Club Short Quotes

We've searched our database for all the quotes and captions related to Club Short. Here they are! All 100 of them:

Super-secret Ninja Club sounds way cooler than the whole BFF thing.
Stephenie Meyer (The Short Second Life of Bree Tanner (The Twilight Saga, #3.5))
Life’s too short to play small with your talents,
Robin S. Sharma (The 5 AM Club: Own Your Morning. Elevate Your Life)
Age is real life is short. It's foolhardy to deny it. We grow up, our bodies grow frail, death is coming. There's so much I want to do! There's a whole world out there I havent seen, ppl I havent met and who havent know me. God, there 're a million books I want to read. I dont want to sleep... I want to be awake. This is my life - I want to live it
Mary Alice Monroe (The Book Club)
You know this girl. Her hair is neither long nor short nor light nor dark. She parts it precisely in the middle. She sits precisely in the middle of the classroom, and when she used to ride the school bus, she sat precisely in the middle of that, too. She joins clubs, but is never the president of them. Sometimes she is the secretary; usually, just a member. When asked, she has been known to paints sets for the school play. She always has a date to the dance, but is never anyone’s first choice. In point of fact, she’s nobody’s first choice for anything. Her best friend became her best friend when another girl moved away. She has a group of girls she eats lunch with every day, but God, how they bore her. Sometimes, when she can’t stand it anymore, she eats in the library instead. Truth be told, she prefers books to people, and the librarian always seems happy to see her. She knows there are other people who have it worse—she isn’t poor or ugly or friendless or teased. Of course, she’s also aware that the reason no one teases is because no one ever notices her. This isn’t to say she doesn’t have qualities. She is pretty, maybe, if anyone would bother to look. And she gets good enough grades. And she doesn’t drink and drive. And she says NO to drugs. And she is always where she says she will be. And she calls when she’s going to be late. And she feels a little, just a little, dead inside. She thinks, You think you know me, but you don’t. She thinks, None of you has any idea about all the things in my heart. She thinks, None of you has any idea how really and truly beautiful I am. She thinks, See me. See me. See me. Sometimes she thinks she will scream. Sometimes she imagines sticking her head in an oven. But she doesn’t. She just writes it all down in her journal and waits. She is waiting for someone to see.
Gabrielle Zevin (Love Is Hell)
We followed the bondage Bobbsey Twins across the crowded dance floor. Those leather shorts were an adventure from behind, let me tell you. And the pictures of Elvis decorating the walls were an education, too. It wasn’t often you ran into a bondage/Elvis/ whorehouse-themed vampire club.
Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
You can't worry about what other people think you should do. The only way you'll ever be happy or make a real difference is by pursuing the things that motivate you and make you excited to be alive. Life is too short to waste years of it being miserable or asking 'What if?
Dana Bate (The Girls' Guide to Love and Supper Clubs)
Say to yourself in the kindest possible way, Look, honey, all we’re going to do for now is to write a description of the river at sunrise, or the young child swimming in the pool at the club, or the first time the man sees the woman he will marry. That is all we are going to do for now. We are just going to take this bird by bird. But we are going to finish this one short assignment.
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
(...)"Flapper"— the notorious character type who bobbed her hair, smoked cigarettes, drank gin, sported short skirts, and passed her evenings in steamy jazz clubs, where she danced in a shockingly immodest fashion with a revolving cast of male suitors.
Joshua Zeitz (Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern)
When getting my nose in a book Cured most things short of school, It was worth ruining my eyes To know I could still keep cool, And deal out the old right hook To dirty dogs twice my size. Later, with inch-thick specs, Evil was just my lark: Me and my coat and fangs Had ripping times in the dark. The women I clubbed with sex! I broke them up like meringues. Don't read much now: the dude Who lets the girl down before The hero arrives, the chap Who's yellow and keeps the store Seem far too familiar. Get stewed: Books are a load of crap. (A Study Of Reading Habits)
Philip Larkin (Collected Poems)
I had to suppress a smile. Sherlock Holmes once remarked of his brother, Mycroft, that you were as unlikely to find him outside of the Diogenes Club as you were to meet a tramcar coming down a country lane. Like Mycroft, Father had his rails, and he ran on them. Except for church and the occasional short-tempered dash to the train to attend a stamp show, Father seldom, if ever, stuck his nose out-of-doors.
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
Norm was lean, his short, straight black hair parted on the side, his mustache trimmed like he’d never heard of Adolf Hitler.
Jane Sunday (The Good Book Club (A Jane Sunday Mystery))
All his days, no matter what the odds, he had never run from a fight. But the club of the man in the red sweater had beaten into him a more fundamental and primitive code. Civilized, he could have died for a moral consideration, say the defence of Judge Miller's riding-whip; but the completeness of his decivilization was now evidenced by his ability to flee from the defence of a moral consideration and so save his hide. He did not steal for joy of it, but because of the clamor of his stomach. He did not rob openly, but stole secretly and cunningly, out of respect for club and fang. In short, the things he did were done because it was easier to do them than not to do them.
Jack London (The Call of the Wild)
She said to me, over the phone She wanted to see other people I thought, Well then, look around. They're everywhere Said that she was confused... I thought, Darling, join the club 24 years old, Mid-life crisis Nowadays hits you when you're young I hung up, She called back, I hung up again The process had already started At least it happened quick I swear, I died inside that night My friend, he called I didn't mention a thing The last thing he said was, Be sound Sound... I contemplated an awful thing, I hate to admit I just thought those would be such appropriate last words But I'm still here And small So small.. How could this struggle seem so big? So big... While the palms in the breeze still blow green And the waves in the sea still absolute blue But the horror Every single thing I see is a reminder of her Never thought I'd curse the day I met her And since she's gone and wouldn't hear Who would care? What good would that do? But I'm still here So I imagine in a month...or 12 I'll be somewhere having a drink Laughing at a stupid joke Or just another stupid thing And I can see myself stopping short Drifting out of the present Sucked by the undertow and pulled out deep And there I am, standing Wet grass and white headstones all in rows And in the distance there's one, off on its own So I stop, kneel My new home... And I picture a sober awakening, a re-entry into this little bar scene Sip my drink til the ice hits my lip Order another round And that's it for now Sorry Never been too good at happy endings...
Eddie Vedder
How do I get my point heard? How do I get it noticed? How do I get to belong in the discussion? I am sure it is something some men feel too, but if there’s one thing that bonds women of all backgrounds, of all political colours, in all kinds of business and profession, it is the classic experience of the failed intervention; you’re at a meeting, you make a point, then a short silence follows, and after a few awkward seconds some man picks up where he had just left off: ‘What I was saying was …’ You might as well never have opened your mouth, and you end up blaming both yourself and the men whose exclusive club the discussion appears to be.
Mary Beard (Women & Power: A Manifesto)
The french are a moral people--judged, that is, by american country club standards.
John Steinbeck (The Short Reign of Pippin IV)
In the years that followed, I failed her so many times, each time asserting my own will, my right to fall short of expectations.
Amy Tan (The Joy Luck Club)
(Fishing) is as boring as boring gets. And then when it's finally not boring and you have a fish on the line it turns into a crime scene with a wooden club and a crazy amount of hitting.
Holly Goldberg Sloan (Short)
Yuki-eh, you must learn to be a lady. I don't think I ever quite learned to do that. I liked my music loud. My skirts short - I know, Mommy, even this one is too short! She wanted me to marry a lawyer - instead, I became one.
James Patterson (5th Horseman (Women's Murder Club, #5))
General manager Frank Lane made his mark on the club by making several unpopular or unsuccessful trades. Among the guys he traded to other teams are Rocky Colavito, Roger Maris, Norm Cash, and … manager Joe Gordon? Uh, yes. Lane and Detroit GM Bill DeWitt traded managers—Joe Gordon for Jimmy Dykes. Lane’s tenure ended shortly thereafter, long before the damage he caused.
Tucker Elliot
did not steal for joy of it, but because of the clamor of his stomach. He did not rob openly, but stole secretly and cunningly, out of respect for club and fang. In short, the things he did were done because it was easier to do them than not to do them.
Jack London (The Call of the Wild)
The realisation of our mortality came slowly, in dribs and drabs, until we bleakly acknowledged that everything was on loan to us for a short time—the world, our possessions, the people we knew and loved. But we could not spend our time dwelling on our mortality; we still had to behave as if the worst would not happen, for otherwise we would not do very much, we would be defeated and give up.
Alexander McCall Smith (The Double Comfort Safari Club (No. 1 Ladies' Detective Agency, #11))
As proof of her faith, my mother used to carry a samll leatherette Bible when she went to the First Chinese Baptist Church every Sunday. But later, after my mother lost her faith in God, that leatherette Bible would up wedged under a too-short table leg, a way for her to correct the imbalances of life. It's been there for over twenty years. My mother pretends that Bible isn't there. Whenever anyone asks her what it's doing there, she says, a little too loudly, "Oh, this? I forgot." But I know she sees it. My mother is not the best housekeeper in the world, and after all these years that Bigle is still clean white... My mother, she stills pay attention to it. That Bible under the table, I know she sees it. I remember seeing her write in it before she wedged it under. I lift the table and slide the Bible out. I put the Bible on the table, flipping quickly through the pages, because I know it's there. On the page before the New Testament begins, there's a section called "Deaths," and that's where she wrote "Bing Hsu" lightly, in erasable pencil.
