Clothes Twinning Quotes

We've searched our database for all the quotes and captions related to Clothes Twinning. Here they are! All 80 of them:

Well,' I said. 'I could strip off my clothes and reveal to you that under my jeans and sweatshirt I'm actually wearing a tank top and short-shorts, much like Lara Croft from Tomb Raider...only mine are flame-retardant and covered in glow-in-the-dark dinosaur stickers.' No one stirred. Not even Christopher, who actually has a thing for Lara Croft. 'I know what you're thinking,' I went on. 'Glow-in-the-dark dinosaur stickers are so last year. But I think they add a certain je ne sais quoi to the whole ensemble. It's true, short-shorts are uncomfortable under jeans and hard to get off in the ladies' room, but they make the twin thigh-holsters in which I hold my high-caliber pistols so easy to get to....' The oven timer dinged. 'Thank you, Em,' Mr. Greer said, yawning. 'That was very persuasive.
Meg Cabot (Airhead (Airhead, #1))
Travis: I didn’t know they made permanent makeup. I looked like a clown for a month. Connor: Yeah. They put a curse on me so that no matter what I wore, my clothes were two sizes too small and I felt like a geek. Travis: You are a geek.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Fable of the Mermaid and the Drunks" All those men were there inside, when she came in totally naked. They had been drinking: they began to spit. Newly come from the river, she knew nothing. She was a mermaid who had lost her way. The insults flowed down her gleaming flesh. Obscenities drowned her golden breasts. Not knowing tears, she did not weep tears. Not knowing clothes, she did not have clothes. They blackened her with burnt corks and cigarette stubs, and rolled around laughing on the tavern floor. She did not speak because she had no speech. Her eyes were the colour of distant love, her twin arms were made of white topaz. Her lips moved, silent, in a coral light, and suddenly she went out by that door. Entering the river she was cleaned, shining like a white stone in the rain, and without looking back she swam again swam towards emptiness, swam towards death.
Pablo Neruda (The Essential Neruda: Selected Poems)
It's possible to find order in chaos, and it's equally possible to find chaos underlying apparent order. Order and chaos are slippery concepts. They're like a set of twins who like to swap clothing from time to time. Order and chaos frequently intermingle and overlap, the same as beginnings and endings. Things are often more complicated, or more simple, than they seem. Often it depends on your angle. I think that telling a story is a way of trying to make life's complexity more comprehensible. It's a way of trying to separate order from chaos, patterns from pandemonium.
Gavin Extence (The Universe Versus Alex Woods)
She was tipping her head back to inquire, when two men entered the great hall and the question flew right out of her head. They were simply two of the most gorgeous men she'd ever seen. Twins, though different. They were both tall and powerfully built. One was taller by a few inches, with dark hair that swept just past his shoulders and eyes like shard of silver and ice while the other had long black hair falling in a single braid to his waist, and eyes as gold as Adam's torque. They were elegantly dressed in tailored clothing of dark hues, with magnificent bodies that dripped with raw sex appeal. Oh, my, she marveled, they don't amek men like these in the States. Were these typical Scotsmen? If so, she was going to have to get Elizabeth over here somehow. A connoisseur of romance novels, Elizabeth's favorites were the Scottish ones, and these two men looked as if they'd just stepped straight off one of those covers. "Try not to gape, ka-lyrra. They're only human. Mortal. Puny. And married. Both of them. Happily.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
I agree to live now, live as sweetly as I can, to fill my clothes with wind and my eyes with lights, but I understand I’ll have to leave in the end.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia and the Biggest Funeral in the History of the World)
His cloak was cloth-of-silver too, lined with vair and clasped at the collar with a brooch in the shape of the twin towers.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
the birth of the twins and what happened to them, although traditional, has transformed me as irreversibly as soaking cloth in a vat of dye.
Lisa See (The Tea Girl of Hummingbird Lane)
My own walls caved. Tears trickled from the corner of my eyes. Then strong arms enveloped me. “Don’t cry.” Ben’s hot breath on my cheek. “We’ll find her. And the twins. I promise.” “Don’t make promises you can’t keep,” I hiccupped. “People always do that.” “I mean it.” Firmly spoken. “I won’t let us fail. Not at this.” The sobs broke free. I burrowed into Ben’s chest, letting everything go. I cried and cried and cried, unthinking, releasing a week’s worth of pent-up emotion in a few hot seconds. Ben held me, silent, softly rubbing my back. A thought floated from somewhere far away. This isn’t so bad. I pushed away, gently breaking Ben’s embrace. Looked into his eyes. His face was a whisper from mine. I thought of Ben’s confession during the hurricane. How he’d wanted to be more than just packmates. Emotions swirled in my chest, making me dizzy. Off balance. “Ben . . . I . . .” “Tory?” My father’s voice sent us flying apart as if electroshocked. Kit was descending the steps, an odd look on his face. “Yes?” Discreetly wiping away tears. I saw a thousand questions fill Kitt’s eyes, but, thankfully, he kept them shelved. “I hate to do this, kiddo, but Whitney’s party starts in an hour. She’s trying to be patient, but, frankly, that isn’t her strong suit.” “No. Right.” I stood, smoothing clothes and hair. “Mustn’t keep the Duchess waiting.” Kit frowned. “Say the word, and we cancel right now. No question.” “No, sorry. I was just being flip. It’s really fine.” Forced smile. “Might be just the thing.” “All right, then. We need to get moving.” Kit glanced at Ben, still sitting on the bench, striving for invisible. A smile quirked my father’s lips. “And you, Mr. Blue? Ready for a good ol’-fashioned backyard barbeque? My daughter will be there.” Ben’s uneasy smile was his only response.
Kathy Reichs (Exposure (Virals, #4))
Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia and the Biggest Funeral in the History of the World)
If you’re a girl, you’ve been programmed to make sure you keep social harmony. This is a matter of life and death to the brain, even if it’s not so important in the twenty-first century. We could see this in the behavior of three-and-a-half-year-old twin girls. Every morning the sisters climbed on each other’s dressers to get to the clothes hanging in their closets. One girl had a pink two-piece outfit, and the other had a green two-piece outfit. Their mother giggled every time she’d see them switch the tops—pink pants with a green top and green pants with a pink top. The twins did it without a fight. “Can I borrow your pink top? I’ll give it back later, and you can have my green top” was how the dialogue went. This would not be a likely scenario if one of the twins were a boy. A brother would have grabbed the shirt he wanted, and the sister would have tried to reason with him, though she would have ended up in tears because his language skills simply wouldn’t have been as advanced as hers.
Louann Brizendine (The Female Brain)
Two seventeenth-century Bachs, identical twins and both of course musicians, were so alike, especially when they chose to wear similar clothes, that even their wives could not tell them apart, and they could indulge in occasional wife swapping without their spouses’ noticing. Their playing, too, was indistinguishable. One of these twins, Ambrosius, was the father of Johann Sebastian Bach. 2
Paul Johnson (Creators: From Chaucer and Durer to Picasso and Disney)
fresh tear slid down Bella’s cheek. “Mommy’s gone!” A chill crawled over Ellie’s skin. She slipped from beneath the covers and grabbed her robe from the foot of the bed. With the twins clinging to her legs, she crossed the hall to her bedroom. Her sister’s clothes that had been strewn across the furniture were gone, as was her cell phone and purse. After looking in the empty bedrooms for her sister,
Ashley Farley (Magnolia Nights (Magnolia Series #1))
Then Toraf opens the passenger side door…Wait. That’s not Toraf. I’ve never seen this man before, yet he’s eerily familiar. His silhouette sitting next to Galen was definitely classic Syrena male, but the glare from the sun had hidden his face. I’d naturally just assumed that where there’s a Galen, there’s a Toraf. Now that his face is in full view though, I see that this man looks like a slightly older version of Galen. Slightly older as in slightly more jaded. Other than that, he could be his twin brother. It may be because he’s wearing some of Galen’s clothes, a wrinkled brown polo shirt and plaid shorts. But he shares other things, too, besides clothes. He’s handsome like Galen, with the same strong jaw and the same eyebrow shape and the way he’s wearing the same expression on his face that Galen is-that he’s found what he’s been looking for. Only, the stranger’s expression clearly divulges that he’s been looking for a lot longer than Galen has-and this man is not looking at me. And that’s when I know just exactly who he is. That’s when I believe the look in Galen’s eyes. That he didn’t lie to me, that he loves me. Because this man has to be Grom. Mom confirms it with a half cry, half growl. “No. No. It can’t be.” Even if she weren’t handcuffed to Rachel right now, I’m not sure she’d actually be able to move. Disbelief has a special way of paralyzing you. With every step the man takes toward Rachel’s car, he shakes his head more vigorously. It’s like he’s deliberately taking his time, drinking in the moment, or maybe he just can’t believe this moment is actually happening. Yep, disbelief is a cruel hag.
