Closet Business Quotes

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He’s always asking: ‘Is that new? I haven’t seen that before.’ It’s like, Why don’t you mind your own business? Solve world hunger. Get out of my closet.
Michelle Obama
Did you know, God damn it, that Les was all for bringing a tangerine in to you last night before he went to bed? My God. Even Bessie can't stand stories with tangerines in them. And God knows I can't. If you're going to go on with this breakdown business, I wish to hell you'd go back to college to have it. Where you're not the baby of the family. And where, God knows, nobody'll have any urges to bring you any tangerines. And where you don't keep your goddam tap shoes in the closet.
J.D. Salinger (Franny and Zooey)
A Gift for You I send you... A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond. You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time.
S.A.R.K. (Make Your Creative Dreams Real: A Plan for Procrastinators, Perfectionists, Busy People, and People Who Would Really Rather Sleep All Day)
J. C. Ryle observed, “A man may preach from false motives. A man may write books, and make fine speeches, and seem diligent in good works, and yet be a Judas Iscariot. But a man seldom goes into his closet, and pours out his soul before God in secret, unless he is serious.
Kevin DeYoung (Crazy Busy: A (Mercifully) Short Book about a (Really) Big Problem)
People everywhere, including the United States, are still prone to accept stereotypes, eager to believe what we want to believe (for example, on global warming) and anxious to await while others take the lead--seeking in vain to avoid both responsibility and risk. When trouble arises among faraway people, we remain tempted to hide behind the principle of national sovereignty, to "mind our own business" when it is convenient, and to think of democracy as a suit to be worn in fine weather but left in the closet when clouds threaten.
Madeleine K. Albright (Prague Winter: A Personal Story of Remembrance and War, 1937-1948)
And you do know I’m the one who decides who I date”—she glared at Sam—“not you. If I want to drag this guy into the janitor’s closet and have my way with him, that’s none of your business.” “Drag me into a closet?” Hunter asked, his eyebrows up near his hairline. “Offer to buy me dinner first, then I’m all yours.
Ophelia London (Falling for Her Soldier (Perfect Kisses, #3))
Miss Kane, I have been worried. Sorry, I've been in a faery closet and a werewolf dungeon. Business or pleasure? Business.
Alexis Hall (Shadows & Dreams (Kate Kane, Paranormal Investigator, #2))
Mr. Wesley spent two hours daily in prayer. He began at four in the morning. Of him, one who knew him well wrote: “He thought prayer to be more his business than anything else, and I have seen him come out of his closet with a serenity of face next to shining.
E.M. Bounds (The Complete Collection of E. M. Bounds on Prayer)
If I woke up one morning and realized that all I ever was going to be was a business man, I'd probably die. All my dreams would be shattered. Early in life I had many dreams. I dreamed of being a great basketball star. I dreamed of being a preacher. I dreamed of saving the world from war and racism. And I dreamed of being a great poet. Today, I dream only of writing.
Harley King (Mother, Don't Lock Me In That Closet!)
I have a whole world tucked away in my closet; sepia colored memories of my parents in the eighties, ticket stubs from movies I don’t remember because I was too busy exploring the mouth of a boy I do, and crinkled petals from a golden sunflower that said you still love me. And though you haven’t come back yet, I know you will, because sunflowers never lie. Sunflowers Never Lie
Emily Byrnes (Things I Learned in the Night)
When we hold onto fear and pain after something traumatic has passed, we do it as a sort of safety net. We falsely believe that if we constantly remind ourselves of all the terrible things that we didn’t see coming, we can avoid them. Not only does this not work, but it also makes you less efficient at responding to them if they do. Because most of the time, you’re so busy worrying about monsters in the closet, you forget to address the actual things that will erode you over time: your health, your relationships, your long-term vision, your finances, your thoughts.
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
The city of happiness, well, we all live there and people go about their business with full knowledge of the child in the closet. And then at times I refuse to believe we are in the city of happiness and that instead we are all ones who walked away. Until I read in the news that a man was waterboarded 103 times in one month. Then I think we are all in the closet. Too stupid to understand what life we could have outside the walls around us.
Ursula K. Le Guin (The Ones Who Walk Away from Omelas)
Up to this time, Mr Pancks had transacted little or no business at his quarters in Pentonville, except in the sleeping line; but now that he had become a fortune-teller, he was often closeted after midnight with Mr Rugg in his little front-parlour office, and even after those untimely hours, burnt tallow in his bed-room. Though his duties as his proprietor's grubber were in no wise lessened; and though that service bore no greater resemblance to a bed of roses than was to be discovered in its many thorns; some new branch
Charles Dickens (Little Dorrit)
I don't believe in love at first sight but maybe this is as close as it gets: seeing someone, a person you have no business loving, on a football field one night and thinking, I want you to be mine and I want to be yours. Lying on a closet floor with someone and thinking, I shouldn't know you but I do. Recognizing someone as a part of you before they've even become that person in your life, and knowing, without a doubt, that neither of you will ever be who you are in this exact moment ever again and believing, against all odds, you will continue to belong to one another despite that.
Emily Henry (The Love That Split the World)
In Breeze’s business one got used to running across the skeletons in people’s closets. If Billy’s skeleton wore women’s underwear, it didn’t really matter. Homosexuality on Billy Winston was like acne on a leper.
Christopher Moore (Practical Demonkeeping (Pine Cove, #1))
It was a precept of Pythagoras, that when we enter into the temple to worship God , we must not so much as speak or think of any worldly business, lest we make God's service an idle ,perfunctory, and lazy recreation. The same I may say of closet prayer.
Thomas Brooks (The Privy Key of Heaven)
When trouble arise among faraway people, we remain tempted to hide behind the principle of national sovereignty, to "mind our own business" when it is convenient, and to think of democracy as a suit to be worn in fine weather but felt in the closet when clouds threaten.
Madeleine K. Albright (Prague Winter: A Personal Story of Remembrance and War, 1937-1948)
It’s a revolution of storytelling that’s being launched, folks – each of us coming out of our closets to share what we’ve learned – not to preach, explain, impress, manipulate, educate, or bend others to our will, but to fan the flames of wisdom in a world that sorely needs it.
Mitch Ditkoff (Storytelling at Work: How Moments of Truth on the Job Reveal the Real Business of Life)
The best way to avoid being confused about Bruce Jenner is get your head out of his bedroom and closet, and then think about all of the things you've been hiding and been miserable about. So what he made his announcement via media. Books, music, movies, business launches are announced in the same manner. Just focus on the feeling of finally disclosing something that enables you to be free and to live as authentically as possible. And then imagine what it's like to own your truth, tell it your way, thus taking away anyone else's ability to spin it their way or use it against you. If you can do any of the above, you will no longer be confused.
