Cliff Tops Quotes

Hoover Dam," Thalia said. "It's huge." We stood at the river's edge, looking up at a curve of concrete that loomed between the cliffs. People were walking along the top of the dam. They were so tiny they looked like fleas. The naiads had left with a lot of grumbling—not in words I could understand, but it was obvious they hated this dam blocking up their nice river. Our canoes floated back downstream, swirling in the wake from the dam's discharge vents. "Seven hundred feet tall," I said. "Built in the 1930s." "Five million cubic acres of water," Thalia said. Graver sighed. "Largest construction project in the United States." Zoe stared at us. "How do you know all that?" "Annabeth," I said. "She liked architecture." "She was nuts about monuments," Thalia said. "Spouted facts all the time." Grover sniffled. "So annoying." "I wish she were here," I said.

...she took her hand and raised her brush. For a moment it stayed trembling in a painful but exciting ecstacy in the air. Where to begin?--that was the question at what point to make the first mark? One line placed on the canvas committed her to innumerable risks, to frequent and irrevocable decisions. All that in idea seemed simple became in practice immediately complex; as the waves shape themselves symmetrically from the cliff top, but to the swimmer among them are divided by steep gulfs, and foaming crests. Still the risk must run; the mark made.

Stand at the top of a cliff and jump off and build your wings on the way down.

Solving a problem for which you know there’s an answer is like climbing a mountain with a guide, along a trail someone else has laid. In mathematics, the truth is somewhere out there in a place no one knows, beyond all the beaten paths. And it’s not always at the top of the mountain. It might be in a crack on the smoothest cliff or somewhere deep in the valley.

I think of Sean folded low over the red stallion, riding bareback at the top of the cliffs. Of the easy way they had with each other when I met him to look at the uisce mare. I think, even, of the way Sean looked when he stood on the bloody festival rock and said his name, and then Corr's, like it was just one fact after the other. Of the way he said "the sky and the sand and the sea and Corr" to me. And I feel a bite of unfairness, because in everything but name, it seems to me that Sean Kendrick already owns Corr.

Fiordland, a vast tract of mountainous terrain that occupies the south-west corner of South Island, New Zealand, is one of the most astounding pieces of land anywhere on God's earth, and one's first impulse, standing on a cliff top surveying it all, is simply to burst into spontaneous applause.

I believe God spoke to you at cliffs. Her hand came to rest on the top of my head. But perhaps you weren't truly listening

Some people come to the edge of the cliff and they look over, then run away in fear. They never realize it's possible to fly, to soar, to be free. They spend their lives crawling along cliff tops without finding the courage.

Erick had underestimated the distance, both to the ground and the cliff above me, yet the texture of the cliff wall was better than I'd hoped for. Vines and plants grew dense and well rooted, and there were many rocks and missing chunks of earth. I didn't know whether I could make it to the top on one leg or not, but I thought it was a great day to try.

Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them

The sea looked as if it had been licked clean, blue and clear and smooth, and there were a few woolly little clouds in the sky. Legend said that these clouds were sheep who had simply wandered over the cliff tops one day, special sheep who now went on grazing in the sky and were never shorn. In any case, they were a good sign.

There are times when the ocean is not the ocean - not blue, not even water, but some violent explosion of energy and danger: ferocity on a scale only gods can summon. It hurls itself at the island, sending spray right over the top of the lighthouse, biting pieces off the cliff. And the sound is a roaring of a beast whose anger knows no limits. Those are the nights the light is needed most.

Say I Am You I am dust particles in sunlight. I am the round sun. To the bits of dust I say, Stay. To the sun, Keep moving. I am morning mist, and the breathing of evening. I am wind in the top of a grove, and surf on the cliff. Mast, rudder, helmsman, and keel, I am also the coral reef they founder on. I am a tree with a trained parrot in its branches. Silence, thought, and voice. The musical air coming through a flute, a spark of a stone, a flickering in metal. Both candle and the moth crazy around it. Rose, and the nightingale lost in the fragrance. I am all orders of being, the circling galaxy, the evolutionary intelligence, the lift, and the falling away. What is, and what isn't. You who know Jelaluddin, You the one in all, say who I am. Say I am You.

Kissing him is like the wildest, most thrilling thing that has ever happened to me. It's like diving into the deep end over and over. He touches the curve of my lip with his tongue, just once, so softly, and I think the whole world is ending, the sudden warmth of his mouth jolting through me like a shock. I hold on like I'm falling off the top of a tall cliff or I'm lost at sea, like he's the only thing solid in the whole tilting world.

I'm already waiting when Puck gets to the top of the cliffs. I'm not the only one; about two dozen race tourists have made perches out of rocks, watching Corr and me as closely as they dare. Puck glares at them all, searing enough that some of them flinch in surprise. I'm not certain what to expect from her after last night. I don't know how to address her. I don't know what she expects from me or what I expect from me. What I get is a wordless hello and a November cake in my hand.

If people are constantly falling off a cliff, you could place ambulances under the cliff or build a fence on the top of the cliff. We are placing all too many ambulances under the cliff.

I climbed a path and from the top looked up-stream towards Chile. I could see the river, glinting and sliding through the bone-white cliffs with strips of emerald cultivation either side. Away from the cliffs was the desert. There was no sound but the wind, whirring through thorns and whistling through dead grass, and no other sign of life but a hawk, and a black beetle easing over white stones.

I'm gonna have a T-Shirt made that says 'Stand at the top of the cliff, and jump off, and build your wings on the way down

My greatest pleasure has been in resuming my evening walks along the cliff tops. The Channel is no longer framed in rolls of barbed wire, the view is unbroken by huge VERBOTEN signs. The mines are gone from our beaches, and I can walk when, where, and for as long as I like. If I stand on the cliffs and turn out to face the sea, I don't see the ugly cement bunkers behind me, or the land naked without its trees. Not even the Germans could ruin the sea.

The Trial By Existence Even the bravest that are slain Shall not dissemble their surprise On waking to find valor reign, Even as on earth, in paradise; And where they sought without the sword Wide fields of asphodel fore’er, To find that the utmost reward Of daring should be still to dare. The light of heaven falls whole and white And is not shattered into dyes, The light for ever is morning light; The hills are verdured pasture-wise; The angel hosts with freshness go, And seek with laughter what to brave;— And binding all is the hushed snow Of the far-distant breaking wave. And from a cliff-top is proclaimed The gathering of the souls for birth, The trial by existence named, The obscuration upon earth. And the slant spirits trooping by In streams and cross- and counter-streams Can but give ear to that sweet cry For its suggestion of what dreams! And the more loitering are turned To view once more the sacrifice Of those who for some good discerned Will gladly give up paradise. And a white shimmering concourse rolls Toward the throne to witness there The speeding of devoted souls Which God makes his especial care. And none are taken but who will, Having first heard the life read out That opens earthward, good and ill, Beyond the shadow of a doubt; And very beautifully God limns, And tenderly, life’s little dream, But naught extenuates or dims, Setting the thing that is supreme. Nor is there wanting in the press Some spirit to stand simply forth, Heroic in its nakedness, Against the uttermost of earth. The tale of earth’s unhonored things Sounds nobler there than ’neath the sun; And the mind whirls and the heart sings, And a shout greets the daring one. But always God speaks at the end: ’One thought in agony of strife The bravest would have by for friend, The memory that he chose the life; But the pure fate to which you go Admits no memory of choice, Or the woe were not earthly woe To which you give the assenting voice.’ And so the choice must be again, But the last choice is still the same; And the awe passes wonder then, And a hush falls for all acclaim. And God has taken a flower of gold And broken it, and used therefrom The mystic link to bind and hold Spirit to matter till death come. ‘Tis of the essence of life here, Though we choose greatly, still to lack The lasting memory at all clear, That life has for us on the wrack Nothing but what we somehow chose; Thus are we wholly stripped of pride In the pain that has but one close, Bearing it crushed and mystified.

When a man is standing at the top of a cliff, it isn’t fear of falling that keeps him rooted to the edge — it’s the fear of not being able to resist the desire to jump, just to see what falling feels like.

