me
Alice Clayton (Wallbanger (Cocktail, #1))
Have you seen this guy yet?" "Nope. My peephole is getting a workout, though." "Glad to hear at least one hole is getting some action around here.
Alice Clayton (Wallbanger (Cocktail, #1))
Sometimes he missed the numbed, walking-underwater feeling feel that the cocktail of narcotics used to give him. But if a situation went down in here, he was going to need all of his wits to get out of it.
R.D. Ronald (The Zombie Room)
You really have no idea, do you?” “No idea about what?” “How thoroughly you own me, Nightie Girl,” he said, leaning in to whisper this part in my ear. “And I know I love you enough to want you to have your happy ending.
Alice Clayton (Wallbanger (Cocktail, #1))
The girl next door was meowing. What in the world was my neighbor packing to make that happen?
Alice Clayton (Wallbanger (Cocktail, #1))
Sex and a cocktail: they both lasted about as long, had the same effect, and amounted to the same thing.
D.H. Lawrence (Lady Chatterley's Lover)
Why mundanes always insist on taking responsibility for things that aren't their fault is a mystery to me. You didn't force that cocktail down his idiotic throat." -Jace, pg.241-
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Now you listen here, mister,” I said, trying for a more adult tone. “I’m not going to spend every night listening to you try to crash you girl’s head through my wall with the force of your dick alone!
Alice Clayton (Wallbanger (Cocktail, #1))
There was a desert wind blowing that night. It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen. You can even get a full glass of beer at a cocktail lounge.
Raymond Chandler (Red Wind: A Collection of Short Stories)
You done with work? Yep, at home waiting for you. Now that's a nice visual... Prepare yourself, I'm taking bread out of the oven. Don't tease me woman...zucchini? Cranberry orange. Mmmm... No woman has ever done breakfast bread foreplay the way you do. Ha! When you coming? Can't. Drive. Straight. Can we have one conversation when you're not twelve? Sorry, I'll be there in 30 Perfect, that will give me time to frost my buns. Pardon me? Oh, didn't I tell you? I also made cinnamon rolls. Be there in 25.
Alice Clayton (Wallbanger (Cocktail, #1))
You give good woo.
Alice Clayton (Wallbanger (Cocktail, #1))
I’m gonna try to steal home.” I smiled. “Silly Simon, it’s not stealing if I wave you in
Alice Clayton (Wallbanger (Cocktail, #1))
The right woman for you wouldn't want you to change anything about your life. She wouldn't rock your boat, she'd jump right in and sail it with you.
Alice Clayton (Wallbanger (Cocktail, #1))
No wonder. Puerto Rican, Italian and Cuban – the perfect ingredients for a hot, bossy, badass cocktail.
Kristen Ashley (Mystery Man (Dream Man, #1))
I must tell you that I should really like to think there's something wrong with me- Because, if there isn't, then there's something wrong with the world itself-and that's much more frightening! That would be terrible. So I'd rather believe there is something wrong with me, that could be put right.
T.S. Eliot (The Cocktail Party)
Beneath the sheet—which was already lower on his hips than should be legal — He Was Still Hard
Alice Clayton (Wallbanger (Cocktail, #1))
My shirt bunched up around my waist, and the feeling of his hi-there against my hoohah was indescribable.
Alice Clayton (Wallbanger (Cocktail, #1))
I wouldn’t say I know him, but I’m familiar with his work.
Alice Clayton (Wallbanger (Cocktail, #1))
You know those moments when everything is exactly the way it was meant to be? When you find yourself and your entire universe aligning in perfect synchronization, and you know you couldn’t possibly be more content? I was inside that very moment, and fully conscious of it.
Alice Clayton (Wallbanger (Cocktail, #1))
I’m done with easy.” “You should print that on cards.” “Print this—why do you still have clothes on?
Alice Clayton (Wallbanger (Cocktail, #1))
On the off chance that you have children, don't clean up at all. As children, my brother and sister and I loved waking up early and playing cocktail party with the leftover debris
Amy Sedaris
When the black thing was at its worst, when the illicit cocktails and the ten-mile runs stopped working, I would feel numb as if dead to the world. I moved unconsciously, with heavy limbs, like a zombie from a horror film. I felt a pain so fierce and persistent deep inside me, I was tempted to take the chopping knife in the kitchen and cut the black thing out I would lie on my bed staring at the ceiling thinking about that knife and using all my limited powers of self-control to stop myself from going downstairs to get it.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
I started to roll my eyes, but that hurt. The right one was pressed so firmly against the peephole, you see.
