Coat Of Many Colors Quotes

A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.

I don't know if you realize this, but there are some researchers - doctors - who are giving this kind of drug to volunteers, to see what the effects are, and they're doing it the proper scientific way, in clean white hospital rooms, away from trees and flowers and the wind, and they're surprised at how many of the experiments turn sour. They've never taken any sort of psychedelic themselves, needless to say. Their volunteers - they're called 'subjects,' of course - are given mescaline or LSD and they're all opened up to their surroundings, very sensitive to color and light and other people's emotions, and what are they given to react to? Metal bed-frames and plaster walls, and an occasional white coat carrying a clipboard. Sterility. Most of them say afterward that they'll never do it again.

My coat of many colors that my mama made for me, Made only from rags, but I wore it so proudly. Now I know we had no money, but I was rich as I could be. In my coat of many colors my mama made for me. Made just for me.

If I can hold God's attention, I can hold the world's..

Once again, the celestial wheel had turned, ushering in a new beginning. In those earliest days, the great I am was the what you can become, and the people of rose river were radiant reflecting the light of the stars in his eyes. With his coat of many colors, he had painted the world in his own image, upon the infinite ocean of time that has no meaning. And when the moon was full, he cultivated a beautiful garden, from whence, with ecstasy's cry, she brought forth the water of life.

Your imagination is the coat of many colors; it can clothe and objectify any idea or desire. You can imagine abundance where lack is, peace where discord is, and health where sickness is.

Consider the following case. Someone is traveling by railway; his mind is busy with one thought; suddenly is thought diverges; he recollects an experience that befell him years ago and interweaves it with his present thought. He did not notice that in looking through the window he had caught sight of a person who resembled another intimately connected with the recollected experience. He remains conscious, not of what he saw, but of the effect it produced, and thus believes that it all came to him of its own accords. How much in life occurs in such a way! How great is the part played in our life by things we hear and learn, without our consciously realizing the connection! Someone, for instance, cannot bear a certain color, but does not realize that this is due to the fact that the schoolmaster who used to worry him many years ago wore a coat of that color. Innumerable illusions are based upon such associations. Many things leave their mark upon the soul while remaining outside the pale of consciousness.

God worked discreetly, and in the ways that pleased Him. It had pleased Him that the Children of Israel should sweat and strain under the Egyptian yoke for generations. It had pleased Him to send Joseph into slavery, his fine coat of many colors ripped rudely from his back. It had pleased Him to allow the visitation of a hundred plagues on hapless Job, and it had pleased Him to allow His only Son to be hung up on a tree with a bad joke written over His head. God was a gamesman—if He had been a mortal, He would have been at home hunkering over a checkerboard on the porch of Pop Mann’s general store back in Hemingford Home. He

But clouds bellied out in the sultry heat, the sky cracked open with a crimson gash, spewed flame-and the ancient forest began to smoke. By morning there was a mass of booming, fiery tongues, a hissing, crashing, howling all around, half the sky black with smoke, and the bloodied sun just barely visible. And what can little men do with their spades, ditches, and pails? The forest is no more, it was devoured by fire: stumps and ash. Perhaps illimitable fields will be plowed here one day, perhaps some new, unheard-of wheat will ripen here and men from Arkansas with shaven faces will weigh in their palms the heavy golden grain. Or perhaps a city will grow up-alive with ringing sound and motion, all stone and crystal and iron-and winged men will come here flying over seas and mountains from all ends of the world. But never again the forest, never again the blue winter silence and the golden silence of summer. And only the tellers of tales will speak in many-colored patterned words about what had been, about wolves and bears and stately green-coated century-old grandfathers, about old Russia; they will speak about all this to us who have seen it with our own eyes ten years - a hundred years! - ago, and to those others, the winged ones, who will come in a hundred years to listen and to marvel at it all as at a fairy tale. ("In Old Russia")

The question is," Harry whispered, trying desperately to joke, "whether it's better to be dead from the neck up or the neck down," and the doctor smiled, knowing Harry was protecting himself with his sense of irony.

Caesar Flickerman, the man who has hosted the interviews for more than forty years, bounces onto the stage. It’s a little scary because his appearance has been virtually unchanged during all that time. Same face under a coating of pure white makeup. Same hairstyle that he dyes a different color for each Hunger Games. Same ceremonial suit, midnight blue dotted with a thousand tiny electric bulbs that twinkle like stars. They do surgery in the Capitol, to make people appear younger and thinner. In District 12, looking old is something of an achievement since so many people die early. You see an elderly person, you want to congratulate them on their longevity, ask the secret of survival. A plump person is envied because they aren’t scraping by like the majority of us. But here it is different. Wrinkles aren’t desirable. A round belly isn’t a sign of success.

FRENCH TOAST I like to cook up a batch, then refrigerate or freeze individual slices in zip-top bags. A quick heating in the toaster or microwave oven and breakfast is ready. Substitute a tablespoon of brown sugar for the dates if you wish. The turmeric is for color; if you don’t have it, just leave it out. PREP: 10 MINUTES | COOK: 15 MINUTES • MAKES 12 SLICES 2 cups Cashew Milk 3 tablespoons chopped, pitted dates 1⁄8 teaspoon ground cinnamon Dash of ground turmeric 12 slices whole wheat bread Pure maple syrup, fruit sauce, or fruit spread, for serving Process 1 cup of the Cashew Milk and the dates, cinnamon, and turmeric in a blender until smooth. Add the remaining 1 cup Cashew Milk and blend a few more moments. Pour the mixture into a bowl and dip slices of bread in it, one at a time, coating them well. Heat a nonstick griddle or skillet over medium heat. Cook as many slices as your pan will handle at a time, turning until both sides are evenly browned. Serve warm with toppings of your choice.

