Clues Quotes

We've searched our database for all the quotes and captions related to Clues. Here they are! All 100 of them:

No one knows for certain how much impact they have on the lives of other people. Oftentimes, we have no clue. Yet we push it just the same.
Jay Asher (Thirteen Reasons Why)
The whole of life is just like watching a film. Only it's as though you always get in ten minutes after the big picture has started, and no-one will tell you the plot, so you have to work it out all yourself from the clues.
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
Let me give you a tip on a clue to men's characters: the man who damns money has obtained it dishonorably; the man who respects it has earned it.
Ayn Rand (Atlas Shrugged)
Hard is trying to rebuild yourself, piece by piece, with no instruction book, and no clue as to where all the important bits are supposed to go.
Nick Hornby (A Long Way Down)
I tried to be a better person for her– but it was to impress her, to get her to want me. But when I’m around you, I want to be better because… well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you’re like… like light made into flesh. […] You have no clue how beautiful you are or how brightly you shine.
Richelle Mead (The Golden Lily (Bloodlines, #2))
What about you?" "Not a clue. I keep wishing I could bake a cake or something.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.
Mark Z. Danielewski (House of Leaves)
I thought I knew what loneliness was before he found me, but I had no clue. You don't know what real loneliness is until you've known the opposite.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
You wouldn't know a clue if it danced in front of you with a T-Shirt that read 'I'm a clue
Eoin Colfer
I haven’t got a clue why his bones disintegrated, but look at the bright side,” laughed Adam. “We won’t have to dispose of the body. I’ll get a pan and brush in a minute and flush him down the toilet.
Max Nowaz (The Three Witches and the Master)
I'm not the world's greatest expert, but I would have thought that the wizards, witches, trolls, unicorns, ... broomsticks and spells would have given her a clue?' - when J.K. Rowling insisted she wasn't writing fantasy.
Terry Pratchett
I'm often asked what I think about as I run. Usually the people who ask this have never run long distances themselves. I always ponder the question. What exactly do I think about when I'm running? I don't have a clue.
Haruki Murakami (What I Talk About When I Talk About Running)
I have no clue. I have ovaries; therefore, I repel all things mechanical.
M. Leighton (Down to You (The Bad Boys, #1))
Here I am leaving you clues. I am singing now while Rome burns. We are all just trying to be holy. My applejack, my silent night, just mash your lips against me. We are all going forward. None of us are going back.
Richard Siken
A feeling of aversion or attachment toward something is your clue that there's work to be done.
Ram Dass
I've come to believe that there exists in the universe something I call "The Physics of The Quest" — a force of nature governed by laws as real as the laws of gravity or momentum. And the rule of Quest Physics maybe goes like this: "If you are brave enough to leave behind everything familiar and comforting (which can be anything from your house to your bitter old resentments) and set out on a truth-seeking journey (either externally or internally), and if you are truly willing to regard everything that happens to you on that journey as a clue, and if you accept everyone you meet along the way as a teacher, and if you are prepared – most of all – to face (and forgive) some very difficult realities about yourself... then truth will not be withheld from you." Or so I've come to believe.
Elizabeth Gilbert (Eat, Pray, Love)
i think the idea of a 'mental health day' is something completely invented by people who have no clue what it's like to have bad mental health. the idea that your mind can be aired out in twenty-four hours is kind of like saying heart disease can be cured if you eat the right breakfast cereal. mental health days only exist for people who have the luxury of saying 'i don't want to deal with things today' and then can take the whole day off, while the rest of us are stuck fighting the fights we always fight, with no one really caring one way or another, unless we choose to bring a gun to school or ruin the morning announcements with a suicide.
David Levithan (Will Grayson, Will Grayson)
Little by little we human beings are confronted with situations that give us more and more clues that we are not perfect.
Fred Rogers
You tie me up in knots. I want to play you a thousand different songs so you can get a clue of what... I feel inside me...
Katy Evans (Real (Real, #1))
All the same, Thomas now had a plan. As bad as it was, he had a plan. They needed more clues about the code. They needed MEMORIES. So he was going to get stung by a Griever. Go through the Changing. On purpose.
James Dashner (The Maze Runner (The Maze Runner, #1))
Our tendency in the midst of suffering is to turn on God. To get angry and bitter and shake our fist at the sky and say, "God, you don't know what it's like! You don't understand! You have no idea what I'm going through. You don't have a clue how much this hurts." The cross is God's way of taking away all of our accusations, excuses, and arguments. The cross is God taking on flesh and blood and saying, "Me too.
