Cloud Retainer Quotes

If there are words and wrongs like knives, whose deep inflicted lacerations never heal - cutting injuries and insults of serrated and poison-dripping edge - so, too, there are consolations of tone too fine for the ear not fondly and for ever to retain their echo: caressing kindnesses - loved, lingered over through a whole life, recalled with unfaded tenderness, and answering the call with undimmed shine, out of that raven cloud foreshadowing Death himself.

Subhuti, someone might fill innumerable worlds with the seven treasures and give all away in gifts of alms, but if any good man or any good woman awakens the thought of Enlightenment and takes even only four lines from this Discourse, reciting, using, receiving, retaining and spreading them abroad and explaining them for the benefit of others, it will be far more meritorious. Now in what manner may he explain them to others? By detachment from appearances-abiding in Real Truth. -So I tell you- Thus shall you think of all this fleeting world: A star at dawn, a bubble in a stream; A flash of lightening in a summer cloud, A flickering lamp, a phantom, and a dream. When Buddha finished this Discourse the venerable Subhuti, together with the bhikshus, bhikshunis, lay-brothers and sisters, and the whole realms of Gods, Men and Titans, were filled with joy by His teaching, and, taking it sincerely to heart they went their ways.

Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.

The night was serene. Not a cloud was in the zenith. What mattered is that the earth was red, the moon retained her whiteness. Such is the indifference of heaven.

Although secular fundamentalist “progressives” might believe in a future “golden age,” such an age does not exist. The future that they herald is merely one of gathering gloom and ever darkening clouds. This fate has ever been so for those who proclaim their “Pride.” They have nothing to expect in the future but their fall. As for the Christian, he has nothing to fear but his falling into the pride of despair. If he avoids becoming despondent and retains his humility, he will receive the gift of hope which is its fruit. Where there is hope there is the Way, the Truth and the Life.

When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope

1 One went to the door of the Beloved and knocked. A voice asked: “Who is there?” He answered: “It is I.” The voice said: “There is no room here for me and thee.” The door was shut. After a year of solitude and deprivation this man returned to the door of the Beloved. He knocked. A voice from within asked: “Who is there?” The man said: “It is Thou.” The door was opened for him. 2 The minute I heard my first love story, I started looking for you, not knowing how blind that was. Lovers don’t finally meet somewhere, they’re in each other all along. 3 Love is from the infinite, and will remain until eternity. The seeker of love escapes the chains of birth and death. Tomorrow, when resurrection comes, The heart that is not in love will fail the test. 4 When your chest is free of your limiting ego, Then you will see the ageless Beloved. You can not see yourself without a mirror; Look at the Beloved, He is the brightest mirror. 5 Your love lifts my soul from the body to the sky And you lift me up out of the two worlds. I want your sun to reach my raindrops, So your heat can raise my soul upward like a cloud. 6 There is a candle in the heart of man, waiting to be kindled. In separation from the Friend, there is a cut waiting to be stitched. O, you who are ignorant of endurance and the burning fire of love– Love comes of its own free will, it can’t be learned in any school. 7 There are two kinds of intelligence: one acquired, as a child in school memorizes facts and concepts from books and from what the teacher says, collecting information from the traditional sciences as well as from the new sciences. With such intelligence you rise in the world. You get ranked ahead or behind others in regard to your competence in retaining information. You stroll with this intelligence in and out of fields of knowledge, getting always more marks on your preserving tablets. There is another kind of tablet, one already completed and preserved inside you. A spring overflowing its springbox. A freshness in the center of the chest. This other intelligence does not turn yellow or stagnate. It’s fluid, and it doesn’t move from outside to inside through conduits of plumbing-learning. This second knowing is a fountainhead from within you, moving out.

The skies she retained in memory were dramas of cloud and sea storm, or the electric sheen before summer thunder in the city, always belonging to the energies of sheer weather, of what was out there, air masses, water vapor, westerlies.

As long as he retains externally the habits of a Christian he can still be made to think of himself as one who has adopted a few new friends and amusements but whose spiritual state is much the same...And while he thinks that, we do not have to contend with the explicit repentance of a definite, fully recognised, sin, but only with his vague, though uneasy, feeling that he hasn’t been doing very well lately. This dim uneasiness needs careful handling. If it gets too strong it may wake him up...if you suppress it entirely...we lose an element in the situation which can be turned to good account. If such a feeling is allowed to live, but not allowed to become irresistible and flower into real repentance, it has one invaluable tendency. It increases the patient’s reluctance to think about the Enemy. All humans at nearly all times have some such reluctance; but when thinking of Him involves facing and intensifying a whole vague cloud of half-conscious guilt, this reluctance is increased tenfold...In this state your patient will not omit, but he will increasingly dislike, his religious duties...He will want his prayers to be unreal, for he will dread nothing so much as effective contact with the Enemy.

