“
Those whom we most love are often the most alien to us.
”
”
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
“
Blue,” he warned, but his voice was chaotic. This close, his throat was scented with mint and wool sweater and vinyl car seat, and Gansey, just Gansey.
She said, “I just want to pretend. I want to pretend that I could.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Is that all?" she whispered.
Gansey closed his eyes. "That's all there is.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Want and need were words that got eaten smaller and smaller: Freedom, autonomy, a perennial bank balance, a stainless-steel condo in a dustless city, a silky black car, to make out with Blue, eight hours of sleep, a cell phone, a bed, to kiss Blue just once, a blister-less heel, bacon for breakfast, to hold Blue's hand, one hour of sleep, toilet paper, deodorant, a soda, a minute to close his eyes.
What do you want, Adam?
To feel awake when my eyes are open.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Adam's response was buried in the sound of the first-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!"
Ronan's voice sang out from behind his closed door: "You're already dead!
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Ronan's bedroom door burst open. Hanging on the door frame, Ronan leaned out to peer past Gansey. He was doing that thing where he looked like both the dangerous Ronan he was now and the cheerier Ronan he had been when Gansey first met him.
"Hold on," Gansey told Adam. Then, to Ronan: "Why would he be?"
"No reason. Just no reason." Ronan slammed his door.
Gansey asked Adam, "Sorry. You still have that suit for the party?"
Adam's response was buried in the sound of the second-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!"
Ronan's voice sang out from behind his closed door: "You're already dead!
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Lover," she whispers, and closes her eyes.
It falls upon her.
Love is like dying.
”
”
Stephen King
“
Adam retreated to sit beside Mary as Ronan stretched out on the pew, rubbing out the dingy plan with the legs of his jeans. Something about his stillness on the pew and the funereal quality of the light reminded Adam of the effigy of Glendower they'd seen at the tomb. A king, sleeping. Adam couldn't imagine, though, the strange, wild kingdom that Ronan might rule.
"Stop watching me," Ronan said, though his eyes were closed.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Ronan hadn't known anything about who Adam was then and, if possible, he'd known even less about who he himself was, but as they drove away from the boy with the bicycle, this was how it had begun: Ronan leaning back against his seat and closing his eyes and sending up a simple, inexplicable, desperate prayer to God: Please.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
“
Because death breaks out connection... death is not a thread. it is the sharp cut that severs us. Death separates us from one another, and yet holds us close. As deeply as we hate it, it love us more.
”
”
Tracy Deonn (Legendborn (The Legendborn Cycle, #1))
“
Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
”
”
Paulo Coelho
“
What a grin he had, what ferocious eyes, what a creature he was. He had dreamt himself an entire life and death.
Ronan said, "I want to go back."
"Then take it," said his father. "You know how now."
And Ronan did. Because Niall Lynch was a forest fire, a rising sea, a car crash, a closing curtain, a blistering symphony, a catalyst with planets inside him.
And he had given all of that to his middle son.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
As they scuffled in the grass, Adam closed his eyes and leaned his head back. He could nearly scry just like this. The quiet and the cold breeze on his throat would take him away and the dampness of his toes in his shoes and the scent of living creatures would keep him here. Within and without. He couldn’t tell if he was letting himself idolize this place or Ronan, and he wasn’t sure there was a difference.
When he opened his eyes, he saw that Ronan was looking at him, as he had been looking at him for months. Adam looked back, as he had been looking back for months.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Close cycles. Not because of pride or arrogance, but because that no longer fits your life
”
”
Paulo Coelho
“
fact of the matter was that they were all too close to the situation. They’d been too close to the situation for months. They were so close to the situation that it was difficult to tell whether or not they were the situation.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
It got so that when he closed his eyes, letters and words danced in his mind. He thought of little else during that time.
”
”
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
“
I thought I was hallucinating,” Adam said, next to the lockers, an announcement droning on over the hall speakers. “Ronan Lynch in the halls of Aglionby.”
Ronan slammed his locker. He had not put anything in it and had no reason to open or close it, but he liked the satisfying bang of the metal down the hall, the way it drowned out the announcements. He did it again for good measure. “Is this a real conversation, Parrish?”
Adam didn’t bother to reply. He merely exchanged three textbooks for his gym hoodie.
Ronan wrenched his tie loose. “You working after school?”
“With a dreamer.”
He held Ronan’s gaze over his locker door.
School had improved.
Adam gently closed his locker. “I’m done at four thirty. If you’re up for brainstorming some repair of your dream forest. Unless you have homework.”
“Asshole,” Ronan said.
Adam smiled cheerily. Ronan would start wars and burn cities for that true smile, elastic and amiable.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
From buried lives to beaten ones. From blood stolen to blood hidden. I map this terrain's sins, the invisible, and the many, and hold them close. Because even if the pain of those sins takes my breath away, the pain feels like belonging. And ignoring it, after all I've just witnessed, would be loss.
”
”
Tracy Deonn (Legendborn (The Legendborn Cycle, #1))
“
Being close to her was like being warmed by a bonfire, and I had been cold for a long time.
”
”
Nghi Vo (The Empress of Salt and Fortune (The Singing Hills Cycle, #1))
“
As a person i couldnt say, although i am well apuainted with tales of his atrocities. every time brom and i crossed paths with him, he was trying to kill us. or ratar, capture, torture, and then killus, none of which are productive to establishing a close relationship" _ Jeod
”
”
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
“
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters – whatever name we give it, what matters is to leave in the past the moments of life that have finished.
”
”
Paulo Coelho
“
Fall asleep. Yes, you fall asleep. You are awake and then you close your eyes and thoughts press in and lucidity invades but then, eventually, you teeter on the edge of slumber and fall.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Better to see widely than to see too closely and allow some feature of place or situation to catch you unawares. Do you understand?
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Everything turns in circles and spirals with the cosmic heart until infinity. Everything has a vibration that spirals inward or outward — and everything turns together in the same direction at the same time. This vibration keeps going: it becomes born and expands or closes and destructs — only to repeat the cycle again in opposite current. Like a lotus, it opens or closes, dies and is born again. Such is also the story of the sun and moon, of me and you. Nothing truly dies. All energy simply transforms.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
You say that because you didn't see Noah today," Blue told him as she set a mug down in front of Malory. "That one doesn't have any hallucinogenic effects, but you might experience some euphoria."
Gansey said, "Nothing I have ever drank here has ever made me experience anything close to euphoria."
