Vienna Love Quotes

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And I'll dance with you in Vienna, I'll be wearing a river's disguise. The hyacinth wild on my shoulder my mouth on the dew of your thighs. And I'll bury my soul in a scrapbook, with the photographs there and the moss. And I'll yield to the flood of your beauty, my cheap violin and my cross.
Leonard Cohen (Stranger Music: Selected Poems and Songs)
Dear Milena, I wish the world were ending tomorrow. Then I could take the next train, arrive at your doorstep in Vienna, and say: “Come with me, Milena. We are going to love each other without scruples or fear or restraint. Because the world is ending tomorrow.” Perhaps we don’t love unreasonably because we think we have time, or have to reckon with time. But what if we don't have time? Or what if time, as we know it, is irrelevant? Ah, if only the world were ending tomorrow. We could help each other very much.
Franz Kafka (Letters to Milena)
I write of love and death. What other subjects are there?
Arthur Schnitzler
DADDY You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time― Marble-heavy, a bag full of God, Ghastly statue with one grey toe Big as a Frisco seal And a head in the freakish Atlantic When it pours bean green over blue In the waters of beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You― Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not And less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw. And I said I do, I do. So daddy, I’m finally through. The black telephone’s off at the root, The voices just can’t worm through. If I’ve killed one man, I’ve killed two― The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There’s a stake in your fat black heart And the villagers never like you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I’m through.
Sylvia Plath (Ariel)
When you cannot love or hate anymore, then where is the charm of life?
Arthur Schnitzler
Love is a kind of symptom that arises through the repression of libido.
Frank Tallis (A Death in Vienna)
In retrospect, I can see that I had always known that it wouldn't between us. But after my pitiful love story in Vienna, I needed to believe in someone again...
Marjane Satrapi (Persepolis 2: The Story of a Return (Persepolis, #2))
The Reich may tell you whom you may love and whom you must hate. Oh, yes, Thomas, the Reich can dictate the inward life of every man." "Not the inward life." Thomas looked up sharply. "Only the outward show.
Bodie Thoene (Vienna Prelude (Zion Covenant, #1))
This, the dream and the dreamer, wandering in the desert from Hopkinsville to Vienna in love with a streetwalker named Music.…
Langston Hughes (The Ways of White Folks: Stories (Vintage Classics))
Bertha divined what an enormous wrong had been wrought against the world in that the longing for pleasure is placed in woman just as in man; and that with women that longing is a sin, demanding expiation, if the yearning for pleasure is not at the same time a yearning for motherhood.
Arthur Schnitzler (Vienna 1900: Games With Love And Death)
Vienna wasn't just a city, it was a tone that either one carries forever in one's soul or one does not. It was the most beautiful thing in my life. I was poor, but I was not alone, because I had a friend. And Vienna was like another friend. When it rained in the tropics, I always heard the voice of Vienna. And at other times too. Sometimes deep in the virgin forests I smelled the musty smell of the entrance hall in Hietzing. Music and everything I loved was in the stones of Vienna, and in people's glances and their behavior, the way pure feelings are part of one's very heart. You know when the feelings stop hurting. Vienna in winter and spring. The allés in Schönbrunn. The blue light in the dormitory at the academy, the great white stairwell with the baroque statue. Morning ridings in the Prater. The mildew in the riding school. I remember all of it exactly, and I wanted to see it again...
Sándor Márai (Embers)
It seemed to her as if it had been an unpleasant day. She went over the actual events in her mind, and was astonished to find that, after all, the day had been like many hundreds before it and many, many more that were yet to come.
Arthur Schnitzler (Vienna 1900: Games With Love And Death)
Good morning on the 7th of July. while still in bed my thoughts turn towards you my Immortal Beloved, now and then happy, then sad again, waiting whether Fate might answer us. – I can only live either wholly with you or not at all, yes, I have resolved to stray about far away until I can fly into your arms, and feel at home with you, and send my soul embraced by you into the realm of the Spirits. – Yes, unfortunately it must be. – You will compose yourself, all the more since you know my faithfulness to you, never can another own my heart, never – never. – Oh God why do I have to separate from someone whom I love so much, and yet my life in V[ienna] as it is now is a miserable life. – Your love makes me at once most happy and most unhappy. – At my age, I would now need some conformity regularity in my life – can this exist in our relationship? – Angel, I just learned that the post goes every day – and I must therefore conclude so that you get the l[etter] straightway – be patient, only through quiet contemplation of our existence can we achieve our purpose to live together – be calm – love me – today – yesterday. – What yearning with tears for you – you – you – my life – my everything – farewell – oh continue to love me – never misjudge the most faithful heart of your Beloved L. Forever thine forever mine forever us.
Ludwig van Beethoven
When someone in your family system does something that violates your trust and doesn’t do anything or very little to restore it, then closing off and shutting down might feel like the only option.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Instead of trying to get others to change, to take a different path, or to see the suffering they were living in, I acknowledged who they were—and I changed the way I related to their not changing.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Your inner self knows something about what’s happening, and your reactivity is letting you know that you don’t like what’s going on, that you feel uncomfortable or threatened, or that you’re in danger.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on. In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung. Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect. From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.