Manic depression — or bipolar disorder — is like racing up to a clifftop before diving headfirst into a cavity. Maintaining a healthy lifestyle is the psychic equivalent of an extreme sport. The manic highs — that exhilarating rush to the top of the cliff — make you feel bionic in your hyper-energized capacity for generosity, sexiness and soulfulness. You feel like you have ingested stars and are now glowing from within. It’s unearned confidence-in-extremis — with an emphasis on the con, because you feel cheated once you inevitably crash into that cavity. I sometimes joke that mania is the worst kind of pyramid scheme, one that the bipolar individual doesn’t even know they’re building, only to find out, too late, that they’re also its biggest casualty.

He felt as if he stood at the very top of a high cliff. Take a step back and all was safe and familiar. But going forward required a singular leap of faith—and he was a man of little faith, particularly when it came to himself. But he wanted her to look at him again as if he were full of possibilities. As if they were full of possibilities.

It was in America that horses first roamed. A million years before the birth of man, they grazed the vast plains of wiry grass and crossed to other continents over bridges of rock soon severed by retreating ice. They first knew man as the hunted knows the hunter, for long before he saw them as a means to killing other beasts, man killed them for their meat. Paintings on the walls of caves showed how. Lions and bears would turn and fight and that was the moment men speared them. But the horse was a creature of flight not fight and, with a simple deadly logic, the hunter used flight to destroy it. Whole herds were driven hurtling headlong to their deaths from the tops of cliffs. Deposits of their broken bones bore testimony. And though later he came pretending friendship, the alliance with man would ever be but fragile, for the fear he'd struck into their hearts was too deep to be dislodged. Since that neolithic moment when first a horse was haltered, there were those among men who understood this. They could see into the creature's soul and soothe the wounds they found there. Often they were seen as witches and perhaps they were. Some wrought their magic with the bleached bones of toads, plucked from moonlit streams. Others, it was said, could with but a glance root the hooves of a working team to the earth they plowed. There were gypsies and showmen, shamans and charlatans. And those who truly had the gift were wont to guard it wisely, for it was said that he who drove the devil out, might also drive him in. The owner of a horse you calmed might shake your hand then dance around the flames while they burned you in the village square. For secrets uttered softly into pricked and troubles ears, these men were known as Whisperers.

I had an aunt named 'abnormal Shauna' once. But she passed away in an unfortunate cliff-top interpretative dance and fireworks accident.

It was my grandfather’s island. Looming and bleak, folded in mist, guarded by a million screeching birds, it looked like some ancient fortress constructed by giants. As I gazed up at its sheer cliffs, tops disappearing in a reef of ghostly clouds, the idea that this was a magical place didn’t seem so ridiculous.

Their pull was undeniable, like fireworks on top of flaming bonfires.

I began to make plans for what my future might be—what once felt like a mad dash to the end of a cliff now felt like an interesting path in a beautiful wood that may or may not lead to the top of a mountain. And yes, the chances of my arrival at that destination were uncertain, but oh! What a mountain! And oh! What a view! And what a pleasure it was to keep moving forward.

Imagine, he wrote, a cliff where people keep falling off and dying. Instead of erecting a warning sign at the top of the cliff telling people not to approach, modern medicine just places ambulances at the bottom (Burkitt 1991).

For folks who have that casual-dude energy coursing through their bloodstream, that's great. But gays should not grow up alienated just for us to alienate each other. It's too predictable, like any other cycle of abuse. Plus, the conformist, competitive notion that by "toning down" we are "growing up" ultimately blunts the radical edge of what it is to be queer; it truncates our colorful journey of identity. Said another way, it's like living in West Hollywood and working a gay job by day and working it in the gay nightlife, wearing delicate shiny shirts picked from up the gay dry cleaners, yet coquettishly left unbuttoned to reveal the pec implants purchased from a gay surgeon and shown off by prancing around the gay-owned-and-operated theater hopped up on gay health clinic steroids and wheat grass purchased from the friendly gay boy who's new to the city, and impressed by the monstrous SUV purchased from a gay car dealership with its rainbow-striped bumper sticker that says "Celebrate Diversity." Then logging on to the local Gay.com listings and describing yourself as "straight-acting." Let me make myself clear. This is not a campaign for everyone to be like me. That'd be a total yawn. Instead, this narrative is about praise for the prancy boys. Granted, there's undecided gender-fucks, dagger dykes, faux-mos, po-mos, FTMs, fisting-top daddies, and lezzie looners who also need props for broadening the sexual spectrum, but they're telling their own stories. The Cliff's Notes of me and mine are this: the only moments I feel alive are when I'm just being myself - not some stiff-necked temp masquerading as normal in the workplace, not some insecure gay boy aspiring to be an overpumped circuit queen, not some comic book version of swank WeHo living. If that's considered a political act in the homogenized world of twenty-first century homosexuals, then so be it. — excerpt of "Praise For The Prancy Boys," by Clint Catalyst appears in first edition (ISBN # 1-932360-56-5)

I live completely without regret. Sure there are plenty of things that someone could second guess, but I see the path of life like driving down the road without a map. The thing is, some dark alleys open up in majestic places, and some bright and shiny highways to the top end in cliffs to the bottom. You never know until you get there. What I know for sure is that if many years ago I actually had a map to the path of life, the destination that I would have chosen is right here, with this family, in this place, and with these smiles. That makes anything that could have been regretful, the best decision in the world.

There’s a saying: ‘War is a long cliff.’ You can avoid the cliff completely, you can walk along the top for as long as you have the nerve, you can even choose to leap off, and if you only fall a short way before you hit a ledge you can always scramble back up again. Unless you’re just plain invaded, there are always choices, and even then, there’s usually something you’ve missed — a choice you didn’t make — that could have avoided invasion in the first place. You people still have your choices. There’s nothing inevitable about it.

His abrasive, over-the-top style had earned him a loyal fan base, despite—or perhaps because of—the many scandals that dogged him throughout his career. He was a tax cheat, a philanderer, a bigot, a bully . . . pretty much everything you might expect from a guy named Dumptruck.

He was on the edge of a cliff. And he wasn’t jumping, he was diving, a huge swan dive, like those famous cliff-top divers in some exotic place he’d seen on television once. Only they landed safely, bodies cutting into seawater like knife blades. And his dive was a killing one.

terror—that if he got too close to the edge, then something would take over, and he would find himself walking to the edge of a cliff top and then he would just step off into space. It was as if he could not entirely trust himself, and that scared Richard more than the simple fear of falling ever could.

Justin: I am falling so in love with you. Her body electrified. Celeste wiped her eyes and read his text again. The drone of the plane disappeared; the turbulence was no more. There was only Justin and his words. Justin: I lose myself and find myself at the same time with you. Justin: I need you, Celeste. I need you as part of my world, because for the first time, I am connected to someone in a way that has meaning. And truth. Maybe our distance has strengthened what I feel between us since we’re not grounded in habit or daily convenience. We have to fight for what we have. Justin: I don’t know if I can equate what I feel for you with anything else. Except maybe one thing, if this makes any sense. Justin: I go to this spot at Sunset Cliffs sometimes. It’s usually a place crowded with tourists, but certain times of year are quieter. I like it then. And there’s a high spot on the sandstone cliff, surrounded by this gorgeous ice plant, and it overlooks the most beautiful water view you’ve ever seen. I’m on top of the world there, it seems. Justin: And everything fits, you know? Life feels right. As though I could take on anything, do anything. And sometimes, when I’m feeling overcome with gratitude for the view and for what I have, I jump so that I remember to continue to be courageous because not every piece of life will feel so in place. Justin: It’s a twenty-foot drop, the water is only in the high fifties, and it’s a damn scary experience. But it’s a wonderful fear. One that I know I can get through and one that I want. Justin: That’s what it’s like with you. I am scared because you are so beyond anything I could have imagined. I become so much more with you beside me. That’s terrifying, by the way. But I will be brave because my fear only comes from finally having something deeply powerful to lose. That’s my connection with you. It would be a massive loss. Justin: And now I am in the car and about to see you, so don’t reply. I’m too flipping terrified to hear what you think of my rant. It’s hard not to pour my heart out once I start. If you think I’m out of mind, just wave your hands in horror when you spot the lovesick guy at the airport. Ten minutes went by. He had said not to reply, so she hadn’t. Justin: Let’s hope I don’t get pulled over for speeding… but I’m at a stoplight now. Justin: God, I hope you aren’t… aren’t… something bad. Celeste: Hey, Justin? Justin: I TOLD YOU NOT TO REPLY! Justin: I know, I know. But I’m happy you did because I lost it there for a minute. Celeste: HEY, JUSTIN? Justin: Sorry… Hey, Celeste? Celeste: I am, unequivocally and wholly falling in love with you, too. Justin: Now I’m definitely speeding. I will see you soon.

