Cocktail Summer Quotes

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Writing about the indignities of old age: the daunting stairway to the restaurant restroom, the benefits of a wheelchair in airports and its disadvantages at cocktail parties, giving the user what he described as a child's-eye view of the party and a crotch-level view of the guests. Dying is a matter of slapstick and pratfalls. The aging process is not gradual or gentle. It rushes up, pushes you over and runs off laughing. No one should grow old who isn't ready to appear ridiculous.
John Mortimer (The Summer of a Dormouse)
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
All summer long I had been practically delirious: tingling, daffy, energized, running on gin and shrimp cocktail and the invigorating whock of tennis balls.
Donna Tartt (The Goldfinch)
Chairs and sofas were covered with white dust sheets. Many people did this during the summer to make the house look cooler and protect all the petit point and furniture from dust and moths. I hated this habit. It seemed senseless to protect furniture which would live longer than we would anyway.
Jacqueline Carol (Cocktails and Camels)
After the riot in Chicago that Summer, I was greatly discouraged. But we had trained a group of about two thousand disciplined devotees of nonviolence who were willing to take blows without retaliation. We started out engaging in constitutional privileges, marching before real estate offices in all-white communities. And that nonviolent , disciplined, determined force created such a crisis in the city of Chicago that the city had to do something to change conditions. We didn’t have any Molotov cocktails, we didn’t have any bricks, we didn’t have guns, we just had the power of our bodies and our souls. There was power there, and it was demonstrated once more.
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
Maybe we should go on a holiday. What do you think? Can we go on a holiday next summer? Go away together? Greece, like some of those musty philosophers you write about? You get to see all those crumbling things from the past. And I get sun, beaches, bikinis, cocktails.” “Greece is a bit far. What about Wales?” “Wales!” “I’ve never been abroad. I need to start slowly.
Karl Drinkwater (Cold Fusion 2000)
He made the arrangements, the summer passed, and he went to Berlin to study. When he returned at the end of his year, he brought back a new blend: the methods of German phenomenology, mixed with ideas from the earlier Danish philosopher Søren Kierkegaard and others, set off with the distinctively French seasoning of his own literary sensibility. He applied phenomenology to people’s lives in a more exciting, personal way than its inventors had ever thought to do, and thus made himself the founding father of a philosophy that became international in impact, but remained Parisian in flavour: modern existentialism. The
Sarah Bakewell (At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others)
Who knew it was in my power to make anyone so happy? Or that I could ever be so happy myself? My moods were a slingshot; after being locked-down and anesthetized for years my heart was zinging and slamming itself around like a bee under a glass, everything bright, sharp, confusing, wrong - but it was a clean pain as opposed to the dull misery that had plagued me for years under the drugs like a rotten tooth, the sick dirty ache of something spoiled. The clarity was exhilarating; it was as if I'd removed a pair of smudged-up glasses that fuzzed everything I saw. All summer long I had been practically delirious: tingling, daffy, energized, running on gin and shrimp cocktail and the invigorating whock of tennis balls. And all I could think was Kitsey, Kitsey, Kitsey!
Donna Tartt (The Goldfinch)
Oh, the hot breath coming out of her mouth on each side, as she clamps on with her fang-like incisors, that are razor sharp. It is like her teeth would bite into me there, and make me so weak I would pass out. Until now, I would bleed without any bright markings left behind. Yes, even on summer days, they come around me. Like that day, Ava pulled up one of the railroads spikes up and out of the railroad ties from the ground with her bare hands. Then she began roughly using it on me. It is like she pumps in cocktails of venom with her nibbles of taste, and my soul is floating out of my body as she comes in. My body is paralyzed, yet I feel the pain, and my soul and faith are challenged. So far, she will never get me all the way, I will never become one of them! I found out that she loves to suck out my blood, and everything else that comes with it. For that is what gives her evil strength, it is the same as being drugged when she draws from me.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
Rather, I’m the kind of person who makes watercolors of sunsets in the summer while drinking cocktails on my roof, who reads a book a week and goes to French movies. My friends often cite my life as being an inspiration to them, and I have quite rigorously assembled something that looks really good from the outside. But that performance has always been a stark contrast to how I feel about myself.