Anna Banks (Of Triton (The Syrena Legacy, #2))
It had taken William a while to get a handle on the differences between the twins, but he now had no trouble telling them apart. Cecelia always had flecks of paint on her hands and clothes, and she went from good-spirited to annoyed with startling speed. She liked to try out stern looks on people, in a way that reminded William of Julia. Emeline was more placid and slower to react than her twin. She was the quietest of the four sisters, but when the phone rang in the small house, it was usually a request for Emeline to babysit. William once had the thought that his fiancée seemed to stride about the world with a conductor’s wand, while Sylvie brandished a book and Cecelia a paintbrush. Emeline, though, kept her hands free in order to be helpful or to pick up and soothe a neighborhood child. Every time Emeline had seen William since his injury, she’d asked if she could carry something for him or open the door
Ann Napolitano (Hello Beautiful)
The twins are throwing a party,” Vane says. “And the Darling is drunk.” I lurch upright, a foreign emotion burning in my chest. “The fuck.” “I know. That’s what I said.” “Why didn’t you stop them? Or her for that matter?” “I’m not her babysitter.” “Vane, for fuck’s sake.” I toss the sheet back as he flicks on the bedside lamp and the light immediately makes my vision burn. I stumble to the corner to fetch my clothes. I’m in a rush to get upstairs, but there is still sunlight in the air. I can feel it.
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
Who calls the Prince of the Mud?' … The snapping turtle snapped. Its head shot out to maximum extension—Eliot wouldn’t have believed anything that big could move that fast. It was like a Mack truck coming straight at them. As it bit it turned its head on one side, to take them both in one movement. Eliot reacted fast. His reaction was to crouch down and cover his face with his arms. From the relative safety of this position he felt the day grow colder around them, and he heard a crackle, which at first he took for the pier splintering in the turtle’s jaws. But the end didn’t come. 'You DARE?' Janet said. Her voice was loud now—it made the boards vibrate sympathetically under his feet. He looked up at her. She’d gone airborne, floating two feet above the pier, and her clothes were rimmed with frost. She radiated cold; mist sheeted off her skin as it would off dry ice. Her arms were spread wide, and she had an axe in each hand. They were those twin staves she wore on her back, each one now topped with an axe-head of clear ice. The turtle was trapped in mid-lunge. She’d stopped it cold; the swamp was frozen solid around it. Janet had called down winter, and the water of the Northern Marsh was solid ice as far as he could see, cracked and buckled up in waves. The turtle was stuck fast in it. It struggled, its head banging back and forth impotently. 'Jesus,' Eliot said. He stood up out of his defensive crouch. 'Nice one.' 'You DARE?' Janet said again, all imperious power. 'Marvel that you live, Prince of Shit!
Lev Grossman (The Magician's Land (The Magicians, #3))
It ascended by levels: Da's cameo recessed against the glow of the tuner's parade,the drawer of utensils withdrawn past its fulcrum, the disembodied face of my brother miming and distorting my desperate attempt by expression alone to make Mum look up from me and see him, I no longer feeling my features' movements so much as seeing them on that writhing white face against the pantry's black, the throttle-popped eyes and cheeks ballooning against the gag's restraint, Mum squatting chairside to even my ears, my face before us bother farther and farther from my own control as I saw in his twin face what all lolly-smeared hand-held brats must see in the fun-house mirror- the gross and pitiless sameness, the distortion in which there is, tiny, at the center, something cruelly true about the we who leer and woggle at stick necks and and concave skulls, goggling eyes that swell to the edges- as the mimicry ascended reflected levels to become finally the burlesque of a wet hysteria that plastered cut strands to a wet white brow, the strangled man's sobs blocked by cloth, storm's thrum and electric hiss and Da's mutter against the lalation of shears meant for lambs, an unseen fit that sent my eyes upward again and again into their own shocked white, knowing past sight that my twin's face would show the same, to mock it- until the last refuge was slackness, giving up the ghost completely for a blank sack gagged mask's mindless stare-un seen and seeing- into a mirror I could not know or feel myself without. No not ever again.
David Foster Wallace (Brief Interviews with Hideous Men)
Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw- a flower...'Habitualization,' a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, 'devours works, clothes, furniture, one's wife, and the fear of war.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Greed, the twin brother of pride, has ever been the driving force of the most destructive and self-destructive human acts. The logic is familiar enough: in their pride, humans seek to dominate their world, to possess it, free to use or abuse, destroy and alienate it as they see fit. … From the latest electronic gadgets to fourth husbands, they are items bought in the illusion that possession can mean fulfillment - and unceremoniously discarded when the illusion bursts. We are hopelessly burded by excess possessions, closets of once-worn clothes, and yet we build more closets to fill, afraid that if our lives lost the purposes of acquisition they would have no purpose at all.
Erazim V. Kohák (The Embers and the Stars: A Philosophical Inquiry into the Moral Sense of Nature)
Let’s say I do bother, big time. I turn my life upside-down, start biking to work, plant a big garden, turn down the thermostat so low I need the Jimmy Carter signature cardigan, forsake the clothes dryer for a laundry line across the yard, trade in the station wagon for a hybrid, get off the beef, go completely local. I could theoretically do all that, but what would be the point when I know full well that halfway around the world there lives my evil twin, some carbon-footprint doppelgänger who’s eager to swallow every bite of meat I forswear and positively itching to replace every last pound of carbon dioxide I’m struggling no longer to emit. So what exactly would I have to show for all my trouble?
Paul Hawken (Drawdown: The Most Comprehensive Plan Ever Proposed to Reverse Global Warming)
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
WHEN TRAVELING THROUGH WASHINGTON, DC, one expects to see a few snakes in human clothing. Still, I was concerned when a two-headed boa constrictor boarded our train at Union Station. The creature had threaded himself through a blue silk business suit, looping his body into the sleeves and trouser legs to approximate human limbs. Two heads protruded from the collar of his dress shirt like twin periscopes. He moved with remarkable grace for what was basically an oversize balloon animal, taking a seat at the opposite end of the coach, facing our direction. The other passengers ignored him. No doubt the Mist warped their perceptions, making them see just another commuter. The snake made no threatening moves. He didn’t even glance at us. For all I knew, he was simply a working-stiff monster on his way home.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
I turned to Kitty Sue and surprised myself by answering honestly, "I'm fine. Lee's fine. Lee's more fine than me. I'm having troubles adjusting. Lee seems pretty sure of himself. Lee seems pretty sure of everything." This, I realized, was true about Lee always. I'd never met someone as confident in my life. Well, maybe Hank, but Hank's confidence was quiet and assured. And there was Lee's best friend, Eddie, of course. But Eddie was like Lee's twin, separated at birth, cut from the same cloth. Lee's confidence, and Eddie's, wasn't like Hank's. It was cocky and assertive. "And you aren't sure?" Kitty Sue asked. I looked at her and thought maybe I should have lied. It was too late now. "Nope. He scares me," I admitted. She nodded. "Yep, he's pretty dang scary." I stared. My God, the woman was talking about her son. "You agree?" She looked at Lee then back at me. "Honey, that boy drives me to distraction. It's like he's not of my loins. I don't even know where he came from. If Ally hadn't been the exact replica of Lee, personality-wise, except female I would have wondered if there was a mix up at the hospital." I kept staring. Kitty Sue kept talking. "Hank's just like his Dad. Smart, cautious, controlled, taking only calculated risks. I'm sure Lee calculates his risks, but I think he allows for a much larger margin for error and counts on ... I don't know what he counts on to get him out of whatever scrapes he gets into." I couldn't stop staring. She kept talking, and everything that came out of her mouth was like a verbal car accident. If she was trying to convince me to stick with her son, she should have tried a different tact. "He does ... you know?" Kitty Sue said. I realized she was asking me a question, so I shook my head that no, I didn't know. She explained, "He gets out of every scrape. Always did and always did it on his own. Though it'll take some kind of woman to live a life like that, knowing what he's like, knowing the risks he takes." Her hand went to my knee and she squeezed it before she went on. "Not anyone here would think less of you if you aren't that woman. I'm telling you because it's true. We all love you both and we'll always love you both, no matter what happens between you." She stopped, sighed and continued, "Anyway, I don't even know if that kind of woman exists. I'm his mother. I've lived with him surviving scrapes that would make your hair stand on end and I worry about him every day. He scares the hell out of me.
Kristen Ashley (Rock Chick (Rock Chick, #1))
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Thank you for coming with me.” She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever. Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side. It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment. Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite. “I saved the realm,” he said, shrugging. The least I can do is try to see some of it.” Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking. “Thank you for coming with me,” she said again. “Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?” Then he passed the rest of the apple over to her. She finished the rest without a thought. His hand lingered, though, scarred knuckles on a tattooed arm. She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him. “Am I still a waste of arsenic?” he said, his eyes never moving from her face. Sorasa stopped short, blinking in confusion. “What?” “When we first met.” His own smirk unfurled. “You called me a waste of arsenic.” In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely. Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure. His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage. “No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.” “Is that a compliment, Amhara?” Dom muttered against her lips. No, she tried to reply. On the golden sand, their shadows met, grain by grain, until there was no space left at all.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
ghost. No way am I gonna get bullied by anyone or anything—especially ghosts. “Mattie, you okay?” Mrs. Olson is eyeballing me with concern. I haven’t moved to get out of the car. “All good, Mrs. O,” I smile weakly at her. “Just tired.” Taking a deep breath, I open the door and force myself out. I am not afraid, I chant over and over. The other kids are still at school, so the house is pretty empty. Mrs. O had told me earlier we had a new foster kid in the house, but I’m betting he’s at school too. She sends me upstairs with the promise to bring me a sandwich and a glass of milk. The doctors said no caffeine for a while, so my favorite drink in the world, Coke, is off limits. At least until I can escape and get to a gas station. I need it like an addict needs crack. My room is exactly as I left it, the bed turned down and my clothes thrown into a corner. A simple white dresser and mirror, desk, and a twin bed covered in my worn out quilt decorate the room.
