Eagles Band Quotes

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In one of his last newsletters, Mike Ranney wrote: "In thinking back on the days of Easy Company, I'm treasuring my remark to a grandson who asked, 'Grandpa, were you a hero in the war?' No,'" I answered, 'but I served in a company of heroes.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Within Easy Company they had made the best friends they had ever had, or would ever have. They were prepared to die for each other; more important, they were prepared to kill for each other.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
We know how to win wars. We must learn now to win peace...
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.” Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees. Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.” Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota. Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —” Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.” Voicemail #20: “I wish you’d answer.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Chickenshit is so called - instead of horse- or bull- or elephant shit - because it is small-minded and ignoble and takes the trivial seriously.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
We can't make you do anything, but we can make you wish you had. - Army saying
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
It all happened," Lipton summed up, "because Shifty saw a tree almost a mile away that hadn't been there the day before.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Hitler made only one big mistake when he built his Atlantic Wall,” the paratroopers liked to say. “He forgot to put a roof on it.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Ronald Spiers: The only hope you have is to accept the fact that you're already dead. The sooner you accept that, the sooner you'll be able to function as a soldier is supposed to function: without mercy, without compassion, without remorse. All war depends upon it.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Lieutenant Welsh remembered walking around among the sleeping men, and thinking to himself that 'they had looked at and smelled death all around them all day but never even dreamed of applying the term to themselves. They hadn't come here to fear. They hadn't come to die. They had come to win.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Older British observers complained, "The trouble with you Yanks is that you are overpaid, oversexed, and over here." (To which the Yanks would reply, "The trouble with you Limeys is that you are underpaid, undersexed, and under Eisenhower.")
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Anything was better than the blood and carnage, the grime and filth, the impossible demands made on the body—anything, that is, except letting down their buddies.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
The first man stepped up to the open door. All the men had been ordered to look out at the horizon, not straight down, for obvious psychological reasons.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
The men were told that Currahee was an Indian word that meant “We stand alone,” which was the way these paratroopers expected to fight. It became the battle cry of the 506th.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Speirs was an officer with a reputation. Slim, fairly tall, dark hair, stern, ruggedly handsome, he cultivated the look of a leader, and acted it.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
The medics were the most popular, respected, and appreciated men in the company. Their weapons were first-aid kits, their place on the line was wherever a man called out that he was wounded.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
I had a cat named Astra. Spiteful creature! And vicious.” He whistled. “I swear, it once killed a bird and left it on my doorstep in the morning.” Brune shrugged. “So what? Lots of cats—” “It was an eagle,” Moog finished. The shaman nodded appreciatively and poured himself a drink.
Nicholas Eames (Bloody Rose (The Band, #2))
They were white, because the U.S. Army in World War II was segregated. With three exceptions, they were unmarried. Most had been hunters and athletes in high school.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
you liked him so much you just hated to let him down.” He was, and is, all but worshiped by the men of E Company.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
At the hangars, each jumpmaster was given two packs of papers, containing an order of the day from Eisenhower and a message from Colonel Sink, to pass around to the men. “Tonight is the night of nights,” said Sink’s. “May God be with
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
When a man was hit hard enough for evacuation, he was usually very happy, and we were happy for him—he had a ticket out to the hospital, or even a ticket home—alive. “When a man was killed—he looked ‘so peaceful.’ His suffering was over.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
The looting was profitable, fun, low-risk, and completely in accord with the practice of every conquering army since Alexander the Great’s time.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
I firmly believe that only a combat soldier has the right to judge another combat soldier.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
(In Austria after VE Day) Sergeant Mercier...dressed in a full German officer's uniform, topped off with a monocle for his right eye. Someone got the bright idea to march him over to the company orderly room and turn him in at rifle point to Captain Speirs. Someone got word to Speirs before Mercier showed up. When troopers brought Mercier up to Speirs's desk, prodding him with bayonets, Speirs did not look up. One of the troopers snapped a salute and declared, "Sir, we have captured this German officer. What should we do with him?" "Take him out and shoot him," Speirs replied, not looking up. "Sir," Mercier called out, "sir, please, sir, it's me, Sergeant Mercier." "Mercier, get out of that silly uniform," Speirs ordered.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
The Easy Company men began throwing grenades at the retreating enemy. Compton had been an All-American catcher on the UCLA baseball team. The distance to the fleeing enemy was about the same as from home plate to second base. Compton threw his grenade on a straight line—no arch—and it hit a German in the head as it exploded. He,
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
He generated maximum anxiety over matters of minimum significance.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
In thinking back on the days of Easy Company, I’m treasuring my remark to a grandson who asked, ‘Grandpa, were you a hero in the war?’ “ ‘No,’ I answered, ‘but I served in a company of heroes.’ 