Eleanor bit her lip. Camden West appeared remarkably…sturdy. His shoulders were half the length of the mantle, for pity’s sake, and he wasn’t thin or gangly like so many men of such imposing height. Perhaps he padded his coats? Yes, that must be it. The chest and the arms, anyway. Eleanor’s gaze dropped to his tight, buff-colored breeches. He must pad those, as well. Her face heated. My. That was a great deal of padding.

A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools. Oh my god, said the sergeant.

After many years the woman died, of natural causes. And a few years after that, the ogre died. Eventually, his mistresses died, down on the ground, in the people village, over decades. The war men and women died. The human girl who had escaped her early death died, across the land, over by the ocean, in her shack of blue bowls and rocking chairs. The witch, who had originally made the cake and made up up the spell and given it as a gift to her beloved ogre friend, died. The cake went on and on. Time passed... And the cake, always wanting to please, the cake who had found a way to survive its endlessness by recreating its role over and over again, tried to figure out, in its cake way, what this light-dappled object might want to eat. So it became darkness, a cake of darkness. It did not have to be human food. It did not have to be digestible through a familiar tract. It lay there on the dirt, waiting, a simmering cake of darkness. Through time, and wind, and earthquakes, and chance. At last the cloak fell out of the tree and blew across the land and happened upon the cake where it ate its darkness and extinguished its own dappled light. The cloak disappeared into night and was not seen again, as it was only a piece of coat shaped darkness now and could not be spotted so easily, had there been any eyes left to see it. It floated and joined with nowhere. Darkness was overtaking everything, anyway, pouring over the land and sky. The cake itself, still in the shape of darkness, sat on the hillside. 'What's left?' said the cake. It thought in blocks of feeling. It felt the thick darkness all around it. 'What is left to eat me, to take me in?' Darkness did not want to eat more darkness, not especially. Darkness did not care for carrot cake, or apple pie. Darkness did not seem interested in a water cake or a cake of money. Only when the cake filled with light did it come over. The darkness circling around the light, devouring the light. But the cake kept refilling, as we know. This is the spell of the cake. And the darkness eating light, and again, light, and again, light, lifted.

Besides the fact that you’re a scoundrel at the gaming tables,” she responded tartly, “I’m beginning to suspect that you’re a womanizing rake.” Christopher grinned leisurely as his perusal swept her. “I’ve been a long time at sea. However, I doubt that in your case my reaction would vary had I just left the London Court.” Erienne’s eyes flared with poorly suppressed ire. The insufferable egotist! Did he dare think he could find a willing wench at the back door of the mayor’s cottage? “I’m sure that Claudia Talbot would welcome your company, sir. Why don’t you ride on over to see her? I hear his lordship traveled off to London this morning.” He laughed softly at her sneering tones. “I’d rather be courting you.” “Why?” she scoffed. “Because you want to thwart my father?” His smiling eyes captured hers and held them prisoner until she felt a warmth suffuse her cheeks. He answered with slow deliberation. “Because you are the prettiest maid I’ve ever seen, and I’d like to get to know you better. And of course, we should delve into this matter of your accidents more thoroughly, too.” Twin spots of color grew in her cheeks, but the deepening dusk did much to hide her blush. Lifting her nose primly in the air, Erienne turned aside, tossing him a cool glance askance. “How many women have you told that to, Mr. Seton?” A crooked smile accompanied his reply. “Several, I suppose, but I’ve never lied. Each had their place in time, and to this date, you are the best I’ve seen.” He reached out and taking a handful of the cracklings, he chewed the crisp morsels as he awaited her reaction. A flush of anger spread to the delicate tips of her ears, and icy fire smoldered in the deep blue-violet pools. “You conceited, unmitigated boor!” Her voice was as cold and as flat as the Russian steppes. “Do you think to add me to your long string of conquests?” Her chilled contempt met him face to face until he rose and towered above her. His eyes grew distant, and he reached out a finger to flip a curl that had strayed from beneath the kerchief. “Conquest?” His voice was soft and deeply resonant. “You mistake me, Erienne. In the rush of a moment’s lust, there are purchased favors, and these are for the greater part forgotten. The times that are cherished and remembered are not taken, are not given, but shared, and are thus treasured as a most blissful event.” He lifted his coat on his fingertips and slung it over his shoulder. “I do not ask that you yield to me, nor do I desire to conquer you. All I plead is that you grant me moments now and then that I might present my case, to the end that we could share a tender moment at some distant time.” -Erienne & Christopher

The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.

