“
If you let hope inside, it takes you over. It feeds on your insides and uses your bones to climb and grow. Eventually it becomes the thing that is your bones, that holds you together. Holds you up until you don't know how to live without it anymore. To pull it out of you would kill you entirely.
”
”
Ally Condie (Reached (Matched, #3))
“
I wish we could go back in time and climb trees together again. I love you, Vera. I always will.
”
”
A.S. King (Please Ignore Vera Dietz)
“
There are only two things I can do better than most people. One of them is to make vodka from goats’ milk, and the other is to put together an atom bomb.
”
”
Jonas Jonasson (The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared (The Hundred-Year-Old Man, #1))
“
His eyebrows drew together. He was perilously close to unibrow; I guess nobody had held him down and administered a good plucking to the caterpillar climbing across his forehead.
”
”
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
“
Time to cash in your chips
put your ideas and beliefs on the table.
See who has the bigger hand
you or the Mystery that pervades you.
Time to scrape the mind's shit
off your shoes
undo the laces
that hold your prison together
and dangle your toes into emptiness.
Once you've put everything
on the table
once all of your currency is gone
and your pockets are full of air
all you've got left to gamble with
is yourself.
Go ahead, climb up onto the velvet top
of the highest stakes table.
Place yourself as the bet.
Look God in the eyes
and finally
for once in your life
lose.
”
”
Adyashanti
“
In all my close friendships, words are the bricks I use to build bridges. To know someone I need to hear her, and to feel known, I need to be heard by her. The process of knowing and loving another person happens for me through conversation. I reveal something to help my friend understand me, she responds in a way that assures me she values my revelation, and then she adds something to help me understand her. This back-and-forth is repeated again and again as we go deeper into each other's hearts, minds, pasts, and dreams. Eventually, a friendship is built - a solid, sheltering structure that exists in the space between us - a space outside of ourselves that we can climb deep into. There is her, there is me, and then there is our friendship - this bridge we've built together.
”
”
Glennon Doyle Melton (Love Warrior)
“
It was the sweetest, most mysterious-looking place any one could imagine. The high walls which shut it in were covered with the leafless stems of climbing roses which were so thick that they were matted together.
”
”
Frances Hodgson Burnett (The Secret Garden)
“
It was this: Gansey saying, "I like you an awful lot, Blue Sargent."
It was this: Blue's smile – crooked, wry, ridiculous, flustered. There was a lot of happiness tucked in the corner of that smile, and even though her face was several inches from Gansey, some of it still spilled out and got on him. She put her finger on his cheek where he knew his own smile was dimpling it, and then they took each other’s hands, and they climbed back up together.
It was this: this moment and no other moment, and for the first time that Gansey could remember, he knew what it would feel like to be present in his own life.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
The Master Speed
No speed of wind or water rushing by
but you have speed far greater. You can climb
back up a stream of radiance to the sky,
and back through history up the stream of time.
And you were given this swiftness, not for haste
nor chiefly that you may go where you will,
but in the rush of everything to waste,
that you may have the power of standing still--
off any still or moving thing you say.
Two such as you with such a master speed
From one another once you are agreed
that life is only life forevermore
together wing to wing and oar to oar.
”
”
Robert Frost
“
She glanced over at Zachariah, who was busy patting Church. The cat had climbed up onto the champagne table and was gleefully knocking over glasses. Her look was one of exasperation and fondness mixed together.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Everybody is a genius. But if you judge a fish by its ability to climb a tree, it will live its whole life believing that it is stupid.” The question I have for you at this part of our journey together is, “What is your genius?
”
”
Matthew Kelly (The Rhythm of Life: Living Every Day with Passion and Purpose)
“
There comes a moment when time seems to slip faster, running long then short, shadows shrinking as the sun climbs. It’s the moment, he decided, when you’re no longer a child. When the concept of time and the need for more of it come together and make you powerless. Make you yearn for the longer days, the lazy days, before you knew what time passing actually meant.
”
”
Tara Sim (Timekeeper (Timekeeper, #1))
“
At the edge you will always remember me, at the edge you will last be remembered, where sanity and insanity come together, for the time, then separates. Like leaves on October trees, that color the world, but for a moment, then leave. At the edge, where life losses its edginess, and thoughts we will become one, someday. At the edge the sun drops, the ring falls, and senses of raindrops climb upwards to the gray sky.
”
”
Anthony Liccione
“
Marianne is so happy for Joanna and Evelyn that she feels lucky even to see them together, even to hear Joanna on the phone to Evelyn saying cheerfully: Okay, I love you, see you later. It gives Marianne a window onto real happiness, though a window she cannot open herself or ever climb through.
”
”
Sally Rooney (Normal People)
“
Allan interrupted the two brothers by saying that he had been out and about in the world and if there was one thing he had learned it was that the very biggest and apparently most impossible conflicts on earth were based on the dialogue: “You are stupid, no, it’s you who are stupid, no, it’s you who are stupid.” The solution, said Allan, was often to down a bottle of vodka together and then look ahead.
”
”
Jonas Jonasson (The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared (The Hundred-Year-Old Man, #1))
“
The Children's Hour
Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupations,
That is known as the Children's Hour.
I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.
From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.
A whisper, and then a silence:
Yet I know by their merry eyes
They are plotting and planning together
To take me by surprise.
A sudden rush from the stairway,
A sudden raid from the hall!
By three doors left unguarded
They enter my castle wall!
They climb up into my turret
O'er the arms and back of my chair;
If I try to escape, they surround me;
They seem to be everywhere.
They almost devour me with kisses,
Their arms about me entwine,
Till I think of the Bishop of Bingen
In his Mouse-Tower on the Rhine!
Do you think, o blue-eyed banditti,
Because you have scaled the wall,
Such an old mustache as I am
Is not a match for you all!
I have you fast in my fortress,
And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.
And there will I keep you forever,
Yes, forever and a day,
Till the walls shall crumble to ruin,
And moulder in dust away!
”
”
Henry Wadsworth Longfellow (The Complete Works of Henry Wadsworth Longfellow)
“
I was at the bottom.
And instead of telling me how sorry you were that I felt this way, you climbed down to the bottom with me, and we were feeling this together.
”
”
Ashley Marie Berry (Separate Things: A Memoir)
“
The Prophet was the leader of the entire ummah, his every action an example, but when his grandson climbed his back, he had bent the rules, and what if it had been because it was more important to protect a child from pain than to be unwavering in principle? Maybe it was the exceptions we made for one another that brought God more pride than when we stood firm, maybe His heart opened when His creations opened their hearts to one another, and maybe that is why the boy was switched with the ram: so a father would not have to choose between his boy and his belief. There was another way. Amar was sure of it. He wanted them to find it together.
”
”
Fatima Farheen Mirza (A Place for Us)
“
Hey Meg! Communication implies sound. Communion doesn't.' He sent her a brief image of walking silently through the woods, the two of them alone together., their feet almost noiseless on the rusty carpet of pine needles. They walked without speaking, without touching, and yet they were as close as it is possible for two human beings to be. They climbed up through the woods, coming out into the brilliant sunlight at the top of the hill. A few sumac trees showed their rusty candles. Mountain laurel, shiny, so dark a green the leaves seemed black in the fierceness of sunlight, pressed toward the woods. Meg and Calvin had stretched out in the thick, late-summer grass, lying on their backs, gazing up into the shimmering blue of sky, a vault interrupted only by a few small clouds.
And she had been as happy, she remembered, as it is possible to be, and as close to Calvin as she had ever been to anybody in her life, even Charles Wallace, so close that their separate bodies, daisies and buttercups joining rather than dividing them, seemed a single enjoyment of summer and sun and each other.
That was surely the purest kind of thing.
Mr. Jenkins had never had that kind of communion with another human being, a communion so rich and full that silence speaks more powerfully than words.
”
”
Madeleine L'Engle (A Wind in the Door (Time Quintet, #2))
“
If I die this instant will you be more content with the morning news? Will your coffee taste better? I am not your fate. I am not your government…I am not your mother, not your father or your nightmare or your health. I am not a fence, not a wall. I am not the law or actuarial tables of your insurance broker. I am a woman with my guts loose in my hands, howling and it’s not because I committed hari-kiri. I suggest either you cook me or sew me back up. I suggest you walk into my pain as into the breaking waves of an ocean of blood, and either we will climb out together and walk away.
”
”
Marge Piercy (The Moon Is Always Female: Poems)
“
I thought I was going to die. I wanted to die. And I thought if I was going to die I would die with you.
Someone like you, young as I am, I saw so many dying near me in the last year. I didn’t feel scared. I
certainly wasn’t brave just now. I thought to myself, We have this villa this grass, we should have lain
down together, you in my arms, before we died. I wanted to touch that bone at your neck, collarbone,
it’s like a small hard wing under your skin. I wanted to place my fingers against it. I’ve always liked flesh
the colour of rivers and rocks or like the brown eye of a Susan, do you know what that flower is? Have
you seen them? I am so tired, Kip, I want to sleep. I want to sleep under this tree, put my eye against
your collarbone I just want to close my eyes without thinking of others, want to find the crook of a tree
and climb into it and sleep. What a careful mind! To know which wire to cut. How did you know? You
kept saying I don’t know I don’t know, but you did. Right? Don’t shake, you have to be a still bed for
me, let me curl up as if you were a good grandfather I could hug, I love the word ‘curl,’ such a slow
word, you can’t rush it...
”
”
Michael Ondaatje (The English Patient)
“
My old friend, what are you looking for?
After years abroad you’ve come back
with images you’ve nourished
under foreign skies
far from you own country.’
‘I’m looking for my old garden;
the trees come to my waist
and the hills resemble terraces
yet as a child
I used to play on the grass
under great shadows
and I would run for hours
breathless over the slopes.’
‘My old friend, rest,
you’ll get used to it little by little;
together we will climb
the paths you once knew,
we will sit together
under the plane trees’ dome.
They’ll come back to you little by little,
your garden and your slopes.’
‘I’m looking for my old house,
the tall windows
darkened by ivy;
I’m looking for the ancient column
known to sailors.
How can I get into this coop?
The roof comes to my shoulders
and however far I look
I see men on their knees
as though saying their prayers.’
‘My old friend, don’t you hear me?
You’ll get used to it little by little.
Your house is the one you see
and soon friends and relatives
will come knocking at the door
to welcome you back tenderly.’
‘Why is your voice so distant?
Raise your head a little
so that I understand you.
As you speak you grow
gradually smaller
as though you’re sinking into the ground.’
‘My old friend, stop a moment and think:
you’ll get used to it little by little.
Your nostalgia has created
a non-existent country, with laws
alien to earth and man.’
‘Now I can’t hear a sound.
My last friend has sunk.
Strange how from time to time
they level everything down.
Here a thousand scythe-bearing chariots go past
and mow everything down
”
”
George Seferis
“
Fingers laced, we climb up to our bedroom in the home we’ve built together. A house full of books. A field full of flowers. Our own special island.
”
”
Carley Fortune (This Summer Will Be Different)
“
Together we climbed on the Peace City bus and road back towards my house. My almost normal feeling was gone. I was miles from ordinary now. Miles.
”
”
Carol Lynch Williams (Miles from Ordinary)
“
We were supposed to stand alone at the top, but we will always be there together. We will keep climbing until no one else can reach us, but it will always be together.
”
”
Rachel Reid (Heated Rivalry (Game Changers, #2))
“
Narrow lanes climb both slopes and come together in a great ring of elm trees which encircles the flat summit. Any wind--even the slightest--draws from the height of the elms a rushing sound, multifoliate and powerful.
”
”
Richard Adams (Watership Down (Watership Down, #1))
“
A block or two west of the new City of Man in Turtle Bay there is an old willow tree that presides over an interior garden. It is a battered tree, long suffering and much climbed, held together by strands of wire but beloved of those who know it. In a way it symbolizes the city: life under difficulties, growth against odds, sap-rise in the midst of concrete, and the steady reaching for the sun. Whenever I look at it nowadays, and feel the cold shadow of the planes, I think: "This must be saved, this particular thing, this very tree." If it were to go, all would go -- this city, this mischevious and marvelous monument which not to look upon would be like death.
”
”
E.B. White (Here Is New York)
“
But maybe,” he said, quietly enough that she looked at him again. He didn’t smile, but his eyes were inquisitive. “Maybe we could find the way back together.” He would not apologize for today, or yesterday, or for any of it. And she would not ask him to, not now that she understood that in the weeks she had been looking at him it had been like gazing at a reflection. No wonder she had loathed him. “I think,” she said, barely more than a whisper, “I would like that very much.” He held out a hand. “Together, then.” She studied the scarred, callused palm, then the tattooed face, full of a grim sort of hope. Someone who might—who did understand what it was like to be crippled at your very core, someone who was still climbing inch by inch out of that abyss. Perhaps they would never get out of it, perhaps they would never be whole again, but … “Together,” she said, and took his outstretched hand. And somewhere far and deep inside her, an ember began to glow.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
...the strongest couples I know have grown together, supporting their partner's changes rather than harnessing or fearing them. It's a bit like growing roses - you don't get to choose exactly which way the stems unfurl, but if you help them climb you get the pleasure of watching them flourish.
”
”
Olivia Ford (Mrs. Quinn's Rise to Fame)
“
And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb--on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost--climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!--for it seems at times, as though the ear also possessed a sight of its own,--behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations.
Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries.
”
”
Victor Hugo (The Hunchback of Notre-Dame)
“
The girl looks out the window, watching the gentle, familiar blue sky fade into darkness. The stars come out, slowly at first and then all together, diamond-bright, each one a new world to discover.
But no matter how long the girl looks, she feels nothing. Puzzled, she looks for the girl who wanted to be an explorer, the girl who wanted to learn deep-sea diving and mountain-climbing, the girl who wanted to travel the stars. But she can't find her. That girl died when her parents did, in a little shop in the slums of November. And now she has no soul left to shatter.
She closes the shade over the window.
”
”
Amie Kaufman (This Shattered World (Starbound, #2))
“
Love, I think, is by necessity constructed of a ladder of lies you climb together.
”
”
Kimberly Elkins (What Is Visible)
“
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way.
From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW.
Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.”
Adam lifted his head and said, “They didn’t start making the Civic until ’73.”
There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.”
Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?”
Without replying, Ronan climbed out of the car and slammed the door.
Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah.
Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Even though the discples were not aware of it, the presence was with them while they were reviewing the scriptures together on the road. Henceforth, we will catch only a fleeting glimpse of it -- in the study of sacred writings, in other human beings, in liturgy, and in communion with strangers. But these moments remain us that our fellow men and women are themselves sacred; there is something about them taht is worthy of absolute reverence, is in the last resort mysterious, and we will always elude us.
”
”
Karen Armstrong (The Spiral Staircase: My Climb Out of Darkness)
“
amusement in her eyes and had to grin.
"How are you feeling?" he asked, his voice dropping to a low, intimate tone that excluded everyone else in the cafe and made several women draw in their
breath.
Her mouth quirked in that self-amusement that made him want to grab her to him.
"This isn't one of my good days. The only thing holding me together is static cling."
"Come home with me, and I'll take care of you."
She looked him in the eye and said quietly, "Give me one good reason why I should."
Right there in front of God and most of Crook, Montana, he drew in a deep breath and took the gamble of a lifetime, his words plain and heard by all, because no one was making even the pretense of not listening.
"Because I love you."
Maddie blinked, and to his surprise he saw her eyes glitter with tears. Before he could start forward, however, her smile broke through like sunshine through a cloud bank. She didn't take the time to go around the counter; she climbed on top of it and slid off on the other side.
"It's about time," she said as she went into his arms.
”
”
Linda Howard (Duncan's Bride (Patterson-Cannon Family, #1))
“
Tristan’s Mom: What are these?
Tristan: Your granddaughters.
Tristan’s Dad: Don’t worry honey, you don’t look old enough to be a mother let alone a
grandmother.
Tristan’s Mom: Again with the flattery, thank you dear. Where did they come from?
Tristan: Camie gave birth last night.
Jeff: I didn’t know she was pregnant.
Tristan: She wasn’t. It was a miracle.
Tristan’s Mom: Do they have names?
Tristan: Phineas and Ferb.
Jeff: From the cartoon?
Tristan’s Dad: That figures, he named the dog Scooby.
Tristan’s Mom: They sound like boy names.
Tristan: Mom! Shhh, you’ll give them a complex.
Jeff: If that Ferb one climbs my legs again I’m drop kicking it.
Tristan: That’s child abuse and I’ll press charges. Besides, they just miss their mom.
Jeff: I’m calling CPS (cat protective services)…
Tristan: What for?
Jeff: Because you’re making your kids live in a broken home unnecessarily.
Tristan: I’m not talking to you anymore.
Jeff: Fine, as long as you to talk to her.
Tristan: Back off.
Jeff: Nope, not gonna do it.
Tristan: I’m warning you man.
Jeff: You miss her too.
Tristan: Yeah, so?
Jeff: So do something about it.
Tristan: Happy? Last night was miserable and I think it’s too late.
Jeff: You still have a 12 year old ace in the hole.
Tristan: Saving it as a last resort.
Tristan’s Dad: Honey, do you have a clue as to what they’re talking about?
Tristan’s Mom: No and I don’t want one.
Jeff: I’m just helping my nieces get their parents back together. Dude, it’s time. Make the call.
Tristan: Alright, I did it. But I get the feeling I’m about to do business with the mob. I hope I don’t
wake up with the head of my horse in bed with me tonight.
Jeff: Well, a good father will do anything he can to protect his family, even if that means he runs
the risk of sleeping with the fishes.
Tristan: Okay girls, your aunt helped Daddy come up with a plan and if it works you should get to
see Mommy today. Cross your paws, or claws, or whatever…just cross something for luck.
”
”
Jenn Cooksey (Shark Bait (Grab Your Pole, #1))
“
She worried that maybe they'd been dating too long to end up together. It was like when you tried to jump off the high dive and if you did it right away, you were fine. But if you stood there looking down, thinking of all the bad things that could happen, you were doomed. You would just climb back down the ladder to the safety of the ground.
”
”
Jennifer Close (Girls in White Dresses)
“
He climbed into bed himself and kissed his way up her legs. Instincts she didn’t even know she possessed made her clench her thighs together. Without any hesitation, he pushed them apart, exposing her to his gaze.
“The doors of the temple, darling, never close to the devout acolyte.
”
”
Sherry Thomas (Tempting the Bride (Fitzhugh Trilogy, #3))
“
A funny thing happens when you have nothing left to live for. Your existence loses all its sharp edges. There are no more steep drops, no hills to climb. Colors blur and muddle together until your surroundings are a bunch of meaningless shapes and figures painted in the same shade of gray. There's nothing that could possibly surprise you or resurrect those old sensations of joy or fear. No humans could be as unfeeling, as numb, as you are. And then, just when you're getting lulled into the monotonous routine, something snaps. No more.
”
”
Alexandra Monir (The Final Six (The Final Six, #1))
“
Lou reluctantly drew back, still holding Joe, and placed his soft lips on Joe's own. Existence reacted to their reunion. Immediately, it was as if two halves became whole once again. The sky flashed colors overhead as they stood together: day to night, night to day. They stood motionless and kissing for so long a period that they might have been mistaken for part of the landscape, as vines climbed up their legs and grass grew around them; as dirt gathered and buried even more the scattered fragments of the abbey. Only the keepers of time knew that lifetimes did indeed pass, possibly entire eras. And yet it was but a scant moment to Joe and Lou. All of it but a simple, longed-for embrace neither time nor death could contain.
”
”
Eric Arvin (Woke Up in a Strange Place)
“
But the Lady Amalthea and Prince Lir walked and spoke and sang together as blithely as though King Haggard's castle had become a green wood, wild and shadowy with spring. They climbed the crooked towers like hills, picnicked in stone meadows under a stone sky, and splashed up and down stairways that had softened and quickened into streams.
”
”
Peter S. Beagle
“
This, maybe, was the worst part: the whole world was out to kill you both. Your bodies have always been abject. You were dropped from the boat of the world, climbed onto a piece of driftwood together, and after a perfunctory period of pleasure and safety, she tried to drown you. And so you aren't just mad, or heartbroken: you grieve from the betrayal.
”
”
Carmen Maria Machado (In the Dream House)
“
Francis drove up a narrow road that climbed deeper into the mountains, the air growing rawer, the mist intensifying. She rubber her hands together.
”
”
Silvia Moreno-Garcia (Mexican Gothic)
“
Continually question climbing pursuits. Do they draw one back to the climbing community? Or do they lead along the [inner-directed] path? This questioning generates a tension that is heightened by disillusionment. Ultimately, one reaches an
emptiness, and this is where our basic spontaneous nature leads to the beginning of the path... Thereafter one can continually stand apart from the outer world of climbing, yet at times be fiercely involved in it. Philosophical and mystical dimensions emerge when the two worlds are brought together.
”
”
Jon Krakauer (Eiger Dreams: Ventures Among Men and Mountains)
“
Necessities
1
A map of the world. Not the one in the atlas,
but the one in our heads, the one we keep coloring in.
With the blue thread of the river by which we grew up.
The green smear of the woods we first made love in.
The yellow city we thought was our future.
The red highways not traveled, the green ones
with their missed exits, the black side roads
which took us where we had not meant to go.
The high peaks, recorded by relatives,
though we prefer certain unmarked elevations,
the private alps no one knows we have climbed.
The careful boundaries we draw and erase.
And always, around the edges,
the opaque wash of blue, concealing
the drop-off they have stepped into before us,
singly, mapless, not looking back.
”
”
Lisel Mueller (Alive Together)
“
How are you giving it magic?” he said, through his teeth.
“I already found the path!” I said. “I’m just staying on it. Can’t you—feel it?” I asked abruptly, and held my hand cupping the flower out towards him; he frowned and put his hands around it, and then he said, “Vadiya rusha ilikad tuhi,” and a second illusion laid itself over mine, two roses in the same space—his, predictably, had three rings of perfect petals, and a delicate fragrance.
“Try and match it,” he said absently, his fingers moving slightly, and by lurching steps we brought our illusions closer together until it was nearly impossible to tell them one from another, and then he said, “Ah,” suddenly, just as I began to glimpse his spell: almost exactly like that strange clockwork on the middle of his table, all shining moving parts. On an impulse I tried to align our workings: I envisioned his like the water-wheel of a mill, and mine the rushing stream driving it around. “What are you—” he began, and then abruptly we had only a single rose, and it began to grow.
And not only the rose: vines were climbing up the bookshelves in every direction, twining themselves around ancient tomes and reaching out the window; the tall slender columns that made the arch of the doorway were lost among rising birches, spreading out long finger-branches; moss and violets were springing up across the floor, delicate ferns unfurling. Flowers were blooming everywhere: flowers I had never seen, strange blooms dangling and others with sharp points, brilliantly colored, and the room was thick with their fragrance, with the smell of crushed leaves and pungent herbs. I looked around myself alight with wonder, my magic still flowing easily. “Is this what you meant?” I asked him: it really wasn’t any more difficult than making the single flower had been. But he was staring at the riot of flowers all around us, as astonished as I was.
He looked at me, baffled and for the first time uncertain, as though he had stumbled into something, unprepared. His long narrow hands were cradled around mine, both of us holding the rose together. Magic was singing in me, through me; I felt the murmur of his power singing back that same song. I was abruptly too hot, and strangely conscious of myself. I pulled my hands free.
”
”
Naomi Novik (Uprooted)
“
I'm driving."
Roarke's hand paused as it reached for the car door, and his brow winged up. "It's my car."
"It's my deal."
They studied each other a minute, crowded together at the driver's side door. "Why are you driving?"
"Because." Vaguely embarrassed, she dug her hands in her pockets. "Don't smirk."
"I'll try to resist. Why?"
"Because," she said again, "I drive when I'm on a case, so if I drive, it'll feel like -- it'll feel official instead of criminal."