Tom Robbins
But the truth was that I didn't want to stay in Riley. The pulls of familial love and obligation could not, for the moment, compete with the promise of early-relationship sex. Starlight and beer and our twisting, naked bodies--that was what I wanted, not a seat at a dining room table with two old women eating breaded veal cutlets and Vienna torte.
Curtis Sittenfeld (American Wife)
I’m rather in love with my ‘Vienna as crucible of the twentieth century’ motif, as are many curators and academics.
Edmund de Waal (The Hare with Amber Eyes: A Family's Century of Art and Loss)
A prioritization wound leaves you questioning your importance and value to the people to whom you so desperately want to matter.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Reactivity is one of the greatest indicators that you have a wound. When you have a strong reaction to something, that reaction is sounding an alarm.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
And instead of needing to be in control, I learned to trust that someone could lead me without taking advantage of me.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
The way our parents speak to us and the words they use tell us a lot about them . . . but when we’re children, their words tell us the most about ourselves.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
It’s interesting how whether you’re in adaptation or rejection mode, you’re still left feeling like you’re on the outside, or at the very minimum, that you can’t be authentically you.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Living authentically means that your choices and actions align with your core beliefs, values, and true self. It means that you choose that path even when there are consequences from the world around you.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Whether you avoid connection and intimacy to protect yourself from being abandoned again, or whether you attach quickly and anxiously in your relationships, the end result is still an absence of authentic connection.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
He felt her hand creep from her muff into his pocket as they walked the snowy streets to buy their Christmas tree; dusted the pollen off her nose after he had brought her the first king-cups. By the gay and gilded fountains of Peterhof they bandied preposterous names for their unborn child. At night, in their big wooden bed, he watched her spoon cherry jam into her tea and told her that her habits were disgusting, that he loved her more than life itself.
Eva Ibbotson (A Glove Shop in Vienna and Other Stories)
True belonging has no hint of arrogance or reactivity, and as Brené Brown says, it is not passive. “[True belonging] is a practice that requires us to be vulnerable, get uncomfortable, and learn how to be present with people without sacrificing who we are.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
In what ways did you learn to survive through rejection? How has rejection served you? And does it still today? In what ways do you currently operate from a place of rejection, and might you get curious about what that’s protecting you from or blocking you from?
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
The only times she ever felt at peace now were at his concerts. Then she could sit quietly, watching him, and sate her heart. In his music was where he lived and revived, and where she'd first loved him. And she knew, always, always when she was there, that he played for her.
Vivien Shotwell (Vienna Nocturne)
Might does not make right,” Talleyrand reminded. Has not Europe, he added, suffered enough from that doctrine, and paid for it “with so much blood and so many tears”? The golden age of peace could be right around the corner, if only every peacemaker would follow this course of action.
David King (Vienna 1814: How the Conquerors of Napoleon Made War, Peace, and Love at the Congress of Vienna)
Then she stood on tiptoe and kissed him sweetly on the lips, “I promise you a love affair with a sun-bathed Austrian princess beyond anything you imagine—in love, in beauty, in intensity. A love that will power you to the end of our time together. You are going to be a fortunate man, Geoffrey Ashbrook.
Paul A. Myers (Vienna 1934: Betrayal at the Ballplatz)
prioritized child is a child whose needs are seen, understood, and honored. It doesn’t mean that you’re given everything you want or that you’re the focus in every moment. Parents are allowed to have boundaries and say no, and they’re allowed to have a life of their own that they, too, honor and prioritize.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Please look for a new work of historical fiction, The Black Spaniard by L.L.Holt, to be published by Unsolicited Press during the 2016-2017 season. Set roughly between 1792 and 1804 in Vienna, Austria, the novel explores a creative genius's encounters with cultural diversity, transformation, and the love of a good friend.
L.L.Holt
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
A chronically distracted and preoccupied family has lasting effects. It’s painful to grow up questioning whether you’re a priority, whether you matter more than those other things that are distracting the adults from paying attention to you. And that experience can come forward with you into your adult relationships, in ways that are both obvious and subtle.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
   Hugo thought that it simply could not be otherwise; he would surely somewhere see that beautiful, beloved face that he had daily seen for so long!    But he did not see it.    After his search had gone on for some months, after winter had already cast its snowflakes and its blanket of ice over the city, he gave up his efforts. He sat in his room and held his lovely, weary head in both his hands.
Adalbert Stifter (Tales of Old Vienna and Other Prose (Studies in Austrian Literature, Culture and Thought: Translation Series))
- but rather much more likely to do with the fact that his widow-to-be was engaging in sexual enmeshments with just about everything with a T-chromosome, and had been for what sounded like many years, including possibly with the Auteur's son and Madame's craven love, as a child, seeing as it sounded like the little rotter had enough malcathected issues with his mother to keep all of Vienna humming briskly for quite some time.