"You've never had that one," she said.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Kekulé dreams the Great Serpent holding its own tail in its mouth, the dreaming Serpent which surrounds the World. But the meanness, the cynicism with which this dream is to be used. The Serpent that announces, "The World is a closed thing, cyclical, resonant, eternally-returning," is to be delivered into a system whose only aim is to violate the Cycle. Taking and not giving back, demanding that "productivity" and "earnings" keep on increasing with time, the System removing from the rest of the World these vast quantities of energy to keep its own tiny desperate fraction showing a profit: and not only most of humanity—most of the World, animal, vegetable, and mineral, is laid waste in the process. The System may or may not understand that it's only buying time. And that time is an artificial resource to begin with, of no value to anyone or anything but the System, which must sooner or later crash to its death, when its addiction to energy has become more than the rest of the World can supply, dragging with it innocent souls all along the chain of life. Living inside the System is like riding across the country in a bus driven by a maniac bent on suicide . . . though he's amiable enough, keeps cracking jokes back through the loudspeaker . . .
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
Fulfillment, Shevek thought, is a function of time. The search for pleasure is circular, repetitive, atemporal, The variety seeking of the spectator, the thrill hunter, the sexually promiscuous, always ends in the same place. It has an end. It comes to the end and has to start over. It is not a journey and return, but a closed cycle, a locked room, a cell.
Outside the locked room is the landscape of time, in which the spirit may, with luck and courage, construct the fragile, makeshift, improbable roads and cities of fidelity: a landscape inhabitable by human beings.
It is not until an act occurs within the landscape of the past and the future that it is a human act. Loyalty, which asserts the continuity of past and future, binding time into a whole, is the root of human strength; there is no good to be done without it.
”
”
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
“
Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere.
I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light.
The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite."
But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while?
That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare.
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it.
“This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam.
Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him.
That was this kiss.
They kissed again. Adam felt it in more than his lips.
Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window.
He did not understand anything.
It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible.
He was pretty sure he had just been Ronan’s first kiss.
“I’m gonna go downstairs,” Ronan said.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
She felt bigger than her body. High as the stars. He leaned toward her — her heart spun again — and pressed his cheek against hers. His lips didn’t touch her skin, but she felt his breath, hot and uneven, on her face. His fingers splayed on either side of her spine. Her lips were so close to his jaw that she felt his hint of stubble at the end of them. It was mint and memories and the past and the future and she felt as if she’d done this before and already she longed to do it again.
Oh, help, she thought. Help, help, help.
He pulled away. He said, “And now we never speak of it again.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Like we’re both stars in the sky that aren’t close enough to shine brightly together.
”
”
Adam Silvera (Infinity Son (Infinity Cycle, #1))
“
She called Gansey.
"Blue?" he said.
Just his voice. Her heart tethered itself. Not completely, but enough to stop quivering so much. She closed her eyes
”
”
Maggie Stiefvater
“
Adam described the circumstances surrounding his eye and his hand with the same level tone he would use to answer a question in class. He allowed Ronan to lean in to compare his eyes – close enough that Ronan felt his breath on his cheek – and he allowed Ronan to study the palm of his hand. The latter was not strictly necessary, and they both knew it, but Adam watched Ronan closely as he lightly traced the lines there.
This was like walking the line between dream and sleep. The night-sharp balance of being asleep enough to dream and awake enough to remember what he wanted.
He knew Adam had figured out how he felt. But he didn’t know if he could step off this knife-slender path without destroying what he had.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
I have told the story I was asked to tell. I have closed it, as so many stories close, with a joining of two people. What is one man's and one woman's love and desire, against the history of two worlds, the great revolutions of our lifetimes, the hope, the unending cruelty of our species? A little thing. But a key is a little thing, next to the door it opens. If you lose the key, the door may never be unlocked. It is in our bodies that we lose or begin our freedom, in our bodies that we accept or end our slavery. So I wrote this book for my friend, with whom I have lived and will die free.
”
”
Ursula K. Le Guin (Four Ways to Forgiveness (Hainish Cycle, #7))
“
He said, “I know somebody you could kiss.”
“Who?” She realized his eyes were amused. “Oh, wait.”
He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.”
She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have.
But now—
“Okay,” she said.
“What?”
“I said okay.”
He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—”
He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious.
They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming.
She said, “Well.”
“Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.”
He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility.
“Go,” Blue said.
This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher.
“I’m doing something wrong?” she suggested.
“Sometimes it’s better with tongue,” he replied dubiously.
They regarded each other.
Blue squinted, “Are you sure you’ve done this before?”
“Hey!” he protested. “It’s weird for me, ‘cause it’s you.”
“Well, it’s weird for me because it’s you.”
“We can stop.”
“Maybe we should.”
Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.”
Blue touched her mouth. “What are they doing now?”
“Like, bracing themselves.”
She pursed and unpursed her lips. She saw his point.
“So imagine one of those,” Noah suggested.
She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes.
Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Then he closed his eyes and he began to dream.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Carefully, the girl skimmed her fingers across her mother's knee. It was smooth; the skin had closed across the tiny wounds like the surface of the river after you toss stones into the waves. Only you knew they were there. Unless you told.
”
”
Ursula Hegi (Stones from the River (Burgdorf Cycle, #1))
“
He’s going to die, this is going to hurt —
But she touched his neck, right where his hair was cut evenly above the collar of his shirt. He was very still. His skin was hot, and she could very, very faintly feel his pulse beneath her thumb. It wasn’t like when she was with Adam. She didn’t have to guess what to do with her hands. They knew. This was what it should have felt like with Adam. Less like playacting and more like a foregone conclusion.
He closed his eyes and leaned, just a little, so that her palm was flat on his neck, fingers sprawled from his ear to his shoulder.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Are you reading off notes?”
“No.” Gansey closed his journal.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Close and far is like already happened and not happened yet.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
The mind is a machine that is constantly asking: What would I prefer? Close your eyes, refuse to move, and watch what your mind does. What it does is become discontent with That Which Is. A desire arises, you satisfy that desire, and another arises in its place. This wanting and rewanting is an endless cycle for which, turns out, there is already a name: samsara. Samsara is at the heart of the vast human carnival: greed, neurosis, mad ambition, adultery, crimes of passion, the hacking to death of a terrified man on a hillside in the name of A More Pure And Thus Perfect Nation--and all of this takes place because we believe we will be made happy once our desires have been satisfied.
I know this. But still I'm full of desire... --"Buddha Boy
”
”
George Saunders (The Braindead Megaphone)
“
The stars winked through the beech leaves. She’d read that new stars tended to form in pairs. Binary stars, orbiting in close proximity, only becoming single stars when their partner was smashed off them by another pair of wildly spinning new stars. If she pretended hard enough, she could see the multitude of pairs clinging to each other in the destructive and creative gravity of their constellations.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Your judgments about another person say more about your own character than the character of the person you are pointing a finger at.