"I see. Well, that makes perfect sense. You drive."
She started to climb in while he circled around to the passenger side. "Are you smirking behind my back?"
"Yes, of course." He sat, stretched out his legs. "Now, to make it really official, I should have a uniform. I'll go that far, but I refuse to wear those amazingly ugly cop shoes."
"You're a real joker," she muttered and jerked the car into reverse, did a quick, squealing spin, and shot out of the garage.
"Too bad this vehicle doesn't have a siren. But we can pretend nothing works on it, so you'll feel official."
"Keep it up. Just keep it up."
"Maybe I'll call you sir. Could be sexy." He smiled blandly when she glared at him. "Okay, I'm done. How do you want to play this?
”
”
J.D. Robb (Conspiracy in Death (In Death, #8))
“
And so we have to show our love in other ways. We have to climb the mountains rising up before us, food strapped to our backs, our faces covered with masks as we say, “Stay safe. Stay healthy.
”
”
Jennifer Haupt (ALONE TOGETHER: Love, Grief, and Comfort During the Time of COVID-19)
“
the strongest couples I know have grown together, supporting their partner’s changes rather than harnessing or fearing them. It’s a bit like growing roses—you don’t get to choose exactly which way the stems unfurl, but if you help them climb you get the pleasure of watching them flourish.
”
”
Olivia Ford (Mrs. Quinn's Rise to Fame)
“
Hmmm? Oh, I hacked her onboard computer. Not a very advanced machine, unfortunately. I was hoping to discover another AI, so we could complain about organics together. Wouldn't that have been a fun time?'
'Fun time!' Doomslug said from where she'd climbed up onto the armrest of my seat.
I slipped into my cockpit. 'You really did that?' I asked.
'Complaining about organics? Yes, it's very easy.
”
”
Brandon Sanderson (Starsight (Skyward, #2))
“
The world outside your skin is just as much you as the world inside: they move together inseparably, and at first you feel a little out of control because the world outside is so much vaster than the world inside. Yet you soon discover that you are able to go ahead with ordinary activities—to work and make decisions as ever, though somehow this is less of a drag. Your body is no longer a corpse which the ego has to animate and lug around. There is a feeling of the ground holding you up, and of hills lifting you when you climb them. Air breathes itself in and out of your lungs, and instead, of looking and listening, light and sound come to you on their own. Eyes see and ears hear as wind blows and water flows. All space becomes your mind. Time carries you along like a river, but never flows out of the present: the more it goes, the more it stays, and you no longer have to fight or kill it.
”
”
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
“
Your shell,” he confirmed. “Don’t do that to me, Shannon—don’t block me out. Don’t give me you last weekend and then take it away again. I’m the same me from that night in my house. I’m the same me from every other time we’ve been together. So don’t put a wall up between us, not when you’ve already let me climb over it.
”
”
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
“
It's not dying that is the problem, he said. 'Climbing is like a lover, and your wife knows this. Whenever you are together, no matter how much you love your family, your thoughts are only of your lover, of climbing.
”
”
Andy Kirkpatrick (Cold Wars: Climbing the Line Between Risk and Reality)
“
By and by your attention becomes so intensely focused that you no longer notice the raw knuckles, the cramping thighs, the strain of maintaining nonstop concentration. A trancelike state settles over your efforts; the climb becomes a clear-eyed dream. Hours slide by like minutes. The accumulated clutter of day-today existence—the lapses of conscience, the unpaid bills, the bungled opportunities, the dust under the couch, the inescapable prison of your genes—all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose and by the seriousness of the task at hand. At such moments something resembling happiness actually stirs in your chest, but it isn’t the sort of emotion you want to lean on very hard. In solo climbing the whole enterprise is held together with little more than chutzpah, not the most reliable adhesive.
”
”
Jon Krakauer (Into the Wild)
“
The door closed behind them. They climbed out of the earth; and, still climbing, rose above it. They were in the rainbow. Far abroad, over ocean and land, they could see through its transparent walls the earth beneath their feet. Stairs beside stairs wound up together, and beautiful beings of all ages climbed along with them.
They knew that they were going up to the country whence the shadows fall.
And by this time I think they must have got there.
”
”
George MacDonald (The Golden Key)
“
He weighs the volume in his hand; this one has been the center of the whirlwind. Then DRUMMOND notices the Bible on the JUDGE's bench. He picks up the Bible in his other hand; he looks from one volume to the other, balancing them thoughtfully, as if his hands were scales. He half-smiles, half-shrugs. Then DRUMMOND slaps the two books together and jams them in his brief case, side by side. Slowly, he climbs to the street level and crosses the empty square.
”
”
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
“
She seemed perfect to you, and even during her first attack of vertigo, which you happened to witness when you were six (the two of you climbing up the inner staircase of the Statue of Liberty), you were not alarmed, because she was a good and conscientious mother, and she managed to hide her fear from you by turning the descent into a game: sitting on the stairs together and going down one step at a time, asses on the rungs, laughing all the way to the bottom.
”
”
Paul Auster (Winter Journal)
“
THE BEAR AND THE TRAVELLERS Two Travellers were on the road together, when a Bear suddenly appeared on the scene. Before he observed them, one made for a tree at the side of the road, and climbed up into the branches and hid there. The other was not so nimble as his companion; and, as he could not escape, he threw himself on the ground and pretended to be dead. The Bear came up and sniffed all round him, but he kept perfectly still and held his breath: for they say that a bear will not touch a dead body. The Bear took him for a corpse, and went away. When the coast was clear, the Traveller in the tree came down, and asked the other what it was the Bear had whispered to him when he put his mouth to his ear. The other replied, “He told me never again to travel with a friend who deserts you at the first sign of danger.
”
”
Aesop (Aesop's Fables)
“
You were dropped from the boat of the world, climbed onto a piece of driftwood together, and after a perfunctory period of pleasure and safety, she tried to drown you. And so you aren’t just mad, or heartbroken: you grieve from the betrayal.
”
”
Carmen Maria Machado (In the Dream House)
“
At some time all cities have this feel: in London it's at five or six on a winer evening. Paris has it too, late, when the cafes are closing up. In New York it can happen anytime: early in the morning as the light climbs over the canyon streets and the avenues stretch so far into the distance that it seems the whole world is city; or now, as the chimes of midnight hang in the rain and all the city's longings acquire the clarity and certainty of sudden understanding. The day coming to an end and people unable to evade any longer the nagging sense of futility that has been growing stronger through the day, knowing that they will feel better when they wake up and it is daylight again but knowing also that each day leads to this sense of quiet isolation. Whether the plates have been stacked neatly away or the sink is cluttered with unwashed dishes makes no difference because all these details--the clothes hanging in the closet, the sheets on the bed--tell the same story--a story in which they walk to the window and look out at the rain-lit streets, wondering how many other people are looking out like this, people who look forward to Monday because the weekdays have a purpose which vanishes at the weekend when there is only the laundry and the papers. And knowing also that these thoughts do not represent any kind of revelation because by now they have themselves become part of the same routine of bearable despair, a summing up that is all the time dissolving into everyday. A time in the day when it is possible to regret everything and nothing in the same breath, when the only wish of all bachelors is that there was someone who loved them, who was thinking of them even if she was on the other side of the world. When a woman, feeling the city falling damp around her, hearing music from a radio somewhere, looks up and imagines the lives being led behind the yellow-lighted windows: a man at his sink, a family crowded together around a television, lovers drawing curtains, someone at his desk, hearing the same tune on the radio, writing these words.
”
”
Geoff Dyer (But Beautiful: A Book About Jazz)
“
Look at the evolution of the price of a kilogram of the drug, as it makes its way from the Andes to Los Angeles. To make that much cocaine, one needs somewhere in the neighborhood of 350 kilograms of dried coca leaves. Based on price data from Colombia obtained by Gallego and Rico, that would cost about $385. Once this is converted into a kilo of cocaine, it can sell in Colombia for $800. According to figures pulled together by Beau Kilmer and Peter Reuter at the RAND Corporation, an American think tank, that same kilo is worth $2,200 by the time it is exported from Colombia, and it has climbed to $14,500 by the time it is imported to the United States. After being transferred to a midlevel dealer, its price climbs to $19,500. Finally, it is sold by street-level dealers for $78,000.10 Even these soaring figures do not quite get across the scale of the markups involved in the cocaine business. At each of these stages, the drug is diluted, as traffickers and dealers “cut” the drug with other substances, to make it go further. Take this into account, and the price of a pure kilogram of cocaine at the retail end is in fact about $122,000.
”
”
Tom Wainwright (Narconomics: How to Run a Drug Cartel)
“
She had no need in her heart for either book or magazine. She had her own way of escape, her own passage into contentment: her rosary. That string of white beads, the tiny links worn in a dozen places and held together by strands of white thread which in turn broke regularly, was, bead for bead, her quiet flight out of the world. Hail Mary, full of grace, the Lord is with thee. And Maria began to climb. Bead for bead, life and living fell away. Hail Mary, Hail Mary. Dream without sleep encompassed her. Passion without flesh lulled her. Love without death crooned the melody of belief. She was away: she was free; she was no longer Maria, American or Italian, poor or rich, with or without electric washing machines and vacuum cleaners; here was the land of all-possessing. Hail Mary, Hail Mary, over and over, a thousand and a hundred thousand times, prayer upon prayer, the sleep of the body, the escape of the mind, the death of memory, the slipping away of pain, the deep silent reverie of belief. Hail Mary and Hail Mary. It was for this that she lived.
”
”
John Fante (Wait Until Spring, Bandini (The Saga of Arturo Bandini, #1))
“
I was climbing into bed one night, accompanied by all the usual paraphernalia – laptop, Kindle, box of tissues for my early morning nose – my nose will kill me one day – notebook and a couple of pens – because they all run out together – and a Terry Pratchett novel. The great man is probably most alarmed to find that death has not released him from the burden of having me take him to bed every night.
”
”
Jodi Taylor (When Did You Last See Your Father? (The Chronicles of St Mary's, #10.5))
“
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.”
“Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell.
“Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex.
“I belong to you,” I pant.
He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings.
“Oh … ah … I … I belong to you.”
His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need.
I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping.
“I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release.
With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him.
Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
There’s a beauty in struggle,” Neela had once said. “As awful as it may sound at first. It’s the friction that creates fire. It creates bonds stronger than steel. It pushes people—it forces people—together. If life were so perfect, there would be no reason or purpose at all. If there was no conflict, there’d be no journey. Without a mountain, there’d be no climb. That’s the beauty of it. Azure, do you know what I mean?
”
”
Steven Seril (The Destroyer of Worlds: An Answer to Every Question)
“
I can do anything I believe I can do! I’ve got it, and every day I get more of it. I have talent, skills, and ability. I set goals and I reach them. I know what I want out of life. I go after it and I get it. People like me, and I feel good about myself. I have a sense of pride in who I am, and I believe in myself. Nothing seems to stop me. I have a lot of determination. I turn problems into advantages. I find possibilities in things that other people never give a chance. I have a lot of energy—I am very alive! I enjoy life and I can tell it and so can others. I keep myself up, looking ahead, and liking it. I know that I can accomplish anything I choose, and I refuse to let anything negative hold me back or stand in my way. I am not afraid of anything or anyone. I have strength, power, conviction, and confidence! I like challenges and I meet them head on, face to face—today especially! I am on top of the world and I’m going for it. I have a clear picture in my mind of what I want. I can see it in front of me. I know what I want and I know how to get it. I know that it’s all up to me and I know I can do it. Roadblocks don’t bother me. They just mean that I am alive and running, and I’m not going to stand still for anything. I trust myself I’ve got what it takes—plenty of it—and I know how to use it. Today, more than ever. Today I am unstoppable! I’ve got myself together and I’m getting more together every day. And today—look out world, here I come! Limitations? I don’t even recognize them as limitations. There is no challenge I can’t conquer; there is no wall I can’t climb over. There is no problem I can’t defeat, or turn around and make it work for me. I stand tall! I am honest and sincere. I like to deal with people and they like me. I think well; I think clearly. I am organized; I am in control of myself, and everything about me. I call my shots, and no one has to call them for me. I never blame anyone else for the circumstances of my life. I accept my failings and move past them as easily as I accept the rewards for my victories. I never demand perfection of myself, but I expect the very best of what I have to give—and that’s what I get! I never give myself excuses. I get things done on time and in the right way. Today I have the inner strength to do more than ever. I am an exceptional human being. My goals and my incredible belief in myself turn my goals into reality. I have the power to live my dreams. I believe in them like I believe in myself. And that belief is so strong that there is nothing that diminishes my undefeatable spirit.
”
”
Shad Helmstetter (What To Say When You Talk To Your Self)
“
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands.
Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap.
I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death.
But today, vigor and grace have forsaken me and left me crippled.
Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own.
My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever.
But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path?
No, everything and everyone we love will vanish, one day.
So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship.
Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last.
Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character.
Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing.
My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know.
So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have.
But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib.
My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
”
”
Shakieb Orgunwall
“
I was climbing high, high up Pen Dinas Head among the sparkling yellow gorse, sea birds and white heather, with the oily sheep huddled together against the wind
”
”
Suzy Davies (Johari's Window)
“
He was still grinning, and his confidence was infectious. Who said one man can't rescue another, I thought. We had changed from climbing to rescue, and the partnership had worked just as effectively. We hadn't dwelt on the accident. There had been an element of uncertainty at first, but as soon as we had started to act positively everything had come together.
”
”
Joe Simpson (Touching the Void: The True Story of One Man's Miraculous Survival)
“
There were pauses in the music for the rushing, calling, halting piano. Everything would stop except the climbing of the soloist; he would reach a height and everything would join him, the violins first and then the horns; and then the deep blue bass and the flute and the bitter trampling drums; beating, beating and mounting together and stopping with a crash like daybreak. When I first heard the Messiah I was alone; my blood bubbled like fire and wine; I cried; like an infant crying for its mother’s milk; or a sinner running to meet Jesus.
”
”
James Baldwin (Going to Meet the Man)
“
The other wives and I talked together one night about the possibility of becoming widows. What would we do? God gave us peace of heart, and confidence that whatever might happen, His Word would hold. We knew that 'when He Putteth forth His sheep, He goeth before them.' God's leading was unmistakable up to this point. Each of us knew when we married our husbands that there would never be any question about who came first -- God and His work held held first place in each life. It was the condition of true discipleship; it became devastatingly meaningful now.
It was a time for soul-searching, a time for counting the possible cost. Was it the thrill of adventure that drew our husbands on? No. Their letters and journals make it abundantly clear that these men did not go out as some men go out to shoot a lion or climb a mountain. Their compulsion was from a different source. Each had made a personal transaction with God, recognising that he belonged to God, first of all by creation, and secondly by redemption through the death of His Son, Jesus Christ. This double claim on his life settled once and for all the question of allegiance. It was not a matter of striving to follow the example of a great Teacher. To conform to the perfect life of Jesus was impossible for a human being. To these men, Jesus Christ was God, and had actually taken upon Himself human form, in order that He might die, and, by His death, provide not only escape from the punishment which their sin merited, but also a new kind of life, eternal both in length and in quality. This meant simply that Christ was to be obeyed, and more than that, that. He would provide the power to obey
”
”
Elisabeth Elliot (Through Gates of Splendor)
“
Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says.
A girl says, “But what’s through there?”
“Behind this door is another locked door, slightly smaller.”
“And what’s behind that?”
“A third locked door, smaller yet.”
“What’s behind that?”
“A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.”
The children lean forward. “And then?”
“Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.”
Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?”
The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision.
The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?”
They nod.
He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.”
“Stabbed in the heart?”
“Is this true?”
A boy says, “Hush.”
“The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone.
“The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.”
“Are you sure this is true?” asks a girl.
“Hush,” says the boy.
“The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east.
"The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Water was not my element. It dragged at my clothes as I swam. A little farther, I told myself. I could hear him coming, his arms stronger than mine from a lifetime of lifting marble. I felt the water shiver near my foot where he had grabbed and almost caught me. I looked back, and saw how close he was and how far the shore behind. Then his hand seized my ankle and yanked, pulling me to him like a rope, hand over hand, and then he had me up and by the throat, his face pressed to mine.
I think he expected me to fight and claw. I didn’t fight. I seized him close around the ribs, holding my wrists so he could not get free. The sudden weight pulled us both under. He kicked and flailed back to the surface, but I was heavier than he had thought, and the waves slopped at our mouths. Let it be now, I prayed.
At first I thought it was just the cold of the water. It crept up my fingers and my arms, which stiffed around him. He struggled and fought, but my hands were fused together and nothing he tried could break them. Then it was in my legs too, and my belly and my chest, and no matter how he kicked, he could not haul us back up to the air. He hit at me, but it was watery and weak and I felt nothing, just the solid circle of my arms, and the inexorable drag of my body.
He had no chance, really. He was only flesh. We fell through the darkness, and the coolness slid up my neck and bled the color from my lips and cheeks. I thought of Paphos and how clever she was. I thought of her stone sister, peaceful on her couch. We fell through the currents and I thought of how the crabs would come for him, climbing over my pale shoulders. The ocean floor was sandy and soft as pillows. I settled into it and slept.
”
”
Madeline Miller (Galatea)
“
But the way by which we are asked to climb is steep and uneven." What then? Can heights be reached by a level path? Yet they are not so sheer and precipitous as some think. It is only the first part that has rocks and cliffs and no apparent outlet, just as many hills seen from a long way off appear abruptly steep and joined together, because the distance deceives our sight, and then, as we draw nearer, those very hills which our mistaken eyes had made into one gradually unfold themselves, those parts which seemed precipitous from afar assume a gently sloping outline.
”
”
Seneca (On the Firmness of the Wise Person)
“
We're weaving in between trees, careful not to disturb, on a mission. We mean no trouble. There are so many of us, the lonely souls. All of us who helped build this. Those who will watch it grow. Those we've lost. We march on together. Climbing, falling, soaring. Trying to get closer to the center of everything. Closer to ourselves. Closer to each other. Closer to something true.
”
”
Val Emmich (Dear Evan Hansen)
“
He hadn't wooed her, but had simply claimed her. A gold mine ready to dig. There should have been a period of quiet dinners together, of flowers rather than diamonds, of kisses given after permission to kiss, of a slow awakening that predisposed her to greater intimacies. But no, not the great Alexander Kinross! He had met her, he had married her the next day, and climbed into her bed after one kiss in the church. There to prove himself an animal in her eyes. One mistake after another, that was the story of his relationship with Elizabeth. And Ruby had always meant more.
”
”
Colleen McCullough (The Touch)
“
When men climb on a great mountain together the rope between them is more than a mere physical aid to the ascent; it is a symbol of the spirit of the enterprise. It is a symbol of men banded together in a common effort of will and strength, not against an imagined foeman of the instant but against their only true enemies; inertia, cowardice, greed, ignorance and all weaknesses of the spirit.
”
”
Charles S. Houston
“
It was early morning and already hot. There was a strong odor of earth and grass drying in the sun. We climbed among tall shrubs, on indistinct paths that led toward the tracks. When we reached an electrical pylon we took off our smocks and put them in the schoolbags, which we hid in the bushes. Then we raced through the scrubland, which we knew well, and flew excitedly down the slope that led to the tunnel. The entrance on the right was very dark: we had never been inside that obscurity. We held each other by the hand and entered. It was a long passage, and the luminous circle of the exit seemed far away. Once we got accustomed to the shadowy light, we saw lines of silvery water that slid along the walls, large puddles. Apprehensively, dazed by the echo of our steps, we kept going. Then Lila let out a shout and laughed at the violent explosion of sound. Immediately I shouted and laughed in turn. From that moment all we did was shout, together and separately: laughter and cries, cries and laughter, for the pleasure of hearing them amplified. The tension diminished, the journey began.
”
”
Elena Ferrante (My Brilliant Friend (The Neapolitan Novels, #1))
“
Once upon a time,' I whispered, "there was a girl who got away.' The light burned a little less brightly through my lids. Maybe. 'Once upon a time there was a girl who changed her fate,' I said, louder. The words ran together like beads on a string. Like a story, or a bridge I could climb-- up, up, up, like a nursery-rhyme spider. 'She grew up like a fugitive, because her life belonged to another place." I held my fingertips out, feeling the ice of them melt the wall's fine, hot fizzing. 'She remembered her real mother, far away on an Earth made of particles and elements and /reason/. Not stories. And she ripped a hole in the world so she could find her way home. And she lived happily ever after in a place far, far from the Hinterland,' I said. I begged. 'And the freeze left her skin. And she found her real mother in the world where she had left her.' Slowly, slowly, I opened my eyes.
”
”
Melissa Albert (The Hazel Wood (The Hazel Wood, #1))
“
Mountains have long been a geography for pilgrimage, place where people have been humbled and strengthened, they are symbols of the sacred center. Many have traveled to them in order to find the concentrated energy of Earth and to realize the strength of unimpeded space. Viewing a mountain at a distance or walking around its body we can see its shape, know its profile, survey its surrounds. The closer you come to the mountain the more it disappears, the mountain begins to lose its shape as you near it, its body begins to spread out over the landscape losing itself to itself. On climbing the mountain the mountain continues to vanish. It vanishes in the detail of each step, its crown is buried in space, its body is buried in the breath. On reaching the mountain summit we can ask, “What has been attained?” - The top of the mountain? Big view? But the mountain has already disappeared. Going down the mountain we can ask, “What has been attained?” Going down the mountain the closer we are to the mountain the more the mountain disappears, the closer we are to the mountain the more the mountain is realized. Mountain’s realization comes through the details of the breath, mountain appears in each step. Mountain then lives inside our bones, inside our heart-drum. It stands like a huge mother in the atmosphere of our minds. Mountain draws ancestors together in the form of clouds. Heaven, Earth and human meet in the raining of the past. Heaven, Earth and human meet in the winds of the future. Mountain mother is a birth gate that joins the above and below, she is a prayer house, she is a mountain. Mountain is a mountain.
”
”
Joan Halifax (The Fruitful Darkness: A Journey Through Buddhist Practice and Tribal Wisdom)
“
At his leisure, the lieutenant allowed the unforgettable spectacle to engrave itself upon his mind. With one hand he fondled the hair, with the other he softly stroked the magnificent face, implanting kisses here and there where his eyes lingered. The quiet coldness of the high, tapering forehead, the closed eyes with their long lashes beneath faintly etched brows, the set of the finely shaped nose, the gleam of teeth glimpsed between full, regular lips, the soft cheeks and the small, wise chin…
Wherever the lieutenant's eyes moved his lips faithfully followed. The high, swelling breasts, surmounted by nipples like the buds of a wild cherry, hardened as the lieutenant's lips closed about them. The arms flowed smoothly downward from each side of the breast, tapering toward the wrists, yet losing nothing of their roundness or symmetry…The natural hollow curving between the bosom and the stomach carried in its lines a suggestion not only of softness but of resilient strength, and while it gave forewarning to the rich curves spreading outward from here to the hips it had, in itself, an appearance only of restraint and proper discipline. The whiteness and richness of the stomach and hips was like milk brimming in a great bowl, and the sharply shadowed dip of the navel could have been the fresh impress of a raindrop, fallen there that very moment. Where the shadows gathered more thickly, hair clustered, gentle and sensitive, and as the agitation mounted in the now no longer passive body there hung over this region a scent like the smoldering of fragrant blossoms, growing steadily more pervasive…
Passionately they held their faces close, rubbing cheek against cheek…Their breasts, moist with sweat, were tightly joined, and every inch of the young and beautiful bodies had become so much one with the other that it seemed impossible there should ever again be a separation…From the heights they plunged into the abyss, and from the abyss they took wing and soared once more to dizzying heights…As one cycle ended, almost immediately a new wave of passion would be generated, and together -with no trace of fatigue- they would climb again in a single breathless movement to the very summit.