Amy Tan (The Joy Luck Club)
I don't eat the sandwich that Mom made for me, but luckily Randy finishes his and is happy to take mine, too, so I won't get yelled at for wasting food. There is nothing worse in my mom's eyes. I guess murder would be worse, but I think she believes the first step toward a violent life is being a food-waster.
Holly Goldberg Sloan (Short)
Among us English-speaking peoples especially do the praises of poverty need once more to be boldly sung. We have grown literally afraid to be poor. We despise any one who elects to be poor in order to simplify and save his inner life. If he does not join the general scramble and pant with the money-making street, we deem him spiritless and lacking in ambition. We have lost the power even of imagining what the ancient idealization of poverty could have meant: the liberation from material attachments, the unbribed soul, the manlier indifference, the paying our way by what we are or do and not by what we have, the right to fling away our life at any moment irresponsibly—the more athletic trim, in short, the moral fighting shape. When we of the so-called better classes are scared as men were never scared in history at material ugliness and hardship; when we put off marriage until our house can be artistic, and quake at the thought of having a child without a bank-account and doomed to manual labor, it is time for thinking men to protest against so unmanly and irreligious a state of opinion. It is true that so far as wealth gives time for ideal ends and exercise to ideal energies, wealth is better than poverty and ought to be chosen. But wealth does this in only a portion of the actual cases. Elsewhere the desire to gain wealth and the fear to lose it are our chief breeders of cowardice and propagators of corruption. There are thousands of conjunctures in which a wealth-bound man must be a slave, whilst a man for whom poverty has no terrors becomes a freeman. Think of the strength which personal indifference to poverty would give us if we were devoted to unpopular causes. We need no longer hold our tongues or fear to vote the revolutionary or reformatory ticket. Our stocks might fall, our hopes of promotion vanish, our salaries stop, our club doors close in our faces; yet, while we lived, we would imperturbably bear witness to the spirit, and our example would help to set free our generation. The cause would need its funds, but we its servants would be potent in proportion as we personally were contented with our poverty. I recommend this matter to your serious pondering, for it is certain that the prevalent fear of poverty among the educated classes is the worst moral disease from which our civilization suffers.
William James (Varieties of Religious Experience, a Study in Human Nature)
Life is too short to be fighting for what is not rightfully yours.
Gift Gugu Mona (The Philosophy of an African Child: A Compendium of Quotes)
She knows exactly what she wants under that pretty façade
Louisa Lush (Dirty in the Club: Short Story Steamy Romance (Naughty Charm))
short, dark hair and strong shoulders. He had a handsome, intelligent
James Patterson (1st to Die (Women's Murder Club, #1))
Dear Daughter, Pray and hold on to the Hand of God; it will get you to the top.
Gift Gugu Mona (Dear Daughter: Short and Sweet Messages for a Queen)
Dear Daughter, Pray for a Divine touch, so that as you live your life; you will not miss the mark.
Gift Gugu Mona (Dear Daughter: Short and Sweet Messages for a Queen)
Dear Daughter, The best thing you can do is be the best version of yourself.
Gift Gugu Mona (Dear Daughter: Short and Sweet Messages for a Queen)
Did you do something crazy, like cut it all off?” “Well,” I said, “not all.” “But it’s real short, right?” “Yeah, but —” “Why did you do it?
Ann M. Martin (Mary Anne's Makeover (The Baby-Sitters Club, #60))
When church becomes a club, parables become pedestrian.
Amy-Jill Levine (Short Stories by Jesus: The Enigmatic Parables of a Controversial Rabbi)
What else? Well, she belongs to a book review club, one her mother helped start, that meets once a month in some Highland Park home. If it’s a particularly interesting home, she’ll go.
A.C. Greene (The Highland Park Woman: A Collection of Short Stories)
To cope, he and his siblings – older and younger sisters, a younger brother - created a game called Henry Kissinger. Palahniuk remembers that as their parents fought, lots would be drawn to see who would play Kissinger. 'This was the early to mid-70s, when Kissinger was a hero, forging peace in the Middle East,' he explains. 'Whoever became Henry Kissinger would have to go and redirect our parents’ attention or anger to a different crisis.' The child who drew the short straw would severely hurt himself, presenting himself as 'this injured thing' in an effort to diffuse conflict.
Antonella Gambotto-Burke (Mouth)
That bitch should not be in a club like this. As if her language is not enough indication, there is also the matter of her Hot Topic mallrat outfit: short black leather skirt with buckles up the side, mass-produced “vintage” Ramones T-shirt, and piss-yellow leggings with some horrible pair of pink patent-leather shoes. She looks like a neon sign bumblebee by way of early Debbie Harry rip-off.
Rachel Cohn (Nick & Norah's Infinite Playlist)
Most of these stories are on the tragic side. But the reader must not suppose that the incidents I have narrated were of common occurrence. The vast majority of these people, government servants, planters, and traders, who spent their working lives in Malaya were ordinary people ordinarily satisfied with their station in life. They did the jobs they were paid to do more or less competently,. They were as happy with their wives as are most married couples. They led humdrum lives and did very much the same things every day. Sometimes by way of a change they got a little shooting; but at a rule, after they had done their day's work, they played tennis if there were people to play with, went to the club at sundown if there was a club in the vicinity, drank in moderation, and played bridge. They had their little tiffs, their little jealousies, their little flirtations, their little celebrations. They were good, decent, normal people. I respect, and even admire, such people, but they are not the sort of people I can write stories about. I write stories about people who have some singularity of character which suggests to me that they may be capable of behaving in such a way as to give me an idea that I can make use of, or about people who by some accident or another, accident of temperament, accident of environment, have been involved in unusual contingencies. But, I repeat, they are the exception.
W. Somerset Maugham (Collected Short Stories: Volume 4)
Some days I would take the train into Manhattan. There was so much money everywhere, money flowing out of bistros and cafes, money pushing the people, at incredible speeds, up the wide avenues, money drawing intergalactic traffic through Times Square, money in the limestones and brownstones, money out on West Broadway where white people spilled out of wine bars with sloshing glasses and without police. I would see these people at the club, drunken, laughing, challenging breakdancers to battles. They would be destroyed and humiliated in these battles. But afterward they would give dap, laugh, order more beers. They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother and father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
Ta-Nehisi Coates (Between the World and Me)
It must be thirty-eight, thirty-nine degrees, when we head out for our walk, the kind of day that teenagers foolishly rush out in shorts and t-shirts, forgetting that in October we were aghast at temperatures like this.
Mary Kubica (The Next Page: A Fiction Sampler for Book Clubs: The Good Girl\The Wonder of All Things\Little Mercies\Madame Picasso\The Returned\The Last Breath)
Eight years in the CIA had taught her the art of working with men in close quarters. The first lesson was that men never adapted to women. It was a boys’ club, and you either became one of the boys or you became a pariah.
Matthew FitzSimmons (The Short Drop (Gibson Vaughn, #1))
The Frenchman showed her a great deal of Paris that day, saying over lunch at a café that it was impossible to see everything of interest in so short a time. "And of course the sights are only one aspect; there's also the theatre, the markets, clubs, festivals, gardens and much more." Delta smiled dreamily; it sounded wonderful. Enjoying her smile, Valois gave her cheek a playful caress. "If I try hard enough, you may never want to leave.
Brooke Templar (The Frenchman)
Well, to make a long story short, I had this long talk with my baseball coach. And I started reading about depression. I learned that it can be serious. You shouldn’t ignore it. Talking about it can help. So can a long trip.
Ann M. Martin (Baby-sitters' European Vacation (The Baby-Sitters Club Super Special, #15))
How I met Tyler was I went to a nude beach. This was the very end of summer, and I was asleep. Tyler was naked and sweating, gritty with sand, his hair wet and stringy, hanging in his face. Tyler had been around before we met. Tyler was pulling driftwood logs out of the surf and dragging them up the beach. In the wet sand, he’d already planted a half circle of logs so they stood a few inches apart and as tall as his eyes. There were four logs, and when I woke up, I watched Tyler pull a fifth log up the beach. Tyler dug a hole under one end of the log, then lifted the other end until the log slid into the hole and stood there at a slight angle. You wake up at the beach. We were the only people on the beach. With a stick, Tyler drew a straight line in the sand several feet away. Tyler went back to straighten the log by stamping sand around its base. I was the only person watching this. Tyler called over, “Do you know what time it is?” I always wear a watch, “Do you know what time it is?” I asked, where? “Right here,” Tyler said. “Right now.” It was 4:06 P.M. After a while, Tyler sat cross-legged in the shadow of the standing logs. Tyler sat for a few minutes, got up and took a swim, pulled on a T-shirt and a pair of sweatpants, and started to leave. I had to ask. I had to know what Tyler was doing while I was asleep. If I could wake up in a different place, at a different time, could I wake up as a different person? I asked if Tyler was an artist. Tyler shrugged and showed me how the five standing logs were wider at the base. Tyler showed me the line he’d drawn in the sand, and how he’d used the line to gauge the shadow cast by each log. Sometimes, you wake up and have to ask where you are. What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he’d created himself. You wake up, and you’re nowhere. One minute was enough Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection. You wake up, and that’s enough
Chuck Palahniuk (Fight Club)
With the gun which was too big for him, the breech-loader which did not even belong to him but to Major de Spain and which he had fired only once, at a stump on the first day to learn the recoil and how to reload it with the paper shells, he stood against a big gum tree beside a little bayou whose black still water crept without motion out of a cane-brake, across a small clearing and into the cane again, where, invisible, a bird, the big woodpecker called Lord-to-God by negroes, clattered at a dead trunk. It was a stand like any other stand, dissimilar only in incidentals to the one where he had stood each morning for two weeks; a territory new to him yet no less familiar than that other one which after two weeks he had come to believe he knew a little--the same solitude, the same loneliness through which frail and timorous man had merely passed without altering it, leaving no mark nor scar, which looked exactly as it must have looked when the first ancestor of Sam fathers' Chickasaw predecessors crept into it and looked about him, club or stone axe or bone arrow drawn and ready, different only because, squatting at the edge of the kitchen, he had smelled the dogs huddled and cringing beneath it and saw the raked ear and side of the bitch that, as Sam had said, had to be brave once in order to keep on calling herself a dog, and saw yesterday in the earth beside the gutted log, the print of the living foot. He heard no dogs at all. He never did certainly hear them. He only heard the drumming of the woodpecker stop short off, and knew that the bear was looking at him. he did not move, holding the useless gun which he knew now he would never fire at it, now or ever, tasting in his saliva that taint of brass which he had smelled in the huddled dogs when he peered under the kitchen.