We have a long distance to travel,' said the Angel of Death to our friend Gil, as soon as they had left the Villa. 'I will order my chariot.' And he struck the ground with his foot. A hollow rumbling, like that which precedes an earthquake, sounded under the ground. Presently there rose round the two friends an ash-colored cloud of vapor, in the midst of which appeared a species of ivory chariot, resembling the chariots we see in the bas-reliefs of antiquity. A brief glance would have sufficed (we will not disguise the fact from out readers) to show that the chariot was not made of ivory, but solely and simply of human bones polished and joined together with exquisite skill, but retaining still their natural form. The Angel of Death gave his hand to Gil and they ascended the chariot, which rose into the air like the balloons of the present day, but with the difference that it was propelled by the will of its occupants. ("The Friend of Death")

What is important to the historian of the world is not the petty wars between Greek cities, or the sordid squabbles for party ascendancy, but the memories retained by mankind when the brief episode was ended—like the recollection of a brilliant sunrise in the Alps, while the mountaineer struggles through an arduous day of wind and snow. These memories, as they gradually faded, left in men's minds the images of certain peaks that had shone with peculiar brightness in the early light, keeping alive the knowledge that behind the clouds a splendour still survived, and might at any moment become manifest.

What is of interest is what our minds retain, what our lives have given to the air. The witches are gone, vanished; we were just an interval in their lives, and they in ours. But as Sukie’s blue-green ghost continues to haunt the sun-struck pavement, and Jane’s black shape to flit past the moon, so the rumors of the days when they were solid among us, gorgeous and doing evil, have flavored the name of the town in the mouths of others, and for those of us who live here have left something oblong and invisible and exciting we do not understand. We meet it turning the corner where Hemlock meets Oak; it is there when we walk the beach in offseason and the Atlantic in its blackness mirrors the dense packed gray of the clouds: a scandal, life like smoke twisted into legend.

Dawn and a high film; the sun burned it; But noon had a thick sheet, and the clouds coming, The low rain-bringers, trooping in from the north, From the far cold fog-breeding seas, the womb of storms. Dusk brought a wind and the sky opened: All down the west the broken strips lay snared in the light, Bellied and humped and heaped on the hills. The set sun threw the blaze up; The sky lived redly, banner on banner of far-burning flame, From south to north the furnace door wide and the smoke rolling. We in the fields, the watchers from the burnt slope, Facing the west, facing the bright sky, hopelessly longing to know the red beauty-- But the unable eyes, the too-small intelligence, The insufficient organs of reception Not a thousandth part enough to take and retain. We stared, and no speaking. and felt the deep loneness of incomprehension. The flesh must turn cloud, the spirit, air, Transformation to sky and the burning, Absolute oneness with the west and the down sun. But we, being earth-stuck, watched from the fields, Till the rising rim shut out the light; Till the sky changed, the long wounds healed; Till the rain fell.

As long as he retains externally the habits of a Christian he can still be made to think of himself as one who has adopted a few new friends and amusements but whose spiritual state is much the same as it was six weeks ago. And while he thinks that, [he will not repent] of a definite, fully recognized, sin, ... only [vaguely and uneasily] feeling that he hasn't been doing very well lately... If such a feeling is allowed to live... it increases reluctance to think about [God]. All humans at nearly all times have some such reluctance; but when thinking of Him involves facing and intensifying a whole vague cloud of half-conscious guilt, this reluctance is increased tenfold. They hate every idea that suggests Him, just as men in financial embarrassment hate the very sight of a bankbook. In this state... {man] will increasingly dislike his religious duties. He will think about them as little as he feels he decently can beforehand, and forget them as soon as possible when they are over. He will want his prayers to be unreal, for he will dread nothing so much as effective contact with [his Heavenly Father]... Uneasiness and his reluctance to face it cut him off more and more from all real happiness...

the Man of Fancy preceded the company to another noble saloon, the pillars of which were solid golden sunbeams taken out of the sky in the first hour in the morning. Thus, as they retained all their living lustre, the room was filled with the most cheerful radiance imaginable, yet not too dazzling to be borne with comfort and delight. The windows were beautifully adorned with curtains made of the many-colored clouds of sunrise, all imbued with virgin light, and hanging in magnificent festoons from the ceiling to the floor. Moreover, there were fragments of rainbows scattered through the room; so that the guests, astonished at one another, reciprocally saw their heads made glorious by the seven primary hues; or, if they chose,—as who would not?—they could grasp a rainbow in the air and convert it to their own apparel and adornment. But the morning light and scattered rainbows were only a type and symbol of the real wonders of the apartment. By an influence akin to magic, yet perfectly natural, whatever means and opportunities of joy are neglected in the lower world had been carefully gathered up and deposited in the saloon of morning sunshine. As may well be conceived, therefore, there was material enough to supply, not merely a joyous evening, but also a happy lifetime, to more than as many people as that spacious apartment could contain.