Alice Clayton (Wallbanger (Cocktail, #1))
Quite collected at cocktail parties, meanwhile in my head I'm undergoing open-heart surgery.
Anne Sexton (Transformations)
I have literally always been the kid who believes in fairy tales but I didn’t know what to do because I wasn’t a kid, I was a twenty-something in a cocktail bar who never feels old enough to drink
Erin Morgenstern (The Starless Sea)
I panted like a whore in church. The Church of Simon... where I was dying to kneel before him.
Alice Clayton (Wallbanger (Cocktail, #1))
I will meet you in the dirtiest city you can dream of. We will drink cocktails so sweet they pucker our cheeks, as we perch on cracked leather bar stools. I will buy you plates of calcium and protein and we will run through the streets in excellent danger.
Michelle Tea
We don't learn to love each other well in the easy moments. Anyone is good company at a cocktail party. But love is born when we misunderstand one another and make it right, when we cry in the kitchen, when we show up uninvited with magazines and granola bars, in an effort to say, I love you.
Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
Bring it on home, Wallbanger
Alice Clayton (Wallbanger (Cocktail, #1))
You coming? ‘Cause I sure did.
Alice Clayton (Wallbanger (Cocktail, #1))
Life's just a cocktail party - on the street.
Mick Jagger
No way, buddy. I'm not machuuing your pichu now. Huh-uh
Alice Clayton (Wallbanger (Cocktail, #1))
I staggered into a Manchester bar late one night on a tour and the waitress said "You look as if you need a Screaming Orgasm". At the time this was the last thing on my mind...
Terry Pratchett
Nora: "How do you feel?" Nick: "Terrible. I must've gone to bed sober.
Dashiell Hammett (The Thin Man)
It breaks my heart the way young girls pick themselves over, never thinking they're good enough. You make sure you always remember, you're exactly the way you're supposed to be. Exactly. And anyone who says otherwise, well, poppycock.
Alice Clayton (Wallbanger (Cocktail, #1))
The hand on my hair moved to my back, and I realized someone was singing softly. The voice was familiar, and something about it made my chest ache. Well, that was to be expected. Angels' songs would be awfully poignant. "'I was working as a waitress in a cocktail bar, when I met you...'" the voice crooned. I frowned. Was that really an appropriate song for the Heavenly Host to be--
Rachel Hawkins (Spell Bound (Hex Hall, #3))
A good fragrance is really a powerful cocktail of memories and emotion.
Jeffrey Stepakoff (The Orchard)
Kittens, lay back. You are about to get Wallbanged.
Alice Clayton (Wallbanger (Cocktail, #1))
And if all that is meaningless, I want to be cured Of a craving for something I cannot find And of the shame of never finding it.
T.S. Eliot (The Cocktail Party)
Why do all men seem to think they need to rescue a woman? Are we not capable of rescuing our damn selves? Why do I need to be rescued? I don’t need a man to rescue me, and I certainly don’t need no wallbanging, Purina-fucking, listening-at-my-wall-like-a-goddamn-psycho coming over here to rescue me! You got that, mister?
Alice Clayton (Wallbanger (Cocktail, #1))
Just trying to get a visual of you on the beach in Spain… How's that working out for you? Pretty spiffy. Spiffy? Did you just say spiffy? I typed it actually. You got something against spiffy?
Alice Clayton (Wallbanger (Cocktail, #1))
And Caroline? Speaking fo thin walls?" he said, as he opened his door and looked back at me. He leaned in his own doorway, thumping his fist on the wall. "Yes?" I asked a little too dreamily for my own good. His smirk reappeared and he said, "Sweet dreams". He thumped the wall one more time, winked, and went inside. Huh. Sweet dreams and thin walls. Sweet dreams and thin walls... Mother of pearl. He'd heard me...
Alice Clayton (Wallbanger (Cocktail, #1))
Always take a compliment, Caroline. Always take it for the way it was intended. You girls are always so quick to twist what others say. Simply say thank you and move on.