This is the key and one of the most fundamental insights about the ‘red flags’ that we often dismiss regarding the people in our lives. If someone complains a lot to you about other people, guess what? That is part of their current character. And, as quickly as the tide changes, you can just as easily become the person they target and criticize, point fingers at, and negatively judge. Forever and always, until vibrations are raised, this will be the cycle of the relationship. So, it’s your choice to continue to engage in the cycle with them, or to move on.
There are plenty of people who do not criticize, point fingers, or judge. THIS is the kind of character we want to foster within ourselves. THIS is the character of the kind of people we DO want to develop close relationships with.
”
”
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
“
Gansey despised raising his voice (in his head, his mother said, People shout when they don't have the vocabulary to whisper), but he heard it happening despite himself and so, with effort, he kept his voice even. "Not like this. At least you have a place to go. 'End of the world'... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles."
"God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid."
"This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive."
Both of them stopped breathing.
Gansey knew he'd gone too far. It was too far, too late, too much.
Adam shoved open the door.
"Fuck you, Gansey. Fuck you," he said, voice low and furious.
Gansey close his eyes.
Adam slammed the door, and then he slammed it again when the latch didn't catch. Gansey didn't open his eyes. He didn't want to see if people were watching some kid fight with a boy in a bright orange Camaro and an Aglionby jumper. Just then he hated his raven-breasted uniform and his loud car and every three- and four-syllable word his parents had used in casual conversation at the dinner table and he hated Adam's hideous father and Adam's permissive mother and most of all, most of all, he hated the sound of Adam's last words, playing over and over.
He couldn't stand it, all of this inside him.
In the end, he was nobody to Adam, he was nobody to Ronan. Adam spit his words back at him and Ronan squandered however many second chances he gave him. Gansey was just a guy with a lot of stuff and a hole inside him that chewed away more of his heart every year.
They were always walking away from him. But he never seemed able to walk away from them.
Gansey opened his eyes. The ambulance was still there, but Adam was gone.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Is Noah out here?” “Hold on,” Gansey told Adam. Then, to Ronan: “Why would he be?” “No reason. Just no reason.” Ronan slammed his door. Gansey asked Adam, “Sorry. You still have that suit for the party?” Adam’s response was buried in the sound of the second-story door falling open. Noah slouched in. In a wounded tone, he said, “He threw me out the window!” Ronan’s voice sang out from behind his closed door: “You’re already dead!
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
One day, she would live someplace where she could stand outside her house and see only stars, no streetlights, where she could feel as close as she ever got to sharing her mother’s gift. When she looked at the stars, something tugged at her, something that urged her to see more than stars, to make sense of the chaotic firmament, to pull an image from it. But it never made sense. She only ever saw Leo and Cepheus, Scorpio and Draco. Maybe she just needed more horizon and less city. The only thing was, she didn’t really want to see the future. What she wanted was to see something no one else could see or would see, and maybe that was asking for more magic than was in the world.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Because death breaks our connection... death is not a thread. It is the sharp cut that severs us. Death separates us from one another, and yet holds us close. As deeply as we hate it, it loves us more
”
”
Tracy Deonn (Legendborn (The Legendborn Cycle, #1))
“
Arthur!' I cried, but my voice was lost in the battle roar. The seething waters of the enemy host closed over the place where he had been.
”
”
Stephen R. Lawhead (Arthur (The Pendragon Cycle, #3))
“
...all she could think was 'This is how close a kiss is'. It felt every bit as dangerous as she'd imagined.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Koh demonstrating how to make a toga of a bed-sheet and sending Blue and Gansey into a cluttered bedroom to change. It was Gansey politely turning his back as she undressed and then Blue turning hers – maybe turning hers. It was Blue’s shoulder and her collarbone and her legs and her throat and her laugh her laugh her laugh. He couldn’t stop looking at her, and here, it didn’t matter, because no one here cared that they were together. Here, he could play his fingers over her fingers as they stood close, she could lean her cheek on his bare shoulder, he could hook his ankle playfully in hers, she could catch herself with an arm around his waist. Here he was unbelievably greedy for that laugh.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
You are caught in the vicious cycle. You are hesitant because you are not used for
things going your way. And things will never go your way because you remain
hesitant. You see what you want, become hesitant, and the door of opportunity
closes. It happens again. And again. And again. With each choice towards
Inaction, you reject yourself a little bit more.
”
”
Pook (The Book of Pook)
“
Max.
God, but she was stubborn. And tough. And closed in. Closed off. Except when
she was holding Angel, or ruffling the Gasman’s hair, or pushing something
closer to Iggy’s hand so he could find it easily without knowing anyone had
helped him. Or when she was trying to untangle Nudge’s mane of hair.
Or-sometimes-when she was looking at Fang.
He shifted on the hard ground, a half-dozen flashes of memory cycling
through his brain. Max looking at him and laughing. Max leaping off a cliff,
snapping out her wings, flying off, so incredibly powerful and graceful that
it took his breath away.
Max punching someone’s lights out, her face like stone.
Max kissing that weiner Sam on Anne’s front porch.
Gritting his teeth, Fang rolled onto his side.
Max kissing him on the beach, after Ari had kicked Fang’s butt.
Just now, her mouth soft under his.
He wished she were here, if not next to him, then somewhere in the cave, so
he could hear her breathing.
It was going to be hard to sleep without that tonight.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
Here are some reflections for closing out an OKR cycle: Did I accomplish all of my objectives? If so, what contributed to my success? If not, what obstacles did I encounter? If I were to rewrite a goal achieved in full, what would I change? What have I learned that might alter my approach to the next cycle’s OKRs?
”
”
John Doerr (Measure What Matters: How Google, Bono, and the Gates Foundation Rock the World with OKRs)
“
There was quiet, and then Ronan said, "I better go feed the bird."
But he looked down at the gearshift instead, eyes unfocused. He said, "I keep thinking about what would've happened if Whelk had shot Gansey today."
Adam hadn't let himself dwell on that possibility. Every time his thoughts came close to touching on the near miss, it opened up something dark and sharp edged inside him. It was hard to remember what life at Aglionby had been like before Gansey. The distant memories seemed difficult, lonely, more populated with late nights where Adam sat on the steps of the doublewide, blinking tears tears out of his eyes and wondering why he bothered. He'd been younger then, only a little more than a year ago. "But he didn't.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
What he wanted was to be home, and home wasn’t here.
He was stretched too thin to consider what was wise or what was not. He called Blue.
“Hello?”
He pressed his eyes closed. Just the sound of her voice, the Henrietta lull to it, made him feel uneven and shattered.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
In closed loop systems, flow facilitates flow and liquidity facilitates liquidity. Rainforests dont run out of water because of the cycles and relationships between the elements in the rainforest ecosystem. Business ecosystems can facilitate liquidity in the same way.