Robin Caldwell
There are days when I get lost in the business of surviving in this world. I stop and enter my closet of writing, at first I feel like an outsider reading my own thoughts, and then I am magically reunited with myself. Writing reminds me that I am a spirit, that there will always be a new chance tomorrow, if I stay steadfast today. – Marsha Gomes-Mckie
Marsha Gomes-Mckie
Think you it is easy to get a well-known and beautiful woman alone, away from her husband, at so public a gathering? Think you that, in the company of dozens of guests and nearly as many gossipy servants, a man can just pull such a woman aside into a private closet? It would not be easy for any ordinary man--at least I suspect it would not. I cannot say how ordinary men go about their business.
David Liss (The Whiskey Rebels)
It had been a nice night, but not one they’d repeat. Like, ever. Why was he dialing his phone? A few rings later, a familiar voice picked up on the other end. “Whitman.” Dammit, my subconscious really is out to get me. “Matt? Brennan. I was wondering if…” make it something good, “…you…wanted to…” his gaze flew around the room, settling on his DVD shelf, “…watch Star Wars with me?”Star Wars? A hundred DVDs on the shelf and he settled on fucking Star Wars? He was never going to get in Matt’s pants ever again. There was a pause on the other end. Great, I’ve scared him off with my closet geekery. Go me. “Which one?” His heart skipped a beat. Or not.“I have all six.” “My favorite is Strikes Back. I can be at my place in about twenty. I’ll bring food?” Brennan’s eyes squeezed closed and he grinned, kicking his feet in delight. I am such a girl. “You know we can’t watch Strikes Back without immediately going to Return, right?” “We should pace ourselves. Star Wars is serious business. Usually I don’t watch them without consuming about five pounds of Skittles and three bottles of Coke.” “I’ll grab the junk food. We can pull an all -nighter.” “It’s a weeknight.” Matt sounded ridiculously disappointed about the fact, which was so happy-dance-worthy that Brennan almost literally jumped out of his chair. “But maybe we could turn it into a three-part date? Start tonight? End Friday?
Christine Price
I took a step toward her, but she turned from me and stomped back to her car. I watched her drive off. After a moment, I walked up the limestone steps and through the phantom oak-and-glass front doors of the house where I grew up. I paced the hall, entered the long rectangle of dining room, rested a hand on the carved cherrywood mantel, then passed into the kitchen. The house was so real around me that I could smell the musty linen in the cedar closet, the gas from the leaky burner on the stove, the sharp tang of geraniums that I had planted in clay pots. I lay down on the exact place where the living room couch had been pushed tight under the leaded-glass windows. I closed my eyes and it was all around me again. The stuffed bookshelves, the paneling, the soft slap of my mother's cards on the table. I could see from the house of my dark mind the alley, from the alley the street leading to the end of town, its farthest boundary the lucid silence of the dead. Between the graves my path, and along that path her back door, her face, her timeless bed, and the lost architecture of her bones. I turned over and made myself comfortable in the crush of wild burdock. A bee or two hummed in the drowsy air. The swarm had left the rubble and built their houses beneath the earth. They were busy in the graveyard right now, filling the skulls with white combs and the coffins with sweet black honey.
Louise Erdrich (The Plague of Doves)
Every person has a secret inventory of "things". I call them objects of attachment - things that refuse to be forgotten. Perhaps it's a place, a smell, a business card. Whatever it is, they refuse to go unnoticed. These objects are enchanted, taking us back to another time or another place, where things are very different from the way they are now. They make us nostalgic. Playing back memories like old black and white movies, flickering with shimmer and warmth. They are hard to avoid - popping up when your mind is distracted. And regardless of what you threw away, or donated to charity, that is where you find yourself - staring at the game of Scrabble, wondering exactly how each piece used to fit. While I know my inventory and have studied it well, I often wonder which objects I am attached to. And I find myself hoping that one day you find me, unexpectedly tucked away in the back of your closet, or a messy desk drawer - and remember exactly what we once were.
Jesse Warner (where i am)
God came up and kissed Day on his forehead. When Day looked over at Johnson, who was still slowly sipping his soda, the guy did look lonely as hell. Before Day could say something kind, his other headache strolled in. “Oh hell. What the fuck is going on in here? This must be the officer’s gay alliance club meeting.” Day blew an exasperated breath. “And now that you’re here, Ronowski, all members are present and we can begin.” Day smiled as God and Johnson practically spit their drinks out laughing. Ronowski fumed. “Day, you’re going to stop calling me gay! I have never been gay! I will never be gay, and I don’t like anyone that is gay! So stop saying that before people start believing your bullshit!” Day clapped his hands together once. “Okay everyone those are the notes from last week’s meeting, now on to new business.” Day leveled Ronowski with a stern glare. “Ronowski, you are gay, man. You’re tightly closeted. But you are indeed gay, ultra-gay. You’re fuckin’ Marvin Gay. You crash landed on Earth when your gay planet exploded.” Day moved away from God and stood in front of an openmouthed Ronowski. “Come out of the closet already. It’s so bright and wonderful out here. Dude, I’ve seen Brokeback Mountain too, don’t believe that bullshit. No one cares who you fuck…ya know…like you tell me every. Single. Day. Of. My. Life,” Day said exaggeratedly. He stepped in so close to Ronowski that he could smell the body wash he used. “Let a man bang your back out one time.” Day leaned in to the man’s ear and felt Ronowski’s body give a fierce shutter. “I mean pound your ass so hard that you can’t walk straight for a week, and I guarantee you, you’ll want to march in the next gay pride parade, wearing nothing but a glitter jockstrap and a fuckin’ hot-pink feather boa.” Day stepped back and saw the beads of sweat that had popped up on Ronowski’s forehead. Satisfied he’d proven his point he refilled his coffee and left the break room.