Privacy was like cigarettes. No single puff on a cigarette would give you cancer, but smoke enough of the things and they’d kill you dead, and by the time you understood that in your guts, it was too late. Smoking is all up-front pleasure and long-term pain, like cheesecake or sex with beautiful, fucked-up boys. It’s the worst kind of badness, because the consequences arrive so long after—and so far away from—the effects. You can’t learn to play baseball by swinging at the ball with your eyes closed, running home, and waiting six months for someone to call you up and let you know whether you connected. You can’t learn to sort the harmless privacy decisions from the lethal ones by making a million disclosures, waiting ten years, and having your life ruined by one of them. Industry was pumping private data into its clouds like the hydrocarbon barons had pumped CO2 into the atmosphere. Like those fossil fuel billionaires, the barons of the surveillance economy had a vested interest in sowing confusion about whether and how all this was going to bite us in the ass. By the time climate change can no longer be denied, it’ll be too late: we’ll have pumped too much CO2 into the sky to stop the seas from swallowing the world; by the time the datapocalypse is obvious even to people whose paychecks depended on denying it, it would be too late. Any data you collect will probably leak, any data you retain will definitely leak, and we’re putting data-collection capability into fucking lightbulbs now. It’s way too late to decarbonize the surveillance economy.

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open communication, in tandem with quickly fixing the problem, is the only way to build and retain trust.

From prehistoric cave paintings to the map of the London Underground, images, diagrams and charts have long been at the heart of human storytelling. The reason why is simple: our brains are wired for visuals. ‘Seeing comes before words. The child looks and recognises before it speaks,’ wrote the media theorist John Berger in the opening lines of his 1972 classic, Ways of Seeing[1]. Neuroscience has since confirmed the dominant role of visualisation in human cognition. Half of the nerve fibres in our brains are linked to vision and, when our eyes are open, vision accounts for two thirds of the electrical activity in the brain. It takes just 150 milliseconds for the brain to recognise and image and a mere 100 milliseconds more to attach a meaning to it[2]. Although we have blind spots in both of our eyes – where the optic nerve attaches to the retina – the brain deftly steps in to create the seamless illusion of a whole[3]. As a result, we are born pattern-spotters, seeing faces in clouds, ghosts in the shadows, and mythical beasts in the starts. And we learn best when there are pictures to look at. As the visual literacy expert Lynell Burmark explains, ‘unless our words, concepts and ideas are hooked onto an image, they will go in one ear, sail through the brain, and go out the other ear. Words are processed by our short-term memory where we can only retain about seven bits of information…Images, on the other hand, go directly into long-term memory where they are indelibly etched[4]. With far-fewer pen strokes, and without the weight of technical language, images have immediacy – and when text and image send conflicting messages, it is the visual messages that most often wins[5]. So the old adage turns out to be true: a picture really is worth a thousand words.

The people, the product, and the offices of a company can, will, and must change as it blitzscales. Culture is one of the few mechanisms that allow the ship to retain its essential identity. Culture is what helps Apple retain its “Apple-ness” with Steve Jobs gone, and Intuit retain its, well, “Intuit(ive)-ness” even as it shifted from selling packaged personal finance software to providing a cloud accounting suite.

Grant having little other inheritance than an honourable name in the traditions of his country, but anxious in these degenerate days, when matters of political economy are laid in the balance against the renown of thousands slain, to uphold the relative consequences of his family, was easily persuaded, as he approached the years of discretion, to prefer the sordid industry of commercial enterprise, to the bloody bravery of military aggression. Being still however desirous even in the craft of trade, to retain something of the freedom of his mountain ancestors, he determined, in the language of heroic fable, to espouse his fortune. With this intent, he embarked for America, and for more than five and thirty years, in the wilds of upper Canada, he pursued a course of life, which though strictly mercantile in its object, was, in its incidents and varieties, such as the mighty Fingal might from his throne of clouds have contemplated with satisfaction.