He ran long at the White House, and arrived late to his next meeting with Hillary Clinton, Jake Sullivan and Frank Ruggiero—their first major strategy session on Taliban talks after the secret meeting with A-Rod. She was waiting in her outer office, a spacious room paneled in white and gilt wood, with tasseled blue and pink curtains and an array of colorfully upholstered chairs and couches. In my time reporting to her later, I only ever saw Clinton take the couch, with guests of honor in the large chair kitty-corner to her. She’d left it open for him that day. “He came rushing in. . . . ” Clinton later said. “And, you know, he was saying ‘oh I’m so sorry, I’m so sorry.’ ” He sat down heavily and shrugged off his coat, rattling off a litany of his latest meetings, including his stop-in at the White House. “That was typical Richard. It was, like, ‘I’m doing a million things and I’m trying to keep all the balls in the air,’ ” she remembered. As he was talking, a “scarlet red” flush went up his face, according to Clinton. He pressed his hands over his eyes, his chest heaving. “Richard, what’s the matter?” Clinton asked. “Something horrible is happening,” he said. A few minutes later, Holbrooke was in an ambulance, strapped to a gurney, headed to nearby George Washington University Hospital, where Clinton had told her own internist to prepare the emergency room. In his typically brash style, he’d demanded that the ambulance take him to the more distant Sibley Memorial Hospital. Clinton overruled him. One of our deputies on the SRAP team, Dan Feldman, rode with him and held his hand. Feldman didn’t have his BlackBerry, so he scrawled notes on a State Department expense form for a dinner at Meiwah Restaurant as Holbrooke dictated messages and a doctor assessed him. The notes are a nonlinear stream of Holbrooke’s indomitable personality, slashed through with medical realities. “Call Eric in Axelrod’s office,” the first read. Nearby: “aortic dissection—type A . . . operation risk @ > 50 percent”—that would be chance of death. A series of messages for people in his life, again interrupted by his deteriorating condition: “S”—Secretary Clinton—“why always together for medical crises?” (The year before, he’d been with Clinton when she fell to the concrete floor of the State Department garage, fracturing her elbow.) “Kids—how much love them + stepkids” . . . “best staff ever” . . . “don’t let him die here” . . . “vascular surgery” . . . “no flow, no feeling legs” . . . “clot” . . . and then, again: “don’t let him die here want to die at home w/ his fam.” The seriousness of the situation fully dawning on him, Holbrooke turned to job succession: “Tell Frank”—Ruggiero—“he’s acting.” And finally: “I love so many people . . . I have a lot left to do . . . my career in public service is over.” Holbrooke cracked wise until they put him under for surgery. “Get me anything you need,” he demanded. “A pig’s heart. Dan’s heart.

WALKING WITH ANGELS IN THE COOL OF THE DAY A short time later I felt someone poke me hard in the left arm. I turned to see who it was, but there was no one there. At the time, I dismissed it and returned my attention to my thoughts. After a minute I was poked again, only this time the poke was accompanied with an audible voice! The Holy Spirit said, “I want to go for a walk with you in the cool of the day.” I jumped up totally flabbergasted. I quickly left the room and grabbed my coat, telling everyone that I was going for a walk in the “cool of the day.” It just happened to be minus 12 degrees Fahrenheit (or minus 24 Celsius)! The moment I walked out the door, the presence of the Holy Spirit fell upon me, and I began to weep again. The tears were starting to freeze on my cheeks, but I did not mind. God began to talk to me in an audible voice. I was walking through the streets of Botwood in the presence of the Holy Ghost. I could also sense that many angels were accompanying us. The angels were laughing and singing as we strolled along the snow-covered streets. It was about 8:00 A.M. The Holy Spirit led me along a road which was on the shore of the North Atlantic Ocean. For the first time since leaving the house, I began to notice that it was very cold. However, it was worth it to be in the presence of the Lord. I was directed to a small breezeway that leads out over the Bay of Exploits (this name truly proved to be quite prophetic) to a tiny island called Killick Island. As we were walking across the breezeway, the wind was whipping off the ocean at about 40 knots. Combined with the negative temperature, the wind was turning my skin numb, and my tears had crystallized into ice on my face and mustache. THE CITY OF REFUGE I said, “Holy Spirit, it is really cold out here, and my face is turning numb.” The Lord replied, “Do not fear; when we get onto this island, there will be a city of refuge.” I had no idea what a city of refuge was, but I hoped that it would be warm and safe. (See Numbers 35:25.) The winter’s day had turned even colder and grayer; there was no sun, and the dark gray sky was totally overcast. Snow was falling lightly, and being blown about by a brisk wind. As we walked onto Killick Island, it got even colder and windier. The Holy Spirit whispered to me, “Do not fear; the city of refuge is just up these steps, hidden in those fir trees.” When I ascended a few dozen steps, I saw a small stand of fir trees to the left. Just before I stepped into the middle of them, a shaft of brilliant bright light, a lone sunbeam, cracked the sky to illuminate the city of refuge. When I entered the little circle of fir trees, what the Holy Spirit had called a “city of refuge,” I encountered the manifest glory of God. Angels were everywhere. It was 8:50 A.M. As we entered, I walked through some kind of invisible barrier. Surprisingly, inside the city of refuge, the temperature was very pleasant, even warm. The bright beam of sunlight slashed into the cold, gray atmosphere. As this heavenly light hit the fresh snow, there appeared to be rainbows of colors that seemed to radiate from the trees, tickling my eyes. Suddenly, the Holy Spirit began to ask me questions. The Lord asked me to “describe what you are seeing.” Every color of the rainbow seemed to dance from the tiny snowflakes as they slowly drifted

Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t. She smiled. Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?” Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures. “By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.” His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes. “It doesn’t suit you anyway,” she said, loading her brush with paint. He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…” “The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.” “Why not? Is the color wrong?” The sudden seriousness in his tone surprised her. “No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.” “Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?” “Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.” “Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?” “No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?” “If I had my way…I wouldn’t.” A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.” He blinked. “He painted a nude study of you?” “No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.” Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?

