Cloudy Night Sky Quotes

All shadows of clouds the sun cannot hide like the moon cannot stop oceanic tide; but a hidden star can still be smiling at night's black spell on darkness, beguiling

Xie Lian fell back to the bottom of the pit and glared at the hiding moon in the cloudy night sky for a bit, growing very angry. This pit wasn't even that deep, so why couldn't he climb out, no matter how he tried?

On a cloudy night, when nothing seems above, still, there is love. Always love. For something, from someone. It's never done. Never.

Starlight beats when heart twinkles Youthful sky beyond cloudy wrinkles Muse of glory to flame the night Verse inscribed as written light

Helen opened her eyes and gazed into the luminous blue of the sky. Was it crazy, she wondered, to be as grateful as she felt now, for moments like this, in a world that had atomic bombs in it—and concentration camps, and gas chambers? People were still tearing each other into pieces. There was still murder, starvation, unrest, in Poland, Palestine, India—God knew where else. Britain itself was sliding into bankruptcy and decay. Was it a kind of idiocy or selfishness, to want to be able to give yourself over to the trifles: to the parp of the Regent’s Park Band; to the sun on your face, the prickle of grass beneath your heels, the movement of cloudy beer in your veins, the secret closeness of your lover? Or were those trifles all you had? Oughtn’t you, precisely, to preserve them? To make little crystal drops of them, that you could keep, like charms on a bracelet, to tell against danger when next it came?

The water cycle consists of three phenomena – evaporation, precipitation, and collection- which are the three phenomena that make up what is known as “the water cycle.” Evaporation, the first of these phenomena, is the process of water turning into vapor and eventually forming clouds, such as those found in cloudy skies, or on cloudy days, or even cloudy nights. These clouds are formed by a phenomenon known as “evaporation,” which is the first of three phenomena that make up the water cycle. Evaporation, the first of these three, is simply a term for a process by which water turns into vapor and eventually forms clouds. Clouds can be recognized by their appearance, usually on cloudy days or nights, when they can be seen in cloudy skies. The name for the process by which clouds are formed – by water, which turns into vapor and becomes part of the formation known as “clouds” – is “evaporation,” the first phenomenon in the three phenomena that make up the cycle of water, otherwise known as “the water cycle,” and surely you must be asleep by now and so can be spared the horrifying details of the Baudelaires' journey.

I will look at you in the darkness of the night, where there are no colours to fill my eyes and where there are no frames that would define your shape. In the silence, I will seek the warmth of the night in your memories and sleep holding tight those orphan dreams. O dear, amidst the cloudy skies, where did you disappear?

Floods will rob us of one thing, fire of another. These are conditions of our existence which we cannot change. What we can do is adopt a noble spirit, such a spirit as befits a good man, so that we may bear up bravely under all that fortune sends us and bring our wills into tune with nature’s; reversals, after all, are the means by which nature regulates this visible realm of hers: clear skies follow cloudy; after the calm comes the storm; the winds take turns to blow; day succeeds night; while part of the heavens is in the ascendant, another is sinking. It is by means of opposites that eternity endures.

Sunday Morning I Complacencies of the peignoir, and late Coffee and oranges in a sunny chair, And the green freedom of a cockatoo Upon a rug mingle to dissipate The holy hush of ancient sacrifice. She dreams a little, and she feels the dark Encroachment of that old catastrophe, As a calm darkens among water-lights. The pungent oranges and bright, green wings Seem things in some procession of the dead, Winding across wide water, without sound. The day is like wide water, without sound, Stilled for the passing of her dreaming feet Over the seas, to silent Palestine, Dominion of the blood and sepulchre. II Why should she give her bounty to the dead? What is divinity if it can come Only in silent shadows and in dreams? Shall she not find in comforts of the sun, In pungent fruit and bright, green wings, or else In any balm or beauty of the earth, Things to be cherished like the thought of heaven? Divinity must live within herself: Passions of rain, or moods in falling snow; Grievings in loneliness, or unsubdued Elations when the forest blooms; gusty Emotions on wet roads on autumn nights; All pleasures and all pains, remembering The bough of summer and the winter branch. These are the measures destined for her soul. III Jove in the clouds had his inhuman birth. No mother suckled him, no sweet land gave Large-mannered motions to his mythy mind He moved among us, as a muttering king, Magnificent, would move among his hinds, Until our blood, commingling, virginal, With heaven, brought such requital to desire The very hinds discerned it, in a star. Shall our blood fail? Or shall it come to be The blood of paradise? And shall the earth Seem all of paradise that we shall know? The sky will be much friendlier then than now, A part of labor and a part of pain, And next in glory to enduring love, Not this dividing and indifferent blue. IV She says, "I am content when wakened birds, Before they fly, test the reality Of misty fields, by their sweet questionings; But when the birds are gone, and their warm fields Return no more, where, then, is paradise?" There is not any haunt of prophecy, Nor any old chimera of the grave, Neither the golden underground, nor isle Melodious, where spirits gat them home, Nor visionary south, nor cloudy palm Remote on heaven's hill, that has endured As April's green endures; or will endure Like her remembrance of awakened birds, Or her desire for June and evening, tipped By the consummation of the swallow's wings