A.E. Via
Pointsman is the only one here maintaining his calm. He appears unruffled and strong. His lab coats have even begun lately to take on a Savile Row serenity, suppressed waist, flaring vents, finer material, rather rakishly notched lapels. In this parched and fallow time, he gushes affluence. After the baying has quieted down at last, he speaks, soothing: “There’s no danger.” “No danger?” screams Aaron Throwster, and the lot of them are off again muttering and growling. “Slothrop’s knocked out Dodson-Truck and the girl in one day!” “The whole thing’s falling apart, Pointsman!” “Since Sir Stephen came back, Fitzmaurice House has dropped out of our scheme, and there’ve been embarrassing inquires down from Duncan Sandys—“ “That’s the P.M.’s son-in-law, Pointsman, not good, not good!” “We’ve already begun to run into a deficit—“ “Funding,” IF you can keep your head, “is available, and will be coming in before long… certainly before we run into any serious trouble. Sir Stephen, far from being ‘knocked out,’ is quite happily at work at Fitzmaurice House, and is At Home there should any of you wish to confirm. Miss Borgesius is still active in the program, and Mr. Duncan Sandys is having all his questions answered. But best of all, we are budgeted well into fiscal ’46 before anything like a deficit begins to rear its head.” “Your Interested Parties again?” sez Rollo Groast. “Ah, I noticed Clive Mossmoon from Imperial Chemicals closeted with you day before yesterday,” Edwin Treacle mentions now. “Clive Mossmoon and I took an organic chemistry course or two together back at Manchester. Is ICI one of our, ah, sponsors, Pointsman?” “No,” smoothly, “Mossmoon, actually, is working out of Malet Street these days. I’m afraid we were up to nothing more sinister than a bit of routine coordination over the Schwarzkommando business.” “The hell you were. I happen to know Clive’s at ICI, managing some sort of polymer research.” They stare at each other. One is lying, or bluffing, or both are, or all of the above. But whatever it is Pointsman has a slight advantage. By facing squarely the extinction of his program, he has gained a great of bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in a bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of men. Oh, and women too of course, bless their empty little heads. But survival depends on having strong enough desires—on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman anxieties—they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter. “I do wish ICI would finance part of this,” Pointsman smiles. “Lame, lame,” mutters the younger Dr. Groast. “What’s it matter?” cries Aaron Throwster. “If the old man gets moody at the wrong time this whole show can prang.” “Brigadier Pudding will not go back on any of his commitments,” Pointsman very steady, calm, “we have made arrangements with him. The details aren’t important.” They never are, in these meetings of his.
Thomas Pynchon (Gravity’s Rainbow)
I walked into my bedroom, eyeing the mound of boxes and suitcases that sat by the door, and plopped down on my bed. Sleep eluded me that night. What if I just postponed my move to Chicago by, say, a month or so? Postponed, not canceled. A month surely wouldn’t hurt, would it? By then, I reasoned, I’d surely have him out of my system; I’d surely have gotten my fill. A month would give me all the time I needed to wrap up this whole silly business. I laughed out loud. Getting my fill of Marlboro Man? I couldn’t go five minutes after he dropped me off at night before smelling my shirt, searching for more of his scent. How much worse would my affliction be a month from now? Shaking my head in frustration, I stood up, walked to my closet, and began removing more clothes from their hangers. I folded sweaters and jackets and pajamas with one thing pulsating through my mind: no man--least of all some country bumpkin--was going to derail my move to the big city. And as I folded and placed each item in the open cardboard boxes by my door, I tried with all my might to beat back destiny with both hands. I had no idea how futile my efforts would be.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what
Michael Prescott (Dangerous Games (Abby Sinclair and Tess McCallum, #3))
her room now?” They were led down the hall by Beth. Before she turned away she took a last drag on her smoke and said, “However this comes out, there is no way my baby would have had anything to do with something like this, drawing of this asshole or not. No way. Do you hear me? Both of you?” “Loud and clear,” said Decker. But he thought if Debbie were involved she had already paid the ultimate price anyway. The state couldn’t exactly kill her again. Beth casually flicked the cigarette down the hall, where it sparked and then died out on the faded runner. Then she walked off. They opened the door and went into Debbie’s room. Decker stood in the middle of the tiny space and looked around. Lancaster said, “We’ll have the tech guys go through her online stuff. Photos on her phone, her laptop over there, the cloud, whatever. Instagram. Twitter. Facebook. Tumblr. Wherever else the kids do their electronic preening. Keeps changing. But our guys will know where to look.” Decker didn’t answer her. He just kept looking around, taking the room in, fitting things in little niches in his memory and then pulling them back out if something didn’t seem right as weighed against something else. “I just see a typical teenage girl’s room. But what do you see?” asked Lancaster finally. He didn’t look at her but said, “Same things you’re seeing. Give me a minute.” Decker walked around the small space, looked under piles of papers, in the young woman’s closet, knelt down to see under her bed, scrutinized the wall art that hung everywhere, including a whole section of People magazine covers. She also had chalkboard squares affixed to one wall. On them was a musical score and short snatches of poetry and personal messages to herself: Deb, Wake up each day with something to prove. “Pretty busy room,” noted Lancaster, who had perched on the edge of the girl’s desk. “We’ll have forensics come and bag it all.” She looked at Decker, obviously waiting for him to react to this, but instead he walked out of the room. “Decker!” “I’ll be back,” he called over his shoulder. She watched him go and then muttered, “Of all the partners I could have had, I got Rain Man, only giant size.” She pulled a stick of gum out of her bag, unwrapped it, and popped it into her mouth. Over the next several minutes she strolled the room and then came to the mirror on the back of the closet door. She appraised her appearance and ended it with the resigned sigh of a person who knows their best days physically are well in the past. She automatically reached for her smokes but then decided against it. Debbie’s room could be part of a criminal investigation. Her ash and smoke could only taint that investigation.
David Baldacci (Memory Man (Amos Decker, #1))
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
Is it Randall?” Oscar sounded out the name with care, as if testing dangerous waters. Camille closed her eyes and turned her face away from him, not wanting to have to see him when she said what she needed to say. “I have a duty, Oscar, just like my mother did. She failed at hers and look what happened; she destroyed so much. My father asked me not to say anything, but if I don’t marry Randall…I’m sorry, Oscar, I just have to.” Camille tried to edge by him, but Oscar held her back with his arm. “Do you think I’m a fool, Camille? Don’t try to blame marrying Randall on some duty you think you have.” She parted her lips to insist he was wrong. He cut her off. “If this is how you really feel, then you had no right to ask me to stay with you that night. You gave me a taste of what being with you might be like, and now you’re asking me to walk away. Who do you think you are?” Camille shook her head. He wasn’t listening. He had no idea how difficult it was for her, too, to have that one taste, that single moment of pure bliss to feed off of for the rest of her life. “I don’t have a choice-“ He slammed his fist against the pantry shelf behind her. “I don’t have a bank vault filled with money, or ten suits hanging in my closet to choose from each morning. I know I couldn’t give you all the things he could, but I can give you something he’ll never be able to. I love you, Camille,” he said, his mouth so close to hers his breath moistened her lips. “I love you. Not your last name or your pretty face or all the business opportunities you could bring me.” He laid his palm just beneath her neck, his thumb caressing the skin above where her heart lay. “Just you.” She stared at him, unblinking, unable to breathe, let alone speak. Oscar’s arm fell away. “You do have a choice, Camille. Or should I already be calling you Mrs. Jackson?” He stormed from the pantry, Camille on his heels. Promise or no promise to her father, she had to tell Oscar everything. “Please, Oscar, wait, if you’ll just listen-“ The companionway steps rattled, and Ira bounded into the galley. Oscar scooped up his shirt and shoved his arms inside the sleeves as Ira kicked out a bench at the table and sat down. “I’ve never been so friggin’ tried in my life,” Ira said, grabbing a mug for coffee. “And I once played a game of poker that lasted two days. Camille ignored him, Oscar’s anger still stinging. She’d created a massive mass. Ira peered at her, then at Oscar. “Why’re you two all red in the face?” he asked. Then his cheeks drew up and his teeth glistened. Oscar caught him before he could speak. “Save it, Ira,” he said, quickly glancing at Camille. She couldn’t plead with him to listen to her explain with Ira there. Oscar buttoned his shirt and left the galley. Ira directed his wily grin toward her. “Save it, Ira,” she echoed, and resumed scrubbing the floor.