At its best, skiing distills life to one run at a time, a two-thousand foot burn from top-to-bottom--the world becomes a single mountainside-- your tracks behind you, your past, and the untracked snow ahead your future with the endless possibilities of trees, bumps, cliffs, and groomers. Each chairlift ride is resurrection.

The winning candidate, now the president elect, calls for rapid increase in use of fossil fuels, including coal; dismantling of regulations; rejection of help to developing countries that are seeking to move to sustainable energy; and in general, racing to the cliff as fast as possible. Trump has already taken steps to dismantle the Environmental Protection Agency (EPA) by placing in charge of the EPA transition a notorious (and proud) climate change denier, Myron Ebell. Trump's top adviser on energy, billionaire oil executive Harold Hamm, announced his expectations, which were predictable: dismantling regulations, tax cuts for the industry (and the wealthy and corporate sector generally), more fossil fuel production, lifting Obama's temporary block on the Dakota Access pipeline. The market reacted quickly. Shares in energy corporations boomed, including the world's largest coal miner, Peabody Energy, which had filed for bankruptcy, but after Trump's victory, registered a 50 percent gain.

He knew another place, a wood, And in it, tall as trees, were cliffs; And if he stood on one of these, 'Twould be among the tops of trees, Their upper branches round him wreathing, Their breathing mingled with his breathing. If-if he stood! Enough of ifs! He knew a path that wanted walking; He knew a spring that wanted drinking; A thought that wanted further thinking; A love that wanted re-renewing. Nor was this just a way of talking To save him the expense of doing. With him it boded action, deed.

CLIFF’S TOP KUROSAWA FILMS (tie) Seven Samurai and Ikiru Yojimbo Throne of Blood Stray Dog The Bad Sleep Well (for the opening scene alone)

Rose Cottage, which was perched on top of the cliff. With its dazzling whitewashed walls and rose bushes climbing up the veranda posts, the two-storey thatched roof cottage looked like a picture postcard.

I have the cliffs and the skerries and the birds. I have the white bill and the round bill and the peaked hill. I have the clear spring water and the rich good pasture that covers the tilted top of the island like a blanket. I have the old black cow and the sweet grass that grows between the rocks, I have my great chair and my sturdy house. I have my spinning wheel and I have the teapot and I have Pegi, and now, amazingly, I have John Ferguson too.

In mathematics, the truth is somewhere out there in a place no one knows, beyond all the beaten paths. And it's not always at the top of the mountain. It might be in a crack on the smoothest cliff or somewhere deep in the valley.

We crunched over the gravel in front of my house. It was dark and empty, my dad long gone on his way to Moab and the beckoning Book Cliffs. “Would you like to come in for a minute? You could check the house for bad guys, and I could make us something yummy to eat. I think I have ice cream in the freezer and I could make us some hot fudge topping to put on top?” I waggled my eyebrows at him in the dim interior of the truck, and he smiled a little. “Bad guys?” “Oh you know, I’m here all alone, the house is dark. Just look under the beds and make sure no one is hiding in my closet.” “Are you afraid to be alone at night?” His brows were lowered with concern over his black eyes. “Nope. I just wanted to give you a reason to come inside.” His expression cleared, and his voice lowered even further. “Aren’t you reason enough?” I felt the heat rise in my face. “Hmmm,” was all I said. “Josie.” “Yes?” “I would love to come in.

This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear. I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.

WE ALL DO IT, YOU know. Distract ourselves from noticing how time’s passing. We throw ourselves into our jobs. We focus on keeping the blight off our tomato plants. We fill up our gas tanks and top off our Metro cards and do the grocery shopping so that the weeks look the same on the surface. And then one day, you turn around, and your baby is a man. One day, you look in the mirror, and see gray hair. One day, you realize there is less of your life left than what you’ve already lived. And you think, How did this happen so fast? It was only yesterday when I was having my first legal drink, when I was diapering him, when I was young. When this realization hits, you start doing the math. How much time do I have left? How much can I fit into that small space? Some of us let this realization guide us, I guess. We book trips to Tibet, we learn how to sculpt, we skydive. We try to pretend it’s not almost over. But some of us just fill up our gas tanks and top off our Metro cards and do the grocery shopping, because if you only see the path that’s right ahead of you, you don’t obsess over when the cliff might drop off. Some of us never learn. And some of us learn earlier than others. —

Emerging, as we had, from the dark and gloomy bowels of the earth, the scene before us presented a view of wondrous beauty, and, while doubtless enhanced by contrast, it was nevertheless such an aspect as is seldom given to the eyes, of a Barsoomian of today to view. To me it seemed a little garden spot upon a dying world preserved from an ancient era when Barsoom was young and meteorological conditions were such as to favor the growth of vegetation that has since become extinct over practically the entire area of the planet. In this deep valley, surrounded by lofty cliffs, the atmosphere doubtless was considerably denser than upon the surface of the planet above. The sun's days were reflected by the lofty escarpment, which must also hold the heat during the colder periods of night, and, in addition to this, there was ample water for irrigation which nature might easily have achieved through percolation of the waters of the river through and beneath the top soil of the valley.

Watching her, I remembered a girl I'd known in school, a grind, Mildred Grossman. Mildred: with her moist hair and greasy spectacles, her strained fingers that dissected frogs and carried coffee to picket lines, her flat eyes that only turned toward the stars to estimate their chemical tonnage. Earth and air could not be more opposite than Mildred and Holly, yet in my head they acquired a Siamese twinship, and the thread of thought that had sewn them together ran like this: the average personality reshapes frequently, every few years even our bodies undergo a complete overhaul--desirable or not, it is a natural thing that we should change. All right, here were two people who never would. That is what Mildred Grossman had in common with Holly Golightly. They would never change because they'd been given their character too soon; which, like sudden riches, leads to a lack of proportion: the one had splurged herself into a top-heavy realist, the other a lopsided romantic. I imagined them in a restaurant of the future, Mildred still studying the menu for its nutritional values, Holly still gluttonous for everything on it. It would never be different. They would walk through life and out of it with the same determined step that took small notice of those cliffs at the left.

I think there is a reason they call it falling in love. It’s the moment, at the top of the roller coaster, when your heart hangs in your throat. It’s the time between when you jump from the cliff and when you hit the ocean. It’s the realization that there’s no ground beneath your feet when you miss a step on the ladder, when the branch of the tree breaks, when you roll over and run out of mattress. Here’s what they do not tell you about falling in love: there’s not always a soft landing beneath you. It’s called falling, because it’s bound to break you.

The veteran king sat down on the cliff-top. He wished good luck to the Geats who had shared his hearth and his gold. He was sad at heart, unsettled yet ready, sensing his death. His fate hovered near, unknowable but certain: it would soon claim his coffered soul, part life from limb

Stunning cliffs and stone walls, festooned with vines and moss, reach from the promenade to the top tier, which runs along Riverside Drive. Can parks be emotional? Feels that way, its beauty is haunting. I read Riverside Park inspired Edgar Allan Poe to write “The Raven.” Makes sense.

‘Paranoid’ went straight to number four in the British singles chart and got us on Top of the Pops – alongside Cliff Richard, of all people. The only problem was the album cover, which had been done before the name change and now didn’t make any sense at all. What did four pink blokes holding shields and waving swords have to do with paranoia? They were pink because that was supposed to be the colour of the war pigs. But without ‘War Pigs’ written on the front, they just looked like gay fencers. ‘They’re not gay fencers, Ozzy,’ Bill told me. ‘They’re paranoid gay fencers.’

But what sent his face clear down off his skull and broke him in two, though, was he said when he saw the Pam-shiny empty biscuit pan on top of the stove and the plastic rind of the peanut butter’s safety-seal wrap on top of the wastebasket’s tall pile. The little locket-picture in the back of his head swelled and became a sharp-focused scene of his wife and little girl and little unborn child eating what he now could see they must have eaten, last night and this morning, while he was out ingesting their groceries and rent. This was his cliff-edge, his personal intersection of choice, standing there loose-faced in the kitchen, running his finger around a shiny pan with not one little crumb of biscuit left in it. He sat down on the kitchen tile with his scary eyes shut tight but still seeing his little girl’s face. They’d ate some charity peanut butter on biscuits washed down with tapwater and a grimace.