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Every time I collect my mail from the paint-spattered box in the lobby and see my name printed over and over in bold black ink, I’m reminded that I’m named after a rock star. Not an endlessly cool rocker like Stevie Nicks, Joan Jett, or Madonna. No, my name is Henley Rose Evans, and my parents consciously named me after the lead singer and drummer of every boomer’s favorite easy listening band, the Eagles.
Angie Hockman (Shipped)
Each man in his own way had gone through what Richard Winters experienced: a realization that doing his best was a better way of getting through the Army than hanging around with the sad excuses for soldiers they met in the recruiting depots or basic training. They wanted to make their Army time positive, a learning and maturing and challenging experience.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Winters and Welsh simply walked toward the man, who took off. The Americans split the silverware between them. Forty-five years later, both men were still using the Berchtesgaden Hof’s silverware in their homes. After getting what he most wanted out of the place, Winters then
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
The men of Easy Company lined the rails to see the Statue of Liberty slip astern. For nearly every one of them, it was his first trip outside the United States. A certain homesickness set in, coupled with a realization, as the regimental scrapbook Currahee put it, of “how wonderful the last year had been.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Paul Fussell has described the two stages of rationalization a combat soldier goes through—it can’t happen to me, then it can happen to me, unless I’m more careful—followed by a stage of “accurate perception: it is going to happen to me, and only my not being there [on the front lines] is going to prevent it.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Is it accidental that so many ex-paratroopers from E company became teachers? Perhaps for some men a period of violence and destruction at one time attracts them to look for something creative as a balance in another part of life. We seem also to have a disproportionate number of builders of houses and other things in the group we see at reunions.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Army was boring, unfeeling, and chicken, and hated it. They found combat to be ugliness, destruction, and death, and hated it. Anything was better than the blood and carnage, the grime and filth, the impossible demands made on the body—anything, that is, except letting down their buddies. They also found in combat the closest brotherhood they ever knew. They found selflessness. They found they could love the other guy in their foxhole more than themselves. They found that in war, men who loved life would give their lives for them.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Sobel was Jewish, urban, with a commission from the National Guard. Hester had started as a private, then earned his commission from Officer Candidate’s School (OCS). Most
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
You lead by fear or you lead by example. We were being led by fear.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
They knew fear together. Not only the fear of death or wound, but the fear that all this was for nothing.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Paul Fussell, in his book Wartime, has the best definition:
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
someone
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
the best brass bands and popular American and British singers the Philippines could imitate.
Mark Berent (Eagle Station (Wings of War, #4))
If you want to be a hero, the Germans will make one out of you real quick—dead!
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
and see a fire burning in town.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
discipline relies on punishment, and there is no punishment the Army can inflict on a front-line soldier worse than putting him into the front line.3
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
We can’t make you do anything, but we can make you wish you had.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Currahee!