”
”
Hendrith Vanlon Smith Jr.
“
Your abusive partner’s cycles of moving in and out of periods of cruelty can cause you to feel very close to him during those times when he is finally kind and loving. You can end up feeling that the nightmare of his abusiveness is an experience the two of you have shared and are escaping from together, a dangerous illusion that trauma can cause. I commonly hear an abused woman say about her partner, “He really knows me,” or “No one understands me the way he does.” This may be true, but the reason he seems to understand you well is that he has studied ways to manipulate your emotions and control your reactions. At times he may seem to grasp how badly he has hurt you, which can make you feel close to him, but it’s another illusion; if he could really be empathic about the pain he has caused, he would stop abusing you for good.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved.
Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said.
Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe.
The ragged sound cut through the apartment again.
“What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air.
Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape.
“I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand.
“I thought we were clear that night was for sleeping.”
Ronan shrugged. “Perhaps for you.”
“Not tonight. Your pterodactyl woke me. Why is it making that sound?”
In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex.
“Well, this is not going to do,” he said. “You’re going to have to make it stop.”
“She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.”
“Can’t you keep her downstairs?”
In reply, Ronan half-lifted the little bird toward him. “You tell me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Blue told him as she set a mug down in front of Malory. “That one doesn’t have any hallucinogenic effects, but you might experience some euphoria.” Gansey said, “Nothing I have ever drank here has ever made me experience anything close to euphoria.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
It takes a cat to heal a woman's wounded heart." I say this knowing it takes a full range of other factors to resolve emotional damage issues and restore personal equilibrium. I've had a heaping share of therapy, familial support, friendships and rescue. What I craved now, however, was the privacy, closeness, and unconditional love of a cat to bring my healing process full cycle. I needed CiCi.
”
”
EsthersChild (It Takes A Cat)
“
Blue opened and closed her chilly fists. The top edges of her fingerless gloves were fraying; she’d done a bad job knitting them last year, but they had a certain trashy chic to them. If she hadn’t been so vain, Blue could’ve worn the boring but functional gloves she’d been given for Christmas. But she was vain, so instead she had her fraying fingerless gloves, infinitely cooler though also colder , and no one to see them but Neeve and the dead.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
There was another pause, and Gansey realized she’d hung up. He leaned back against the fridge, eyes closed, guilty, comforted, wild, contained. In twenty-four hours, he’d be waiting for this again.
You know better you know better you know better
“What the hell, man?” Ronan said.
Gansey’s eyes flew open just as Ronan hit the lights. He stood in the doorway, headphones looped around his neck, Chainsaw hulking like a tender thug on his shoulder. Ronan’s eyes found the phone by Gansey’s leg, but he didn’t ask, and Gansey didn’t say anything. Ronan would hear a lie in a second, and the truth wasn’t an option. Jealousy had ruined Ronan for the first several months of Adam’s introduction into their group; this would hurt him more than that.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Since there's no help, come, let us kiss and part,
Nay, I have done, you get no more of me,
And I am glad, yea, glad with all my heart,
That thus so cleanly I myself can free.
Shake hands for ever, cancel all our vows,
And when we meet at any time again
Be it not seen in either of our brows
That we one jot of former love retain.
Now at the last gasp of Love's latest breath,
When, his pulse failing, Passion speechless lies,
When Faith is kneeling by his bed of death,
And Innocence is closing up his eyes,
Now, if thou wouldst, when all have giv'n him over,
From death to life thou might'st him yet recover.
- Sonnet LXI
”
”
Michael Drayton (Idea: Elizabethan Sonnet Cycle (British Poets))
“
There is a distinction I am beginning to make in my living between pain and suffering. Pain is an event, an experience that must be recognized, named and then used in some way in order for the experience to change, to be transformed into something else, strength or knowledge or action.
Suffering, on the other hand, is the nightmare reliving of unscrutinized and unmetabolized pain. When I live through pain without recognizing it self-consciously, I rob myself of the power that can come from using that pain, the power to fuel some movement beyond it. I condemn myself to reliving that pain over and over and over whenever something close triggers it. And that is suffering, a seemingly inescapable cycle.
”
”
Audre Lorde (Your Silence Will Not Protect You: Essays and Poems)
“
He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Celaena would have thanked her again, but another wave of cramping took over and she leaned forward as the door closed. Her weight gain over the past three and a half months had allowed for her monthly cycles to return after near-starvation in Endovier had made them vanish. Celaena groaned. How was she going to train like this?
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Back in Henrietta, night proceeded.
Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired.
He opened his eyes.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
[Obamacare] was almost the perfect example of politics in the Bubble Era, where the time horizon for anyone with real power is always close to zero, long-term thinking is an alien concept, and even the most massive and ambitious undertakings are motivated entirely by short-term rewards. A radical reshaping of the entire economy, for two election cycles’ worth of campaign cash – that was what this bill meant. It sounds absurdly reductive to say so, but there’s no other explanation that makes any sense.
”
”
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
“
Blue, largely against her will, glanced to the booth he pointed to. Three boys sat at it: one was smudgy, just as he said, with a rumpled, faded look about his person, like his body had been laundered too many times. The one who'd hit the light was handsome and his head was shaved; a soldier in a war where the enemy was everyone else. And the third was -- elegant. It was not the right word for him, but it was close. He was fine boned and a little fragile looking, with blue eyes pretty enough for a girl.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
It was against the rules, but Gansey crouched down beside her, one of his knees against her back, one against her knees, and hugged her. She curled against him, hands balled up against his chest. He felt a hot tear slip into the dip of his collarbone. He closed his eyes against the sun through the window, burning hot in his sweater, foot falling asleep, elbow grinding into the metal bed frame, Blue Sargent pressed up against him, and he didn’t move.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him.
That was this kiss.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Libraries are not failing "because they are libraries." Neglected libraries get neglected, and this cycle, in time, provides the excuse to close them. Well-run libraries are filled with people because what a good library offers cannot be easily found elsewhere: an indoor public space in which you do not have to buy anything in order to stay.
”
”
Zadie Smith (Feel Free: Essays)
“
The Order steals something from all of us. Arthur multiplies the effect, concentrates it. Together, he and the Order have taken more from me than the others. But you…” He shakes his head, eyes hardening. “They’ve taken more from you than anyone else. More than anyone should bear.”
My throat closes so tight it’s hard to breathe. I’d forgotten the easy way Nick can just… find my heart and hold it between his hands. How effortlessly he sees me in the dark.
”
”
Tracy Deonn (Bloodmarked (The Legendborn Cycle, #2))
“
You want to work spells,' Ogion said presently, striding along. 'You've drawn too much water from that well. Wait. Manhood is patience. Mastery is nine times patience. What is that herb by the path?'
