Closest Birthday Quotes

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it's been a long time since i've thought about that night, that wonderful raucous night. I can still see the president s surprise and amusement while opening gifts. I can still hear the music, the guests singing along and the president having such a wonderful time surrounded by his closest family and friends. What a privilege it was to have been there, to witness the joy and laughter. But Always, when I remember that special birthday celebration on the Sequoia, I can't help but think it should not have been his last. At forty six it shouldn't have been his last
Clint Hill (Mrs. Kennedy and Me: An Intimate Memoir)
For his thirtieth and fortieth birthdays, Jobs had celebrated with the stars of Silicon Valley and other assorted celebrities. But when he turned fifty in 2005, after coming back from his cancer surgery, the surprise party that his wife arranged featured mainly his closest friends and professional colleagues. It was at the comfortable San Francisco home of some friends, and the great chef Alice Waters prepared salmon from Scotland
Walter Isaacson (Steve Jobs)
My real life work was done at Atlanta for thirteen years, from my twenty-ninth to my forty-second birthday. They were years of great spiritual upturning, of the making and unmaking of ideals, of hard work and hard play. Here I found myself. I lost most of my mannerisms. I grew more broadly human, made my closest and most holy friendships, and studied human beings. I became widely-acquainted with the real condition of my people. I realized the terrific odds which faced them. At Wilberforce I was their captious critic. In Philadelphia I was their cold and scientific investigator, with microscope and probe. It took but a few years of Atlanta to bring me to hot and indignant defense. I saw the race-hatred of the whites as I had never dreamed of it before,—naked and unashamed! The faint discrimination of my hopes and intangible dislikes paled into nothing before this great, red monster of cruel oppression. I held back with more difficulty each day my mounting indignation against injustice and misrepresentation.
W.E.B. Du Bois (Darkwater: Voices from Within the Veil (Dover Literature: African American))
It is already the fashion to diminish Eliot by calling him derivative, the mouthpiece of Pound, and so forth; and yet if one wanted to understand the apocalypse of early modernism in its true complexity it would be Eliot, I fancy, who would demand one's closest attention. He was ready to rewrite the history of all that interested him in order to have past and present conform; he was a poet of apocalypse, of the last days and the renovation, the destruction of the earthly city as a chastisement of human presumption, but also of empire. Tradition, a word we especially associate with this modernist, is for him the continuity of imperial deposits; hence the importance in his thought of Virgil and Dante. He saw his age as a long transition through which the elect must live, redeeming the time. He had his demonic host, too; the word 'Jew' remained in lower case through all the editions of the poems until the last of his lifetime, the seventy-fifth birthday edition of 1963. He had a persistent nostalgia for closed, immobile hierarchical societies. If tradition is, as he said in After Strange Gods--though the work was suppressed--'the habitual actions, habits and customs' which represent the kinship 'of the same people living in the same place' it is clear that Jews do not have it, but also that practically nobody now does. It is a fiction, a fiction cousin to a myth which had its effect in more practical politics. In extenuation it might be said that these writers felt, as Sartre felt later, that in a choice between Terror and Slavery one chooses Terror, 'not for its own sake, but because, in this era of flux, it upholds the exigencies proper to the aesthetics of Art.' The fictions of modernist literature were revolutionary, new, though affirming a relation of complementarity with the past. These fictions were, I think it is clear, related to others, which helped to shape the disastrous history of our time. Fictions, notably the fiction of apocalypse, turn easily into myths; people will live by that which was designed only to know by. Lawrence would be the writer to discuss here, if there were time; apocalypse works in Woman in Love, and perhaps even in Lady Chatterley's Lover, but not n Apocalypse, which is failed myth. It is hard to restore the fictive status of what has become mythical; that, I take it, is what Mr. Saul Bellow is talking about in his assaults on wastelandism, the cant of alienation. In speaking of the great men of early modernism we have to make very subtle distinctions between the work itself, in which the fictions are properly employed, and obiter dicta in which they are not, being either myths or dangerous pragmatic assertions. When the fictions are thus transformed there is not only danger but a leak, as it were, of reality; and what we feel about. all these men at times is perhaps that they retreated inso some paradigm, into a timeless and unreal vacuum from which all reality had been pumped. Joyce, who was a realist, was admired by Eliot because he modernized myth, and attacked by Lewis because he concerned himself with mess, the disorders of common perception. But Ulysses ,alone of these great works studies and develops the tension between paradigm and reality, asserts the resistance of fact to fiction, human freedom and unpredictability against plot. Joyce chooses a Day; it is a crisis ironically treated. The day is full of randomness. There are coincidences, meetings that have point, and coincidences which do not. We might ask whether one of the merits of the book is not its lack of mythologizing; compare Joyce on coincidence with the Jungians and their solemn concordmyth, the Principle of Synchronicity. From Joyce you cannot even extract a myth of Negative Concord; he shows us fiction fitting where it touches. And Joyce, who probably knew more about it than any of the others, was not at tracted by the intellectual opportunities or the formal elegance of fascism.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