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
In a foxhole, the past and, more important, the future do not exist. The only thing in the world that matters is the moment
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
When the shooting started, they wanted to look up to the guy beside them, not down.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
precious are saved only by sacrifice.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
I had come to take Roosevelt for granted,” Webster wrote his parents, “like spring and Easter lilies, and now that he is gone, I feel a little lost.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
the human eye is lustful; it craves the novel, the unusual, the spectacular.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Discipline won’t do it, because discipline relies on punishment, and there is no punishment the Army can inflict on a front-line soldier worse than putting him into the front line.3
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
The replacements, eighteen-and nineteen-year-olds fresh from the States, were wide-eyed. Although the veterans were only a year or two older, they looked terrifying to the recruits.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
The result of these shared experiences was a closeness unknown to all outsiders. Comrades are closer than friends, closer than brothers. Their relationship is different from that of lovers. Their trust in, and knowledge of, each other is total. They got to know each other's life stories, what they did before they came into the Army, where and why they volunteered, what they liked to eat and drink, what their capabilities were. On a night march they would hear a cough and know who it was; on a night maneuver they would see someone sneaking through the woods and know who it was from his silhouette.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
El hecho de que oficiales y soldados rasos se vinieran abajo bajo la constante tensión y vulnerabilidad no es nada extraordinario. Lo verdaderamente extraordinario es que tantos hombres no se hundiesen.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Winters, Matheson, Nixon, and the others existed,” Private Rader remembered. “These were first-class people, and to think these men would care and share their time and efforts with us seemed a miracle. They
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
All this was part of the initiation rites common to all armies. So was learning to drink. Beer, almost exclusively, at the post PX, there being no nearby towns. Lots of beer. They sang soldiers’ songs. Toward
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
The experiences of men in combat produces emotions stronger than civilians can know, emotions of terror, panic, anger, sorrow, bewilderment, helplessness, uselessness, and each of these feelings drained energy and mental stability.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
That extra special, elite, close feeling started under the stress Capt. Sobel created at Camp Toccoa. Under that stress, the only way the men could survive was to bond together. Eventually, the noncoms had to bond together in a mutiny.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Unless you're in an early seventies-era Eagles cover band, a founding member of a religious cult, or sleeping under a bridge in Seattle, lose the beard and get a haircut. Power doesn't have time for any form of hirsute hipster self expression.
Ari Gold (The Gold Standard: Rules to Rule By)
In one of his last newsletters, Mike Ranney wrote: “In thinking back on the days of Easy Company, I’m treasuring my remark to a grandson who asked, ‘Grandpa, were you a hero in the war?’ “ ‘No,’ I answered, ‘but I served in a company of heroes.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Despite himself, Webster was drawn to the people. “The Germans I have seen so far have impressed me as clean, efficient, law-abiding people,” he wrote his parents on April 14. They were churchgoers. “In Germany everybody goes out and works and, unlike the French, who do not seem inclined to lift a finger to help themselves, the Germans fill up the trenches soldiers have dug in their fields. They are cleaner, more progressive, and more ambitious than either the English or the French.”1
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Have you ever been to the beach and wanted to feed the seagulls? The problem is you tear off a little crust from your sandwich and toss it to one, and ten more show up. Toss a little more and a flock descends. You start to wonder: if I run out of bread, will I become the meal? Turkeys are different. They startle easily and run for the barn. In the wild, they run for the hills. Of course, they’re very tasty. Benjamin Franklin thought them majestic enough to be an emblem for our country. I’m sorry, but Thanksgiving would be downright depressing. There’s our national symbol lying stuffed and roasted and ready to carve up for hungry guests. And then we have the eagles. Our forefathers were trained in the Bible. […]They would have known Isaiah 40:31. “Those who wait upon the Lord will gain new strength; they will mount up with wings like eagles, they will run and not get tired, they will walk and not become weary.” They were making war on the greatest power in the world of the time; the world was watching them. What could this band of commoners do? What troubles me about our country today is how many seagulls there are, scrambling for more. Remember the movie “Finding Nemo”? “Mine, mine, mine!” And we sure have a lot of gutless turkeys running for the barn whenever hard decisions have to be made; like how to keep our country solvent so our children won’t be in soup lines… Where are the eagles? That’s what I want to know. Please, God, we need us some eagles!
Francine Rivers
There is not a day that has passed since that I do not thank Adolf Hitler for allowing me to be associated with the most talented and inspiring group of men that I have ever known.” Every member of Easy interviewed by this author for this book said something similar.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
There was an excess of drinking, whoring, fighting. Older British observers complained, “The trouble with you Yanks is that you are overpaid, oversexed, and over here.” (To which the Yanks would reply, “The trouble with you Limeys is that you are underpaid, undersexed, and under Eisenhower.”)