”
”
Yukio Mishima (Patriotism)
“
And at Dack's party- it was like this. Like you had all the time in the world, and you wanted us to have it together. I loved that. It was like- well, it was like you'd climbed up that tree and found me there at the top. And we had that together.
”
”
David Levithan (Another Day (Every Day, #2))
“
As you climbed, leaving the little village paths down below, the noise of the earth, the crickets, the quails and other birds began their morning song, their chant, their rich worship of the day. And as the sun arose you were part of that light and had left behind everything that thought had put together. You completely forgot yourself. The psyche was empty of its struggles and its pains. And as you walked, climbed, there was no sense of separateness, no sense of being even a human being.
”
”
J. Krishnamurti (Krishnamurti to Himself: His Last Journal)
“
Elizabeth knew that if she climbed the ladder she would find that the twins were in the same bed, sleeping back to back. She could go up there now and separate them, but in the morning she would find them together again. They might bicker and wrangle endlessly during the day, but in sleep they could not deny the bond that had been forged in the warm dark waters of the womb. One day circumstance or age or both would separate them for good, but they were in no hurry for that day to come, and neither was Elizabeth.
”
”
Sara Donati (Lake in the Clouds (Wilderness, #3))
“
You guys could handle this on your own. Why risk getting kicked out of your He-Man-Monster-Haters Club?"
"Because we can't handle this on our own. At least I don't think we can."
"You said yourself you already have some Prodigium working with you. Why not go to them?"
"We have a handful," he said, frustration creeping into his voice. "And most of them suck. Look, just consider it a peace offering, okay? My way of saying I'm sorry for lying to you. And pulling a knife in your presence, even if it was just to open a damn window to get out before you vaporized me."
Most girls got flowers. I got a dirt put used for demon raising. Nice.
"Thanks," I replied. "But don't you want in on this?"
He looked at me, and not for the first time, I wished his eyes weren't so dark. It would have been nice to have some idea of what was going on in his head. "That's up to you," he said.
Mom always liked to say that we hardly ever know the decisions we make that change our lives,mostly because they're little ones. You take this bus instead of that one and end up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments. Tell Archer no,and I'd never see him again. And Dad and Jenna wouldn't be mad at me, and Cal...Tell Archer yes, and everything suddenly got twistier and more complicated than Mrs. Casnoff's hairdo.
And even though I'm a twisty and complicated girl, I knew what my answer had to be.
"It's too much of a risk, Cross. Maybe one day when I'm head of the Council, and you're...well, whatever you're going to be for L'Occhio di Dio, we could work on some kind of collaboration." That brought up depressig images of me and Archer sittig across a boardroom table, sketching out battle plans on a whiteboard, so my voice was a little shaky when I continued. "But for now, it's too dangerous." And not just because basically everyone in our lives would want to kill us if they found out, I thought. But because I was pretty sure I was still in love with him, and I thought he might feel something similar for me, and there was no way we could work together preventing the Monster Apocalypse/World War III without that becoming an issue.
Not that I could say any of that.
Archer's face was blank as he said, "Cool. Got it."
"Cross," I started to say, but then his eyes slid past me and went wide with horror. At the same time, I became aware of a slithering noice behind me. That just could not be good; in my experience, nothing pleasant slithers.
Still, I was not prepared for the nightmares climbing out of the crater.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
All great, simple images reveal a psychic state. The house, even more than the landscape, is a "psychic state," and even when reproduced as it appears from the outside, it bespeaks intimacy. Psychologists generally, and Francoise Minkowska in particular, together with those whom she has succeeded interesting in the subject, have studied the drawing of houses made by children, and even used them for testing. Indeed, the house-test has the advantage of welcoming spontaneity, for many children draw a house spontaneously while dreaming over their paper and pencil. To quote Anne Balif: "Asking a child to draw his house is asking him to reveal the deepest dream shelter he has found for his happiness. If he is happy, he will succeed in drawing a snug, protected house which is well built on deeply-rooted foundations." It will have the right shape, and nearly always there will be some indication of its inner strength. In certain drawings, quite obviously, to quote Mme. Balif, "it is warm indoors, and there is a fire burning, such a big fire, in fact, that it can be seen coming out of the chimney." When the house is happy, soft smoke rises in gay rings above the roof.
If the child is unhappy, however, the house bears traces of his distress. In this connection, I recall that Francoise Minkowska organized an unusually moving exhibition of drawings by Polish and Jewish children who had suffered the cruelties of the German occupation during the last war. One child, who had been hidden in a closet every time there was an alert, continued to draw narrow, cold, closed houses long after those evil times were over. These are what Mme. Minkowska calls "motionless" houses, houses that have become motionless in their rigidity. "This rigidity and motionlessness are present in the smoke as well as in the window curtains. The surrounding trees are quite straight and give the impression of standing guard over the house". Mme. Minkowska knows that a live house is not really "motionless," that, particularly, it integrates the movements by means of which one accedes to the door. Thus the path that leads to the house is often a climbing one. At times, even, it is inviting. In any case, it always possesses certain kinesthetic features. If we were making a Rorschach test, we should say that the house has "K."
Often a simple detail suffices for Mme. Minkowska, a distinguished psychologist, to recognize the way the house functions. In one house, drawn by an eight-year-old child, she notes that there is " a knob on the door; people go in the house, they live there." It is not merely a constructed house, it is also a house that is "lived-in." Quite obviously the door-knob has a functional significance. This is the kinesthetic sign, so frequently forgotten in the drawings of "tense" children.
Naturally, too, the door-knob could hardly be drawn in scale with the house, its function taking precedence over any question of size. For it expresses the function of opening, and only a logical mind could object that it is used to close as well as to open the door. In the domain of values, on the other hand, a key closes more often than it opens, whereas the door-knob opens more often than it closes. And the gesture of closing is always sharper, firmer, and briefer than that of opening. It is by weighing such fine points as these that, like Francoise Minkowska, one becomes a psychologist of houses.
”
”
Gaston Bachelard (The Poetics of Space)
“
....One dark night,
my Tudor Ford climbed the hill's skull;
I watched for love-cars. Lights turned down,
they lay together, hull to hull,
where the graveyard shelves on the town. . . .
My mind's not right.
A car radio bleats,
"Love, O careless Love. . . ." I hear
my ill-spirit sob in each blood cell,
as if my hand were at its throat. . . .
I myself am hell;
nobody's here--
only skunks, that search
in the moonlight for a bite to eat.
They march on their soles up Main Street:
white stripes, moonstruck eyes' red fire
under the chalk-dry and spar spire
of the Trinitarian Church.
I stand on top
of our back steps and breathe the rich air--
a mother skunk with her column of kittens swills the garbage pail.
She jabs her wedge-head in a cup
of sour cream, drops her ostrich tail,
and will not scare.
”
”
Robert Lowell
“
In times of deep pain in my own life, the belief of the church has carried me. When we confess the creeds in worship, we don’t say, “I believe in God the Father . . .” because some weeks I do and some weeks, I can’t climb that high. Instead we confess, “We believe . . .” Belief isn’t a feeling inside of us, but a reality outside of us into which we enter, and when we find our faith faltering, sometimes all we can do is fall on the faith of the saints. We believe together. Thank God belief isn’t left to me and my ever-fluctuating faithfulness.
”
”
Tish Harrison Warren (Prayer in the Night: For Those Who Work or Watch or Weep)
“
Defeat, my Defeat, my solitude and my aloofness;
You are dearer to me than a thousand triumphs,
And sweeter to my heart than all world-glory.
Defeat, my Defeat, my self-knowledge and my defiance,
Through you I know that I am yet young and swift of foot
And not to be trapped by withering laurels.
And in you I have found aloneness
And the joy of being shunned and scorned.
Defeat, my Defeat, my shining sword and shield,
In your eyes I have read
That to be enthroned is to be enslaved,
And to be understood is to be leveled down,
And to be grasped is but to reach one’s fullness
And like a ripe fruit to fall and be consumed.
Defeat, my Defeat, my bold companion,
You shall hear my songs and my cries and my silences,
And none but you shall speak to me of the beating of wings,
And urging of seas,
And of mountains that burn in the night,
And you alone shall climb my steep and rocky soul.
Defeat, my Defeat, my deathless courage,
You and I shall laugh together with the storm,
And together we shall dig graves for all that die in us,
And we shall stand in the sun with a will,
And we shall be dangerous.
”
”
Kahlil Gibran
“
Early on a difficult climb, especially a difficult solo climb, you constantly feel the abyss pulling at your back. To resist takes a tremendous conscious effort; you don't dare let your guard down for an instant. The siren song of the void puts you on edge; it makes your movements tentative, clumsy, herky-jerky. But as the climb goes on, you grow accustomed to the exposure, you get used to rubbing shoulders with doom, you come to believe in the reliability of your hands and feet and head. You learn to trust your self-control. By and by your attention becomes so intensely focused that you no longer notice the raw knuckles, the cramping thighs, the strain of maintaining nonstop concentration. A trancelike state settles over your efforts; the climb becomes a clear-eyed dream. Hours slide by like minutes. The accumulated clutter of day-to-day existence — the lapses of conscience, the unpaid bills, the bungled opportunities, the dust under the couch, the inescapable prison of your genes — all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose and by the seriousness of the task at hand. At such moments something resembling happiness actually stirs in your chest, but it isn't the sort of emotion you want to lean on very hard. In solo climbing the whole enterprise is held together with little more than chutzpah, not the most reliable adhesive.
”
”
Jon Krakauer
“
I sat like a drugged man, incapable of movement. I don’t know what she played, but it was shattering – stupendous. I was not aware of anything but that I and Rebecca were together – out of the world, away, lost – lost in unutterable bliss. We were climbing, then flying, higher – higher.
”
”
Daphne du Maurier (The Doll)
“
In my parents’ house, nothing was ever thrown away. Clothes piled up, formed drifts that grew into mountains Philip, Baron, and I would climb and leap from. The heaps of garments filled the hallway and chased my parents out of their own bedroom, so that they eventually slept in the room that was once Dad’s office. Empty bags and boxes filled gaps in the clutter, boxes that once held rings and sneakers and clothes. A trumpet that my mother wanted to make into a lamp rested atop a stack of tattered magazines filled with articles Dad planned to read, near the heads and feet and arms of dolls Mom promised she would stitch together for a kid from Carney, all beside an endless heap of replacement buttons, some still in their individual glassine bags. A coffeemaker rested on a tower of plates, propped up on one end to keep coffee from flooding the counters.
”
”
Holly Black (White Cat (Curse Workers, #1))
“
To test this theory, I sent this picture to my mother and asked her what she thought had happened. She immediately replied,2 “The kid knocked over the vase and the cat is investigating.” She cleverly rejected alternate hypotheses, including: The cat knocked over the vase. The cat jumped out of the vase at the kid. The kid was being chased by the cat and tried to climb up the dresser with a rope to escape. There’s a wild cat in the house, and someone threw a vase at it. The cat was mummified in the vase, but arose when the kid touched it with a magic rope. The rope holding the vase broke and the cat is trying to put it back together. The vase exploded, attracting a child and a cat. The child put on the hat for protection from future explosions. The kid and cat are running around trying to catch a snake. The kid finally caught it and tied a knot in it.
”
”
Randall Munroe (What If? 10th Anniversary Edition: Serious Scientific Answers to Absurd Hypothetical Questions)
“
Ever since mankind first learned to bang rocks together and spark fire, people have been driven to define themselves, to build neat little boxes and climb inside.
They divide themselves up by religion, race, nationality. And even that’s not enough. They make the boxes smaller and smaller. They come up with all kinds of bullshit ways to categorize themselves. Introverts, extroverts. Leaders, followers. Morning people, night owls.
It’s part of the human condition—the desperate desire to figure out where you belong. To know the truth of who you are, what you are.
Me? I’d kill anyone who tried to put me in a box. And I learned the only two important distinctions very early on.
Predators, or prey.
Eat, or be eaten.
What difference does it make if you’re an introverted morning person…if you’re gurgling your last breaths through the wide-open smile that I’ve carved in your throat?
”
”
Ginger Talbot (Tamara, Taken (Blue Eyed Monsters #1))
“
I know it must sound harsh to you, but if I try to take you with me, it will slow me down and may well kill you."
The crow and the serving girl regarded me with sharp, bright eyes. The Fool was breathing hard through his nose, as if he'd just climbed a towerful of stairs. His hands gripped the edge of the table. "You mean it," he said in a shaking voice. "You're leaving me here. I hear it in your voice."
I drew a deep breath. "If I could, Fool, I would-"
"But you can. You can! Take the risk! Take all the risks! So we die in a stone, or on a ship, or at Clerres. So we die, and it ends. We die together.
”
”
Robin Hobb (Fool's Quest (The Fitz and the Fool, #2))
“
There’s a theory,” said Anna, handing him a cup of tea as she climbed back into bed, “that we are all Atlanteans.” “Who?” “Us. San Franciscans.” Edgar grinned indulgently, bracing himself for another yarn. Anna caught it. “Do you want to hear it … or are you getting stuffy on me?” “Go ahead. Tell me a story.” “Well … in one of our last incarnations, we were all citizens of Atlantis. All of us. You, me, Frannie, DeDe, Mary Ann…” “Are you sure she’s out of the building?” “She’s gone to her switchboard. Will you relax?” “O.K. I’m relaxed.” “All right, then. We all lived in this lovely, enlightened kingdom that sank beneath the sea a long time ago. Now we’ve come back to this special peninsula on the edge of the continent … because we know, in a secret corner of our minds, that we must return together to the sea.” “The earthquake.” Anna nodded. “Don’t you see? You said the earthquake, not an earthquake. You’re expecting it. We’re all expecting it.” “So what does that have to do with Atlantis?” “The Transamerica Pyramid, for one thing.” “Huh?” “Don’t you know what dominated the skyline of Atlantis, Edgar … the thing that loomed over everything?” He shook his head. “A pyramid! An enormous pyramid with a beacon burning at the top!
”
”
Armistead Maupin (Tales of the City (Tales of the City, #1))
“
To sit back and watch is no longer possible. It never was, it turned out.
I step onto the pristine grass. It feels like an invasion, but a voice inside reminds me to loosen up. I don't pretend that I knew him before, but he's always with me now.
We're weaving in between trees, careful not to disturb, on a mission. We mean no trouble. There are so many of us, the lonely souls. All of us who helped build this. Those who will watch it grow. Those we've lost. We march on together. Climbing, falling, soaring. Trying to get closer to the center of everything. Closer to ourselves. Closer to each other. Closer to something true.
”
”
Val Emmich (Dear Evan Hansen)
“
It was cruel," said Dumbledore softly, "that you and Sirius had such a short time together. A brutal ending to what should have been a long and happy relationship."
Harry nodded, his eyes fixed resolutely on the spider now climbing Dumbledore's hat. He could tell that Dumbledore understood, that he might even suspect that until his letter arrived Harry had spent nearly all his time at the Dursleys' lying on his bed, refusing meals and staring at the misted window, full of the chill emptiness that he had come to associate with the Dementors.
"It's just hard," Harry said finally, in a low voice, "to realise he won't write to me again.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
After an hour or so when I was sure Piper was calm and safe I slipped off to be with Edmond and we said even less than usual only climbed inside each other for comfort and oblivion and fell asleep that way wrapped in black sheep blankets and together dreamt a single dream that there was no one left in the world but us.
”
”
Meg Rosoff (How I Live Now)
“
Bucket had started his criminal career in Braas, not far from when Allan and his new friends now found themselves. There he had gotten together with some like-minded peers and started the motorcycle club called The Violence. Bucket was the leader; he decided which newsstand was to be robbed of cigarettes next. He was the one who has chosen the name- The Violence, in English, not swedish. And he was the one who unfortunately asked his girlfriend Isabella to sew the name of the motorcycle club onto ten newly stolen leather jackets. Isabella had never really learned to spell properly at school, not in Swedish, and certainly not in English.
The result was that Isabella sewed The Violins on the jackets instead. As the rest of the club members had had similar academic success, nobody in the group noticed the mistake.
So everyone was very surprised when one day a letter arrived for The Violins in Braas from the people in charge of the concert hall in Vaxjo. The letter suggested that, since the club obviously concerned itself with classical music, they might like to put in am appearance at a concert with the city’s prestigious chamber orchestra, Musica Viate.
Bucket felt provoked; somebody was clearly making fun of him. One night he skipped the newsstand, and instead went into Vaxjo to throw a brick through the glass door of the concert hall. This was intended to teach the people responsible lesson in respect. It all went well, except that Bucket’s leather glove happened to follow the stone into the lobby. Since the alarm went off immediately, Bucket felt it would be unwise to try to retrieve the personal item in question.
Losing the glove was not good. Bucket had traveled to Vaxjo by motorbike and one hand was extremely cold all the way home to Braas that night. Even worse was the fact that Bucket’s luckless girlfriend had written Bucket’s name and adress inside the glove, in case he lost it."
For more quotes from the novel visit my blog: frommybooks.wordpress.com
”
”
Jonas Jonasson (The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared (The Hundred-Year-Old Man, #1))
“
You’ve got your own mountain that needs climbing. Yeah?” “Yeah.” My stomach lurches, and I swear if I looked down, my heart would be beating on the ground somewhere. Ripped out and torn apart. Because she’s right, I’ve got a lot of fixing to do. She presses a tender kiss to my lips, so many emotions flooding out between us. Spilling out of me, drowning my system. Her forehead tilts against mine, tips of our noses brushing together. “Meet you at the top, Sinclaire?” My fingers pulse around her ribs, and I know that this is the moment where I let her go. It makes me nauseous. But I choke out the words she needs to hear anyway. “Meet you at the top, Wildflower.
”
”
Elsie Silver (A False Start (Gold Rush Ranch, #4))
“
Sometimes I think that when you live together for a very long time, and have children together, life is a bit like climbing trees. Up and down, up and down, you try to cope with everything, be good, you climb and climb and climb, and you hardly ever see each other along the way. You don’t notice that when you’re young, but everything changes when you have children, and sometimes it feels like you hardly ever see the person you married any more. You’re parents and teammates, first and foremost, and being married slips down the list of priorities. But you … well, you keep climbing trees, and see each other along the way. I always thought that was just the way it is, life, the way it has to be. We just had to get through everything, I thought. And I kept telling myself that the important thing was that we kept climbing the same tree. Because then I thought that sooner or later … and this sounds so pretentious … but I thought that sooner or later we’d end up on the same branch. And then we could sit there holding hands and looking at the view.
”
”
Fredrik Backman (Anxious People)
“
In a few weeks her partner will find the box containing the crib in the storeroom, the one she kept nagging at him to put together, and he'll sob so hard that it feels like his ribs will break. For the rest of their lives they will always walk past the display windows of the sports shop and think that there's one bicycle too many in there. A pair of skates too many. A hundred thousand adventures and trees to climb and puddles to jump in too many. A million uneaten ice creams. They will never be woken too early on holiday mornings, never whisper-shout "Quiet!" when they're talking on the phone, never put small gloves on the radiator. The greatest fear, the tiniest human being, will never be theirs.
”
”
Fredrik Backman (The Winners (Beartown, #3))
“
A trancelike state settles over your efforts; the climb becomes a clear-eyed dream. Hours slide by like minutes. The accumulated clutter of day-to-day existence--the lapses of consciousness, the unpaid bills, the bungled opportunities, the dust under the couch, the inescapable prison of your genes--all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose and by the seriousness of the task at hand [...] At such moments something resembling happiness actually stirs in your chest, but it isn't the sort of emotion you want to lean on very hard. In solo climbing the whole enterprise is held together with little more than chutzpah, not the most reliable adhesive.
”
”
Jon Krakauer (Into the Wild)
“
She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping.
My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock.
It was a baby on the beach.
In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb.
With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket.
My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines.
She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.
”
”
Alice Sebold (The Lovely Bones)
“
Don’t you understand? You are my entire life. Fighting this by your side isn’t holding me back. I wouldn’t want to be anywhere else.”
She hiccups against me as we cry together for several minutes, clinging to each other the way we always have. The two of us like a rock against a storm, a little huddled piece of security in a world set on tearing us down.
Finally, Lucy’s sobs slow, and she sits back, rubbing the heels of her hands across her cheeks. “You know what else I feel?”
“Tell me.”
“Determined. I am still Lucy. I still want the same things I’ve always wanted.” She clenches her fists. “Yes, the path to my dreams may be harder and longer and far more painful than I want it to be. It may take me twice as much time and effort as someone else to attain my goals, but I will get there.”
I brush the hair from her face. “And I will be there with you every step of that road, every doctor’s appointment, every treatment. I will find a job to pay for the things you need, and we will do this together. The highs and the lows. The successes and the failures. You do not have to climb this mountain alone.
”
”
Jessica S. Olson (A Forgery of Roses)
“
We would wake and have smoothies every morning with fresh whole-grain bread from the small bakery in town, then run and climb and take walks together, and catch up on e-mail in the evening before we went to bed and talk about food and music and life and death and meaning and love. We fell asleep to the rushing of the stream and the cool spring breeze wafting through the window.
”
”
Scott Jurek (Eat and Run: My Unlikely Journey to Ultramarathon Greatness)
“
Toward nightfall, Khrenov’s temperature had risen. The thermometer was warm, alive—the column of mercury climbed high on the little red ladder. For a long time he muttered unintelligibly, kept biting his lips and gently shaking his head. Then he fell asleep. Natasha undressed by a candle’s wan flame, and saw her reflection in the murky glass of the window—her pale, thin neck, the dark braid that had fallen across her clavicle. She stood like that, in motionless languor, and suddenly it seemed to her that the room, together with the couch, the table littered with cigarette stubs, the bed on which, with open mouth, a sharp-nosed, sweaty old man slept restlessly—all this started to move, and was now floating, like the deck of a ship, into the black night.
”
”
Vladimir Nabokov
“
Everywhere he looked he saw families reunited, and finally, he saw the two whose company he craved most.
“It’s me,” he muttered, crouching down between them. “Will you come with me?”
They stood up at once, and together he, Ron, and Hermione left the Great Hall. Great chunks were missing from the marble staircase, part of the balustrade gone, and rubble and bloodstains occurred every few steps as they climbed.
Somewhere in the distance they could hear Peeves zooming through the corridors singing a victory song of his own composition:
We did it, we bashed them, wee Potter’s the one,
And Voldy’s gone moldy, so now let’s have fun!
“Really gives a feeling for the scope and tragedy of the thing, doesn’t it?” said Ron, pushing open a door to let Harry and Hermione through.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Sheila and Hugh Resting in arms Testing your charms Repeating a ritualized “I love you” Sharing a fight Or a kiss in the night Shrugging when friends ask “What’s new?” After the wedding Her hips started spreading His hair line began to recede They remained together Out of habit now And not out of any great need He’ll show up from work Showing signs of strain While her day was spent cleaning Letting the soap operas wash her brain . . . He reads the evening paper She calls him in to eat They share their meal silently She’s bored, he’s just beat Then they climb the stairs Multiplying the monotony With each step they take The hours spent sleeping They find more satisfying Than those spent awake He removes his work clothes She puts on her curlers and cream Hoping the sheets will protect them From the demon of daily routine Then he clicks off the lamp And the darkness holds no noise For in the dark you can be anyone Housewives will be girls And businessmen boys . . . “I love you, Sheila” I love you, Hugh” But she’s deciding on dishes And his thoughts are all askew And the sheets supply refuge For this perpetual pair Neither really knowing anymore Why the other one is there
”
”
Carrie Fisher (The Princess Diarist)
“
i paid in blood to be here. i paid with a childhood littered with bigger
monsters than you. i’ve been beaten into a silence more times than i’ve been
embraced on this earth. you haven’t seen what i’ve seen. my rock bottom
went so deep i’m pretty sure it was hell. i spent a decade climbing out of it.
my hands blistered. my feet swelled. my mind said i can’t take it anymore. i
told my mind you better get yourself together. we came here for joy. and we
are going to feel all of it. i’ve been hunted. killed. and walked back to earth. i
snapped the neck off every beast that thought it could. and you want to take
my seat. the one i built with the story of my life. honey. you won’t fit. i
juggle clowns like you. i pick my teeth with fools like you for fun. i have
played and slept and danced with bigger devils
”
”
Rupi Kaur (Home Body)
“
How many miles have we done in her?” she asked. “More than a hundred and fifty thousand,” said Arthur. “Have you checked we’ve got enough fuel?” “She’s as ready for us as we are for her.” “Then let’s go.” Arthur opened the boot and placed the suitcases inside. Then, from the workbench, he picked up the hosepipe and, using parcel tape, attached one end to the exhaust pipe and the other to a crack in the side window, padding the rest of the gap with an old beach towel. Finally, he climbed into the van to join June and turned on the ignition. “Where do you fancy going then?” June asked as the engine chugged. “We never made it to Barcelona and I always wanted to climb the steps up La Sagrada Família. It looks so beautiful in photographs.” “Then let’s go there first.” She reached out her hand to entwine her fingers around his. His eyes welled as he offered his wife a grin as broad as any he had given her during their lifetime together. Then he wiped the tears away and closed his eyes. “It’s you and me to the end, girl,” Arthur whispered. “You and me,” she repeated, and he could smell her apple blossom shampoo as she leaned her head onto his shoulder. And together, they set off on their final adventure together.