William Faulkner (Go Down, Moses)
I think we need to christen the lake,” I whisper up at him. “You’re a complete sex maniac.” I smile as I kiss him and pull his shorts down a little. “We’ve already established this. Now fuck me, Lake Boy, before your wiener gets eaten, and I don’t mean by me.
T.L. Swan (The Stopover (Miles High Club, #1))
Peter smiled as Concheetah sashayed across the ballroom floor Concheetah sashayed towards him, wriggling her hips, full lips in a pout, followed obediently by the tentative, Tapping Ted dressed in tight shorts and singlet. Tapping? Tapping because he always wore conspicuous, tap-dancing shoes in the club. Was Ted going to rip up the stage as a mincing Irish dancer or maybe perform a Gene Kelly routine or the Swan Lake ballet in taps? It was terrible to imagine. Peter bit his lip at that thought, hoping he wouldn’t burst into howls of laughter. He had noted after coming to several shows, that Ted usually stood at the side of the stage ready with a drink of champagne and an encouraging word and a dry towel to mop Her Highness’s face. And he always cried during the show’s finale, Abba’s Dancing Queen. Poor Tapping Ted.
T.W. Lawless (Thornydevils (Peter Clancy #2))
I thought leaving home would be a liberation. I thought university would be a dance party. I thought I would live in a room vined with fairy lights; hang arabesque tapestries up on the wall. I thought scattered beneath my bed would be a combination of Kafka, coffee grounds, and a lover’s old boxer shorts. I thought I would spend my evenings drinking cheap red wine and talking about the Middle East. I thought on weekends we might go to Cassavetes marathons at the independent cinema. I thought I would know all the good Korean places in town. I thought I would know a person who was into healing crystals and another person who could teach me how to sew. I thought I might get into yoga. I thought going for frozen yogurt was something you would just do. I thought there would be red cups at parties. And I thought I would be different. I thought it would be like coming home, circling back to my essential and inevitable self. I imagined myself more relaxed—less hung up on things. I thought I would find it easy to speak to strangers. I thought I would be funny, even, make people laugh with my warm, wry, and only slightly self-deprecating sense of humor. I thought I would develop the easy confidence of a head girl, the light patter of an artist. I imagined myself dancing in a smoky nightclub, spinning slackly while my arms floated like laundry loose on the breeze. I imagined others watching me, thinking, Wow, she is so free.
Lara Williams (Supper Club)
For a short while she considered the idea of orchestral courtesy. Certainly one should avoid giving political offence: German orchestras, of course, used to be careful about playing Wagner abroad, at least in some countries, choosing instead German composers who were somewhat more ... apologetic.
Alexander McCall Smith (The Sunday Philosophy Club (Isabel Dalhousie, #1))
I carried with me into the West End Bar, the White Horse Tavern, a long list of things I would never do: I would never have my hair set in a beauty parlor. I would never move to a suburb and bake cakes or make casseroles. I would never go to a country club dance, although I did like the paper lanterns casting rainbow colors on the terrace. I would never invest in the stock market. I would never play canasta. I would never wear pearls. I would love like a nursling but I would never go near a man who had a portfolio or a set of golf clubs or a business or even a business suit. I would only love a wild thing. I didn't care if wild things tended to break hearts. I didn't care if they substituted scotch for breakfast cereal. I understood that wild things wrote suicide notes to the gods and were apt to show up three hours later than promised. I understood that art was long and life was short.
Anne Roiphe (Art and Madness: A Memoir of Lust Without Reason)
If he didn’t drag you into the closest dressing room and make you see God, you sucked at flirting.” Ariel points her finger at me as I swipe at my chin with the back of my hand. “Men are dumb. You need to speak in slow, short sentences and be direct. Don’t beat around the bush or he’ll never beat inside your bush.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
I'm wearing a blue dress that hugs my curves and accentuates my figure. The deep V-neckline shows off my cleavage, and the short hemline reveals my toned and tanned legs. I'm wearing sexy high heels with a strap around my ankle, and I make sure to cross my legs and perch on my bar stool in a way that shows off my outfit.
Lacey Cross (Hotwife of the Month Club: Vol 1: 4 First Time Wife Sharing Stories (Sexy Short Story Collection))
Of all the conceptions of the divine, of all the language Jesus could put on the lips of the God character in the story he tells, that’s what he has the Father say. “You are always with me, and everything I have is yours.” ... Millions of people in our world were told that God so loved the world, that God sent his son to save the world, and that if they accept and believe in Jesus, then they’ll be able to have a relationship with God... But there’s more. Millions have been taught that if they don’t believe, if they don’t accept in the right way, that is, the way the person telling them the gospel does, and they were hit by a car and died later that same day, God will have no choice but to punish them forever in conscious torment in hell... A loving heavenly father who will go to extraordinary lengths to have a relationship with them would, in the blink of an eye, become a cruel, mean, vicious tormentor who would ensure that they had no escape from an endless future of agony... if your God is loving one second and cruel the next, if your God will punish people for all eternity for sins committed in a few short years, no amount of clever marketing or compelling language or good music or great coffee will be able to disguise that one, true, glaring, untenable, acceptable, awful reality... sometimes the reason people have a problem accepting “the gospel” is that they sense that the God lurking behind Jesus isn’t safe, loving, or good. It doesn’t make sense it can’t be reconciled, and so they say no... God create, because the endless joy and peace and shared life at the heart of this God knows no other way. Jesus invites us into THAT relationship, the one at the center of the universe... so when the gospel is diminished to a question of whether or not a person will “get into heaven,” that reduces the good news to a ticket, a way to get past the bouncer and into the club. The good news is better than that.
Rob Bell (Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived)
My friends were thin, pretty, naturally bronzed and accessorized with bug-eyed sunglasses. They slurped vodka straight from the bottle while they drove. They roamed the streets in bikinis by day and by night, skimpy dresses short enough to bare their ass cheeks when they bent over. They pushed up their breasts and snorted coke in the bathrooms of clubs before grinding their crotches into strangers until last call. And when the night came to an end, they romped through the filthy, gum-stained streets barefoot because they were too hammered to feel the glass shards beneath their soles. The PB girls were wild, edgy, and dangerously carefree.
Maggie Georgiana Young (Just Another Number)
Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and pu the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, head, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Hutton luxuriated in its enriching possibilities. He became a leading member of a society called the Oyster Club, where he passed his evenings in the company of men such as the economist Adam Smith, the chemist Joseph Black, and the philosopher David Hume, as well as such occasional visiting sparks as Benjamin Franklin and James Watt.
Bill Bryson (A Short History of Nearly Everything)
The Six was everything that a book club book should be: short at two hundred pages, highbrow because it dealt with English history, and sexy because it focused on a man who had humped his way through half the English court. It was also critically acclaimed by the right people, meaning that the New York Times loved it but the masses did not.
Kathy Cooperman (Crimes Against a Book Club)
Speaking of body decorations, I luuhhhvv your belly piercing!” Heeb said, looking at the gold ring in the center of her slim, tan waist. Despite the artic cold, Angelina had opted for a skin tight, black tube top that ended just above her belly, on the assumption that a warm cab, a winter coat, and a short wait to get into the club was an adequate frosty weather strategy. Heeb was still reverently staring at her belly when Angelina finally caught her breath from laughing. “Do you really like it? You’re just saying that so that you can check out my belly!” “And what’s so bad about that? I mean, didn’t you get that belly piercing so that people would check out your belly?” “No. I just thought it would look cool…Do you have any piercings?” “Actually, I do,” Heeb replied. “Where?” “My appendix.” “Huh?” “I wanted to be the first guy with a pierced organ. And the appendix is a totally useless organ anyway, so I figured why the hell not?” “That’s pretty original,” she replied, amused. “Oh yeah. I’ve outdone every piercing fanatic out there. The only problem is when I have to go through metal detectors at the airport.” Angelina burst into laughs again, and then managed to say, “Don’t you have to take it out occasionally for a cleaning?” “Nah. I figure I’ll just get it removed when my appendix bursts. It’ll be a two for one operation, if you know what I mean.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
I made tiny newspapers of ant events, stamp-sized papers at first, then a bit bigger, too big for ants, it distressed me, but I couldn’t fit the stories otherwise and I wanted real stories, not just lines of something that looked like writing. Anyway, imagine how small an ant paper would really be. Even a stamp would have looked like a basketball court. I imagine political upheavals, plots and coups d e’tat, and I reported on them. I think I may have been reading a biography of Mary Queen of Scots at the time…. Anyway, there was this short news day for the ants. I’d run out of political plots, or I was bored with them. So I got a glass of water and I created a flood. The ants scrambled for safety, swimming for their lives. I was kind of ashamed, but it made for good copy. I told myself I was bringing excitement into their usual humdrum. The next day, I dropped a rock on them. It was a meteorite from outer space. They gathered around it and ran up and over it; obviously they didn’t know what to do. It prompted three letters to the editor.
