Cliff Richard Quotes

When you jump off a cliff, is it better to land on jagged rocks or burning lava? I know this one. The answer is obvious: It doesn't matter where you land. You just jumped off a cliff.

In the Tarot deck, the Fool is depicted as a young man about to step off a cliff into empty air. Most people assume that the Fool will fall. But we don't see it happen, and a Fool doesn't know that he's subject to the laws of gravity. Against all odds, he just might float.

Anything seemed possible, likely, feasible, because I wanted everything to be possible... Because I had no power to make things happen outside of me in the objective world, I made things happen within. Because my environment was bare and bleak, I endowed it with unlimited potentialities, redeemed it for the sake of my own hungry and cloudy yearning.

But,' I ducked the subject, 'don't heaps of artists use pseudonyms?' 'Who?' 'Um . . .' Only Cliff Richard and Sid Vicious came to mind.

It had been only through books-at best, no more than vicarious cultural transfusions-that I had managaed to keep myself alive in a negatively vital way. Whenever my environment had failed to support or nourish me, I had clutched at books...

When we arrived, the sun was setting, like a mango sorbet dripping over the horizon; the platinum rolls of the Mediterranean produced the soothing sound of waves thudding the cliff rocks below us.

My always needn’t be forever. I’m ready for the plunge, nervy as a cliff-diver. Though if down the line things go rotten we can both climb the cliffs again. Life is long.

began to read a piece on how a high street chain of stores had banned Cliff Richard’s Christmas songs.

The heart sags. My footprints forget me. I don’t think anything will ever be the same. This is the edge of the cliff and you can’t move, can’t jump. Everything is vertical. With binoculars you can see where you’ll be in an hour. Raindrops collect on the lens. A fine mist. It hides us. It drifts into clocks. Gravity presses your hands. Some hurts never get said. Some get smuggled.

‘Paranoid’ went straight to number four in the British singles chart and got us on Top of the Pops – alongside Cliff Richard, of all people. The only problem was the album cover, which had been done before the name change and now didn’t make any sense at all. What did four pink blokes holding shields and waving swords have to do with paranoia? They were pink because that was supposed to be the colour of the war pigs. But without ‘War Pigs’ written on the front, they just looked like gay fencers. ‘They’re not gay fencers, Ozzy,’ Bill told me. ‘They’re paranoid gay fencers.’

The early bats are tying the air, the heart, into knots. They fly on the wings of grief. The late butterfly follows them over the edge of the cliff where the earth becomes the air we turn into. It’s called mirror vision when we see what isn’t here. The kind of faith that fails at unexpected moments the way a climber reaches for a hold that will never in his life, be there. It’s called despair when we open the door of a heart that no longer exists.

terror—that if he got too close to the edge, then something would take over, and he would find himself walking to the edge of a cliff top and then he would just step off into space. It was as if he could not entirely trust himself, and that scared Richard more than the simple fear of falling ever could.

To say that Richard Mayhew was not very good at heights would be perfectly accurate, but would fail to give the full picture; it would be like describing the planet Jupiter as bigger than a duck. Richard hated cliff tops, and high buildings: somewhere not far inside him was the fear—the stark, utter, silently screaming terror—that if he got too close to the edge, then something would take over, and he would find himself walking to the edge of a cliff top and then he would just step off into space. It was as if he could not entirely trust himself, and that scared Richard more than the simple fear of falling ever could. So he called it vertigo, and hated it and himself, and kept away from high places.