Do they hear my call in the night? Dreams of faraway lands to go to live, Spending all my time in thinking of him? Knowing I have done all and to love and give. Not enough to keep my love, The moon is my only friend tonight it is calm and white as snow, I cannot stop thinking of his arms his face and smile, I want to leave somewhere away and go. Does anybody share my point of view, Wrapped up in a obsession of non stop thinking, My heart is in love with him, Can I stop this masquerade of my sinking? The butterfly with no home, The Rose that blooms in the night, Cloudy skies that cover the silver of the moon, A dark path in my heart, once so tender and bright. Softness now hurts, Living just being one, Reality sets in, It was over before it begun. Hear my call sweet winds, I ask to be healed and set me free, I know he does not love me, The winds of fate tell me. They tell me to see, What I need to hear and see

The Darkling Thrush by Thomas Hardy I leant upon a coppice gate When Frost was spectre-grey, And Winter's dregs made desolate The weakening eye of day. The tangled bine-stems scored the sky Like strings of broken lyres, And all mankind that haunted nigh Had sought their household fires. The land's sharp features seemed to be The Century's corpse outleant, His crypt the cloudy canopy, The wind his death-lament. The ancient pulse of germ and birth Was shrunken hard and dry, And every spirit upon earth Seemed fervourless as I. At once a voice arose among The bleak twigs overhead In a full-hearted evensong Of joy illimited; An aged thrush, frail, gaunt, and small, In blast-beruffled plume, Had chosen thus to fling his soul Upon the growing gloom. So little cause for carolings Of such ecstatic sound Was written on terrestrial things Afar or nigh around, That I could think there trembled through His happy good-night air Some blessed Hope, whereof he knew And I was unaware

Ode to a Dressmaker’s Dummy" Papier-mache body; blue-and-black cotton jersey cover. Metal stand. Instructions included. --Sears, Roebuck Catalogue O my coy darling, still You wear for me the scent Of those long afternoons we spent, The two of us together, Safe in the attic from the jealous eyes Of household spies And the remote buffooneries of the weather; So high, Our sole remaining neighbor was the sky, Which, often enough, at dusk, Leaning its cloudy shoulders on the sill, Used to regard us with a bored and cynical eye. How like the terrified, Shy figure of a bride You stood there then, without your clothes, Drawn up into So classic and so strict a pose Almost, it seemed, our little attic grew Dark with the first charmed night of the honeymoon. Or was it only some obscure Shape of my mother’s youth I saw in you, There where the rude shadows of the afternoon Crept up your ankles and you stood Hiding your sex as best you could?-- Prim ghost the evening light shone through.

Dear Familiar Place, I am lost. I wonder who lives behind my eyes. I guess a lost little child who never grew up. However, I was forced to grow up, but I never had a chance to experience the sweet and playful side of life. I notice that at the moment, it is only me sitting on you—usually, I would have to share you with two or three people. After I leave, you will not be marked until a lonely broken soul will claim you. Just for tonight, they will have something to claim as their own. I wonder who will claim you tonight? I thank you for keeping me warm the best way you could. I am sure you are one of everyone’s best friends. I bet you have a lot of stories to tell. I am looking at the clouds and wondering how long the cloud will last in my life. I’ve had so many cloudy days; sadly, I forget how the sun looks and feels. My eyes are sensitive to the daylight, but they are immune to the darkness with just the right kind of light from the stars. During the day, my mood is cloudy, uncertain, blurred, depressing, and there is so much fog I can’t see the sun, nor do I have a head's up that the rain is coming. I wish just one day my mood could at least be fair skies. I’ll accept cool and fair skies. I mean, at least for once, could my life be fair instead of constantly feeling anxiety and my soul tied in two knots or more? I retraced my thoughts and noticed the wind was blowing. I smile slightly because the leaves are playing with each other as the breeze shows them some unconditional love. I wonder what unconditional love is? In my world, unconditional love is blowing dandelions in the daytime and hugging the stars during the night. I guess that’s all the love I need. Wishing for brighter days.