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
I was twelve years old. I got out my bicycle and road over to KFWB. They said, ‘What do you want?’ I said, ‘I’d like to give a weekly radio program for the Boy Scouts.’ They said, ‘Are you an Eagle?’ I said, ‘No, I’m a Tenderfoot.’ They said, ‘Did the Boy Scouts send you?’ I said, ‘No, I just got the idea and came over.’ They said, ‘Well, run along.’ So I went over to KNX. They liked the idea and arranged a time for the first program. I then went to the Boy Scouts, told them what had happened, and asked for their approval and cooperation. They said it was all right to give the program but that they would not cooperate. In fact, they never did. Every time I asked for the Boy Scout band, they said No. Individual Scouts all gave their services willingly. There were boy sopranos; trumpet, trombone, and piano soloists; and Scouts who spoke on their experiences building fires and tying knots. The volume of fan mail increased each month. After two years, the organization called up KNX, said they’d never authorized the program, and demanded that I be put out and they be put in. They were. The band finally played. A few weeks later, KNX took the program off the air.
John Cage (A Year from Monday: New Lectures and Writings)
Before lying down, Winters later wrote in his diary, “I did not forget to get on my knees and thank God for helping me to live through this day and ask for his help on D plus one.” And he made a promise to himself: if he lived through the war, he was going to find an isolated farm somewhere and spend the remainder of his life in peace and quiet.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
They knew they were going into great danger. They knew they would be doing more than their part. They resented having to sacrifice years of their youth to a war they never made. They wanted to throw baseballs, not grenades, shoot a .22 rifle, not an M-1. But having been caught up in the war, they decided to be as positive as possible in their Army careers.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Adding to the problems of frustration and anger caused by the point system was the combination of too much liquor, too many pistols, and too many captured vehicles. Road accidents were almost as dangerous to the 101st in Austria as the German Army had been in Belgium. In the first three weeks in Austria, there were seventy wrecks, more in the six weeks of June and July. Twenty men were killed, nearly 100 injured.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
They were returning to Mourmelon, but not to the barracks. This time they were billeted in large green twelve-man wall tents, about a mile outside what Webster called “the pathetically shabby garrison village of Mourmelon, abused by soldiers since Caesar’s day, consisting of six bars, two whorehouses, and a small Red Cross club.” In Webster’s scathing judgment, “Mourmelon was worse than Fayetteville, North Carolina.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
[Currahee was more a hill than a mountain, but it rose 1,000 feet above the parade ground and dominated the landscape.] A few minutes later, someone blew a whistle. We fell in, were ordered to change to boots and athletic trunks, did so, fell in again—and then ran most of the three miles to the top and back down again.” They lost some men that first day. Within a week, they were running—or at least double-timing—all the way up and back.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Chickenshit refers to behavior that makes military life worse than it need be: petty harassment of the weak by the strong; open scrimmage for power and authority and prestige; sadism thinly disguised as necessary discipline; a constant ‘paying off of old scores’; and insistence on the letter rather than the spirit of ordinances. Chickenshit is so called—instead of horse- or bull- or elephant shit—because it is small-minded and ignoble and takes the trivial seriously.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
f-word. It substituted for adjectives, nouns, and verbs. It was used, for example, to describe the cooks: “those f——ers,” or “f——ing cooks”; what they did: “f——ed it up again”; and what they produced. David Kenyon Webster, a Harvard English major, confessed that he found it difficult to adjust to the “vile, monotonous, and unimaginative language.” The language made these boys turning into men feel tough and, more important, insiders, members of a group. Even Webster got used to it, although never to like it.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
She swam nearer and her breath caught. Lying atop the rock was a bow and quiver full of arrows beside a pair of beaded moccasins. She spun around in the water, joy bubbling up inside her. But before she could take a breath, firm hands caught her ankles and tugged her under. She came up sputtering and laughing, but he’d still not surfaced. So he swims like a fish. She remembered he could also run like a deer, overtaking her in the woods all those years before. “Yellow Bird.” The voice behind her seemed almost to drown her with its depth. She turned to Captain Jack, hard pressed to keep her pleasure down. How many days since they had walked in the meadow? Too many, from the feeling inside her. In one glance she took in the doused eagle feathers of his headdress and the fine silver bands encircling his solid upper arms. Shimmering with water, Captain Jack’s hair was blue black. The beads about his neck were the same startling jade as his eyes and made him even more appealing. Suddenly shy, she ducked beneath the water, then swam away. Would he follow? They did a dance of sorts in the warm current, circling, gliding, swaying. Each time he caught her she pulled free and swam farther downriver than she’d ever been before. But he continued to woo her, pursuing her until she was so breathless she could only lie upon her back and float, the river like a watery bed.