Rob Bell
I come from under the hill, and under the hills and over the hills my paths led. And through the air, I am he that walks unseen. I am the clue-finder, the web-cutter, the stinging fly. I was chosen for the lucky number. I am he that buries his friends alive and drowns them and draws them alive again from the water. I came from the end of a bag, but no bag went over me. I am the friend of bears and the guest of eagles. I am Ringwinner and Luckwearer; and I am Barrel-rider.
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
We’ve got to get these guys to Bubba’s. Anyone got a clue how to do it? (Nick) They gotta be breathing? (Simi) Yes. (Nick and Caleb) Well, pooh. That just takes all the fun out of it. (Simi)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
The most important things are the hardest things to say. They are things you get ashamed of, because words make them smaller. When they were in your head they were limitless; but when they come out they seem to be no bigger than normal things. But that's not all. The most important things lie too close to wherever your secret heart is buried; they are clues that could guide your enemies to a prize they would love to steal. It's hard and painful for you to talk about these things ... and then people just look at you strangely. They haven't understood what you've said at all, or why you almost cried while you were saying it.
Stephen King (The Body)
You know what truly aches? Having so much inside you and not having the slightest clue of how to pour it out.
Karen Quan (Write like no one is reading)
Ava, you missed it when it happened so I’ll clue you in. Last night, around the time you fell asleep against me, you became mine.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
Face this world. Learn its ways, watch it, be careful of too hasty guesses at its meaning. In the end you will find clues to it all.
H.G. Wells (The Time Machine)
Never regret trusting someone. It proves you have a heart. But if he turns out to be a lying worm ... I'm not going to waste my time crying. Because I am way too fabulous for that.
Jude Watson (Beyond the Grave (The 39 Clues, #4))
He was dressed just like on TV, with lots of silver chains and bracelets, ripped jeans, and a black muscle shirt (Which was kind of stupid, since he didn't have any muscles).
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
All right, then, her first rule for the rest of her days: no more looking outside for definitions. She might not have any clue who she was, but better to be lost and searching than shoved into a social box by someone else.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
That’s the worst thing about being young. You really have no clue about all the changes that are coming. And when they come, no matter how people have warned you, you are genuinely surprised
Tarryn Fisher (F*ck Love)
You are the most beautiful creature I have ever seen walking this earth. You have no clue of how beautiful you are or how brightly you shine.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Methinks we have a clue. Be still, my heart.
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
God had been orchestrating the events of my life behind the scenes for years, and I had no clue.
Gregory S. Works (Triumph: Life on the Other Side of Trials, Transplants, Transition and Transformation)
You do things and do things and nobody really has a clue.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
I had a dream about you. We were in the gold room where everyone finally gets what they want. You said Tell me about your books, your visions made of flesh and light and I said This is the Moon. This is the Sun. Let me name the stars for you. Let me take you there. The splash of my tongue melting you like a sugar cube…We were in the gold room where everyone finally gets what they want, so I said What do you want, sweetheart? and you said Kiss me. Here I am leaving you clues. I am singing now while Rome burns. We are all just trying to be holy. My applejack, my silent night, just mash your lips against me. We are all going forward. None of us are going back.
Richard Siken
How can you get very far, If you don't know who you are? How can you do what you ought, If you don't know what you've got? And if you don't know which to do Of all the things in front of you, Then what you'll have when you are through Is just a mess without a clue Of all the best that can come true If you know What and Which and Who.
Benjamin Hoff (The Tao of Pooh)
What are the facts? Again and again and again – what are the facts? Shun wishful thinking, ignore divine revelation, forget what “the stars foretell,” avoid opinion, care not what the neighbors think, never mind the unguessable “verdict of history” – what are the facts, and to how many decimal places? You pilot always into an unknown future; facts are your single clue. Get the facts!
Robert A. Heinlein
One day at a time, sweet Jesus. Whoever wrote that one hadn’t a clue. A day is a fuckin’ eternity
Roddy Doyle (Paula Spencer (Paula Spencer, #2))
I held out the painting of the cat and the snake. “It’s a cat and a snake,” Thoth said. Thank you, god of wisdom. You placed it for us to find, didn’t you? You’re trying to give us some sort of clue.” “Who, me?” Just kill him, Horus said. Shut up, I said. At least kill the guitar.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
She led the way. Eyeless sockets of the dead seemed to stare at them as they passed. "These are cool," Dan decided. "Maybe I could-" "No, Dan," Amy said. "You can't collect human bones." "Awww.