At first it was not quite dark. I could see little trees growing out of the face of the cliff, and I grabbed at them with my hands as I went down. Several times I managed to catch hold of a branch, but it always broke off at once because I was so heavy and because I was falling so fast, and once I caught a thick branch with both hands and the tree leaned forward and I heard the snapping of the roots one by one until it came away from the cliff and I went on falling. Then it became darker because the sun and the day were in the fields far away at the top of the cliff, and as I fell I kept my eyes open and watched the darkness turn from grey-black to black, from black to jet black and from jet black to pure liquid blackness which I could touch with my hands but which I could not see. But I went on falling, and it was so black that there was nothing anywhere and it was not any use doing anything or caring or thinking because of the blackness and because of the falling.

Maya—goddess of confusion and misdirection—is back in the chair opposite me. “So who are the priests of all religions?” she asks me. “They are your shepherds,” I respond, “keeping the sheep in the fold, away from the cliffs.” I know this. I know that the religions with their promises of an afterlife form an interior layer of containment and that the eternal rewards and punishments they speak of are as finite as the one in which they speak. Bubbles within bubbles. Turtles on top of turtles. “And who are the saints and sages of the great spiritual traditions?” she asks. “They are your final level of containment. They are the weavers of the final web, masters of subtle misdirection; convincing because they are convinced. For every million that get near the edge, perhaps only one steps over.” She smiles. “And where do I dwell?” “In the heart,” I respond. “In fear.” “Fear of what?” she asks. “Fear of being haunted by meddlesome Hindu deities?” I ask, but she’s already gone.

And the bones fell to the ground, and other bones fell on top of them, and yet more bones, until there were whole hills and cliffs made of them. Death upon death upon death upon death. And two-legged animals dug up old bones and wondered at them. And then they died as well and lay there, like a rat in the sawdust, waiting to become old bones.

To say that Richard Mayhew was not very good at heights would be perfectly accurate, but would fail to give the full picture; it would be like describing the planet Jupiter as bigger than a duck. Richard hated cliff tops, and high buildings: somewhere not far inside him was the fear—the stark, utter, silently screaming terror—that if he got too close to the edge, then something would take over, and he would find himself walking to the edge of a cliff top and then he would just step off into space. It was as if he could not entirely trust himself, and that scared Richard more than the simple fear of falling ever could. So he called it vertigo, and hated it and himself, and kept away from high places.

Some of us let this realization guide us... We book trips to Tibet, we learn how to sculpt, we skydive. We try to pretend it's not almost over. But some of us just fill up our gas tanks and top off our Metro cards and do the grocery shopping, because if you only see the path that's right ahead of you, you don't obsess over when the cliff might drop off.

What? Am I to be a listener only all my days? Am I never to get my word in—I that have been so often bored by the Theseid of the ranting Cordus? Shall this one have spouted to me his comedies, and that one his love ditties, and I be unavenged? Shall I have no revenge on one who has taken up the whole day with an interminable Telephus or with an Orestes which, after filling the margin at the top of the roll and the back as well, hasn't even yet come to an end? No one knows his own house so well as I know the groves of Mars, and the cave of Vulcan near the cliffs of Aeolus. What the winds are brewing; whose souls Aeacus has on the rack; from what country another worthy is carrying off that stolen golden fleece; how big are the ash trees which Monychus hurls as missiles: these are the themes with which Fronto's plane trees and marble halls are for ever ringing until the pillars quiver and quake under the continual recitations; such is the kind of stuff you may look for from every poet, greatest or least. Well, I too have slipped my hand from under the cane; I too have counselled Sulla to retire from public life and take a deep sleep; it is a foolish clemency when you jostle against poets at every corner, to spare paper that will be wasted anyhow. But if you can give me time, and will listen quietly to reason, I will tell you why I prefer to run in the same course over which Lucilius, the great nursling of Aurunca drove his horses.

The boats bumped against the side of the ship, the sailors and passengers shouted lustily, and somewhere a child, as if crushed to death, choked itself with screaming. The damp wind blew through the doors, and outside on the sea, from a reeling boat which showed the flag of the Hotel Royal, a fellow with guttural French exaggeration yelled unceasingly : '* Rrroy-al ! Hotel Rrroy-al ! " intending to lure passengers aboard his craft. Then the Gentleman from San Francisco, feeling, as he ought to have felt, quite an old man, thought with anguish and spite of all these " Royals," " Splendids,' 1 " Excelsiors," and of these greedy, good-for-nothing, garlic-stinking fellows called Italians. Once, during a halt, on opening his eyes and rising from the sofa he saw under the rocky cliff-curtain of the coast a heap of such miserable stone hovels, all musty and mouldy, stuck on top of one another by the very water, among the boats, and the rags of all sorts, tin cans and brown fishing-nets, and,remembering that this was the very Italy he had come to enjoy, he was seized with despair. . .

That was always a thing with you. When you were younger, you were fascinated by the physical act, the bones of it, the viscera. You asked questions: Would it hurt? For how long? What did it feel like to hit water from a height? Would you feel yourself break? You thought less, I think, about the rest of it: about what it took to get someone to the top of the cliff or the edge of the beach, and to propel them to keep moving.

Their faces showed beautiful smiles boasting magnificent teeth. Their skin gleamed in the perfect lighting. Even their scarred flesh seemed to hold its own intricate designs, as crazy as it seemed. Luscious curves still decorated their hips and the swell between their legs. They were striking and endearing like a tribe of taunting sirens on top of a cliff in the middle of the sea. I gazed at them for longer than I should have…

As they approached the firelight, Starflight’s dread grew heavier and heavier. Loud dragon voices spilled from the cave, along with a column of smoke that rose from a hole in the stone wall. “What if someone’s on watch?” Starflight whispered when they were a few lengths away. They all froze. Starflight searched the darkness around them with his eyes, trying to move as little as possible. Lightning flashed, and Starflight’s heart seized up. Perched on a cliff top above them was a dragon with enormous wings, staring out to sea. “There,” he whispered. Surely he could see them? Why hadn’t he called out to warn the other soldiers yet? Starflight squinted at the shape, at the rise and fall of its shoulders and the curve of its neck, and he realized that the guard was asleep — despite the rain pouring down on him, despite the booming thunder, despite his whole job being to stay awake.

Sounds like Luke’s problem was feeling entitled to the good times. Romance doesn’t work like that. You don’t fall in love and just keep falling. You fall, and when the ground catches up, you pull yourselves together, climb back to the top of the cliff, and fall again. You do that over and over until you die. I’m not saying hitting the ground doesn’t hurt. Not saying that it’s an easy climb to the top. I’m saying that it’s worth it to jump again.

Love is like the sun on a hot summer's day, this burning ball of light that is too bright to look at. It's standing on top of the cliffs in fifty-mile-an-hour winds, the force and power of the wind is so strong it can knock you off your feet, it makes you feel like you can't breathe, but as you stand there with your arms outstretched, felling its strength as it roars past you , it makes you feel so alive. You, my friend, have that look that you're about to be knocked off your feet.

His eyes spark as his gaze dips to my cleavage, and this gives me courage. I shift forward and slip my hands under his shirt, brushing my fingers against the muscles of his abdomen. Noah sharply inhales and, in seconds, his shirt is off and thrown into the corner of the tent. I love his naked chest, and I decide to play. Biting my bottom lip, hoping to contain the smile, I nudge Noah’s shoulder, indicating for him to lie down. He flashes his wicked grin and reclines back, except he snags his hand around my wrist and tugs me with him. I laugh as I come face-to-face with him. My body on top of his and when I wiggle, I close my eyes, liking the pleasure of intimate parts touching. My hips squirm and with the movement, Noah immediately kisses my lips while knotting his fingers in my hair. There’s no subtlety in our kiss. All of the passion, all of the longing, all of the emotion rush out of us like water hurtling toward a cliff. It’s fast and raw and out of control.

Bill and Fleur’s cottage stood alone on a cliff overlooking the sea, its walls embedded with shells and whitewashed. It was a lonely and beautiful place. Wherever Harry went inside the tiny cottage or its garden, he could hear the constant ebb and flow of the sea, like the breathing of some great, slumbering creature. He spent much of the next few days making excuses to escape the crowded cottage, craving the cliff-top view of open sky and wide, empty sea, and the feel of cold, salty wind on his face.