'Strawflower.'
'And that?'
'I don't know.'
'Fourfoil, they call it.' Ogion had halted, the coppershod foot of his staff near the little weed, so Ged looked closely at the plant, and plucked a dry seedpod from it, and finally asked, since Ogion said nothing more, 'What is its use, Master?'
'None I know of.'
Ged kept the seedpod a while as they went on, then tossed it away.
'When you know the fourfoil in all its seasons root and leaf and flower, by sight and scent and seed, then you may learn its true name, knowing its being: which is more than its use. What, after all, is the use of you? or of myself? Is Gont Mountain useful, or the Open Sea?' Ogion went on a half mile or so, and said at last, 'To hear, one must be silent.
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
She let the tears come. Anna wept in the way of an only and lonely child, because now, that was what she was. An acolyte of some new order. The fellowship of the damned. As above, so below. This was the ending of a cycle. All closing in. The sanctity was inchoate. Anna let the images of all she’d done and lost pass before her. She grieved her griefs. At long last, they came.
”
”
Clay Anderson (Though I Walk)
“
Granddad said I needed to get some muscles because I was looking gay these days. No, he didn't really say that. Speaking of which, here's Parrish.' Someone cuffed the back of Adam's head. He blinked up. One way, then the other. His assailant had come up on Adam's deaf side. 'Oh,' Adam said. It was Tad Carruthers, whose worst fault was that Adam didn't like him and Tad couldn't tell. 'Oh,' mimicked Tad benevolently, as if Adam's standoffish-ness charmed him. Adam wanted desperately and masochistically for Tad to ask him where he had summered. Instead, Tad turned to where Ronan was still reclined with his eyes closed. He lifted a hand to cuff Ronan's head but lost his nerve an inch into the swing. Instead, he just drummed on Ronan's desk and moved on.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
It was Blue’s shoulder and her collarbone and her legs and her throat and her laugh her laugh her laugh. He couldn’t stop looking at her, and here, it didn’t matter, because no one here cared that they were together. Here, he could play his fingers over her fingers as they stood close, she could lean her cheek on his bare shoulder, he could hook his ankle playfully in hers, she could catch herself with an arm around his waist. Here he was unbelievably greedy for that laugh. It
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Closing his eyes, Gansey leaned his head back on his seat, chin tilted up, throat green in the dash lights. There was still an unsafe sort of smile about his mouth — what a torment the possibility in that smile was — and he said, “There was never a time when that could’ve been you and me. You know the difference between us and Kavinsky? We matter.”
Just then, in that moment, the thought of Gansey leaving for D.C. without him was unbearable. They had been a two-headed creature for so long, Ronan-and-Gansey. He couldn’t say it, though. There were a thousand reasons why he couldn’t say it.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Flame is not the only fire.” Her tone turned almost stern. “You have brought your folk another spark far greater than any flame. You have opened their eyes to the world, Aljan, shown them lands and peoples formerly beyond their ken. You have whistled them out of their cramped, closed, inward-facing ring and led them into my Dance, the Great Circle and Cycle encompassing all. <…> Nay, flame has not been the greatest of my gifts to you. Knowledge, Aljan, that even now remakes the world. Knowledge is the fire.
”
”
Meredith Ann Pierce (The Son of Summer Stars (Firebringer, #3))
“
On the planet O there has not been a war for five thousand years, she read, and on Gethen there has never been a war." She stopped reading, to rest her eyes and because she was trying to train herself to read slowly. "There has never been a war." In her mind the words stood clear and bright, surrounded by and sinking into an infinite, dark, soft incredulity. What would that world be, a world without war? It would be the real world. Peace was the true life, the life of working and learning and bringing up children to work and learn. War, which devoured work, learning, and children, was the denial of reality. But my people, she thought, know only how to deny. Born in the dark shadow of power misused, we set peace outside our world, a guiding and unattainable light. All we know to do is fight. Any peace one of us can make in our life is only a denial that the war is going on, a shadow of the shadow, a doubled unbelief. So as the cloud-shadows swept over the marshes and the page of the book open on her lap, she sighed and closed her eyes. thinking, "I am a liar." Then she opened her eyes and read more about the other worlds, the far realities.
”
”
Ursula K. Le Guin (Four Ways to Forgiveness (Hainish Cycle, #7))
“
She said, “We can pretend. Just once. And then we’ll never say anything about it again.”
What a strange, shifting person he was. The Gansey who turned to her now was a world away from the lofty boy she’d first met. Without any hesitation, she stretched her arms around his neck. Who was this Blue? She felt bigger than her body. High as the stars. He leaned toward her — her heart spun again — and pressed his cheek against hers. His lips didn’t touch her skin, but she felt his breath, hot and uneven, on her face. His fingers splayed on either side of her spine. Her lips were so close to his jaw that she felt his hint of stubble at the end of them. It was mint and memories and the past and the future and she felt as if she’d done this before and already she longed to do it again.
Oh, help, she thought. Help, help, help.
He pulled away. He said, “And now we never speak of it again.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it.
“This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam.
Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him.
That was this kiss.
They kissed again. Adam felt it in more than his lips.
Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window.
He did not understand anything.
It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible.
He was pretty sure he had just been Ronan’s first kiss.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
In many ways the effect of the crash on embezzlement was more significant than on suicide. To the economist embezzlement is the most interesting of crimes. Alone among the various forms of larceny it has a time parameter. Weeks, months, or years may elapse between the commission of the crime and its discovery. (This is a period, incidentally, when the embezzler has his gain and the man who has been embezzled, oddly enough, feels no loss. There is a net increase in psychic wealth.) At any given time there exists an inventory of undiscovered embezzlement in — or more precisely not in — the country’s businesses and banks. This inventory — it should perhaps be called the bezzle — amounts at any moment to many millions of dollars. It also varies in size with the business cycle. In good times people are relaxed, trusting, and money is plentiful. But even though money is plentiful, there are always many people who need more. Under these circumstances the rate of embezzlement grows, the rate of discovery falls off, and the bezzle increases rapidly. In depression all this is reversed. Money is watched with a narrow, suspicious eye. The man who handles it is assumed to be dishonest until he proves himself otherwise. Audits are penetrating and meticulous. Commercial morality is enormously improved. The bezzle shrinks.
…
Just as the boom accelerated the rate of growth, so the crash enormously advanced the rate of discovery. Within a few days, something close to a universal trust turned into something akin to universal suspicion. Audits were ordered. Strained or preoccupied behavior was noticed. Most important, the collapse in stock values made irredeemable the position of the employee who had embezzled to play the market. He now confessed.