David Foster Wallace (Infinite Jest)
When I first started therapy, I didn’t see any of this. I was convinced that the issue I needed to work on was “improving communication and conflict in my relationships.” I found myself inexplicably at odds with people in all aspects of my life—friends, colleagues, and especially people I dated—but somehow I never traced these different frustrations and struggles back to this inciting incident in my childhood. I survived that, I told myself. I kept the peace.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
France aspired, in other words, to create a situation whereby “every ambition and unjust enterprise [would] find both its condemnation and a perpetual obstacle.” This might sound like a grand, unattainable ideal, he said, but Europe really had no choice. Without such principles in place, held firm and rigorously guarded, international affairs would soon degenerate into a reckless pursuit of self-interest and power—just as that reckless scramble had plunged the Continent into that “long and deadly horror” of the last quarter century. Now that Napoleon was defeated, Europe must take this opportunity to crown justice as the “chief virtue” of international affairs. Leaders of states must pledge that they would never act nor acquiesce in any deed that could not be considered just, “whatever consideration [that] may arise,” because only justice, he said, can produce a true state of harmony and stability. Anything short of that would create a misleading and meaningless false order, destined to collapse when the first powerful state decided to take advantage of its superior strength.
David King (Vienna 1814: How the Conquerors of Napoleon Made War, Peace, and Love at the Congress of Vienna)
The things that distract parents from children are at best stressors to that child, and at worst threaten children’s beliefs about themselves and their value in this world. Later in life, the children of chronically distracted parents may consciously believe they are seeking out relationships in which they are a priority. In reality, however, these still-wounded adults wind up unconsciously seeking out dynamics that tend to repeat and support what they learned from their families decades earlier: they don’t matter. If you didn’t feel prioritized in your family system, then you might have a prioritization wound.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
I understand that this dreaded love is being compounded by a growing awareness of how the world that we live in...is not one that will be tolerant of people who are fragile or different or damaged. I have always wondered how people knew it was time to leave a place, whether that place was Phnom Pehn or Saigon or Vienna. What had to happen for you to abandon everything, for you to run toward a life you couldn’t begin to imagine? I had always imagined that that awareness happened slowly but steadily, so the changes, though each terrifying on its own, became inoculated by their frequency, as if the warnings were normalized by how many there were.
Hanya Yanagihara (To Paradise)
Do our possessions mourn us? Do electric sheep dream of Roy Batter? Will my coat, riddled with holes, remember the rich hours of our companionship? Asleep on buses from Vienna to Prague, nights at the opera, walks by the sea, the grave of Swinburne in the Isle of Wight, the arcades of Paris, the caverns of Luray, the cafés of Buenos Aires. Human experience bound in its threats. How many poems bleeding from its ragged sleeves? I averted my eyes just for a moment, drawn by another coat that was warmer and softer, but that I did not love. Why is it that we lose the things we love, and things cavalier cling to us and will be the measure of our worth after we're gone?
Patti Smith (M Train)
Talleyrand took quill in hand and penned one of the more remarkable documents of the Vienna Congress. This paper, a letter addressed to Metternich dated the nineteenth of December, was an elegant combination of philosophy and policy that affirmed the importance of justice and the rights of states in the face of aggression in international affairs. The French foreign minister first reminded Metternich that his country asked nothing for itself. France was satisfied with its borders and had no desire whatsoever for additional territory. What his embassy hoped instead was to persuade its fellow peacemakers to agree to one guiding principle, namely, “that everywhere and forever the spirit of revolt be quenched, that every legitimate right be made sacred.
David King (Vienna 1814: How the Conquerors of Napoleon Made War, Peace, and Love at the Congress of Vienna)
The soldier fought at Ulm. He fought near Vienna. He fought at Austerlitz. In each battle the Emperor was victorious, and Gaspard himself distinguished for courage and loyalty. The shells exploded around him, and men died screaming, and the soldier fought beside his dead comrades with a fury he had not known he possessed. He became someone else, charging across the Austrian battlefield, thrusting his bayonet into the bodies of the enemy. He did not know himself. Afterward, he sat alone beside his campfire and shook his head to clear it, and felt his blood still surging in his veins, exhilarating as drink. His blood, and theirs. The greater the victory, the greater the surging power, as if he had taken into himself the life of those he had slain. He was only a little surprised to discover how much he loved war.
Ellen Datlow (Black Swan, White Raven)
No one can or will ever replace the love Andy, you, and I shared, but life goes on and we have to flow with it. I completed my postgraduate fashion design at the Royal College of Art, London in 1977; I then worked for Liberty of London for a few years before venturing into designing my own bridal wear collections for several major London department stores. In 1979, the Hong Kong Polytechnic now a university invited me to teach fashion design at their clothing and textile institute. Andy and I separated in 1970. He left for New Zealand to pursue engineering while I stayed in London to complete my fashion studies. Those early years of our separation were extremely difficult for the both of us. As you are well aware, we were very close at boarding school. After your departure to Vienna, Andy and I were inseparable. He asked me to join him permanently in Christchurch, but I was determined to enroll in a London fashion school. We corresponded for a couple of years before mutually deciding that it was best to severe ties and start afresh.