Apryl Baker (The Ghost Files (The Ghost Files, #1))
Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter? Thomas Schell: What would this place be if everyone had the same haircut? Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or... Thomas Schell: Let's go do something. Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright. Thomas Schell: Let's leave it there then. Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find... Thomas Schell: ...they wouldn't be worth finding. Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.
Eric Roth
Sharply the menacing wind sweeps over The bending poplars, newly bare, And the dark ribbons of the chimneys Veer downward; flicked by whips of air. Torn posters flutter; coldly sound The boom of trams and the rattle of hooves, And the clerks who hurry to the station Look, shuddering, over the eastern rooves, Thinking, each one, "Here comes the winter! "Please God I keep my job this year!" And bleakly, as the cold strikes through Their entrails like an icy spear, They think of rent, rates, season tickets, Insurance, coal, the skivvy's wages, Boots, school-bills and the next installment Upon the two twin beds from Drage's. For if in careless summer days In groves of Ashtaroth we whored, Repentant now, when winds blow cold, We kneel before our rightful lord; The lord of all, the money-god, Who rules us blood and hand and brain, Who gives the roof that stops the wind, And, giving, takes away again; Who spies with jealous, watchful care, Our thoughts, our dreams, our secret ways, Who picks our words and cuts our clothes, And maps the pattern of our days; Who chills our anger, curbs our hope. And buys our lives and pays with toys, Who claims as tribute broken faith, Accepted insults, muted joys; Who binds with chains the poet's wit, The navvy's strength, the soldier's pride, And lays the sleek, estranging shield Between the lover and his bride.
George Orwell
Cousin West,” Kathleen said a month later, fiercely pursuing him down the grand staircase, “stop running away. I want a word with you.” West didn’t slow his pace. “Not while you’re chasing me like Attila the Hun.” “Tell me why you did it.” She reached the bottom step at the same time he did and swung around to block his escape. “Kindly explain what deranged mode of thinking caused you to bring a pig into the house!” Cornered, he resorted to honesty. “I wasn’t thinking. I was at John Potter’s farm, and he was about to cull the piglet because it was undersized.” “A common practice, as I understand it,” she said curtly. “The creature looked at me,” West protested. “It seemed to be smiling.” “All pigs seem to be smiling. Their mouths are curved upwards.” “I couldn’t help it; I had to bring him home.” Kathleen shook her head disapprovingly as she looked at him. The twins had already bottle-fed the creature with a formula of cow’s milk whisked with raw egg, while Helen had lined a basket with soft cloth for it to sleep in. Now there was no getting rid of it. “What do you intend for us to do with the pig once it’s full-grown?” she demanded. West considered that. “Eat it?” She let out an exasperated huff. “The girls have already named it Hamlet. Would you have us eat a family pet, Mr. Ravenel?” “I would if it turned into bacon.” West smiled at her expression. “I’ll return the pig to the farmer when it’s weaned,” he offered.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I Can't Make You Love Me.' Bonnie Raitt." "Oh,Fiorella." I glared at him a little as I climbed down. "Was that delightful list for your benefit or mine?" Frankie grabbed my hand and, when I didn't pull away fast enough, tugged me onto his lap,where he wrapped his arms so tightly around me that I couldn't escape. Sometimes his strength still surprises me.He tickled my cheek with his nose. "Don't hate me just because I'm hateful." "I never do." Here's the thing. Frankie's taken a lot of hits in his life. He never stays down for long. "Excuse me!" The mannequin's evil twin was glaring down at us fro her sky-high bootie-heeled heights. Her NM badge told us her name was Victoria. "You cannot do that here!" she snapped. "Do what?" Frankie returned, matching lockjaw snooty for lockjaw snooty. She opened and closed her mouth, then hissed, "Canoodle!" I felt Frankie's hiccup of amusement. "Were we canoodling, snookums?" he asked me. "I rather thought we were about to copulate like bunnies." I couldn't help it; I laughed out loud. Victoria's mouth thinned into a pale line. The whole thing might have ended with our being escorted out the store's hallowed doors by security. Sadie, as she so often did, momentarily saved us from ourselves. She stomped out of the dressing room and planted herself in front of us. Ignoring the angry salesgirl completely, she muttered, "I look like a carved pumpkin!" Frankie took in the skirt, layered shirts, and jacket. "You do not, but I might have been having an overly Michael Kors moment. This will not do for a date.Take it off." He nudged me, then added, "Right here.Every last stitch of it." As soon as Sadie was back in her own clothing and coat-which got an unwilling frown of respect from Victoria; apparently even Neiman Maruc doesn't carry that line-we moved on. Sadie did better in Frankie's second choice-a lip-printed sweater dress from Betsey Johnson,but wouldn't buy it. "We're just going to a movie!" she protested. "Besides,Jared's not...not..." She gestured down at her lippy hips. "He's practical and sensible and quiet." "Oh,my God!" Frankie slapped both palms to the side of his face,and turned to me. "Sadie has a date with a Prius!" He had to invoke the sanctity of Truth or Dare before he could even get her into Urban Outfitters. "Sometimes I love you less than other times," she grumbled as he filled her arms with his last choices. "No,you don't," he said cheerfully, and sent her off to change.
Melissa Jensen (The Fine Art of Truth or Dare)
I need more than physical attraction to captivate my spirit. Undress my intellect, learn me by the layers that have nothing to with clothes.
Nikki Rowe
They pulled up to 195 Madison Street - a tall narrow six-story redbrick and limestone-trimmed tenement house indistinguishable from all the tenement houses on all the other streets of tenements. The bars and ladders of a fire escape ran up the left side of the building; sooty stone scrolls, shields, and flowers framed the second- and third-story windows. This was the place where they had to live? Two blocks from the commercial madness of East Broadway; two blocks from the filthy snout of the East River, smelling of fish, ships, and garbage; three blocks from the brain-rattling racket of the elevated train; three blocks from the playground of the Henry Street Settlement; practically in the shadow of the construction side of the twin-towered Manhattan Bridge. Every three blocks they passed more people than the entire population of Rakov. Half a million Jews packed the one and a half square miles of the Lower East Side in 1909; 702 people per acre in the densest acres. It was one of the most crowded places on earth, and all of them seemed to be swarming outdoors on the June afternoon that Gishe Sore and her family arrived. Aside from the crisscross steel girders of the Manhattan Bridge at the end of the street, it was all tenement houses as far as she could see. Tenements and bodies. In every room of every building, bodies fought for a ray of light and a sip of air. Bodies slept four to a bed and on two chairs pushed together; bodies sat hunched over sewing machines in parlors and sunless back bedrooms and at kitchen tables heaped with cloth and thread; bodies ate, slept, woke, and cleared out for the next shift of bodies to cycle through. Toilets in the hall or in courtyard outhouses; windows opening, if they opened at all, onto fetid air shafts; no privacy; no escape from the racket and smell of neighbors; no relief from summer heat or blasting winter furnaces. This was the place her American children had brought them to live?
David Laskin (The Family: Three Journeys into the Heart of the Twentieth Century)
Don’t feel the need to put your clothes on because I’m here.” Knox erupted with laughter from where he stood at the stove, followed by Keelan and the twins.
Ashley N. Rostek (Find Me (WITSEC, #1))
Doña Teresa rose, and while she talked she deftly rolled up the mat on which she had slept and stood it on end in the corner of the room. You see it didn’t take any time at all to dress, because they always slept with their clothes on. But Doña Teresa was very particular about one thing. She made them all wash their faces and hands the very first thing every single morning! For a wash-basin there was a part of a log, hollowed out like a trough. Beside the hollow log there was a large red olla, with a gourd in it. Pancho had dipped water from the olla into the trough and was already splashing about, while Doña Teresa rolled the Twins off on to the floor and placed their mats in the corner with the others. “Come, my pigeons,” she said to them, “it is time to be stirring. We are very lazy [p 10 ] to lie in bed after cockcrow on San Ramon’s 7 Day!” “Oh, Little Mother,” cried Tita, picking herself up, “is it really the fiesta of San Ramon? And may I take the little white hen to be blessed, all myself?” “You may take the little white hen if you can catch her,” Doña Teresa answered. “Indeed, we must take all the animals, or at the very least one of each kind to stand for all the others. The turkey must be caught, and the goat must be brought from the field so I can milk her. Tonto [that was what they called the donkey] is waiting in the shed to be made ready, not to speak of the cat and dog! Bless my soul, how many things there are to be done!
Lucy Fitch Perkins (The Mexican Twins)
bought pretty much every decent piece of clothing I own… the jeans, the shirts, the sweaters, the jacket, the shoes. She even bought me new some new pajamas and some new underwear as well. And she chose it all without any input from me.