Angie Frazier (Everlasting (Everlasting, #1))
As everyone knows, Islam set up a social order from the outset, in contrast, for example, to Christianity. Islamic social teachings are so basic to the religion that still today many people, including Muslims, are completely unaware of Islam's spiritual dimensions. Social order demands rules and regulations, fear of the king, respect for the police, acknowledgement of authority. It has to be set up on the basis of God's majesty and severity. It pays primary attention to the external realm, the realm of the body and the desires of the lower soul, the realm where God is distant from the world. In contrast, Islamic spiritual teachings allow for intimacy, love, boldness, ecstatic expressions, and intoxication in the Beloved. All these are qualities that pertain to nearness to God. (...) In short, on the social level, Islam affirms the primacy of God as King, Majestic, Lord, Ruler. It establishes a theological patriarchy even if Muslim theologians refuse to apply the word father (or mother) to God. God is yang, while the world, human beings, and society are yin. Thereby order is established and maintained. Awe and distance are the ruling qualities. On the spiritual level, the picture is different. In this domain many Muslim authorities affirm the primacy of God as Merciful, Beautiful, Gentle, Loving. Here they establish a spiritual matriarchy, though again such terms are not employed. God is yin and human beings are yang. Human spiritual aspiration is accepted and welcomed by God. Intimacy and nearness are the ruling qualities. This helps explain why one can easily find positive evaluations of women and the feminine dimension of things in Sufism. (...) Again, this primacy of yin cannot function on the social level, since it undermines the authority of the law. If we take in isolation the Koranic statement, "Despair not of God's mercy surely God forgives all sins" (39:53), then we can throw the Sharia out the window. In the Islamic perspective, the revealed law prevents society from degenerating into chaos. One gains liberty not by overthrowing hierarchy and constraints, but by finding liberty in its true abode, the spiritual realm. Freedom, lack of limitation and constraint, bold expansivenessis achieved only by moving toward God, not by rebelling against Him and moving away. Attar (d. 618/1221) makes the same point more explicitly in an anecdote he tells about the great Sufi shaykh, Abu'l- Hasan Kharraqani (d. 425/1033): It is related that one night the Shaykh was busy with prayer. He heard a voice saying, "Beware, Abu'l-Hasan! Do you want me to tell people what I know about you so that they will stone you to death?" The Shaykh replied, "O God the Creator! Do You want me to tell the people what I know about Your mercy and what I see of Your generosity? Then no one will prostrate himself to You." A voice came, "You keep quiet, and so will I." Sufism is concerned with "maintaining the secret" (hifz al-sirr) for more reasons than one. The secret of God's mercy threatens the plain fact of His wrath. If "She" came out of the closet, "He" would be overthrown. But then She could not be found, for it is He who shows the way to Her door.
Sachiko Murata (The Tao of Islam: A Sourcebook on Gender Relationships in Islamic Thought)
We went to dinner that night and ordered steak and talked our usual dreamy talk, intentionally avoiding the larger, looming subject. When he brought me home, it was late, and the air was so perfect that I was unaware of the temperature. We stood outside my parents’ house, the same place we’d stood two weeks earlier, before the Linguine with Clam Sauce and J’s surprise visit; before the overcooked flank steak and my realization that I was hopelessly in love. The same place I’d almost wiped out on the sidewalk; the same place he’d kissed me for the first time and set my heart afire. Marlboro Man moved in for the kill. We stood there and kissed as if it was our last chance ever. Then we hugged tightly, burying our faces in each other’s necks. “What are you trying to do to me?” I asked rhetorically. He chuckled and touched his forehead to mine. “What do you mean?” Of course, I wasn’t able to answer. Marlboro Man took my hand. Then he took the reins. “So, what about Chicago?” I hugged him tighter. “Ugh,” I groaned. “I don’t know.” “Well…when are you going?” He hugged me tighter. “Are you going?” I hugged him even tighter, wondering how long we could keep this up and continue breathing. “I…I…ugh, I don’t know,” I said. Ms. Eloquence again. “I just don’t know.” He reached behind my head, cradling it in his hands. “Don’t…,” he whispered in my ear. He wasn’t beating around the bush. Don’t. What did that mean? How did this work? It was too early for plans, too early for promises. Way too early for a lasting commitment from either of us. Too early for anything but a plaintive, emotional appeal: Don’t. Don’t go. Don’t leave. Don’t let it end. Don’t move to Chicago. I didn’t know what to say. We’d been together every single day for the past two weeks. I’d fallen completely and unexpectedly in love with a cowboy. I’d ended a long-term relationship. I’d eaten beef. And I’d begun rethinking my months-long plans to move to Chicago. I was a little speechless. We kissed one more time, and when our lips finally parted, he said, softly, “Good night.” “Good night,” I answered as I opened the door and went inside. I walked into my bedroom, eyeing the mound of boxes and suitcases that sat by the door, and plopped down on my bed. Sleep eluded me that night. What if I just postponed my move to Chicago by, say, a month or so? Postponed, not canceled. A month surely wouldn’t hurt, would it? By then, I reasoned, I’d surely have him out of my system; I’d surely have gotten my fill. A month would give me all the time I needed to wrap up this whole silly business. I laughed out loud. Getting my fill of Marlboro Man? I couldn’t go five minutes after he dropped me off at night before smelling my shirt, searching for more of his scent. How much worse would my affliction be a month from now? Shaking my head in frustration, I stood up, walked to my closet, and began removing more clothes from their hangers. I folded sweaters and jackets and pajamas with one thing pulsating through my mind: no man--least of all some country bumpkin--was going to derail my move to the big city. And as I folded and placed each item in the open cardboard boxes by my door, I tried with all my might to beat back destiny with both hands. I had no idea how futile my efforts would be.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