4/20, CANNABIS DAY, APRIL 20 420 FARMERS’ MARKET RISOTTO Recipe from Chef Herb Celebrate the bounty of a new growing season with a dish that’s perfectly in season on April 20. Better known as 4/20, the once unremarkable date has slowly evolved into a new high holiday, set aside by stoners of all stripes to celebrate the herb among like-minded friends. The celebration’s origins are humble in nature: It was simply the time of day when four friends (dubbed “The Waldos”) met to share a joint each day in San Rafael, California. Little did they know that they were beginning a new ceremony that would unite potheads worldwide! Every day at 4:20 p.m., you can light up a joint in solidarity with other pot-lovers in your time zone. It’s a tradition that has caught on, and today, there are huge 4/20 parties and festivals in many cities, including famous gatherings of students in Boulder and Santa Cruz. An Italian rice stew, risotto is dense, rich, and intensely satisfying—perfect cannabis comfort cuisine. This risotto uses the freshest spring ingredients for a variation in texture and bright colors that stimulate the senses. Visit your local farmers’ market around April 20, when the bounty of tender new vegetables is beginning to be harvested after the long, dreary winter. As for tracking down the secret ingredient, you’ll have to find another kind of farmer entirely. STONES 4 4 tablespoons THC olive oil (see recipe) 1 medium leek, white part only, cleaned and finely chopped ½ cup sliced mushrooms 1 small carrot, grated ½ cup sugar snap peas, ends trimmed ½ cup asparagus spears, woody ends removed, cut into 1-inch-long pieces Freshly ground pepper 3½ cups low-sodium chicken broth ¼ cup California dry white wine Olive oil cooking spray 1 cup arborio rice 1 tablespoon minced fresh flat-leaf parsley ¼ cup freshly grated Parmesan cheese Salt 1. In a nonstick skillet, heat 2 tablespoons of the THC olive oil over medium-low heat. Add leek and sauté until wilted, about 5 minutes. Stir in mushrooms and continue to cook, stirring, for 2 minutes. Add carrot, sugar snap peas, and asparagus. Continue to cook, stirring, for another minute. Remove from heat, season with pepper, and set aside. 2. In a medium saucepan over high heat, bring broth and wine to a boil. Reduce heat and keep broth mixture at a slow simmer. 3. In a large pot that has been lightly coated with cooking spray, heat the remaining 2 tablespoons THC olive oil over medium heat. Add rice and stir well until all the grains of rice are coated. Pour in ½ cup of the hot broth and stir, using a wooden spoon, until all liquid is absorbed. Continue adding the broth ½ cup at a time, making sure the rice has absorbed the broth before adding more, reserving ¼ cup of broth for the vegetables. 4. Combine ¼ cup of the broth with the reserved vegetables. Once all broth has been added to the risotto and absorbed, add the vegetable mixture and continue to cook over low heat for 2 minutes. Rice should have a very creamy consistency. Remove from heat and stir in parsley, Parmesan, and salt to taste. Stir well to combine.

George Washington so liked Edward Savage’s painting of “The President and His Family, the full size of life,” that he ordered “four stipple engravings” in “handsome, but not costly, gilt frames, with glasses,” and hung one of his purchases over the fireplace mantel in the small dining room at Mount Vernon. As the Washington family—George and Martha, and two of Martha’s orphaned grandchildren, George Washington (“Washy”) and Eleanor (“Nelly”) Custis—took their daily repast, Edward Savage’s tableau of “The President and His Family” looked down upon them. It is likely that Washington favored the portrait above many others because of its intimacy and its affirmation of the future. The family gathers about a table at Mount Vernon, George seated at the left, opposite his wife, Martha. Washy, the younger of the two grandchildren, stands in the left foreground, while Nelly stands at the right in the middle ground. Washington rests his right hand upon the boy’s shoulder; Washy, in turn, holds a compass in his right hand, which he rests upon a globe, in a stance suggesting that succeeding generations of the family were destined to spread the ideals of liberty and democracy around the world. In the background, framed by large pillars and a swagged curtain, Savage presents a glimpse, as he said in a note, of “a view of thirty miles down the Potomac River.” On the table at the portrait’s center rests Andrew Ellicott’s map of the new federal seat of government. The family appears to be unrolling the document; Washington holds it flat with his left arm and sword, while Nelly and Martha steady it on the right. With her folded fan, Martha gestures to “the grand avenue,” as Savage called it, that connects the Capitol with the White House. In the right middle ground stands one of the chief contradictions of the new democracy, a nameless black male servant, part of the retinue of more than three hundred slaves the Washingtons depended upon for their comfort, security, and prosperity. Dressed in the colors of Mount Vernon livery, a gray coat over a salmon red waistcoat, he possesses an almost princely quality. His black, combed-back hair frames his dark face with its prominent nose. His unknowable eye impassively takes in the scene. He keeps his left hand enigmatically concealed in his waistcoat; his collar flamboyantly mirrors Washington’s across from him. The slave must remain a shadow, unobtrusive, unassuming, unremarkable, almost a part of the frame for the Potomac. Only the slave’s destiny seems apart from those gathered about the table examining the plans, yet from the beginning the fates of both slavery and the new city were inextricably intertwined. The nameless man’s story, along with the stories of tens of thousands of others, was very much a part of the plot unfolding on the Potomac in the 1790s. The consequences of involuntary servitude would affect and effect Washington’s development to the present day.

Riddle of the Sphinx Moth Your hawk eyed wing peers with fierce stillness upon the day scorched Sonoran sands which, humbled in sparseness like the Sinai, found favor in God’s eye to cloak you in Joseph’s many colored coat. Tail horned larvae, thick in hermetic mystery, raise their headsin sphinx-like pose, riddling enemies with their stony gaze,spitting green soup at trespassers, worthy of Linda Blair in the Exorcist. At dusk you emerge from your cryptic shyness to pry the secrets of the Dune Evening Primrose with your well hung proboscis, so tapered to the task she can’t reproduce without your whirring whispers bruited in her ear, her cloying nectar saved only for you. With pugilist’s craft you woo all the desert blooms, bobbing and weaving like Muhammad Ali midair, swift and relentless, then hovering patiently like predatory helicopters on the Mekong spewing their gift of Agent Orange.