”
”
John Kenneth Galbraith (The Great Crash 1929)
“
Seasons is a wise metaphor for the movement of life, I think. It suggests that life is neither a battlefield nor a game of chance but something infinitely richer, more promising, more real. The notion that our lives are like the eternal cycle of the seasons does not deny the struggle or the joy, the loss or the gain, the darkness or the light, but encourages us to embrace it all-and to find in all of it opportunities for growth.
If we lived close to nature in an agricultural society, the seasons as metaphor and fact would continually frame our lives. But the master metaphor of our era does not come from
agriculture-it comes from manufacturing. We do not believe that we "grow" our lives-we believe that we "make" them. Just listen to how we use the word in everyday speech: we make time, make friends, snake meaning, make money, make a living, make love.
I once heard Alan Watts observe that a Chinese child will ask, "How does a baby grow?" But an American child will ask, "How do you make a baby?" From an early age, we absorb our culture's arrogant conviction that we manufacture everything, reducing the world to mere "raw material" that lacks all value until we impose our designs and labor on it.
”
”
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
“
Communism worked great, up to maybe four dozen people. Libertarianism was a bit better and could handle thousands before it started to fall apart. Capitalism worked best on scale, but it too began to implode once you moved close to the billion mark or so and began to factor in multiple local governments. Socialism always sucked and tended to work like a glacier moving uphill, but it worked at pretty much every scale in the same way. It was reliable, even if you could only rely on it to piss you off and barely get anything done.
”
”
Evan Currie (By Other Means (Hayden War Cycle, #5))
“
And what else would he get into? Kavinsky's dead so--Jesus Chrirst, listen to me. Jesus Christ." The cave walls crumbled yet more; the ritual before had been imperfect. Gansey sat back against the wall and closed his eyes. Adam watched him swallow. Again he heard Gansey's voice in the cave. "It's okay," Adam said. He did not care that Joseph Kavinsky was dead, but he liked that Gansey did. "I know what you meant.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
I could keep him in place with the weight of a fingertip, I think.
Very gently, very carefully, I curl the hand on his chest into the fabric of his biosuit, tugging him ever so slowly toward me. My cheeks are streaked with dried tears, and I can see every shade of violet in his eyes, the line of blood across his cheek where a shard of the exploding Trigger cut it. And as our helmets touch, we’re so close I can count his eyelashes. And he holds still for me. “I don’t know what comes next,” I say softly. “But why don’t we see where this path leads us? Let’s just find out together.
”
”
Amie Kaufman (Aurora Rising (The Aurora Cycle, #1))
“
Back in Henrietta, night proceeded.
Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired.
He opened his eyes.
He opened Ronan’s door just enough to confirm that Ronan was inside, sleeping with his mouth ajar, headphones blaring, Chainsaw a motionless lump in her cage. Then, leaving him, Gansey drove to the school.
He used his old key code to get into Aglionby’s indoor athletic complex, and then he stripped and swam in the dark pool in the darker room, all sounds strange and hollow at night. He did endless laps as he used to do when he had first come to the school, back when he had been on the rowing team, back when he had sometimes come earlier than even rowing practice to swim. He had nearly forgotten what it felt like to be in the water: It was as if his body didn’t exist; he was just a borderless mind. He pushed himself off a barely visible wall and headed towards the even less visible opposite one, no longer quite able to hold on to his concrete concerns. School, Headmaster Child, even Glendower. He was only this current minute. Why had he given this up? He couldn’t remember even that.
In the dark water he was only Gansey, now. He’d never died, he wasn’t going to die again. He was only Gansey, now, now, only now.
He could not see him, but Noah stood on the edge of the pool and watched. He had been a swimmer himself, once.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
For those who have walked through the fires of hell and rather than fall to its flames, have emerged battered, but victorious. In the immortal words of Ovid: Quin ninc quoque frigidus artus, dum loquor, horror habet, parsque est meminisse doloris- Even now while I tell it, cold horror envelops me and my pains return the minute I think of it. We can never escape the pain of our pasts, or the flashbacks that assault us when we dare to let our thoughts drift unattended, but we can choose to not let it ruin the future we, alone, can build for ourselves.
And for those who are currently trapped in a bad situation. May you find the resolute strength it takes to free yourself, and to finally see the beauty that lives inside you. You are resplendent, and you deserve respect and love. Don't let the minions of hatred or cruelty define you, or steal away your own humanity. When our compassion and ability to love and appreciate others go, then our bullies and oppressors have truly won, for it is not they who are harmed, but rather we who lose our souls and hearts to the same miserable bitterness that causes them to lash out against us. The cycle can be broken- it must be broken, even though the path is never easy or without cost. Yet victory is made sweeter when you know it came from within you, without violent retribution. The best revenge is to leave them mired in their hateful misery while you learn to bask in the warmth of self-esteem and happiness. Never forget that broken wings can and do heal in time, and that those scarred wings can carry the eagle to the top of the highest mountain.
”
”
Sherrilyn Kenyon (Born of Silence (The League: Nemesis Rising, #5))
“
The really big news of the eighties is the stampede to regurgitate mildly camouflaged musical styles of previous decades, in ever-shrinking cycles of 'nostalgia.
(It isn't necessary to imagine the world ending in fire or ice—there are two other possibilities: one is paperwork, and the other is nostalgia. When you compute the length of time between The Event and The Nostalgia For The Event, the span seems to be about a year less in each cycle. Eventually within the next quarter of a century, the nostalgia cycles will be so close together that people will not be able to take a step without being nostalgic for the one they just took. At that point, everything stops. Death by Nostalgia.)
”
”
Frank Zappa (The Real Frank Zappa Book)
“
He closes the door with a determined click, and I hear him call to a flight attendant, and I sink down onto the toilet seat, resting my elbows on my knees and my head in my hands as I listen to him through the door.
"I'm sorry to bother you but my wife," he says, and then pauses. With the last word he says, my heart begins to hammer. "The one who now got sick? She's started her... cycle? And I'm wondering if you keep any, or rather if you have... something? You see this all happened a bit fast and she packed in a hurry, and before that we were in Vegas. I have no idea why she came with me but I really really don't want to screw this up. And now she needs something. Can she, uh," he stutters, finally saying simply, "borrow quelque chose?" I cover my mouth as he continues to ramble, and I would given anything in this moment to see the expression of the flight attendant on the other side of this door. "I meant use," he continues. "Not to borrow because I don't think they work that way."
I hear a woman's voice ask, "Do you know if she needs tampons or pads?"
Oh God. Oh God. This can't be happening.
"Um..." I hear him sigh and then say, "I have no idea but I'll give you a hundred dollars to end this conversation and give me both.