One morning when we three were alone, Nee leaned forward and said, “Elen, you’ve been closeted with Vidanric a lot, I’ve noticed. Has he said aught about a coronation? I confess it makes me nervous to have it not decided--as if they are waiting for something terrible to happen.” Elenet’s expression did not change, but high on her thin cheeks appeared a faint flush. “I trust we will hear something soon,” she murmured. And she turned the conversation to something general. Were they in love? I knew that she was. Elenet would make a splendid queen, I told myself, and they both certainly deserved happiness. I found myself watching them closely whenever we were all at an event, which occurred more and more often. There were no touches, no special smiles, none of the overt signs that other courting couples gave--but she was often by his side. I’d inevitably turn away, thinking to myself that it was none of my business. It wasn’t as if I didn’t have admirers, both the social kind and one real one--though I didn’t know his name. Still, the subject made me restless, which I attributed to my knowledge of how badly I had behaved to Shevraeth. I knew I owed him an apology, or an explanation, two things I could not bring myself to offer lest--someone--misconstrue my motives. And think me angling for a crown. So I hugged to myself the knowledge of my Unknown. No matter how my emotions veered during those social occasions, it was comforting to realize that I would return to my room and find a letter from the person whose opinions and thoughts I had come to value most. I preferred courtship by paper, I told myself. No one feels a fool, no one gets hurt. And yet--and yet--though I loved getting those letters, as the days went by I realized I was becoming slightly impatient of certain restraints that I felt were imposed on us. Like discussing current events and people. I kept running up against this constraint and finding it more irksome as each day passed. We continued to range over historical events, or the current entertainments such as the Ortali ribbon dancers or the piper-poets from faraway Tartee--all subjects that I could have just as well discussed with an erudite lady. The morning of Nee’s question to Elenet about coronations, I found the usual letter waiting when I returned to my room. I decided to change everything. Having scanned somewhat impatiently down the well-written comparison of two books about the Empire of Sveran Djur, I wrote: I can find it in myself to agree with the main points, that kings ought not to be sorcerers, and that the two kinds of power are better left in the charge of different persons. But I must confess that trouble in Sveran Djur and Senna Lirwan seems a minor issue right now. The problems of wicked mage-kings are as distant as those two kingdoms, and what occupy my attention now are problems closer to home. Everyone seems to whisper about the strange delay concerning our own empty throne, but as yet no one seems willing to speak aloud. Have you any insights on why the Renselaeus family has not made any definite plans?
Sherwood Smith (Court Duel (Crown & Court, #2))
Have you always had a dog?” I asked. I so wanted to know everything about him. “No, Pigeon’s my first pet.” “And you didn’t consider getting any other kind? Like a cat?” “A cat?” he scoffed. “Never. I’m not bringing home some sociopath intent on luring you into a false sense of security before they eat your face.” That made me laugh. “Some cats are nice and affectionate.” Not that I had any firsthand knowledge, but it had to be true. “Decoys. They’ve never forgotten that they used to be worshipped as gods. You’ll never see dogs planning on destroying humankind. Which is one of the reasons I adopted Pigeon.” “She won’t eat your face?” He smiled. “I’m pretty sure she’s not plotting my demise. And it’s nice to love somebody who doesn’t want anything in return.” Whoa, that sounded deep and like an area that was obviously none of my business but I still wanted to ask too many questions about. Before I could figure out what to say in response, he said, “While we’re on the topic of animals and their devious plans, something you should definitely know about Pidge is that she loves shoes. And by love, I mean she chews them into tiny pieces until they no longer resemble shoes. So you always want to keep your closet door shut.” “Got it. She won’t come for my face, but she will for my shoes.” Pigeon and I were going to have issues if she chewed up my shoes. I’d been forced to sell off most of my bags and footwear. The shoes I had now were very inexpensive and I wasn’t emotionally attached to them, but I didn’t have enough money to buy more cheap shoes.
Sariah Wilson (Roommaid)
So, your nails are done, your hair is tight, and you have laid out a BOMB outfit for every day of the week! But your life is a hot mess. Finances in disarray got more shoes than savings, no plans for the future. Instead of organizing your closet, try "handling your business" on for size. The package isn't worth much if there's no substance to what's inside.
Liz Faublas
That shit where the dark, dashing stranger comes in and charms the pants off a bartender, literally, and fucks her at break time in the bathroom or in a back alley or closet? Only happens in the movies, or on cable TV. In real life, it takes months and an actual friendship to be able to fuck your bartender, and even then it’ll have to be done on the sly. Shit’s bad for business.
A.D. Aliwat (In Limbo)
Once she was deeply fascinated with her parents. She had craved knowledge about them. As a child she fiddled with locked doors and drawers, got down on her knees and dug through closets, lingered outside her father’s study during business calls until her mother shooed her off. Fifteen years ago, she had at last recognized the pointlessness in trying to uncover the truth from a man who had never actually been convicted of anything, and a woman who had sealed shut her emotions decades ago.
Jami Attenberg (All This Could Be Yours)
Anyways, it's not like I was in the closet or anything. It's just that I didn't want my sexuality to be everyone's business. It's not like straight people have to announce their sexual preference.
Dani Jansen (The Year Shakespeare Ruined My Life)
On some bizarre instinct, he peeked into the master bedroom. He saw a couple of suitcases on the bed. And he thought, This isn’t happening to me. He went to the kitchen. “Hi, honey,” he said tentatively. “Oh, Paul, you’re home!” she said. She didn’t look as though she was leaving him. “Have you been cleaning out closets or something?” “No. Will you turn on the oven, please? Three-fifty. I’ve got a frozen lasagna to put in there. I hope you’re not starving, because I’ve been really busy.” He turned on the oven. “Vanni, are you leaving me?” She laughed at him. “For a few days. I’m taking the kids to Grants Pass. I’ve already talked to your mom and she’s going to help me with them and watch Matt for me. I could’ve called the Rutledges,” she said, speaking of little Matt’s biological grandparents. “But frankly, I’m not up to explaining Hannah to Carol just now. What I have to do is take Hannah to see her grandmother—I don’t know how sick she is. What if she doesn’t have long to live? What if I miss a chance to ask her questions about Hannah’s mother? There are things Hannah is going to need to know.” Vanni was rambling, talking more to herself than to Paul, it seemed. “There doesn’t appear to be family Terri was close to while growing up. I don’t dare waste a second. I’m afraid to even wait till the weekend. I’m going to pack tonight after the kids are in bed and leave right after breakfast.” Paul was really sorry he hadn’t had that beer. It felt as if the ground was moving under his feet, things were shifting so quickly. He reached into the refrigerator and pulled out a bottled beer, popped the top and sat down at the kitchen table.