Karen Joy Fowler (The Jane Austen Book Club)
He’d been spending more time in the past lately. He liked to close his eyes and let his memories overtake him. A life, remembered, is a series of photographs and disconnected short films: the school play when he was nine, his father beaming in the front row; clubbing with Arthur in Toronto, under whirling lights; a lecture hall at NYU. An executive, a client, running his hands through his hair as he talked about his terrible boss. A procession of lovers, remembered in details: a set of dark blue sheets, a perfect cup of tea, a pair of sunglasses, a smile. The Brazilian pepper tree in a friend’s backyard in Silver Lake. A bouquet of tiger lilies on a desk. Robert's smile. His mother's hands, knitting while she listened to the BBC.
Emily St. John Mandel (Station Eleven)
example of one of the big differences between Kristy and me. I was wearing a very short pink cotton dress, white tights, and black ballet slippers. I had swept all of my hair way over to one side, where it was held in place with a piece of pink cloth that matched the dress. Only one ear showed, and in it I had put my big palm tree earring. (Kristy was not wearing any jewelry.)
Ann M. Martin (Claudia and the New Girl (The Baby-sitters Club, #12))
Say to yourself in the kindest possible way, Look, honey, all we're going to for now is to write a description of the river at sunrise, or the young child swimming in the pool at the club, or the first time the man sees the woman he will marry. That is all we are going to do for now. We are just going to take this bird by bird. But we are going to finish this one short assignment.
Anne Lamott (Bird by Bird)
It was not the only disappointment my mother felt in me. In the years that followed, I failed her so many times, each time asserting my own will, my right to fall short of expectations. I didn't get straight As. I didn't become class president. I didn't get into Stanford. I dropped out of college. For unlike my mother, I did not believe I could be anything I wanted to be. I could only be me.
Amy Tan (The Joy Luck Club)
short red pants with purple suspenders over a bright yellow and black sweat shirt. On my feet I put my purple push-down socks and a pair of red hightop sneakers. I added jewelry — a big necklace with wooden bananas and oranges strung on it, and dangly earrings shaped like sunglasses. I fixed my hair. I brushed it until it was full and shiny. Then I rolled up a red scarf and tied it in my hair
Ann M. Martin (Welcome Back, Stacey (The Baby-Sitters Club, #28))
We’ve reached a point in American history when death has become almost the last obscenity. Have you noticed how many of us refuse to say ‘he or she died’? We’re far more likely to say ‘she passed away,’ as though death were a sterile process of modest preparation, followed by shrink-wrapping, then rapid transit—where? Well, elsewhere. In short, it’s the single thing we’re loath to discuss in public.
Will Schwalbe (The End of Your Life Book Club)
He had an egglike head, froglike jaws, and a grey hairy fringe of aureole round the lower part of his face; the whole combined with a reddish, acquiline nose. He wore a shabby black frock-coat, a sort of semi-clerical tie worn at a very unclerical angle, and looking, generally speaking, about as unlike a house-agent as anything could look, short of something like a sandwich-man or a Scotch Highlander.
G.K. Chesterton (The Club of Queer Trades)
The burial service began. It was quite short, but Stacey remembers much more about it than I do. All I remember is thinking, as the casket was being lowered into the ground, Mimi’s not in there. So I didn’t cry. A bunch of men were just putting a box in the ground. That was all. Then Mom made me throw a white rose into the hole. I thought, What’s the point? Mimi won’t see it, but I did it anyway (since we were being formal).
Ann M. Martin (Claudia and the Sad Good-bye (The Baby-sitters Club, #26))
God entered the yellow church on the disabled ramp. He was in a wheelchair too; He had once lost a woman too. He was silvery. Not the cheap, glittery silver of a banker’s BMW, but a muted, matte silver. Once, as He was gliding among the silvery stars with his silvery beloved, a gang of golden gods attacked them. When they were kids, God had once beaten one of them up, a short, skinny golden god who had now grown up and returned with his friends. The golden gods beat Him with golden clubs of sunlight and didn’t stop until they’d broken every bone in His divine body. It took Him years to recuperate. His beloved never did. She remained a vegetable. She could see and hear everything, but she couldn’t say a word. The silvery God decided to create a species in His own image so she could watch it to pass the time. That species really did resemble Him: battered and victimized like Him. And His silvery beloved stared wide-eyed at the members of that species for hours, stared and didn’t even shed a tear. 'What do you think,' the silvery God asked the yellow priest in frustration, 'that I created all of you like this because it's what I wanted? Because I'm some kind of pervert or sadist who enjoys all this suffering? I created you like this because this is what I know. It's the best I can do.
Etgar Keret (פתאום דפיקה בדלת)
With her mother's remarks about his uncle in mind she looked at him with fresh interest and was forced to acknowledge that he too was actually a bit of a hunk. His hair was short, very dark and curly, and he had the sort of craggy face which might no longer be fashionable in the age of the New Man and the sarong but which would certainly appeal to any woman whose favourite fantasy involved caves and clubs and a bit of chest-pounding.
Aline Templeton (Cold in the Earth (DI Marjory Fleming #1))
Carly Fiorina took over Hewlett-Packard shortly before the tech bubble burst. Anne Mulcahy got a shot at being the first female CEO at Xerox—precisely as the company was being investigated by the SEC. What do these leaders have in common? They are women. Women who were given big responsibilities right as the shit hit the fan. Which meant that when they failed—almost inevitably—the problem was blamed on them, not the surrounding circumstances.
Jess Bennett (Feminist Fight Club: An Office Survival Manual for a Sexist Workplace)
Harrison Salisbury When Amor Towles was ten years old, he threw a bottle containing a short note he had written into the Atlantic Ocean. A few weeks later he received a letter from the man who found it: Harrison Salisbury, the managing editor of The New York Times. From this childhood incident, a correspondence developed between Salisbury and Towles and they eventually met. In his earlier career, Harrison Salisbury was the real-life chief correspondent for The New York Times in Moscow. The author of an important history of the Russian Revolution, Black Nights, White Snow, his memoirs were the source of some of the detail Towles uses in A Gentleman in Moscow. Salisbury’s cameo appearance in the novel, along with the mention of his fedora and trench coat (stolen by the Count as a disguise) pay tribute to Salisbury’s literary legacy on early twentieth century Russia as well as the author’s serendipitous connection with him.
Kathryn Cope (Study Guide for Book Clubs: A Gentleman in Moscow (Study Guides for Book Clubs))
He stood just near the club’s steps, his back to me along the foggy English night, and it was not until I’d passed him and began my ascent of the many steps that I’d heard his voice. The voice I knew, in all my years of living upon the Earth, that I would never forget. Even then I had known this. It was the slippery way of his tongue, or perhaps it was the coolness of which his words passed across the air and slid its way into my ears as though they were only meant for me.
S.C. Parris (A Night of Frivolity)
Civilized, he could have died for a moral consideration, say the defence of Judge Miller’s riding-whip; but the completeness of his decivilization was now evidenced by his ability to flee from the defence of a moral consideration and so save his hide. He did not steal for joy of it, but because of the clamor of his stomach. He did not rob openly, but stole secretly and cunningly, out of respect for club and fang. In short, the things he did were done because it was easier to do them than not to do them.
Jack London (The Call of the Wild (yourbooks))
One of us, thought Gamache. Three short words, but potent. They more than anything had launched a thousand ships, a thousand attacks. One of us. A circle drawn. And closed. A boundary marked. Those inside and those not. Families, clubs, gangs, cities, states, countries. A village. What had Myrna called it? Beyond the pale. But it went beyond simple belonging. The reason 'belonging' was so potent, so attractive, so much a part of the human yearning, was that it also meant safety, and loyalty. If you were 'one of us' you were protected.
Louise Penny (The Brutal Telling (Chief Inspector Armand Gamache #5))
the sweat and bloodstained wood of the cross he died on. He kicks in the frosted-glass door of a coffee franchise off Wall Street and beats seven shades of damnation out of the money changers gathered there. Painted, black-stockinged lady brokers twisting prostrate at his feet, red licked lips parted in horror and abandonment, thighs exposed under short, whorish skirts. Fat, big-nosed men in suits braying and panicking, trying to get away from the scything club. Blood and waxed coffee cups flying, screams. The capitalized crunch of broken bones.
Richard K. Morgan (Thirteen)
As proof of her faith, my mother used to carry a small leatherette Bible when she went to the First Chinese Baptist Church every Sunday. But later, after my mother lost her faith in God, that leatherette Bible wound up wedged under a too-short table leg, a way for her to correct the imbalances of life. It’s been there for over twenty years. My mother pretends that Bible isn’t there. Whenever anyone asks her what it’s doing there, she says, a little too loudly, “Oh this? I forgot.” But I know she sees it. My mother is not the best housekeeper in the world, and after all these years that Bible is still clean white.
Amy Tan (The Joy Luck Club)
A man phones home from his office and says to his wife, “I have the chance to go fishing for a week. It’s the opportunity of a lifetime. I have to leave right away. Pack my clothes, my fishing equipment, and especially my blue silk pajamas. I’ll be home in an hour to pick them up.” The man rushes home to grab everything. He hugs his wife, apologizes for the short notice, and then hurries off. A week later, the man returns and his wife asks, “Did you have a good trip, dear?” The man replies, “Yep, the fishing was great...but you forgot to pack my blue silk pajamas.” His wife smiles and says, “Oh, no I didn’t...I put them in your tackle box!