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
The truth is, I don't have a real clue what love is - how to find it, how to give it. Once upon a time I thought I knew.
Ellen Hopkins (Impulse (Impulse, #1))
The little things that you do From across the room I see you sendin' me clues They're in the way You make me move
Demi Lovato
You think Bernadette Maguire killed him?” “Uh… no. She’s, like I said, she’s old.” “Old people can kill people too.” “I know, but…” “She could be a ninja.” “She’s not a ninja, for God’s sake. She’s somebody’s great grandmother.” “I want you to think carefully about this, Kenny. Have you ever seen her with a sword?” “What?” “How about throwing stars?” “This is ridiculous.” “Have you ever seen her dressed up as a ninja? That would have been my first clue.” The girl sucked in her cheeks so she wouldn't laugh out loud.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
I can tell you that you will have your hearts broken more by the people you love than by the people you hate. But you must still dare to love. The rewards are worth far more than the risks.
Margaret Peterson Haddix (Into the Gauntlet (The 39 Clues, #10))
You have no clue," he whispered. "No clue about what?" I whispered back. "What you handed me last night." I took in a deep breath and asked softly, "What did I hand you, honey?" "What's lyin' in that bed." That was when I stopped breathing. "I claimed it," he went on. "But last night you gave it to me. Gift's given, no takin' it back. You get that, Tyra?" "I think so," I whispered. "Get that, baby, it's important.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
As usual, when she has her Kindle in her hand, the world could crumble around her and she wouldn't have a clue.
Aurora Rose Reynolds (Until Trevor (Until, #2))
Laughter isn't even the other side of tears. It is tears turned inside out. Truly the suffering is great, here on earth. We blunder along, shredded by our mistakes, bludgeoned by our faults. Not having a clue where the dark path leads us. But on the whole, we stumble along bravely, don't you think?
Alice Walker
When you lose your parents, the sadness doesn't go away. It just changes. It hits you sideways sometimes instead of head-on. Like now.
Jude Watson (In Too Deep (The 39 Clues, #6))
All you have to do is be a good listener. Nobody really wants to keep secrets, not even the dead. People leave clues everywhere, and if you pay attention, you can piece them together.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
When once your point of view is changed, the very thing which was so damning becomes a clue to the truth.
Arthur Conan Doyle (The Case-Book of Sherlock Holmes (Sherlock Holmes, #9))
I want you so badly it’s like a hunger that gnaws at me endlessly. It doesn’t go away … You have no fucking clue.” “Then do something about it,” I whispered.
Jennifer L. Armentrout (Stone Cold Touch (The Dark Elements, #2))
I hate France. It's like the whole country's on a diet
Gordon Korman (One False Note (The 39 Clues, #2))
I've heard that men are like fine wine. They begin as grapes, and it's up to women to stomp the shit out of them until they turn into something acceptable to have dinner with.
Jill Shalvis (Get a Clue)
When it happens, you’re totally unprepared, fragmented and lost, looking for the hidden meaning in every little thing. I’ve replayed the events of that day a hundred thousand times, looking for clues. An alternate ending. The Butterfly effect. If I could find the butterfly that flapped its wings before we got into the car that day, I would crush it.
Sarah Ockler (Twenty Boy Summer)
Being caught up in a game without having a clue about the rules, may be extremely maddening and frustrating. Liberty may be so frightening and grueling, that many don’t conceal their passion for rules and regulations, since these can give a relieving feeling of security and protection. ("When forgetting the rules of the game" )
Erik Pevernagie
Either we're a team or we aren't. Either you trust me or you don't." Hale took a step toward her. "What's it going to be, Kat?" It is an occupational hazard that anyone who has spent her life learning how to lie eventually becomes bad at telling the truth; in that moment Kat didn't have a clue what to say. I carn't do this with out you sounded trite. What they were doing was to big for a simple please. Hale I-" You know what? Never mind. Either way, I'm in Kat." He seemed utterly resloved as he slipped on his sunglasses. "I'm all in
Ally Carter (Heist Society (Heist Society, #1))
I g-g-guess...I'm dead?" she heard her own voice call out, strangely high-pitched and thin. For a long time, she heard nothing else. And then: "Hi, Dead. I'm Dan.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
Because in real life, unlike in history books, stories come to us not in their entirety but in bits and pieces, broken segments and partial echoes, a full sentence here, a fragment there, a clue hidden in between. in life, unlike in books, we have to weave our stories out of threads as fine as the gossamer veins that run through a butterfly's wings.