Darwin singled out the eye as posing a particularly challenging problem: 'To suppose that the eye with all its inimitable contrivances for adjusting the focus to different distances, for admitting different amounts of light, and for the correction of spherical and chromatic aberration, could have been formed by natural selection, seems, I freely confess, absurd in the highest degree.' Creationists gleefully quote this sentence again and again. Needless to say, they never quote what follows. Darwin's fulsomely free confession turned out to be a rhetorical device. He was drawing his opponents towards him so that his punch, when it came, struck the harder. The punch, of course, was Darwin's effortless explanation of exactly how the eye evolved by gradual degrees. Darwin may not have used the phrase 'irreducible complexity', or 'the smooth gradient up Mount Improbable', but he clearly understood the principle of both. 'What is the use of half an eye?' and 'What is the use of half a wing?' are both instances of the argument from 'irreducible complexity'. A functioning unit is said to be irreducibly complex if the removal of one of its parts causes the whole to cease functioning. This has been assumed to be self-evident for both eyes and wings. But as soon as we give these assumptions a moment's thought, we immediately see the fallacy. A cataract patient with the lens of her eye surgically removed can't see clear images without glasses, but can see enough not to bump into a tree or fall over a cliff. Half a wing is indeed not as good as a whole wing, but it is certainly better than no wing at all. Half a wing could save your life by easing your fall from a tree of a certain height. And 51 per cent of a wing could save you if you fall from a slightly taller tree. Whatever fraction of a wing you have, there is a fall from which it will save your life where a slightly smaller winglet would not. The thought experiment of trees of different height, from which one might fall, is just one way to see, in theory, that there must be a smooth gradient of advantage all the way from 1 per cent of a wing to 100 per cent. The forests are replete with gliding or parachuting animals illustrating, in practice, every step of the way up that particular slope of Mount Improbable. By analogy with the trees of different height, it is easy to imagine situations in which half an eye would save the life of an animal where 49 per cent of an eye would not. Smooth gradients are provided by variations in lighting conditions, variations in the distance at which you catch sight of your prey—or your predators. And, as with wings and flight surfaces, plausible intermediates are not only easy to imagine: they are abundant all around the animal kingdom. A flatworm has an eye that, by any sensible measure, is less than half a human eye. Nautilus (and perhaps its extinct ammonite cousins who dominated Paleozoic and Mesozoic seas) has an eye that is intermediate in quality between flatworm and human. Unlike the flatworm eye, which can detect light and shade but see no image, the Nautilus 'pinhole camera' eye makes a real image; but it is a blurred and dim image compared to ours. It would be spurious precision to put numbers on the improvement, but nobody could sanely deny that these invertebrate eyes, and many others, are all better than no eye at all, and all lie on a continuous and shallow slope up Mount Improbable, with our eyes near a peak—not the highest peak but a high one.

What is the use of half an eye?’ and ‘What is the use of half a wing?’ are both instances of the argument from ‘irreducible complexity’. A functioning unit is said to be irreducibly complex if the removal of one of its parts causes the whole to cease functioning. This has been assumed to be self-evident for both eyes and wings. But as soon as we give these assumptions a moment’s thought, we immediately see the fallacy. A cataract patient with the lens of her eye surgically removed can’t see clear images without glasses, but can see enough not to bump into a tree or fall over a cliff. Half a wing is indeed not as good as a whole wing, but it is certainly better than no wing at all. Half a wing could save your life by easing your fall from a tree of a certain height. And 51 per cent of a wing could save you if you fall from a slightly taller tree. Whatever fraction of a wing you have, there is a fall from which it will save your life where a slightly smaller winglet would not. The thought experiment of trees of different height, from which one might fall, is just one way to see, in theory, that there must be a smooth gradient of advantage all the way from 1 per cent of a wing to 100 per cent. The forests are replete with gliding or parachuting animals illustrating, in practice, every step of the way up that particular slope of Mount Improbable. By analogy with the trees of different height, it is easy to imagine situations in which half an eye would save the life of an animal where 49 per cent of an eye would not. Smooth gradients are provided by variations in lighting conditions, variations in the distance at which you catch sight of your prey – or your predators. And, as with wings and flight surfaces, plausible intermediates are not only easy to imagine: they are abundant all around the animal kingdom. A flatworm has an eye that, by any sensible measure, is less than half a human eye. Nautilus (and perhaps its extinct ammonite cousins who dominated Paleozoic and Mesozoic seas) has an eye that is intermediate in quality between flatworm and human. Unlike the flatworm eye, which can detect light and shade but see no image, the Nautilus ‘pinhole camera’ eye makes a real image; but it is a blurred and dim image compared to ours. It would be spurious precision to put numbers on the improvement, but nobody could sanely deny that these invertebrate eyes, and many others, are all better than no eye at all, and all lie on a continuous and shallow slope up Mount Improbable, with our eyes near a peak – not the highest peak but a high one.

Bargaining for Advantage: Negotiation Strategies for Reasonable People, by G. Richard Shell.