1. For the space of one entire month (from full moon to full moon), a single leaf from a Mandrake must be carried constantly in the mouth. The leaf must not be swallowed or taken out of the mouth at any point. If the leaf is removed from the mouth, the process must be started again. 2. Remove the leaf at the full moon and place it, steeped in your saliva, in a small crystal phial that receives the pure rays of the moon (if the night is cloudy, you will have to find a new Mandrake leaf and begin the whole process again). To the moon-struck crystal phial, add one of your own hairs, a silver teaspoon of dew collected from a place that neither sunlight nor human feet have touched for a full seven days, and the chrysalis of a Death’s-head Hawk Moth. Put this mixture in a quiet, dark place and do not look at it or otherwise disturb it until the next electrical storm. 3. While waiting for the storm, the following procedure should be followed at sunrise and sundown. The tip of the wand should be placed over the heart and the following incantation spoken: ‘Amato Animo Animato Animagus.’ 4. The wait for a storm may take weeks, months or even years. During this time, the crystal phial should remain completely undisturbed and untouched by sunlight. Contamination by sunlight gives rise to the worst mutations. Resist the temptation to look at your potion until lightning occurs. If you continue to repeat your incantation at sunrise and sunset there will come a time when, with the touch of the wand-tip to the chest, a second heartbeat may be sensed, sometimes more powerful than the first, sometimes less so. Nothing should be changed. The incantation should be uttered without fail at the correct times, never omitting a single occasion. 5. Immediately upon the appearance of lightning in the sky, proceed directly to the place where your crystal phial is hidden. If you have followed all the preceding steps correctly, you will discover a mouthful of blood-red potion inside it.

A Sunset I love the evenings, passionless and fair, I love the evens, Whether old manor-fronts their ray with golden fulgence leavens, In numerous leafage bosomed close; Whether the mist in reefs of fire extend its reaches sheer, Or a hundred sunbeams splinter in an azure atmosphere On cloudy archipelagos. Oh, gaze ye on the firmament! A hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword. The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance. Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe. Then mounts a palace, then the air vibrates--the vision flees. Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back. These vapors, with their leaden, golden, iron, bronz¨¨d glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms, 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflam¨¨d spaume. O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.

Do they hear my call in the night? Dreams of faraway lands to go to live, Spending all my time in thinking of him? Knowing I have done all and to love and give. Not enough to keep my love, The moon is my only friend tonight it is calm and white as snow, I cannot stop thinking of his arms his face and smile, I want to leave somewhere away and go. Does anybody share my point of view, Wrapped up in a obsession of non stop thinking, My heart is in love with him, Can I stop this masquerade of my sinking? The butterfly with no home, The Rose that blooms in the night, Cloudy skies that cover the silver of the moon, A dark path in my heart, once so tender and bright. Softness now hurts, Living just being one, Reality sets in, It was over before it begun. Hear my call sweet winds, I ask to be healed and set me free, I know he does not love me, The winds of fate tell me. They tell me to see, What I need to hear and see.

A dark night, cloudy sky. No moonlight. Your last try. Strength is gone. You're afraid. Bad mistakes have been made. Tears falling, sobbing sounds. Gone too far out of bounds. One more thing left to do. Only one left for you. Go to God, to Jesus. You know He forgives us. Believe it and confess. Repent for all that mess. He'll cleanse you, make you clean. Sketch you in a new scene. Hurry now. Don't you wait. Nothing to contemplate. Say goodbye to the night. Say hello to the light.