Marisa Meltzer (This Is Big: How the Founder of Weight Watchers Changed the World -- and Me)
Every summer Gloria gathered tiny gherkins from our garden and placed them in jars with vinegar, tarragon, cocktail onions, and black pepper, to be used throughout the year. She made an extraordinary strawberry jam that was “cooked” in the summer sun. The berries were added to a sugar syrup and boiled for a couple of minutes, then the whole mixture was poured into a roasting pan, covered with a screen to keep out insects, and left in the sun for several days until the moisture evaporated and the berries reached an almost candied state.
Jacques Pépin (The Apprentice: My Life in the Kitchen)
Finally, Diana had worked her way down to the Abbey, an upscale restaurant with a small but lush courtyard that featured a tinkling fountain, a pair of wooden benches, flowering bushes and stands of tall grasses, and a statue resembling Rodin's The Thinker (one of the few things she did remember from the art history class she'd taken). She'd never eaten there, but she remembered Dr. Levy mentioning it as one of the places she and her husband visited for date night at least once every summer. She sat on the bench for a minute to rest her feet and peruse the menu. Tuna sushi tempura (eighteen dollars for an appetizer). Almond-crusted cod with a mandarin-citrus beurre blanc (twenty-eight dollars) and butter-poached lobster (market price). The list of cocktails and special martinis ran two pages, and when she walked up the curved stone steps and stepped into the dining room, the views of the bay were gorgeous.
Jennifer Weiner (That Summer)
blueberry margarita It’s a stretch, but I like to think of this drink as the boozy almost-equivalent of an açai bowl, since it’s made with pomegranate juice and fresh blueberries. You can take it all the way healthy by omitting tequila, if you like your drinks dry, and subbing in ginger ale, club soda, or a nonalcoholic spirit. Either way, it’s perfect for a summer (or, if you live in Los Angeles, spring/summer/fall/winter) day. TIME: 3 MINUTES SERVES: 1 2 tablespoons Himalayan pink salt 1 lime wedge 4 fresh mint leaves ¼ cup rinsed fresh blueberries, plus 4 blueberries for garnish 2 ounces tequila ½ ounce fresh lime juice 1 ounce pomegranate juice ½ ounce Ginger Syrup Pour the Himalayan salt into a small dish. Run the wedge of lime around the rim of a highball glass, then twist the rim in the salt until fully coated. Fill the salt-rimmed glass with ice and set aside. Clap the mint to bring out its flavor, then put it and the blueberries into a shaker. Muddle them until pulverized. Add a handful of ice, the tequila, lime juice, pomegranate juice, and ginger syrup. Shake vigorously until chilled; strain into the prepared glass. Skewer 4 blueberries onto a cocktail pick and use to garnish the drink. Serve and enjoy.
Moby (The Little Pine Cookbook: Modern Plant-Based Comfort)
I stood fidgeting on the train station platform, jumping up and down like an excited Chihuahua, ready to piss myself from the same joy-horror cocktail I had been drowning in for the whole summer.
Roe Horvat (Dirty Mind)
When I was about twelve or thirteen, the Peabodys had a party just like this one—just like any of their parties, I guess. They are social creatures, the Families. They like to gather amongst their kind for luncheons or cocktails or dinners or bridge, any excuse will do. Because they generally prefer their dogs to their children, the three of us Winthrops used to sneak away and join Amory and Shep to watch the grown-ups at play the way you watched animals at a zoo, from the banister if the party were indoors, and if it were out on the terrace, we’d hide among the rocks. I remember the smell of perfume and cigarettes, how the women wore these colorful gowns, how their hair frizzled from their hairdos in the salt air, how they dangled their cocktail glasses between their fingers and smoked their cigarettes, stained with lipstick. I used to practice with rolled-up paper squares in the mirror at home.