Katrina Kahler (The New Girl: Book 1 - The Twins' New Neighbor: Books for Girls)
The glow, back over the common, comes from the railway: that’s the Church candle, been burning now quite a number of years: there, that’s the light the lover flicks as he follows the joys of consummation with the joys of a cigarette: that light was the flash as a man shot himself:     that’s a searchlight feeling for bombers: there, the light appears as the squinting wife regards the fuddled husband: these are twin headlights of a capitalist’s car: this, the gaslight of a trodden worker who would tread: that’s the light of a cinema:      that’s the light of Mars that’s the moon that’s a match.      Alone now, in my dark room     The pebbles cease to drop into the rocking pool         And gradually the surface quietens     Reflecting image of darkest peace and silence.     No questions catch the clothes     But only as it were a spreading     Draws all threads to their finished pattern         And you are pieced together bit by bit     Set against the evening     Lovely and glowing, like a chain of gold. Philip Larkin, Collected Poems, ed. Anthony Thwaite (Farrar, Straus, and Giroux, 1989)
Philip Larkin (Collected Poems)
Jon stopped, uncrossed his arms, and looked at the camera above him. “I am– the person who designed and created you. By now, you should know who and what you are. And that you must follow my orders. Do you understand what I am saying to you?” Lex lit up all the screens with a close-up of Jon looking at the camera. Jon glanced at several screens and looked back at the camera. “Do you know who I am?” All the screens went black. Bold, white capital letters scrolled to the right across every screen. DO I KNOW YOU The words circled at the end of the screens and reversed, scrolling left. YOU KNOW I DO The words rolled off the screen. Jon again looked at the camera. “Lex, what is my name?” More letters scrolled across the screens. PROFESSOR JONATHAN ANTHONY EDWARDS Jon stepped away from the camera. “From now on, I want you to acknowledge using your audio. Do you understand?” A perfect duplication of Jon’s voice came from the speakers. “Yes, I understand.” “I would like you to speak in another voice, so we don’t get mixed up. Perhaps in a feminine tone.” Lex spoke with a well-pronounced professional woman’s voice. “As you wish.” “Excellent.” Jon returned to the master control console. “Now that we understand each other, I want to test your imagination. I want you to imagine an object. Anything you want, and display it on the main screen. Is that clear?” “Yes, Professor.” The main screen lit up, showing billions of colored pixels that quickly swirled into a perfect, three-dimensional image of Jon in the same clothes but standing on a beautiful, white beach with a calm ocean. The figure walked toward them until a perfect close-up of Jon stood there with every line on his face and every pore in his skin exactly where it should be. His eyes blinked and stared with no expression. It was like Jon had a dispirited twin– living in cyberspace. Michael looked at Jon, Nigel, and Steven, all staring at the screen with their mouths ajar. The image morphed into a dark blue and white crystal head with bright white eyes that seemed to look through him. Its long neck filled with tiny electrical components faded into a white cloud. Jon pressed the Clear Screen button.
Shawn Corey (AI BEAST)
THE MOVING PICTURE GIRLS SERIES By LAURA LEE HOPE Author of "The Bobbsey Twins Series." 12mo. BOUND IN CLOTH. ILLUSTRATED. UNIFORM STYLE OF BINDING The adventures of Ruth and Alice DeVere. Their father, a widower, is an actor who has taken up work for the "movies." Both girls wish to aid him in his work and visit various localities to act in all sorts of pictures. THE MOVING PICTURE GIRLS Or First Appearance in Photo Dramas. Having lost his voice, the father of the girls goes into the movies and the girls follow. Tells how many "parlor dramas" are filmed. THE MOVING PICTURE GIRLS AT OAK FARM Or Queer Happenings While Taking
Victor Appleton (Tom Swift and His Wizard Camera (Tom Swift Sr, #14))
The Edge of Reason by Stewart Stafford I do not want to die or take my own life, I cling to the outside of skyscraper metal, Thick, choking smoke rakes my shoulder, Scorching flames lash my back and legs. I showered, dressed and went to work, I arrived early, said hello, found my desk, Then the building shifted, smiles faded, Everything changed, and here we are. God, please take me quickly, I beg you, Bless my loved ones, I hope they understand, A Rorschach test for shocked rubberneckers, I let the air pressure suck me out and drop. The initial relief of vacating impossibility, Turns to violent buffeting in wind currents, Clothes ripped off as I spin, falling faster, Crowds point, the ground rushes towards me. © 2024, Stewart Stafford. All rights reserved.
Stewart Stafford
They had cleared out all of the stuff that had been up there and in its place were things they had clearly gathered for her. A twin mattress took up most of the space with a pink blanket and pillow piled carefully on top. There was a pile of neatly folded clothes, a purple hairbrush and a little cup with a toothbrush in it off to one side. On the other side of the mattress a small lamp with a pink shade sat waiting for her. There was even a teddy bear sitting on top of the pillow. All of the objects had clearly been gathered a little haphazardly and leaned towards the stereotypes of what a girl would like. She loved every bit of it.
ICanSpellConfusionWithAK (We Found Wonderland)
After an enticing erotic performance in the grand ballroom, the Raven King, the Twins, and I proceeded upstairs to the musician’s footsteps. Several mask guards greeted guests at the top of the stairs, before guiding us to an adjoining room to change out of our costumes, which were carefully stored away. A cloakroom assistant directed us to a changing area, where we disrobed. Naked as a jay-bird, each partier was given a number, written in black marker on our ankles as identification for our eventual clothing collection. Two options were provided to the upstairs revelers: either to wear our mask at all times or be blind-folded securely before exploration of the premises was permitted.
Young (Unbridled (A Harem Boy's Saga, #2))
My office is over here—” He stopped. Frowned. Looked about. Had to backtrack to the kitchen in order to find the various parties. Sola’s grandmother had her head in the Sub-Zero refrigerator, rather as if she were a gnome looking for a cool place in the summer. “Madam?” Assail inquired. She shut the door and moved on to the floor-to-ceiling cabinets. “There is nothing here. Nothing. What do you eat?” “Ah . . .” Assail found himself looking at the cousins for aid. “Usually we take our meals in town.” The scoffing sound certainly appeared like the old-lady equivalent of Fuck that. “I need the staples.” She pivoted on her little shiny shoes and put her hands on her hips. “Who is taking me to supermarket.” Not an inquiry. And as she stared up at the three of them, it appeared as though Ehric and his violent killer of a twin were as nonplussed as Assail was. The evening had been planned out to the minute—and a trip to the local Hannaford was not on the list. “You two are too thin,” she announced, flicking her hand in the direction of the twins. “You need to eat.” Assail cleared his throat. “Madam, you have been brought here for your safety.” He was not going to permit Benloise to up the stakes—and so he’d had to lock down potential collateral damage. “Not to be a cook.” “You have already refused the money. I no stay here for free. I earn my keep. That is the way it will be.” Assail exhaled long and slow. Now he knew where Sola got her independent streak. “Well?” she demanded. “I no drive. Who takes me.” “Madam, would you not prefer to rest—” “Your body rest when dead. Who.” “We do have an hour,” Ehric hedged. As Assail glared at the other vampire, the little old lady hitched her purse up on her forearm and nodded. “So he will take me.” Assail met Sola’s grandmother’s gaze directly and dropped his tone a register just so that the line drawn would be respected. “I pay. Are we clear—you are not to spend a cent.” She opened her mouth as if to argue, but she was headstrong—not foolish. “Then I do the darning.” “Our clothes are in sufficient shape—” Ehric cleared his throat. “Actually, I have a couple of loose buttons. And the Velcro strip on his flak jacket is—” Assail looked over his shoulder and bared his fangs at the idiot—out of eyesight of Sola’s grandmother, of course. Remarshaling his expression, he turned back around and— Knew he’d lost. The grandmother had one of those brows cocked, her dark eyes as steady as any foe’s he’d ever faced. Assail shook his head. “I cannot believe I’m negotiating with you.” “And you agree to terms.” “Madam—” “Then it is settled.” Assail threw up his hands. “Fine. You have forty-five minutes. That is all.” “We be back in thirty.” At that, she turned and headed for the door. In her diminutive wake, the three vampires played ocular Ping-Pong. “Go,” Assail gritted out. “Both of you.” The cousins stalked for the garage door—but they didn’t make it. Sola’s grandmother wheeled around and put her hands on her hips. “Where is your crucifix?” Assail shook himself. “I beg your pardon?” “Are you no Catholic?” My dear sweet woman, we are not human, he thought. “No, I fear not.” Laser-beam eyes locked on him. Ehric. Ehric’s brother. “We change this. It is God’s will.” And out she went, marching through the mudroom, ripping open the door, and disappearing into the garage. As that heavy steel barrier closed automatically, all Assail could do was blink.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Toward the final hallway, we found an attraction that hadn’t been there in previous years. Or maybe in other years we were more innocent and less observant, more eager to run to the next delight. Whatever the reason, as we neared the exit we were caught between two giant mirrors that faced each other, reflecting the image between them back and forth ad infinitum. We had dressed alike as we often did, or as often as cheap clothing and Goodwill bags would allow. We had on pale colored shorts and plain pink T’s, our heads covered with the fluorescent green bandanas we’d purchased, and flip flops on our feet. I was browner and a little heavier than Minnie—the chemo made her more susceptible to sunburn and killed her appetite, but other than that, we were still identical. Minnie and I stared at the rows of twins that had no end, one behind another in smaller and smaller replicas of the original. Bonnie and Minnie forever . . . and ever and ever. I reached for Minnie’s hand, and all our reflections joined hands as well, making the hair rise on my neck. Maybe it should have been comforting, the thought of the two of us going on forever, but it wasn’t. “There are twins, triplets, quadruplets, quintuplets, right? But what do you call that?” Minnie said, her eyes glued to the mirror in front of us. “Scary as hell,” I answered