Three years ago,' he said quietly, 'I began to have these... dreams. At first, they were glimpses, as if I were staring through someone else's eyes. A crackling hearth in a dark home. A bale of hay in a barn. A warren of rabbits. The images were foggy, like looking through cloudy glass. They were brief- a flash here and there, every few months. I thought nothing of them, until one of the images was of a hand... This beautiful, human hand. Holding a brush. Painting- flowers on a table.' My heart stopped beating. 'And that time, I pushed a thought back. Of the night sky- of the image that brought me joy when I needed it most. Open night sky, stars, and the moon. I didn't know if it was received, but I tried, anyway.' I wasn't sure I was breathing. 'Those dreams- the flashes of that person, that woman... I treasured them. They were a reminder that there was some peace out there in the world, some light. That there was a place, and a person, who had enough safety to paint flowers on a table. They went on for years, until... a year ago. I was sleeping next to Amarantha, and I jolted awake from this dream... this dream that was clearer and brighter, like the fog had been wiped away. She- you were dreaming. I was in your dream, watching as you had a nightmare about some woman slitting your throat, while you were chased by the Bogge... I couldn't reach you, speak to you. But you were seeing our kind. And I realised that the fog had probably been the wall, and that you... you were now in Prythian.

There was something about Liv Beaufont that was likable. Maybe because she fought for justice or protected the little guy, but Sophia thought there was more to it than that. Liv teased Rudolf. She outright made fun of Rory, and she got on Bermuda’s last nerve. But the truth about this warrior for the House of Fourteen was she allowed those she loved to be who they were, without changing them. There was something innately comforting about being around someone who loved you for who you were rather than what you could become. Many loved the potential in others, whereas Liv loved the essence of a person. She didn’t love the people in her life despite their flaws, but in many instances, because of them. They were all human, after all. Liv might make light of her friends, but Sophia knew no one loved them more fiercely, and Sophia knew being loved by Liv Beaufont was like feeling sunshine on your cheeks on a winter day, or the stars breaking through a cloudy night sky. Liv’s love was a cure to suffering most never knew they were enduring.

Some women fight and others do not. Like so many successful guerrillas in the war between the sexes, Georgia O’Keeffe seems to have been equipped early with an immutable sense of who she was and a fairly clear understanding that she would be required to prove it. On the surface her upbringing was conventional. She was a child on the Wisconsin prairie who played with China dolls and painted watercolors with cloudy skies because sunlight was too hard to paint and, with her brother and sisters, listened every night to her mother read stories of the Wild West, of Texas, of Kit Carson and Billy the Kid. She told adults that she wanted to be an artist and was embarrassed when they asked what kind of artist she wanted to be: she had no idea “what kind.” She had no idea what artists did.

Considering how cloudy the days often are, it can seem at times as if the moon holds more power over the sky than the sun itself. Somehow the clouds always clear by the time the moon makes its entrance for the night, bathing the world in chill silver light.

Variations on a Summer Day" I Say of the gulls that they are flying In light blue air over dark blue sea. II A music more than a breath, but less Than the wind, sub-music like sub-speech, A repetition of unconscious things, Letters of rock and water, words Of the visible elements and of ours. III The rocks of the cliffs are the heads of dogs That turn into fishes and leap Into the sea. IV Star over Monhegan, Atlantic star, Lantern without a bearer, you drift, You, too, are drifting, in spite of your course; Unless in the darkness, brightly-crowned You are the will, if there is a will, Or the portent of a will that was, One of the portents of the will that was. V The leaves of the sea are shaken and shaken. There was a tree that was a father. We sat beneath it and sang our songs. VI It is cold to be forever young, To come to tragic shores and flow, In sapphire, round the sun-bleached stones, Being, for old men, time of their time. VII One sparrow is worth a thousand gulls, When it sings. The gull sits on chimney-tops. He mocks the guineas, challenges The crow, inciting various modes. The sparrow requites one, without intent. VIII An exercise in viewing the world. On the motive! But one looks at the sea As one improvises, on the piano. IX This cloudy world, by aid of land and sea, Night and day, wind and quiet, produces More nights, more days, more clouds, more worlds. X To change nature, not merely to change ideas, To escape from the body, so to feel Those feelings that the body balks, The feelings of the natures round us here: As a boat feels when it cuts blue water. XI Now, the timothy at Pemaquid That rolled in heat is silver-tipped And cold. The moon follows the sun like a French Translation of a Russian poet. XII Everywhere the spruce trees bury soldiers: Hugh March, a sergeant, a redcoat, killed, With his men, beyond the barbican. Everywhere spruce trees bury spruce trees. XIII Cover the sea with the sand rose. Fill The sky with the radiantiana Of spray. Let all the salt be gone. XIV Words add to the senses. The words for the dazzle Of mica, the dithering of grass, The Arachne integument of dead trees, Are the eye grown larger, more intense. XV The last island and its inhabitant, The two alike, distinguish blues, Until the difference between air And sea exists by grace alone, In objects, as white this, white that. XVI Round and round goes the bell of the water And round and round goes the water itself And that which is the pitch of its motion, The bell of its dome, the patron of sound. XVII Pass through the door and through the walls, Those bearing balsam, its field fragrance, Pine-figures bringing sleep to sleep. XVIII Low tide, flat water, sultry sun. One observes profoundest shadows rolling. Damariscotta dada doo. XIX One boy swims under a tub, one sits On top. Hurroo, the man-boat comes, In a man-makenesse, neater than Naples. XX You could almost see the brass on her gleaming, Not quite. The mist was to light what red Is to fire. And her mainmast tapered to nothing, Without teetering a millimeter's measure. The beads on her rails seemed to grasp at transparence. It was not yet the hour to be dauntlessly leaping.