Young (Unbridled (A Harem Boy's Saga, #2))
The movie The Third Man takes place in Vienna immediately after the end of the Second World War. Reflecting on the recent conflict, the character Harry Lime says: ‘After all, it’s not that awful…In Italy for thirty years under the Borgias they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, they had 500 years of democracy and peace, and what did that produce? The cuckoo clock.’ Lime gets almost all his facts wrong – Switzerland was probably the most bloodthirsty corner of early modern Europe (its main export was mercenary soldiers), and the cuckoo clock was actually invented by the Germans – but the facts are of lesser importance than Lime’s idea, namely that the experience of war pushes humankind to new achievements. War allows natural selection free rein at last. It exterminates the weak and rewards the fierce and the ambitious. War exposes the truth about life, and awakens the will for power, for glory and for conquest. Nietzsche summed it up by saying that war is ‘the school of life’ and that ‘what does not kill me makes me stronger’.
Yuval Noah Harari (Homo Deus A Brief History of Tomorrow By Yuval Noah Harari & How We Got to Now Six Innovations that Made the Modern World By Steven Johnson 2 Books Collection Set)
Holding a precious book meant to Mendel what an assignment with a woman might to another man. These moments were his platonic nights of love. Books had power over him; money never did. Great collectors, including the founder of a collection in Princeton University Library, tried in vain to recruit him as an adviser and buyer for their libraries—Jakob Mendel declined; no one could imagine him anywhere but in the Café Gluck. Thirty-three years ago, when his beard was still soft and black and he had ringlets over his forehead, he had come from the east to Vienna, a crook-backed lad, to study for the rabbinate, but he had soon abandoned Jehovah the harsh One God to give himself up to idolatry in the form of the brilliant, thousand-fold polytheism of books. That was when he had first found his way to the Café Gluck, and gradually it became his workplace, his headquarters, his post office, his world. Like an astronomer alone in his observatory, studying myriads of stars every night through the tiny round lens of the telescope, observing their mysterious courses, their wandering multitude as they are extinguished and then appear again, so Jakob Mendel looked through his glasses out from that rectangular table into the other universe of books, also eternally circling and being reborn in that world above our own.
Stefan Zweig (The Collected Stories of Stefan Zweig)
In my life I’ve only been good at one thing. The violin. Not as good as my father. Maybe I could have been. But I drank too much and lost my temper too often. I came to Italy because I failed in Vienna. I came to Italy because I was in love with a woman who wasn’t in love with me. And for the last thirteen years, I’ve taken it out on you. If you hadn’t been so strong, I might have broken you. I might have made you hate me. But you fought back. You shrugged me off. And now I listen to you and I am in awe.” “You are?” Eva asked in amazement. These were things she had never heard before. “When you play, Eva, I feel hopeful. They can take our homes, our possessions. Our families. Our lives. They can drive us out, like they’ve driven us out before. They can humiliate us and dehumanize us. But they cannot take our thoughts. They cannot take our talents. They cannot take our knowledge, or our memories, or our minds. In music, there is no bondage. Music is a door, and the soul escapes through the melody. Even if it’s only for a few minutes. And everyone who listens is freed. Everyone who listens is elevated. “When you play, I hear my life lifting off your strings. I hear the long notes and the scales, the tears and the hours. I hear you and me, together in this room. I hear my father and the things he taught me that I passed on to you. I hear it all, and my life plays on, his life plays on, over and over, when you play.” Eva set her instrument down and, with tears streaming down her face, knelt in front of her uncle and slid her arms around him, pressing her cheek to his thin chest. He embraced her gently, and they stayed in sorrowful silence, listening to the wind as it wailed a mournful strain not so different from the one Eva had composed, wondering if the wind would be the only witness, the only whisper, when the death in Austria came for them too.
Amy Harmon (From Sand and Ash)
Tim Tigner began his career in Soviet Counterintelligence with the US Army Special Forces, the Green Berets. That was back in the Cold War days when, “We learned Russian so you didn't have to,” something he did at the Presidio of Monterey alongside Recon Marines and Navy SEALs. With the fall of the Berlin Wall, Tim switched from espionage to arbitrage. Armed with a Wharton MBA rather than a Colt M16, he moved to Moscow in the midst of Perestroika. There, he led prominent multinational medical companies, worked with cosmonauts on the MIR Space Station (from Earth, alas), chaired the Association of International Pharmaceutical Manufacturers, and helped write Russia’s first law on healthcare. Moving to Brussels during the formation of the EU, Tim ran Europe, Middle East, and Africa for a Johnson & Johnson company and traveled like a character in a Robert Ludlum novel. He eventually landed in Silicon Valley, where he launched new medical technologies as a startup CEO. In his free time, Tim has climbed the peaks of Mount Olympus, hang glided from the cliffs of Rio de Janeiro, and ballooned over Belgium. He earned scuba certification in Turkey, learned to ski in Slovenia, and ran the Serengeti with a Maasai warrior. He acted on stage in Portugal, taught negotiations in Germany, and chaired a healthcare conference in Holland. Tim studied psychology in France, radiology in England, and philosophy in Greece. He has enjoyed ballet at the Bolshoi, the opera on Lake Como, and the symphony in Vienna. He’s been a marathoner, paratrooper, triathlete, and yogi.  Intent on combining his creativity with his experience, Tim began writing thrillers in 1996 from an apartment overlooking Moscow’s Gorky Park. Decades later, his passion for creative writing continues to grow every day. His home office now overlooks a vineyard in Northern California, where he lives with his wife Elena and their two daughters. Tim grew up in the Midwest, and graduated from Hanover College with a BA in Philosophy and Mathematics. After military service and work as a financial analyst and foreign-exchange trader, he earned an MBA in Finance and an MA in International Studies from the University of Pennsylvania’s Wharton and Lauder Schools.  Thank you for taking the time to read about the author. Tim is most grateful for his loyal fans, and loves to correspond with readers like you. You are welcome to reach him directly at tim@timtigner.com.