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
Of all the conceptions of the divine, of all the language Jesus could put on the lips of the God character in the story he tells, that’s what he has the Father say. “You are always with me, and everything I have is yours.” ... Millions of people in our world were told that God so loved the world, that God sent his son to save the world, and that if they accept and believe in Jesus, then they’ll be able to have a relationship with God... But there’s more. Millions have been taught that if they don’t believe, if they don’t accept in the right way, that is, the way the person telling them "the gospel" does, and they were hit by a car and died later that same day, God will have no choice but to punish them forever in conscious torment in hell... A loving heavenly father who will go to extraordinary lengths to have a relationship with them would, in the blink of an eye, become a cruel, mean, vicious tormentor who would ensure that they had no escape from an endless future of agony... if your God is loving one second and cruel the next, if your God will punish people for all eternity for sins committed in a few short years, no amount of clever marketing or compelling language or good music or great coffee will be able to disguise that one, true, glaring, untenable, acceptable, awful reality... sometimes the reason people have a problem accepting the gospel is that they sense that the God lurking behind Jesus isn’t safe, loving, or good. It doesn’t make sense, it can’t be reconciled, and so they say no... God creates, because the endless joy and peace and shared life at the heart of this God knows no other way. Jesus invites us into THAT relationship, the one at the center of the universe... so when the gospel is diminished to a question of whether or not a person will “get into heaven,” that reduces the good news to a ticket, a way to get past the bouncer and into the club. The good news is better than that. (excerpts all from chapter 7)
Rob Bell (Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived)
home in Pahrump, Nevada, where he played the penny slot machines and lived off his social security check. He later claimed he had no regrets. “I made the best decision for me at the time. Both of them were real whirlwinds, and I knew my stomach and it wasn’t ready for such a ride.” •  •  • Jobs and Wozniak took the stage together for a presentation to the Homebrew Computer Club shortly after they signed Apple into existence. Wozniak held up one of their newly produced circuit boards and described the microprocessor, the eight kilobytes of memory, and the version of BASIC he had written. He also emphasized what he called the main thing: “a human-typable keyboard instead of a stupid, cryptic front panel with a bunch of lights and switches.” Then it was Jobs’s turn. He pointed out that the Apple, unlike the Altair, had all the essential components built in. Then he challenged them with a question: How much would people be willing to pay for such a wonderful machine? He was trying to get them to see the amazing value of the Apple. It was a rhetorical flourish he would use at product presentations over the ensuing decades. The audience was not very impressed. The Apple had a cut-rate microprocessor, not the Intel 8080. But one important person stayed behind to hear more. His name was Paul Terrell, and in 1975
Walter Isaacson (Steve Jobs)
It would be hard to imagine two more improbable founders for a movement as ascetic as communism. While earnestly desiring the downfall of capitalism, Engels made himself rich and comfortable from all its benefits. He kept a stable of fine horses, rode to hounds at weekends, enjoyed the best wines, maintained a mistress, hobnobbed with the elite of Manchester at the fashionable Albert Club—in short, did everything one would expect of a successful member of the gentry. Marx, meanwhile, constantly denounced the bourgeoisie but lived as bourgeois a life as he could manage, sending his daughters to private schools and boasting at every opportunity of his wife’s aristocratic background.
Bill Bryson (At Home: A Short History of Private Life)
Mott glanced back to nod a hello at me. He and Cregan couldn’t have been designed to look more different from each other. Mott was tall, dark-skinned, and nearly bald. What little hair he did have was black and shaved to his scalp. He was the one by the tavern who’d tripped me when I was trying to escape the butcher. In contrast, Cregan was short — not much taller than I was, and shorter than the tanned boy near me. He was surprisingly pale for a man who likely spent much of his day outdoors, and he had a thick crop of blond hair that he tied back at the nape of his neck. Mott was lean and muscular while Cregan looked softer than I knew him to be, judging by the way he’d clubbed me at the orphanage.
Jennifer A. Nielsen (The False Prince (The Ascendance Trilogy, #1))
We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.” I leap up and hug him. “This is just exactly what I wanted to do on my prom night birthday and I didn’t even know it.” Then I let go of him and run over to the booth. Everyone gets out and hugs me. “I didn’t even know people knew it was my birthday tomorrow! I mean today!” I say. “Of course we knew it was your birthday,” Lucas says. Darrell says, “My boy’s been planning this for weeks.” “It was so endearing,” Pammy says. “We called me to ask what kind of pan he should use for the cake.” Chris says, “He called me, too. I was like, how the hell should I know?” “And you!” I hit Chris on the arm. “I thought you were leaving to go clubbing!” “I still might after I steal some fries. My night’s just getting started, babe.” She pulls me in for a hug and gives me a kiss on the cheek. “Happy birthday, girl.” I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Charlie Pop is 15 years old. He has 2 dogs: Bruno and Rex. He lives with his parents Kath and Ron. Today is the 22nd April 2025. Charlie and his friends have been going to the Landfawcett space bowling club all their lives. Charlie’s friends are called Harry Em, Eric Tweet, Paul Key, Robert Storm, Chris Leaf, Jay Laugh, Darren Rain and Tom Breeze. They all have short hair and dress casually especially Ben Steps and George Sing. Jake Train is the cleverest of them all. He has invented a secret waterproof wireless finger camera that takes photographs; it is attached to Charlie and his friend’s fingers. Rex and Bruno have a camera attached to the fur on their heads. Images are shared with each other from the app recording onto their phones and laptops. It is their space bowling tournament today.
Anita Kirk (In a Quarter of a Second)
Daniel Giordano reached into his pocket and held out the beautiful, emerald necklace for his date. He'd met this woman in a night club two weeks before. He certainly didn't give her the expensive jewelry because of any emotional attachment on his part. The rich bachelor was careful about keeping a collection of extraordinary gifts inside of his penthouse to give to the women who pleased him the most. This was the second date with her in a week, and she was very good at satisfying his needs without hounding him about a relationship. Any such talk on that subject warranted indefinite distance. Daniel was a player and was perfectly happy with that decision. Life was just too short. "Oh my God! I love it!" "I bought it just for you, Monique," whispered Daniel as he fastened the clasp around her delicate neck. She
Terri Marie (Forbidden Disclosure (A Billionaire in Disguise, #1))
In the same way, if we have enslaved members of another group, deprived them of decent educations or jobs, kept them from encroaching on our professional turfs, or denied them their human rights, then we invoke stereotypes about them to justify our actions. By persuading ourselves that they are unworthy, unteachable, incompetent, inherently math-challenged, immoral, sinful, stupid, or even subhuman, we avoid feeling guilty or unethical about how we treat them. And we certainly avoid feeling that we are prejudiced. Why, we even like some of those people, as long as they know their place, which, it goes without saying, is not here in our club, our university, our job, our neighborhood. In short, we use stereotypes to justify behavior that would otherwise make us feel bad about the kind of people we are or the kind of country we live in.
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
In Dream Street there are many theatrical hotels, and rooming houses, and restaurants, and speaks, including Good Time Charley's Gingham Shoppe, and in the summer time the characters I mention sit on the stoops or lean against the railings along Dream Street, and the gab you hear sometimes sounds very dreamy indeed. In fact, it sometimes sounds very pipe-dreamy. Many actors, male and female, and especially vaudeville actors, live in the hotels and rooming houses, and vaudeville actors, both male and female, are great hands for sitting around dreaming out loud about how they will practically assassinate the public in the Palace if ever they get a chance. Furthermore, in Dream Street are always many hand-bookies and horse players, who sit on the church steps on the cool side of Dream Street in the summer and dream about big killings on the races, and there are also nearly always many fight managers, and sometimes fighters, hanging out in front of the restaurants, picking their teeth and dreaming about winning championships of the world, although up to this time no champion of the world has yet come out of Dream Street. In this street you see burlesque dolls, and hoofers, and guys who write songs, and saxophone players, and newsboys, and newspaper scribes, and taxi drivers, and blind guys, and midgets, and blondes with Pomeranian pooches, or maybe French poodles, and guys with whiskers, and night-club entertainers, and I do not know what all else. And all of these characters are interesting to look at, and some of them are very interesting to talk to, although if you listen to several I know long enough, you may get the idea that they are somewhat daffy, especially the horse players.
Damon Runyon (The Short Stories of Damon Runyon - Volume I - The Bloodhounds of Broadway)
I thought of what Cameron said about the day I came across the yard to him to ask him to be in my club. About how I had guts. About how I was brave and strong. He was around to tell me these things now, to remind me, but I was going to have to learn to remember them myself, and believe them. I got up, crept to Alan's office, and went in. "Cameron? Cam?" He didn't move, and appeared to be fast asleep. I'm not sure what I wanted. To look at him, I guess, and talk. I sat on the floor by the sofa bed so that my face was level with his. His breath came in short, toothpaste-minty sighs. "Cameron Quick," I whispered, just wanting to hear his name. He still didn't move. I touched his face, following the curve of his jaw, the bow of his lips. This was the boy who made my childhood less lonely, who made me feel loved. And known. And accepted. Who had stared into my most terrifying moment right beside me, while my most terrifying moment was his everyday life. And I pictured him patting that baby doll by a cold window, showing it comfort by instinct. I felt overwhelmed with sadness for his life and what it could have been, even though I knew he wouldn't want me to feel that way. He'd say it was all right, that he'd get by, that he could take care of himself. That he didn't need anyone to fix it. But I still wanted to, to somehow make up for that infinite, infinite well of helplessness that I'd spent most of my life believing had swallowed us up. It hadn't, though, because we were here, weren't we? Wiser and braver and more ready for life than our friends or parents or anyone we knew, than even I had realized until he came back to show me. I touched his wrist lightly, his elbow. I tucked the blanket up around his shoulder. "I love you, Cameron," I whispered.