Cliff was the backbone. Cliff was the guy that everybody looked to. If there was a big decision to be made it was done in the inner workings. But it seemed to me, if there was something Cliff wasn't gonna like, it wasn't gonna happen. Cliff was the Keith Richards of the band. No one fucked with Cliff.

This triune God allows you, impels you, to live easily with God everywhere and all the time: in the budding of a plant, the smile of a gardener, the excitement of a teenage boy over his new girlfriend, the tireless determination of a research scientist, the pride of a mechanic over his hidden work under the hood, the loving nuzzling of horses, the tenderness with which eagles feed their chicks, and the downward flow of every mountain stream. This God is found even in the suffering and death of those very things! How could this not be the life-energy of God? How could it be anything else? Such a big definition of life must include death in its Great Embrace, “so that none of your labors will be wasted.”10 In the chirp of every bird excited about a new morning, in the hard beauty of every sandstone cliff, in the deep satisfaction at every job well done, in the passion of sex, and even in a clerk’s gratuitous smile to a department store customer or in the passivity of the hospital bed, “the world, life or death, the present or the future—all belong to you; [and] you belong to Christ and Christ belongs to God,

Bloodline by Stewart Stafford Stuart Richards, 5,001st in line to the British throne, A distant cousin of the king but hitherto unknown, He dreamt of the crown and his fair queen's hand, But there was no baiting the hook unless he had a plan. He chose to eliminate the competition, stood before him, Through a dark celebration, they'd never know what hit them, He sent out invitations to the 5, 000 heirs, Promising vast feasting, with music and fanfare He built a fake house front with a door and a sign, That said: "Welcome to the party. Now, kindly form a line." Behind the door, there awaited a cliff face and a fall, A master of deception, his warm smile greeted them all. He stood at the front door with a charming bow, And, welcoming each guest, he said: "In you go now!" He watched them disappear as they stepped through the door, Counting steps to ascension, lemmings queued up for more. Backslapping himself, inner cackling at his scheme, Imagining himself as king - glory rained down, it seemed, But his Machiavellian plotting had a monstrous flaw, One thing he'd forgotten that greedy eyes never saw. The king was still alive, and he was not amused, He got wind of this plot and responded unconfused, He sent his guards to arrest him for sedition in a fury, They swept him off his feet, planting him before a jury. Put on trial for treason - the verdict was most guilty, Execution set, he had the neck to beg for mercy, But the king was not budging and barked: "Off with his head!" An Axeman's reverse coronation, he joined the fallen dead. Halting 2,986th in line to the British throne, A distant cousin of the king, headless spirit flown, In jealous craving, dispossessed as ruler of the land, Crowned pride came before a fallen plan. © Stewart Stafford, 2023. All rights reserved.

Return the sender, Elvis sang, just like Cliff Richard.

Richard Branson, the founder of Virgin Atlantic Airways and numerous other Virgin enterprises, once defined an entrepreneur as “Someone who jumps off a cliff and builds an airplane on the way down.

It’s the cliff I climb when the moon is you.

Sir Cliff Richard With more than 150 singles, albums, and EPs to reach the top twenty in the United Kingdom, British pop star Sir Cliff Richard is one of the most successful musicians in the UK’s recent history. Knighted by Queen Elizabeth II in 1995, Sir Cliff Richard was the first rock star ever to receive the national honor. I wonder whether Prince William and Prince Harry will remember their first Royal Command Performance? I was skiing at Lech, in Austria, and Princess Diana and the boys were staying at the same hotel. Somehow Princess Diana got to hear of the sing-alongs my party had in the hotel bar as part of the après-ski, and she asked me whether I’d mind singing for her sons one evening. Well, it was as close to a royal command as you could get, so there I was, rattling off all my old 1960s hits, and there were William and Harry trying hard to stifle yawns! It was Harry who suddenly chirped up in the most regal of voices, “I say, do you know ‘Great Balls of Fire’?” I did, and that night Diana and the boys heard probably the most energetic rendition ever!