Elif Shafak (The Island of Missing Trees)
of all the weapons of destruction that man could invent, the most terrible-and the most powerful-was the word. Daggers and spears left traces of blood; arrows could be seen at a distance. Poisons were detected in the end and avoided. But the word managed to destroy without leaving clues.
Paulo Coelho
Dan was thrilled that the second clue had been safely smuggled out of the church in his pants. "So, really, I saved the day," he decided. "Wait a minute," Amy said, "I climbed onto the roof in the middle of a thunderstorm." "Yeah, but the clue was in my pants.
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
It was my first clue that atheists are my brothers and sisters of a different faith. Like me, they go as far as the legs of reason will carry them - and then they leap. I'll be honest about it. It is not atheists who get stuck in my craw, but agnostics. Doubt is useful for awhile. We must all pass through the garden of Gethsemane. If Christ played with doubt, so must we. If Christ spent an anguished night in prayer, if He burst out from the Cross, "My God, my God, why have you forsaken me?" then surely we are also permitted doubt. But we must move on. To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation.
Yann Martel (Life of Pi)
The old cobbler had believed in something he called "the signature of all things"-namely, that God had hidden clues for humanity's betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator's love.
Elizabeth Gilbert (The Signature of All Things)
To me, it’s simple: if you’ve got the time, use it to get ready. What else could you possibly have to do that’s more important? Yes, maybe you’ll learn how to do a few things you’ll never wind up actually needing to do, but that’s a much better problem to have than needing to do something and having no clue where to start.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
Okay,” I started, “perhaps at this juncture we should discuss our relationship.” “Clue in again, Gwen, the reason our relationship is the way it is, is so I don’t ever have to waste my fuckin’ time doin’ stupid-ass shit like discussing it.” Oh boy. Now I was getting really angry.
Kristen Ashley (Mystery Man (Dream Man, #1))
Never forget that you are not in the world; the world is in you. When anything happens to you, take the experience inward. Creation is set up to bring you constant hints and clues about your role as co-creator. Your soul is metabolizing experience as surely as your body is metabolizing food
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
I've got a few ideas," (Amy) admitted. "But I don't know where we're going in the long term. I mean - have you ever thought about what this ultimate treasure could be?" "Something cool." (Dan) "Oh, that's real helpful. I mean, what could make somebody the most powerful Cahill in history? And why thirty-nine clues?" Dan shrugged. "Thirty-nine is a sweet number. It's thirteen times three. It's also the sum of five prime numbers in a row - 3,5,7,11,13. And if you add the first three powers of three, 3 to the first, 3 to the second, and s to the third, you get thirty-nine." Amy stared at him. "How did you know that?" "What do you mean? It's obvious.
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
Don't think of it as losing a boyfriend. Think of it as gaining a stalker." -Dan Cahill
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
Amy, Dan, and Nellie were sitting at a table in a conference room, examining reproductions of Franklin documents-some so rare, the librarians told her, the only copies existed in Paris. "Yeah, here's a rare grocery list," Dan muttered. "Wow.
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
The time is ripe for looking back over the day, the week, the year, and trying to figure out where we have come from and where we are going to, for sifting through the things we have done and the things we have left undone for a clue to who we are and who, for better or worse, we are becoming. But again and again we avoid the long thoughts….We cling to the present out of wariness of the past. And why not, after all? We get confused. We need such escape as we can find. But there is a deeper need yet, I think, and that is the need—not all the time, surely, but from time to time—to enter that still room within us all where the past lives on as a part of the present, where the dead are alive again, where we are most alive ourselves to turnings and to where our journeys have brought us. The name of the room is Remember—the room where with patience, with charity, with quietness of heart, we remember consciously to remember the lives we have lived.
Frederick Buechner (A Room Called Remember: Uncollected Pieces)
I like to know what I'm celebrating before I put on a party hat.
Margaret Peterson Haddix (Into the Gauntlet (The 39 Clues, #10))
Next thing I remember was waking up on swampy ground and it was beginning to spit rain. I had no clue where I was, but I was hurting like hell. It was hard to take a breath; probably a broken rib or two? I felt around. My gun and knife were gone, along with my shoes and jacket with my cell phone, driver’s license, and two-thousand in cash.