Sara Zarr (Sweethearts)
But before my eyes, in a matter of a few short months, sushi had metamorphosed into steak, and nightclubs had changed into the front porch of Marlboro Man’s quiet house in the country. I hadn’t felt the reverb of a thumping club beat in months and months. My nervous system had never known such calm. That is, until Marlboro Man called one morning that August with his simple request: “My cousin Kim is getting married next weekend,” he said. “Can you come?” An uncomfortable wave washed over my body. “You there?” he asked. I’d paused longer than I’d intended. “Yeah…I’m here,” I replied. “But, um…will I…will I have to meet anyone?” Marlboro Man laughed. The answer, obviously, was yes. Yes, I’d have to meet “anyone.” In fact, I’d have to meet everyone: everyone in his extended family of cousins, aunts, uncles, grandparents, and friends; and his family, by all accounts, was large. We’d talked about our families before, and he knew good and well that I had all of three cousins. Three. He, on the other hand, had fifty. He knew how intimidating a family wedding would be to an outsider, especially when the family is as large as his. He knew this would be way out of my comfort zone. And he was right.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The Swedish royal family’s legitimacy is even more tenuous. The current king of Sweden, Carl XVI Gustaf, is descended neither from noble Viking blood nor even from one of their sixteenth-century warrior kings, but from some random French bloke. When Sweden lost Finland to Russia in 1809, the then king, Gustav IV Adolf—by all accounts as mad as a hamburger—left for exile. To fill his throne and, it is thought, as a sop to Napoleon whose help Sweden hoped to secure against Russia in reclaiming Finland, the finger of fate ended up pointing at a French marshal by the name of Jean-Baptiste Bernadotte (who also happened to be the husband of Napoleon’s beloved Desirée). Upon his arrival in Stockholm, the fact that Bernadotte had actually once fought against the Swedes in Germany was quickly forgotten, as was his name, which was changed to Charles XIV John. This, though, is where the assimilation ended: the notoriously short-tempered Charles XIV John attempted to speak Swedish to his new subjects just the once, meeting with such deafening laughter that he never bothered again (there is an echo of this in the apparently endless delight afforded the Danes by the thickly accented attempts at their language by their current queen’s consort, the portly French aristocrat Henri de Monpezat). On the subject of his new country, the forefather of Sweden’s current royal family was withering: “The wine is terrible, the people without temperament, and even the sun radiates no warmth,” the arriviste king is alleged to have said. The current king is generally considered to be a bit bumbling, but he can at least speak Swedish, usually stands where he is told, and waves enthusiastically. At least, that was the perception until 2010, when the long-whispered rumors of his rampant philandering were finally exposed in a book, Den motvillige monarken (The Reluctant Monarch). Sweden’s tabloids salivated over gory details of the king’s relationships with numerous exotic women, his visits to strip clubs, and his fraternizing with members of the underworld. Hardly appropriate behavior for the chairman of the World Scout Foundation. (The exposé followed allegations that the father of the king’s German-Brazilian wife, Queen Silvia, was a member of the Nazi party. Awkward.) These days, whenever I see Carl Gustaf performing his official duties I can’t shake the feeling that he would much prefer to be trussed up in a dominatrix’s cellar. The
Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
Allison got to the lobby first, dressed in jeans, a red sweater, and a cropped black jacket. Her feet had ordered her directly into flats the moment she’d gotten into her room, so she’d put on a pair of short black boots. She didn’t see Rick or Kim and flopped down on an overstuffed, garishly-clad club chair to wait. Despite the time of night, the place was packed, and she amused herself by watching people and guessing their stories. Caught up in trying to determine if a woman near the door dressed in a skin-tight black dress and bright red, four-inch, platform shoes was a high-class call girl, or a model, she almost vaulted out of her seat when a voice said, “Anyone sitting here?” She looked up at a man of about forty, dressed in olive green silk pants and a cream colored sweater. He was so attractive Allison couldn’t answer with anything other than a shake of her head. The fact that his eyes were the same color as hers only added to her disquiet. “Great.” He flashed a set of perfect teeth at her briefly, and dropped into the matching chair across from her. “I know you,” he added, “saw you on the ATCE show floor today. You work for Hoyt right? In marketing?” Allison nodded. The man put out his hand, “Craig Simmons.
J.P. Peranteau (Black Hole)
Sein braungebrannter Oberkörper war noch ein wenig feucht und Wasser tropfte von seinen langen dunklen Haaren auf seine Haut. Ich biss mir auf die Unterlippe, was die einzige Bewegung war, zu der ich fähig war. Mir war klar, dass ich ihn peinlicherweise jetzt genau wie die Schlampen im Club wollüstig anschmachtete, aber ich konnte nichts dagegen tun. Eigentlich sollte ich wirklich gehen, aber ich konnte nicht. Außerdem, hatte er mich nicht schon einmal genau so im Badezimmer beobachtet? Also war es nur fair. Er war so verdammt gut anzusehen und mein Körper reagierte wie der jeder Frau bei diesem Anblick. Mir wurde heiß, nicht nur im Gesicht, sondern überall, vor allem weiter unten. Dabei hatte ich ihn schon in seinen Badeshorts gesehen, aber dennoch, das hier war etwas komplett anderes. Was noch schlimmer wurde, als er das Tuch von der Hüfte löste und begann, damit seine Haare zu rubbeln. Unter der Haut bewegten sich die Muskeln seines Rückens, die hinunter zur schmalen Hüfte verliefen. Mein Blick ging noch tiefer und ich hatte keine Spucke mehr im Mund, als ich seinen Po betrachtete. Unwillkürlich krallte ich die Finger in meine Shorts, was zur Folge hatte, dass mir das Handy aus der Hand rutschte und auf den Boden fiel. Der Teppich war dick und dämpfte das Geräusch, aber man konnte es dennoch deutlich hören. Instinktiv wollte ich die Augen zusammenpressen, so wie kleine Kinder, die sich nur mit dem Gesicht hinter einem Vorhang versteckten, und glauben, wenn sie den anderen nicht sehen konnten, dann würden sie auch nicht gesehen werden. Was natürlich nicht der Fall war. Daher schluckte ich und sah wieder hoch und – wie erwartet – in Johnnys Gesicht, als er über die Schulter blickte. Und was ich in seinen tiefblauen Augen lodern sah, erregte mich stärker und machte mir gleichzeitig mehr Angst, als alles zuvor. Meine Augen blieben an seinen haften, auch als ich aus den Augenwinkeln bemerkte, wie er das Handtuch wieder um die Hüfte legte. Langsam drehte er sich um und beinahe raubtierhaft zielstrebig kam er auf mich zu, wie ein geschmeidiger Panther, den nichts stoppen konnte. Kurz vor mir blieb er stehen, als würde er warten, ob ich davonlief oder nicht. Auf keinen Fall, jetzt nicht mehr. Zu keinem Zeitpunkt hatte er den Blickkontakt zu mir unterbrochen, er musste meine Gedanken darin gelesen haben. Seine Hände umfassten mein Gesicht, strichen mir halbfeuchte Haare aus der Stirn und dann beugte er sich zu mir hinab. Ich hielt den Atem an, wartete auf seine Lippen, die sich aber nicht auf meine legten, sondern einen Zentimeter vorher verharrten. Als würde er noch immer auf meine Entscheidung warten. Mir wurde klar, dass ich diese schon lange getroffen hatte, nur viel zu feige und engstirnig gewesen war, sie mir auch einzugestehen. Ich griff in seine nassen Haare und zog ihn das verbleibende Stück zu mir hinunter. Ein Blitzschlag fuhr von meinen Lippen ausgehend durch meinen Körper, zwischen meine Beine – dann war es um mich und meine Selbstbeherrschung geschehen. Und wie es aussah, auch um seine. Denn statt weiterhin so sanft mein Gesicht zu halten, rutschten seine Hände meinen Rücken entlang bis er an meiner Hüfte angelangt war und sie fest drückte. Wie von selbst bog sich ihm mein Körper entgegen und ich strich mit der Zunge über seine Lippen, dann öffnete ich den Mund für seine und unser Kuss wurde fordernder. Seine Hände glitten noch weiter hinunter, umfassten meinen Po und während wir uns keuchend küssten, hob er mich mit einem Ruck hoch. Meine Beine schlang ich um seine Hüfte und unter dem Tuch konnte ich ihn spüren, was mir ein Stöhnen entlockte, das mir noch nie über die Lippen gekommen war. Daraufhin gab Johnny einen erstickten Laut von sich, küsste mein Kinn, meinen Hals und knabberte am Ohr, an dem er heiser flüsterte: »Sag mir, dass ich aufhören soll.« »Hör nicht auf«, bat ich leise und drückte mich nur noch fester an ihn.