Rosebush by Maisie Aletha Smikle I am a flower I am a thorn I am beautiful I am ugly I can make you happy I can make you sad I can make you smile I can make you cry A rosebush I am With aromatic titillating fragrances Scented to warm the heart And stimulate the senses Like a coat of many colors I come Adorned with needle sharp thorns Designed to prick and puncture For natural therapeutic acupuncture My thorns the Master carried on His head That pricked Him sore till He bled A crown of rosebuds was withheld A crown of thorns was used instead Lovely beautiful prickly rosebush Designed by God the Father With thorns to make its stalks complete Without which the rosebush would be incomplete If one desires a rosebush Be prepared for the thorns For a rose is not a rose Without its prickly thorns The rosebush endowed With its attributes intricately woven Has proven not to deceive But to intrigue mesmerize and hypnotize

The greatest lies always wear Joseph’s Coat of Many Colors. They always flatter to deceive.

The lasagna filled a huge roasting pan, covered in thick browned cheese that was crispy in the corners. "Get me a corner piece, and I'll owe you one," Sanna whispered to Isaac, who sat closer to the pan. "I'll hold you to that." He scooped the darkest corner onto her plate with a wink that caused Sanna's heart to skip. She wished she could come up with a pithy response, but instead she turned her attention to the food, unable to find her words. The garlic bread was made from a local bakery's signature item, the giant Corsica loaf. It was slathered in sesame seeds and baked in olive oil so the bottom was crispy yet dripping. Mrs. Dibble had carved huge slices, coated each with garlic butter, then warmed it until the butter soaked in. The salad rounded it out, something light to balance all the heavy food so you could keep nibbling on lettuce to stretch the time at the table. "Sanna, why don't you pull out a few bottles of cider for dinner?" Einars said. Glad for distraction, Sanna brought out three large bottles she had in the fridge, all from the same batch- toasty brown. Not the most appetizing color, but it was the best match to go with a dinner like this one. It was a nearly still, unfiltered scrumpy style that was layered and complex, but not sweet and not dry. It wasn't acidic, so it didn't compete with the tomato sauce, and the subtle apple notes didn't confuse the palate with too many conflicting flavors. It was refreshing and smooth, a dark amber in color with bits of sediment floating around. She poured it into stemless glasses for each of the adults and enjoyed how the evening light got trapped, making the liquid glow when she held it up in a beam of evening summer sunlight.

Joseph's many colored coat is a type of Christ Jesus, the representative of God in the earth. The glorified Jesus Christ, is laying Christ Jesus, his colors, on the soul man, so that he can be seen in this visible world.

The tramp steamer entered my field of vision as slowly as a wounded saurian. I could not believe my eyes. With the wondrous splendor of Saint Petersburg in the background, the poor ship intruded on the scene, its sides covered with dirty streaks of rust and refuse that reached all the way to the waterline. The captain's bridge, and the row of cabins on the deck for crew members and occasional passengers, had been painted white a long time before. Now a coat of grime, oil, and urine gave them an indefinite color, the color of misery, of irreparable decadence, of desperate, incessant use. The chimerical freighter slipped through the water to the agonized gasp of its machinery and the irregular rhythm of driving rods that threatened at any moment to fall silent forever. Now it occupied the foreground of the serene, dreamlike spectacle that had held all my attention, and my astonished wonder turned into something extremely difficult to define. This nomadic piece of sea trash bore a kind of witness to our destiny on earth, a pulvis eris that seemed truer and more eloquent in these polished metal waters with the gold and white vision of the capital of the last czars behind them. The sleek outline of the buildings and wharves on the Finnish coast rose at my side. At that moment I felt the stirrings of a warm solidarity for the tramp steamer, as if it were an unfortunate brother, a victim of human neglect and greed to which it responded with a stubborn determination to keep tracing the dreary wake of its miseries on all the world's seas. I watched it move toward the interior of the bay, searching for some discreet dock where it could anchor without too many maneuvers and, perhaps, for as little money as possible. The Honduran flag hung at the stern. The final letters of the name that had almost been erased by the waves were barely visible:... cyon. In what seemed too mocking an irony, the name of this old freighter was probably the Halcyon.

Redeemed particularity is part of God’s perfecting plan for his creation. Redeemed uniqueness is a gift of the Spirit allowing ransomed humans to be ‘gifted’ to the world for its common good. As Gunton puts it, ‘The Spirit enables people and things to be themselves through Jesus Christ.’ There is unity but never uniformity… …The redemption of the post-Pentecost world contrasts with the well-intentioned credo of the band U2. In ‘I Still Haven’t Found What I’m Looking For,’ belief in ‘Kingdom come’ coincides with the hope that ‘all the colors’ will eventually ‘bleed into one.’ While this is indeed a worthy hope, it is not quite the biblical one. In Scripture, it is not all who bleed into one but one (Jesus of Nazareth) who ‘bleeds’ into all so that our particularity - our ‘colors’ - are not ‘washed out’ but brightened, like a renovated painting. Pentecost does not return us to a pre-Babel monochrome. Instated, it redeems diversity so that tribe, tongue, and racial contrasts remain, but without the ‘dividing wall’ between us (Eph.2:14). The kingdom itself is a coat of many colors because the Spirit does not wash out but redeems particularity. This also explains why Christ’s Spirit-driven moral influence moves us away from racist, classist, sexist, and nationalist errors. These are gospel issues.

Redeemed particularity is part of God’s perfecting plan for his creation. Redeemed uniqueness is a gift of the Spirit allowing ransomed humans to be ‘gifted’ to the world for its common good. As Gunton puts it, ‘The Spirit enables people and things to be themselves through Jesus Christ.’ There is unity but never uniformity… …The redemption of the post-Pentecost world contrasts with the well-intentioned credo of the band U2. In ‘I Still Haven’t Found What I’m Looking For,’ belief in ‘Kingdom come’ coincides with the hope that ‘all the colors’ will eventually ‘bleed into one.’ While this is indeed a worthy hope, it is not quite the biblical one. In Scripture, it is not all who bleed into one but one (Jesus of Nazareth) who ‘bleeds’ into all so that our particularity - our ‘colors’ are not ‘washed out’ but brightened, like a renovated painting. Pentecost does not return us to a pre-Babel monochrome. Instated, it redeems diversity so that tribe, tongue, and racial contrasts remain, but without the ‘dividing wall’ between us (Eph.2:14). The kingdom itself is a coat of many colors because the Spirit does not wash out but redeems particularity. This also explains why Christ’s Spirit-driven moral influence moves us away from racist, classist, sexist, and nationalist errors. These are gospel issues.