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
With a few swift steps, Adrian stood in front of me again. The wall was only a couple inches behind me, and I had nowhere to go. He made no threatening moves, but he did clasp my hands and hold them to his chest while leaning down to me. “No, you will listen. For once, you’re going to hear something that doesn’t fit into your neat, compartmentalized world of order and logic and reason. Because this isn’t reasonable. If you’re terrified, believe me—this scares the hell out of me, too. You asked about Rose? I tried to be a better person for her—but it was to impress her, to get her to want me. But when I’m around you, I want to be better because… well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you’re like… like light made into flesh. I said it on Halloween and meant every word: you are the most beautiful creature I have ever seen walking this earth. And you don’t even know it. You have no clue how beautiful you are or how brightly you shine.
Richelle Mead (The Golden Lily (Bloodlines, #2))
For someone who'e smarter than a supercomputer, sometimes you're a real idiot.
Gordon Korman (One False Note (The 39 Clues, #2))
The symptoms of abuse are there, and the woman usually sees them: the escalating frequency of put-downs. Early generosity turning more and more to selfishness. Verbal explosions when he is irritated or when he doesn’t get his way. Her grievances constantly turned around on her, so that everything is her own fault. His growing attitude that he knows what is good for her better than she does. And, in many relationships, a mounting sense of fear or intimidation. But the woman also sees that her partner is a human being who can be caring and affectionate at times, and she loves him. She wants to figure out why he gets so upset, so that she can help him break his pattern of ups and downs. She gets drawn into the complexities of his inner world, trying to uncover clues, moving pieces around in an attempt to solve an elaborate puzzle.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Louis-Cesare’s anger suddenly filled the small room like water, and in a heartbeat his eyes went from silver tinged to as solid as two antique coins. I sat frozen, awash in a sea of power. I was beginning to understand why Mircea had wanted him along, only Daddy had failed to mention anything about the hair-trigger temper. I guess he assumed the red hair would clue me in.
Karen Chance (Midnight's Daughter (Dorina Basarab, #1))
Let's scope the place out," he suggested, heading around the side of the building, "and be careful in the bushes." "Why?" Amy asked. "This is South Africa, dude," Dan replied. "Where cobras come from. And not the hot ones, like Ian.
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
Of course, now I had the problem of communicating what I needed. Marlen was still beating on the door, and Dimitri would be up in a couple of minutes. I glared at the human, hoping I looked terrifying. From his expression, I did. I attempted the caveman talk I had with Inna...only this time the message was a little harder. "Stick," I said in Russian. I had no clue what the word for stake was. I pointed at the silver ring I wore and made a slashing motion. "Stick. Where?" He stared at me in utter confusion and then asked, in perfect English, "Why are you talking like that?" "Oh for God's sake," I exclaimed. "Where is the vault?" "Vault?" "A place they keep weapons?" He continued staring. "Oh," he said. "That." Uneasily, he cast his eyes in the direction of the pounding.
Richelle Mead (Blood Promise (Vampire Academy, #4))
One of the most poisonous of all Satan’s whispers is simply, “Things will never change.” That lie kills expectation, trapping our heart forever in the present. To keep desire alive and flourishing, we must renew our vision for what lies ahead. Things will not always be like this. Jesus has promised to “make all things new.” Eye has not seen, ear has not heard all that God has in store for his lovers, which does not mean “we have no clue so don’t even try to imagine,” but rather, you cannot outdream God. Desire is kept alive by imagination, the antidote to resignation. We will need imagination, which is to say, we will need hope.
John Eldredge (The Sacred Romance: Drawing Closer to the Heart of God)
GUESS WHERE I AM. CLUE? she texted back SWEAR U WON'T TELL A SOUL? U HAVE 2 ASK? I reluctantly texted,@ DINNER W. MARCIE'S DAD. #?@#$?!& MY MOM IS DATING HIM. TRAITOR! IF THEY GET MARRIED, U & MARCIE... COULD USE A LITTLE CONSOLATION HERE! DOES HE KNOW UR TEXTING ME? Vee asked . NO. THEY R INSIDE. I'M IN THE PARKING LOT ----COOPERSMITHS. THE PIMP. 2 GOOD 4 APPLEBEE'S, I SEE. I'M GOING 2 ORDER THE MOST EXPENSIVE THINGS ON THE MENU. IF ALL GOES WELL,HIM GOING TO THROW HANK'S DRINK IN HIS FACE 2.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
She holds herself with such reserve. She smiles, but the smile doesn't reach her eyes, even in the company of the girls she's chosen to eat with. Why? I have no clue, and I really don't want to spend my time worrying about it. But my brain pushes at the question anyway. Why are people aloof? Because they don't want to let others in. Why don't they want to let others in? Well, sometimes because they're shy, and sometimes because they're convinced of their own superiority. But those aren't the only reasons. Sometimes it's because thay have something to hide.