Martina Riemer (Road to Hallelujah (Herzenswege #1))
Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
In the winter of 18077, thirteen like-minded souls in London got together at the Freemasons Tavern at Long Acre, in Covent Garden, to form a dining club to be called the Geological Society. The idea was to meet once a month to swap geological notions over a glass or two of Madeira and a convivial dinner. The price of the meal was set at a deliberately hefty 15 shillings to discourage those whose qualifications were merely cerebral. It soon became apparent, however, that there was a demand for something more properly institutional, with a permanent headquarters, where people could gather to share and discuss new findings. In barely a decade membership grew to 400 – still all gentlemen, of course – and the Geological was threatening to eclipse the Royal as the premier scientific society in the country. The members met twice a month from November until June8, when virtually all of them went off to spend the summer doing fieldwork. These weren’t people with a pecuniary interest in minerals, you understand, or even academics for the most part, but simply gentlemen with the wealth and time to indulge a hobby at a more or less professional level. By 1830 there were 745 of them, and the world would never see the like again. It is hard to imagine now, but geology excited the nineteenth century – positively gripped it – in a way that no science ever had before or would again.
Bill Bryson (A Short History of Nearly Everything)
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
One of the Pima warriors on seeing the fire-arms used by the white soldiers, thought that the next time he went over to the [Maricopa] Wells, he would take his war weapons along and show them to the white soldiers. So the next time he went, he took along his war-club and shield. The soldiers on seeing his weapons, laughed and made all sorts of remarks as to the effective use of such weapons. The joking went on until the Pima made a challenge to the white man. He said: 'You, white warrior Take shooting iron. Stand here ready. I take war club and shield, Step off ten paces, Turn around, come back. If you see any part of me, Shoot!' The White soldier stood there with gun in hand while the Pima walked away ten paces, turned around and came back hiding behind the shield so well that no part of his body could be seen. The white soldier did not shoot as the Pima came up to him. With the edge of his shield the Pima knocked the gun out of the soldier's hand. He lifted his war club as if he was about to use it. But the soldier took to his heels and ran into a nearby house, closing the door after him. The people who saw this had a good laugh and no such challenge was ever made again. Sometimes there would be shooting contests between Pimas and whites, Pimas with their bows and arrows and the whites with their firearms. They would place a target at different distances and see who could hit the bull's eye. The Pimas often won the match. They often won prizes of a pair of Army pants or a coat. At other times, foot races were held at the Post. The Pimas always won the long distance races, but lost the short dashes. [page 40, Early Days]
George Webb (A Pima Remembers)
On August 21, 1931, invited to address an American Legion convention in Connecticut, he made the first no-holds-barred antiwar speech of his career. It stunned all who heard it or read it in the few papers that dared report it in part: I spent 33 years . . . being a high-class muscle man for Big Business, for Wall Street and the bankers. In short, I was a racketeer for capitalism. . . . I helped purify Nicaragua for the international banking house of Brown Brothers in 1909-1912. I helped make Mexico and especially Tampico safe for American oil interests in 1916. I brought light to the Dominican Republic for American sugar interests in 1916. I helped make Haiti and Cuba a decent place for the National City [Bank] boys to collect revenue in. I helped in the rape of half a dozen Central American republics for the benefit of Wall Street. . . . In China in 1927 I helped see to it that Standard Oil went its way unmolested. . . . I had . . . a swell racket. I was rewarded with honors, medals, promotions. . . . I might have given Al Capone a few hints. The best he could do was to operate a racket in three cities. The Marines operated on three continents. . . . We don’t want any more wars, but a man is a damn fool to think there won’t be any more of them. I am a peace-loving Quaker, but when war breaks out every damn man in my family goes. If we’re ready, nobody will tackle us. Give us a club and we will face them all. . . . There is no use talking about abolishing war; that’s damn foolishness. Take the guns away from men and they will fight just the same. . . . In the Spanish-American War we didn’t have any bullets to shoot, and if we had not had a war with a nation that was already licked and looking for an excuse to quit, we would have had hell licked out of us. . . . No pacifists or Communists are going to govern this country. If they try it there will be seven million men like you rise up and strangle them. Pacifists? Hell, I’m a pacifist, but I always have a club behind my back!
Jules Archer (The Plot to Seize the White House: The Shocking True Story of the Conspiracy to Overthrow FDR)
Sebastian encountered Cam in the hallway outside the reading room. “Where is he?” he demanded without preamble. Stopping before him with an expressionless face, Cam said shortly, “He’s gone.” “Why didn’t you follow him?” White-hot fury blazed in Sebastian’s eyes. This news, added to the frustration of his vow of celibacy, was the last straw. Cam, who had been exposed to years of Ivo Jenner’s volcanic temper, remained unruffled. “It was unnecessary in my judgment,” he said. “He won’t return.” “I don’t pay you to act on your own damned judgment. I pay you to act on mine! You should have dragged him here by the throat and then let me decide what was to be done with the bastard.” Cam remained silent, sliding a quick, subtle glance at Evie, who was inwardly relieved by the turn of events. They were both aware that had Cam brought Bullard back to the club, there was a distinct possibility that Sebastian might actually have killed him— and the last thing Evie wanted was a murder charge on her husband’s head. “I want him found,” Sebastian said vehemently, pacing back and forth across the reading room. “I want at least two men hired to look for him day and night until he is brought to me. I swear he’ll serve as an example to anyone who even thinks of lifting a finger against my wife.” He raised his arm and pointed to the doorway. “Bring me a list of names within the hour. The best detectives available— private ones. I don’t want some idiot from the New Police, who’ll foul this up as they do everything else. Go.” Though Cam undoubtedly had a few opinions to offer on the matter, he kept them to himself. “Yes, my lord.” He left the room at once, while Sebastian glared after him. Seeking to calm his seething temper, Evie ventured, “There is no need to take your anger out on Cam. He—” “Don’t even try to excuse him,” Sebastian said darkly. “You and I both know that he could have caught that damned gutter rat had he wanted to. And I’ll be damned if I’ll tolerate your calling him by his first name— he is not your brother, nor is he a friend. He’s an employee, and you’ll refer to him as ‘Mr. Rohan’ from now on.” “He is my friend,” Evie replied in outrage. “He has been for years!” “Married women don’t have friendships with young unmarried men.” “Y-you dare to insult my honor with the implication that… that…” Evie could hardly speak for the multitude of protests that jammed inside her. “I’ve done nothing to merit such a lack of tr-tr-trust!” “I trust you. It’s everyone else that I hold in suspicion.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
From Life, Volume III, by Unspiek, Baron Bodissey: I am constantly startled and often amused by the diverse attitudes toward wealth to be found among the peoples of the Oikumene. Some societies equate affluence with criminal skill; for others wealth represents the gratitude of society for the performance of valuable services. My own concepts in this regard are easy and clear, and I am sure that the word ‘simplistic’ will be used by my critics. These folk are callow and turgid of intellect; I am reassured by their howls and yelps. For present purposes I exclude criminal wealth, the garnering of which needs no elaboration, and a gambler’s wealth which is tinsel. In regard, then, to wealth: Luxury and privilege are the perquisites of wealth. This would appear a notably bland remark, but is much larger than it seems. If one listens closely, he hears deep and far below the mournful chime of inevitability. To achieve wealth, one generally must thoroughly exploit at least three of the following five attributes: Luck. Toil, persistence, courage. Self-denial. Short-range intelligence: cunning, improvisational ability. Long-range intelligence: planning, the perception of trends. These attributes are common; anyone desiring privilege and luxury can gain the precursory wealth by making proper use of his native competence. In some societies poverty is considered a pathetic misfortune, or noble abnegation, hurriedly to be remedied by use of public funds. Other more stalwart societies think of poverty as a measure of the man himself. The critics respond: What an unutterable ass is this fellow Unspiek! I am reduced to making furious scratches and crotchets with my pen! — Lionel Wistofer, in The Monstrator I am poor; I admit it! Am I then a churl or a noddy? I deny it with all the vehemence of my soul! I take my bite of seed-cake and my sip of tea with the same relish as any paunchy plutocrat with bulging eyes and grease running from his mouth as he engulfs ortolans in brandy, Krokinole oysters, filet of Darango Five-Horn! My wealth is my shelf of books! My privileges are my dreams! — Sistie Fael, in The Outlook … He moves me to tooth-chattering wrath; he has inflicted upon me, personally, a barrage of sheer piffle, and maundering insult which cries out to the Heavens for atonement. I will thrust my fist down his loquacious maw; better, I will horsewhip him on the steps of his club. If he has no club, I hereby invite him to the broad and convenient steps of the Senior Quill-drivers, although I must say that the Inksters maintain a superior bar, and this shall be my choice since, after trouncing the old fool, I will undoubtedly ask him in for a drink. — McFarquhar Kenshaw, in The Gaean
Jack Vance (Demon Princes (Demon Princes #1-5))
What is certain is that the immutable classes, the nobility, the clergy, the bourgeoisie, the people, had loftier souls at that time. You can prove it: society has done nothing but deteriorate in the four centuries separating us from the Middle Ages. "True, a baron then was usually a formidable brute. He was a drunken and lecherous bandit, a sanguinary and boisterous tyrant, but he was a child in mind and spirit. The Church bullied him, and to deliver the Holy Sepulchre he sacrificed his wealth, abandoned home, wife, and children, and accepted unconscionable fatigues, extraordinary sufferings, unheard-of dangers. "By pious heroism he redeemed the baseness of his morals. The race has since become moderate. It has reduced, sometimes even done away with, its instincts of carnage and rape, but it has replaced them by the monomania of business, the passion for lucre. It has done worse. It has sunk to such a state of abjectness as to be attracted by the doings of the lowest of the low. ...cupidity was repressed by the confessor, and the tradesman, just like the labourer, was maintained by the corporations, which denounced overcharging and fraud, saw that decried merchandise was destroyed, and fixed a fair price and a high standard of excellence for commodities. Trades and professions were handed down from father to son. The corporations assured work and pay. People were not, as now, subject to the fluctuations of the market and the merciless capitalistic exploitation. Great fortunes did not exist and everybody had enough to live on. Sure of the future, unhurried, they created marvels of art, whose secret remains for ever lost. "All the artisans who passed the three degrees of apprentice, journeyman, and master, developed subtlety and became veritable artists. They ennobled the simplest of iron work, the commonest faience, the most ordinary chests and coffers. Those corporations, putting themselves under the patronage of Saints—whose images, frequently besought, figured on their banners—preserved through the centuries the honest existence of the humble and notably raised the spiritual level of the people whom they protected. ...The bourgeoise has taken the place forfeited by a wastrel nobility which now subsists only to set ignoble fashions and whose sole contribution to our 'civilization' is the establishment of gluttonous dining clubs, so-called gymnastic societies, and pari-mutuel associations. Today the business man has but these aims, to exploit the working man, manufacture shoddy, lie about the quality of merchandise, and give short weight. ...There is one word in the mouths of all. Progress. Progress of whom? Progress of what? For this miserable century hasn't invented anything great. "It has constructed nothing and destroyed everything...