They tore Joseph coat of many colors as evidence of his death and dreams but God brought together his life for his People, to prepare them posterity

So, here they were, face to face with the Son of God! When they had first seen him in the throne room, he had been nearly indistinguishable from the Father. In a manner that defied explanation and description, both he and the entity who had leaned upon the back of the Father’s throne had been one with God himself. Now, outside the throne room, the Son was clearly his own person, yet his majesty and the wonder he evoked were not diminished. He was unsurpassably beautiful. Tall and graceful, he sat upon his fabulous steed with a dignity that emanated pure power. His snow white hair hung to his saddle-back in thick waves, two intricate braids caught back at the temples to form a tiara entwined with gold. Despite his snowy hair, his face, while containing all the eons of heaven, seemed ageless, eternally youthful. His clothing, while utterly elegant, was simple and straightforward. A gown of blazing white was topped by a sleeveless coat of sky blue, and draping all was a cloak of deep, dark scarlet, its ample hood spread out across his shoulders. Everything was trimmed with gold and silver braid, gleaming gems of many colors peeking here and there from the folds. His horse’s tack was fabulous, all of embossed gold and cushioned wood, carved with dazzling intricacy. But, they had only a moment to take all of this in, before the prince saluted them with an outstretched arm. “Good day, friends,” he hailed them. “We meet again.” Gabriel’s heart lurched. He would have returned the salutation, but his voice failed him. Supporting one another, the four archangels were determined not to fall down. But, it was no use. They simply had no strength to stay upright. Besides, they were overcome with the desire to worship this mighty prince. Slumping to the ground, even the most self-assured of them, Lucifer, was brought to his knees. Again, the seraph flew over them, this time raising them to their feet without laying a hand on them. A swift flick of his fingers, and they were upright, once again. By the time they had regained their composure, the prince had dismounted and was walking toward one root of the mammoth tree. “Follow me,” he said, waving them forward. “It is time for us to have a talk.” Michael was the first to comply. Gabriel followed, with Raphael and Uriel close behind, all of them tingling from head to toe.

Each day demands we create our whole world over, disguising the constant horror in a coat of many-colored fictions; we mask out past in the green of Eden, pretend future's shining fruit can sprout from the navel of this present waste.

A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tacked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained weddingveil and some in headgear of cranefeathers or rawhide helmets that bore the horns of buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' eats and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daublings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from hell more horrible yet than the brimstone land of christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.

Let there be light. Gen. 1:3 Let there be enlightenment; let there be understanding. Darkness. Gen. 1:4 Ignorance; lack of enlightenment and understanding. Eden. Gen. 2:8 A delightful place; temporal life. Garden. Gen. 2:8 Metaphorically—a wife; a family. Tree of life in the midst of the garden. Gen. 2:9 Sex; posterity, progeny. The tree of the knowledge of good and evil. Gen. 2:9 Moral law; the knowledge of good and evil. The tree of life. Gen. 2:9 Eternal life. The tree of good and evil. Gen. 2:17 Metaphorically—sexual relationship. Good. Gen. 2:17 Anything perfect. Evil. Gen. 2:17 Anything imperfect; contrary to good; immature. Naked. Gen. 2:25 Exposed; ashamed. Serpent. Gen. 3:1 An enemy; deception. Thorns and thistles. Gen. 3:18 Grievances and difficulties. Sent forth from the garden. Gen. 3:23 A loss of harmony; a lost paradise. God took him away. Gen. 5:24 He died painlessly. He had a heart attack. Sons of God. Gen. 6:2 Good men; the descendants of Seth. My spirit shall not dwell in man forever. Gen. 6:3 I have become weary and impatient. (A scribal note.) The Lord was sorry that He made man. Gen. 6:6 (A scribal note. See Old Testament Light—Lamsa.) I set my bow in the clouds. Gen. 9:13 I set the rainbow in the sky. I have lifted up my hands. Gen. 14:22 I am taking a solemn oath. Thy seed. Gen. 17:7 Your offspring; your teaching. Angels. Gen. 19:1 God’s counsel; spirits; God’s thoughts. Looking behind. Gen. 19:17 Regretting; wasting time. A pillar of salt. Gen. 19:26 Lifeless; stricken dead. As the stars of heaven. Gen. 22:17 Many in number; a great multitude. Went in at the gate. Gen. 23:18 Mature men who sat at the counsel. Hand under thigh. Gen. 24:2 Hand under girdle; a solemn oath. Tender eyed. Gen. 29:17 Attractive eyes. He hath sold us. Gen. 31:15 He has devoured our dowry. Wrestling with an angel. Gen. 32:24 Being suspicious of a pious man. Coat of many colors. Gen. 37:23 A coat with long sleeves meaning learning, honor and a high position. Spilling seed on the ground. Gen. 38:9 Spilling semen on the ground. (An ancient practice of birth control.) No man shall lift up his hand or foot. Gen. 41:44 No man shall do anything without your approval. Put his hand upon thine eyes. Gen. 46:4 Shall close your eyes upon your death bed. Laying on of hands. Gen. 48:14 Blessing and approving a person. His right hand upon the head. Gen. 48:17 A sincere blessing. Unstable as water. Gen. 49:4 Undecided; in a dilemma. The sceptre shall not depart from Judah. Gen. 49:10 There shall always be a king from the lineage of Judah. Washed his garments in wine. Gen. 49:11 He will become an owner of many vineyards. His teeth white with milk. Gen. 49:12 He will have abundant flocks of sheep. His bow abode in strength. Gen. 49:24 He will become a valiant warrior. The stone of Israel. Gen. 49:24 The strong race of Israel. He gathered up his feet. Gen. 49:33 He stretched out his feet—He breathed his last breathe; he died.