Robyn Carr (Forbidden Falls)
Where did you find those? They’re beautiful.” His face fell, and for a while he didn’t respond to me. It wasn’t until we were in the car on the way to the hospital that he finally murmured, “One of the guys on Dad’s crew helped me make them.” I turned quickly in my seat to look at him, and stared blankly for a few seconds. “You made those. The bookshelves.” Jentry nodded slowly. “I used to work for my dad when I was in high school. Dec did, too. He could have built shelves if you’d asked him to. Declan only deals with the business side now and hasn’t done any of the manual stuff since we graduated from high school. Neither had I, which is why I had help.” “Jentry . . . thank you.” I didn’t know what else to say. I wanted to go over every detail of the shelves, but couldn’t seem to figure out how to now that I knew that Jentry had done all of that for me. “Just, thank you.” He shrugged nonchalantly. “You needed shelves so your books wouldn’t just stay boxed up in the closet.” “But those . . .” I trailed off and shook my head. “Those were exactly what I described, and they’re—
Molly McAdams (I See You)
People have often asked me how we girls managed any privacy in a house with so many boys and no private rooms. It was difficult. We used to bathe with a washcloth from a pan of water. We would first start with our necks and faces and wash down as far as possible. Then we would wash the road dust from our feet and wash up as far as possible. Later, when the boys were out of the room, we would wash “possible.” It was these circumstances that led to a very embarrassing mishap that I have told very few people and would not relate here if it were not so funny. We had an outdoor bathroom, and there were times in the middle of the night when it was very inconvenient to dress and go out into the cold just to take a leak. For these times there was a little room, actually a closet, that had in it what was called a “slop jar” or “slop bucket.” It was actually an enameled pot with flared sides that was made to accommodate a woman squatting over it to do her business. The closet had no door as such, just a sort of curtain hung on a tight piece of wire. After dark when the fire had died down, it could afford some kind of privacy at least. One night when I was about sixteen or seventeen, I had been out on a date and got home fairly late. Everybody was already in bed, and I didn’t want to wake them and alert Mama and Daddy to the hour of my homecoming. I was absolutely bustin’ to pee, so I fumbled my way through the dark until I found the curtain to the closet and stepped inside. I dropped my panties and hiked up my skirt and assumed the position over the slop jar. I was feeling relieved in a physical sense and quite grown-up and somewhat smug that I “pulled it off,” so to speak. But suddenly, here in the middle of my little triumph, or more accurately here in the middle of my rump, came the cold nose of an unexpected intruder. A raccoon had gotten into the house, and unbeknownst to me, we were sharing the closet as well as a very intimate moment. When I felt that cold nose on my butt, I screamed bloody murder and literally peed all over myself. Of course I woke the whole house with my unscheduled concert. Daddy grabbed the poker to fend off an intruder. Mama started praying. The little kids cried, and the big kids just ran around confused. When everybody found out what had happened, they all had a good laugh at my expense. Except, of course, the raccoon. Once the lights were turned on, he acted like any man caught in a compromising position with a lady and bolted for the door. I often think of that moment at times when I’m feeling “too big for my britches,” and it tends to have a humbling effect.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
I still need to innovate, to break out-of-the-box, and be a force of change, but I have not figured out how to do that in the business world—except through writing.
Charles Benedict (My Life In and Out: One Man’s Journey into Roman Catholic Priesthood and Out of the Closet)
Taking a deep breath, Sailor decided to lay himself at her feet. "I was imagining the future and thinking of how if everything went according to plan, I'd have a very successful business with a high turnover." He made sure his hands were locked behind Ísa's back--just in case she decided to leave him in her dust a fourth time. "And since I'd be rich, I'd be able to buy houses and other nice things for my family." Ísa frowned. "I don't think your family expects that." "They don't exactly need my largess either," Sailor muttered. "But in my future fantasy, I'm buying everyone fancy cars and houses. Go with it." Ísa's lips twitched. "Okay, big spender. What else is fantasy Sailor doing?" "He's building a ginormous mansion. Swimming pool, tennis court, the works." "Is he hiring a buff personal masseuse named Sven?" "Hell no." He glared at her. "The masseuse is a fifty-year-old forner bodybuilder named Helga. Now, can I carry on?" Pretending to zip up her lips and throw away the key, Ísa made a "go on" motion. "Future Sailor is also creating a huge walk-in closet for you and filling it with designer shoes and clothes. He's giving you everything your heart desires." A flicker of darkness in Ísa's gaze, but she didn't interrupt... though her hands went still on his shoulders. "And there's a tricked-out nursery too," he added. "Plus a private playground for our rug rats." Throat moving, Ísa said, "How many?" It was a husky question. "Seven, I think." "Very funny, mister." "I'm not done." Sailor was the one who swallowed this time. "And in this fantasy house, future Sailor walks in late for dinner again because of a board meeting, and he has a gorgeous, sexy, brilliant wife and adorable children. But his redhead doesn't look at him the same anymore. And it doesn't matter how many shoes he buys her or how many necklaces he gives her, she's never again going to look at him the way she did before he stomped on her heart. Ísa's lower lip began to quiver, but she didn't speak. "I'm so sorry, baby." Sailor cupped her face, made sure she saw the sheer terror he felt at the thought of losing her. "I've been so tied to this idea of becoming a grand success that I forgot what it was all about in the first place--being there for the people I love. Sticking through the good and the bad. Never abandoning them." Silent tears rolled own Ísa's face. "But that great plan of mine?" he said, determined not to give himself any easy outs. "It'd have mean abandoning everyone. How can I be there for anyone when all I do is work? When I shove aside all other commitments? When the people I love hesitate to ask for my time because I'm too tired and too busy?" Using his thumbs, he rubbed away her tears. More splashed onto the backs of his hands, her hurt as hot as acid. "Spitfire, please," he begged, breaking. "I'll let you punch me as many times as you want if you stop crying. With a big red glove. And you can post photos online." Ísa pressed her lips together, blinked rapidly several times. And pretended to punch him with one fist, the touch a butterfly kiss. Catching her hand, he pressed his lips to it. "That's more like my Ísa." He wrapped his arms around her again. And then he told her the most important thing. "I realized that I could become a multimillionaire, but it would mean nothing if my redhead didn't look at me the way she does now, if she expected to have to take care of everything alone like she's always done--because her man was a selfish bastard who was never there." Ísa rubbed her nose against his. "You're being very hard on future Sailor," she whispered, her voice gone throaty. "That dumbass deserves it," Sailor growled. "He was going to put his desire to be a big man above his amazing, smart, loving redhead.
