Closet Sale Quotes

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If you need me I’ll be napping in the supplies closet. The most important part of an attack is the planning.
Jarod Kintz (This Book is Not for Sale)
We buy items that we only half like because they are on sale or a “good deal.” •We wear clothes that are so uncomfortable we need to take them off as soon as we get home. •We keep items that stopped fitting years ago just in case they fit again someday. •We wear shoes that we can hardly walk in and that leave our feet covered in blisters. •We force ourselves to wear pieces that we feel only so-so about because they were expensive and we don’t want to let that “investment” go to waste. •We wear worn-out, scruffy pieces around the house and hope nobody is going to stop by unannounced. •We wear clothes that ride up and tug in all the wrong places. •We wear outfits that don’t make us feel confident or inspired because we simply don’t have anything better in our wardrobe.
Anuschka Rees (The Curated Closet: A Simple System for Discovering Your Personal Style and Building Your Dream Wardrobe)
There’s no room in my life for a woman. I mean I live in a closet, and I suppose I could squish my clothes over and she could squeeze in, but where is she supposed to put her clothes? And her shoes, what about her shoes?
Jarod Kintz (This Book is Not for Sale)
My closet’s so full of memories and fearful homosexuals that I have nowhere to hang my clothes. Well, that and I don’t know how to tie a noose. I’m making meatloaf on a stick if you want to come over later and help me prosecute my entire wardrobe.
Jarod Kintz (This Book is Not for Sale)
Sure, I have nice shoes. They’re in my closet, collecting a patina of dust. My shoes were made for dancing, and that’s why they’re dusty, because my feet, unfortunately, were not made for dancing. My feet were made for making wine, and that’s why my walk is intoxicating.
Jarod Kintz (This Book is Not for Sale)
Her walk-in closet greeted me with the smell of lavender. Hanging rods held Chanel suits and sale-rack department store dresses side by side. Shelves displayed sweaters of every color from peach to cranberry. I brushed my hand over a pink sweater. The cashmere was soft as a cloud.
Mary Simses (The Irresistible Blueberry Bakeshop & Cafe)
My new apartment came with a Baby Shrine. In the closet of a second bedroom. Hemingway's "For sale: baby shoes, never worn" filling an entire shelf. Piles of rattles and dozens of bibs. Too much to describe in just six words. I invited a cute neighbor over to see. It wasn't a very good icebreaker. But young guys only get so smooth.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
When you change houses you always lose something. Every move betrays you, it always cheats you somehow. I’m still looking for certain things. That brooch that belonged to my mother, nothing valuable, but it meant something to me. Then there’s my old address book. Even though I don’t need it anymore, I liked thumbing through it now and then. I’d saved ticket stubs, certain receipts, a small photograph of your father when he was young, before we’d met, what a handsome fellow he was. I look and look but I can’t find it. There are days I comb through the whole house hoping to find those things in some drawer I’ve already opened countless times, or maybe at the bottom of a box in my closet. They’re somewhere, of course. Just like the jewels that were stolen from me. Remember that ring, the gold one, a little flashy, that I liked to wear in winter? It had green stones. I’d left it lying in plain sight when I was younger, when there was always so much to do in the course of any given day. Back then it tormented me, I couldn’t stand the fact of having lost that ring. But now I think, oh well. Someone else is probably wearing it, or maybe it’s for sale somewhere, in some far-off place, maybe the place you’re going to. It’s not mine anymore, but it’s still somewhere, that’s what I’m trying to say.
Jhumpa Lahiri (Whereabouts)
That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
I'm living in a horror movie, all right. Only the horror doesn't have anything to do with necrophilia or black masses or crosses hung upside down, or with vampires who can't swim or zombies who work in sugar cane fields and can't stop shambling off cliffs when some guy with a jawbreaker accent says so, No, this is real life. It was running out all around him. the footprints of assassins and neo-fascists and government officials with secret closets full of tutus, private armies training in ships named after the wives of oilmen, of drunken presidents in bed with the mob and the cartels that slice up the world and stick FOR SALE signs on the pieces; while the real kings of earth lie moldering in their graves, their brains stolen away in the night and their bullet wounds altered to match storybook plots that would be laughed out of any preschool classroom. And all this while the billions sweat and grow old like the living dead, their lifeblood sucked dry by the takers of souls who need our labor to feed a hunger for power without end. The undead? What a cheapjack explanation for so much misery. There is more than enough to account for it all without falling back on the unnameable. It's already here. The trick is to see it and not flinch- there's no future in denial. It's as simple, and as enormous, as that. The truth, however bleak, was almost comforting.
Dennis Etchison (California Gothic)
Beware, and be on your guard against every form of greed; for not even when one has an abundance does his life consist of his possessions. -LUKE 12:15 One of our universal problems is the overcrowding of our homes. Whether we have an apartment or a six bedroom home, every closet, cupboard, refrigerator, and garage are all crammed with abundance. Some of us have so much that we go out and rent additional storage spaces for our possessions. Bob and I are no different than you. We buy new clothes and cram them into our wardrobes. A new antique goes in the corner, a new quilt hangs over the bed, a new potted plant gathers sunlight by the window. On and on it goes. Pretty soon we feel as though we are closed in with no room to breathe. We continually struggle to keep a balance in our attitudes regarding possessions. It is simpler to manage if you are single and live alone-it's just you. Life becomes more complicated with a spouse and children. You soon get that "bunched in" feeling. This creates more stress, and you can lose your cool and blow relationships when your calm is broken. We have made a rule in our home about abundance. Simply stated, it says, "One comes in and one goes out." After every purchase we give away or sell a like item. (We have an annual garage sale.) With a new blouse, out goes an older blouse; with a new table, out goes a table; and so on. Naturally if you're a newlywed this rule is not for you because you probably don't have an abundance of possessions. There's another strategy that's very effective. We have informed our loved ones that we don't want any more gifts that take up space or that have to be dusted; we prefer receiving consumable items. Remember-your life is not based on your possessions. Share with others what you aren't using.