Laura Frantz (The Frontiersman's Daughter)
And so began the second phase of my life, which our family referred to as Exile, with a capital “E.” For me it was a period of discovery. I’d spend the next nine years in that semi-uninhabited province in the south, which is now a tourist destination, a landscape of vast cold forests, snowy volcanoes, emerald lakes, and raging rivers, where anyone with a hook and line can fill a basket with trout, salmon, and turbot in under an hour. The wide skies were an ever-changing spectacle, a symphony of colors, clouds pulled quickly along by the wind, bands of wild geese, and sometimes the outline of a condor or eagle in majestic flight. Night there fell suddenly, like a black blanket embroidered with millions of lights, which I learned to identify by both their classical and indigenous names.
Isabel Allende (Violeta)
The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.
Douglas M. Laurent
See how cruel the whites look. Their lips are thin, their noses sharp, their faces furrowed and dis­torted by folds. Their eyes have a staring expression; they are always seeking something. What are they seeking? The whites always want something; they are always uneasy and restless. We do not know what they want. We do not understand them. We think that they are mad." I asked him why he thought the whites were all mad. "They say that they think with their heads," he replied. "Why of course. What do you think with?" I asked him in surprise. "We think here," he said, indicating his heart. I fell into a long meditation. For the first time in my life, so it seemed to me, someone had drawn for me a picture of the real white man. It was as though until now I had seen nothing but sentimental, prettified color prints. This Indian had struck our vulnerable spot, unveiled a truth to which we are blind. I felt rising within me like a shapeless mist something unknown and yet deeply familiar. And out of this mist, image upon image detached itself: first Roman legions smashing into the cities of Gaul, and the keenly incised features of Julius Caesar, Scipio Africanus, and Pompey. I saw the Roman eagle on the North Sea and on the banks of the White Nile. Then I saw St. Augus­tine transmitting the Christian creed to the Britons on the tips of Roman lances, and Charlemagne's most glorious forced con­versions of the heathen; then the pillaging and murdering bands of the Crusading armies. With a secret stab I realized the hol­lowness of that old romanticism about the Crusades. Then fol­lowed Columbus, Cortes, and the other conquistadors who with fire, sword, torture, and Christianity came down upon even these remote pueblos dreaming peacefully in the Sun, their Father. I saw, too, the peoples of the Pacific islands decimated by firewater, syphilis, and scarlet fever carried in the clothes the missionaries forced on them. It was enough. What we from our point of view call coloniza­tion, missions to the heathen, spread of civilization, etc., has another face - the face of a bird of prey seeking with cruel in­tentness for distant quarry - a face worthy of a race of pirates and highwaymen. All the eagles and other predatory creatures that adorn our coats of arms seem to me apt psychological representatives of our true nature.
C.G. Jung
Someone—Tony or Warner Bros.?—had decided that the grueling schedule and the added tension in the band might be alleviated somewhat by the relative comfort of bus touring versus Old Blue. It was a nice idea. It might have even been a gambit to see if the camaraderie of sharing a luxurious living situation might heal the band’s broken bonds. So we loaded all of our gear into the parking lot behind our apartment and waited for our new accommodations to arrive. Everyone, I think even Jay, was excited about the prospect of spending at least some small part of our lives seeing what it was like to tour in style. That was until he laid eyes on the Ghost Rider. What we were picturing was sleek and non-ostentatious like the buses we had seen parked in front of theaters at sold-out shows by the likes of R.E.M. or the Replacements. Instead, what we got was one of Kiss’s old touring coaches—a seventies-era Silver Eagle decked out with an airbrushed mural in a style I can only describe as “black-light poster–esque,” depicting a pirate ship buffeted by a stormy sea with a screaming skeleton standing in the crow’s nest holding a Gibson Les Paul aloft and being struck by lightning. The look on Jay’s face was tragic. I felt bad for him. This was not a serious vehicle. I’m not sure how we talked him into climbing aboard, and once we did, I have no idea how we got him to stay, because the interior was even worse. White leather, mirrored ceilings, and a purple neon sign in the back lounge informing everyone, in cursive, that they were aboard the “Ghost Rider” lest they forget. So we embarked upon Uncle Tupelo’s last tour learning how to sleep while being shot at eighty miles per hour down the highway inside a metal box that looked like the VIP room at a strip club and made us all feel like we were living inside a cocaine straw. Ghost Rider indeed.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
She was spread-eagled, her wrists and ankles secured by bands. The spinning disoriented her. Drugs surged through her system. She wore a helmet that sprouted with antennae. Every so often, shocks zapped her skull, making her eyelids flutter. They’re reprogramming me. I know that’s what they’re doing.