Nalini Singh (Cherish Hard (Hard Play, #1))
We can see American English downtown in any city in the States. We would look up a block of “apartments” to a “penthouse,” be deluged by the “mass media,” go into a “chain store,” breakfast on “cornflakes,” avoid the “hot dog,” see the “commuters” walking under strips of “neon,” not “jaywalking,” which would be “moronic,” but if they were “executives” or “go-getters” (not “yes-men” or “fat cats”), they would be after “big business,” though unlikely to have much to do with an “assembly line” or a “closed shop.” There’s likely to be a “traffic jam,” so no “speeding,” certainly no space for “joy-riding” and the more “underpasses” the better. And of course in any downtown city we would be surrounded by a high forest of “skyscrapers.” “Skyscraper” started life as an English naval term — a high light sail to catch the breeze in calm conditions. It was the name of the Derby winner in 1788, after which tall houses became generally called skyscrapers. Later it was a kind of hat, then slang for a very tall person. The word arrived in America as a baseball term, meaning a ball hit high in the air. Now its world meaning is very tall building, as typified by those in American cities. Then you could go into a “hotel” (originally French for a large private house) and find a “lobby” (adopted from English), find the “desk clerk” and the “bell boy,” nod to the “hat-check girl” as you go to the “elevator.” Turn on the television, flick it all about and you’re bound to find some “gangsters” with their “floozies” in their “glad rags.” In your bedroom, where the English would have “bedclothes,” the Americans have “covers”; instead of a “dressing gown” you’ll find a “bathrobe,” “drapes” rather than “curtains,” a “closet” not a “wardrobe,” and in the bathroom a “tub” with a “faucet” and not a “bath” with a “tap.
Melvyn Bragg (The Adventure of English: The Biography of a Language)
To the right, a tiny red coat with a thick white collar dangles from a hook. It looks a lot like Christmas and is just about the right size for an elf. There is a bit of magic in it. Of this I have no doubt. For that little coat gets me to stop many times each day to consider what matters in life and what it means to be human. That’s why I didn’t box it up and hide it away in the back of some closet. It is meant to be seen, because I don’t ever want life to get so busy and complicated that I forget.
Tom Ryan (Will's Red Coat: The Story of One Old Dog Who Chose to Live Again)
Fine. But I estimate you have about a twenty-one percent chance of making a profit.” “Really? That actually gives me hope, Dev. Thanks. I figured it was more like negative five percent.” “That might be more accurate,” he admitted. She hated to say it, but Dev was probably right. Her main problem was that the cost of fuel kept rising. Or maybe it was that boat repairs were expensive and the Forget Me Not had more leaks than a salad spinner. Or that she couldn’t steer a boat and be a guide at the same time, and therefore had to hire Captain Kid. Or that she couldn’t afford her own office and therefore had to rent a virtual closet in the back of the Jack Hammer Fishing Charters office. The receptionist, Carla, only answered the Forget Me Not Nature Tours phone line when she wasn’t busy. Plenty of potential bookings went straight to voicemail. Or maybe her biggest problem was that her
Jennifer Bernard (Mine Until Moonrise (Lost Harbor, Alaska, #1))
Others try to manage by avoiding the issue altogether. They steer clear of conversations, relationships or situations in which their sexuality might be questioned. Ask them about their personal lives, they'll tell you about a movie they saw, about how busy they are at work, or about the weather. Or they'll tell you it's unprofessional to talk about such personal matters in the office. These are men with a strictly business reputation, and they pay for their secrecy by feeling detached and distant. They don't want to fabricate a heterosexual identity, but nor do they want to come out. They hope nobody will make it an issue.
James D. Woods (The Corporate Closet: The Professional Lives of Gay Men in America)
To lovers out there … One day we must break away from the myths that if you single and not dating. It means you are well mannered , raised well and you are a good person. If you’re dating then you are ratchet, wild, fast forward and you like things. Most people who are not dating is not by choice but is by circumstance . Some are not dating because they can’t find right partners. Some are in the closet. Some they fear to be heart broken, pregnancy ,commitment, to be burden. Some are busy don’t have time. Some don’t have money. Dating doesn’t make people hoes. Not dating it doesn’t make people saints either.  We should stop bad mouthing, slandering, name calling, slut shamming people who are trying their best to find right partners or to find love. Especial when we can’t do what they are doing because of our fears, even thou we also want what they want. To be loved .
De philosopher DJ Kyos
I’m having some business partners coming over on Saturday for dinner. You need a dress.” “I definitely don’t need another dress. I’ve purchased enough clothes to last me two lifetimes last week. Vova barely managed to get everything into the car, and I don’t have any space left in the closet. There are at least ten dresses that I haven’t even worn.” “You said you are an impulse buyer.” “That doesn’t equal hoarder, Roman.
Neva Altaj (Painted Scars (Perfectly Imperfect, #1))
It isn’t that I haven’t been able to write at all. In fact, during the time I was supposed to be writing my book, I was crafting fabulously witty and flirtatious emails to Boyfriend, all while telling friends and family and even Boyfriend that I was busy writing my book. I was like the closet gambler who gets dressed for work and kisses his family goodbye each morning and then drives to the casino instead of the office.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
You needed a good closet. You had to be proficient in at least one sport, the more dangerous and expensive the better. Languages were an asset- for blandishments if nothing else- and smarts: not bookishness so much as worldliness. It wasn't necessary to be drop-dead handsome but you had to be charming, and you got extra points for a reputation for danger and good times. You had to dance well, it went without saying. A little money didn't hurt, if only to get you into the right restaurants and nightclubs and casinos and hotels. (A lot of money didn't, of course, hurt either.) Connections were essential, whether acquired through school or sports or socializing or business, if you were the sort who went in for business. And time. Time was, as the saying went, of the essence: time to travel and time to play and time to lounge and time to get fit and time to get fitted and time to dally and time to take your time while others, less certain of themselves and what they wanted, scurried. p116
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
[Barack] doesn't understand fashion. He's always asking , 'Is that new? I haven't seen that before.' It's like: 'Why don't you mind your own business? Solve world hunger. Get out of my closet.
Michelle Obama (Michelle Obama: In Her Own Words)
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Handyman Pros Of Myrtle Beach
While you were busy judging me, your closet door opened and all your skeletons fell out!
Rosetta Diane Hoessli (Whispers Through Time)
News of the historic deal broke on the front pages of the Dallas papers that Sunday. The men of Texas Oil were left speechless. It was, by wide acclaim, the most astounding business deal the state had ever seen; as the enormity of the East Texas field became apparent in coming months, it would be hailed as the deal of the century. An obscure interloper, a closet bigamist, a man just nine years removed from life as a professional gambler, and from Arkansas of all places, had seized the heart of the greatest oil field in history, a field that in the next fifty years would produce four billion barrels of oil. H. L. Hunt had snatched East Texas from beneath the noses of the slumbering majors, and most incredible of all, he hadn’t used a cent of his own money.