Tim Tigner (Falling Stars (Kyle Achilles, #3))
I ran through the streets as though I were running away from a nightmare, running faster and faster toward the Inner City, not knowing why I was running in that direction, since to get home I would have had to go in the opposite direction, but perhaps I did not want to go home. If only I’d spent this winter in London! I said to myself. It was four in the morning, and I was running in the direction of the Inner City when I should have been going home. I should have stayed in London at all costs, I told myself, and I kept on running in the direction of the Inner City, without knowing why, and I told myself that London had always brought me happiness and Vienna unhappiness, and I went on running, running, running, as though now, in the eighties, I was once more running away from the fifties, running into the eighties, the dangerous, benighted, mindless eighties, and again it struck me that instead of going to this tasteless artistic dinner I ought to have read my Gogol or my Pascal or my Montaigne, and as I ran it seemed to me that I was running away from the Auersberger nightmare, and with ever greater energy I ran away from the Auersberger nightmare and toward the Inner City, and as I ran I reflected that the city through which I was running, dreadful though I had always felt it to be and still felt it to be, was still the best city there was, that Vienna, which I found detestable and had always found detestable, was suddenly once again the best city in the world, my own city, my beloved Vienna, and that these people, whom I had always hated and still hated and would go on hating, were still the best people in the world: I hated them, yet found them somehow touching—I hated Vienna, yet found it somehow touching—I cursed these people, yet could not help loving them—I hated Vienna yet could not help loving it. And now, as I ran through the streets of the Inner City, I thought: This is my city and always will be my city, these are my people and always will be my people, and as I went on running, I thought: I’ve survived this dreadful artistic dinner, just as I’ve survived all the other horrors. I’ll write about this artistic dinner in the Gentzgasse, I thought, without knowing what I would write—simply that I would write something about it. And as I went on running I thought: I’ll write something at once, no matter what—I’ll write about this artistic dinner in the Gentzgasse at once, now. Now, I thought—at once, I told myself over and over again as I ran through the Inner City—at once, I told myself, now—at once, at once, before it’s too late.
Thomas Bernhard
course, I loved it”: Ibid. “It fairly well takes the position”: The New York Times, May 23, 1963. He came across the Atlantic: Author interview with Jacqueline Grobarek, October 2013. “if it had not been for”: Peter, Zyklus, unpaginated. “A mighty good American”: Newsletter, The Charles Hancock Reed Papers. “He lives through the Regiment”: Ibid. “He was a peaceful, kind person”: Author interview with Anne Stewart, October 2013. “It was 34 years”: Ibid. The international Lipizzaner registry: Current numbers of Lipizzaners comes from an email interview with Karin Mayrhofer, press spokeswoman for the Spanish Riding School, Vienna.
Stephan Talty (Operation Cowboy: The Secret American Mission to Save the World's Most Beautiful Horses in the Last Days of World War II)
Philip: How can you object to feeding the poor when you spend so much on that fat, flea-bitten thing. Rigsby: Hey, shush, shush. Keep your voice down. He understands every word you say, you know. There, there love. Vienna come here. That's a good boy, yes. You've offended him now. It's all right, the dark gentleman didn't mean it. Philip: But I did mean it. Just look at him. What use is he? Rigsby: What use? Wha...he isn't supposed to be any use, he's a pet. Philip: Would you eat him if you were starving? Rigsby: Oh I shall have to cover his ears if you carry on like this. Eat him? Of course I wouldn't eat him. We don't do that sort of thing in this country. Philip: He's your sacred cow, Rigsby. he has the best of everything. Rigsby: Yes of course he does. Has that stuff they show on the television. The one the cat picks out. Always goes for that bowl. Unerring isn't he. Alan: Gets its tail trodden on if it doesn't. That food should go to feed people. Rigsby: It does - Pakistanis love it. Philip: Oh come on, Rigsby. You don't believe that old tale. Rigsby: Goes down well with a bit of curry powder that does. Alan: You'll believe anything. Rigsby: It's true! You drop a Pakistani from any height, he'll always land on his feet.