As a campaigner, said Dee Dee Myers, who served as Bill's press secretary, Hillary made the mistake of telling audiences what she felt rather than showing them. "The presidency," said Meyers, "isn't all that powerful, except as the bully pulpit. It comes down to your ability to get people to follow you, to inspire. You have to lead. Can Hillary get people to come together, or does she remain such a polarizing figure?" For an answer to that question, all you had to do was ask half the voters in the United States, who didn't like Hillary. In total contrast to Hillary, Bill was brilliant at politics because (1) he liked people, (2) they liked him, and (3) he treated all politics, -- even presidential politics -- like local politics. He'll show up at your birthday party in suburban Cleveland if he thinks you can be useful to him down the pike," said one of his closest advisers. "Can you imagine the impact that has -- his showing up at a middle-class home out of nowhere? You never forget it, and you tell everybody you know about it. These other guys in politics don't get the power of that kind of thing. The ripple effect it has politically over the long term. Bill does. He's been doing that since he was in high school.
Edward Klein (UNLIKEABLE: The Problem with Hillary)
It is no surprise that weddings can be a little bittersweet for single people. We’re genuinely happy for our friends as they marry. But there can also be a sense of loss. It is the start of a new era for the couple. But the end of an era for our friendship. A single friend of mine in his late forties, recently said that the marriage of one of his closest friends felt like a bereavement. It feels as though you’ve been demoted. One writer, Carrie English, describes feelings of rejection that come when attending the wedding of friends. Two people announcing publicly that they love each other more than they love you. There is not denying that weddings change friendships forever. Priorities have been declared in public. She’ll be there for him in sickness and in health, till death do they part. She’ll be there for you on your birthday or when he has to work late. Being platonically dumped wouldn’t be so bad if people would acknowledge that you have the right to be platonically heartbroken. But it’s just not part of our vocabulary. However much our society might pay lip service to friendship, the fact remains that the only love it considers important, important enough to make a huge public celebration, is romantic love.
Sam Allberry (7 Myths about Singleness)
During one of our infrequent dinners, he had a revelation. After an awkward pause, he stammered, “I’m afraid I ruined your life.” It was the closest he ever got to admitting fault. He looked so small underneath his too-big white polo shirt. He has always been fragile, but now he looked it. “You’re very lucky,” I said. “I turned out fine.” But still, he must have had the sense that there were amends to be made. Because months later, he asked me, “What can I do to be closer to you?” “I don’t know,” I said. “Make a list,” he replied. “Make a list of what you want, and give it to me, and I’ll do it.” I never made the list. I didn’t make the list because I was confused about what to put on it. What would fix things? Was there really anything that could make up for what had happened? Remember my birthday? Be there for me when I’m falling apart? Come visit me one time? Decide that for just one Christmas, shit, even one minor holiday, you’re going to spend it with me? Call me, text me, just to ask how I am? Fully acknowledge all the things you’ve done wrong instead of minimising them and claiming that I’m obsessed with the past? Acknowledge how much this hurts?
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Is this how it happens? Not with a bang, but with gaps between hangs that gradually get larger, and you forget to send that birthday message... and the only time you all get together is at weddings, but the weddings are running out, then months turn into years into decades and you're telling optimistic thirtysomethings that THIS is when friendships begin to fade. Please do not let me be that guy. I'm not resigning us to that fate, not yet. I'm old enough now to know that it's possible to grow distant from your closest friends. But it's not a foregone conclusion. These people mean too much to me. These people ARE me. The destabilizing feeling that sinks my stomach at the thought of losing them proves that better than any model of identity, better than even the brilliance of Virginia Woolf. So I'll work to stay in their lives. I'll make an effort to see them. I'll listen and share, ask for advice, tell them I love them. The distance between us makes it harder, but it's only our bodies that are distant. And the body misleads.