Bryan Burrough (The Big Rich: The Rise and Fall of the Greatest Texas Oil Fortunes)
What about Millie?" "Millie?" he says, spinning back around to face me. "Oh yes, Millie Vagaboss. Let's definitely talk about her." His sarcasm really isn't bad for a Midwestern boy. "It's none of my business, really," I say as I realize I don't actually want to hear this, most likely. "No, no, it's your business, especially since you gave her your blessing to basically dry hump me in the van last night." "What the hell?" I think I feel my nostrils flaring, but I really hope not. "I did?" "Yeah, thanks for that," he says. "She told me you said there's nothing going on between us, and you were cool if she hooked up with me, like I'm some guy in your personal boy harem and you're giving me to her as a token of your appreciation." "It was so not like that! Are you kidding me?" "She was really drunk," he says. "But that was the gist of it, yeah." Now I'm mad. I have no idea why, since I basically did tell Millie she was free to go for it with Bean. "What's wrong?" he says. "Did you really expect to find her hiding in my closet? Were you going to fight for my honor or something?" "Stop making fun of me." "Stop giving me to your friends like I'm some kind of manslut.
Mercy Brown (Loud is How I Love You (Hub City, #1))
The causes  of this mournful state of things are manifold. It may arise through a  comparative neglect of prayer, for a neglected closet is the beginning  of all spiritual decline. Or it may be the result of idolatry. The  heart has been occupied with something else, more than with God; the  affections have been set on the things of earth, instead of the things  of heaven. A jealous God will not be content with a divided heart; he  must be loved first and best. He will withdraw the sunshine of his  presence from a cold, wandering heart. Or the cause may be found in  self-confidence and self-righteousness. Pride is busy in the heart, and  self is exalted instead of lying low at the foot of the cross. 
Charles Haddon Spurgeon (Morning and Evening)
Are you sure it’s going to fit? You told me to get a double.” “I did?” She glanced at the platform. “I meant a full. That’s a little narrower, isn’t it?” “I don’t know. I hope they’re the same. Measure twice, move once.” Doubt flickered across Kenzie’s expression. “That’s not how the saying goes.” “It’ll do for now.” “Let’s just try it.” She curled her fingers around a handle and dragged it onward. Linc reached for the other one and helped her flip it down. It hollowed in the middle and hung over the edge. “I’m guessing I got suckered,” he said with annoyance. He looked at the label sewn into the side. “It isn’t a national brand--the measurement sure isn’t standard. The damn thing is about three inches wider than the platform.” “The length is correct,” Kenzie said helpfully. Linc lifted it back up again and leaned it against the opposite wall. “Yeah. Great.” “Sorry,” she offered. He bent over and ran a hand along the platform’s edge, pushing gently on the long wooden bar that kept the mattress in place. It gave at one corner. “Stapled. Not exactly quality construction.” He thumped at it with a closed fist to pry it loose and di the same thing at the other end, straightening with the bar in his hand. He handed it to her. “This can go in the closet. You get to explain to Norm.” “He won’t care. You’re a genius.” Linc hoisted the mattress and flipped it down again. “If you say so.” He grinned. “At least the bed’s flat.” Kenzie rested the bar in a corner and got busy stripping off the plastic while he watched. The luxurious satin top gleamed softly--he’d spent what she’d given him. When she was done, she had an armful of plastic that she stuffed into a bag on top of the crumpled rock-star posters. With a sigh of happiness she sat down on her new bed. “Thanks so much. You really came through.” “I like protecting you from lecherous mattress salesmen. You don’t need to thank me,” he joked. “How about a kiss instead?” Linc was taken aback. He opened his mouth, too surprised for a second to say yes. No never entered his mind.
Janet Dailey (Honor (Bannon Brothers, #2))
Use More Extreme Criteria. Think of what happens to our closets when we use the broad criteria: “Will I wear this someday?” The closet becomes cluttered with clothes we never wear and probably never will. If you ask, “Will I absolutely wear this in the next six months?,” you’re more likely to get rid of an item to make space for something better. Simplification works especially well when you use extreme criteria to challenge how things are done. Some examples: • To solve this problem, give me a solution that would shock people. • To solve this problem, give me an idea that would get you fired. • To solve this problem, give me an idea that would eliminate all or a seemingly impossible amount of something. Example: A group within a telecom company wanted to cut meetings, so they challenged each business unit to eliminate 50 percent of their meetings, knowing full well that this would be near impossible. In the end, managers reporting cutting 15 percent of their meetings, greater than the 5 percent they originally expected.
Lisa Bodell (Why Simple Wins: Escape the Complexity Trap and Get to Work That Matters)
good story also has specific details to help the listener see herself in the founder’s story. A detail such as Sara’s seat number on the airplane is irrelevant to the story. The fact that Sara’s $98 pair of white pants hung in the closet for eight months because she didn’t like the way they looked on her is something that many women can relate to.
Carmine Gallo (The Storyteller's Secret: From TED Speakers to Business Legends, Why Some Ideas Catch On and Others Don't)
Often Alfred’s meetings began again at six. Two or more business associates would come and closet themselves in the study for almost an hour. Sometimes I’d join them, bringing in a tea tray and a few things to munch on—because no man with low blood sugar ever comes to a happy agreement about anything. With either tea or cocktails I like to give a busy man something hearty, like slices of salami or sausage. Or peanut butter and bacon on black bread slipped under the grill until it sizzles.
Joan Crawford (My Way of Life)
said he figured she had maybe fifteen or twenty outfits, four hundred bucks an outfit, maybe eight grand in total. Truth was she had thirty-four business suits in her closet. She’d worked three years on Wall Street. She had eight grand tied up in the shoes alone. Four hundred bucks was what she had spent on a blouse, and that was when she felt driven by native common sense to be a little economical. She liked Armani. She had thirteen of his spring suits. Spring clothes from Milan were just about right for most of the Chicago summer. Maybe in the really fierce heat of August she’d break out her Moschino shifts, but June and July, September too if she was lucky, her Armanis were the thing. Her favorites were the dark peach shades she’d bought in her last year in the brokerage house. Some mysterious Italian blend of silks. Cut and tailored by people whose ancestors had been fingering fine materials for hundreds of years. They look at it and consider it and cut it and it just falls into marvelous soft shapes. Then they market it and a Wall Street broker buys it and loves it and is still wearing it two years into the future when she’s a new FBI agent and she gets snatched off a Chicago street. She’s still wearing it eighteen hours later after a sleepless night on the filthy straw in a cow barn. By that point, the thing is no longer something that Armani would recognize.
Lee Child (Die Trying (Jack Reacher, #2))
Of course. You look hot. They want to know who you are and if you're taken, or if you're here on business." "And am I?" I tease. His face darkens briefly. "You are very much taken. Don't test me, Thompson. I'll drag you into a closet and show you just how taken you are." My pulse jumps at his words. Taken. I love it.
Sophia Travers (One Rich Revenge)