Alan Beaumont stepped through the automatic door of his office building and down the broad steps to the pavement. The sky above DC was a monochrome of grey cloud. A light rain fell, but a few drops of water were not going to bother him. Damp clothes? Whatever. Messed-up hair? He had no hair to ruin. That was long gone. Nothing had helped retain those once-magnificent curls. Not pills. Not potions. Nada. He used a thumb and middle finger to snap open his Zippo lighter and lit the cigarette perched between his lips. Smoking was perhaps the only real pleasure he had. He watched the downtown traffic and the pedestrians pass by, all miserable. Good. He didn’t like anyone to be happy but himself. It wasn’t pure selfishness. Joy was a zero sum game. There just wasn’t enough to go around.

Both magnetic and optical storage formats—videotape, digital discs, and drives—decay much faster than commercial film stock. Despite living in the cloud, there is no heaven for digital data. And in fifty years, even if our CDs, DVDs, flash drives, and YouTube accounts retain their contents, which is unlikely, there will be no devices or software with which to read them. Skip even one generation of technological change and the precious photos, videos, or letters on the floppy disks in the closet become inaccessible or illegible.

I asked myself, “What are these people up to, coming to this place, so carefully curated, traveling these great distances, looking at these paintings? And what do they believe they are up to?” One painting featured the Immaculate Conception of Mary, brilliantly composed. The Mother of God was rising to heaven, in a beatific state, encapsulated in a mandorla of clouds, embedded with the faces of putti. Many of the people gathered were gazing, enraptured, at the work. I thought, “They do not know what that painting means. They do not understand the symbolic meaning of the mandorla, or the significance of the putti, or the idea of the glorification of the Mother of God. And God, after all, is dead—or, so goes the story. Why does the painting nonetheless retain its value? Why is it in this room, in this building, with these other paintings, in this city—carefully guarded, not to be touched? Why is this painting—and all these others—beyond price and desired by those who already have everything? Why are these creations stored so carefully in a modern shrine, and visited by people from all over the world, as if it were a duty—even as if it were desirable or necessary?” We treat these objects as if they are sacred. At least that is what our actions in their vicinity suggest. We gaze at them in ignorance and wonder, and remember what we have forgotten; perceiving, ever so dimly, what we can no longer see (what we are perhaps no longer willing to see). The unknown shines through the productions of great artists in partially articulated form. The awe-inspiring ineffable begins to be realized but retains a terrifying abundance of its transcendent power. That is the role of art, and that is the role of artists. It is no wonder we keep their dangerous, magical productions locked up, framed, and apart from everything else. And if a great piece is damaged anywhere, the news spreads worldwide. We feel a tremor run through the bedrock of our culture. The dream upon which our reality depends shakes and moves. We find ourselves unnerved.

Tracking data becomes more detailed, analyses become further-reaching, and data is retained for a long time in order to build up detailed profiles of each person for marketing purposes. Now the relationship between the company and the user whose data is being collected starts looking quite different. The user is given a free service and is coaxed into engaging with it as much as possible. The tracking of the user serves not primarily that individual, but rather the needs of the advertisers who are funding the service. I think this relationship can be appropriately described with a word that has more sinister connotations: surveillance. Surveillance As a thought experiment, try replacing the word data with surveillance, and observe if common phrases still sound so good [93]. How about this: “In our surveillance-driven organization we collect real-time surveillance streams and store them in our surveillance warehouse. Our surveillance scientists use advanced analytics and surveillance processing in order to derive new insights.” This thought experiment is unusually polemic for this book, Designing Surveillance-Intensive Applications, but I think that strong words are needed to emphasize this point. In our attempts to make software “eat the world” [94], we have built the greatest mass surveillance infrastructure the world has ever seen. Rushing toward an Internet of Things, we are rapidly approaching a world in which every inhabited space contains at least one internet-connected microphone, in the form of smartphones, smart TVs, voice-controlled assistant devices, baby monitors, and even children’s toys that use cloud-based speech recognition. Many of these devices have a terrible security record [95]. Even the most totalitarian and repressive regimes could only dream of putting a microphone in every room and forcing every person to constantly carry a device capable of tracking their location and movements. Yet we apparently voluntarily, even enthusiastically, throw ourselves into this world of total surveillance. The difference is just that the data is being collected by corporations rather than government agencies [96].

I still retain a little of that attitude towards the snow. Try as I might, I can’t produce the adult hardness towards a snowfall, full of resentment at the inconvenience. I love the inconvenience the same way that I sneakingly love a bad cold: the irresistible disruption to mundane life, forcing you to stop for a while and step outside your normal habits. I love the visual transformation it brings about, that recolouring of the world into sparkling white, the way that the rules change so that everybody says hello as they pass. I love what it does to the light, the purplish clouds that loom before it descends, and the way it announces itself from behind your curtains in the morning, glowing a diffuse whiteness that can only mean snow. Heading out in a snowstorm to catch the flakes on my gloves, I love the feeling of it fresh underfoot. I am rarely childlike and playful except in snow.