Joris-Karl Huysmans (Là-Bas (Down There))
Ah! you cliques of the city!—don’t you know you had forebears with handlebar mustaches, who came down to the river in the morning bearing masts and booms on their shoulders? who killed their own bulls with a mighty club? who made their own clothes and tilled their own earth? For a million of your clever fashionable phrases, would you exchange one single such accomplishment? I know I would—and Oh God but I’m just as futile as you are, you city vermin; I too am vermin, vermin trying to struggle back to manhood, with small success. Here is our second illuminative nugget, with no emotions this time: that the fear of the family album is pursuant to the city’s general fear of time and particularly of the past (“Oh the stupid Victorian 19th Century!” they keep crying, as though Victorianism were the whole sum of that great century). Fear of the past is in the city, thus a love, a frantic need of the present—with all the hedonistic overtones involved, the psychological doctrines of “alertness” and the so-called liberation of sexuality: in other words, giving the moment over to the dictates of sexuality (divorce is such a dictate) and leaving time, the future—which is to them equivalent to the past, as a moral factor rather than a hedonistic factor of the “pulsing present”—leaving the future to the dogs, childless marriages, or one-child “families,” broken-up families, and thus leaving the future of mankind and the race to the dogs: to the destruction at the hands of a society’s inward atom bomb of organic-familial-societal disintegration: in short, the end of a race, as in Rome. This fear of reaching back into the past, into lineality and tradition, and of extending similarly forward into the future, is like a plant drying up, dying. Where I say this, they speak of the “reality of the moment” and the danger of suppressing the urges of the moment for any reason—but I find good reason if it is to spell the continuation of our own cultural mankind. Perhaps that’s what they don’t want, like children who resent all brothers and sisters burgeoning in their mother’s womb, resenting the future after them, feeling they should be the last, final men, that none must follow—a childish emotion. But to give oneself over to childish emotions is the aim of these city intellectuals, they abstrusely find much to “scientifically” substantiate this desire in the cult of psychoanalysis and its sub-cults, the Orgone “Institute” for one splendid example, and so they go ahead blithely, and I am not the one to oppose their concepts, their march off the ship’s plank—since I am marching to a plank of my own, since I do not wish to be reviled as a neurotic and an atavistic neo-fascist, since the other night, when mentioning these objections of mine, a city intellectual had apoplexy right before me. Oh
Jack Kerouac (The Unknown Kerouac: Rare, Unpublished & Newly Translated Writings)
A third assumption: a commitment to monogamy is an admirable consequence of love, stemming from a deep-seated generosity and an intimate interest in the other’s flourishing and well-being. A call for monogamy is a sure indication that one partner has the other’s best interests at heart. To Rabih’s new way of thinking, it seems anything but kind or considerate to insist that a spouse return to his room alone to watch CNN and eat yet another club sandwich while perched on the edge of his bed, when he has perhaps only a few more decades of life left on the planet, an increasingly dishevelled physique, an at best intermittent track record with the opposite sex, and a young woman from California standing before him who sincerely wishes to remove her dress in his honour. If love is to be defined as a genuine concern for the well-being of another person, then it must surely be deemed compatible with granting permission for an often harassed and rather browbeaten husband to step off the elevator on the eighteenth floor, in order to enjoy ten minutes of rejuvenating cunnilingus with a near-stranger. Otherwise it may seem that what we are dealing with is not really love at all but rather a kind of small-minded and hypocritical possessiveness, a desire to make one’s partner happy if, but only if, that happiness involves oneself. It’s past midnight already, yet Rabih is just hitting his stride, knowing there might be objections but sidestepping them nimbly and, in the process, acquiring an ever more brittle sense of self-righteousness. A fourth assumption: monogamy is the natural state of love. A sane person can only ever want to love one other person. Monogamy is the bellwether of emotional health. Is there not, wonders Rabih, an infantile idealism in our wish to find everything in one other being – someone who will be simultaneously a best friend, a lover, a co-parent, a co-chauffeur and a business partner? What a recipe for disappointment and resentment in this notion, upon which millions of otherwise perfectly good marriages regularly founder. What could be more natural than to feel an occasional desire for another person? How can anyone be expected to grow up in hedonistic, liberated circles, experience the sweat and excitement of nightclubs and summer parks, listen to music full of longing and lust and then, immediately upon signing a piece of paper, renounce all outside sexual interest, not in the name of any particular god or higher commandment but merely from an unexplored supposition that it must be very wrong? Is there not instead something inhuman, indeed ‘wrong’, in failing to be tempted, in failing to realize just how short of time we all are and therefore with what urgent curiosity we should want to explore the unique fleshly individuality of more than one of our contemporaries? To moralize against adultery is to deny the legitimacy of a range of sensory high points – Rabih thinks of Lauren’s shoulder blades – in their own way just as worthy of reverence as more acceptable attractions such as the last moments of ‘Hey Jude’ or the ceilings of the Alhambra Palace. Isn’t the rejection of adulterous possibilities tantamount to an infidelity towards the richness of life itself? To turn the equation on its head: would it be rational to trust anyone who wasn’t, under certain circumstances, really pretty interested in being unfaithful?
Alain de Botton (The Course of Love)
A stranger. Young, well-dressed, pale and visibly sweaty, as if he’d endured some great shock and needed a drink. West would have been tempted to pour him one, if not for the fact that he’d just pulled a small revolver from his pocket and was pointing it in his direction. The nose of the short barrel was shaking. Commotion erupted all around them as patrons became aware of the drawn pistol. Tables and chairs were vacated, and shouts could be heard among the growing uproar. “You self-serving bastard,” the stranger said unsteadily. “That could be either of us,” Severin remarked with a slight frown, setting down his drink. “Which one of us do you want to shoot?” The man didn’t seem to hear the question, his attention focused only on West. “You turned her against me, you lying, manipulative snake.” “It’s you, apparently,” Severin said to West. “Who is he? Did you sleep with his wife?” “I don’t know,” West said sullenly, knowing he should be frightened of an unhinged man aiming a pistol at him. But it took too much energy to care. “You forgot to cock the hammer,” he told the man, who immediately pulled it back. “Don’t encourage him, Ravenel,” Severin said. “We don’t know how good a shot he is. He might hit me by mistake.” He left his chair and began to approach the man, who stood a few feet away. “Who are you?” he asked. When there was no reply, he persisted, “Pardon? Your name, please?” “Edward Larson,” the young man snapped. “Stay back. If I’m to be hanged for shooting one of you, I’ll have nothing to lose by shooting both of you.” West stared at him intently. The devil knew how Larson had found him there, but clearly he was in a state. Probably in worse condition than anyone in the club except for West. He was clean-cut, boyishly handsome, and looked like he was probably very nice when he wasn’t half-crazed. There could be no doubt as to what had made him so wretched—he knew his wrongdoings had been exposed, and that he’d lost any hope of a future with Phoebe. Poor bastard. Picking up his glass, West muttered, “Go on and shoot.” Severin continued speaking to the distraught man. “My good fellow, no one could blame you for wanting to shoot Ravenel. Even I, his best friend, have been tempted to put an end to him on a multitude of occasions.” “You’re not my best friend,” West said, after taking a swallow of brandy. “You’re not even my third best friend.” “However,” Severin continued, his gaze trained on Larson’s gleaming face, “the momentary satisfaction of killing a Ravenel—although considerable—wouldn’t be worth prison and public hanging. It’s far better to let him live and watch him suffer. Look how miserable he is right now. Doesn’t that make you feel better about your own circumstances? I know it does me.” “Stop talking,” Larson snapped. As Severin had intended, Larson was distracted long enough for another man to come up behind him unnoticed. In a deft and well-practiced move, the man smoothly hooked an arm around Larson’s neck, grasped his wrist, and pushed the hand with the gun toward the floor. Even before West had a good look at the newcomer’s face, he recognized the smooth, dry voice with its cut-crystal tones, so elegantly commanding it could have belonged to the devil himself. “Finger off the trigger, Larson. Now.” It was Sebastian, the Duke of Kingston . . . Phoebe’s father. West lowered his forehead to the table and rested it there, while his inner demons all hastened to inform him they really would have preferred the bullet.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))