Vaughn Heppner (The Lost Command (Lost Starship, #2))
And this is not a criticism of coolness: by and large, the musical component of rock isn’t nearly as important as the iconography and the posturing and the idea of what we’re supposed to be experiencing. If given the choice between hearing a great band and seeing a cool band, I’ll take the latter every single time; this is why the Eagles suck.
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
Fifty Best Rock Documentaries Chicago Blues (1972) B. B. King: The Life of Riley (2014) Devil at the Crossroads (2019) BBC: Dancing in the Street: Whole Lotta Shakin’ (1996) BBC: Story of American Folk Music (2014) The Weavers: Wasn’t That a Time! (1982) PBS: The March on Washington (2013) BBC: Beach Boys: Wouldn’t It Be Nice (2005) The Wrecking Crew (2008) What’s Happening! The Beatles in the U.S.A. (1964) BBC: Blues Britannia (2009) Rolling Stones: Charlie Is My Darling—Ireland 1965 (2012) Bob Dylan: Dont Look Back (1967) BBC: The Motown Invasion (2011) Rolling Stones: Sympathy for the Devil (1968) BBC: Summer of Love: How Hippies Changed the World (2017) Gimme Shelter (1970) Rumble: The Indians Who Rocked the World (2017) Cocksucker Blues (1972) John Lennon & the Plastic Ono Band: Sweet Toronto (1971) John and Yoko: Above Us Only Sky (2018) Gimme Some Truth: The Making of John Lennon’s “Imagine” Album (2000) Echo in the Canyon (2018) BBC: Prog Rock Britannia (2009) BBC: Hotel California: LA from the Byrds to the Eagles (2007) The Allman Brothers Band: After the Crash (2016) BBC: Sweet Home Alabama: The Southern Rock Saga (2012) Ain’t in It for My Health: A Film About Levon Helm (2010) BBC: Kings of Glam (2006) Super Duper Alice Cooper (2014) New York Dolls: All Dolled Up (2005) End of the Century: The Story of the Ramones (2004) Fillmore: The Last Days (1972) Gimme Danger: The Stooges (2016) George Clinton: The Mothership Connection (1998) Fleetwood Mac: Rumours (1997) The Who: The Kids Are Alright (1979) The Clash: New Year’s Day ’77 (2015) The Decline of Western Civilization (1981) U2: Rattle and Hum (1988) Neil Young: Year of the Horse (1997) Ginger Baker: Beware of Mr. Baker (2012) AC/DC: Dirty Deeds (2012) Grateful Dead: Long, Strange Trip (2017) No Direction Home: Bob Dylan (2005) Hip-Hop Evolution (2016) Joan Jett: Bad Reputation (2018) David Crosby: Remember My Name (2019) Zappa (2020) Summer of Soul (2021)
Marc Myers (Rock Concert: An Oral History as Told by the Artists, Backstage Insiders, and Fans Who Were There)
The medics were the most popular, respected, and appreciated men in the company. Their weapons were first-aid kits, their place on the line was wherever a man called out that he was wounded. Lieutenant Foley had special praise for Pvt. Eugene Roe. “He was there when he was needed, and how he got ‘there’ you often wondered. He never received recognition for his bravery, his heroic servicing of the wounded. I recommended him for a Silver Star after a devastating fire-fight when his exploits were typically outstanding. Maybe I didn’t use the proper words and phrases, perhaps Lieutenant Dike didn’t approve, or somewhere along the line it was cast aside. I don’t know. I never knew except that if any man who struggled in the snow and the cold, in the many attacks through the open and through the woods, ever deserved such a medal, it was our medic, Gene Roe.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
the
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
We set out to be a band for our time but sometimes when you do a good enough job, you become a band for all time.” – Glenn Frey
James Hoag (Legends of Rock & Roll - Eagles)
There are no sidemen in this band,” Glenn said firmly, with his gruff voice. “We’ve all been there and we know what that’s like.” I was pleased and relieved to hear it.