”
”
John Marrs (The Marriage Act)
“
Human colour is the colour I'm truly interested in, the colour of your humanity. May the size of your heart and the depth of your soul be your currency. welcome aboard my Good Ship. Let us sail to the colourful island of misex identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboad. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let's toast to the minorities who are the majority. There's no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now. I drink to our sameness and to our unique differences. This is the twenty-first century and we share this, we live here, in the future. It is a beautiful morning, it is first light on the time of being other, so get out from that shade and feel the warmth of being outside.
You tick: Other.
”
”
Salena Godden
“
Dear Sawyer and Quin, If you ever read this and I'm gone I want you to know something that has been weighing on me. I watch you two play and it can be so sad sometimes. You two have been best friends since Sawyer's birth. Always inseparable. It's been adorable , but comes with its challenges. I'm worried when I watch you boys. Quinton, you are always driven by your ego. You're strong and talented, but much too determined to beat down everyone in your efforts to be the best. You push yourself to win a competition, then shove it in someone's face. I’ve rarely seen you compliment others, but you always give yourself a pat on the back. You don't play anything for the love of it, you play to win and normally do. I've seen you tear down your brother so many times just to feel good about yourself. You don't have to do that, dear. You don't have to spend your life trying to prove that you're amazing. One day you'll fail and be alone because you've climbed to the top of a pyramid with only enough room for yourself. Don't let it get to that point and if you do, learn humility from your brother. He could do without so much of it. Sawyer, just because you're most often the underdog and the peaceful introspective kid, don't think I'm letting you off the hook. Your humility has become your worst enemy. It's so intense that I wonder if it will be your vice one day, instead of your greatest virtue. It's one thing to believe you are below all men, even when you're not, but it's another thing to be crippled by fear and to no longer try. Sometimes , dear, I think you fear being good at something because you've tasted the bitterness of being the one who comes in last and you don't want to make others feel that way. That's sweet of you and I smile inside when I see you pretending to lose when you race your younger cousins , but if you always let people beat you they may never learn to work hard for something they want. It's okay to win, just win for the right reasons and always encourage those who lose. Oh, and Sawyer, I hope one day you read this. One day when it matters. If so, remember that the bottom of a mountain can be just as lonely as the top. I hope the two of you can learn to climb together one day. As I'm writing this you are trying to climb the big pine tree out back. Quin is at the top, rejoicing in his victory and taunting Sawyer. And Sawyer is at the bottom, afraid to get hurt and afraid to be sad about it. I'm going to go talk to you two separately now. I hope my words mean something. Love you boys, Mom
”
”
Marilyn Grey (When the City Sleeps (Unspoken #6))
“
The basic process of climbing a mountain was therapeutic, almost cathartic. There was the simple act of walking into the woods and away from the world. Then there was the climb itself, where the body worked: muscles flexed and released, lungs rose and fell, the heart beat. It was as if the complications in my life were breaking down and the only thing I cared about was the next place I'd put my foot or finding something to hold to pull myself up. After all that work to get to the summit came that views from the top. The failed Catholic in me saw it as a spiritual journey, much like the ones any holy man had made in leaving behind society. Christ, Buddha, Muhammad - they all did it, and they came back with clarity. For me the climb was my confession, working out the troubles of my past. Sitting on top was communion. On each hike I allowed myself to be pulled apart and then put back together again.
”
”
Tom Ryan
“
The moon had risen higher and the moonlight was bright in the little open place. All around it the shadows were dark among the trees.
“After a long while, a doe and her yearling fawn came stepping daintily out of the shadows. They were not afraid at all. They walked over to the place where I had sprinkled the salt, and they both licked up a little of it.
“Then they raised their heads and looked at each other. The fawn stepped over and stood beside the doe. They stood there together, looking at the woods and the moonlight. Their large eyes were shining and soft.
“I just sat there looking at them, until they walked away among the shadows. Then I climbed down out of the tree and came home.”
Laura whispered in his ear, “I’m glad you didn’t shoot them!”
Mary said, “We can eat bread and butter.”
Pa lifted Mary up out of her chair and hugged them both together.
“You’re my good girls,” he said. “And now it’s bedtime. Run along, while I get my fiddle.”
When Laura and Mary had said their prayers and were tucked snugly under the trundle bed’s covers, Pa was sitting in the firelight with the fiddle. Ma had blown out the lamp because she did not need its light. On the other side of the hearth she was swaying gently in her rocking chair and her knitting needles flashed in and out above the sock she was knitting.
The long winter evenings of fire-light and music had come again.
”
”
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
“
You have a sister in Toronto, Wesley?” O’Connor says from underneath the towel he’s using to dry his hair. “Is she hot? Can I have her number?” Wes growls. “Touch Jess and die. You hear me?” O’Connor chuckles, and the sound climbs up my throat like bile. Somehow, fists are clenched at my sides. Jess and I aren’t together, and we never will be, and yet I feel like grinding the newbie into dust just for joking about calling her. Weird. Must be time for dinner.
”
”
Sarina Bowen (Good Boy (WAGs, #1))
“
Our room swallowed light whole. Even in summer when sunlight glared through the windows, it was somehow dim inside. Now it was only Easter morning, and the muted sky of early spring offered scant relief to our tenebrous room. On our side of the house a gnarled and ancient oak tree spread its reach across the back facade of the house as if to shade and protect us. One of the massive branches of its principal fork reached invitingly right up to our window to offer to take us wherever we wanted to go. This great limb, with circumference grander than both of us together, was our stairway to heaven and our secret exit to the ground; it was our biplane in the Great War of our imaginations and a magic carpet to Araby; it was our lookout post and the clubhouse of our most secret fraternal order; it was our secret passageway through the imaginary castle we made of our house. It was our escape from the darkness into the light.
”
”
Mason West
“
Go back to where you came from," muttered a man in Italian, glancing from Magnus's Indonesian to Shinyun's Korean face. He moved to shove past them, but Shinyun held up a hand. The man froze.
"I've always wondered what that saying is about," Magnus said casually. "I wasn't born in Italy, but many people are who don't fit your idea of what people born here look like. Is it that you think their parents weren't from here, or their grandparents? Why do people say it? Is the idea that everyone should go back to the very first place their ancestors came from?"
Shinyun stepped up to the man, who remained fixed in place, his eyeballs twitching.
"Wouldn't that mean," Magnus asked, "that ultimately, we all have to go back to the water?"
Shinyun flicked a finger, and the man was flung with a brief squeak into the Tiber. Magnus made sure he fell without injury and drifted him to the riverside. The man climbed out and sat down on the bank with a squelch. Magnus hoped he would think about his choices.
"I was only going to make him think I would drop him in the water," Magnus clarified. "I understand the impulse, but just making him afraid of us . . ." He trailed off and sighed. "Fear isn't a very efficient motivator."
"Fear is all some people understand," Shinyun said.
They were standing close together. Magnus could feel the tension running through Shinyun's body. He took her hand and gave it a brief, friendly squeeze before he dropped it. He felt a faint pressure of her fingers in return, as if she'd wanted to squeeze back.
I did this to her, he thought, as he always did, the five small words that circled in his mind repeatedly when he was around Shinyun.
"I prefer to believe that people can understand a lot, when offered the opportunity," said Magnus. "I like your enthusiasm, but let's not drown anyone."
"Spoilsport," said Shinyun, but her tone was friendly.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
FROM A DISTANCE the porter camp looked neat and prosperous, but as we got closer it became clear that it was neither. It seemed that everything in it was made out of castoffs—as if the porters hung around after the climbing season and collected the leftovers from our camp and put it in theirs. There were a couple of shacks that had more flattened tin cans nailed to them than wood. The tents were sewn together from bits and pieces of other tents. The yak halters were made from frayed climbing ropes. The
”
”
Roland Smith (Peak (Peak, #1))
“
Scared, the eggheads. And maybe that's how it should be. They should be even more scared than the rest of us ordinary folks put together. Because we merely don't understand a thing, but they at least understand how much they don't understand. They gaze into this bottomless pit and know that they will inevitably have to climb down - their hearts are racing, but they know that they'll have to do it - except they do not know how or what awaits them at the bottom or, more important, whether they'll be able to get back out.
”
”
Arkady Strugatsky
“
Here's the truth: I do want love. In some ways, I've been looking for forever. Real love, the kind that makes you want to grow old together, makes you not just unafraid of all that time with one person but electrified by it.
I assumed at some point, maybe the papers would stop. But I wasn't looking forward to that day, at least not exactly. There was something in me that wanted to keep moving. If you never stop long enough to sink into something, then it can't destroy you. It's easier to climb out of a pool that a well, is the thing.
”
”
Rebecca Serle (Expiration Dates)
“
Tell me," she said quietly. "If that [happiness] machine is like you say, has it got an answer to making babies in it somewhere? Can that machine make seventy-year-old people twenty? Also, how does death look when you hide in there with all that happiness?"
"Hide!"
"If you died from overwork, what should I do today, climb in that big box down there and be happy? Also tell me, Lee, how is our life? You know how our house is. Seven in the morning, breakfast, the kids; all of you gone by eight thirty and it's just me and washing and me and cooking and socks to be darned, weeds to be dug, or I run to the
store or polish silver. Who's complaining? I'm just reminding you how the house is put
together, Lee, what's in it! So now answer: How do you get all those things I said in one machine?"
"That's not how it's built!"
"I'm sorry. I got no time to look, then."
And she kissed his cheek and went from the room and he lay smelling the wind that blew from the hidden machine below, rich with the odor of those roasted chestnuts that sold in the autumn streets of a Paris he had never known . . .
”
”
Ray Bradbury (Dandelion Wine)
“
Lee went quickly out of the kitchen. He sat in his room, gripping his hands tightly together until he
stopped choking. He got up and took a small carved ebony box from the top of his bureau. A dragon
climbed toward heaven on the box. He carried the box to the kitchen and laid it on the table between
Abra’s hands. “This is for you,” he said, and his tone had no inflection.
She opened the box and looked down on a small, dark green jade button, and carved on its surface
was a human right hand, a lovely hand, the fingers curved and in repose. Abra lifted the button out and
looked at it, and then she moistened it with the tip of her tongue and moved it gently over her full lips,
and pressed the cool stone against her cheek.
Lee said, “That was my mother’s only ornament.”
Abra got up and put her arms around him and kissed him on the cheek, and it was the only time
such a thing had ever happened in his whole life.
Lee laughed. “My Oriental calm seems to have deserted me,” he said. “Let me make the tea,
darling. I’ll get hold of myself that way.” From the stove he said, “I’ve never used that word—never
once to anybody in the world.
”
”
John Steinbeck (East of Eden)
“
I gestured upward, which told Adam to tell my brother to speed up. Adam knew what I planned to do and shook his head at me. What a pain, to stop the boat and argue with him about it. He didn’t consult anyone before he tried a trick and busted ass. If we stopped, Sean would insist my turn was over, and I’d be done for the day. I wasn’t done. So I nodded my head vigorously. Adam shook his finger at me, scolding. Then he turned around and spoke to my brother.
The drone pitched higher as the boat sped up. I relaxed, relaxed, relaxed and let the boat and the wave do the work for me. My muscles remembered what they’d tried to do last summer, and this time they were able to do it. I caught miles of air, a huge thrill, and one glance at the boat: four boys with their mouths open. Then I almost panicked as I lost my balance when my board hit its high point behind me. Almost- but I kept myself together. I rode gravity down the opposite wave.
Immediately I arced out and back to pick up speed, and did a 360 with a grab. Landed it. Then a 540. Landed it.
I thought I might be pushing my luck. I’d probably break my leg climbing back into the boat.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
There is a change underway, however. Our society used to be a ladder on which people generally climbed upward. More and more now we are going to a planetary structure, in which the great dominant lower middle class, the class that determines our prevailing values and organizational structures in education, government, and most of society, are providing recruits for the other groups — sideways, up, and even down, although the movement downward is relatively small. As the workers become increasingly petty bourgeois and as middle-class bureaucratic and organizational structures increasingly govern all aspects of our society, our society is increasingly taking on the characteristics of the lower middle class, although the poverty culture is also growing. The working class is not growing. Increasingly we are doing things with engineers sitting at consoles, rather than with workers screwing nuts on wheels. The workers are a diminishing, segment of society, contrary to Marx’s prediction that the proletariat would grow and grow. I have argued elsewhere that many people today are frustrated because we are surrounded by organizational structures and artifacts. Only the petty bourgeoisie can find security and emotional satisfaction in an organizational structure, and only a middle-class person can find them in artifacts, things that men have made, such as houses, yachts, and swimming pools. But human beings who are growing up crave sensation and experience. They want contact with other people, moment-to-moment, intimate contact. I’ve discovered, however, that the intimacy really isn’t there. Young people touch each other, often in an almost ritual way; they sleep together, eat together, have sex together. But I don’t see the intimacy. There is a lot of action, of course, but not so much more than in the old days, I believe, because now there is a great deal more talk than action. This group, the lower middle class, it seems to me, holds the key to the future. I think probably they will win out. If they do, they will resolutely defend our organizational structures and artifacts. They will cling to the automobile, for instance; they will not permit us to adopt more efficient methods of moving people around. They will defend the system very much as it is and, if necessary, they will use all the force they can command. Eventually they will stop dissent altogether, whether from the intellectuals, the religious, the poor, the people who run the foundations, the Ivy League colleges, all the rest. The colleges are already becoming bureaucratized, anyway. I can’t see the big universities or the foundations as a strong progressive force. The people who run Harvard and the Ford Foundation look more and more like lower-middle-class bureaucrats who pose no threat to the established order because they are prepared to do anything to defend the system.
”
”
Carroll Quigley (Carroll Quigley: Life, Lectures and Collected Writings)
“
Looking into each other's eyes and speaking together in low tones, it becomes apparent that she hopes you will walk her through her troubles and show her that male-female relations can be lovely even in loveless union. She is looking for lust fulfilled but she searches also for respect, and in this she is out of luck because you do not know her or like her very much and you do not respect yourself and so the most you can offer this girl is time out of her life and an unsatisfactory meeting of bodies and, if the fates are generous, a couple of laughs and good feelings. At any rate there will unquestionably be a divot in your hearts before dawn and Peg seems to pick up on this after thirty minutes of groping and pawing (the car interior is damp with dew) she breaks away and with great exasperation says, "What do you think you're doing?" You are smiling, because it is an utterly stupid and boring question, and you say to her, "I am sitting in an American car, trying to make out in America," a piece of poetry that arouses something in her, and you both climb into the back seat for a meeting even less satisfactory than you feared it might be. Now she is crying and you are shivering and it is time to go home and if you had a watch you would snap your wrist to look meaningfully at it but she dabs at her face and says she wants you to come upstairs and share a special-occasion bottle of very old and expensive wine and as there is no way not to do this you follow her through the dusty lobby and into the lurching, diamond-gated elevator and into her cluttered apartment to scrutinize her furnishings and unread or improperly read paperbacks, and you wonder if there is anything more depressing than the habitats of young people, young and rudderless women in particular.
”
”
Patrick deWitt (Ablutions)
“
I’ll start in the air,” I said, far more steadily than I thought I could, considering. I knelt to tie the shirt around his thigh, cinching it tight above the wound; he stiffened but let me finish the knot. “The air first, the airship, and then-then I’ll dive.”
“You can’t swim,” broke in Armand. “You told me that you can’t.”
“Maybe I can now. If I’m a dragon.”
“Don’t be an idiot! If you can’t swim, you can’t swim, Eleanore! You’ll drown out there, and what the bloody hell do you think you’re going to do anyway to a U-boat? Bite it open?”
I stood again. “Yes! If I must! I don’t hear you coming up with a better-“
“You’ll die out there!”
“Or we’ll all die here!”
“We’re going to find another way!”
“You two work on that. I’m off.” I fixed them both with one last, vehement look, the Turn rising inside me.
Remember this. Remember them, this moment, this heartbreak, these two boys. Remember that they loved you.
Armand had reached for my shoulders. “I forbid-Eleanore, please, no-“
“No,” echoed Jesse, speaking at last. “You’re not going after the submarine, Lora. You won’t need to.”
Armand and I paused together, glancing down at him. I stood practically on tiptoe, so ready to become my other self.
Jesse climbed clumsily to his feet. When he swayed, we both lunged to catch him.
“Armand will take me to the shore. I’ll handle the U-boat.”
“How?” demanded Armand at once.
But I understood. I could read him so well now, Jesse-of-the-stars. I understood what he meant to do, and what it would cost him.
I felt myself shaking my head. Above us, the airship propellers thumped louder and louder.
“Yes,” said Jesse, smiling his lovely smile at me. “I already sense your agreement. Death and the Elemental were stronger joined than apart, remember? This is our joining. Don’t waste any more time quarreling with me about it. That’s not your way.” He leaned down to me, a hand tangled in my hair. His mouth pressed to mine, and for the first time ever I didn’t feel bliss at his touch.
I felt misery.
“Go on, Lora-of-the-moon,” he murmured against my lips. “You’re going to save us. I know you will.”
I glared past him to the harsh, baffled face of Armand. “Will you help him? Do you swear it?”
“I-yes, I will. I do.”
I disentangled Jesse’s hand, kissed it, stepped back, and let the Turn consume me, smoke rising and rising, leaving the castle and all I loved behind me for the wild open sky.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
Originally, the word power meant able to be. In time, it was contracted to mean to be able. We suffer the difference. Iwas waiting for a plane when I overheard two businessmen. One was sharing the good news that he had been promoted, and the other, in congratulation, said, “More power to you.” I've heard this expression before, but for some reason, I heard it differently this time and thought, what a curious sentiment. As a good wish, the assumption is that power is the goal. Of course, it makes a huge difference if we are wishing others worldly power or inner power. By worldly power, I mean power over things, people, and situations—controlling power. By inner power, I mean power that comes from being a part of something larger—connective power. I can't be certain, but I'm fairly sure the wish here was for worldly power, for more control. This is commonplace and disturbing, as the wish for more always issues from a sense of lack. So the wish for more power really issues from a sense of powerlessness. It is painfully ironic that in the land of the free, we so often walk about with an unspoken and enervating lack of personal freedom. Yet the wish for more controlling power will not set us free, anymore than another drink will quench the emptiness of an alcoholic in the grip of his disease. It makes me think of a game we played when I was nine called King of the Hill, in which seven or eight of us found a mound of dirt, the higher the better, and the goal was to stand alone on top of the hill. Once there, everyone else tried to throw you off, installing themselves as King of the Hill. It strikes me now as a training ground for worldly power. Clearly, the worst position of all is being King of the Hill. You are completely alone and paranoid, never able to trust anyone, constantly forced to spin and guard every direction. The hills may change from a job to a woman to a prized piece of real estate, but those on top can be so enslaved by guarding their position that they rarely enjoy the view. I always hated King of the Hill—always felt tense in my gut when king, sad when not, and ostracized if I didn't want to play. That pattern has followed me through life. But now, as a tired adult, when I feel alone and powerless atop whatever small hill I've managed to climb, I secretly long for anyone to join me. Now, I'm ready to believe there's more power here together.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
I believe I was afraid…of not being worthy of you. I have spent weeks writing, scribbling my thoughts, reliving every moment we shared, and I saw…the happiness we shared when we were together. The gleam in your dark eyes when you saw me. And I realized…that is what it’s about, is it not? Those pieces of happiness are what matters. Not title or name. I write stories and poems of love and dreams coming true, but I did not allow myself to see it as something that could be real…not for me…but it was true…what we shared, and not only am I better for it, the world could be too.”
“I am a better man because of you, Cas. Imagine what we could do together?”
Cassius gasped…hoped. “Do you still want me, my prince?"
“I have never wanted another the way I want you. There will never be another I love the way I love you.”
Merrick raised his hand, cupped Cassius’s cheek. Cas nuzzled into him, closed his eyes, trembled when he felt Merrick’s lips touch his. They kissed slowly, deeply, reexploring each other.
Cassius swallowed down Merrick’s moans and then fed him his own.
And it was…perfect.
When they pulled apart, Cassius led Merrick back to the rock. The sun kept the chill off as they climbed on together
”
”
Riley Hart (Ever After)
“
Jules had listened in on nearly every word exchanged while they’d been back there together, and it was more than obvious that Max had yet to pull Gina into his arms and do his imitation of the Han Solo and Princess Leia big-moment kiss from The Empire Strikes Back.
Maybe when Jules and the E-man walked out of the garage and climbed into that ancient Escort—which turned out to be part of the Testa fleet-Max would take the opportunity to plant a big, wet one on this woman that he still so obviously adored.
Or maybe not.
“Sweetie, I love the haircut,” Jules told Gina as he gave Max back his cell phone. “You look fabulous for a woman who’s been dead for five days.”
“What?” she said, but it was time to go.
“Max’ll fill you in,” he said. There. There was no way Max was going to be table to tell Gina about receiving the report of her death without getting a little misty-eyed. At which point Gina would, at the very least, throw her arms around him. If Max couldn’t manage to turn that into a truth-revealing kiss, he didn’t deserve the woman. “Ow,” he added as Emilio pressed his weapon into Jules’s kidney.
“Sorry,” Emilio managed to put the right amount of apology into his voice, but he was obviously so stressed that he didn’t quite get the right facial expression to match. It was pretty odd. Particularly when he jabbed Jules again. “Let’s go.”
Wow, wasn’t this going to be fun?
Max, meanwhile, had stepped protectively in front of Gina. He caught and held Jules’s gaze. “We’ll wait for your call.” Silently, he sent another message entirely. If Emilio gave Jules any trouble, he should shoot him.
Never mind the fact that Emilio was the one with the drawn weapon. Never mind that Jules’s hands were out and empty, and that he’d have a major bullet hole in his body if he so much as put said hands near his pockets.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
He was twice her weight in muscle and doubly strong. They still fit as if made for each other.
She hugged him close. He buried his face in her hair. Her neck. Breathed in her scent. Aroused woman and feminine musk.
They moved together.
Uninhibited and indulgent.
Power and pleasure.
He thrust, and she throbbed.
She arched against him.
He strained against her.
A sensation hit him that he hadn't expected.
A sense of oneness settled in his soul.
His rhythmic pace coaxed her, drove her higher.
They climbed fast and were suddenly there.
They came undone.
Both stiffening.
Both shattering.
Both boneless. Mindless. Replete.