Alice Clayton (Wallbanger (Cocktail, #1))
Simon thought I was lovely. Was the Giggler out of the harem? Was there even a harem left? What did this mean? Would I only think in questions now? And if so, who is Eric Cartman's father?
Alice Clayton (Wallbanger (Cocktail, #1))
Mr. Satterthwaite looked cheered. Suddenly an idea struck him. His jaw fell. "My goodness," he cried, "I've only just realized it! That rascal, with his poisoned cocktail! Anyone might have drunk it! It might have been me!" "There is an even more terrible possibility that you have not considered," said Poirot. "Eh?" "It might have been me," said Hercule Poirot.
Agatha Christie (Three Act Tragedy (Hercule Poirot, #11))
All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.” At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes. “The key word here is roots,” Maestra had countered. “The roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.” “Yeah but Maestra—” “Don't interrupt. Now, unless someone stronger and wiser—a friend, a parent, a novelist, filmmaker, teacher, or musician—can josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the ol’ doomsday daiquiri, and before we know it, we’re soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horse’s Mouth. And that’s why when you’ve exhibited the slightest tendency toward self-importance, I’ve reminded you that you and me— you and I: excuse me—may be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so let’s not get carried away with ourselves. Preventive medicine, boy. It’s preventive medicine.” “But what about self-esteem?” “Heh! Self-esteem is for sissies. Accept that you’re a pimple and try to keep a lively sense of humor about it. That way lies grace—and maybe even glory.
Tom Robbins (Fierce Invalids Home from Hot Climates)
If we all were judged according to the consequences Of all our words and deeds, beyond the intention And beyond our limited understanding Of ourselves and others, we should all be condemned.
T.S. Eliot (The Cocktail Party)
Babies were born, old people died, stocks were traded, and someone faked an orgasm. All in those five seconds.
Alice Clayton (Wallbanger (Cocktail, #1))
Wear this, don't wear that. Do this chore now and do this chore when you get a chance and by that I mean now. And definitely, definitely give up the things you love fro me, so I will have proof that you love me best. It's the female pissing contest -- as we swan around our book clubs and our cocktail hours, there are few things women love more than being able to detail the sacrifices our men make for us. A call-and-response, the response being: "Ohh, that's so sweet.
Gillian Flynn (Gone Girl)
The irony that Simon was literally trying to run away from pussy was not lost on me.
Alice Clayton (Wallbanger (Cocktail, #1))
You learn not to mourn every little thing out here, or you’d never, ever stop grieving.
Alexandra Fuller (Cocktail Hour Under the Tree of Forgetfulness)
Anxiety is the dizziness of freedom’,
Sarah Bakewell (At the Existentialist Café: Freedom, Being, and Apricot Cocktails)
How do you make Wallbanger stop smirking? You kiss him.
Alice Clayton (Wallbanger (Cocktail, #1))
Wrapped around each other but now clad in a pink nightie and a pair of sweatpants. To be clear, I wore the pink nightie.
Alice Clayton (Wallbanger (Cocktail, #1))
There was a door And I could not open it. I could not touch the handle. Why could I not walk out of my prison? What is hell? Hell is oneself, Hell is alone, the other figures in it Merely projections. There is nothing to escape from And nothing to Escape to. One is always alone.
T.S. Eliot (The Cocktail Party)
Always good when what you need and what you want are the same thing.
Alice Clayton (Wallbanger (Cocktail, #1))
I didn’t think I could love you more, but I really kind of do.
Alice Clayton (Wallbanger (Cocktail, #1))
Damn Banger Voodoo.
Alice Clayton (Wallbanger (Cocktail, #1))
You will have to live with those memories and make them into something new. Only by acceptance of the past will you alter its meaning.
T.S. Eliot (The Cocktail Party)
The English language needs a word for that feeling you get when you badly need help, but there is no one you can call because you're not popular enough to have friends, not rich enough to have employees, and not powerful enough to have lackeys. It is a very distinct cocktail of impotence, loneliness and a sudden stark assessment of your non-worth to society? Enturdment?
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
It has been well said that an author who expects results from a first novel is in a position similar to that of a man who drops a rose petal down the Grand Canyon of Arizona and listens for the echo.
P.G. Wodehouse (Cocktail Time)
To things staring you right in the face,” I echoed, our eyes locking over the rims.
Alice Clayton (Wallbanger (Cocktail, #1))
I got in trouble for fondling buns,” he whispered.