Don Felder (Heaven and Hell: My Life in the Eagles (1974-2001))
In 1918, anti-German hysteria was sweeping Texas. Germans who showed insufficient enthusiasm in purchasing Liberty Bonds were publicly horsewhipped; bands of armed men broke into the homes of German families who were rumored to have pictures of the Kaiser on the walls; a State Council of Defense, appointed by the Governor, recommended that German (and all other foreign languages) be barred from the state forever. Hardly had Sam Johnson arrived in Austin in February, 1918, when debate began on House Bill 15, which would make all criticism, even a remark made in casual conversation, of America’s entry into the war, of America’s continuation in the war, of America’s government in general, of America’s Army, Navy or Marine Corps, of their uniforms, or of the American flag, a criminal offense punishable by terms of two to twenty-five years—and would give any citizen in Texas the power of arrest under the statute. With fist-waving crowds shouting in the House galleries above, legislators raged at the Kaiser and at Germans in Texas whom they called his “spies” (one legislator declared that the American flag had been hauled down in Fredericksburg Square and the German double eagle raised in its place) in an atmosphere that an observer called a “maelstrom of fanatical propaganda.” But Sam Johnson, standing tall, skinny and big-eared on the floor of the House, made a speech—remembered with admiration fifty years later by fellow members—urging defeat of Bill 15;
Robert A. Caro (The Path to Power (The Years of Lyndon Johnson, Vol 1))
The desire to be better than the other guy took hold.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
the summer wore on, Nanette’s pessimistic views were born out by events. Prices were again rising steeply, the coinage had been devalued again, foreign traders were becoming wary of accepting English gold for anything, and the number of the unemployed was rising to a level where they began to roam the countryside in bands, getting a living by robbery. The poor laws provided for indigents who came within the towns to be provided with work, food and lodgings, to pay for which a rate was levied from the town residents, but out in the country there was no control, and workmen who had been turned off because their masters could no longer afford to pay their wages might wander without ever coming within the scope of the law. In September, at the same time as Elizabeth, who had conceived again immediately, gave birth to her third child, a daughter they named Jane, a rebellion broke out in Norfolk. Like the Pilgrimage
Cynthia Harrod-Eagles (The Dark Rose (The Morland Dynasty, #2))
Gordon wrote to Mayor Ritsema: “On September 17, 1944 I participated in the large airborne operation which was conducted to liberate your country. As a member of company E, 506th PIR, I landed near the small town of Son. The following day we moved south and liberated Eindhoven. While carrying out our assignment, we suffered casualties. That is war talk for bleeding. We occupied various defense positions for over two months. Like animals, we lived in holes, barns, and as best we could. The weather was cold and wet. In spite of the adverse conditions, we held the ground we had fought so hard to capture. “The citizens of Holland at that time did not share your aversion to bloodshed when the blood being shed was that of the German occupiers of your city. How soon we forget. History has proven more than once that Holland could again be conquered if your neighbor, the Germans, are having a dull weekend and the golf links are crowded. “Please don’t allow your country to be swallowed up by Liechtenstein or the Vatican as I don’t plan to return. As of now, you are on your own.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
He began with a blanket code which every business man was summoned to sign—to pay minimum wages and observe the maximum hours of work, to abolish child labor, abjure price increases and put people to work. Every instrument of human exhortation opened fire on business to comply—the press, pulpit, radio, movies. Bands played, men paraded, trucks toured the streets blaring the message through megaphones. Johnson hatched out an amazing bird called the Blue Eagle. Every business concern that signed up got a Blue Eagle, which was the badge of compliance.