Lauren Myracle (Bliss (Crestview Academy, #1))
Ron and Hermione were still smirking and Harry felt his temper rise; he wasn’t even sure why he was feeling so angry. “Don’t sit there grinning like you know better than I do, I was there, wasn’t I?” he said heatedly. “I know what went on, all right? And I didn’t get through any of that because I was brilliant at Defense Against the Dark Arts, I got through it all because — because help came at the right time, or because I guessed right — but I just blundered through it all, I didn’t have a clue what I was doing — STOP LAUGHING!
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
No, you will listen. For once, you're going to hear something that doesn't fit into your neat, compartmentalized world of order and logic and reason. Because this isn't reasonable. If you're terrified, believe me--this scares the hell out of me, too. You asked about Rose? I tried to be a better person for her--but it was to impress her, to get her to want me. But when I'm around you, I want to be better because...well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you're like...like light made into flesh. I said it on Halloween and meant every word: you are the most beautiful creature I have ever seen walking this earth. And you don't even know it. You have no clue how beautiful you are or how brightly you shine.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Where do babies come from? Don't bother asking adults. They lie like pigs. However, diligent independent research and hours of playground consultation have yielded fruitful, if tentative, results. There are several theories. Near as we can figure out, it has something to do with acting ridiculous in the dark. We believe it is similar to dogs when they act peculiar and ride each other. This is called "making love". Careful study of popular song lyrics, advertising catch-lines, TV sitcoms, movies, and T-Shirt inscriptions offers us significant clues as to its nature. Apparently it makes grown-ups insipid and insane. Some graffiti was once observed that said "sex is good". All available evidence, however, points to the contrary.
Matt Groening (Childhood Is Hell)
I wanted to hurt you but the victory is that I could not stomach it. We have swallowed him up, they said. It’s beautiful. It really is. I had a dream about you. We were in the gold room where everyone finally gets what they want. You said Tell me about your books, your visions made of flesh and light and I said This is the Moon. This is the Sun. Let me name the stars for you. Let me take you there. The splash of my tongue melting you like a sugar cube… We were in the gold room where everyone finally gets what they want, so I said What do you want, sweetheart? and you said Kiss me. Here I am leaving you clues. I am singing now while Rome burns. We are all just trying to be holy. My applejack, my silent night, just mash your lips against me. We are all going forward. None of us are going back.
Richard Siken
Purple light passed over the paper, but nothing happened. "Next!" Amy said. She was sure the man in black was going to burst in on them any second. "Whoa!" Dan said. Amy gripped his arm. "You found it?" "No, but look! This whole essay - 'To the Royal Academy.' He wrote a whole essay on farts!" Dan grinned with delight. "He's proposing a scientific study on different fart smells. You're right, Amy. This guy was a genius!
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. There are objects and people that disappear from your sight or knowledge or possession; you lose a bracelet, a friend, the key. You still know where you are. Everything is familiar except that there is one item less, one missing element. Or you get lost, in which case the world has become larger than your knowledge of it. Either way, there is a loss of control. Imagine yourself streaming through time shedding gloves, umbrellas, wrenches, books, friends, homes, names. This is what the view looks like if you take a rear-facing seat on the train. Looking forward you constantly acquire moments of arrival, moments of realization, moments of discovery. The wind blows your hair back and you are greeted by what you have never seen before. The material falls away in onrushing experience. It peels off like skin from a molting snake. Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.
Rebecca Solnit (A Field Guide to Getting Lost)
It’s of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. Sentiment equals naïveté on this continent... ...Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naive and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.
David Foster Wallace (Infinite Jest)
The clue to everything a man should love and fear in her was there right from the start in the ironic smile that primed and swelled the archery of her full lips. There was pride in that smile and confidence in the set of her fine nose. Without understanding why I knew beyond question that a lot of people would mistake her pride for arrogance and confuse her confidence with impassivity. I didn't make that mistake. My eyes were lost swimming floating free in the shimmering lagoon of her steady even stare. Her eyes were large and spectacularly green. It was the green that trees are in vivid dreams. It was the green that the sea would be if the sea were perfect.
Gregory David Roberts (Shantaram)
Samuel Vimes dreamed about Clues. He had a jaundiced view of Clues. He instinctively distrusted them. They got in the way. And he distrusted the kind of person who’d take one look at another man and say in a lordly voice to his companion, “Ah, my dear sir, I can tell you nothing except that he is a left-handed stonemason who has spent some years in the merchant navy and has recently fallen on hard times,” and then unroll a lot of supercilious commentary about calluses and stance and the state of a man’s boots, when exactly the same comments could apply to a man who was wearing his old clothes because he’d been doing a spot of home bricklaying for a new barbecue pit, and had been tattooed once when he was drunk and seventeen* and in fact got seasick on a wet pavement. What arrogance! What an insult to the rich and chaotic variety of the human experience!