Alice Clayton (Wallbanger (Cocktail, #1))
I cannot stand small talk, because I feel like there’s an elephant standing in the room shitting all over everything and nobody is saying anything. I’m just dying to say, 'Hey, do you ever feel like jumping off a bridge?' or 'Do you feel an emptiness inside your chest at night that is going to swallow you?' But you can’t say that at a cocktail party.
Paul Gilmartin
If your Soviet neighbor is trying to set fire to your house, you can't be worrying about the Arab down the block. If suddenly it's the Arab in your backyard , you can't be worrying about the People's Republic of China and if one day the ChiComs show up at your front door with an eviction notice in one hand and a Molotov cocktail in the other, then the last thing you're going do is look over his shoulder for a walking corpse.
Max Brooks (World War Z: An Oral History of the Zombie War)
This girl has the spark of life. This is my primary filter for new friends (girl- and otherwise) and the highest compliment I can pay. I've tried many times to figure out exactly what ignites it -- what cocktail of characteristics come together in the cold, dark cosmos to form a star. I know it's mostly in the face -- not just the eyes, but the brow, the cheeks, the mouth, and the micromuscles that connect them all. Kat's micromuscles are very attractive.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Wkat, you tryin' to cop a feel there?" I snapped, selecting a song. "Did you or did you not just placed your tits in the path of my hand?" he snapped back." "I think your hand just moved in front of the girl's trajectory, but don't sweat it. You're hardly the first that these celestial beings have brought into their orbit.
Alice Clayton (Wallbanger (Cocktail, #1))
Depression gave me more then just a brooding introspection. It gave me humor, it gave me a certain what-a-fuck-up-I-am shtick to play with when the worst was over..the side effects, the by products of depression, seems to keep me going. I had developed a persona that could be extremely melodramatic and entertaining. It had, at times, all the selling points of madness, all the aspects of performance art. I was always able to reduce whatever craziness I’d experienced into the perfect antidote, the ideal cocktail party monologue...I thought this ability, to tell away my personal life as if it didn’t belong to me, to be queerly chatty and energetic at moments that most people found inappropriate, was what my friends liked about me.
Elizabeth Wurtzel (Prozac Nation)
You realize you are turning me into some kind of machine?” he noted, nodding down at his HiThere poking through the towel. Simon took the time to place his zucchini bread safely on the coffee table.“How cute is that? It’s like he’s poking his head out from behind a curtain!” I clapped my hands.“You may not be aware, but as a general rule, no man likes the word cute in the same sentence as his junk.
Alice Clayton (Wallbanger (Cocktail, #1))
Thump “Oh, God” Thump Thump Unbelievable… I woke up faster this time, because I knew what I was hearing I sat up in bed, glaring behind me. The bed was still pulled safely away from the wall, so I felt no movement. But there sure as hell something moving over there. Then I heard ……hissing? I looked down at Clive, whose tail was at full puff. He arched his back and paced back and forth at the foot of the bed. “Hey, mister. It’s cool. We just got a noisy neighbor, that’s all,” I soothed, stretching my hand out to him. That’s when I heard it. “Meow” I cocked my head sideways, listening more intently. I studied Clive, who looked back at me as if to say “T’weren’t me”. “Meow! Oh, God. Me -Yow!” The girl next door was meowing. What in the world was my neighbor packing to make that happen? Clive, at this point, went utterly bonkers and launched himself at the wall. He was literally climbing it, trying to get where the noise was coming from, and adding his own meows to the chorus. “Oooh yes, just like that, Simon…Mmmm….Meow, meow, Meow!” Sweet Lord, there were out-of-control pussies on both sides of this wall tonight.
Alice Clayton (Wallbanger (Cocktail, #1))
In the recumbence of depression, your information-gathering system collates its intelligence and reports to you these facts: (1) there is nothing to do; (2) there is nowhere to go; (3) there is nothing to be; (4) there is no one to know. Without meaning-charged emotions keeping your brain on the straight and narrow, you would lose your balance and fall into an abyss of lucidity. And for a conscious being, lucidity is a cocktail without ingredients, a crystal clear concoction that will leave you hung over with reality. In perfect knowledge there is only perfect nothingness, which is perfectly painful if what you want is meaning in your life.