Eric Chappell (Rising Damp: The Complete Scripts)
spring of 1915, nearly a year after the start of the Great War, when a stocky, prematurely balding serviceman arrived on leave in the Austro-Hungarian Empire’s grandiose capital of Vienna. His name was Jakob Georg Goldberger, and it was on that afternoon that he first glimpsed and fell instantly in love with a high school girl, Franzi Gutmann, thirteen years his junior. Was it sordid? Just another tiresome example of male foolishness? Or was it more romantic, a lonely soldier searching for innocence in a misery-soaked world? Raised
Leon Berger (Lunch with Charlotte)
We sit through endless tastings where people with Naugahyde for palates pick apart our dishes and offer suggestions and changes that we? HAVE TO MAKE. I happen to love a braised pork cheek garnished with crispy bits of fried pig ear, or a smoked bison tongue salad. But I have yet to meet a client who wants me to make that for their daughter's sweet sixteen. And at the end of the day, if I can bring integrity to one more chicken breast dinner, to the "trio of salads" ladies' luncheon, to the surprise hot dog cart at the end of the wedding, perfectly snappy grilled Vienna Beef beauties with homemade steamed buns and all seven of the classic Chicago Dog toppings, then I have done my job and might get another.
Stacey Ballis (Out to Lunch)
The whole business made me feel like Captain Von Trapp forced to make small talk with Vienna’s high society. The only things missing were Nazi sympathizers (although one can never be certain) and singing children requesting champagne.
Gigi Blume (Love and Loathing (Backstage Romance #1))
The suggestion is that psycho-analysis, and in particular its assertion that the neuroses are traceable to disturbances in sexual life, could only have originated in a town like Vienna—in an atmosphere of sensuality and immorality foreign to other cities—and that it is simply a reflection, a projection into theory, as it were, of these peculiar Viennese conditions.
Armand M. Nicholi Jr. (The Question of God: C.S. Lewis and Sigmund Freud Debate God, Love, Sex, and the Meaning of Life)
Husserl had picked up this idea from his old teacher Franz Brentano, in Vienna days. In a fleeting paragraph of his book Psychology from an Empirical Standpoint, Brentano proposed that we approach the mind in terms of its ‘intentions’ — a misleading word, which sounds like it means deliberate purposes. Instead it meant a general reaching or stretching, from the Latin root in-tend, meaning to stretch towards or into something. For Brentano, this reaching towards objects is what our minds do all the time. Our thoughts are invariably of or about something, he wrote: in love, something is loved, in hatred, something is hated, in judgement, something is affirmed or denied. Even when I imagine an object that isn’t there, my mental structure is still one of ‘about-ness’ or ‘of-ness’. If I dream that a white rabbit runs past me checking its pocket watch, I am dreaming of my fantastical dream-rabbit. If I gaze up at the ceiling trying to make sense of the structure of consciousness, I am thinking about the structure of consciousness. Except in deepest sleep, my mind is always engaged in this aboutness: it has ‘intentionality’. Having taken the germ of this from Brentano, Husserl made it central to his whole philosophy. Just try it: if you attempt to sit for two minutes and think about nothing, you will probably get an inkling of why intentionality is so fundamental to human existence. The mind races around like a foraging squirrel in a park, grabbing in turn at a flashing phone screen, a distant mark on the wall, a clink of cups, a cloud that resembles a whale, a memory of something a friend said yesterday, a twinge in a knee, a pressing deadline, a vague expectation of nice weather later, a tick of the clock. Some Eastern meditation techniques aim to still this scurrying creature, but the extreme difficulty of this shows how unnatural it is to be mentally inert. Left to itself, the mind reaches out in all directions as long as it is awake — and even carries on doing it in the dreaming phase of its sleep. Understood in this way, the mind hardly is anything at all: it is its aboutness. This makes the human mind (and possibly some animal minds) different from any other naturally occurring entity. Nothing else can be as thoroughly about or of things as the mind is: even a book only reveals what it’s ‘about’ to someone who picks it up and peruses it, and is otherwise merely a storage device. But a mind that is experiencing nothing, imagining nothing, or speculating about nothing can hardly be said to be a mind at all.
Sarah Bakewell (At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others)
When Oscar announced he was leaving to pursue his medical studies at the University of Vienna, specializing in Plastic and Reconstructive Surgery after his Sekham service, I was sad that our triplet relationship was coming to an end. After his departure, Andy consoled and comforted me, guiding me to regain an emotionally stable footing. My Valet loved me unconditionally and had hoped I would follow him to Christchurch, New Zealand when he left to pursue his engineering studies. I did not.