Evan Puschak (Escape into Meaning: Essays on Superman, Public Benches, and Other Obsessions)
For as long as I could remember, I’d felt like an imposter. I looked like Sofia Genovese, and everyone believed I was her, but only I knew that Sofia had died many years ago. Perhaps that was a little dramatic. A part of the old Sofia was still present—she showed herself in every conversation I had with my parents—but she didn’t feel real. She was the mask I wore to cover up everything else I hid inside. But with each passing day, every birthday and milestone, she made fewer and fewer appearances. As I stepped out of The October Company art gallery where I would be working at my first real job, I could envision the day when I might be free to be myself around the people who were supposed to be closest to me—my family.
Jill Ramsower (Never Truth (The Five Families, #2))
December, 1989 ~ Minneapolis, Minnesota. La Bella Luna   "I can't believe you pulled this off," Avery said, holding Kane close as they danced together on the makeshift dance floor covering half of La Bella Luna. Seventy-five of their closest family and friends were gathered for Avery's surprise fiftieth birthday party.
Kindle Alexander (Always (Always & Forever #1))
Having to go without most times, I learned to deny that useless cloak of envy each time it was presented. Greed, resentment, jealousy, they never got me anywhere. Nowhere I wanted to be anyway. Avoidance became my greatest ally, my closest friend. A downright necessity at times. Of course I noticed what others had: happy families, loving parents, birthday cakes—the usual—but dwelling on the things I didn’t have was a waste of time.
A. Marie (Detour (Creekwood, #1))
She was lonely, that was the truth, really lonely. Her working hours were so long she’d given up on the idea of having a family—she couldn’t even hold down a relationship—and when she went on an expedition, she was set apart from her male colleagues by problems they didn’t have to think about. Not only periods, or where to pee safely, not even the endless jokes about her physical strength. But the sense she was never really going to get what she wanted. More than a few times a colleague had reached out a hand when she didn’t need help, and squeezed too hard. She’d been talked down and talked over. She’d missed a couple of promotions she should have got. And yet, deep down, she knew she couldn’t really blame anyone else. Out of some strange mad desire not to upset the status quo, she’d become complicit. She had laughed when she should have been angry, or said nothing when she should have said a lot. She’d belittled her own achievements, calling them small or unformed or even lucky when they were none of those things. And it wasn’t simply opportunities at work she’d lost out on: she had—and, again, this was her own choice—missed the weddings of her closest friends, just as she’d missed their children’s christenings. Only a month ago her oldest friend had written, inviting her to Scotland for her godson’s birthday, “But I guess it will be difficult for you to get away.” And it was true. Some nights Freya worked so late, she took her sleeping bag out of her locker and slept on the floor under her desk. She actually kept a toothbrush there and a set of spare clothes.
Rachel Joyce (Miss Benson's Beetle)
Alessio and I were always the closest, since we’re only two years apart. With Mando’s absence, we became inseparable. That was, until his own sixteenth birthday came around.
K. Woods (Beautiful Desire (Beautiful Men Series Book 2))
From the very beginning of their lives children are programmed to perceive the adults closest to them as unquestioned authorities, who provide orientation and set the standards for what is right and what is wrong. Children are told what to wear and when to go to bed. They are to eat what is put on the table, and anything undesirable is suppressed. Parents are always denying their children something they want to have. Even when adults take chocolate away from children, or the few euros they received from a relative for their birthday, that constitutes interference. Children must learn to accept that and trust that their parents are doing the right thing. Otherwise the discrepancy between their own desires and the discouraging behaviour of their loved ones will break them.