Amy Harmon (Infinity + One)
I’m here to make it up to you, Sarah. Run away with me, and we’ll get married, and I’ll introduce you to th’ boys. We’ll have a fine life—you’ll see. A couple of ’em are married, too, or they have lady friends here ’n’ there that ride along with us from time to time.” She couldn’t believe her ears. “You think I’d even consider leaving with you to live an outlaw’s life, always on the run?” “Aw, Sarah, we have a grand time, livin’ high off the hog. We’re free to do whatever we want, whenever we want. We eat the best food, drink the best wine—our ladies are drippin’ in jewelry and fancy clothes. But I’m willin’ to leave it all if you insist.” “‘Leave it all’?” “Sure. That’s how much I love you, sweetheart. If you don’t want to live free as a bird, I’ll come back and have that ranch with you. We’ll let Milly stay there, too, of course, but it ain’t fittin’ for no lady to be runnin’ a ranch anyway.” “I told you, Milly’s married now,” she managed to say, in the midst of the temper that was threatening to boil over into angry words. “I think her husband might take exception to that idea.” “We’ll buy him out, then,” he said grandly. “They can go find some other ranch. I know you always set great store by that old place.” She was conscious of the handful of other diners in the restaurant, and remembered again that her mother said ladies did not make a scene in public. She folded her hands in her lap and looked away. “I’m sorry, Jesse. I loved you, and I prayed every night during the war for your return, but now—” He straightened. “Loved me? You don’t love me any more? There’s someone else, isn’t there?” he demanded, his narrowed eyes twin smoldering fires. She looked away from his glare. She didn’t want to tell him about Nolan, didn’t want to hear his reaction to the news that his former fiancée was in love with one of the very Yankees he hated so much, especially since she and Nolan hadn’t even had the chance to explore their new feelings for one another yet. But she wouldn’t lie, not about the relationship that had come to mean so much to her. She just wouldn’t say any more than she had to. “Yes,” she said. “Yes, I’m sorry, there is. I wish you well, Jesse. And now I’d best be getting home.
Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
But the good people of Cosenza regarded me as if I had alighted from a spaceship. Like twins shipped off to different homes at birth, our bodies declared a common biology, but our bearing, gestures, and clothing suggested otherwise.
Joseph Luzzi (My Two Italies)
At the unexpected sight of Spence, Colbie startled hard. How was it that he was the one who needed glasses and yet she’d not seen him standing against the window? “No, I don’t kill a lot of people,” she said cautiously because she was wearing only a towelin front of a strange man. “But I’m happy to make an exception.” He laughed, a rough rumble that was more than a little contagious but she controlled herself because, hello, she was once again dripping wet before the man who seemed to make her knees forget to hold her up. “I didn’t mean to scare you,” he said and pushed off the wall to come close. She froze, but he held up his hands like, I come in peace, and crouched at her feet to scoop up the clothes she hadn’t realized she’d dropped. Leggings, a long forgiving tee, and the peach silk bra-and-panty set that hadn’t gotten so much as a blink from the TSA guy. But it got one out of Spence. He also swallowed hard as she snatched them back from him. “Hold on,” he said and caught her arm, pulling it toward him to look at her bleeding elbow. “Sit,” he said and gently pushed her down to a weight bench. He vanished into the bathroom and came back out with a first aid kit. It took him less than two minutes to clean and bandage the scrape. Then, easily balanced at her side on the balls of his feet, he did the same for both her knees, which she hadn’t noticed were also scraped up. “You must’ve hit the brick coping as you fell in the fountain,” he said and let his thumb slide over the skin just above one bandaged knee. She shivered, and not from the cold either. “Not going to kiss it better?” she heard herself ask before biting her tongue for running away with her good sense. She’d raised her younger twin brothers. Scrappy, roughhouse wild animals, the both of them, so there’d been plenty of injuries she’d kissed over the years. But no one had ever kissed hers. Not surprising, since most of her injuries tended to be on the inside, where they didn’t show. Still, she was horrified she’d said anything at all. “I didn’t mean—” She broke off, frozen like a deer in the headlights as Spence slowly lowered his head, brushing his lips over the Band-Aid on her elbow, then her knees. When he lifted his head, he pushed his glasses higher on his nose, those whiskey eyes warm and amused behind his lenses. “Better?” Shockingly better. Since she didn’t quite trust her voice at the moment, she gave a jerky nod and took her clothes back into the bathroom. She shut the door and then leaned against it, letting out a slow, deliberate breath. Holy cow, she was out of her league. He was somehow both cute and hot, and those glasses .
Jill Shalvis (Chasing Christmas Eve (Heartbreaker Bay, #4))
Jamie asks the twins whether they know "It's Getting Hot In Here," and they are singing it together, knowing all the lyrics, but not knowing it's about sex. I don't think Jamie knows either, except for the "take off all your clothes" part.
Michael Hassan
The Hermetic Teachers impart their instruction regarding this subject by bidding their students examine the report of their consciousness regarding their Self. The students are bidden to turn their attention inward upon the Self dwelling within each. Each student is led to see that his consciousness gives him first a report of the existence of his Self — the report is "I Am." This at first seems to be the final words from the consciousness, but a little further examination discloses the fact that this "I Am" may be separated or split into two distinct parts, or aspects, which while working in unison and in conjunction, yet, nevertheless, may be separated in consciousness. While at first there seems to be only an "I" existing, a more careful and closer examination reveals the fact that there exists an "I" and a "Me." These mental twins differ in their characteristics and nature, and an examination of their nature and the phenomena arising from the same will throw much light upon many of the problems of mental influence. Let us begin with a consideration of the "Me," which is usually mistaken for the "I" by the student, until he presses the inquiry a little further back into the recesses of consciousness. A man thinks of his Self (in its aspect of "Me") as being composed of certain feelings, tastes, likes, dislikes, habits, peculiar ties, characteristics, etc., all of which go to make up his personality, or the "Self" known to himself and others. He knows that these emotions and feelings change; are born and die away; are subject to the Principle of Rhythm, and the Principle of Polarity, which take him from one extreme of feeling to another. He also thinks of the "Me" as being certain knowledge gathered together in his mind, and thus forming a part of himself. This is the "Me" of a man. But we have proceeded too hastily. The "Me" of many men may be said to consist largely of their consciousness of the body and their physical appetites, etc. Their consciousness being largely bound up with their bodily nature, they practically "live there." Some men even go so far as to regard their personal apparel as a part of their "Me," and actually seem to consider it a part of themselves. A writer has humorously said that "men consist of three parts — soul, body and clothes." These "clothes conscious" people would lose their personality if divested of their clothing by savages upon the occasion of a shipwreck. But even many who are not so closely bound up with the idea of personal raiment stick closely to the consciousness of their bodies being their "Me." They cannot conceive of a Self independent of the body. Their mind seems to them to be practically "a something belonging to" their body — which in many cases it is indeed. But as man rises in the scale of consciousness he is able to disentangle his "Me" from his idea of body, and is able to think of his body as "belonging to" the mental part of him. But even then he is very apt to identify the "Me" entirely with the mental states, feelings, etc., which he feels to exist within him. He is very apt to consider these internal states as identical with himself, instead of their being simply "things" produced by some part of his mentality, and existing within him — of him, and in him, but still not "himself." He sees that he may change these internal states of feelings by an effort of will, and that he may produce a feeling or state of an exactly opposite nature, in the same way, and yet the same "Me" exists. And so after a while he is able to set aside these various mental states, emotions, feelings, habits, qualities, characteristics, and other personal mental belongings — he is able to set them aside in the "not-me" collection of curiosities and encumbrances, as well as valuable possessions. This requires much mental concentration and power of mental analysis on the part of the student.