What's going on? I'm in the back car of a roller coaster at the top of the climb, with the front rows already giving themselves over to gravity. I can hear those front riders screaming and know my own scream is only seconds away. I'm at the moment you hear the landing gear of a plane grind loudly into place, in that instant before your rational mind tells you it's just the landing gear. I'm leaping off a cliff only to discover I can fly... and then realizing there's nowhere to land. Ever. That's what's going on.

Normality is like a home to us and everyday life a mother. After a long incursion into great poetry, into the mountains of sublime aspiration, the cliffs of the transcendent and the occult, it is the sweetest thing, savouring of all that is warm in life, to return to the inn where the happy fools laugh and joke, to join with them in their drinking, as foolish as they are, just as God made us, content with the universe that was given us, and to leave the rest to those who climb mountains and do nothing when they reach the top.

The wooden woman had four arms, each outstretched in a different direction, pointing with authority. On the inside of her easterly arm, pointing backward in the direction September had come, someone had carved in deep, elegant letters: TO LOSE YOUR WAY On the northerly arm, pointing up tp the tops of the cliffs, it said: TO LOSE YOUR LIFE On the southerly arm, pointing out to sea, it said: TO LOSE YOUR MIND And on the westerly arm, pointing up to a little headland and a dwindling of the golden beach, it said: TO LOSE YOUR HEART

Ithink there is a reason they call it falling in love. It’s the moment, at the top of the roller coaster, when your heart hangs in your throat. It’s the time between when you jump from the cliff and when you hit the ocean. It’s the realization that there’s no ground beneath your feet when you miss a step on the ladder, when the branch of the tree breaks, when you roll over and run out of mattress. Here’s what they do not tell you about falling in love: there’s not always a soft landing beneath you. It’s called falling, because it’s bound to break you.

Her. Her. Her. Future breezes implore me to stay. But I'm no future. I'm no past. Only ever contemporary of this path. I'll sacrifice everything for all her seasons give from losing. She, I sigh from The Mountain top. By her now. My only role. And for that freedom, spread my polar chill, reaching even the warmest times, a warning upon the back of every life that would by harming Hailey's play, ever wayward around this vegetative rush of orbit & twine, awaken among these cascading cliffs of bellicose ice me. And my Vengeance. At once. The Justice of my awful loss set free upon this crowded land. An old terror violent for the glee of ends. But to those who would tend her, harrowed by such Beauty & Fleeting Presence to do more, my cool cries will kiss their gentle foreheads and my tears will kiss their tender cheeks, and then if the Love of their Kindness, which only Kindness ever finds, spills my ear, for a while I might slip down and play amidst her canopies of gold. Solitude. Hailey's bare feet. And all her patience now assumes. Garland of Spring's Sacred Bloom. By you, ever sixteen, this World's preserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so dangerously resumes. I'll destroy no World so long it keeps turning with flurry & gush, petals & stems bending and lush, and allways our hushes returning anew. Everyone betrays the Dream but who cares for it? O Hailey no, I could never walk away from you. - Haloes! Haleskarth! Contraband! I can walk away from anything. Everyone loves the Dream but I kill it. Bald Eagles soar over me: —Reveille Rebel! I jump free this weel. On fire. Blaze a breeze. I'll devastate the World. \\ Samsara! Samarra! Grand! I can walk away from anything. Everyone loves the Dream but I kill it. Atlas Mountain Cedars gush over me: —Up Boogaloo! I leap free this spring. On fire. How my hair curls. I'll destroy the World. - Him. Him. Him. Future winds imploring me to stay. But I'm no tomorrow. I'm no yesterday. Only ever contemporary of this way. I will sacrifice everything for all his seasons miss of soaring. He, I sigh from The Mountain top. By him now. My only role. And for that freedom, spread my polar chill, reaching even the warmest climes, a warning upon the back of every life that would by harming Sam's play, ever wayward around this animal streak of orbit & wind, awaken among these cataracts of belligerent ice me. And my Justice. At once. The Vengeance of my awful loss set free upon this crowded land. An old terror violent for the delirium of ends. But to those who would protect him, frightened by such Beauty & Savage Presence to do more, my cool cries will kiss their tender foreheads and my tears will kiss their gentle cheeks, and then if the Kindness of their Love, which only Loving ever binds, spills my ear, for a while I might slip down and play among his foals so green. My barrenness. Sam's solitude. And all his patience now presumes. Luster of Spring's Sacred Brood. By you, ever sixteen, this World's reserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so terrifyingly elects. I'll destroy no World so long it keeps turning with scurry & blush, fledgling & charms beading with dews, and allways our rush returning renewed. Everyone betrays the Dream but who cares for it? O Sam no, I could never walk away from you.

His beautiful silver hair had turned snow white over the course of just a few days following Chubb's death, and in a way this made him seem younger: made him seem to fit the white caliche landscape even better, and blend in. His skin was turning whiter, too, even after he had been out in the sun, It was beautiful, watching him get old-ancient-now that I had realized he too was going to die. This time I could understand it. It was like watching some graceful diver plunge in slow motion-the slowest-from the top of an improbably high cliff, down to the cool river below.

WE ALL DO IT, YOU know. Distract ourselves from noticing how time’s passing. We throw ourselves into our jobs. We focus on keeping the blight off our tomato plants. We fill up our gas tanks and top off our Metro cards and do the grocery shopping so that the weeks look the same on the surface. And then one day, you turn around, and your baby is a man. One day, you look in the mirror, and see gray hair. One day, you realize there is less of your life left than what you’ve already lived. And you think, How did this happen so fast? It was only yesterday when I was having my first legal drink, when I was diapering him, when I was young. When this realization hits, you start doing the math. How much time do I have left? How much can I fit into that small space? Some of us let this realization guide us, I guess. We book trips to Tibet, we learn how to sculpt, we skydive. We try to pretend it’s not almost over. But some of us just fill up our gas tanks and top off our Metro cards and do the grocery shopping, because if you only see the path that’s right ahead of you, you don’t obsess over when the cliff might drop off. Some of us never learn. And some of us learn earlier than others.

Rhys said, “This is what Velaris is known for: the artists’ quarter. You’ll find a hundred galleries, supply stores, potters’ compounds, sculpture gardens, and anything in between. They call it the Rainbow of Velaris. The performing artists—the musicians, the dancers, the actors—dwell on that hill right across the Sidra. You see the bit of gold glinting near the top? That’s one of the main theaters. There are five notable ones in the city, but that’s the most famous. And then there are the smaller theaters, and the amphitheater on the sea cliffs … ” He trailed off as he noticed my gaze drifting back to the assortment of bright buildings ahead.

Those countries in Europe which are still influenced by priests, are exactly the countries where there is still singing and dancing and coloured dresses and art in the open-air. Catholic doctrine and discipline may be walls; but they are the walls of a playground. Christianity is the only frame which has preserved the pleasure of Paganism. We might fancy some children playing on the flat grassy top of some tall island in the sea. So long as there was a wall round the cliff's edge they could fling themselves into every frantic game and make the place the noisiest of nurseries. But the walls were knocked down, leaving the naked peril of the precipice. They did not fall over; but when their friends returned to them they were all huddled in terror in the centre of the island; and their song had ceased.

Man tends to regard the order he lives in as natural. The houses he passes on his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the har­monious functioning of the world. The clothes he wears are exactly what they should be, and he laughs at the idea that he might equally well be wearing a Roman toga or medieval armor. He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and chil­dren play, and start catching passers-by with his lasso. He is accustomed to satisfying those of his physio­logical needs which are considered private as dis­creetly as possible, without realizing that such a pattern of behavior is not common to all human so­cieties. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff. His first stroll along a street littered with glass from bomb-shattered windows shakes his faith in the "naturalness" of his world. The wind scatters papers from hastily evacuated offices, papers labeled "Con­fidential" or "Top Secret" that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no one does, for each man is more urgently concerned with finding a loaf of bread. Strangely enough, the world goes on even though the offices and secret files have lost all meaning. Farther down the street, he stops before a house split in half by a bomb, the privacy of people's homes-the family smells, the warmth of the beehive life, the furniture preserving the memory of loves and hatreds-cut open to public view. The house itself, no longer a rock, but a scaffolding of plaster, concrete, and brick; and on the third floor, a solitary white bath­ tub, rain-rinsed of all recollection of those who once bathed in it. Its formerly influential and respected owners, now destitute, walk the fields in search of stray potatoes. Thus overnight money loses its value and becomes a meaningless mass of printed paper. His walk takes him past a little boy poking a stick into a heap of smoking ruins and whistling a song about the great leader who will preserve the nation against all enemies. The song remains, but the leader of yesterday is already part of an extinct past.