Young (Unbridled (A Harem Boy's Saga, #2))
Love will put you face-to-face with endless obstacles. It will ask you to reveal the parts of yourself you tirelessly work at hiding. It will ask you to find compassion for yourself and receive what it is you are convinced you are not worthy of. Love will always demand more. Surrender to being seen and being loved. Surrender to the beauty of revealing yourself to yourself, and to the ones who saw you before you saw you.’ It was written by Vienna Pharaon, who is a therapist.” She took a drink of her beer and then went on, “We have faced obstacles. We have hidden parts of ourselves. We should give
Carolyn Brown (Hummingbird Lane)
Vienna's reputation as a city of luxury, merrymaking and indulgence actually lies much further in the past, in the time of the Babenbergs at whose courts the Minnesinger were prestigious guests, similar to publicity-seeking pop stars of today. the half-censorious, half-envious comments of foreigners often reflect the ambivalence that so many have felt about a city that was both seductive and dangerous. Such was indeed how Grillparzer described the city he loved and hated in his "Farewell to Vienna"(1843) though he had more in mind than simply the temptations of the flesh. But if Vienna was insidiously threatening under its hedonistic surface for a Grillparzer, others have simply regarded it as cheerfully, even shamelessly, immoral. 'lhe humanist scholar Enea Silvio Piccolomini, private secretary to Friedrich III and subsequently elected Pope Pius II, expressed his astonishment at the sexual freedom of the Viennese in a letter to a fellow humanist in Basel written in 1450: "'lhe number of whores is very great, and wives seem disinclined to confine their affections to a single man; knights frequently visit the wives of burghers. 'lhe men put out some wine for them and leave the house. Many girls marry without the permission of their fathers and widows don't observe the year of mourning." 'the local equivalent of the Roman cicisbeo is an enduring feature of Viennese society, and the present author remembers a respectable middle-class intellectual (now dead) who habitually went on holiday with both wife and mistress in tow. Irregular liaisons are celebrated in a Viennese joke about two men who meet for the first time at a party. By way of conversation one says to the other: "You see those two attractive ladies chatting to each other over there? Well, the brunette is my wife and the blonde is my mistress." "that's funny," says his new friend; "I was just about to say the same thing, only the other way round." In Biedermeier Vienna (1815-48), menages d trois seem not to have been uncommon, since the gallant who became a friend of the family was officially known as the Hausfreund. 'the ambiguous status of such a Hausfreund features in a Wienerlied written in 1856 by the usually non-risque Johann Baptist Moser. It con-terns a certain Herr von Hecht, who is evidently a very good friend of the family of the narrator. 'lhe first six lines of the song innocently praise the latter's wife, who is so delightful and companionable that "his sky is always blue"; but the next six relate how she imported a "friend", Herr von Hecht, and did so "immediately after the wedding". This friend loves the children so much "they could be his own." And indeed, the younger one looks remarkably like Herr von Hecht, who has promised that the boy will inherit from him, "which can't be bad, eh?" the faux-naivete with which this apparently commonplace situation is described seems to have delighted Moser's public-the song was immensely popular then and is still sung today.
Nicholas T. Parsons (Vienna: A Cultural History (Cityscapes))
Freud once said that the only truly uncomplicated love relationship was between a mother and her son.
Brenda Webster (Vienna Triangle)
love visiting the Christmas markets up north. Mia would too. Vienna, Prague, Budapest. When it’s snowing outside and there’s ice-skating and Christmas trees everywhere. Desserts everywhere. Mulled wine, hot cider. Everyone is so happy, running around in their thick jackets and wool hats. It’s a fairy tale.” “Wait, Budapest. Is that part of Europe?” “Sí, it’s part of the EU, but it’s less expensive there. A different currency. You can stay in these, emm, great historic apartments for very little. Last time, my friends and I stayed in a place overlooking the Danube with a piano in the living room. We hired a pianist and violinist to play for us . . . for barely anything.
Boo Walker (A Spanish Sunrise)
Finally, Vienna was the only city in the world in which artists and intellectuals made no attempt to revolt against the bourgeois élite. On the contrary, they remained for a long time perfectly integrated with it. Together they formed a coherent and complete stratum of society in which everyone knew everyone else, and all were united in cultivating ‘art for art's sake’.
Françoise Giroud (Alma Mahler, or, The Art of Being Loved)
Nevertheless, girls were brought up to regard their virginity as something sacrosant, prudery was the rule, hysterical breakdowns were frequent. Men, single or not, went to obtain from actresses or working girls what the women of their own milieu longed to give them but could not, for their honour stood in the way. A respectable woman, in Vienna as elsewhere, did not possess a body. If she discovered she did have one, then the devil must have got into the holy water. Once her sexuality was aroused, the irripressible violence of her instincts, her natural propensity to lewdness, would be unleashed. Women had to be defended against themselves, by education and constraint. And it was from them, insatiable women with thighs outspread, that men must be protected if they were not to lose the best of themselves. For a lustful woman diverted a man from the intellectual preoccupations of which he had the monopoly, she distracted his energies from superior accomplishments, she was the natural enemy of morality, reason, and creativity.