Eddi grabbed the trunk of the dead sapling and yanked, and the rotted wood broke loose from between the two bracing trees. She pinned it under her arm like a battering ram and leaped down the hill much too fast. This, too, was like a dream: flying over treacherous ground and by some miracle not falling; those gray faces turning, one at a time, to fix their clouded eyes on her and raise their long knives. Everything seemed to be moving so slowly. Surely her target would step aside, and she would fall into the creek, into the green arms of whatever was in the water. With a shock that wrenched her arms and buffeted her ribs, the end of the tree trunk slammed into a gray belly. The thing went backward over the wall. The green hand freed Meg’s ankle and whipped snakelike out of sight. Water frothed on the surface of the creek. Eddi swung her tree trunk at the second gray demon, and it stumbled backward into the phouka’s grip. The phouka flung that one, too, over the retaining wall. For a moment, no one moved or spoke. Then the phouka sat down hard in the middle of the path and sank his face into both hands. “That,” he said at last, “was what is called an unnecessary risk. If you continue like this I shall be the first immortal to die of heart failure.” Eddi, who was nursing a hand full of splinters and a pair of quaking legs, did not dignify that with an answer.

In a mature relationship, romantic idealization waxes and wanes through the connection at various times. It arises out of a deep appreciation and gratitude for the person's presence and love, yet it retains the reality of who he is at the same time.

six approaches to be the most common: ​Rehosting (otherwise known as “lift-and-shift”) ​Replatforming (I sometimes call this “lift-tinker-and-shift”) ​Repurchasing (migrate to a different product/license, often SaaS) ​Refactoring (re-architect or re-imagine leveraging cloud-native capabilities) ​Retire (get rid of) ​Retain (do nothing, usually “revisit later”).

Today the cloud is the central metaphor of the internet: a global system of great power and energy that nevertheless retains the aura of something noumenal and numnious, something almost impossible to grasp. We connect to the cloud; we work in it; we store and retrieve stuff from it; we think through it. We pay for it and only notice it when it breaks. It is something we experience all the time without really understanding what it is or how it works. It is something we are training ourselves to rely upon with only the haziest of notions about what is being entrusted, and what it is being entrusted to. Downtime aside, the first criticism of this cloud is that it is a very bad metaphor. The cloud is not weightless; it is not amorphous, or even invisible, if you know where to look for it. The cloud is not some magical faraway place, made of water vapor and radio waves, where everything just works. It is a physical infrastructure consisting of phone lines, fibre optics, satellites, cables on the ocean floor, and vast warehouses filled with computers, which consume huge amounts of water and energy and reside within national and legal jurisdictions. The cloud is a new kind of industry, and a hungry one. The cloud doesn't just have a shadow; it has a footprint. Absorbed into the cloud are many of the previously weighty edifices of the civic sphere: the places where we shop, bank, socialize, borrow books, and vote. Thus obscured, they are rendered less visible and less amenable to critique, investigation, preservation and regulation. Another criticism is that this lack of understanding is deliberate. There are good reasons, from national security to corporate secrecy to many kinds of malfeasance, for obscuring what's inside the cloud. What evaporates is agency and ownership: most of your emails, photos, status updates, business documents, library and voting data, health records, credit ratings, likes, memories, experiences, personal preferences, and unspoken desires are in the cloud, on somebody else's infrastructure. There's a reason Google and Facebook like to build data centers in Ireland (low taxes) and Scandinavia (cheap energy and cooling). There's a reason global, supposedly post-colonial empires hold onto bits of disputed territory like Diego Garcia and Cyprus, and it's because the cloud touches down in these places, and their ambiguous status can be exploited. The cloud shapes itself to geographies of power and influence, and it serves to reinforce them. The cloud is a power relationship, and most people are not on top of it. These are valid criticisms, and one way of interrogating the cloud is to look where is shadow falls: to investigate the sites of data centers and undersea cables and see what they tell us about the real disposition of power at work today. We can seed the cloud, condense it, and force it to give up some of its stories. As it fades away, certain secrets may be revealed. By understanding the way the figure of the cloud is used to obscure the real operation of technology, we can start to understand the many ways in which technology itself hides its own agency - through opaque machines and inscrutable code, as well as physical distance and legal constructs. And in turn, we may learn something about the operation of power itself, which was doing this sort of thing long before it had clouds and black boxes in which to hide itself.