Natascha Kampusch (3,096 Days in Captivity: The True Story of My Abduction, Eight Years of Enslavement, and Escape)
find. Henry said she lived right across the hall.” Chapter 14 “So, this is the scene of the crime,” Ida said as they pulled up in front of an old Victorian. From outward appearances, it was hard to imagine that something sinister had happened inside. It was nicely kept, with off-white siding and purple trim. “Looks like a birthday cake,” Ruth said as they walked up the steps toward the purple door. She opened the door to reveal a small entryway. A set of stairs loomed in front of them. Old-fashioned green flowered wallpaper papered the walls. The floor was hardwood, scuffed from years of wear. To the right was a solid oak door with the number Two on it. “According to the case files, Rosa and Henry lived at number two.” Nans gestured toward the door on the other side of the hall which had a number One. “So this one must be Mrs. Pettigrew.” Ruth was standing closest to the door, so she knocked. “Who is it?” A voice drifted out almost before the knock stopped echoing. Clearly, Mrs. Pettigrew kept a close eye on the place and had seen them come in. “It’s the Ladies’ Detective Agency.” Nans’s voice took on an official tone. “We have some questions on a case if you’d be so kind as to answer them.” Of course, Doris Pettigrew would be thrilled to answer questions. If she was truly the busybody that it sounded like she was, she wouldn’t be able to resist the lure of gossip and finding out exactly what case the ladies were referring to. Lexy heard a series of locks clicking and chains sliding, and then the door cracked and a rheumy blue eye appeared. “Do you have any credentials?” “Of course.” Nans shoved a business card at her. It was in a laminate case, so it resembled an official badge of some sort. Doris snatched the card and pulled it inside. It took her a few seconds, but Nans’s card must have passed muster because the door opened and Doris said, “Come in.” Ida went in first. “Oh, this is… unusual.” Lexy peered over Ida’s head. She couldn’t be sure exactly what Ida thought was unusual. There were so many things. It could have been the giant four-foot-tall dolls that stood around the edge of the room. Or it might have been the knitted afghans that covered every surface. Or maybe it was the stuffed animals that were sitting on the couch as if holding a conversation. Then again, it might have been the herd of cats that was sniffing around Ida’s ankles. Doris handed the card back to Nans. “I’m Doris Pettigrew, by the way.” They all introduced themselves, and Doris gestured toward the living room for them to sit. Ida gingerly plucked a large pink elephant off the sofa and put it on the floor then took its place. A black cat immediately jumped into her lap. The rest of the ladies followed her lead, moving dolls aside, disturbing stuffed animals, and pushing cats out of their laps. Lexy sat in the only chair not occupied by a stuffed animal. The smell of mothballs wafted up as the rough wool of the crocheted granny square pillow irritated her arm. Achoo! Helen sneezed and pushed the fluffy tail of a white Persian out of her face.
Leighann Dobbs (Ain't Seen Muffin Yet (Lexy Baker, #15))
From then on the disorder became her secret friend. She became not only an anorexic-bulimic, but the absolute best anorexic-bulimic she could be. She was strategic, clean, informed. She knew, for example, that the worst kind of vomit is the kind that isn’t properly chewed up. Lobes of steak that rise up your throat like Lincoln Logs. Ice cream is also a problem. It’s too soft and comes back up like liquid; it doesn’t feel like expelling anything at all and you can’t be sure it didn’t stick to the walls of your stomach. Then of course there is the question of timing. Everything in life is timing and with vomiting it’s no different. Too soon after you eat, and nothing comes up. You wreck your throat trying to regurgitate. Too late, and only the tail end of the meal comes; your finger is slicked in fawn fluid for nothing. You do it too soon or too early and you make too much noise because your body isn’t prepared. With vomiting, you have to work with your body. There is no working against it. You have to respect the process. The hope each morning was that she would barely eat—a pan-cooked chicken breast, an orange, lemon water. But if she failed—peanut M&M’s, a bite of someone’s birthday cake—then she would accept the failure at the same time that she would not accept the failure. She would go to the bathroom. Flush twice. Clean up. And reenter the conversation. It worked, for the most part. Field hockey suffered. In the ninth grade she had been a pretty serious athlete, but by the spring of tenth grade she was so skinny she could barely make varsity. School, in general, suffered. She stopped doing homework and stopped paying attention in class. Her family didn’t question her new body or her new habit. The closest her mother came to Why are you trying to kill yourself? was Why do you flush the toilet so many times?
Lisa Taddeo (Three Women)
Among the Dunshane staff, the young Ukrainian was the person he had struck up the closest friendship with. His chats with Anastasia revealed that she, like so many of her countrymen and women, had come to Ireland in search of a better life. Conor was surprised when she told him that she had, in fact, worked as a teacher in Kiev, but the money she made waitressing in Ireland was twice what she could earn at home. Two weeks earlier, in between departing and arriving tour groups, one of the receptionists had told him it was Anastasia’s birthday, so he had taken her out for a meal to cheer her up; she had seemed a bit lonely for home
Jean Grainger (The Tour)
We call in to work from remote vacation spots. In fact, we may never take all the vacation days we’re allowed; there’s simply too much to be done. Work becomes how we identify ourselves. We take our smartphones with us everywhere, checking for news constantly—as if not being connected all the time would mean we’re going to miss out on something really important. We expect the people who are closest to us to accept that our schedule is simply too demanding to make much time for them. After all, they want to see us succeed, too, right? We find ourselves forgetting to return e-mails and phone calls from our friends and our families; neglecting birthdays and other celebrations that used to be important to us.
Clayton M. Christensen (How Will You Measure Your Life?: A thought-provoking approach to measuring life's success)