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door. He was so utterly shocked that it took him a moment to run after her. With a meaningful nod in the direction of the astounded Cahills, she barreled down the cobblestone street with her load. "Fermati!" shouted the cashier, scrambling in breathless pursuit. Nellie let a few CDs drop and watched with satisfaction over her shoulder as the clerk stopped to pick them up. The trick would be to keep the chase going just long enough for Amy and Dan to search Disco Volante. Yikes, she reflected suddenly, I'm starting to think like a Cahill.... And if she was nuts enough to hang around this family, it was only going to get worse.
Gordon Korman (One False Note (The 39 Clues, #2))
His appearance gives no clue to what his profession might be, and yet he doesn't look like a man without a profession either. Consider what he's like: He always knows what to do. He knows how to gaze into a woman's eyes. He can put his mind to any question at any time. He can box. He is gifted, strong-willed, open-minded, fearless, tenacious, dashing, circumspect—why quibble, suppose we grant him all those qualities—yet he has none of them! They have made him what he is, they have set his course for him, and yet they don't belong to him. When he is angry, something in him laughs. When he is sad, he is up to something. When something moves him, he turns against it. He'll always see a good side to every bad action. What he thinks of anything will always depend on some possible context—nothing is, to him, what it is: everything is subject to change, in flux, part of a whole, of an infinite number of wholes presumably adding up to a super-whole that, however, he knows nothing about. So every answer he gives is only a partial answer, every feeling an opinion, and he never cares what something is, only 'how' it is—some extraneous seasoning that somehow goes along with it, that's what interests him.
Robert Musil (The Man Without Qualities)
I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you
Rudy Francisco
My belief is that when you're telling the truth, you're close to God. If you say to God, "I am exhausted and depressed beyond words, and I don't like You at all right now, and I recoil from most people who believe in You," that might be the most honest thing you've ever said. If you told me you had said to God, "It is all hopeless, and I don't have a clue if You exist, but I could use a hand," it would almost bring tears to my eyes, tears of pride in you, for the courage it takes to get real-really real. It would make me want to sit next to you at the dinner table. So prayer is our sometimes real selves trying to communicate with the Real, with Truth, with the Light. It is us reaching out to be heard, hoping to be found by a light and warmth in the world, instead of darkness and cold. Even mushrooms respond to light - I suppose they blink their mushroomy eyes, like the rest of us. Light reveals us to ourselves, which is not always so great if you find yourself in a big disgusting mess, possibly of your own creation. But like sunflowers we turn toward light. Light warms, and in most cases it draws us to itself. And in this light, we can see beyond our modest receptors, to what is way beyond us, and deep inside.
Anne Lamott (Help Thanks Wow: The Three Essential Prayers)
What?” I cut him off. “That’s not true—I do take this seriously—” “Bullshit.” He laughs a short, sharp, angry laugh. “All you do is sit around and think about your feelings. You’ve got problems. Boo-freaking-hoo,” he says. “Your parents hate you and it’s so hard but you have to wear gloves for the rest of your life because you kill people when you touch them. Who gives a shit?” He’s breathing hard enough for me to hear him. “As far as I can tell, you’ve got food in your mouth and clothes on your back and a place to pee in peace whenever you feel like it. Those aren’t problems. That’s called living like a king. And I’d really appreciate it if you’d grow the hell up and stop walking around like the world crapped on your only roll of toilet paper. Because it’s stupid,” he says, barely reining in his temper. “It’s stupid, and it’s ungrateful. You don’t have a clue what everyone else in the world is going through right now. You don’t have a clue, Juliette. And you don’t seem to give a damn, either.” I swallow, so hard. “Now I am trying,” he says, “to give you a chance to fix things. I keep giving you opportunities to do things differently. To see past the sad little girl you used to be—the sad little girl you keep clinging to—and stand up for yourself. Stop crying. Stop sitting in the dark counting out all your individual feelings about how sad and lonely you are. Wake up,” he says. “You’re not the only person in this world who doesn’t want to get out of bed in the morning. You’re not the only one with daddy issues and severely screwed-up DNA. You can be whoever the hell you want to be now. You’re not with your shitty parents anymore. You’re not in that shitty asylum, and you’re no longer stuck being Warner’s shitty little experiment. So make a choice,” he says. “Make a choice and stop wasting everyone’s time. Stop wasting your own time. Okay?