”
”
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
“
I forced myself to let my belly relax into a deeper breath. I closed my eyes and felt the solidity of the pavement beneath my feet and the rock beneath that, felt the density of the earth hugging me to it, felt it spinning on its axis, felt it hurtling through space in its trip around the sun, felt th solar system whirling through space as part of our galaxy, felt the flight of galaxies escaping from the site of that primal explosion we call the big bang. Always in times of stress, if I contemplated the vastness of the universe, I did in some measure relax, comforted by the knowledge that I was but a small speck in creation after all, a mote in the enormity of God's eye, a fleeting arrangement of atoms that would in due time cycle back into the earth from which I had come and be reshuffled into something else, blended back into the grace of the natural world. In my very insignificance did I find my immortality. pp 113-114
”
”
Sarah Andrews (Bone Hunter (Em Hansen Mystery, #5))
“
Noah held his hand out. She accepted it - it was bone-cold, as always - and together they turned to face the huge room. Noah took a deep breath as if they were preparing to explore the jungle instead of stepping deeper into Monmouth Manufacturing.
It seemed bigger with just the two of them there. The cobwebbed ceiling soared, dust motes making mobiles overhead. They turned their heads sideways and read the titles of the books aloud. Blue peered at Henrietta through the telescope. Noah daringly reattached one of the broken miniature roofs on Gansey's scale town. They went through the fridge tucked in the bathroom. Blue selected a soda. Noah took a plastic spoon. He chewed on it as Blue fed Chainsaw a leftover hamburger. They closed Ronan's door - if Gansey still managed to inhabit the rest of the apartment, Ronan's presence was still decidedly pervasive in his room. Noah showed Blue his room. They jumped on his perfectly made bed and then they played a bad game of pool. Noah lounged on the new sofa while Blue persuaded the old record player to play an LP too clever to interest either of them. They opened all the drawers on the desk in the main room. One of Gansey's EpiPens bounced against the interior of the topmost drawer as Blue withdrew a fancy pen. She copied Gansey's blocky handwriting onto a Nino's receipt as Noah put on a preppy sweater he'd found balled under the desk. She ate a mint leaf and breathed on Noah's face.
Crouching, they crab-walked along the aerial printout Gansey had spread the length of the room. He'd jotted enigmatic notes to himself all along the margin of it. Some of them were coordinates. Some of them were explanations of topography. Some of them were Beatles lyrics.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Father,” he said. The word tasted strange in his mouth; he had never had cause to say it to anyone before. Then Eragon shifted his gaze to the runes he had set into the spire at the head of the tomb, which read:
HERE LIES BROM
Who was a Dragon Rider
And like a father
To me.
May his name live on in glory.
He smiled painfully at how close he had come to the truth. Then he spoke in the ancient language, and he watched the diamond shimmer and flow as a new pattern of runes formed upon its surface. When he finished, the inscription had changed to:
HERE LIES BROM
Who was
A Rider bonded to the dragon Saphira
Son of Holcomb and Nelda
Beloved of Selena
Father of Eragon Shadeslayer
Founder of the Varden
And Bane of the Forsworn.
May his name live on in glory.
Stydja unin mor’ranr.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
At his leisure, the lieutenant allowed the unforgettable spectacle to engrave itself upon his mind. With one hand he fondled the hair, with the other he softly stroked the magnificent face, implanting kisses here and there where his eyes lingered. The quiet coldness of the high, tapering forehead, the closed eyes with their long lashes beneath faintly etched brows, the set of the finely shaped nose, the gleam of teeth glimpsed between full, regular lips, the soft cheeks and the small, wise chin…
Wherever the lieutenant's eyes moved his lips faithfully followed. The high, swelling breasts, surmounted by nipples like the buds of a wild cherry, hardened as the lieutenant's lips closed about them. The arms flowed smoothly downward from each side of the breast, tapering toward the wrists, yet losing nothing of their roundness or symmetry…The natural hollow curving between the bosom and the stomach carried in its lines a suggestion not only of softness but of resilient strength, and while it gave forewarning to the rich curves spreading outward from here to the hips it had, in itself, an appearance only of restraint and proper discipline. The whiteness and richness of the stomach and hips was like milk brimming in a great bowl, and the sharply shadowed dip of the navel could have been the fresh impress of a raindrop, fallen there that very moment. Where the shadows gathered more thickly, hair clustered, gentle and sensitive, and as the agitation mounted in the now no longer passive body there hung over this region a scent like the smoldering of fragrant blossoms, growing steadily more pervasive…
Passionately they held their faces close, rubbing cheek against cheek…Their breasts, moist with sweat, were tightly joined, and every inch of the young and beautiful bodies had become so much one with the other that it seemed impossible there should ever again be a separation…From the heights they plunged into the abyss, and from the abyss they took wing and soared once more to dizzying heights…As one cycle ended, almost immediately a new wave of passion would be generated, and together -with no trace of fatigue- they would climb again in a single breathless movement to the very summit.
”
”
Yukio Mishima (Patriotism)
“
What would you like for your own life, Kate, if you could choose?”
“Anything?”
“Of course anything.”
“That’s really easy, Aunty Ivy.”
“Go on then.”
“A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink.
“I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden.
“In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door.
“Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.”
From A DISH OF STONES
”
”
Valentina Hepburn (A Dish of Stones)
“
Do you remember the Third Insight, that humans are unique in a world of energy in that they can project their energy consciously?” “Yes.” “Do you remember how this is done?” I recalled John’s lessons. “Yes, it is done by appreciating the beauty of an object until enough energy comes into us to feel love. At that point we can send energy back.” “That’s right. And the same principle holds true with people. When we appreciate the shape and demeanor of a person, really focus on them until their shape and features begin to stand out and to have more presence, we can then send them energy, lifting them up. “Of course, the first step is to keep our own energy high, then we can start the flow of energy coming into us, through us, and into the other person. The more we appreciate their wholeness, their inner beauty, the more the energy flows into them, and naturally, the more that flows into us.” She laughed. “It’s really a rather hedonistic thing to do,” she said. “The more we can love and appreciate others, the more energy flows into us. That’s why loving and energizing others is the best possible thing we can do for ourselves.” “I’ve heard that before,” I said. “Father Sanchez says it often.” I looked at Julia closely. I had the feeling I was seeing her deeper personality for the first time. She returned my gaze for an instant, then focused again on the road. “The effect on the individual of this projection of energy is immense,” she said. “Right now, for instance, you’re filling me with energy. I can feel it. What I feel is a greater sense of lightness and clarity as I’m formulating my thoughts to speak. “Because you are giving me more energy than I would have otherwise, I can see what my truth is and more readily give it to you. When I do that, you have a sense of revelation about what I’m saying. This leads you to see my higher self even more fully and so appreciate and focus on it at an even deeper level, which gives me even more energy and greater insight into my truth and the cycle begins over again. Two or more people doing this together can reach incredible highs as they build one another up and have it immediately returned. You must understand, though, that this connection is completely different from a co-dependent relationship. A co-dependent relationship begins this way but soon becomes controlling because the addiction cuts them off from their source and the energy runs out. Real projection of energy has no attachment or intention. Both people are just waiting for the messages.