”
”
Kate Angell (The Café Between Pumpkin and Pie (Moonbright, Maine #3))
“
Now,” Samite continued, “after Essel has just spent time warning you about generalities and how they often don’t apply, I’m going to use some. Because some generalities are true often enough that we have to worry about them. So here’s one: men will physically fight for status. Women, generally, are more clever. The why of it doesn’t matter: learned, innate, cultural, who cares? You see the chest-bumping, the name-calling, performing for their fellows, what they’re really doing is getting the juices flowing. That interval isn’t always long, but it’s long enough for men to trigger the battle juice. That’s the terror or excitation that leads people to fight or run. It can be useful in small doses or debilitating in large ones. Any of you have brothers, or boys you’ve fought with?” Six of the ten raised their hands. “Have you ever had a fight with them—verbal or physical—and then they leave and come back a little later, and they’re completely done fighting and you’re just fully getting into it? They look like they’ve been ambushed, because they’ve come completely off the mountain already, and you’ve just gotten to the top?” “Think of it like lovemaking,” Essel said. She was a bawdy one. “Breathe in a man’s ear and tell him to take his trousers off, and he’s ready to go before you draw your next breath. A woman’s body takes longer.” Some of the girls giggled nervously. “Men can switch on very, very fast. They also switch off from that battle readiness very, very fast. Sure, they’ll be left trembling, sometimes puking from it, but it’s on and then it’s off. Women don’t do that. We peak slower. Now, maybe there are exceptions, maybe. But as fighters, we tend to think that everyone reacts the way we do, because our own experience is all we have. In this case, it’s not true for us. Men will be ready to fight, then finished, within heartbeats. This is good and bad. “A man, deeply surprised, will have only his first instinctive response be as controlled and crisp as it is when he trains. Then that torrent of emotion is on him. We spend thousands of hours training that first instinctive response, and further, we train to control the torrent of emotion so that it raises us to a heightened level of awareness without making us stupid.” “So the positive, for us Archers: surprise me, and my first reaction will be the same as my male counterpart’s. I can still, of course, get terrified, or locked into a loop of indecision. But if I’m not, my second, third, and tenth moves will also be controlled. My hands will not shake. I will be able to make precision movements that a man cannot. But I won’t have the heightened strength or sensations until perhaps a minute later—often too late. “Where a man needs to train to control that rush, we need to train to make it closer. If we have to climb a mountain more slowly to get to the same height to get all the positives, we need to start climbing sooner. That is, when I go into a situation that I know may be hazardous, I need to prepare myself. I need to start climbing. The men may joke to break the tension. Let them. I don’t join in. Maybe they think I’m humorless because I don’t. Fine. That’s a trade I’m willing to make.” Teia and the rest of the girls walked away from training that day somewhat dazed, definitely overwhelmed. What Teia realized was that the women were deeply appealing because they were honest and powerful. And those two things were wed inextricably together. They said, I am the best in the world at what I do, and I cannot do everything. Those two statements, held together, gave them the security to face any challenge. If her own strengths couldn’t surmount an obstacle, her team’s strengths could—and she was unembarrassed about asking for help where she needed it because she knew that what she brought to the team would be equally valuable in some other situation.
”
”
Brent Weeks (The Blinding Knife (Lightbringer, #2))
“
CHANGGAN MEMORIES
When first my hair began to cover my forehead,
I picked and played with flowers before the gate.
You came riding on a bamboo horse,
And circled the walkway, playing with green plums.
We lived together, here in Changgan county,
Two children, without the least suspicion.
When I was fourteen, I became your wife,
So shy that still my face remained unopened.
I bowed my head towards the shadowed wall,
And called one thousand times, I turned not once.
At 15 I began to lift my brows,
And wished to be with you as dust with ashes.
You always kept your massive pillar faith,
I had no need to climb the lookout hill.
When I was sixteen, you went far away,
To Yanyudui, within the Qutang gorge.
You should not risk the dangerous floods of May,
Now from the sky, the monkeys cry in mourning.
Before the gate, my pacing's left a mark,
Little by little, the green moss has grown.
The moss is now too deep to sweep away,
And leaves fall in the autumn's early winds.
This August, all the butterflies are yellow,
A pair fly over the western garden's grass.
I feel that they are damaging my heart,
Through worrying, my rosy face grows old.
When you come down the river from Sanba,
Beforehand, send a letter to your home.
We'll go to meet each other, however far,
I'll come up to Changfengsha.
”
”
Li Bai
“
That’s when they decided there was only one way to stop me, I suppose, and they went for Gran.”
“They what?” said Harry, Ron, and Hermione together.
“Yeah,” said Neville, panting a little now, because the passage was climbing so steeply, “well, you can see their thinking. It had worked really well, kidnapping kids to force their relatives to behave, I s’pose it was only a matter of time before they did it the other way around. Thing was,” he faced them, and Harry was astonished to see that he was grinning, “they bit off a bit more than they could chew with Gran. Little old witch living alone, they probably thought they didn’t need to send anyone particularly powerful. Anyway,” Neville laughed, “Dawlish is still in St. Mungo’s and Gran’s on the run. She sent me a letter,” he clapped a hand to the breast pocket of his robes, “telling me she was proud of me, that I’m my parents’ son, and to keep it up.”
“Cool,” said Ron.
“Yeah,” said Neville happily. “Only thing was, once they realized they had no hold over me, they decided Hogwarts could do without me after all. I don’t know whether they were planning to kill me or send me to Azkaban; either way, I knew it was time to disappear.”
“But,” said Ron, looking thoroughly confused, “aren’t--aren’t we heading straight back into Hogwarts?
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
We crossed the street and we walked on, toward the van, all the way, and the front doors opened, both together, fast and smooth, unlatched when we were close, and then opened when we were closer still. Two guys climbed out. The one on the sidewalk pivoted slowly, while his partner hustled around the hood. Same sweep, different speeds. Some kind of a synchronized move, no doubt perfected by long practice. Both guys were in dark suits under black raincoats. Both were white. Or pink, to be accurate. Chapped, like they’d had a long hard winter. Both were shorter than me, but not much lighter. Both had big, knuckley hands, and cords of muscle in their necks.
”
”
Lee Child (Personal (Jack Reacher, #19))
“
We’ve been through so much together I’ve seen you grow into someone you thought you’d never be I’ve seen you endure challenges most will never see Mocked by your peers for being from a different culture Feeling deserted, you searched for ways to adapt and become accepted You resorted to fitting in instead of making a stand for your true self You’ve made countless mistakes in pursuit of acceptance To me, it was undeniable you were meant to be a misfit You dove into finding your talents and utilizing them Unapologetically, you began making your mark during your middle school years Discovering your skills as a runner made a way for you to flee from the norm Racing hard and your pace in this life Hurdle after hurdle, you never stopped jumping and running towards the finish line You lost focus numerous times running someone else’s race, matching their suicidal pace, but over time you opened your eyes and ran your race in your lane You used failures as your stepping stone to climb up to where you are now and where you’re going I love you, I love you even when you hate you Thank you for staying true to you, never justifying your flaws and running away from your consequences You’ve taught me so much. I’m proud of you I love you so much. Thank you for being a friend, an example, a brother Thank you for being the man you are now. I love you, man in the mirror
”
”
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
“
In the evening we shall be examined on love.” –St. John of the Cross
And it won’t be multiple choice,
though some of us would prefer it that way.
Neither will it be essay, which tempts us to run on
when we should be sticking to the point, if not together.
In the evening there shall be implications
our fear will change to complications. No cheating,
we’ll be told, and we’ll try to figure out the cost of being true
to ourselves. In the evening when the sky has turned
that certain blue, blue of exam books, blue of no more
daily evasions, we shall climb the hill as the light empties
and park our tired bodies on a bench above the city
and try to fill in the blanks. And we won’t be tested
like defendants on trial, cross-examined
till one of us breaks down, guilty as charged. No,
in the evening, after the day has refused to testify,
we shall be examined on love like students
who don’t even recall signing up for the course
and now must take their orals, forced to speak for once
from the heart and not off the top of their heads.
And when the evening is over and it’s late,
the student body asleep, even the great teachers
retired for the night, we shall stay up
and run back over the questions, each in our own way:
what’s true, what’s false, what unknown quantity
will balance the equation, what it would mean years from now
to look back and know
we did not fail.
”
”
Thomas Centolella (Lights & Mysteries)
“
Playdate. (n) A Date arranged by adults in which young children are brought together, usually at the home of one of them, for the premeditated purpose of “playing”. A feature of contemporary American upscale suburban life in which “neighborhoods” have ceased to exist, and children no longer trail in and out of “neighbor childrens” houses or play in “backyards”. In the absence of sidewalks in newer “gated” coummunities, children cannot “walk” to playdates but must be driven by adults, usually mothers. A “playdate” is never initiated by the players (i.e., children), but only by their mothers.
In American-suburban social climbing through playdating, this is the chapter you’ve been awaiting.
”
”
Joyce Carol Oates (My Sister, My Love)
“
Ode to a Cluster of Violets
Crisp cluster
plunged in shadow.
Drops of violet water
and raw sunlight
floated up with your scent.
A fresh
subterranean beauty
climbed up from your buds
thrilling my eyes and my life.
One at a time, flowers
that stretched forward
silvery stalks,
creeping closer to an obscure light
shoot by shoot in the shadows,
till they crowned
the mysterious mass
with an intense weight of perfume
and together
formed a single star
with a far-off scent and a purple center.
Poignant cluster
intimate
scent
of nature,
you resemble
a wave, or a head of hair,
or the gaze
of a ruined water nymph
sunk in the depths.
But up close,
in your fragrance’s
blue brazenness,
you exhale the earth,
an earthly flower, an earthen
smell and your ultraviolet
gleam
in volcanoes’ faraway fires.
Into your loveliness I sink
a weathered face,
a face that dust has often abused.
You deliver
something out of the soil.
It isn’t simply perfume,
nor simply the perfect cry
of your entire color, no: it’s
a word sprinkled with dew,
a flowering wetness with roots.
Fragile cluster of starry
violets,
tiny, mysterious
planet
of marine phosphorescence,
nocturnal bouquet nestled in green leaves:
the truth is
there is no blue word to express you.
Better than any word
is the pulse of your scent.
Pablo Neruda, Odes to Common Things. (Bulfinch; Bilingual edition May 1, 1994) Originally published 1961.
”
”
Pablo Neruda (Odes to Common Things)
“
William Slothrop was a peculiar bird. He took off from Boston, heading west in true Imperial style, in 1634 or -5, sick and tired of the Winthrop machine, convinced he could preach as well as anybody in the hierarchy even if he hadn’t been officially ordained. The ramparts of the Berkshires stopped everybody else at the time, but not William. He just started climbing. He was one of the very first Europeans in. After they settled in Berkshire, he and his son John got a pig operation going—used to drive hogs right back down the great escarpment, back over the long pike to Boston, drive them just like sheep or cows. By the time they got to market those hogs were so skinny it was hardly worth it, but William wasn’t really in it so much for the money as just for the trip itself. He enjoyed the road, the mobility, the chance encounters of the day—Indians, trappers, wenches, hill people—and most of all just being with those pigs. They were good company. Despite the folklore and the injunctions in his own Bible, William came to love their nobility and personal freedom, their gift for finding comfort in the mud on a hot day—pigs out on the road, in company together, were everything Boston wasn’t, and you can imagine what the end of the journey, the weighing, slaughter and dreary pigless return back up into the hills must’ve been like for William. Of course he took it as a parable—knew that the squealing bloody horror at the end of the pike was in exact balance to all their happy sounds, their untroubled pink eyelashes and kind eyes, their smiles, their grace in crosscountry movement. It was a little early for Isaac Newton, but feelings about action and reaction were in the air. William must’ve been waiting for the one pig that wouldn’t die, that would validate all the ones who’d had to, all his Gadarene swine who’d rushed into extinction like lemmings, possessed not by demons but by trust for men, which the men kept betraying . . . possessed by innocence they couldn’t lose . . . by faith in William as another variety of pig, at home with the Earth, sharing the same gift of life. . . .
”
”
Thomas Pynchon (Gravity's Rainbow)
“
I asked her to tell me what the best moment of her life had been
Did she?
Yes, she told me about a trip the two of you had taken to Europe together right after you graduated from high school.
Pascal in Paris, it had been a dream of hers to visit Pascal’s grave. On that trip she finally did. I’d never seen her so excited.
That wasn’t it.
It wasn’t?
No, it was in a hostel in Venice. The two of you had been travelling for a couple of weeks and all of your clothes were filthy. You didn’t mind the dirty clothes very much. Lila said you were able to roll with the punches and for you, everything about the trip, even the dirty laundry, was a great adventure. But Lila liked things a certain way, and she hated being dirty. That day she had gone off in search of a laundry mat but hadn’t been able to find one. You were sleeping in a room with a dozen bunks, women and men together. In the middle of the night Lila woke up and realized you weren’t in your bed. She thought you must have gone to the bathroom, but after a couple minutes when you hadn’t returned she became worried. She climbed down from her bunk and went to the bathroom to find you, you weren’t there. She wondered up and down the hallway softly calling your name. A few of the rooms were private and had the doors closed. As she became increasingly worried she began putting her ear to those doors listening for you. Then she heard banging down below. Alarmed she went down the dark stairwell to the basement. She saw you before you saw her. You were working in the dim light of a single blub standing over an old hand operated washing machine. She asked what you were doing, what does it look like you said smiling. What Lila remembered from that night was that you actually looked happy to be standing there in the cold basement in the middle of the night washing clothes by hand. And she knew you wouldn’t have minded wearing dirty clothes for another week or two, you were doing it for her.
She said that.
Yes when I asked her what the best moment of her life had been she had told me that story.
But it was nothing.
To her it was.
”
”
Michelle Richmond (No One You Know)
“
Astrid found the hem of his T-shirt and pulled it up over his head. She unbuckled his belt and shoved his jeans to the deck. She pushed him, gently but insistently, onto the bed. Then she undressed herself and stood in the faint light, looking down at him as he gazed up at her.
“You’re giving me a reason to live,” he said, half joking.
“I’m just recapturing the mood,” she said, trying to make it sound light and sexy.
“You captured me a long time ago.”
She climbed atop him. “We walk out of this together, Sam. Whatever it takes. You and me.”
“You and me,” he said.
She would not yet let him have her. “Whatever it takes,” she insisted. “Say it.”
“You and me,” he said at last. “Whatever it takes.”
“Swear it.
”
”
Michael Grant (Light (Gone, #6))
“
The following is one of the oldest sermon illustrations used in the Christian church. It also tests one’s understanding of the Christian life. There once lived an ugly, hunchback dwarf. No one ever invited him to a party. No one showed him love or even attention. He became disillusioned with life and decided to climb a mountain and throw himself from its peak into the abyss. When he ascended the mountain, he met a beautiful girl. He talked to her and discovered that she was climbing the mountain for the same purpose. Her suffering was at the other extreme. She had everyone’s attention and love, but the one she loved had forsaken her for another girl, one with riches. She felt life had no meaning for her any longer, so they decided to make the ascent together. While they climbed, they met a man who introduced himself as a police officer in search of a very dangerous bandit who had robbed and murdered many people. The king had promised a large reward to the person who captured him. The police officer was very confident: “I will catch him because I know he has a feature by which he can be recognized. He has six fingers on his right hand. The police have been looking for him for years. For the last two or three, nothing has been heard from him, but he must pay for a multitude of past crimes.” The three climbed the mountain. Near its peak was a monastery. Its abbot, although he had become a monk only recently, had quickly attained great renown for saintliness. When they entered the monastery, he came to meet them. You could see the glory of God in his face. As the girl bowed to kiss his right hand, she saw he had six fingers. With this, the story ends. Those who hear this story are perplexed. It can’t finish like this! What happened to the dwarf, the girl, the policeman? Was the criminal caught? The story’s beauty is that it does finish here. Something beautiful has happened: A criminal hunted because of his many robberies and murders has become a great saint, renowned for his godly life. All the rest is of no further interest. The great miracle has been performed. Christ has been born in the heart of a man of very low character.
”
”
Richard Wurmbrand (The Midnight Bride)
“
It was this: Gansey starting down the stairs to the kitchen, Blue starting up, meeting in the middle. It was Gansey stepping aside to let her pass, but changing his mind. He caught her arm and then the rest of her. She was warm, alive, vibrant beneath the thin cotton; he was warm, alive vibrant beneath his. Blue slid her hand over his bare shoulder and then onto his chest, her palm spread out flat on his breastbone, her fingers pressed curiously into his skin.
"I thought you would be hairier," she whispered.
"Sorry to disappoint. The legs have a bit more going on."
"Mine too."
It was this: laughing senselessly into each other's skin, playing, until it was abruptly no longer play, and Gansey stopped himself with his mouth perilously close to hers, and Blue stopped herself with her belly pressed close to his.
It was this: Gansey saying, "I like you an awful lot, Blue Sargent."
It was this: Blue's smile--crooked, wry, ridiculous, flustered. There was a lot of happiness tucked into the corner of that smile, and even though her face was several inches from Gansey, some of it still spilled out and got on him. She put her finger on his cheek where he knew his own smile was dimpling it, and then they took each other's hands, and they climbed back up together.
It was this: this moment and no other moment, and for the first time that Gansey could remember, he knew what it would feel like to be present in his own life.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
we will ride at nightfall we will ride to the hole i am dead you will die anyone who gets too close will be infected with the death on you us and the grave dirt will will fall in on top of us lalala the dead pull the living down if anyone tries to help you i us we will pull them down and step on them and no one climbs out because the hole is too deep and the and the dirt falls too fast and everyone who hears your voice will know it is true jude is dead and i am dead and you will doe you will hear my our voice on and we will ride together on the night road to the place the final place where the wind cries for you for us we will walk to the edge of the hole we will fall in holding each other we will fall sing for us sing at our at your grave sing lalala
”
”
Joe Hill (Heart-Shaped Box)
“
Lobsang sighed. ‘But I think I need you too, Joshua. I often think back to our days together on the Mark Twain.’ ‘Watched any old movies recently?’ ‘That’s another thing about Agnes. She won’t let me show any movies that don’t have nuns in.’ ‘Wow. That’s brutal.’ ‘Something else that’s good for me, she says. Of course there aren’t that many movies that qualify, and we watch them over and over.’ He shuddered. ‘Don’t talk to me about Two Mules for Sister Sara. But the musicals are the worst. Although Agnes says that the freezer-raiding scene in Sister Act is an authentic detail from convent life.’ ‘Well, that’s a consolation. Musicals with nuns in, huh . . .’ A voice rang out across the park, a voice Joshua remembered only too well from his own past. ‘Lobsang? Time to come in now. Your little friend will keep until tomorrow . . .’ ‘She has loudhailers everywhere.’ Lobsang shouldered his rake and sighed as they trudged across the grass. ‘You see what I’m reduced to? To think I hired forty-nine hundred monks to chant for forty-nine days on forty-nine mountain tops in stepwise Tibets, for this.’ Joshua clapped him on the shoulder. ‘It’s tough, Lobsang. She’s treating you like you’re a kid. Like you’re sixteen, going on seventeen.’ Lobsang looked at him sharply. ‘You can pack that in for a start,’ he snapped. ‘But I’ve got confidence you can overcome these difficulties, Lobsang. Just face up to every obstacle. Climb every mountain—’ Lobsang stalked off sulkily. Joshua waved cheerfully. ‘So long! Farewell!
”
”
Terry Pratchett (The Long War (The Long Earth #2))
“
In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps.
Breathless,she came to a sudden halt in front of him.
At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool."
"You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way."
"There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war."
"You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together."
She gave a deep sigh. "You mean it?"
"I do."
"Oh,Wyatt.I was so afraid I'd driven you away forever."
He continued studying her. "Does this mean you're suffering another change of heart?"
"My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle."
A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man."
He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure.
Her tears started again,but this time they were tears of joy.
Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man.
Loved.
Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now.
After a moment he caught her hand.
"Where are we going?"
"Your place.It's closer than the ranch, and we've wasted too much time already."
"i can't leave the ambulance..."
"All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?"
At her little laugh he added, "I'm desperate for some time alone with you."
Alone.
She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her.
She was laughing through her tears as she turned the key in the ignition. The key that had saved his life.
"Wyatt McCord,I can't think of anything I'd rather be than alone with you.
”
”
R.C. Ryan (Montana Destiny (McCords, 2))
“
I hope they understand, my sons, both now and in the future just materializing in the dark, that all these hours their mother has been walking so swiftly away from them I have not been gone, that my spirit, hours ago, slipped back into the house and crept into the room where their early-rising father had already fallen asleep, usually before eight p.m., and that I touched this gentle man whom I love so desperately and somehow fear so much, touched him on the pulse in his temple and felt his dreams, which are too distant for the likes of me; and I climbed the creaking old stairs and at the top split in two, and heading into the boys’ separate rooms, I slid through the crack under the doors and curled myself on the pillows to breathe into me the breath that my children breathed out. Every pause between the end of one breath and the beginning of the next is long; then again, nothing is not always in transition. Soon, tomorrow, the boys will be men, then the men will leave the house, and my husband and I will look at each other crouching under the weight of all that we wouldn’t or couldn’t yell, as well as all those hours outside walking together, my body, my shadow, and the moon. It is terribly true, even if the truth does not comfort, that if you look at the moon for long enough night after night, as I have, you will see that the old cartoons are correct, that the moon is, in fact, laughing. But it is not laughing at us, we lonely humans, who are far too small and our lives far too fleeting for it to give us any notice at all.
”
”
Lauren Groff (Florida)
“
The rain beat against the windows and against the tin roof of the hotel. It came down in hissing roars, then in whispers, then in loud shishes like sandpaper rubbed against wood. She drank the second glassful, climbed off the bed and began undressing, and then we were together, the cheap naked bulb still blazing down on the bed.
Thinking back, I remember the stupidest things; the way there was a taut crease just above her hips, in the small of her back. The way she smelled like a baby's breath, a sweet barely there smell that retreated and retreated, so that no matter how close you got to it you weren't sure it was there. The brown speckles in the lavender-gray eyes, floating very close to the surface when I kissed her, the eyes wide open and aware. But not caring. The eyes of a gourmet offered a stale chunk of bread, using it of necessity but not tasting it any more than necessary.
I remember getting up and coming back to her, and of throwing a shoe at the light bulb, later, when the whisky was gone. I remember the smell of rain-darkness in the room and her telling me I'd cut my feet on the light-bulb glass on the floor. And how she said I was no better than a tramp myself, that I made love to the cadence of the raingusts on the roof, and it was true I was doing just that, but it seemed the natural thing then. And I felt so marvelously clean and soaped and so in tune with the whole damned universe that I had the feeling I could have clouded up and rained and lightninged myself, and blown that cheese-colored room to smithereens.
”
”
Elliott Chaze (Black Wings Has My Angel)
“
In all my close friendships, words are the bricks I use to build bridges. To know someone I need to hear her, and to feel known, I need to be heard by her. The process of knowing and loving another person happens for me through conversation. I reveal something to help my friend understand me, she responds in a way that assures me she values my revelation, and then she adds something to help me understand her. This back-and-forth is repeated again and again as we go deeper into each other’s hearts, minds, pasts, and dreams. Eventually, a friendship is built—a solid, sheltering structure that exists in the space between us—a space outside of ourselves that we can climb deep into. There is her, there is me, and then there is our friendship—this bridge we’ve built together.
”
”
Glennon Doyle Melton (Love Warrior)
“
No one said a word, and I waited a beat, then pushed forward. Screw Kevin. Screw Maggie. Screw whatever happened to them now. I went after Caden.
He didn’t have to push his way through the crowd. It automatically opened for him. Not so much for me. I was at a disadvantage, and when I ran to the parking lot, he was already in the car and peeling past me.
“HEY!” I yelled, raising my hands in the air.
He braked, a little too close for comfort, right next to me. The passenger window rolled down. “What?”
I reached for the door. “Let me in.”
His eyebrows pinched together. “Why?”
“Let me in.”
He unlocked the door.
I opened it and climbed in. “Okay. I’m with you.” I had no idea what I was doing.