Emilie Barnes
Skeletons hung in his closet like clothes on a sales rack.
Steven Becker (Mac Travis Adventures: The First Four (Mac Travis Adventures #1-4))
I don't think gay boys can become hip-hop music stars. ...can't be soft in a solid-gold industry where punk, sissy, faggot, and bitch are lyrics that sell out concerts and generate Billboard record sales.
Tony Keith (How the Boogeyman Became a Poet)
Experimentation also proved serendipitous for Greg Koch and Steve Wagner, when they were putting together the Stone Brewing Co. in Escondido, California, north of San Diego. It was destined to become one of the most successful brewing startups of the 1990s. In The Craft of Stone Brewing Co. Koch and Wagner confess that the home-brewed ale that became Arrogant Bastard Ale and propelled Stone to fame in the craft brewing world, started with a mistake. Greg Koch recalls that Wagner exclaimed “Aw, hell!” as he brewed an ale on his brand spanking new home-brewing system. “I miscalculated and added the ingredients in the wrong percentages,” he told Koch. “And not just a little. There’s a lot of extra malt and hops in there.” Koch recalls suggesting they dump it, but Wagner decided to let it ferment and see what it tasted like. Greg Koch and Steve Wagner, founders of Stone Brewery. Photograph © Stone Brewing Co. They both loved the resulting hops bomb, but they didn’t know what to do with it. Koch was sure that nobody was “going to be able to handle it. I mean, we both loved it, but it was unlike anything else that was out there. We weren’t sure what we were going to do with it, but we knew we had to do something with it somewhere down the road.”20 Koch said the beer literally introduced itself as Arrogant Bastard Ale. It seemed ironic to me that a beer from southern California, the world of laid back surfers, should produce an ale with a name that many would identify with New York City. But such are the ironies of the craft brewing revolution. Arrogant Bastard was relegated to the closet for the first year of Stone Brewing Co.’s existence. The founders figured their more commercial brew would be Stone Pale Ale, but its first-year sales figures were not strong, and the company’s board of directors decided to release Arrogant Bastard. “They thought it would help us have more of a billboard effect; with more Stone bottles next to each other on a retail shelf, they become that much more visible, and it sends a message that we’re a respected, established brewery with a diverse range of beers,” Wagner writes. Once they decided to release the Arrogant Bastard, they decided to go all out. The copy on the back label of Arrogant Bastard has become famous in the beer world: Arrogant Bastard Ale Ar-ro-gance (ar’ogans) n. The act or quality of being arrogant; haughty; Undue assumption; overbearing conceit. This is an aggressive ale. You probably won’t like it. It is quite doubtful that you have the taste or sophistication to be able to appreciate an ale of this quality and depth. We would suggest that you stick to safer and more familiar territory—maybe something with a multi-million dollar ad campaign aimed at convincing you it’s made in a little brewery, or one that implies that their tasteless fizzy yellow beverage will give you more sex appeal. The label continues along these lines for a couple of hundred words. Some call it a brilliant piece of reverse psychology. But Koch insists he was just listening to the beer that had emerged from a mistake in Wagner’s kitchen. In addition to innovative beers and marketing, Koch and Wagner have also made their San Diego brewery a tourist destination, with the Stone Brewing Bistro & Gardens, with plans to add a hotel to the Stone empire.
Steve Hindy (The Craft Beer Revolution: How a Band of Microbrewers Is Transforming the World's Favorite Drink)
Actually—forget it. Bring it with you.” Brandon picked up the bowl and slouched towards the door. Helen shuffled behind him, silently encouraging him forward. That was what her life had become since the expeditions began: a daily routine of encouraging speed, encouraging talk, encouraging her son to do something more than just sit around waiting for these damn fishing trips. Nothing else seemed to interest him now. As she pushed her key into the car’s ignition, a sudden realization dawned on Helen. She stopped, leaned into the steering wheel, and sighed. “You’ve forgotten your sports bag. Again,” she said, springing from the car. No point telling him to get it; she’d be waiting a week. Helen took the stairs two at a time, stress propelling her like a steam engine. She entered his walk-in closet with trepidation. That was the other thing that’d slipped. He was a tidy kid before—not perfect, but no slob. Now his room resembled a carelessly thrown-together garage sale.
Susan May (Behind Dark Doors)
Standing up to clients is not always easy, but there are examples of firms that do. Claudia Brind-Woody is determined that IBM will not put business above its values. ‘In the past, we’ve had clients who didn’t want black or female sales reps,’ she explains. ‘We said, “Well, fine. We won’t send any. In fact, we won’t send anybody because we don’t want you as a client.
John Browne (The Glass Closet: Why Coming Out Is Good Business)
When you die, your privacy dies with you. Eventually, someone will rifle through your purse, your bathroom cabinet, your pockets. Someone will discover your journal and your secret feelings, all of your angriest and silliest and most lustful thoughts on paper. Someone will notice the stains in the underarms of your t-shirts, the hole in your worn-out underwear, the stash of candy in your bottom dresser drawer, the birthday gift that you shoved to the very back of your closet in the box marked "Yard Sale." Eventually, all your secrets are told, all of you discovered and exposed. Perhaps this is the scariest part about dying. The living go on to know you better than you might have wanted. When you die, their discoveries will lift you on a pedestal or diminish your legacy.
Autumn Stringam (A Promise Of Hope: The Astonishing True Story of a Woman Afflicted With Bipolar Disorder and the Miraculous Treatment That Cured Her)