”
”
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
“
ESTABLISHING A DAILY MEDITATION First select a suitable space for your regular meditation. It can be wherever you can sit easily with minimal disturbance: a corner of your bedroom or any other quiet spot in your home. Place a meditation cushion or chair there for your use. Arrange what is around so that you are reminded of your meditative purpose, so that it feels like a sacred and peaceful space. You may wish to make a simple altar with a flower or sacred image, or place your favorite spiritual books there for a few moments of inspiring reading. Let yourself enjoy creating this space for yourself. Then select a regular time for practice that suits your schedule and temperament. If you are a morning person, experiment with a sitting before breakfast. If evening fits your temperament or schedule better, try that first. Begin with sitting ten or twenty minutes at a time. Later you can sit longer or more frequently. Daily meditation can become like bathing or toothbrushing. It can bring a regular cleansing and calming to your heart and mind. Find a posture on the chair or cushion in which you can easily sit erect without being rigid. Let your body be firmly planted on the earth, your hands resting easily, your heart soft, your eyes closed gently. At first feel your body and consciously soften any obvious tension. Let go of any habitual thoughts or plans. Bring your attention to feel the sensations of your breathing. Take a few deep breaths to sense where you can feel the breath most easily, as coolness or tingling in the nostrils or throat, as movement of the chest, or rise and fall of the belly. Then let your breath be natural. Feel the sensations of your natural breathing very carefully, relaxing into each breath as you feel it, noticing how the soft sensations of breathing come and go with the changing breath. After a few breaths your mind will probably wander. When you notice this, no matter how long or short a time you have been away, simply come back to the next breath. Before you return, you can mindfully acknowledge where you have gone with a soft word in the back of your mind, such as “thinking,” “wandering,” “hearing,” “itching.” After softly and silently naming to yourself where your attention has been, gently and directly return to feel the next breath. Later on in your meditation you will be able to work with the places your mind wanders to, but for initial training, one word of acknowledgment and a simple return to the breath is best. As you sit, let the breath change rhythms naturally, allowing it to be short, long, fast, slow, rough, or easy. Calm yourself by relaxing into the breath. When your breath becomes soft, let your attention become gentle and careful, as soft as the breath itself. Like training a puppy, gently bring yourself back a thousand times. Over weeks and months of this practice you will gradually learn to calm and center yourself using the breath. There will be many cycles in this process, stormy days alternating with clear days. Just stay with it. As you do, listening deeply, you will find the breath helping to connect and quiet your whole body and mind. Working with the breath is an excellent foundation for the other meditations presented in this book. After developing some calm and skills, and connecting with your breath, you can then extend your range of meditation to include healing and awareness of all the levels of your body and mind. You will discover how awareness of your breath can serve as a steady basis for all you do.
”
”
Jack Kornfield (A Path with Heart: A Guide Through the Perils and Promises of Spiritual Life)
“
Gideon was quickly checking through her muscular structure and then weaving very gently into the complexities of her reproductive system. Suddenly Legna cried out again, her hands hitting his chest and grabbing fistfuls of his shirt, her entire body trembling from head to toe. This time Gideon gave the reaction his full attention. He looked into her wide eyes, the pupils dilating as he watched. Her mouth formed a soft, silent circle of surprise.
“What are you doing?” she asked, her breath falling short and quick.
“Nothing,” he insisted, his expression reflecting his baffled thoughts. “Merely continuing the exam. What are you feeling?”
Legna couldn’t put the sensation into words. Her entire body felt as if it were pooling liquid fire, like magma dripping through her, centering under the hand he had just splayed over her lower belly. So, being the empath she was, she described it in the only way she could with any efficiency and effectiveness. She sent the sensations to him, deeply, firmly, without preparation or permission, exactly the way she had received them.
In an instant, Gideon went from being in control of a neutral examination to an internal thermonuclear flashpoint of arousal that literally took his breath away. His hand flexed on her belly, crushing the silk of her dress within his fist.
“Legna!” he cried hoarsely. “What are you doing?”
She didn’t even seem aware of him, her eyes sliding closed and her head falling back as she tried to gulp in oxygen. His eyes slid down over her and he saw the flush and rigidity of erogenous heat building with incredible speed beneath her skin. And as it built in her, it built in him. She had created a loop between them, a locked cycle that started nowhere, ended nowhere. All it did was spill through and through them.
“Stop,” he commanded, his voice rough and desperate as he tried to clear his mind and control the impulses surging through him. “Legna, stop this!”
Legna dropped her head forward, her eyes flicking open and upward until she was gazing at him from under her lashes with the volatile, predatory gaze of a cat.
A cat in heat.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
In order to find and eliminate a Constraint, Goldratt proposes the “Five Focusing Steps,” a method you can use to improve the Throughput of any System: 1. Identification: examining the system to find the limiting factor. If your automotive assembly line is constantly waiting on engines in order to proceed, engines are your Constraint. 2. Exploitation: ensuring that the resources related to the Constraint aren’t wasted. If the employees responsible for making engines are also building windshields, or stop building engines during lunchtime, exploiting the Constraint would be having the engine employees spend 100 percent of their available time and energy producing engines, and having them work in shifts so breaks can be taken without slowing down production. 3. Subordination: redesigning the entire system to support the Constraint. Let’s assume you’ve done everything you can to get the most out of the engine production system, but you’re still behind. Subordination would be rearranging the factory so everything needed to build the engine is close at hand, instead of requiring certain materials to come from the other end of the factory. Other subsystems may have to move or lose resources, but that’s not a huge deal, since they’re not the Constraint. 4. Elevation: permanently increasing the capacity of the Constraint. In the case of the factory, elevation would be buying another engine-making machine and hiring more workers to operate it. Elevation is very effective, but it’s expensive—you don’t want to spend millions on more equipment if you don’t have to. That’s why Exploitation and Subordination come first: you can often alleviate a Constraint quickly, without resorting to spending more money. 5. Reevaluation: after making a change, reevaluating the system to see where the Constraint is located. Inertia is your enemy: don’t assume engines will always be the Constraint: once you make a few Changes, the limiting factor might become windshields. In that case, it doesn’t make sense to continue focusing on increasing engine production—the system won’t improve until windshields become the focus of improvement. The “Five Focusing Steps” are very similar to Iteration Velocity—the more quickly you move through this process and the more cycles you complete, the more your system’s Throughput will improve.
”
”
Josh Kaufman (The Personal MBA: Master the Art of Business)