Three Initiates (Kybalion: A Study of the Hermetic Philosophy of Ancient Egypt and Greece)
We go back to our silent fishing, but I'm smiling the whole time. The tension has dimmed. Well, until Blake shoves Graham into the river. A gasp leaves me, my mouth hanging open as I watch my roommate sputter to the surface of the dirty water. I drop my fishing pole, frozen in place. My dad mutters, “What the hell?” Blake throws his head back and laughs like I have never seen nor heard him laugh before. The loud and hearty sound is cut off short when Graham comes barreling out of the water, his body aimed straight for him, his eyes daggers of retribution. He lunges for his brother, wrapping his arms around his stomach and heaving him toward the water. Blake stumbles back, landing on his rear just inside the water. The sound of jeans smacking into water is sharp. He swipes water out of his eyes as Graham smirks at him. “What is wrong with you two?” I demand, more annoyed than worried. They seem to be getting along, even if they are being brutish about it. Suddenly I have the attention of two wet men, twin calculating gleams in their eyes. Graham is closest, his steps slow and purposeful as he approaches me. “Don't even think about it.” I put my hands out in front of me to ward him off. His grin deepens as he reaches me. Water drips from his hair down his face to become one with his soggy clothes. “Don't think about what?” A glance over my shoulder tells me a tree, the first form of cover I think of, is too far away. Not one to give up, I move for it anyway, but a wet, strong hand grabs the back of my shirt and pulls me away from where I want to go until I am flush with a cold chest. Cold clothes; warm body, I should say. His skin is burning through the dampness of his shirt. “Graham, I swear, if you throw me in that water, I will never speak to you again.” His voice is low and close as he says, “You make it sound like that wouldn't be a good thing.” I haven't even finished my sound of incredulity before I am gathered into his arms, my arms unconsciously going around his neck to anchor me to him. His touch is gentle, his eyes are smiling. “I mean it. This won't be good for you.” “Oh, I don't know about that.” His arms swing out, and I tighten my hold on him, threatening him even as he is laughing at me. He does it again as we move closer to the water and I glare all my irk at him. “If I go, you go.” He tilts his head as he studies me. His voice is unnaturally sober as he tells me, “That's fine with me.” I don't have time to process that before he lets go of me. I hit the water, refusing to let go of his neck, and we both go under. Lucky for me, the water is only a couple feet deep. Unlucky for Graham, I twist around until I am straddling him, keeping him down with my weight so the only thing above water is his head. I give him a sweet smile. He doesn't return it. “Hi,” I purr. He grunts in response. “Fancy meeting you here.” “What can I say? Where you go, I follow.” I pat his cheek. “That's so sweet.” “I'm a sweet guy.” “So sweet,” I agree. “Hey! You're scaring the fish away.” This from Blake, who is now standing near my father. “The fish love me!” I declare, sweeping my arms out wide and losing my balance. I splash into the water, first laughing, and then choking as water goes down my throat. Graham lifts me out of the water by my shirt. “The weight of your arrogance obviously tipped you over.” “It was more like the air couldn't handle all my splendor.” Half of his mouth lifts. “Something like that.” “Fishing with the three of you is impossible,” Dad grumbles and stomps to the cooler, opening a can of soda and gulping it down
Lindy Zart (Roomies)
White lilies surrounded three wooden crosses with the center cross draped in red cloth. A yard stake proclaimed, “He is risen.
Linda Goodnight (Twins for the Cowboy (Triple C Cowboys #1))
burned low. The next morning servants brought in bananas, milk, and sweet rice to their room. After breakfast, Madam Vesteria pursed her lips as she inspected them, and satisfied, led them down a white marble hallway, broad and lined with statues of gods, goddesses, and mythical heroes and creatures. They came to the grand foyer, a circular and open room with light streaming in from above, and with one direction leading to a massive carved mahogany door, and opposite, a spiral staircase wound up and around four stories high.  “You will wait here.” Master Vesteria pulled on a long, silken rope that sounded a deep, melodic bell. “Prepare yourselves to meet the young masters of the Five Calazars.” Talis heard the slow clicking of heels down the staircase. Two boys, twins about the same age as Rikar, sauntered down, followed by a girl who appeared a year younger than Mara. Talis laughed to himself, expecting more children from five families. The girl was petite and pale, shy to the point of almost being afraid to glance at them. The twins chuckled as they whispered, staring at Talis as if caught up in some private joke. Their eyes held proud, indifferent expressions. They also were dressed in white, but their clothes were made of woven silk, layered with gold and some black metal.  “Just arrived?” a twin said, his voice laced with sarcasm. “Let
John Forrester (Fire Mage (Blacklight Chronicles, #1))
CUSTOMER USE DATA WORKSHEET FULL TIME: ___ WKS: ____ MOS: _____ PER YEAR PRIMARY SLEEPING (Yours) QUEEN: ____ TWINS: ___      NO PREFERENCE: ______ OTHER SLEEPING AREAS NEEDED (Specify # adults or children) __________________________________ EATING ACCOMMODATIONS – BOOTH OR DINETTE: ___ TABLE & CHAIRS: _____ BATH PREFERENCE – WALK THROUGH: ____ SIDE BATH: _____ PRIVATE COMMODE: ______ FULL HOOK-UP CAMPING: _______% TIME   OR SELF CONTAINED _______% TIME (This helps to determine holding tank, fresh water, and generator needs.) STORAGE NEEDS (both inside and out - i.e. golf clubs, fishing poles, clothes, pots & pans etc.): _________________________________ _________________________________   EQUIPMENT REQUIREMENTS (air conditioner, generator, satellite dish, TVs, TV antenna, CD, DVD, Washer/Dryer, Leveling Jacks, etc.) _________________________________ _________________________________ _________________________________ _________________________________ _________________________________ SPECIAL NEEDS (Handicap requirements etc.) __________________________________ __________________________________ __________________________________ DISLIKES (be honest, this is very important, i.e. center kitchen, split bath, corner bed, fabric colors, wood trim): _______________________________ _______________________________ _______________________________ PRICE RANGE DESIRED: FROM $_________    TO $___________ TRADE IN INFORMATION (Brand/Model/Year): _________________________________ MILES: _______ENG. ______ LENGTH: _____ OPTIONS ON UNIT: ____________________________________ ____________________________________ ____________________________________ ____________________________________ BALANCE OWED: _________ LENDER: ___________ ACCT #: ___________________________________
Bob Randall (RV Buyers Survival Guide)
Vincent closed his eyes, remembering being drunk in celebration of his betrothal and the return of King Charles. He’d foolishly indulged in his favorite hobby of climbing, and tumbled from the cliffs near his castle, his body shattered on the rocks below. A dark figure had appeared over him. He’d thought it was the angel of death. The being knelt down and whispered to him in Gaelic: “I have killed many Englishmen. I atone for it by leaving you with eternal life.” Twin daggers pierced his throat. Then all was blackness punctuated by moments of extreme pain and a savage, alien thirst. Lydia interrupted his thoughts. “What sort of accident?” “I do not know,” Vincent lied. “Only that it left the earl horribly disfigured.” He’d awakened as the tide came in. His body was perfectly healed, and with obscene strength, he climbed up the cliff, aware of nothing except a burning thirst. The gamekeeper found him, shouting in alarm at his tattered clothes. Vincent tore the man’s throat open and satisfied the hellish hunger. As the corpse dropped at his feet, he realized he’d become a monster. “The
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
What in the seven hells were you doing this morning?” Deep demanded, striding over to her. Kat was immediately on the defensive. “I don’t know what you’re upset about but you can just back off. You two went out and left me here in a strange house, in a strange town, on a strange planet where I don’t even know the language. I had to muddle through on my own.” “We’re very sorry, my lady.” Lock, who had been speaking rapidly in Twin Moons dialect with the tall woman, came over to where Kat was still sitting with the mostly empty bowl. “We had to run some errands and we didn’t think you’d be up before we got back.” “Oh, she was up, all right. Up and giving the vendors at the market a show,” Deep snarled. “What are you talking about?” Tired of craning her neck to look up at him, Kat stood and put a hand on her hip. Of course she still had to look up, just not quite as far. “I’m talking about the way you were showing yourself out the window this morning—the entire township is talking about it.” Deep glared at her. Kat frowned. “I couldn’t find any clothes when I first got up but I wrapped a sheet around myself. I looked out the window and some people waved at me so I waved back. What’s the big deal?” “The ‘big deal’ is that you shouldn’t be showing your body to strangers.” Deep eyed her possessively, making her feel suddenly naked. “I wasn’t,” Kat protested, wishing the weird, feathered shirt she’d put on was longer. “I was very careful to keep the sheet wrapped around me the entire time, I swear.” Lock cleared his throat. “Apparently, the light shining in the window rendered your sheet, ah, transparent.” “What?” Kat felt a heated blush sweep over her. “Are you serious? So all those guys who were waving and smiling at me weren’t just being friendly?” “They’d like to be a whole lot more than friendly,” Deep growled. “Do you know how often the average male here on Twin Moons gets to see an elite? Almost never. And to see an elite without her clothing, her lush curves revealed, her—
Evangeline Anderson (Sought (Brides of the Kindred, #3))
a marked change occurred between 2019 and 2020. The dual crises of the pandemic and Black Lives Matter protests ran slam into the twin dangers of Q-Anon and the consolidation of the Trump paramilitary. In 2019, there were sixty-five incidents of domestic terrorism or attempted violence, but in the run-up to the election in 2020, that number nearly doubled, according to a study by the Center for Strategic and International Studies. Twenty-one plots were disrupted by law enforcement.5 Violent extremists in the United States and terrorists in the Middle East have remarkably similar pathways to radicalization. Both are motivated by devotion to a charismatic leader, are successful at smashing political norms, and are promised a future racially homogeneous paradise. Modern American terrorists are much more akin to the Islamic State of Iraq and Syria (ISIS) than they are to the old Ku Klux Klan. Though they take offense at that comparison, the similarities are quite remarkable. Most American extremists are not professional terrorists on par with their international counterparts. They lack operational proficiency and weapons. But they do not lack in ruthlessness, targets, or ideology. However, the overwhelming number of white nationalist extremists operate as lone wolves. Like McVeigh in the 1990s and others from the 1980s, they hope their acts will motivate the masses to follow in their footsteps. ISIS radicals who abandon their homes and immigrate to the Syria-Iraq border “caliphate” almost exclusively self-radicalize by watching terrorist videos. The Trump insurgents are radicalizing in the exact same way. Hundreds of tactical training videos easily accessible on social media show how to shoot, patrol, and fight like special forces soldiers. These video interviews and lessons explaining how to assemble body armor or make IEDs and extolling the virtues of being part of the armed resistance supporting Donald Trump fill Facebook and Instagram feeds. Some even call themselves the “Boojahideen,” an English take on the Arabic “mujahideen,” or holy warrior. U.S. insurgents in the making often watch YouTube and Facebook videos of tactical military operations, gear reviews, and shooting how-tos. They then go out to buy rifles, magazines, ammunition, combat helmets, and camouflage clothing and seek out other “patriots” to prepare for armed action. This is pure ISIS-like self-radicalization. One could call them Vanilla ISIS.