Thomas Ligotti
Finally, I felt him, exactly where he was meant to be. Barely nudging inside, just the feeling of him entering me was earth-shattering. My own needs quieted for the moment, I watched his face as he began to press inside me for the first time. His eyes bore into mine as I cradled his face in my hands. He looked as though he wanted to say something, and I wondered. What words would we speak, what wonderfully loving things would we say to commemorate this moment? "Hi." "Hi.
Alice Clayton (Wallbanger (Cocktail, #1))
To the rocket scientist, you are a problem. You are the most irritating piece of machinery he or she will ever have to deal with. You and your fluctuating metabolism, your puny memory, your frame that comes in a million different configurations. You are unpredictable. You're inconstant. You take weeks to fix. The engineer must worry about the water and oxygen and food you'll need in space, about how much extra fuel it will take to launch your shrimp cocktail and irradiated beef tacos. A solar cell or a thruster nozzle is stable and undemanding. It does not excrete or panic or fall in love with the mission commander. It has no ego. Its structural elements don't start to break down without gravity, and it works just fine without sleep. To me, you are the best thing to happen to rocket science. The human being is the machine that makes the whole endeavor so endlessly intriguing.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
God, the three of you. When I wake up on Saturday mornings--late you always let me sleep in--I come looking for you, and you're in the backyard with dirt on your knees and two little girls spinning around you in perfect orbit. And you put their hair in pigtails, and you let them wear whatever madness they want, and Alice planted a fruit cocktail tree, and Noomi ate a butterfly, and they look like me because they're round and golden, but the glow for you. And you built us a picnic table. And you learned to bake bread. And you've painted a mural on ever west-facing wall. And it isn't all bad, I promise. I swear to you. You might not be actively, thoughtfully happy 70 to 80 percent of the time, but maybe you wouldn't be anyway. And even when you're sad, Neal--even when you're falling asleep at the other side of the bed--I think you're happy, too. About some things. About a few things.
Rainbow Rowell (Landline)
The level of matter in the universe has been constant since the Big Bang. In all the aeons we have lost nothing, we have gained nothing - not a speck, not a grain, not a breath. The universe is simply a sealed, twisting kaleidoscope that has reordered itself a trillion trillion trillion times over. Each baby, then, is a unique collision - a cocktail, a remix - of all that has come before: made from molecules of Napoleon and stardust and comets and whale tooth; colloidal mercury and Cleopatra’s breath: and with the same darkness that is between the stars between, and inside, our own atoms. When you know this, you suddenly see the crowded top deck of the bus, in the rain, as a miracle: this collection of people is by way of a starburst constellation. Families are bright, irregular-shaped nebulae. Finding a person you love is like galaxies colliding. We are all peculiar, unrepeatable, perambulating micro-universes - we have never been before and we will never be again. Oh God, the sheer exuberant, unlikely face of our existences. The honour of being alive. They will never be able to make you again. Don’t you dare waste a second of it thinking something better will happen when it ends. Don’t you dare.
Caitlin Moran
In the age of Facebook and Instagram you can observe this myth-making process more clearly than ever before, because some of it has been outsourced from the mind to the computer. It is fascinating and terrifying to behold people who spend countless hours constructing and embellishing a perfect self online, becoming attached to their own creation, and mistaking it for the truth about themselves.20 That’s how a family holiday fraught with traffic jams, petty squabbles and tense silences becomes a collection of beautiful panoramas, perfect dinners and smiling faces; 99 per cent of what we experience never becomes part of the story of the self. It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind’s eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover’s waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them! Hence if you really want to understand yourself, you should not identify with your Facebook account or with the inner story of the self. Instead, you should observe the actual flow of body and mind. You will see thoughts, emotions and desires appear and disappear without much reason and without any command from you, just as different winds blow from this or that direction and mess up your hair. And just as you are not the winds, so also you are not the jumble of thoughts, emotions and desires you experience, and you are certainly not the sanitised story you tell about them with hindsight. You experience all of them, but you don’t control them, you don’t own them, and you are not them. People ask ‘Who am I?’ and expect to be told a story. The first thing you need to know about yourself, is that you are not a story.