She can’t die, and not just because there’s a chance I won’t survive. She can’t die because I know I can’t live without her even if I do. Somewhere between the shock of our attraction at the top of that turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I’ve allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing, I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren’s treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell.

I don't want revenge, Mandalay, I want Dwayne to be stopped. If he's not, somebody else will suffer like I am, like my parents and little brother are. And . . . " "And what?" "I think I'm the one who's supposed to stop him. It has to be me because I've killed people before. It won't change my song like it would my daddy's, or Aiden's, or Terry Joe's." "So you remembered what happened to you, then?" "No. I know what happened, and that's enough. If I remembered what happened, then the next time I tried to do it, it'd get all tangled up with those memories." She recalled the cliff-top conversation with Bliss. "The night wind's been preparing me for this, Mandalay. There's a need out there, and I can fill it. But it'll be on my terms." "And what're those?" Bronwyn smiled coldly. "Whatever I say they are." "And how's that different from how you used to be? The Bronwynator, doing whatever she wants?" "Maybe the 'how' ain't any different. But the 'why' is. You and the First Daughters wanted me back, didn't you? Now you've got me. And if it means you got the hum you wanted but the shiver's different, well, that's tough.

She can’t die, and not just because there’s a chance I won’t survive. She can’t die because I know I can’t live without her even if I do. Somewhere between the shock of our attraction at the top of that turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I’ve allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing, I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren’s treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell. We hadn’t even kissed, and I fell.

Ahmity reached out and created a ball of light in his hand sending it down past Jack and into the cave. He called out to Jack, “It will move as you command.” Jack frowned feeling a bit ridiculous talking to a ball of light and said, “Go three feet inside the cave and hover.” The ball floated quickly to the cave entrance and past the rushing water to hover just inside the cave entrance. “Move further in another 5 feet.” There was a large shadow to the right. “Move right 10 feet.” Jack commanded and the ball floated into a side tunnel and disappeared. Jack said, “Return to Ahmity.” The ball slowly accompanied Jack back up the cliff. When he reached the top Ahmity helped him up over the edge and waited for his report. Jack wiped the sweat from his forehead and said, “I could see a tunnel in the side of the cave about 10 feet inside the entrance. It’s large enough for the trolls pass through.” Ahmity shook his head and said, “If the trolls traveled back to the Netherworld from here then it’s possible the beasts escaped the same way.” Jack sighed and glanced back at the school then said, “Well there’s no way to know for sure unless we take a short trip down a black hole.” Coming soon--Vengeance's Fire

I look back now and can see how much my father also found his own freedom in the adventures we did together, whether it was galloping along a beach in the Isle of Wight with me behind him, or climbing on the steep hills and cliffs around the island’s coast. It was at times like these that I found a real intimacy with him. It was also where I learned to recognize that tightening sensation, deep in the pit of my stomach, as being a great thing to follow in life. Some call it fear. I remember the joy of climbing with him in the wintertime. It was always an adventure and often turned into much more than just a climb. Dad would determine that not only did we have to climb a sheer hundred-and-fifty-foot chalk cliff, but also that German paratroopers held the high ground. We therefore had to climb the cliff silently and unseen, and then grenade the German fire position once at the summit. In reality this meant lobbing clumps of manure toward a deserted bench on the cliff tops. Brilliant. What a great way to spend a wet and windy winter’s day when you are age eight (or twenty-eight, for that matter). I loved returning from the cliff climbs totally caked in mud, out of breath, having scared ourselves a little. I learned to love that feeling of the wind and rain blowing hard on my face. It made me feel like a man, when in reality I was a little boy. We also used to talk about Mount Everest, as we walked across the fields toward the cliffs. I loved to pretend that some of our climbs were on the summit face of Everest itself. We would move together cautiously across the white chalk faces, imagining they were really ice. I had this utter confidence that I could climb Everest if he were beside me. I had no idea what Everest would really involve but I loved the dream together. These were powerful, magical times. Bonding. Intimate. Fun. And I miss them a lot even today. How good it would feel to get the chance to do that with him just once more. I think that is why I find it often so emotional taking my own boys hiking or climbing nowadays. Mountains create powerful bonds between people. It is their great appeal to me. But it wasn’t just climbing. Dad and I would often go to the local stables and hire a couple of horses for a tenner and go jumping the breakwaters along the beach. Every time I fell off in the wet sand and was on the verge of bursting into tears, Dad would applaud me and say that I was slowly becoming a horseman. In other words, you can’t become a decent horseman until you fall off and get up again a good number of times. There’s life in a nutshell.

Peter Navarro never hid his antagonism toward me. He stopped me one day in the Eisenhower Executive Office Building, where we were tested routinely for COVID, and again blasted my failure to encourage people to take hydroxychloroquine, the lack of which he said was causing people to die. He would not let it go. Perhaps he just had a thing about me. To give him the benefit of the doubt, I arranged with Cliff Lane to have Navarro present via Zoom his case on hydroxychloroquine’s effectiveness to the entire NIH guidelines panel cochaired by Cliff in early August. This group was thirty-five of the top experts in infectious disease, public health, and epidemiology from all over the country. Navarro made his presentation, and uniformly they politely said, “Mr. Navarro, there’s nothing there. These are anecdotes, and all the evidence indicates hydroxychloroquine doesn’t work and can even cause harm.” Navarro’s answer was that he valued his reading of the existing medical literature on hydroxychloroquine as much as or more than theirs. “If I am wrong, no one is harmed. If you are wrong, thousands of people die.” The truth was the exact opposite. By that time, the FDA, which had given hydroxychloroquine emergency approval early in the pandemic, had revoked it on June 15, after it was found to cause heart problems and even death, not to mention proving ineffective against COVID. I had given Navarro one last chance, but he still could not accept reality.

The concept of product/ market fit originates in Marc Andreessen’s seminal blog post “The Only Thing That Matters.” In his essay, Andreessen argues that the most important factor in successful start-ups is the combination of market and product. His definition couldn’t be simpler: “Product/ market fit means being in a good market with a product that can satisfy that market.” Without product/ market fit, it’s impossible to grow a start-up into a successful business. As Andreessen notes, You see a surprising number of really well-run start-ups that have all aspects of operations completely buttoned down, HR policies in place, great sales model, thoroughly thought-through marketing plan, great interview processes, outstanding catered food, 30" monitors for all the programmers, top tier VCs on the board—heading straight off a cliff due to not ever finding product/ market fit. Unfortunately, it’s far easier to define product/ market fit than it is to establish it! When you start a new company, the key product/ market fit question you need to answer is whether you have discovered a nonobvious market opportunity where you have a unique advantage or approach, and one that competing players won’t see until you’ve had a chance to build a healthy lead. It’s usually difficult to find such an opportunity in a “hot” space; if an opportunity is obvious to everyone, the chance that you’ll be the one who succeeds is exceedingly low. Most nonobvious opportunities arise from a change in the market that the incumbents aren’t willing or able to adapt to.