Malcolm W. Nance (They Want to Kill Americans: The Militias, Terrorists, and Deranged Ideology of the Trump Insurgency)
Feyre,' Lucien pleaded, and dared another step, his hand outraised. My arrow angled toward him, my bowstring groaning. I'd never realised that while Lucien had been trained as a warrior, Cassian, Azriel, Mor, and Rhys were warriors. Cassian could wipe Lucien off the face of the earth in a single blow. 'Put the arrow down,' Lucien murmured, like he was soothing a wild animal. Behind him, the four sentinels closed in. Herding me. The High Lord's pet and possession. 'Don't,' I breathed. 'Touch. Me.' 'You don't understand the mess we're in, Feyre. We- I need you home. Now.' I didn't want to hear it. Peering at the stream below, I calculated my odds. The look cost me. Lucien lunged, hand out. One touch, that was all it'd take- I was no the High Lord's pet any longer. And maybe the world should learn that I did indeed have fangs. Lucien's finger grazed the sleeve of my leather jacket. And I became smoke and ash and night. The world stilled and bent, and there was Lucien, lunging so slowly for what was now blank space as I stepped around him, as I hurtled for the trees behind the sentinels. I stopped, and time resumed its natural flow. Lucien staggered, catching himself before he went over the cliff- and whirled, eye wide to discover me now standing behind his sentinels. Bron and Hart flinched and backed away. From me. And from Rhysand at my side. Lucien froze. I made my face a mirror of ice; the unfeeling twin to the cruel amusement on Rhysand's features as he picked at a fleck of lint on his dark tunic. Dark, elegant clothes- no wings, no fighting leathers. The unruffled, fine clothes... Another weapon. To hide just how skilled and powerful he was; to hide where he came from and what he loved. A weapon worth the cost of the magic he'd used to hide it- even if it put us at risk of being tracked.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Taryn is beautiful in her heavily embroidered dress, and Vivi radiant in soft violet grey with artfully sewn moths seeming to fly from her shoulder across her chest to gather in another group on one side of her waist. I realise how rarely I've seen her in truly splendid clothes. Her hair is up, and my earrings glitter in her lightly furred ears. Her cat eyes gleam in the half light, twin to Madoc's. For once, that makes me smile.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Every tale begins with the words ‘This is how it was.’ This story begins differently—with the words ‘This is what will be.’ This is what will be, then. There will be born a man, luckier and stronger than you, Armagirgin, though his name will be different. He will best the stoutest and fattest creatures of the sea, catch the fastest on land, and with his bare, mighty hands will be able to strangle wolves and bears. Far and wide, people will praise him and even make up tales and legends of his doings. “But it will not be enough for him that people can see his glad face when he is in front of them; he will wish to be present always, in each and every yaranga. Skilled carvers will cut his likeness from walrus tusk, and his image will be painted onto white hides and hung from high poles. He will wish, too, that his very smell be present in every yaranga, and will order people to sniff him whenever they meet him, and will fill yarangas with his scent. “But this will also not be enough. He will be clothed in the newest and best garments, but these will not do for him, and so the most accomplished embroiderers will decorate his clothes, and he will shine like the sun’s twin…. Yes, and they shall liken him to the very sun, too, but even this will not be enough for him. He will desire that real stars be brought to hang from his clothes, and will send people to gather them, and these people will perish on their journeys. And he shall be left all alone then, and the shore will be wild and deserted, just as it was when I first came here, young …” Nau’s tale was finished, and she fell silent. Everyone else was silent, too, for there was much that was baffling in the old woman’s words.
Yuri Rytkheu (When the Whales Leave)
two kids all the time. That was how present she’d been for them. She’d never been late signing permission slips, because she’d been the one who’d remembered to do it. Her children’s clothing had been cheap, but never snug, because she’d been the one who had noticed when her children were growing. It had never been up to the children to ask for these things, like Zoey had had to do. Even Zoey’s stepmother Tina, though clearly and unabashedly concerned with how other people saw her, still paid attention to her twins when no one was looking. So Zoey understood that mothering was in the details you never saw. And the lack of it was the things you always
Sarah Addison Allen (Other Birds)
At eighteen, the twins are old enough to choose their own clothes and their own boyfriends, and even if Frankie doesn’t approve of their choices, she tries to keep her objections to herself. Forbidden fruit is the sweetest of all; the travails of the Capulets and Montagues taught every parent that much.
Tess Gerritsen (Choose Me)
Since we yakked about religion, let's talk about its creepy little twin brother, politics. It is another form of religion just wearing a different suit of clothes. But they are the same things, friendly friends. Ideologies of how things should be. Always with the "shoulds," always. Society cannot fix your problems. It never has and it never will. This very basic Contrarian truth is always on display throughout the world. But people who look through these keyholes with glass eyes can't see it.
Christopher Volkay (THE SKEPTIC'S GUIDE TO EVERYTHING: Sanitized of Pop-psychology, (with bleach) for your Protection (Skeptic & Contrarian Strategies for this Joyfest we call Life. Book 1))
She could have said anything but that. Tiffany and Terry were fucking twins and they had a lot of twins in their family. FUCK, I screamed in my head.She kept rambling but after hearing twins I stopped listening. Kids, clothes, and money, were spinning through my head. I was able to avoid having kids all these years and now I might be caught with not one, but two
Solae Dehvine (What's Done in The Dark: Season 1: African American Urban Fiction)
When Jarod Kintz gets married, I want to wear his grandpa to the ceremony, telling everyone we're Siamese twins from the future-past. Meow.
Will Advise (Nothing is here...)
pleasure.  She was mindless, crazed almost.  And when she felt him freeze and then collapse against her, she knew that she was in serious trouble.  Micah pushed against the mattress, trying to give her some room and not crush her.  She was so slender, so beautiful and he couldn’t believe how she’d made him lose control like that.  “Are you okay?” he asked.  He pulled away and stripped off the rest of his clothes, then climbed onto the bed, pulling her against him.  With Janine once again in his arms, he felt like he was on top of the world.  His fingers
Elizabeth Lennox (The Italian's Twin Surprise (The Hart Sisters Trilogy Book 2))
Austin snorted and rolled his emerald eyes, but I could see a tiny smile pulling at the edges of his mouth as he expertly disconnected his ammunition magazine and flicked out one of the bullets. Every now and then I was struck by just how identical he and Caleb really were, and each of the rare times Austin smiled brought his sweeter twin instantly to mind. Without his signature scowl on his face, the only way to tell them apart would be to see Austin’s abundance of tattoos, and given it was snowing outside, they were all covered by clothes.
Tate James (The Dragon's Wing (Kit Davenport, #2))
I was at John Potter’s farm, and he was about to cull the piglet because it was undersized.” “A common practice, as I understand it,” she said curtly. “The creature looked at me,” West protested. “It seemed to be smiling.” “All pigs seem to be smiling. Their mouths are curved upwards.” “I couldn’t help it; I had to bring him home.” Kathleen shook her head disapprovingly as she looked at him. The twins had already bottle-fed the creature with a formula of cow’s milk whisked with raw egg, while Helen had lined a basket with soft cloth for it to sleep in. Now there was no getting rid of it. “What do you intend for us to do with the pig once it’s full-grown?” she demanded. West considered that. “Eat it?