Françoise Giroud (Alma Mahler, or, The Art of Being Loved)
What if I were a prince? Would you love me if I gave you a pearl?” Bloom wanted to know. “Certainly much less!” Vienna laughed. “What if I were a warlock? Would you love me if I gave you a pearl?” Bloom wanted to know still. “Certainly not at all!” “What if I were me, would you love me if I gave you a pearl?” –Vienna by E. L. Schoeman
E. L. Schoeman
I shall marry the man who brings me the diamond that best suits me.” –Vienna by E. L. Schoeman
E.L. Schoeman (Vienna)
You’re not a diamond at all, princess.” Vienna stared in horror. There was no diamond inside. “You’re a pearl.” “Oh my god!” “Isn’t that right,” the warlock whispered, knowing that he had won, “my love?” –Vienna by E. L. Schoeman
E.L. Schoeman (Vienna)
No one will believe you,” Augustus told Vienna, throwing at her the full fury of the dragon in his heart, “because no one but you will see them –” And now, Vienna was terrified. “Father!” “Stop this!” was the king’s demand. But there was nothing to be done. The warlock set the curse. “Not just ghosts, but men, and the broken hearts of men. I curse you!” The royal family jumped to their feet. And the warlock disappeared. Vienna stared, unmoving for some time, before turning toward her father. “Don’t look at me,” the king said. “You’re the one who upset him.” –Vienna by E. L. Schoeman
E.L. Schoeman (Vienna)
People are living in fear of being canceled or living in fear of being exiled if their beliefs differ from those of their neighbor. It has become easier to conform and comply than it is to honor your authenticity.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Social media tools that create the “perfect” image distort reality and will have you comparing yourself to the “better” lives of everyone else. Because of FOMO (fear of missing out), we don’t want to be the only one who doesn’t have the experience that everyone else is going to have.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
No one wants to be othered. No one wants to feel left out. And no one wants to feel like an outsider. And yet this is what so many individuals experience. It’s a lonely place to feel this way at home, at school, or in your community.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Maya Angelou famously said, “You are only free when you realize you belong no place—you belong every place—no place at all.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
This is a profound moment of recognition. That when you belong to yourself, meaning you are at peace with yourself, you will simultaneously belong everywhere and nowhere. Everywhere is within you.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
We may walk the path of adaptation or rejection before we discover a way of belonging via being authentically ourselves.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Most of us who are keenly aware of our differences start with adaptation.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
On the healthy side of this, it’s where belonging thrives. But when adaptation becomes a requirement, it intensifies. You get a false sense of belonging: You’re a part of the system, but only because you’re changing who you really are. This isn’t belonging; this is fitting in.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
When you try to fit in, you adapt to what the system is requiring of you for fear of the very real consequence: that if you don’t, you won’t belong.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
cultural system may ask you to be more like the majority in order to be acknowledged, validated, respected, or even safe.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
In what ways did you learn to survive through adaptation?
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Rejection is when you consciously or unconsciously choose a path of opposition. This usually happens after you’ve participated in adaptation.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Either way, rejection generally leaves people feeling like they still are the outsider, the black sheep, and the one who doesn’t belong.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Living authentically is uncomfortable if you haven’t been living that way. It can shake your system in big ways because it means those who don’t agree with you or those not living authentically themselves can’t control or persuade you, can’t shame or judge you into something, and their intolerance of you can’t dictate your choices.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
If you take a scan of your life right now, can you see where your choices and actions match with your core beliefs, values, and true self, and where they don’t? Be gentle and honest with yourself here. If you were living authentically, what would be different?
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Bri increasingly noticed her inner critic and was able to offer herself compassion and grace.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Naming Can you bring into focus the first time you questioned whether you belonged?
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Witnessing Now become more focused on yourself. Try zooming in on the younger version of yourself as you experience your belonging wound for the first time.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Grieving You might begin to feel emotion start to surface.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Just notice what you want to offer your younger self in this moment. Do you want to hug her? Do you want to tell him that you’re so sorry he ever had to go through that? Do you want to pick them up and tell them it’s going to be okay?
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Pivoting As we come to an end, I’d love for you to take a moment to acknowledge how your belonging wound shows up today.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
During the period when you were growing up, the adults in your life likely experienced wounds of their own. In fact, they might still have wounds that are unacknowledged and unresolved to this day. These wounds can easily get passed on to you.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
The glorification of culture in all its manifestations was such that Vienna was probably the only city in the world where fathers rejoiced when their sons decided to devote their lives to music or literature.
Françoise Giroud (Alma Mahler, or, The Art of Being Loved)
we’ve all got something, and we’re in this together. We
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
My father’s anger was always scary to me. He was the kind of man who often dominated situations he was in, and the power and control he exuded felt threatening and manipulative
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Unfortunately, many families and groups have ways of being in which they consciously or unconsciously expect you to mold yourself to fit their expectations and maintain their ways. Too often individuals feel like they must sacrifice who they are to be part of a group, even to belong to their families. If only belonging was just given, instead of needing to be earned. But unfortunately, what we wish for doesn’t always come, sometimes not ever and sometimes not easily. And children made to feel like outsiders will most likely become adults who still feel like they don’t belong.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
Childhood abandonments are a type of betrayal that happen when parents or caretakers willfully forsake or forgo their parental duties without regard for their children’s overall well-being.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
To shine bright when the blackness is all around, to find love when others are burning in their hatred. Isn’t that the essence of God?
Bodie Thoene (Vienna Prelude (Zion Covenant, #1))
The fear and uncertainty are among their most effective weapons. People vanish without trace. Those who love them are left to dread the worst. It ensures compliance.
Marius Gabriel (Goodnight, Vienna)
Many safety wounds come from abusive situations. Parents, stepparents, caretakers, adults, or older siblings can be reckless, domineering, negligent, and abusive in obvious and subtle ways.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)
You can see how pain can pass from generation to generation, and how unaddressed mental health challenges can wreak havoc in a family.
Vienna Pharaon (The Origins of You: How Breaking Family Patterns Can Liberate the Way We Live and Love)