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

Lucy,” came the call again, neither her father’s voice nor Peter’s. She sat up, trembling with excitement but not with fear. The moon was so bright that the whole forest landscape around her was almost as clear as day, though it looked wilder. Behind her was the fir wood; away to her right the jagged cliff-tops on the far side of the gorge; straight ahead, open grass to where a glade of trees began about a bow-shot away. Lucy looked very hard at the trees of that glade. “Why, I do believe they’re moving,” she said to herself. “They’re walking about.” She got up, her heart beating wildly, and walked toward them. There was certainly a noise in the glade, a noise such as trees make in a high wind, though there was no wind tonight. Yet it was not exactly an ordinary tree-noise either. Lucy felt there was a tune in it, but she could not catch the tune any more than she had been able to catch the words when the trees had so nearly talked to her the night before. But there was, at least, a lilt; she felt her own feet wanting to dance as she got nearer. And now there was no doubt that the trees were really moving—moving in and out through one another as if in a complicated country dance. (“And I suppose,” thought Lucy, “when trees dance, it must be a very, very country dance indeed.”) She was almost among them now. The first tree she looked at seemed at first glance to be not a tree at all but a huge man with a shaggy beard and great bushes of hair. She was not frightened: she had seen such things before. But when she looked again he was only a tree, though he was still moving. You couldn’t see whether he had feet or roots, of course, because when trees move they don’t walk on the surface of the earth; they wade in it as we do in water. The same thing happened with every tree she looked at. At one moment they seemed to be the friendly, lovely giant and giantess forms which the tree-people put on when some good magic has called them into full life: next moment they all looked like trees again. But when they looked like trees, it was like strangely human trees, and when they looked like people, it was like strangely branchy and leafy people—and all the time that strange lilting, rustling, cool, merry noise. “They are almost awake, not quite,” said Lucy. She knew she herself was wide awake, wider than anyone usually is.

Olive,’ Mum said, stroking my fringe. ‘I need you to listen to me, and I need you to be brave.’ Opening my eyes again, I swallowed nervously. ‘What’s happened?’ ‘Your sister didn’t arrive at work today.’ Sukie was a typist for an insurance company in Clerkenwell. She said it was the dullest job ever. ‘Isn’t today Saturday, though?’ I asked. ‘She was due in to do overtime. No one’s seen her since she was with you and Cliff last night. She’s missing.’ ‘Missing?’ I didn’t understand. Mum nodded. The nurse added rather unhelpfully: ‘We’ve had casualties from all over London. It’s been chaos. All you can do is keep hoping for the best.’ It was obvious what she meant. I glanced at Mum, who always took the opposite view in any argument. But she stayed silent. Her hands, though, were trembling. ‘Missing isn’t the same as dead,’ I pointed out. Mum grimaced. ‘That’s true, and I’ve spoken to the War Office: Sukie’s name isn’t on their list of dead or injured but-’ ‘So she’s alive, then. She must be. I saw her in the street talking to a man,’ I said. ‘When she realised I’d followed her she was really furious about it.’ Mum looked at me, at the nurse, at the bump on my head. ‘Darling, you’re concussed. Don’t get overexcited now.’ ‘But you can’t think she’s dead.’ I insisted. ‘There’s no proof, is ther?’ ‘Sometimes it’s difficult to identify someone after…’ Mum faltered. I knew what she couldn’t say: sometimes if a body got blown apart there’d be nothing left to tie a name tag to. It was why we’d never buried Dad. Perhaps if there’d been a coffin and a headstone and a vicar saying nice things, it would’ve seemed more real. This felt different, though. After a big air raid the telephones were often down, letters got delayed, roads blocked. It might be a day or two before we heard from Sukie, and worried though I was, I knew she could look after herself. I wondered if it was part of Mum being ill, this painting the world black when it was grey. My head was hurting again so I lay back against the pillows. I was fed up with this stupid, horrid war. Eighteen months ago when it started, everyone said it’d be over before Christmas, but they were wrong. It was still going on, tearing great holes in people’s lives. We’d already lost Dad, and half the time these days it felt like Mum wasn’t quite here. And now Sukie – who knew where she was? I didn’t realise I was crying again until Mum touched my cheek. ‘It’s not fair,’ I said weakly. ‘War isn’t fair, I’m afraid,’ Mum replied. ‘You only have to walk through this hospital to see we’re not the only ones suffering. Though that’s just the top of the iceberg, believe me. There’s plenty worse going on in Europe.’ I remembered Sukie mentioning this too. She’d got really upset when she told me about the awful things happening to people Hitler didn’t like. She was in the kitchen chopping onions at the time so I wasn’t aware she was crying properly. ‘What sort of awful things?’ I’d asked her. ‘Food shortages, people being driven from their homes.’ Sukie took a deep breath, as if the list was really long. ‘People being attacked for no reason or sent no one knows where – Jewish people in particular. They’re made to wear yellow stars so everyone knows they’re Jews, and then barred from shops and schools and even parts of the towns where they live. It’s heartbreaking to think we can’t do anything about it.’ People threatened by soldiers. People queuing for food with stars on their coats. It was what I’d seen on last night’s newsreel at the cinema. My murky brain could just about remember those dismal scenes, and it made me even more angry. How I hated this lousy war. I didn’t know what I could do about it, a thirteen-year-old girl with a bump on her head. Yet thinking there might be something made me feel a tiny bit better.

At the end of the lane Elizabeth put down her side of the trunk and sank down wearily beside Lucinda upon its hard top, emotionally exhausted. A wayward chuckle bubbled up inside her, brought on by exhaustion, fright, defeat, and the last remnants of triumph over having gotten just a little of her own back from the man who’d ruined her life. The only possible explanation for Ian Thornton’s behavior today was that he was a complete madman. With a shake of her head Elizabeth made herself stop thinking of him. At the moment she had so many new worries she hardly knew how to begin to cope. She glanced sideways at her stalwart duenna, and an amused smile touched her lips as she recalled Lucinda’s actions at the cottage. On the one hand, Lucinda rejected all emotional displays as totally unseemly-yet at the same time she herself was possessed of the most formidable temper Elizabeth had ever witnessed. It was as if Lucinda did not regard her own outbursts of ire as emotional. Without the slightest hesitation or regret Lucinda could verbally flay a wrongdoer into small, bite-sized pieces and then mentally stamp him into the ground and grind him beneath the heel of her sturdy shoe. On the other hand, were Elizabeth to exhibit the smallest bit of fear right now over their daunting predicament, Lucinda would instantly stiffen up with disapproval and deliver one of her sharp reprimands. Cognizant of that, Elizabeth glanced worriedly at the sky, where black clouds were rolling in, heralding a storm; but when she spoke she sounded deliberately and absurdly bland. “I believe it’s starting to rain, Lucinda,” she remarked while cold drizzle began to slap the leaves of the tree over their heads. “So it would seem,” said Lucinda. She opened her umbrella with a smart snap, holding it over them both. “It’s fortunate you have your umbrella.” “We aren’t likely to drown from a little rain.” “I shouldn’t think so.” Elizabeth drew a steadying breath, looking around at the harsh Scottish cliffs. In the tone of one asking someone’s opinion on a rhetorical question, Elizabeth said, “Do you suppose there are wolves out here?” “I believe,” Lucinda replied, “they probably constitute a larger threat to our health at present than the rain.” The sun was setting, and the early spring air had a sharp bite in it; Elizabeth was almost positive they’d be freezing by nightfall. “It’s a bit chilly.” “Rather.” “We have warmer clothes in the trunks, though.” “I daresay we won’t be too uncomfortable, in that case.” Elizabeth’s wayward sense of humor chose that unlikely moment to assert itself. “No, we shall be snug as can be while the wolves gather around us.” “Quite.” Hysteria, hunger, and exhaustion-combined with Lucinda’s unswerving calm and her earlier unprecedented entry into the cottage with umbrella flailing-were making Elizabeth almost giddy. “Of course, if the wolves realize how hungry we are, there’s every change they’ll give us a wide berth.” “A cheering possibility.” “We’ll build a fire,” Elizabeth said, her lips twitching. “That will keep them at bay, I believe.” When Lucinda remained silent for several moments, occupied with her own thoughts, Elizabeth confided with an odd surge of happiness. “Do you know something, Lucinda? I don’t think I would have missed today for anything.” Lucinda’s thin gray brows shot up, and she cast a dubious sideways glance at Elizabeth. “I realize that must sound extremely peculiar, but can you imagine how absolutely exhilarating it was to have that man at the point of a gun for just a few minutes? Do you find that-odd?” Elizabeth asked when Lucinda stared straight ahead in angry, thoughtful silence. “What I find off,” she said in a tone of frosty disapproval mingled with surprise, “is that you evoke such animosity in that man.” “I think he’s quite demented.” “I would have said embittered.” “About what?” “That is an interesting question.