Beatriz Williams (The Beach at Summerly)
awkward conversations. It’s like a cocktail party without the cocktails, and my desire to
Annabel Monaghan (Summer Romance)
The other component was to build cadres through political education. Republicans sought out wealthy donors to set up foundations and think tanks as safe spaces outside the university for elaborating the Republican catechism, a document that grew from a cocktail napkin to a vast library of popular books and academic policy studies. They set up summer camps where college students could read Aristotle and Alexander Hamilton and Friedrich von Hayek, and learn to connect them. They set up reading groups for professors, who got paid to attend. They funded graduate students and apprenticed them under movement-approved professors. They also funded campus newspapers and national organizations like the Federalist Society, which introduces students to the "originalist" interpretation of constitutional law and acts as an an employment agency for young lawyers looking for clerkships and teaching positions. This one organization has revolutionized the way law is taught and interpreted in this country, and therefore how we are governed. It is the fruit of the conservatives' pedagogical strategy. The movement's fathers and godfathers, some of whom had once been Trotskyites, understood intuitively that to make lasting change the movement would have to build and sustain cadres, and send them out with full backpacks on the long march through the institutions. Marching with the aim of dismantling government by first seizing control of it, thus achieving anti-political ends by political means.
Mark Lilla (The Once and Future Liberal: After Identity Politics)
Perhaps it was the same cocktail of self-indulgence and abandon and want—and an unaccountable wish to be free, if only for a little while—I discovered in myself last summer. I
Jan Ellison (A Small Indiscretion)
Starters Corn chowder with red peppers and smoked Gouda $8 Shrimp bisque, classic Chinatown shrimp toast $9 Blue Bistro Caesar $6 Warm chèvre over baby mixed greens with candy-striped beets $8 Blue Bistro crab cake, Dijon cream sauce $14 Seared foie gras, roasted figs, brioche $16 Entrées Steak frites $27 Half duck with Bing cherry sauce, Boursin potato gratin, pearls of zucchini and summer squash $32 Grilled herbed swordfish, avocado silk, Mrs. Peeke's corn spoon bread, roasted cherry tomatoes $32 Lamb "lollipops," goat cheese bread pudding $35 Lobster club sandwich, green apple horseradish, coleslaw $29 Grilled portabello and Camembert ravioli with cilantro pesto sauce $21 Sushi plate: Seared rare tuna, wasabi aioli, sesame sticky rice, cucumber salad with pickled ginger and sake vinaigrette $28 *Second Seating (9:00 P.M.) only Shellfish fondue Endless platter of shrimp, scallops, clams. Hot oil for frying. Selection of four sauces: classic cocktail, curry, horseradish, green goddess $130 (4 people) Desserts- All desserts $8 Butterscotch crème brûlée Mr. Smith's individual blueberry pie à la mode Fudge brownie, peanut butter ice cream Lemon drop parfait: lemon vodka mousse layered with whipped cream and vodka-macerated red berries Coconut cream and roasted pineapple tart, macadamia crust Homemade candy plate: vanilla marshmallows, brown sugar fudge, peanut brittle, chocolate peppermints
Elin Hilderbrand (The Blue Bistro)
There is no longer any denying that this country is in the throes of a historic national crisis. Its ramifications are so vast and frightening that even now, shocked into numbness and disbelief, the American people have not yet fully grasped what is happening to them. The grim data are clear enough and still coming in. Since this summer began, thirty of our cities, big and small, have been wracked by racial dis-order; scores of citizens, almost all of them black, have been killed, thousands injured, and even more arrested. Property damage has exceeded a billion dollars; total income loss is incalculable. As a people, we are not unaccustomed to violence. Frontier lawlessness, Southern vigilante-ism, Chicago gangsterism : these are images and themes embedded in the American tradition. We have only just lost a President to an assassin's bullet. But, having escaped the bombs of two world wars, we are not familiar with the horror of burned-out buildings, smoking rubble, tanks in our streets, the blasts of Molotov cocktails, the ring of snipers' bullets from rooftops. Today we look at sections of Detroit and think of war-torn Berlin. We see rampaging, looting mobs and think of the unstable politics of underdeveloped countries. A nation's identity has been overturned. In our own history we can find no precedent in this century for the massive destruction the past three years have brought to our cities—no precedent since the Civil War. But the greatest toll is not in property damage or even in lives lost. Nor is the greatest danger that the violence will go on in-definitely, any more than the Civil War did. It is that the aftermath of that war will be repeated, that as in the Compromise of 1877 the country will turn its back on the Negro, on the root causes of his discontent, on its own democratic future.
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
There’s no sense of tears threatening to appear. It’s violence that I feel as I watch Adrian and Jannah standing together on the outskirts of the cocktail lounge, laughing over a drink together.
Skyla Summers (Fake Dating Adrian Hunter (Celebrity Fake Dating, #1))
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