“Excuse me?”
“I’m with you.” I clapped the dashboard, pointing ahead. “Whatever you’re going to do, I’m in. You seem to need a friend. You’re in luck. I could use one myself. So I’m in.”
“I’m going to get drunk and have sex.”
“Oh.”
He cocked an eyebrow. “You still in?”
He was laughing now. He was still mad, but he was laughing.
For whatever reason—maybe I did want to go with him, or maybe I heard my own voice calling me boring and pathetic again—I sat back and folded my hands in my lap. “I’m in.”
He shook his head. “You have no idea what you’re getting yourself into..” He shifted his Land Rover into drive and started forward. “But that’s your problem, not mine.”
He careened out of the parking lot, and I fell against the door. I grabbed the oh shit handle above my head, and I had a feeling that was going to be the theme for the rest of the night: Oh, shit.
”
”
Tijan (Anti-Stepbrother)
“
In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies.
These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly.
At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat.
Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals.
The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth.
In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them.
With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green.
One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom.
“Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap.
“I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look.
“Do you know where I’m coming from? The very Arctic Ocean!” roared he.
Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder.
“You were there, really? Were you? How did you get there?” asked the sprites.
“As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean.
“Take me with you,” I said to the fox.
“Oh, no, you’ll freeze there! You know, it’s cold there!” she said.
“Come on.” I said. “What are you talking about? What cold? Summer is here.”
“Here we have summer, but there they have winter,” she answered.
“No,” I thought. “She must be lying because she does not want to give me a ride.”
Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me.
Like it or not, she had to take me with her.
We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed.
“This is tundra,” said my fellow traveler.
“Tundra? What is tundra?” asked I.
“Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.
”
”
Anna Khvolson
“
I wanted to check on you one last time . . . see if you needed anything,” she whispered, stopping in the center of the room. “Have you come to give me my orders?” There was a hint of a smile in his voice as he moved to stand before her, arms still crossed. “Orders?” she echoed. “Don’t look out the window. Don’t climb onto the roof. Don’t go below.” She tried to smile, surprised at his easy manner, but her sense of impending disaster only deepened. “I have no heart for a frolic tonight. The soldiers are simply too close.” He looked down at her, studying her small form smothered in moss green wool. She pulled her scarlet shawl closer around her, chilled by the cold bedroom. She could hear Pa calling her but made no move to go. Distracted, her eyes fell to his feet. He wore the shoepacks he’d made as they’d sat together about the fire these long winter nights, just the three of them in a warm circle of firelight—she, he, and Pa. That was what she craved—quiet companionship about the fire, not the forced frivolity before her. She swallowed down a sigh, a bit startled when he put his hands on her shoulders. In the dimness, his face held a rare pensiveness. “Do you forgive me, Morrow?” The heartfelt words returned her to the autumn day he’d first asked. “Forgive you?” she echoed. “Do you forgive me—for my father’s people?” The humble question, now thrice asked, seemed to resound to the far corners of the room. Her lips parted in answer, but no sound came. She had a keen awareness of her own thudding heart. The pressure of his hands. The warmth in his eyes. Below, the frolic seemed to fade away. “Yes.
”
”
Laura Frantz (Courting Morrow Little)
“
Oh, take the liberty! That’s what I would have done if Ethan and Mattie had run off together and left me on this forsaken farm. I would have packed my satchel and my portmanteau and climbed aboard a train bound West, and gazed out the window at what there was to see across this vast country. City spires in the midst of wheatfields, and miles of chards with fruit on the bough, and high bridges over broad rivers, and mountains of clouds the likes of which I’d never seen, and birds of a kind I’d never seen before. And there’d be a city where I’d stay, and there’d be an old couple in a fine house of many rooms, and I’d tend them and see
they kept neat, and on my days off I’d wind my black hair in a fashionable way with tortoiseshell combs, and hold my head high, and go out to see what that city had to offer.
”
”
Gina Berriault
“
At this stage though, with the greatest will in the world, I wasn’t going to be climbing anything, not unless I could raise the sponsorship.
And little did I know quite how hard that could be.
I had no idea how to put a proposal for sponsorship together; I had no idea how to turn my dream into one company’s opportunity; and I certainly didn’t know how to open the doors of a big corporation just to get heard.
On top of that, I had no suit, no track record, and certainly no promise of any media coverage.
I was, in effect, taking on Goliath with a plastic fork. And I was about to get a crash course in dealing with rejection.
This is summed up so well by that great Churchill quote: “Success is the ability to go from one failure to another with no loss of enthusiasm.”
It was time to get out there with all of my enthusiasm, and commit to fail…until I succeeded.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Necessities
1
A map of the world. Not the one in the atlas,
but the one in our heads, the one we keep coloring in.
With the blue thread of the river by which we grew up.
The green smear of the woods we first made love in.
The yellow city we thought was our future.
The red highways not traveled, the green ones
with their missed exits, the black side roads
which took us where we had not meant to go.
The high peaks, recorded by relatives,
though we prefer certain unmarked elevations,
the private alps no one knows we have climbed.
The careful boundaries we draw and erase.
And always, around the edges,
the opaque wash of blue, concealing
the drop-off they have stepped into before us,
singly, mapless, not looking back.
2
The illusion of progress. Imagine our lives without it:
tape measures rolled back, yardsticks chopped off.
Wheels turning but going nowhere.
Paintings flat, with no vanishing point.
The plots of all novels circular;
page numbers reversing themselves past the middle.
The mountaintop no longer a goal,
merely the point between ascent and descent.
All streets looping back on themselves;
life as a beckoning road an absurd idea.
Our children refusing to grow out of their childhoods;
the years refusing to drag themselves
toward the new century.
And hope, the puppy that bounds ahead,
no longer a household animal.
3
Answers to questions, an endless supply.
New ones that startle, old ones that reassure us.
All of them wrong perhaps, but for the moment
solutions, like kisses or surgery.
Rising inflections countered by level voices,
words beginning with w hushed
by declarative sentences. The small, bold sphere
of the period chasing after the hook,
the doubter that walks on water
and treads air and refuses to go away.
4
Evidence that we matter. The crash of the plane
which, at the last moment, we did not take.
The involuntary turn of the head,
which caused the bullet to miss us.
The obscene caller who wakes us at midnight
to the smell of gas. The moon's
full blessing when we fell in love,
its black mood when it was all over.
Confirm us, we say to the world,
with your weather, your gifts, your warnings,
your ringing telephones, your long, bleak silences.
5
Even now, the old things first things,
which taught us language. Things of day and of night.
Irrational lightning, fickle clouds, the incorruptible moon.
Fire as revolution, grass as the heir
to all revolutions. Snow
as the alphabet of the dead, subtle, undeciphered.
The river as what we wish it to be.
Trees in their humanness, animals in their otherness.
Summits. Chasms. Clearings.
And stars, which gave us the word distance,
so we could name our deepest sadness.
”
”
Lisel Mueller (Alive Together)
“
Sadie had learned the rules of Revelare magic while growing up at her grandmother’s feet, her grubby little toddler hands searching for earthworms as Gigi explained why mustard seed helped people talk about their feelings and how star anise could bond two people together. The sweet tang of tangerine rinds scented the air as her little fingernails were perpetually stained orange. And always, Gigi warned her how their creations would speak to them. If you were in love, things tended to turn out too sweet. If dinner was bland, you needed some adventure. And if you burned a dessert—well, something wicked this way comes. Sadie listened to those lessons among the bitter rutabagas and wild, climbing sweet peas, drinking in every word, and letting them take root in her heart. She grew up comfortable with the knowledge that she was strange, weaving the magic around her like ribbons on a maypole.
”
”
Breanne Randall (The Unfortunate Side Effects of Heartbreak and Magic)
“
Tom, will you let me love you in your restaurant?
i will let you make me a sandwich of your
invention and i will eat it and call
it a carolyn sandwich. then you will kiss my lips
and taste the mayonnaise and
that is how you shall love me in my restaurant.
Tom, will you come up to my empty beige
apartment and help me set up my daybed?
yes, and i will put the screws in loosely so that
when we move on it, later,
it will rock like a cradle and then you will know
you are my baby
Tom, I am sitting on my dirt bike on the deck.
Will you come out from the kitchen
and watch the people with me?
yes, and then we will race to your bedroom.
i will win and we will tangle up
on your comforter while the sweat rains from your
stomachs and foreheads.
Tom, the stars are sitting in tonight like gumball
gems in a little girl’s
jewlery box. Later can we walk to the duck pond?
yes, and we can even go the long way past the
jungle gym. i will push you on
the swing, but promise me you’ll hold tight. if
you fall i might disappear.
Tom, can we make a baby together? I want to be
a big pregnant woman with a
loved face and give you a squalling red daughter.
no, but i will come inside you and you will be
my daughter
Tom, will you stay the night with me and sleep
so close that we are one person,
no, but i will lay down on your sheets and taste
you. there will be feathers
of you on my tongue and then I will never
forget you
Tom, when we are in line at the convenience
store can I put my hands in your
back pockets and my lips and nose in your
baseball shirt and feel the crook
of your shoulder blade?
no, but later you can lay against me and almost
touch me and when i go i will
leave my shirt for you to sleep in so that always
at night you will be pressed
up against the thought of me.
Tom, if I weep and want to wait until you need
me will you promise that someday
you will need me?
no, but i will sit in silence while you rage. you
can knock the chairs down
any mountain. i will always be the same and you
will always wait.
Tom, will you climb on top of the dumpster and
steal the sun for me? It’s just
hanging there and I want it.
no, it will burn my fingers. no one can have the
sun: it’s on loan from god.
but i will draw a picture of it and send it to you
from richmond and then you
can smooth out the paper and you will have a
piece of me as well as the sun
Tom, it’s so hot here, and I think I’m being
born. Will you come back from
Richmond and baptise me with sex and cool water?
i will come back from richmond. i will smooth
the damp spiky hairs from the
back of your wet neck and then i will lick the
salt off it. then i will leave
Tom, Richmond is so far away. How will I know
how you love me?
i have left you. that is how you will know
”
”
Carolyn Creedon
“
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long.
“Oh, that’s good. Really, really good. What a grand bed!”
Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.”
The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious?
I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook.
“What are you doing?”
She looks up, her doe eyes widening. “Getting ready for bed.”
“You’re going to sleep there?”
“Of course. The sofa’s very uncomfortable.”
“Why can’t we share the bed?”
She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.”
I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.”
“That’s not what I mean.”
“You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.”
And the blush is back. With a vengeance.
“I’m not . . . I don’t . . .”
“You don’t fart?” I scoff. “Really? Are you not human?”
She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining.
She shakes her head, pinning me with her eyes.
“There’s something wrong with you.”
“No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.”
She folds her arms, all tight, trembling indignation. It’s adorable.
“I’m sleeping in the nook, Your Highness. And that’s that.”
I sit up, pinning her gaze right back at her.
“Henry.”
“What?”
“My name is not Highness, it’s fucking Henry, and I’d prefer you use it.”
And she snaps.
“Fine! Fucking Henry—happy?”
I smile.
“Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.”
I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence.
I wiggle around, getting comfy.
I turn on my side and fluff the pillow.
I squeeze my eyes tight . . . but it’s hopeless.
“Fucking hell!” I sit up.
And Sarah springs to her feet. “What? What’s wrong?”
It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick.
I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance.
“You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.”
“You don’t have to do that.”
I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.”
She blinks, her little mouth pursed. “Okay.”
Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow.
The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths.
But then, in the near darkness, her delicate voice floats out on a sigh.
“All right, we can sleep in the bed together.”
Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed.
That’s better.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
Sara and I are both leaving within the hour. In my carriage."
"Together?" Lily looked startled, and then shook her head. "You can't. Don't you realize what people would say when they discovered that both of you were gone?"
"Nothing they haven't said already." He slid a proprietary arm around Sara's shoulders.
Lily drew her slight frame up as tall as possible, adopting the brisk tone of a chaperone defending her charge. "Where are you planning to go?"
Derek smiled slowly. "None of your damn business, gypsy." Ignoring Lily's sputtering protests, he stared down at his fiancée and raised his brows mockingly.
As she met his glinting green eyes, Sara realized he intended to take her to London and keep her with him for the night. Her nerves jangled with alarm. "I'm not certain it's advisable-" she began diplomatically, but he cut her off.
"Go pack your things."
Oh, the arrogance. But it was part of why she loved him, his single-minded determination to get what he wanted. Only blind, bullying stubbornness had enabled him to climb from the gutter. Now that the prospect of marrying her was within his reach, he planned to ensure it by well and truly compromising her. After tonight there would be no turning back. Sara stared at the broad expanse of his chest, conscious of the weight of his arm across her shoulders, the gentle stroke of his thumb and forefinger against her neck. Well... reprehensible as it was, she wanted the same thing.
"Derek," Lily said in a steely voice, "I won't allow you to force this poor child into something she's not prepared for-"
"She's not a child." His fingers tightened on the back of Sara's neck. "Tell her what you want, Sara."
Helplessly Sara raised her head and looked at Lily, her face turning a deep shade of crimson. "I... I'm leaving with Mr. Craven." She didn't have to look at Derek to know that he was smiling in satisfaction.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
From Sister by ROSAMUND LUPTON
The rain hammered down onto your coffin, pitter-patter; ‘Pitter-patter, pitter-patter, I hear raindrops’; I was five and singing it to you, just born.
Your coffin reached the bottom of the monstrous hole. And a part of me went down into the muddy earth with you and lay down next to you and died with you.
Then Mum stepped forwards and took a wooden spoon from her coat pocket. She loosened her fingers and it fell on top of your coffin. Your magic wand.
And I threw the emails I sign ‘lol’. And the title of older sister. And the nickname Bee. Not grand or important to anyone else, I thought, this bond that we had. Small things. Tiny things. You knew that I didn’t make words out of my alphabetti spaghetti but I gave you my vowels so you could make more words out of yours. I knew that your favourite colour used to be purple but then became bright yellow; (‘Ochre’s the arty word, Bee’) and you knew mine was orange, until I discovered that taupe was more sophisticated and you teased me for that. You knew that my first whimsy china animal was a cat (you lent me 50p of your pocket money to buy it) and that I once took all my clothes out of my school trunk and hurled them around the room and that was the only time I had something close to a tantrum. I knew that when you were five you climbed into bed with me every night for a year. I threw everything we had together - the strong roots and stems and leaves and beautiful soft blossoms of sisterhood - into the earth with you. And I was left standing on the edge, so diminished by the loss, that I thought I could no longer be there.
All I was allowed to keep for myself was missing you. Which is what? The tears that pricked the inside of my face, the emotion catching at the top of my throat, the cavity in my chest that was larger than I am. Was that all I had now? Nothing else from twenty-one years of loving you. Was the feeling that all is right with the world, my world, because you were its foundations, formed in childhood and with me grown into adulthood - was that to be replaced by nothing? The ghastliness of nothing. Because I was nobody’s sister now.
I saw Dad had been given a handful of earth. But as he held out his hand above your coffin he couldn’t unprise his fingers. Instead, he put his hand into his pocket, letting the earth fall there and not onto you. He watched as Father Peter threw the first clod of earth instead and broke apart, splintering with the pain of it. I went to him and took his earth-stained hand in mine, the earth gritty between our soft palms. He looked at me with love. A selfish person can still love someone else, can’t they? Even when they’ve hurt them and let them down. I, of all people, should understand that.
Mum was silent as they put earth over your coffin.
An explosion in space makes no sound at all.
”
”
Rosamund Lupton
“
There were stalls nestled around the castle the way the lights were, not in rows but in odd spots, as if the stalls had grown there or alighted on random places like birds. There was one stall with ringing chimes that was set halfway up a ruined wall, so the customers had to climb sliding pieces of slate to get to it. There were more stalls set in the grassy hollows among the stones and nestled into the corners of the walls. One woman had actually turned a ruined wall into her stall, brightly colored jars arranged on the jagged, protruding shards of stone.
All through the fragments of a lost castle lit by magic moved the people of the Goblin Market. There was a man hanging up knives alongside wind chimes, which made dangerous and beautiful music as they rang together in the sea breeze. There was a boy who looked about twelve stirring something in a cauldron with a rich-smelling cloud handing over it, and bark cups ranged along his stall.
”
”
Sarah Rees Brennan (The Demon's Covenant)
“
For the rest of that term he haunted us. Now that we were ‘gated’ we could not spend our evenings together, and from nine o’clock onwards were alone and at Mr Samgrass’s mercy. Hardly an evening seemed to pass but he called on one or the other of us. He spoke of ‘our little escapade’ as though he, too, had been in the cells, and had that bond with us …. Once I climbed out of college and Mr Samgrass found me in Sebastian’s rooms after the gate was shut and that, too, he made into a bond. It did not surprise me, therefore, when I arrived at Brideshead, after Christmas, to find Mr Samgrass, as though in wait for me, sitting alone before the fire in the room they called the ‘Tapestry Hall’. ‘You find me in solitary possession,’ he said, and indeed he seemed to possess the hall and the sombre scenes of venery that hung round it, to possess the caryatids on either side of the fireplace, to possess me, as he rose to take my hand and greet me like a host:
”
”
Evelyn Waugh (Brideshead Revisited)
“
No, Faith ain’t gonna get charged with assault. I’m not even sure the incident occurred cause neither are you. You get three days off on the Alpha to get your head back together. Then you decide if you want to help out or go in a hold. Or, hell, I’ll drop you off at a little town and you can fight zombies for supplies and fish for your supper. If you decide you want to help, God knows we need people who can organize and you should be able to do that. But if so, you’re going to have to climb down. And you sure as shit had better figure out a way to apologize to Lieutenant Smith or at some point you’re going to end up shark bait. Because the Marines, with the exception of Captain Milo ‘I’m scared of zombies’ Wilkes, just absolutely hate your fucking guts. And the one group you do not want pissed off at you in this Squadron is the fucking Marines. And of all the Marines, the one you seriously do not want to get on the bad side of is Faith Marie Smith. They call her Shewolf for a reason…
”
”
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
“
What are you doing?”
“Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on.
I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute.
It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon.
“You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Then I pushed my way through and saw a young woman climb down, no more than my age, only she was as pale as a flour bag, with rosebud lips pressed tight together, and two spots of rouge high on her cheeks. She stared at the rabble, her eyes narrowing. She weren't afeard of us, no not one whit. She lifted her chin and said in a throaty London drawl, 'Mr Pars. Fetch him at once.' Like magic the scene changed: three or four fellows legged it indoors and those staying behind hung back a bit, fidgeting before this girl that might have dropped from the moon for all we'd ever seen such a being in our yard. What drew my eye was her apricot-colored gown that shone like a diamond. I drank in all her marks of fashion: the peachy ribbon holding the little dog she clutched to her bosom, her powdered curls, but most of all it was her shoes I fixed on. They were made of shiny silver stuff, and in spite of the prettiest heels you ever saw, were already squelched in Mawton mud. It were a crime to ruin those shoes, but there were no denying it, she'd landed in a right old pigsty.
”
”
Martine Bailey (An Appetite for Violets)
“
Awake ye muses nine, sing me a strain divine,
Unwind the solemn twine, and tie my Valentine!
Oh the Earth was made for lovers, for damsel, and hopeless swain,
For sighing, and gentle whispering, and unity made of twain.
All things do go a courting, in earth, or sea, or air,
God hath made nothing single but thee in His world so fair!
The bride, and then the bridegroom, the two, and then the one,
Adam, and Eve, his consort, the moon, and then the sun;
The life doth prove the precept, who obey shall happy be,
Who will not serve the sovereign, be hanged on fatal tree.
The high do seek the lowly, the great do seek the small,
None cannot find who seeketh, on this terrestrial ball;
The bee doth court the flower, the flower his suit receives,
And they make merry wedding, whose guests are hundred leaves;
The wind doth woo the branches, the branches they are won,
And the father fond demandeth the maiden for his son.
The storm doth walk the seashore humming a mournful tune,
The wave with eye so pensive, looketh to see the moon,
Their spirits meet together, they make their solemn vows,
No more he singeth mournful, her sadness she doth lose.
The worm doth woo the mortal, death claims a living bride,
Night unto day is married, morn unto eventide;
Earth is a merry damsel, and heaven a knight so true,
And Earth is quite coquettish, and beseemeth in vain to sue.
Now to the application, to the reading of the roll,
To bringing thee to justice, and marshalling thy soul:
Thou art a human solo, a being cold, and lone,
Wilt have no kind companion, thou reap'st what thou hast sown.
Hast never silent hours, and minutes all too long,
And a deal of sad reflection, and wailing instead of song?
There's Sarah, and Eliza, and Emeline so fair,
And Harriet, and Susan, and she with curling hair!
Thine eyes are sadly blinded, but yet thou mayest see
Six true, and comely maidens sitting upon the tree;
Approach that tree with caution, then up it boldly climb,
And seize the one thou lovest, nor care for space, or time!
Then bear her to the greenwood, and build for her a bower,
And give her what she asketh, jewel, or bird, or flower —
And bring the fife, and trumpet, and beat upon the drum —
And bid the world Goodmorrow, and go to glory home!
”
”
Emily Dickinson (The Complete Poems from Emily Dickinson: (Annotated Edition))
“
You look…exactly the same.”
Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying.
“No, you look…just like how I remembered you.” John Ambrose reaches out, and I think he’s trying to hug me but he’s only trying to take my bag from me, and there’s a brief but strange dance that mortifies me but he doesn’t seem to notice. “So thanks for inviting me.”
“Thanks for coming.”
“Do you want me to take this stuff up for you?”
“Sure,” I say.
John takes the bag from me and looks inside. “Oh, wow. All of our old snacks! Why don’t you climb up first and I’ll pass it to you.” So that’s what I do: I scramble up the ladder and he climbs up behind me. I’m crouched, arms outstretched, waiting for him to pass me the bag.
But when he gets halfway up the ladder, he stops and looks up at me and says, “You still wear your hair in fancy braids.”
I touch my side braid. Of all the things to remember about me. Back then, Margot was the one who braided my hair. “You think it looks fancy?”
“Yeah. Like…expensive bread.”
I burst out laughing. “Bread!”
“Yeah. Or…Rapunzel.”
I get down on my stomach, wriggle over to the edge, and pretend like I’m letting down my hair for him to climb. He climbs up to the top of the ladder and passes me the bag, which I take, and then he grins at me and gives my braid a tug. I’m still lying down but feel an electric charge like he’s zapped me. I’m suddenly feeling very anxious about the worlds that will be colliding, the past and the present, a pen pal and a boyfriend, all in this little tree house. Probably I should have thought this through a bit better. But I was so focused on the time capsule, and the snacks, and the idea of it--old friends coming back together to do what we said we’d do. And now here we are, in it.
“Everything okay?” John asks, offering me his hand as I rise to my feet.
I don’t take his hand; I don’t want another zap. “Everything’s great,” I say cheerily.
“Hey, you never sent back my letter,” he says. “You broke an unbreakable vow.”
I laugh awkwardly. I’d kind of been hoping he wouldn’t bring that up. “It was too embarrassing. The things I wrote. I couldn’t bear the thought of another person seeing it.”
“But I already saw it,” he reminds me.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Dad's in D.C. all week," he said as we climbed out, "so I get to use the garage. Parking's a bitch around here."
I didn't know whether to roll my eyes or sympathize.
"Is your mom home?" I really didn't know how I felt about seeing Karina Romanova in her own home. Well,no.
Truth: I was worried how she would feel about seeing me in it.
"Will she mind my being here?"
"Why would she?" Alex gave me an odd look as he pushed open a small door onto a wide brick patio. "But no, she's at the studio until midnight. It's just you,me,and the lacrosse team."
I could see myself with amazing clarity in the huge glass wall that was the entire back of the house. I was small, dark, and frozen. "You're kidding, right?"
Next to mine, Alex's reflection looked twice as big and ust as still. "You're kidding. Right?"