John T. Flynn (The Roosevelt Myth (LvMI))
to the end: four fat oxen having their arses wiped and in general being tidied up to serve god under my window with stoles of Imperial purple with tassels, and grooms before the carroccio on which carroch six lion heads to receive the wax offering Thus arrive the gold eagles, the banners of the contrade, and boxes of candles ‘Mn-YAWWH!!!’ Said the left front ox, suddenly, ‘pnAWH!’ as they tied on his red front band, St George, two hokey-pokey stands and the unicorn ‘Nicchio! Nicch-iO-né!!’ The kallipygous Sienese females get that way from the salite that is from continual plugging up hill One box marked ‘200 LIRE’ ‘laudate pueri’ alias serve God with candles with the Palio and 17 banners and when six men had hoisted up the big candle a bit askew in the carroch and the fore ox had been finally arse-wiped they set off toward the Duomo, time consumed 1 hour and 17 minutes.
Ezra Pound (The Cantos)
The Law of God. One of my earliest coherent memories of my first year at school in the Château du Moulin de Senlis was precisely in the study of this subject.
Patrick Albouy (The Gang of Black Eagles: La bande des Aigles Noirs)
Coming out of that Easter service, I felt hopeful and very happy. My heart felt at peace. It was inexplicable. What Vanya was felt about faith was the same thing I felt on that day. Whatever he was trying to describe, I could sense that finally. Out of my newfound faith, I had hope for what the future lay ahead. All the negative memories of my life went away, like mud washed down the river. I only felt positive about the future, looking forward to the days to come. It was the bright early morning of a new sunny day. Outside, the sky was beautiful. “Christ is Risen!” I confessed out loud, finally. “Christ is Risen, Indeed,” echoed a silent voice within. Epilogue: I like to think that the few lines above are the epilogue of the book to this days Faith as what makes “my heart go on” no matter the depressive moments that I now can feel, Faith gives me the courage to endure all kind of difficulties. One should always remember this small poem of mine. “God is for everybody” God is for everybody For the Russian For the French For all the others Even if they don’t wanted it. God is for everybody Not, only, for the Muslims Not, only, for the Christians Not, only, for the Buddhists Not — Even — only, for the Jews Not for one particular religion God is for everybody Especially for the one that do not want it.
Patrick Albouy (The Gang of Black Eagles: La bande des Aigles Noirs)
That night, as I exercised my hearing with all my might, searching out each subtle sound that made up that first, unforgettable snowstorm of my life, I accepted that something sacred had touched the three of us, Nikolai and Vanya, transforming us from mere classmates into cherished friends. But what exactly was that? Was it the tree? The raven? The snow? A shared language? A common history of suffering? Sly Mitrofanych?
Patrick Albouy (The Gang of Black Eagles: La bande des Aigles Noirs)
How natural it is for a child to play in the world of make-believe, moving effortlessly between the reality of meals and lessons, baths and chores, and the fantastical dimensions of the imagined universe that lives, vibrant and palpable, within the inner world of each young person! It is the world of dreams and daydreams, playtime and wishful longing that defines every childhood: the certain knowledge (greater than any faith) that anything is possible—that everything, every idea, is real, and can materialize…
Patrick Albouy (The Gang of Black Eagles: La bande des Aigles Noirs)
In the darkness, she could barely make out the hands on her wristwatch, the last cherished possession she clung to that linked her to a better past. Outside, the streets of nocturnal Paris were silent. It must be about three. Seven hours, then, remained; seven or eight hours before she would have to complete the unthinkable transaction…
Patrick Albouy (The Gang of Black Eagles: La bande des Aigles Noirs)
What the fuck do you say about a place whose sole claim to fame is a mention in an Eagles song?
Caitlín R. Kiernan (Agents of Dreamland (Tinfoil Dossier, #1))
No one should ever underestimate the influence that Pete Townshend has had on popular music. There is no question in my mind that both he and The Who were every bit as influential as The Beatles and the Stones as the UK invasion took America and the rest of the world by storm. He was equally as innovative as a musician and lyricist, finding a way to state the feelings of the mod generation he and the band represented. The combination of these four unlikely cohorts interpreting Pete’s writing was something to behold, each of them contributing in his own original way. The seemingly uncontrolled explosion of energy they produced, glued together by exceptional musicianship.
Glyn Johns (Sound Man: A Life Recording Hits with The Rolling Stones, The Who, Led Zeppelin, The Eagles , Eric Clapton, The Faces . . .)
.45 automatic pistol,
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)