The interior spaces aboard the Norego were as dilapidated as her outside. The floors were chipped linoleum, the walls bare metal with large swatches of peeled paint, and the fluorescent lights mounted to the ceilings buzzed loudly. Several of them flickered at erratic intervals, casting the narrow corridor in stark shadow. Esteban led Ghami and Khatahani up a tight companionway with a loose railing and onto another short corridor. He opened the door to his office and gestured for the men to enter. The captain’s cabin could be seen through an open door on the opposite side of the office. The bed was unmade, and the sheets that spilled onto the floor were stained. A single dresser stood bolted to the wall, and the mirror above it had a jagged crack running from corner to corner. The office was a rectangular room with a single porthole so rimed with salt that only murky light came through. The walls were adorned with paintings of sad-eyed clowns done in garish colors on black velvet. Another door led to a tiny bathroom that was filthier than a public washroom in a Tehran slum. So many cigarettes had been smoked in the office that the stale smell seemed to coat everything, including the back of Ghami’s mouth. A lifelong smoker himself, even the Iranian naval officer was disgusted.

Closing my eyes, I can see the main entrance, the paneled front windows, the wide portico and three gray-black speckled granite steps leading up to the massive front door of whisky-colored oak, often propped open by a heavy curling stone and often manned by one red-coated footman, and inside the spacious hall and its white stone floor, with gray star-shaped tiles, and the huge fireplace with its beautiful mantel of ornately carved dark wood, and to one side a kind of utility room, and to the left, by the tall windows, hooks for fishing rods and walking sticks and rubber waders and heavy waterproofs—so many waterproofs, because summer could be wet and cold all over Scotland, but it was biting in this Siberian nook—and then the light brown wooden door leading to the corridor with the crimson carpet and the walls papered in cream, a pattern of gold flock, raised like braille, and then the many rooms along the corridor, each with a specific purpose, like sitting or reading, TV or tea, and one special room for the pages, many of whom I loved like dotty uncles, and finally the castle’s main chamber, built in the nineteenth century, nearly on top of the site of another castle dating to the fourteenth century, within a few generations of another Prince Harry, who got himself exiled, then came back and annihilated everything and everyone in sight.

In an extreme example, the Russian scientist Dmitri Belyaev succeeded in developing a domesticated fox in only forty years.5 In each generation he selected for tameness (and only tame- ness); this eventually resulted in foxes that were friendly and enjoyed human contact, in strong contrast to wild foxes. This strain of tame foxes also changed in other ways: Their coat color lightened, their skulls became rounder, and some of them were born with floppy ears. It seems that some of the genes influenc- ing behavior (tameness in this case) also affect other traits—so when Belyaev selected for tameness, he automatically got changes in those other traits as well. Many of these changes have occurred as side effects of domestication in a number of species—possibly including humans, as we shall see.

The anxiety in me grew, as this place that had always felt like home in my mind began to shed the rose-colored visions I had coated it in. It wasn't quite right. I was welcomed by many, but I didn't belong. It wasn't quite home anymore.

The wardrobe of life has three coats: one with many colors symbolizing favor; wear it with humility; and the second woven with the threads of servitude, integrity, and honesty. It may feel heavy at times, but it shapes the strength of our character. The third coat, adorned with honor, recognition, and elevation, is earned through trials and perseverance; wear it with responsibility and gratitude. In every phase of life, our coats change—from the vibrant colors of favor to the sturdy fabric of integrity, and finally to the robe of honor, each teaching us invaluable lessons

Embury was the first true cocktailian of the modern age, and he took time to analyze the components of a cocktail, breaking them down into a base (usually a spirit, it must be at least 50 percent of the drink); a modifying, smoothing, or aromatizing agent, such as vermouth, bitters, fruit juice, sugar, cream, or eggs; and “additional special flavoring and coloring ingredients,” which he defined as liqueurs and nonalcoholic fruit syrups. Embury taught us that the Ramos Gin Fizz must be shaken for at least five minutes in order to achieve the proper silky consistency, suggested that Peychaud’s bitters be used in the Rob Roy, and noted that “for cocktails, such as the Side Car, a three-star cognac is entirely adequate, although a ten-year-old cognac will produce a better drink.” In the second edition of his book, Embury mentioned that he had been criticized for omitting two drinks from his original work: the Bloody Mary, which he described as “strictly vile,” and the Moscow Mule, as “merely mediocre.” On the subject of Martinis, he explained that although most cocktail books call for the drink to be made with one-third to one-half vermouth, “quite recently, in violent protest of this wishy-washy type of cocktail, there has sprung up the vermouth-rinse method of making Martinis.” He describes a drink made from chilled gin in a cocktail glass coated in vermouth. Embury didn’t approve of either version, and went on to say that a ratio of seven parts gin to one part vermouth was his personal favorite. While Embury was taking his drinking seriously, many Americans were quaffing Martinis by the pitcher, and Playboy magazine commissioned cocktail maven Thomas Mario and, later, Emanuel Greenberg to deliver cocktail news to a nation of people who drank for fun, and did it on a regular basis. Esquire magazine issued its Handbook for Hosts as early as 1949, detailing drinks such as the Sloe Gin Fizz, the Pan American, the “I Died Game, Boys” Mixture, and the Ginsicle—gin with fruit juice or simple syrup poured over chipped ice in a champagne glass. A cartoon in the book depicts a frustrated bartender mopping his fevered brow and exclaiming, “She ordered it because it had a cute name.” The world of cocktails was tilting slightly on its axis, and liquor companies lobbied long and hard to get into the act. In the fifties, Southern Comfort convinced us to make Comfort Manhattans and Comfort Old-Fashioneds by issuing a booklet: How to Make the 32 Most Popular Drinks. By the seventies, when the Comfort Manhattan had become the Improved Manhattan, they were bringing us Happy Hour Mixology Plus a Primer of Happy Hour Astrology, presumably so we would have something to talk about at bars: “Oh, you’re a Virgo—discriminating, keenly analytical, exacting, and often a perfectionist. Wanna drink?