The sun had returned to the sky after a fortnight's absence, and to the south the Wall rose blue-white and glittering...On cloudy days it looked to be white rock. On moonless nights it was as black as coal. In snowstorms it seemed carved of snow. But on days like this, there was no mistaking it for anything but ice. On days like this the Wall shimmered bright as a septon's crystal, every crack and crevasse limned by sunlight, as frozen rainbows danced and died behind translucent ripples. On days like this the Wall was beautiful.

_I saw silhouette of moonlight in the backyard,_ _The tree swaying at you from distance,_ _The leaf slowly leaving the tree without mémoire to stay with,_ _Fading stars,_ _Cloudy night,_ _Unreachable sky,_

night has enveloped, to give me some relief now invisible are walls of separation, and thy grief where blood quenches the thirst disloyalty is faith last and first is the religion my beloved belongs to I beckoned, red and black robed lady with a wand let me take her by the hand heard of her about sorcery her powers useless, and witch now about to succumb from just a gaze of eyes filled with Kohl of Leila my nights worthless, body breathless every moment, feeling restless be silent and hear, hear me, my cries don't forget the promise you swore I have lost my childhood over you don't know, how these years left me alone sufferings, separation, theft me alone I never knew how pain excrutiates sometimes, i enlivened you my dear Love is a blessing, and not a fear in a melancholy cloudy day, I mourn glistening eyes, weeping sky, and heart torn I gaze from a window in Kashmir For a moment, condoling the tragedy, sighing In sombre time, lifeless, as if dying

The place was a truck stop town. Large 18 wheelers lined the sidewalks and cafes. Giant diesel motors roaring their exhaust into the cloudy night skies. Wearied looking truckers climbed into the cabs like captains of gigantic steel ships. She could not imagine anyone trying to maneuver such large metallic beasts all over the roads of the nation. While the idea of being behind the wheel with nothing but the comfort of the radio, and the isolation were appealing. The thought of fighting all the congested traffic in smog infested industrial waters of choking vapors killed any pleasant dreams of the occupation.

The night sky was dark and cloudy and felt very much like her weeping heart.

The moon is a ghost upon an Endless corridor of cloudy shelves Of the library of the sky.

But Mouchot was learning the limitations of solar power. Sunlight is plentiful and free, but it comes as an intermittent flow, not a reliable stock. Mouchot’s engines were useless at night or on cloudy days—and French skies were often cloudy. Even when the sun shone, the mirrors were costly. One skeptical engineer noted in a review of Mouchot’s work that running a typical one-horsepower steam engine required “about two kilograms [4.4 pounds] of coal.” To drive the same engine with the sun, Mouchot would need a mirror of about 320 square feet. Operating factory-scale machinery would require hundreds of giant mirrors—a huge expense. Meanwhile, French industry was not running out of fuel, as so many had predicted it would. Paris had signed a trade agreement with London, and the nation was awash with British coal.

Coming back to the village through the snow, under the dark cloudy skies, Belle felt like she had been away for a lifetime. She had, in fact, never left the village by herself before this. There were a couple of overnight trips to fairs with her father, and once or twice during mushroom season they got swept up in the fury and spent a few nights in the forest, gathering morels and truffles and camping out. But that was all, and always with Papa.