Yuval Noah Harari (21 Lessons for the 21st Century)
The first thing I saw was blue. Blue sweater, blue eyes. Blue. Beautifully blue. Then I saw red as I recognized who belonged to the blue. “Fucking Wallbanger,” I hissed, frozen on the spot. His grin slid off as well as he played place-the-face for a moment. “Fucking Pink Nightie Girl,” he finally concluded. He grimaced. We stared, seething as the air literally turned electric between us, snapping and crackling. The four behind us had fallen silent, listening to this little interchange. Then they caught up. “That’s Wallbanger?” Sophia screeched. “Wait a minute, that’s Pink Nightie Girl?” Neil laughed, and Mimi and Ryan snorted. My face flamed bright red as I processed this information, and Simon’s sneer became that damnable smirk I’d seen that night in the hallway—when I’d banged on his door and made him quit giving it to the Giggler and yelled at him. When I’d been wearing… “Pink Nightie Girl. Pink Nightie Girl!” I choked out, beyond pissed. Beyond angry. Well into Furious Town. I stared at him, pouring all of my tension into that one look. All of the sleepless nights and lost Os and cold showers and banana thrusting and merciless wet dreams went into that one look. I wanted to level him with my eyes, make him beg for mercy. But no…Not Simon, Director of the International House Of Orgasms. He Was Still Smirking.
Alice Clayton (Wallbanger (Cocktail, #1))
If I were the Devil . . . I mean, if I were the Prince of Darkness, I would of course, want to engulf the whole earth in darkness. I would have a third of its real estate and four-fifths of its population, but I would not be happy until I had seized the ripest apple on the tree, so I should set about however necessary to take over the United States. I would begin with a campaign of whispers. With the wisdom of a serpent, I would whisper to you as I whispered to Eve: “Do as you please.” “Do as you please.” To the young, I would whisper, “The Bible is a myth.” I would convince them that man created God instead of the other way around. I would confide that what is bad is good, and what is good is “square”. In the ears of the young marrieds, I would whisper that work is debasing, that cocktail parties are good for you. I would caution them not to be extreme in religion, in patriotism, in moral conduct. And the old, I would teach to pray. I would teach them to say after me: “Our Father, which art in Washington” . . . If I were the devil, I’d educate authors in how to make lurid literature exciting so that anything else would appear dull an uninteresting. I’d threaten T.V. with dirtier movies and vice versa. And then, if I were the devil, I’d get organized. I’d infiltrate unions and urge more loafing and less work, because idle hands usually work for me. I’d peddle narcotics to whom I could. I’d sell alcohol to ladies and gentlemen of distinction. And I’d tranquilize the rest with pills. If I were the devil, I would encourage schools to refine yound intellects but neglect to discipline emotions . . . let those run wild. I would designate an athiest to front for me before the highest courts in the land and I would get preachers to say “she’s right.” With flattery and promises of power, I could get the courts to rule what I construe as against God and in favor of pornography, and thus, I would evict God from the courthouse, and then from the school house, and then from the houses of Congress and then, in His own churches I would substitute psychology for religion, and I would deify science because that way men would become smart enough to create super weapons but not wise enough to control them. If I were Satan, I’d make the symbol of Easter an egg, and the symbol of Christmas, a bottle. If I were the devil, I would take from those who have and I would give to those who wanted, until I had killed the incentive of the ambitious. And then, my police state would force everybody back to work. Then, I could separate families, putting children in uniform, women in coal mines, and objectors in slave camps. In other words, if I were Satan, I’d just keep on doing what he’s doing. (Speech was broadcast by ABC Radio commentator Paul Harvey on April 3, 1965)
Paul Harvey
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled. The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.” “Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?” A growl like none Butch had ever heard came out of the guy. “Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.” It took a minute before the model let go. “That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.” Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.” The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly. “Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?" “Don’t have one.” “Then I’m coming after your girlfriend.” Butch dragged in some air. “Got no woman.” “So if the chicks won’t do you, what makes you think I’d want to?” “Was hoping to piss you off.” “Now why’d you want to do that?” Blondie asked. “If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight. Would’ve killed me first. Before I had a chance at you.” Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone. “You know, I kind of like this big dummy,” the guy drawled. Someone cleared a throat. Rather officiously. Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray. “Pardon me, gentlemen. Dinner will be served in about fifteen minutes.” “Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray. “Yes, Sire.” “Hot damn.” The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this? “Might I ask a favor?” the butler said. Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.” Yeah, guess the guy wasn’t really normal. Just relatively so. The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?” “No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))