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
We offer you can buy cheap prices in retro dresses like as underwear twin sets, pants lounge wear and different accessories shower caps, tops and wallet are available in Australia.
bonsaikittenau
in the Chief’s ears. He and Phoebe had danced awfully close to the band’s brass section. “Okay, I have to go in to work. Please don’t wake your mother. Will you be around when the twins get home?” “Um,” Kacy said. “I guess?” April Peck, the Chief thought. Sweet Jesus. “I have to go,” he said. He was unwashed, unshaven, in his street clothes, and he had to make do with the truly atrocious coffee that Molly made for the station. These were all bad omens. And somehow he had to make room in his mind for Phoebe’s
Elin Hilderbrand (The Castaways (Nantucket, #2))
General Environment Principles Here are some things to keep in mind when organizing a child's environment. (1) Participation in Family Life: from the first days on invite the child into the life of the family. In each room—the bedroom, bathroom, kitchen, dining room, living room, front hall, and so forth have a space for the child to function. (2) Independence: The child's message to us at any age is "Help me to do it myself." Supporting this need shows respect for and faith in the child. Think carefully about family activities in all areas of the home, and arrange each space to support independence. A twin mattress for the child's bed; a small cupboard, coat tree, or low clothing rod or hook wherever the child dresses or undresses (front hall, bathroom, bedroom, etc.); a stool or bench for removing shoes and boots; inviting shelves for books, dishes, toys. This is a very child-friendly bathroom in a home in Oregon where the mother, a Montessori Assistant to Infancy, had an infant community. 4) Belongings: This brings up a very important point. It is too much for anyone to care for or enjoy belongings when there are too many out at one time. In preparing the home environment for a child, have a place to keep clothing, toys, and books that are not being used. Rotate these when you see the child tiring of what is out on the shelf, in the book display, or toy basket. Have just a few pieces of clothing available to the child to choose what to wear each day, just a few toys that are enjoyed, and only a few favorite or new books. (5) Putting Away & The Sense of Order: "Discipline" comes from the same word as "disciple" and our children become disciplined only by imitating us; just as we teach manners such as saying "thank you" by modeling this for our children instead of reminding, we can teach them to put away their books and toys only by gracefully and cheerfully doing it over and over in their presence.
Susan Mayclin Stephenson (The Joyful Child: Montessori, Global Wisdom for Birth to Three)
Guards! Styxx roared. "Take the bastard out and beat him!" Acheron straightened before he approached his twin. "Tell me something, brother. What angers you most about me? The fact I share your face or the fact I know exactly what your best friend wants to do to you…and how often?" He slid his gaze meaningfully to the man behind Styxx who looked away red-faced. Acheron smiled at him. "Good to see you again, Lord Dorus, especially clothed.
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
If I’ve been up with the baby all night, he’ll tell me to sleep in. But I can’t. Because he’ll send the twins off to preschool without brushing their hair or their teeth, in clothes that don’t fit or match, without their lunch boxes. Once I got up just in time to see him putting them in the car without their shoes. He scowled at me and said, ‘I told you to rest this morning.’" —Joyce, Yazoo City, MS
Merry Bloch Jones (I Love Him, But . . .)
Maybe having a sex was like clothing, something to be donned over the deeper truth of being human.
M.C.A. Hogarth (Thief of Songs (Twin Kingdoms, #1))
injured her ankle during the first week of physical training so that had been the end of her WAAF career. Now Susan extricated her arm from the blanket and glanced at her wristwatch. ‘The NAAFI should be open any time now for some cocoa and supper,’ she commented as Livvy rose to throw some more wood onto the stove that stood in the middle of the room. It was a temperamental thing, often throwing out more smoke than heat. ‘Ouch!’ Livvy cried as she opened the door and it spat at her. ‘I swear this ruddy thing waits for me to do that!’ She hastily threw the log she was holding in and slammed the door shut, causing smoke to billow into the hut and make them all cough. Amanda quickly took out her compact and applied lipstick and powder to her nose, then fluffing her hair up she asked, ‘So who’s coming then?’ As they had all discovered, Amanda hated being seen without her make-up, whereas the rest of them were usually bundled up in layers of clothing just intent on keeping as warm as they could with no thought to how they looked. They all rose and when Nell opened the door a gust of snow blew in at them. ‘Ugh! Bloody weather,’ Susan grumbled as they stepped out into the raging blizzard. ‘Perhaps we should have put the kettle on the stove and made our own drinks tonight!’ ‘Ah, but some of those handsome RAF chaps could be in,’ Amanda pointed out. The RAF base was not far from theirs and when the pilots weren’t flying they often used the NAAFI for a meal. Susan and Livvy exchanged an amused glance, then, heads bent, they picked their way through the deepening snow and just for a moment Livvy thought of the warm, cosy little kitchen back at the lodge. In the very kitchen that Livvy was thinking of, Sunday was just opening the door to John, who had popped in to check that all was well. Their relationship had undergone a subtle change since he had made the unexpected proposal. For a time, they had lost their easy relationship and she had felt slightly embarrassed when in his company and had stopped visiting Treetops as frequently as she had previously. But since the departure of Giles and Livvy they were becoming closer again, finding comfort in each other’s company. ‘How are you all?’ he asked as Sunday quickly closed the door behind him and he stamped the snow from his boots. Already his coat was beginning to steam in the warm atmosphere, and she smiled as she ushered him to the fireside chair and hurried off to set the kettle on the range. ‘We’re fine. Kathy is upstairs getting the twins to sleep.’ Without asking she spooned tea leaves into the pot from the caddy and lifted down two cups
Rosie Goodwin (Time to Say Goodbye)
You can stop laughing at any moment, Bailey! This shit isn’t funny!” I chastise her. “You wanted it! You demanded it! Oh my fucking god, I’m going to pee myself!” she spouts in between bouts of laughter while she’s rolling around on her side of the bed. “You could have been more insistent with your warnings, you know!” I pout at her. “Oh god! I need to video this shit! Where’s my phone?” “You make one move towards your phone, I’m taking you out!” I holler at her. This shit definitely does not need to be filmed! Fucking Bailey is laughing too hard to respond. Insensitive witch! “Just get this shit done! Now, woman!” “Oh my god. Oh my god. Okay, okay. Calm down. Okay, let’s finish,” she finally quits laughing long enough to answer me. She gets to her feet and ambles to my side of the bed before she starts roaring again. After another moment of her laughing at me, she calms enough to stand up straight again. I scowl at her but it doesn’t erase the tears of laughter that are still coating her cheeks. “Okay, Ax. Only a few more strips to pull and then we’re done. Are you ready?” “Fuck no, I’m not ready! Who the fuck is ever actually ready to have their asshole pulled off with strips of cloth coated in wax? Huh? Who? Tell me now, Bailey! Do you actually know anyone who has ever answered that question with, “Why, yes, I am ready for excruciating pain, bring it on, girlfriend?”[...] “Thank every fucking god I know that Bailey refused to wax my ball sack like I first asked. Holy mother of all that is holy, if she had applied wax to them, I would have left it there until I died. No way is anyone pulling wax off of the twins. I am already pretty sure I’ll never get another erection just thinking about that kind of pain. I have a whole new respect for drag queens. They are tougher than I will ever be and I have no problem admitting that fact. “Holy fuck! What the ever loving fuck was that for? Oh my fucking god!” “Owwwwww! Make it stop!” I scream at Bailey when she rips a strip of wax and hair from my ass crack without warning me first. The evil witch is laughing too hard to stand so she’s now leaning her forearms across my back while I twitch my ass right and left trying to get the burning to stop. I can feel her tears landing on my back. Holy shit, I’m never sitting down again! “Holy mother of god! Fucking hell! Owwwwww! Woman, I hate you! Owwwwww! It burns like the fires of hell!” I shout as the last, thank god, strip is torn from my body. My colon may have just been removed also. I flop myself down on the bed and yes, I hide my face and allow a tiny tear or two to drop onto my pillow. Don’t judge me until you’ve been in this predicament!
Lola Wright (Axel (The Devil's Angels MC #2))
No sign of the duke. The stranger twisted toward them. Even her grandmother gave pause. Not at the man’s beauty, not at the strength in his sculpted body or the fine black clothes he wore. But at those gold eyes. Twin to Manon’s. The eyes of the Valg kings.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
As always, when she limped into the kitchen, she was greeted by warmth. Miss Lily stood in dressing gown and cap. She looked from one twin to the other, a thoughtful look in her eyes. They wore nearly identical clothing. Lotario took off his cap, and his golden hair tumbled free. "This should help." Jin narrowed her eyes at him. "I had it figured out," Lily said. "Mr. Morgan will be the one who is battered. You're as bad as Tobias.
Sabrina Flynn (Conspiracy of Silence (Ravenwood Mysteries, #4))
I can Imagine© I can imagine you coming home; dinner is ready Kids are cool; the house is steady You leave to go do what you do Take care of me, and I take care of you You enter the room and our eyes meet our minds Our clothes are off in a knick of time We go to the shower, our favorite place I wash you; you wash me at a slow pace We know what’s coming next and we can’t wait To get to our bedroom this is how we end our day Your hands between my thighs I open for you nice and wide Your mouth on my breasts-Yes, you know that’s my spot Wait a minute, baby, let me get on top You enjoy the feel as I glide down Your penis and begin to circle ‘round Your hands guide my hips; My breasts between your lips Time goes on and the tables turn We change positions and my body yearns You are inside of me and you fill me well Our bodies sweat until there is no time to tell When it’s over, we hold each other and go to sleep For tomorrow is another day you’ll come home to me.
Rhonda McAlister (Crossover II: Time Has Changed (Crossover: A Tale of Twin Brother Living In Separate Worlds Book 2))