I nodded. Clearly not emphatically enough.
"Christ,Ella. Who do you think I am?"
I sighed. Honestly, I didn't know. "I think you're probably a terrific guy, Alex. But let's be truthful here.We don't really know each other."
"Oh,come one.We've gone to school together for two and a half years. I've been to Marino's..." He stopped. Sighed. "Okay.Fine.So let's change it. Now." And he unlocked the door to his house.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Once beyond school age, individuals were all expected to carry out two functions: to contribute to production and to take part in military operations. The whole system was based on the “Four Military Lines.” The key tenets were “arm the entire people,” “fortify the entire nation,” “build a nation of military leaders,” and “complete military modernization.” So various militias were formed. When I grew too old for the Youth League, I had no choice but to join one of these militias. In my case, it was the Laborers’ and Farmers’ Red Army. I enlisted when I graduated from high school and embarked on a period of training. The training was professional enough. We learned how to dig trenches and fight to protect our position. We were well trained as snipers. Groups of individuals who were used to working together were formed into military units. The idea was that, in the event of a crisis, the units could be mobilized very quickly. We had exercises twice a year, at the hottest and the coldest time of year. We’d do things like climb a mountain or dig trenches out of the frozen ground. Right from the start, the one thing I kept asking myself was this: What was with the party’s obsession with militarizing the entire nation?
”
”
Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
“
Here he comes,” Blake said.
When Kaidan climbed the steps to the deck he came straight for me, his hair slicked back with sweat from running. He took my face in his hands, breathing hard, lips tight, eyes like blue blazes.
“Don’t ever do that again,” he ground out.
It took a second to process his words and remember what exactly I wasn’t supposed to do again. Then I recalled interfering.
“I know it was dangerous,” I admitted, “but there were five of them—”
“I can bloody well handle myself, Anna!” His hands flung away from my face.
“Maybe if there were only a couple, but there were five pissed-off psychos with weapons! I couldn’t just stand there and watch!”
Kaidan, exasperated, pivoted like he was going to walk away, raked his fingers through his hair, and turned to me again.
“What did you think you could do?” he asked. “You got in a lucky shot when you racked him, but what if it hadn’t worked? As you saw today your mind powers don’t always work!”
Ah. He had no idea what I was capable of now. I held a hand out. “Give me your knife.”
His eyebrows went together. “What?”
“Just give it to me.” I stepped closer, feeling edgy.
“No, Anna, I don’t know what you’re trying to do, but this is ridic—”
My movements were fast as I went for him full force, using all my body weight and strength to hook a foot behind his knee and slam my palm into his shoulder. He landed on his back with a surprised oof and I crouched over him.
“Give me your knife,” I said again.
“Holy . . .” Blake let out a long whistle from where he watched at the rail.
Kaidan lay there with a whimsical sort of look and said, “God, that was hot.”
I held out my hand. This time he fished the knife from his waistband and placed the onyx handle in my palm. From my crouched position I momentarily eyed a wooden bird statue perched at the top of the deck rail twenty feet away, then let the cool metal fly from my fingers. It spun through the air with a sound like rapid wing beats, then a whump as it stuck into the side of the bird’s head.
“Dude!” Blake yelled.
Beneath me, where Kaidan lay, burst a vivid cloud of red so brief I wondered if I’d imagined it. I stared down at him in shock.
“You showed your colors!” I said.
“Did not.” He pushed himself up and we both stood.
“You totally let ’em out, brah,” Blake told him with a grin.
“Shut up.”
When he peered down at me I said, “I’ve been training. I’m not completely helpless anymore.”
“I can see that,” he murmured.
”
”
Wendy Higgins (Sweet Peril (Sweet, #2))
“
Letter to read on your way to Success
Dear Me
If you see someone successful. Don't envy them, but rather remind yourself that we all had to start somewhere. I mean if you think about it we were all kids at once with big dreams. What separates us as we grow older is the choices we had to make along the way. Shakespeare to put it well when he said, "some are born into greatness and others simply choose to be." I simply love these to quotes when you put them together, "Don't compare yourself with others cause it is because were different that each of us is special" and "If you judge a fish by its ability to climb a tree, it will always seem like failure to you." The message here is that we are all good at something. So if you haven't made it thus far, don't be to hard on yourself by comparing yourself with others, cause you know nothing about their journey. We are all on our own individual paths in life. Some people have already given themselves the job of trying to put you down every chance they get, don't make it worse for yourself by doing the same. Its never to late to be what you always wanted to be. But before you start on your journey be sure what that is exactly, so as to prevent you climbing a ladder only to end up on the wrong wall.
”
”
Njabulo P. Vilakazi
“
Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one.
And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division.
Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded.
But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us?
We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright.
So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.
”
”
Amanda Gorman
“
Suddenly there was movement behind him and Dan's hand appeared on his shoulder. "Raven, what's the matter? What are you staring at?" Dan covered Raven's hands with his own. Raven's fingers seemed to have frozen and Dan tried to uncurl them and pull them off the rail. "Hey, buddy, it's OK. I've got you. You're perfectly safe. We're just going to kneel and go back down the steps. All you have to do is let go and kneel down. I've got you, I've got you."
Suddenly there was nothing holding him. A strangled sob escaped him.
"I've got you, I've got you. Look, I'm right here, you can't possible fall. I'm right behind you." Dan put an arm round his waist and gripped him tight and told him what to do with his hands and feet, and they began co climb down together.
It took for ever. Raven's fingers were so cold he could hardly feel them. Moving each foot down a rung seemed to take all the strength he had. "Don't let go," he said, his teeth chattering loudly in his mouth. "Don't let go, don't let go, don't let go."
"I'm not going to let go, Raven" Dan said. "I promise Matey, I'll never let you fall."
They finally reached the ground. Raven was so wobbly he could hardly stand. He felt Dan envelop him in a tight, strong hug. "You're all right, mate," Dan whispered. "You're all right." Raven clung to him. He never wanted Dan to let go.
”
”
Tabitha Suzuma (From Where I Stand)
“
Until that moment Elizabeth wouldn’t have believed she could feel more humiliated than she already did. Robbed of even the defense of righteous indignation, she faced the fact that she was the unwanted gest of someone who’d made a fool of her not once but twice.
“How did you get here? I didn’t hear any horses, and a carriage sure as well can’t make the climb.”
“A wheeled conveyance brought us most of the way,” she prevaricated, seizing on Lucinda’s earlier explanation, “and it’s gone on now.” She saw his eyes narrow with angry disgust as he realized he was stuck with them unless he wanted to spend several days escorting them back to the inn. Terrified that the tears burning the backs of her eyes were going to fall, Elizabeth tipped her head back and turned it, pretending to be inspecting the ceiling, the staircase, the walls, anything. Through the haze of tears she noticed for the first time that the place looked as if it hadn’t been cleaned in a year.
Beside her Lucinda glanced around through narrowed eyes and arrived at the same conclusion.
Jake, anticipating that the old woman was about to make some disparaging comment about Ian’s house, leapt into the breach with forced joviality.
“Well, now,” he burst out, rubbing his hands together and striding forward to the fire. “Now that’s all settled, shall we all be properly introduced? Then we’ll see about supper.” He looked expectantly at Ian, waiting for him to handle the introductions, but instead of doing the thing properly he merely nodded curtly to the beautiful blond girl and said, “Elizabeth Cameron-Jake Wiley.”
“How do you do, Mr. Wiley,” Elizabeth said.
“Call me Jake,” he said cheerfully, then he turned expectantly to the scowling duenna. “And you are?”
Fearing that Lucinda was about to rip up at Ian for his cavalier handling of the introductions, Elizabeth hastily said, “This is my companion, Miss Lucinda Throckmorton-Jones.”
“Good heavens! Two names. Well, no need to stand on formality, since we’re going to be cooped up together for at least a few days! Just call me Jake. What shall I call you?”
“You may call me Miss Throckmorton-Jones,” she informed him, looking down the length of her beaklike nose.
“Er-very well,” he replied, casting an anxious look of appeal to Ian, who seemed to be momentarily enjoying Jake’s futile efforts to create an atmosphere of conviviality. Disconcerted, Jake ran his hands through his disheveled hair and arranged a forced smile on her face. Nervously, he gestured about the untidy room. “Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“
“Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them.
“He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.”
“Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.”
“In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile.
The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!”
Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped.
“I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck.
Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?”
Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!”
“Do you sit?” he asked with what might have been sarcasm.
Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.”
For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
About the time Phil set out to film the first Duckmen of Louisiana video in 1987, there had been a really bad ice storm in West Monroe, which was kind of rare. It was so cold that a lot of the water on our property froze, so there was nowhere for the ducks to go. We climbed into our trucks and headed south to find the ducks. When we arrived at Lake Maurepas in South Louisiana, our guide took us to a hunting camp that was located about eight miles into the swamp. As we made our way to the camp near sunset, there were so many ducks flying overhead that duck feces started hitting the boat like it was a hailstorm--that’s what we call a poop storm! The sound of all those ducks was like a roar. The ice storm had pushed all the ducks south. It was the most ducks I’d ever seen.
The next morning, we called in a group of about three thousand ducks! They funneled into our decoys like a cyclone. It took them over thirty minutes to land. Hundreds of ducks landed in front of us and swam to the edge of our hole, and then more would land in the vacated areas. We sat in stunned silence during the entire event. Finally, Phil whispered to us to be careful because we might kill more ducks than we needed with stray shot, since there were so many of them and they were so close together. My dad thought he saw a rare duck and without warning broke the silence with a gun blast. The roar of the ducks getting up was deafening. We only shot once per hunter and had our limit. It would have never happened if we hadn’t been completely concealed in our blind. It was one of the most amazing sights I’ve ever seen.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
Soon it was time for us to leave; the clock had struck midnight, and we had miles to go before we slept. After throwing my bouquet and saying good-byes, Marlboro Man and I ran through the doors of the club and climbed into the back of a smoky black limousine--the vehicle that would take us to the big city miles away, where we’d stay before flying to Australia the next day. As we pulled away from the waving, birdseed-throwing crowd at the front door of the club, we immediately settled into each other’s arms, melting into a puddle of white silk and black boots and sleepy, unbridled romance.
It was all so new. New dress…new love…a new country--Australia--that neither of us had ever seen. A new life together. A new life for me. New crystal, silver, china. A newly renovated, tiny cowboy house that would be our little house on the prairie when we returned from our honeymoon.
A new husband. My husband. I wanted to repeat it over and over again, wanted to shout it to the heavens. But I couldn’t speak. I was busy. Passion had taken over--a beast had been unleashed. Sleep deprived and exhausted from the celebration of the previous week, once inside the sanctity of the limousine, we were utterly powerless to stop it…and we let it fly. It was this same passion that had gotten us through the early stages of our relationship, and, ultimately, through the choice to wave good-bye to any life I’d ever imagined for myself. To become a part of Marlboro Man’s life instead. It was this same passion that assured me that everything was exactly as it should be. It was the passion that made it all make sense.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
VW Valley is one of the final mountains one climbs on Selection--but it’s among the worst.
VW stands for Voluntary Withdrawal, and when you see the mountain you can understand why people have often quit here.
Steep, windswept, and boggy--and at mile thirty it is the point where many recruits quit and remove themselves from the course--broken by the sheer distance, weight, and speed.
But not me. Not now.
On my backside, I slid down the first steep reentrant leading into the bowl of the valley. I was using the butt of my weapon to steer me as I glissaded down the snow, and I finally slowed at the bottom, near an iced-over stream.
I crossed it and started straight up the face with Trucker behind me.
On and on and on--until finally at the crest I collapsed and waited for him.
Trux’s feet were both badly swollen. Later on he discovered that he’d broken both of his big toes somewhere around this point. It was purely from the incessant pounding his feet were taking. He was in agony.
I heard him muttering under his breath. He was mumbling Bible verses to himself.
We had often both quietly prayed together before the big marches. Now we needed that help more than ever.
“I am holding you by your right hand…Do not be afraid. I am here to help you.” Isaiah, 41:13.
If ever I needed to hear such words it was now.
It is easy to be cynical and to think you do not need help when all is going your way; but if Selection taught me anything it is that we all have our limits. To push beyond those limits sometimes requires something beyond just ourselves.
That is what my faith has given me--a secret strength and help when I have needed it most.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Now we're going to one of the coolest places in Florence."
"Where's that?"
"A pharmacy."
"You're taking the princess to a drugstore?"
"I said a pharmacy. Climb on."
Profumo Farmaceutica di Santa Maria Novella is a pharmacy only in the ancient sense of the word. As soon as I saw and smelled what "pharmacy" it was, I recognized it as the origin of the exquisitely wrapped, handcrafted soaps, colognes, potpourris, and creams I had seen in their shop on New York's Lower East Side. But nothing could compare with seeing them in the frescoed chapel where thirteenth-century Dominican friars had first experimented with elixirs and potions. Centuries-old apothecary jars and bottles sat on the shelves of carved wooden cupboards that swept almost to the top of a high, vaulted ceiling. I walked slowly around the room, taking it all in, as Danny spoke to a smartly dressed salesgirl.
"What an incredible place!" I sighed, walking over to stand beside him. "It's so beautiful."
"Pretty special," he agreed, putting his hand high on my back and turning to the salesperson. "I think mimosa," he told her.
"A very good choice, I think," she said, dabbing a small amount of mimosa eau de cologne on my wrist and then my neck with a delicate applicator.
Danny bent forward so he could smell my neck, then stood back. He drew his eyebrows together and put his hands on his hips. "I definitely think that's you. First, you get this oddly enticing tart kick, then you detect the sweetness. It's a subtle sweetness- not overpowering, but definitely there."
"Hilarious," I said sarcastically and kicked him playfully in the shin.
"Then you get the kick again," he winced, rubbing his leg.
”
”
Nancy Verde Barr (Last Bite)
“
I was exhausted and had to rely on Herr Schreiner to help me and knew in my soul that God had sent him to my aid. As tired as I was, I couldn’t have handled my luggage alone. Finally another train did pull into the station but in stark contrast to the empty platform we were standing on, the train was completely full of people. Although he wasn’t that big of a man, Herr Schreiner pushed my suitcases up the two steps into the railway car, and I climbed up behind them. As the train left the station, he hung onto the two entrance handles right behind me and I pushed for space, trying to make enough room for him to get into the carriage. With every surge of the train I expected him to lose his grip but with what I am certain was superhuman strength, he hung on as the train picked up speed. Several of the people made snide remarks but I turned a deaf ear to this and pushed as hard as I could, so that he could also get in. With the help of another man pulling on his coat, Herr Schreiner finally managed to squeeze in far enough so that we could close the door behind him. Once safely on the train, someone from his school in Mannheim recognized him. Herr Schreiner had been a very popular, much admired school principal and seeing how tired and bedraggled we now looked, the passenger offered us his window seats and helped to make room so that we could store our suitcases in the luggage rack above our heads. The train didn’t make any more stops and continued east crossing the Rhine River Bridge, which miraculously was still there. I couldn’t believe that everything had come together as well as it had, and that I was on my way back to Überlingen and my children.
”
”
Hank Bracker
“
Thunk. I jump back in alarm, my heart pounding against my ribs.
And then I hear, “Jemma!” A loud whisper, coming from below. I open up the doors and step outside. Moving quickly to the railing, I lean against it and peer down to find Ryder standing there, staring up at me. He’s dressed in a suit and tie--the same charcoal suit he wore to the gala, with a narrow silver-blue tie.
“What are you doing?” I call down to him.
He drops a handful of pebbles, scattering them into the grass by his feet. “Shh! Can I come up?”
I lower my voice to match his. “What’s wrong with the front door?”
He eyes me with raised brows. “Really?”
I picture my parents downstairs. Imagine what questions they’d ask, what gleeful conclusions they’d leap to at the sight of him here, asking to see me. I shake my head and reach a hand down toward him. “Here, can you climb?”
There’s a vine-covered trellis against the house beside my balcony. If he can just get a foothold, he’s tall enough to swing himself up and over the railing.
Which he does in less than two minutes. Pretty impressive, actually. Once he’s got both feet on the balcony, he casually brushes himself off. Somehow, he manages to look like he just stepped off the cover of GQ.
I tip my head toward the window. “You wanna come in?”
“You think it’s safe?”
“Just let me go lock the door,” I say before hurrying back inside.
And don’t think I’m not amused by the irony. Because unlike normal people, we’re not sneaking around to avoid being caught and punished. Nope. On the contrary, our parents would celebrate if they caught us in my bedroom together. I’m talking music and streamers and champagne toasts.
As quietly as possible, I turn the key in the lock, listening for the click. Sorry, folks. No party tonight.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Let’s go home,” she said.
He arched his brows. “Already? I thought you would want to stay for a while.”
Dark eyes flashed. “No, I want to take you home where women can’t stare at you like hyenas after a baby chick.”
He laughed-loudly, which caught a fair bit of attention. “Surely I’m more threatening than a chick?”
She smiled, ruining her petulant expression. “A puppy perhaps.”
Grey stepped closer so that their torsos touched. It was totally improper behavior, but the gossips already had so much to talk about, one more thing would hardly matter. “Is that all you want to take me home for? To protect me?”
Her gaze turned coy. “I received the newest edition of Voluptuous today. I thought I might read to you.”
Was it just him or had the temperature in the room suddenly climbed ten degrees. “Let’s go.”
He grabbed her by the hand and started weaving their way toward the door. People stopped hi to say hello, and he was forced to speak to them rather than be as rude as he wanted. A good fifteen minutes passed before he and Rose finally made it to the entrance of the ballroom, only to have Vienne La Rieux descend upon them.
“Monsieur et Madame le Duc!” she cried, clasping her hands together in front of her breast-abundantly displayed above a peacock-colored gown that must have cost a small fortune. “Finally, you leave my club together, non?”
Grey winked at her. “At last, madam. But we may want a room again someday.”
The French woman grinned, delighting in Rose’s obvious embarrassment. “Mais oui! An anniversary present, Your Grace. On the house.”
He thanked her and bade her farewell.
“She knew?” Rose’s tone was incredulous as they made their way closer to the exit. “How could she know?”
Grey shrugged. “The woman seems to know deuced near everything that happens here.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
1. His back is full of knives. Notes are brittle around the blades.
2. He sleeps face down every night in a chalk outline of himself.
3. He has difficulties with metal detectors.
4. At birthday parties, someone might politely ask, may I borrow one of those knives to slice this chocolate cake?
5. He likes to stand with his back to walls. At restaurants, he likes the corner tables.
6. There is a detective who calls to ask him about the brittle notes. Also: a biographer, a woman who'd like to film a documentary, a curator of a museum, his mother. I can't read them, he says. They're on my back.
7. It would be a mistake for anyone to assume he wants the knives removed.
8. Most of the brittle notes are illegible. One of them, even, is written in French.
9. Every Halloween, he goes as a victim of a brutal stabbing. Once he tried going as a whale, but it was a hassle explaining away the knives.
10. He always wears the same bloody suit.
11. When he walks, he sounds like a tree still full of dead leaves holding on.
12. It is ok for children to count on his knives, but not to climb on them.
13. He saw his own shadow in a park. He moved his body to make the knives reach other people's shadows. He did it all evening. In the shadows, his knives looked like soft outstretched arms.
14. His back is running out of space.
15. On a trip to Paris, he fell in love and ended up staying for a few years. He got a job performing on the street with the country's best mimes.
16. The knives are what hold him together. It is the notes that are slowly killing him.
17. He is difficult to hold when he cries.
18. He will be very old when he dies and the Doctor will say, he was obviously stabbed, brutally and repeatedly. I'm sorry, the Doctor will say to a person in the room, but he's not going to make it.
”
”
Zachary Schomburg (The Man Suit)
“
He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here.
He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before.
His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days.
The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank.
A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay.
Nobody was okay.
And that was what made me not okay.
“Hey,” I said, standing in front of him.
He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?”
The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.”
His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.”
I stared at him.
He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.”
He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced.
“I’m doing this for you,” I whispered.
“Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.”
I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment.
But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.”
He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.”
My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles.
I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.”
My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.”
Hands came up under my elbows, and his touch radiated through me.
“Kristen, stop.”
I spun on him. “Fuck you, Josh! You need help, and I need to help you!”
And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh.
I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
She looked at him defiantly, "I know I am not beautiful.I laughed at myself for thinking such impossible things."
Rides the Wind was quiet for so long that she wondered if her rush of words had overreached his abilities in English. But just when she started to question him,he turned his own face to the horizon so that she could view only his profile.
"When Rides the Wind was young, he danced about the fire like no other brave.It was then that Dancing Waters came to be his woman.She would watch, and her eyes danced with the flames. But one day Rides the Wind went to hunt.His pony fell and crushed his leg. Marcus Whitman fixed the leg, but it would not grow straight.Rides the Wind could dance no more. The fire died in the eyes of Dancing Waters." He encircled her with his arms before continuing. "Walks the Fire sees Rides the Wind when he walks like the wounded buffalo.She sees, but the fire does not die in her eyes.Beautiful is in here," he placed his hand over her heart. "So do not laugh when you think you are beautiful.Rides the Wind sees the fire in your eyes.And to him,you are beautiful."
Jesse reached for his hand,and, holding it palm up,she kissed it.
He growled, "...and so you give me more of the white man's ways."
In a moment of uncharacteristic abandon, Jesse stood on tip-toe and placed a less-than-chaste kiss upon the mouth of her husband.She smiled in spite of the resulting blush on her cheek, reaching up to tug childishly on his flowing hair.
Then,to his delight and amazement she spoke the Lakota words: "Mihigna-my husband-Walks the Fire is an obedient wife.If he wishes her to stop this strange touch,he must tell her.Walks the Fire will obey."
Rides the Wind took her hand, and they started back to the tepee.As they climbed the hill together he replied, "Many of the white man's ways must be forgotten to live among my people...but not all.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Where’s Sam?” Brianna asked.
“He’s out. So is Edilio,” Dekka said. “You going to tell us what’s in the bag or do we have to guess?”
Brianna stopped. She was disappointed. In her imagination the big revelation would have been to an admiring Sam Temple. He was the one she wanted to impress. Failing that, Edilio, who was generally warm and sweet to her.
But she was tired and wanted to put the bag down. Also, she couldn’t keep the secret any longer.
She climbed nimbly up to the top deck of the boat, grinned, and said, “Is it anyone’s birthday? Because I have a present.”
“Breeze,” Dekka warned.
So Brianna opened the bag. Dekka looked inside. “What is it?”
So Brianna upended the bag. Dead lizards, broken eggs, and Drake’s head landed on the antiskid flooring.
“Ahhhh!” Astrid screamed.
“Ah, Jesus!” Dekka yelled.
“I know,” Brianna said proudly.
What lay there was something to strike envy into the heart of a horror movie special-effects expert. The two halves of Drake’s head had started to rejoin. But because the halves had been tossed wildly together, the process was very incomplete. Very.
In fact at the moment the halves were backward, so that the left half was looking one direction and the right half another. Sections of neck and spine stuck both up and down. The part that held most of Drake’s mouth was stuffed with hair from the back of his head.
And, somehow, bits of dead lizard were squeezed in between. But the dead lizards thus incorporated were no longer dead. And there was egg white smeared across one eye.
The mouth was trying to speak and not managing it.
A lizard tail whipped one eye—hard to tell if it was left or right—a parody of Drake’s whip arm.
The three of them stared: Astrid with blue eyes wide, hand over mouth; Dekka with mouth wide open and brow furrowed; Brianna like a proud school kid showing off her art project.
“Ta-da!” Brianna said.
”
”
Michael Grant (Light (Gone, #6))
“
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?"
He was answered with a growl.
The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him.
His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . .
"God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself."
"Blasphemer!" A rock caught him just over his left eye and blood welled forth.
Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other."
More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together."
A rock caught the glass and shattered it. Another struck him in the mouth.
Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God."
Jubal whispered it back to him. . . .
"Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation.
"Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit
Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened."
"God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!"
The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
”
”
Robert A. Heinlein
“
On the third day, I asked if she would like to climb Ben Loyal with me--with anyone else who fancied coming along. None of the guys wanted to join me and I ended up with a group of four girls, including Shara.
We spent two hours crossing the marshy moon grass to reach the foot of the mountain before starting up the steep slope toward the summit ridge. It was fairly sheer, but essentially we were still going the “easy” way.
Within two hundred feet, half of the girls were looking pretty beat.
I figured that having slogged across the marsh for so long, we should definitely do some of the climb. After all, that was the fun bit.
They all agreed and we continued up steadily.
Before the slope eases at the top, though, there is a section where the heather becomes quite exposed. It is only a short, few hundred feet, and I wrongly figured the girls would enjoy a safe, steep scramble that didn’t require any ropes. Plus the views were amazing out to sea.
But things didn’t quite go to plan.
The first panicked whimper seemed to set off a cacophony of cheeps, as, one by one, the girls began to voice their fears. It is funny how quickly everyone can go from being totally fine to totally not-fine, very fast, once one person starts to panic.
Then the tears started.
Nightmare.
I ended up literally having to shadow the three girls who were worst struck by this fear, one by one down the slope. I had to stand behind them, hands on top of their hands, and help them move one step at a time, planting their feet exactly where I did, to shield them from the drop.
The point of this story is that the only girl who was supercool through the whole mission was Shara, who steadily plodded up, and then just as steadily plodded down beside me, as I tried to help the others.
Now I was really smitten.
A cool head under pressure is truly irresistible to me, and if I hadn’t been totally besotted before, then our mountain experience together tipped the balance.
I had a sneaking feeling that I had met the girl of my dreams.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
This isn’t weird for you, Mark? I mean, not even a little bit?” Green questioned. “Why? Is it for you?” Ruxs inquired, slightly nervous. “No. Not at all. I’ve thought of a million sexual things I could do to you and what I wanted you to do to me. But that’s because I’m bi. You on the other hand, have never been with a man. Now you just had your finger in my ass. I’m just wondering. You’re not the slightest bit weirded out.” Ruxs thought for a second. He stared into those smoky eyes and knew exactly why he wasn’t weirded out. Green was his friend, his best friend. The only person he had, his family. Nothing about them coming together was weird for him. Ruxs was a man who always did his own thing. He wasn’t judgmental and he didn’t worry about labels or societal conformity. If it felt good, then it was all good. He’d lived by that motto since college. Ruxs finally shook his head no. “I feel good about this. You and I being together this way is only strange in a good way. It’s wild to be able to finally touch you like I’ve been wanting too. To see you come, to watch you get off. I’m just trying to wrap my head around you wanting me.” Ruxs had a hard time meeting Green’s eyes. He hoped like hell that Green did want him. Green cupped his jaw and turned him so he was facing him. “I do want you. More than you think. I want you because you’re an amazing man, Mark Ruxsberg. You have to stop thinkin’ otherwise. You’re smart, caring, loyal, a damn good cop, you’re great to Curtis and…” Green tilted his still half-hard cock against Ruxs’ pelvis. “You’re sexy as fuck. Big and beautiful. Muscles all over the fuckin’ place. It’s a huge turn-on for me.” Ruxs blushed. He loved Green telling him this. Most of all he believed him. Green wasn’t a liar and he didn’t do anything that he didn’t want to do… just like him. “So no more of this self-doubting shit. Or else I won’t blow you anymore.” Green winked, rolling off of him and climbed out of the messy bed. “Now get your lazy ass up, and don’t worry about the sheets, the maid comes today. We got to get going. We’re supposed to be doing surveillance on that damn warehouse.” Ruxs
”
”
A.E. Via (Here Comes Trouble (Nothing Special #3))
“
I want you, Leilani. I'm so hard it hurts. But your scent entices me, lures me." He drew the sheet farther down, past her navel, along the soft swell of her stomach. "I want to taste, to savor. Here." He kissed his way to the tender flesh high inside her inner thigh. "And here." He traced a similar path to the other side. "But I want to feast... here." He drew his tongue along the center of her, and groaned at the sweet taste of her.
Lani's hips started to pump harder, and he could feel a fine quivering begin along her skin. She rocked and keened, and when he plunged his tongue deeply into her, she cried out, reached down and buried her fingers in his hair. Guiding him, urging him, demanding him, release broke over her in wracking, wrenching waves.
"Baxter, please... please." Her hips slowed, but her body continued to gather and jerk as the aftershocks kept twitching through her. "Now," she demanded. "I'm- I'm safe, protected, we don't need-" She broke off as he kissed his way back up the center of her torso while she continued to writhe beneath him.
The way she responded to him, making herself vulnerable to him, moved him in unpredictable ways. He shifted so he was directly on top of her and pressed himself between her thighs, which she parted, wrapping them around his hips, digging her heels into his lower back as she lifted for him, and took him in.
Take her, he did, sliding all the way in, groaning as she gripped him fully, so tightly, so wetly, so perfectly, it was the fulfillment of every fantasy he'd ever had. Even though his heart was drumming inside his chest, and his body was priming itself for a ferocious release, climaxing wasn't the only thing dominating his thoughts. He met her every hip thrust, echoed every groan, every growl, as they worked their every frenzied way to completion, together.
He could feel her climb again as she rolled her hips beneath him, and reality continued to eclipse fantasy. "Come with me, yes," he said, claiming her mouth even as she was nodding in agreement.
He pulled her into his arms and moved more deeply, as she instinctively shifted to take him more tightly inside her. They moved with a rhythm that was as old as man's creation, and uniquely and utterly their own.
”
”
Donna Kauffman (Sugar Rush (Cupcake Club #1))
“
What are the path of love and the path of meditation? There are basically two different paths to enlightenment. These two paths are The path of love and The path of meditation.
The path of love is the female path to enlightenment and The path of meditation is the male path to enlightenment. The path of love is the path of love, joy, relationships, devotion and surrender. The path of meditation is the path of meditation, silence, aloneness and freedom.
These two paths has different ways, but they have the same goal. Through love and surrender the person that walks The path of love discovers the inner silence. Through meditation and aloneness the person that walks The path of meditation discovers the inner source of love. These two paths are like climbing the mountain of enlightenment through different routes, but the two paths are meeting on the summit of the mountain - and discover an inner integration between love and meditation, between relating and aloneness.
Before I accept to work with a student now, I make an intuitive and clairvoyant evaluation about which spiritual paths that the student has walked before in previous lives. This intuitive assessment gives information about the spiritual level that the student has attained, and it also makes it easier to guide the person spiritually if he has followed a certain path in the past.
A female student of mine laughed recently when I told her that she had followed The path of love in several past lives. She commented: "You have told me three times now that I have walked the path of love and silence, but with my head I still do not understand it." But this overall assessment of her spiritual growth uptil now, and of the spiritual paths that she had walked, made all the pieces of her life puzzle fit together - and brought a new, creative light to all her life choices in her current life.
A male student of mine, who was a Tibetan monk in a previous life, walks The path of meditation, and I notice how I change my language and the methods that I recommend when I guide him along the path of meditation.
I now work with students who walk both The path of love and The path of meditation, which also allows me to discover a deeper integration of love and meditation on my path to enlightenment.
”
”
Swami Dhyan Giten (Presence - Working from Within. The Psychology of Being)
“
Marlboro Man opened the passenger door of the semi and allowed me to climb out in front of him, while Tim exited the driver-side door to see us off. That wasn’t so bad, I thought as I made my way down the steps. Aside from the manicure remark and my sweating problem, meeting Marlboro Man’s brother had gone remarkably well. I looked okay that evening, had managed a couple of witty remarks, and had worn just the right clothing to conceal my nervousness. Life was good.
Then, because the Gods of Embarrassment seemed hell-bent on making me look bad, I lost my balance on the last step, hooking the heel of my stupid black boots on the grate of the step and awkwardly grabbing the handlebar to save myself from falling to my death onto the gravel driveway below. But though I stopped myself from wiping out, my purse flew off my arm and landed, facedown, on Tim’s driveway, violently spilling its contents all over the gravel.
Only a woman can know the dreaded feeling of spilling her purse in the company of men. Suddenly my soul was everywhere, laid bare for Marlboro Man and his brother to see: year-old lip gloss, a leaky pen, wadded gum wrappers, and a hairbrush loaded up with hundreds, if not thousands, of my stringy auburn hairs. And men don’t understand wads of long hair--for all they knew, I had some kind of follicular disorder and was going bald. There were no feminine products, but there was a package of dental floss, with a messy, eight-inch piece dangling from the opening and blowing in the wind.
And there were Tic Tacs. Lots and lots of Tic Tacs. Orange ones.
Then there was the money. Loose ones and fives and tens and twenties that had been neatly folded together and tucked into a pocket inside my purse were now blowing wildly around Tim’s driveway, swept away by the strengthening wind from an approaching storm.
Nothing in my life could have prepared me for the horror of watching Marlboro Man, my new love, and his brother, Tim, whom I’d just met, chivalrously dart around Tim’s driveway, trying valiantly to save my wayward dollars, all because I couldn’t keep my balance on the steps of their shiny new semi.
I left my car at Tim’s for the evening, and when we pulled away in Marlboro Man’s pickup, I stared out the window, shaking my head and apologizing for being such a colossal dork. When we got to the highway, Marlboro Man glanced at me as he made a right-hand turn. “Yeah,” he said, consoling me. “But you’re my dork.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
The best advice came from the legendary actor the late Sir John Mills, who I sat next to backstage at a lecture we were doing together. He told me he considered the key to public speaking to be this: “Be sincere, be brief, be seated.”
Inspired words. And it changed the way I spoke publicly from then on. Keep it short. Keep it from the heart.
Men tend to think that they have to be funny, witty, or incisive onstage. You don’t. You just have to be honest. If you can be intimate and give the inside story--emotions, doubts, struggles, fears, the lot--then people will respond.
I went on to give thanks all around the world to some of the biggest corporations in business--and I always tried to live by that. Make it personal, and people will stand beside you.
As I started to do bigger and bigger events for companies, I wrongly assumed that I should, in turn, start to look much smarter and speak more “corporately.” I was dead wrong--and I learned that fast. When we pretend, people get bored.
But stay yourself, talk intimately, and keep the message simple, and it doesn’t matter what the hell you wear.
It does, though, take courage, in front of five thousand people, to open yourself up and say you really struggle with self-doubt. Especially when you are meant to be there as a motivational speaker.
But if you keep it real, then you give people something real to take away.
“If he can, then so can I” is always going to be a powerful message. For kids, for businessmen--and for aspiring adventurers.
I really am pretty average. I promise you. Ask Shara…ask Hugo.
I am ordinary, but I am determined.
I did, though--as the corporation started to pay me more--begin to doubt whether I was really worth the money. It all seemed kind of weird to me. I mean, was my talk a hundred times better now than the one I gave in the Drakensberg Mountains?
No.
But on the other hand, if you can help people feel stronger and more capable because of what you tell them, then it becomes worthwhile for companies in ways that are impossible to quantify.
If that wasn’t true, then I wouldn’t get asked to speak so often, still to this day.
And the story of Everest--a mountain, like life, and like business--is always going to work as a metaphor. You have got to work together, work hard, and go the extra mile. Look after each other, be ambitious, and take calculated, well-timed risks.
Give your heart to the goal, and it will repay you.
Now, are we talking business or climbing?
That’s what I mean.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
I look back now and can see how much my father also found his own freedom in the adventures we did together, whether it was galloping along a beach in the Isle of Wight with me behind him, or climbing on the steep hills and cliffs around the island’s coast.
It was at times like these that I found a real intimacy with him.
It was also where I learned to recognize that tightening sensation, deep in the pit of my stomach, as being a great thing to follow in life. Some call it fear.
I remember the joy of climbing with him in the wintertime. It was always an adventure and often turned into much more than just a climb. Dad would determine that not only did we have to climb a sheer hundred-and-fifty-foot chalk cliff, but also that German paratroopers held the high ground. We therefore had to climb the cliff silently and unseen, and then grenade the German fire position once at the summit.
In reality this meant lobbing clumps of manure toward a deserted bench on the cliff tops. Brilliant.
What a great way to spend a wet and windy winter’s day when you are age eight (or twenty-eight, for that matter).
I loved returning from the cliff climbs totally caked in mud, out of breath, having scared ourselves a little. I learned to love that feeling of the wind and rain blowing hard on my face. It made me feel like a man, when in reality I was a little boy.
We also used to talk about Mount Everest, as we walked across the fields toward the cliffs. I loved to pretend that some of our climbs were on the summit face of Everest itself.
We would move together cautiously across the white chalk faces, imagining they were really ice. I had this utter confidence that I could climb Everest if he were beside me.
I had no idea what Everest would really involve but I loved the dream together.
These were powerful, magical times. Bonding. Intimate. Fun. And I miss them a lot even today. How good it would feel to get the chance to do that with him just once more.
I think that is why I find it often so emotional taking my own boys hiking or climbing nowadays. Mountains create powerful bonds between people. It is their great appeal to me.
But it wasn’t just climbing. Dad and I would often go to the local stables and hire a couple of horses for a tenner and go jumping the breakwaters along the beach.
Every time I fell off in the wet sand and was on the verge of bursting into tears, Dad would applaud me and say that I was slowly becoming a horseman. In other words, you can’t become a decent horseman until you fall off and get up again a good number of times.
There’s life in a nutshell.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Standing, balanced precariously on the narrow top of a drainpipe, you had to give a good leap up to grab hold of the narrow ledge, and then swing your whole body up and over.
It took some guts, and a cool head for heights.
Get it wrong and the fall was a long one, onto concrete.
In an attempt to make it harder, the school security officers had put barbed wire all around the lip of the roof to ensure such climbs were “impossible.” (This was probably installed after Ran Fiennes’s escapades onto the dome all those years earlier.) But in actual fact the barbed wire served to help me as a climber. It gave me something else to hold on to.
Once on the roof, then came the crux of the climb.
Locating the base of the lightning conductor was the easy bit, the tough bit was then committing to it.
It held my weight; and it was a great sense of achievement clambering into the lead-lined small bell tower, silhouetted under the moonlight, and carving the initials BG alongside the RF of Ran Fiennes.
Small moments like that gave me an identity.
I wasn’t just yet another schoolboy, I was fully alive, fully me, using my skills to the max.
And in those moments I realized I simply loved adventure.
I guess I was discovering that what I was good at was a little off-the-wall, but at the same time recognizing a feeling in the pit of my stomach that said: Way to go, Bear, way to go.
My accomplice never made it past the barbed wire, but waited patiently for me at the bottom. He said it had been a thoroughly sickening experience to watch, which in my mind made it even more fun.
On the return journey, we safely crossed one college house garden and had silently traversed half of the next one.
We were squatting behind a bush in the middle of this housemaster’s lawn, waiting to do the final leg across. The tutor’s light was on, with him burning the midnight oil marking papers probably, when he decided it was time to let his dog out for a pee. The dog smelled us instantly, went bananas, and the tutor started running toward the commotion.
Decision time.
“Run,” I whispered, and we broke cover together and legged it toward the far side of the garden.
Unfortunately, the tutor in question also happened to be the school cross-country instructor, so he was no slouch.
He gave chase at once, sprinting after us across the fifty-meter dash. A ten-foot wall was the final obstacle and both of us, powered by adrenaline, leapt up it in one bound. The tutor was a runner but not a climber, and we narrowly avoided his grip and sprinted off into the night.
Up a final drainpipe, back into my open bedroom window, and it was mission accomplished.
I couldn’t stop smiling all through the next day.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Auto-Zoomar. Talbert knelt in the a tergo posture, his palms touching the wing-like shoulder blades of the young woman. A conceptual flight. At ten-second intervals the Polaroid projected a photograph on to the screen beside the bed. He watched the auto-zoom close in on the union of their thighs and hips. Details of the face and body of the film actress appeared on the screen, mimetized elements of the planetarium they had visited that morning. Soon the parallax would close, establishing the equivalent geometry of the sexual act with the junctions of this wall and ceiling.
‘Not in the Literal Sense.’Conscious of Catherine Austin’s nervous hips as she stood beside him, Dr Nathan studied the photograph of the young woman. ‘Karen Novotny,’ he read off the caption. ‘Dr Austin, may I assure you that the prognosis is hardly favourable for Miss Novotny. As far as Talbert is concerned the young woman is a mere modulus in his union with the film actress.’ With kindly eyes he looked up at Catherine Austin. ‘Surely it’s self-evident - Talbert’s intention is to have intercourse with Miss Taylor, though needless to say not in the literal sense of that term.’
Action Sequence. Hiding among the traffic in the near-side lane, Koester followed the white Pontiac along the highway. When they turned into the studio entrance he left his car among the pines and climbed through the perimeter fence. In the shooting stage Talbert was staring through a series of colour transparencies. Karen Novotny waited passively beside him, her hands held like limp birds. As they grappled he could feel the exploding musculature of Talbert’s shoulders. A flurry of heavy blows beat him to the floor. Vomiting through his bloodied lips, he saw Talbert run after the young woman as she darted towards the car.
The Sex Kit.‘In a sense,’ Dr Nathan explained to Koester, ‘one may regard this as a kit, which Talbert has devised, entitled “Karen Novotny” - it might even be feasible to market it commercially. It contains the following items: (1) Pad of pubic hair, (2) a latex face mask, (3) six detachable mouths, (4) a set of smiles, (5) a pair of breasts, left nipple marked by a small ulcer, (6) a set of non-chafe orifices, (7) photo cut-outs of a number of narrative situations - the girl doing this and that, (8) a list of dialogue samples, of inane chatter, (9) a set of noise levels, (10) descriptive techniques for a variety of sex acts, (11) a torn anal detrusor muscle, (12) a glossary of idioms and catch phrases, (13) an analysis of odour traces (from various vents), mostly purines, etc., (14) a chart of body temperatures (axillary, buccal, rectal), (15) slides of vaginal smears, chiefly Ortho-Gynol jelly, (16) a set of blood pressures, systolic 120, diastolic 70 rising to 200/150 at onset of orgasm . . . ’ Deferring to Koester, Dr Nathan put down the typescript. ‘There are one or two other bits and pieces, but together the inventory is an adequate picture of a woman, who could easily be reconstituted from it. In fact, such a list may well be more stimulating than the real thing. Now that sex is becoming more and more a conceptual act, an intellectualization divorced from affect and physiology alike, one has to bear in mind the positive merits of the sexual perversions. Talbert’s library of cheap photo-pornography is in fact a vital literature, a kindling of the few taste buds left in the jaded palates of our so-called sexuality.
”
”
J.G. Ballard (The Atrocity Exhibition)
“
And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb—on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost—climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!—for it seems at times, as though the ear also possessed a sight of its own,—behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations.
Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. You can follow the dialogue, by turns grave and shrill, of the treble and the bass; you can see the octaves leap from one tower to another; you watch them spring forth, winged, light, and whistling, from the silver bell, to fall, broken and limping from the bell of wood; you admire in their midst the rich gamut which incessantly ascends and re-ascends the seven bells of Saint-Eustache; you see light and rapid notes running across it, executing three or four luminous zigzags, and vanishing like flashes of lightning. Yonder is the Abbey of Saint-Martin, a shrill, cracked singer; here the gruff and gloomy voice of the Bastille; at the other end, the great tower of the Louvre, with its bass. The royal chime of the palace scatters on all sides, and without relaxation, resplendent trills, upon which fall, at regular intervals, the heavy strokes from the belfry of Notre-Dame, which makes them sparkle like the anvil under the hammer. At intervals you behold the passage of sounds of all forms which come from the triple peal of Saint-Germain-des-Prés. Then, again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars. Below, in the very depths of the concert, you confusedly distinguish the interior chanting of the churches, which exhales through the vibrating pores of their vaulted roofs.
Assuredly, this is an opera which it is worth the trouble of listening to. Ordinarily, the noise which escapes from Paris by day is the city speaking; by night, it is the city breathing; in this case, it is the city singing. Lend an ear, then, to this concert of bell towers; spread over all the murmur of half a million men, the eternal plaint of the river, the infinite breathings of the wind, the grave and distant quartette of the four forests arranged upon the hills, on the horizon, like immense stacks of organ pipes; extinguish, as in a half shade, all that is too hoarse and too shrill about the central chime, and say whether you know anything in the world more rich and joyful, more golden, more dazzling, than this tumult of bells and chimes;—than this furnace of music,—than these ten thousand brazen voices chanting simultaneously in the flutes of stone, three hundred feet high,—than this city which is no longer anything but an orchestra,—than this symphony which produces the noise of a tempest.
”
”
Victor Hugo (The Hunchback of Notre Dame)
“
For unknown ages after the explosive outpouring of matter and energy of the Big Bang, the Cosmos was without form. There were no galaxies, no planets, no life. Deep, impenetrable darkness was everywhere, hydrogen atoms in the void. Here and there, denser accumulations of gas were imperceptibly growing, globes of matter were condensing-hydrogen raindrops more massive than suns. Within these globes of gas was kindled the nuclear fire latent in matter. A first generation of stars was born, flooding the Cosmos with light. There were in those times, not yet any planets to receive the light, no living creatures to admire the radiance of the heavens. Deep in the stellar furnaces, the alchemy of nuclear fusion created heavy elements from the ashes of hydrogen burning, the atomic building blocks of future planets and lifeforms. Massive stars soon exhausted their stores of nuclear fuel. Rocked by colossal explosions, they returned most of their substance back into the thin gas from which they had once condensed. Here in the dark lush clouds between the stars, new raindrops made of many elements were forming, later generation of stars being born. Nearby, smaller raindrops grew, bodies far too little to ignite the nuclear fire, droplets in the interstellar mist on their way to form planets. Among them was a small world of stone and iron, the early Earth.
Congealing and warming, the Earth released methane, ammonia, water and hydrogen gases that had been trapped within, forming the primitive atmosphere and the first oceans. Starlight from the Sun bathed and warmed the primeval Earth, drove storms, generated lightning and thunder. Volcanoes overflowed with lava. These processes disrupted molecules of the primitive atmosphere; the fragments fell back together into more and more complex forms, which dissolved into the early oceans. After a while the seas achieved the consistency of a warm, dilute soup. Molecules were organized, and complex chemical reactions driven, on the surface of clay. And one day a molecule arose that quite by accident was able to make crude copies of itself out of the other molecules in the broth. As time passed, more elaborate and more accurate self replicating molecules arose. Those combinations best suited to further replication were favored by the sieve of natural selection. Those that copied better produced more copies. And the primitive oceanic broth gradually grew thin as it was consumed by and transformed into complex condensations of self replicating organic molecules. Gradually, imperceptibly, life had begun.
Single-celled plants evolved, and life began generating its own food. Photosynthesis transformed the atmosphere. Sex was invented. Once free living forms bonded together to make a complex cell with specialized functions. Chemical receptors evolved, and the Cosmos could taste and smell. One celled organisms evolved into multicellular colonies, elaborating their various parts into specialized organ systems. Eyes and ears evolved, and now the Cosmos could see and hear. Plants and animals discovered that land could support life. Organisms buzzed, crawled, scuttled, lumbered, glided, flapped, shimmied, climbed and soared. Colossal beasts thundered through steaming jungles. Small creatures emerged, born live instead of in hard-shelled containers, with a fluid like the early ocean coursing through their veins. They survived by swiftness and cunning. And then, only a moment ago, some small arboreal animals scampered down from the trees. They became upright and taught themselves the use of tools, domesticated other animals, plants and fire, and devised language. The ash of stellar alchemy was now emerging into consciousness. At an ever-accelerating pace, it invented writing, cities, art and science, and sent spaceships to the planets and the stars. These are some of the things that hydrogen atoms do, given fifteen billion years of cosmic evolution.
”
”
Carl Sagan (Cosmos)