A minute to Dolly's like a lifetime to everybody else.

The doc swore she came out screamin' in the key of E.

Indeed, they felt it their duty to disabuse me of my weaponized history. They had seen so many Malcolmites before and were ready. Their method was rough and direct. Did black skin really convey nobility? Always? Yes. What about the blacks who’d practiced slavery for millennia and sold slaves across the Sahara and then across the sea? Victims of a trick. Would those be the same black kings who birthed all of civilization? Were they then both deposed masters of the galaxy and gullible puppets all at once? And what did I mean by “black”? You know, black. Did I think this a timeless category stretching into the deep past? Yes? Could it be supposed that simply because color was important to me, it had always been so? I

be.” He turned in the chair and reached for his coat. “They have provoked me into this.” “This is not going to be easy, Samuel.” “I know it.” Samuel stood up and jammed on his heavy wool coat with fierce and punitive thrusts of his arms. “Don’t sympathize with me, Colonel. I have lost all goodwill, here.” “You will need all your resolve,” said Grierson. “The Texans will want them executed by cannon, or machete or something.” “Oh yes, I have thought of that many times.” Samuel put on the brown felt hat that he had bought so long ago at Wanamaker’s on Market Street. “I am grateful for your prompt response.” “My duty,” said Grierson. Jiles, Paulette. The Color of Lightning: A Novel (p. 307). HarperCollins e-books. Kindle Edition.

In the recovered light of his watching across so many years, Andy is pleased and reassured to see the two of them merely standing together, standing still, looking silently out into the world and the weather: an old black man with a gray mustache, wearing a work jacket tattered and faded and a similarly historical felt hat, and, no more than a foot from him and exactly beside him, a small white boy in a too-big purple coat, with a face as unguarded, as unmade, as his life still is. Only his quietness and his closeness to the old man tell of his happiness in being where he is. They stand still, the two of them, looking out the door as if to memorize the color of the air.

PPGI steel has a long life and is used widely in furniture, home appliances, and buildings. Wanzhi Steel has been a leading supplier and manufacturer of metal coils and sheets for many years. We have three modern coil coating lines, which can produce up to 320,000 tonnes of material annually. Our equipment includes a variety of slitting, cutting, profiling etc. Our PPGI Steel products are available in a wide range of sizes, colors and finishes. Please contact us to learn more. PPGI stands for pre-painted, galvanized steel. It uses Hot-Dip Galvanized Steel, as its name suggests. After cleaning and pre-treating the galvanized metal, it is then painted with layers of organic coatings such as PE, SMP. HDP. PVDF. After the preparation of the base metal, it is painted with layers organic coatings like PE, HDP or PVDF. Wanzhi Steel sells paints by different brands like Nippon paint and AkzoNobel. This continuous painting is called the coil coating, and results in a multiple-layered structure. The layers consist of the base metal, zinc-coated layer, pretreatment (chemical coating), primer layer, and top/back layer.

The steel that is printed with a pattern comes in a variety of designs. In recent times, due to its attractive appearance, ease of use, and excellent corrosion resistance It has been extensively utilized for household appliances, furniture, and building decorations. Wanzhi Steel, a professional supplier of color-coated sheets, can offer many patterns to meet your needs. The pattern, color, and even the painting can be made to order. Here are a few products we've produced. Applications of Steel Pattern Prepainted 1. Home appliances, including the shells of air conditioners and microwaves, as well as video equipment. 2. Constructions, such as ceilings, walls as well as partition walls, fireproof doors, and sandwich panels. They are often used for interior decoration. 3. Transportation, for instance, the trim panel inside the vehicle, marine bulkhead, etc. 4. Windows & Doors include door panels, garage doors, and security doors, as well as window or door frames. What is the reason for the pattern Printed Steel? 1. Different Colors and Patterns The color-coated steel comes in many designs and colors. It makes the structures appear stunning. Additionally, it has a smooth surface which means there's no need for additional decoration. 2. Light in weight The color-coated coil is simple to install and transport because of its lightweight. This speeds up construction time. One in three is as weighty as brick walls. 3. Fantastic Corrosion Resistance Steel sheet with patterns printed on them uses zinc-coated steel sheets, also known as AL-ZN, as the base metal. This is the reason why the sheet has great resistance to corrosion and rust. In addition, its impact on the heat insulation properties is fantastic. 4. High Strength It preserves the tensile and yield strength of steel so that it has a high strength to withstand breakage and crushing. 5. Environmental-friendly Prefabricated homes made of prepainted printed steel sheets can be recycled and produce less pollution. Besides, it greatly reduces human labor, which makes it more environmentally friendly. The pattern-printed steel is a cost-effective but useful product. Wanzhi Steel offers quality products for a reasonable cost. We can help you select the right patterns for your design. Contact us if you need more details.