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Advice to friends. Advice to fellow mothers in the same boat. "How do you do it all?" Crack a joke. Make it seem easy. Make everything seem easy. Make life seem easy and parenthood and marriage and freelancing for pennies, writing a novel and smiling after a rejection, keeping the faith after two, reminding oneself that four years of work counted for a lot, counted for everything. Make the bed. Make it nice. Make the people laugh when you sit down to write and if you can't make them laugh make them cry. Make them want to hug you or hold you or punch you in the face. Make them want to kill you or fuck you or be your friend. Make them change. Make them happy. Make the baby smile. Make him laugh. Make him dinner. Make him proud. Hold the phone, someone is on the other line. She says its important. People are dying. Children. Friends. Press mute because there is nothing you can say. Press off because you're running out of minutes. Running out of time. Soon he'll be grown up and you'll regret the time you spent pushing him away for one more paragraph in the manuscript no one will ever read. Put down the book, the computer, the ideas. Remember who you are now. Wait. Remember who you were. Wait. Remember what's important. Make a list. Ten things, no twenty. Twenty thousand things you want to do before you die but what if tomorrow never comes? No one will remember. No one will know. No one will laugh or cry or make the bed. No one will have a clue which songs to sing to the baby. No one will be there for the children. No one will finish the first draft of the novel. No one will publish the one that's been finished for months. No one will remember the thought you had last night, that great idea you forgot to write down.
Rebecca Woolf
It's cool in the basement, so I pull the blanket up to my chest. Caleb slides in beside me, and I feel his bare legs against mine. "You're shivering," he says, his voice a low whisper. "I'm a little cold... and a little nervous." "Don't be nervous, Maggie. It's juste me." It's the real Caleb, without the tough facade. I'm glad it's completely dark now and he can't see my trembling fingers as they move up to his beautiful face. "I know." He pulls me closer. I rest my head in the crook of his arm and am more content than ever. "Maggie ?" "Yeah ?" "Thanks." "For what ?" "For making me feel alive again." I drape my arm across his chest, the warmth of his skin melting into mine. I want to remember this night forever, because we'll probably never get another chance to hold each other like this again. It makes me want to do more than just sleep in his arms. I try and relax, to slow my own erratic heartbeat as I wrap my right leg, the one that wasn't severely damaged in the accident, around him. It's a definite hint that I'm ready to do more than just lie in his arms. He moans in response. "Maggie, you're treading into dangerous territory. I'm trying to be a good, honorable guy here." " I know. But I'm not asking you to be one." "You sure you know what you're getting into ?" "Nope. I've got no clue." I start kissing and feeling my way across his broad chest. "You're killing me", he says, his hands slowly reaching for me and urging me up so we're face to face.
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
GGRRROOCCCCK... Ian's knees buckled. The rock outcropping shook the ground, sending a spew of grayish dust that quickly billowed around them. Shielding his eyes, he spotted Amy standing by the figurine, which was now moving toward her. She was in shock, her backpack on the ground by her feet. "Get back!" he shouted. Ian pulled Amy away and threw her to the ground, landing on top of her. Gravel showered over his back, embedding into his hair and landing on the ground like a burst of applause. His second though was that the shirt would be ruined. And this was the shock of it-that his first thought had not been about the shirt. Or the coin. Or himself. It had been about her. But that was not part of the plan. She existed for a purpose. She was a tactic, a stepping stone. She was... "Lovely," he said. Amy was staring up at him, petrified, her eyelashes flecked with dust. Ian took her hand, which was knotted into a fist. "Y-y-you don't have to do that," she whispered. "Do what?" Ian asked. "Be sarcastic. Say things like 'lovely.' You saved my life. Th-thank you." "My duty," he replied. He lowered his head and allowed his lips to brush hers. Just a bit.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling" It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face. The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith) Being alone has nothing to do with how many people are around. (J.R. Moehringer) You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way. At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words. The dream was obviously a sign: he was too enticing to resist. Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it. I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night. Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened. Because I'm So uncool and so afraid. If there was a clue, that meant the mystery was still intact I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding. This was not a haystack. We were people, and people had ways of finding eachother. It was one of those moments when you feel the future so much that is humbles the present. Don't worry. It's your embarrassment at not having the thought that counts. You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately. Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head You should never wish for wishful thinking
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))