He could mentally picture, in great detail, some of the grand, intricately detailed pastries and cakes Lani had constructed at Gateau. Her inspired creations had drawn raves. She hadn't been a Beard nominee during her first year of eligibility for nothing. She'd worked tirelessly to perfect even the tiniest detail, not because the client- or an awards committee- would have noticed, but because it mattered to her that each effort be her best. In fact, it was her work ethic and dedication that had first caught his attention. She wasn't a grandstander, like most with her natural ability, behaving in whatever manner it took to stick out and be noticed. She let her work speak for her. And speak it did. It fairly shouted, in fact. Once he'd noticed, he couldn't help being further captivated by how different her demeanor was from most budding chefs. Bravado, with a healthy dose of self-confidence bordering on arrogance, was a trademark of the profession. Some would say it was a requirement. Leilani's quiet charm, and what he'd come to describe as her relentless calm and ruthless optimism had made an indelible mark on him. She wasn't like any baker he'd ever met, much less any top-notch chef. She cared, she labored- hard- and she lived, breathed, ate, and slept food, as any great chef did. But she was never frantic, never obsessed, never... overwrought, as most great chefs were. That teetering-off-the-cliff verve was the atmosphere he'd lived in, thrived on, almost his entire life. Leilani had that same core passion in spades, but it resided in a special place inside her. She simply allowed it to flow outward, like a quietly rippling stream, steady and true. As even the gentlest flowing stream could wear away the sturdiest stone, so had Leilani worn down any resistance he'd tried to build up against her steady charm... and she'd done it without even trying.

Slightly out of breath, I reach the top and wait for the others. I take satisfaction in the shocked looks directed my way as each delegate climbs over the cliff edge. The yellow head of Rhone comes into sight as he reaches the top, a ghost of a smile lingers on his sharply featured face as he looks at me. I suppose the hand on my shoulder belonged to him. Lucky I did not attempt to throw him over the side. I would have lost.

the ridge of fine blond hairs above the coccyx. A puff of breeze came off the sea. The tiny field of hairs bent gently. The dragon-fly darted nervously sideways and hung above the man’s left shoulder, looking down. The young grass below the man’s open mouth stirred. A large drop of sweat rolled down the side of the fleshy nose and dropped glittering into the grass. That was enough. The dragon-fly flashed away through the roses and over the jagged glass on top of the high garden wall. It might be good food, but it moved. The garden in which the man lay was about an acre of well-kept lawn surrounded on three sides by thickly banked rose bushes from which came the steady murmur of bees. Behind the drowsy noise of the bees the sea boomed softly at the bottom of the cliff at the end of the garden. There was no view of the sea from the garden –no view of anything except of the sky and the clouds above the twelve-foot wall. In fact you could only see out of the property from the two upstairs bedrooms of the villa that formed the fourth side of this very

Love is a language to be learned, a musical instrument to be practiced, a mountain to be climbed via some steep and tricky cliff paths but with the most amazing view from the top. It is one of the things that will last; one of the traits of character which provides a genuine anticipation of that complete humanness we are promised at the end. And it is one of the things, therefore, which can be anticipated in the present on the basis of the future goal, the telos, which is already given in Jesus Christ. It is part of the future which can be drawn down into the present.

They came in two teams, leapfrogging out of the city, Isaacs and Ireland in a plain Toyota van and Shapiro and Littell in a four-wheel-drive Subaru. Greg Isaacs got out of the lead car about twenty-five yards from the big gate and immediately started through the thick woods up the mountain. At thirty-eight he was in the best physical shape of the four CIA legmen, so he’d been volunteered for this part of the mission. The others waited on the main road, one car well above the gate, the other retreating to the highway at the bottom of the valley about four miles away. Isaacs carried a powerful pair of binoculars, a sound amplifier with a small parabolic pickup dish, and a walkie-talkie. The first hundred yards were relatively easy, but then the slope sharply steepened, and until he finally made it to the crest of the defile Isaacs wasn’t sure he could do it without mountain-climbing equipment. At the top he found himself at one end of a long ledge, the mountains rising in the back and a sheer cliff plunging five or six hundred feet in the front. A big house was perched at the edge of the dropoff about two hundred yards away. Isaacs raised his binoculars and saw McGarvey seated with another man on a veranda. Isaacs keyed his walkie-talkie. “I have him.

It’s a bridal veil waterfall. Folks come to cliff jump from the shorter waterfall beside it. I prefer a climb alongside to the top of the taller one. There are no trails to the top. I’ll be with you the whole way.” Her hand warmed in his. “I’ll catch you.” “But kiwis don’t fly,” Charlotte said. He laughed lightly with her reference to New Zealand’s iconic flightless bird…and the name they adopted for themselves. There was her sweetness. “You’re well read. Nope, but I have mad skills.

I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.

She stood at the top of the cliff tops looking out onto the massive expanse of sea before her and wondered what had happened to him? She sniffed the air as if she could smell his sprit on the breeze;

Cliffs Shop is a renowned provider of top-quality printing and embroidery services, catering to a diverse range of needs. With an extensive inventory of products, including workwear, school wear, medals, trophies, equipment, sportswear, casual wear, jackets, hoodies, and other merchandise, we are committed to meeting all your customization requirements.

I would let her drop me off the side of a cliff, quite frankly, if it meant I could be held by her as she carried me to the top. As long as I’d be dead by the time she walked away.

It began raining harder and my thoughts drifted towards the waterfall from the night before. I wondered if the water might work itself into a frenzy around me and drag me down the cliff with it. Flash floods were common in this type of landscape; they came every time it rained. It kept coming down, harder and harder. I cozied up closer to the frigid rock and buried myself deeper in my tank top. By this point, the rain was building into streams and flowing off the rocks around me. I sat there in the fetal position, wondering if the rain was going to sweep me from my feeble perch and down into the dark abyss.

He glanced at me as I started running at his side and I cast furtive looks at him beneath my lashes from time to time as I continued along our route. Students walked the paths, ensuring we were never actually alone for more than a moment or two but we weren’t really with anyone else either. So far, the stars didn’t seem to mind. We kept running all the way through The Wailing Wood to Aer Tower and beyond until we reached the crossroads where the path we usually took headed back towards The Orb and a narrow track led up to the fields which ran along the cliffs above Aer Cove. I hesitated at the crossroads, glancing at Darius for a moment as the damn butterflies made a return to my stomach before taking the narrow path up onto the cliff top. The path was empty with no one up on the cliff as far as I could see. If we ran up there, we really would be alone. I glanced back over my shoulder as Darius paused, wondering if he’d dare to follow me. How far was he willing to push the stars on this? He only hesitated a moment before jogging after me as I ran for the cliff top and a smile tugged at my lips as I put on a spurt of speed. If he wanted to run with me then he’d have to keep up. My feet pounded up the track and I panted as my muscles burned in protest at the incline. The sky grew dark overhead as we ran on and I glanced up to see thick storm clouds sweeping overhead despite the fact that there had been nothing but pale blue to see only minutes ago. Fuck you, stars. I gritted my teeth and kept going, ignoring a thin track which led back to the centre of campus and ploughing on. Thunder rumbled overhead, but I pretended I couldn’t hear it and kept running. The clifftop loomed ahead of me and I fixed my gaze on it as the sound of Darius’s feet hitting the trail chased me on. Rain spilled from the clouds, peppering my cheeks and I didn’t even bother to shield myself from it. I kept running until I made it to the very top of the cliff then stopped. I turned to face Darius as he came to a halt too. “Do you think this is a good idea?” he asked slowly, looking up at the sky as the shower grew heavier and the rain washed over us. He wasn’t shielding himself from it either and his tank was plastered to his skin as the rain pounded down. “Why should we have to listen to the stars?” I asked, raising my voice to be heard over the rain. “Because they govern everything,” Darius said sadly like there was nothing to be done for it. “They don’t govern me,” I growled. Darius frowned slightly as I took a step closer and thunder crashed so violently that the ground trembled. I waited to see what he was going to do and his jaw set as he moved towards me too. The rain slammed down over us so hard that I could hardly see through it. My hair was plastered to my back and a shiver ran through me, but I banished it with a flare of fire magic beneath my skin. Darius stopped inches from me and I looked up at him as water gathered in my lashes and slid over my cheeks. He reached out to cup my jaw in his large hand and the thunder crashed again, lightning forking through the clouds above us as the stars fought to make us part. “Are you sure about this?” he asked me. “Fuck fate,” I snarled because it was time I owned what was going on between us. “No one gets to pick my future for me. I choose what I want and I want you.” The smile he gave me was bright and fierce and full of an emotion I was afraid to put a name to, but the way he was looking at me lit me up from the inside out. “Fuck fate,” Darius agreed darkly. (Tory)