Sir Cliff Richard With more than 150 singles, albums, and EPs to reach the top twenty in the United Kingdom, British pop star Sir Cliff Richard is one of the most successful musicians in the UK’s recent history. Knighted by Queen Elizabeth II in 1995, Sir Cliff Richard was the first rock star ever to receive the national honor. I can’t say I got to know Diana well, but I did meet her on a number of social, as well as formal, occasions, and she was always so charming and so gracious. At a dinner at the home of a mutual friend, she was the first to volunteer to don the rubber gloves and tackle the washing up. I was in New York at the U.S. Open tennis tournament in September in 1997, not thinking for a moment that I’d be invited to her funeral. When I received a call from my secretary to say an invitation had arrived, I booked the next Concorde flight home for another, this time incredibly tragic, royal command.

I was skiing at Lech, in Austria, and Princess Diana and the boys were staying at the same hotel. Somehow Princess Diana got to hear of the sing-alongs my party had in the hotel bar as part of the après-ski, and she asked me whether I’d mind singing for her sons one evening. Well, it was as close to a royal command as you could get, so there I was, rattling off all my old 1960s hits, and there were William and Harry trying hard to stifle yawns! It was Harry who suddenly chirped up in the most regal of voices, “I say, do you know ‘Great Ball of Fire’?” I did, and that night Diana and the boys heard probably the most energetic rendition ever! —Sir Cliff Richard

When you jump off a cliff, is it better to land on jagged rocks or burning lava? I know this one. The answer is obvious: It doesn’t matter where you land. You just jumped off a cliff.

the ocean continued to slam angrily into the cliff wall far below as if raging against the audacity of our barbaric species.

Straight, as if sawn down from turf to beach, the cliff shuts off the human world, for the sea knows no time and no era; you cannot tell what century it is from the face of the sea. (The Breeze on Beachy Head)

Tom didn’t mind the tunes, with the exception of Cliff fucking Richards. Whenever he heard “Mistletoe and Wine” or “Saviour’s Day” he wanted to smash whatever was playing it. Mercifully, he managed to quell such wants and simply turn the music down or, better yet, off entirely. Currently, his favourite song was playing by The Pogues.

Let us always be out of doors among trees and grass, and rain and wind and sun. There the breeze comes and strikes the cheek and sets it aglow: the gale increases and the trees creak and roar, but it is only a ruder music. A calm follows, the sun shines in the sky, and it is the time to sit under an oak, leaning against the bark, while the birds sing and the air is soft and sweet. By night the stars shine, and there is no fathoming the dark spaces between these brilliant points, nor the thoughts that come as it were between the fixed stars and landmarks of the mind. Or it is morning on the hills, when hope is as wide as the world; or it is the evening on the shore. A red sun sinks, and the foam-tipped waves are crested with crimson; the booming surge breaks, and the spray flies afar, sprinkling the face watching under the pale cliffs. Let us get out of these indoor narrow modern days, whose twelve hours somehow have become shortened, into the sunlight and the pure wind. A something that the ancients call divine can be found and felt there still.

Rock'n'roll can manage without the sex and drugs.

There is no room in my life for drugs, fights, divorce, adultery, sadism, unnecessary fuss and sex.

The only stop I make is on a cliff overlooking the Pacific. I throw the road rage pistol far out into the water. Let the fish have it. They have more sense than some people, including me.

I don’t know whether it was that night or some other I found the soliloquy from Richard the Second. I only know that finding it let me sail off some blind cliff face into full-blown flight: —Of comfort no man speak: Let’s talk of graves, of worms, and epitaphs, Make dust our paper and with rainy eyes Write our sorrow on the bosom of the earth… . Sure the passage was dark. But in my somewhat magical system of thought, pessimism served as a hedge against disaster. Think the worst, and you stave it off.

AXA’s Amanda Blanc can look over the cliff edge and remain vertigo free: I’m the person that gets sacked if something goes wrong, and I say this to my team regularly, ‘You know, if something goes wrong here I go, not you, it’s me.’ The CEO is accountable and when you’ve got 1,700 people who are taking risks, however carefully and even with controls in place, there’s still a huge element of having to trust those people that they’re going to do the right thing. So, yes, the accountability is really tough.

We sailed down this magnificent bay with a light wind, the tide, which was running out, carrying us at the rate of four or five knots. It was a fine day; the first of entire sunshine we had had for more than a month. We passed directly under the high cliff on which the presidio is built, and stood into the middle of the bay, from whence we could see small bays making up into the interior, large and beautifully wooded islands, and the mouths of several small rivers. If California ever becomes a prosperous country, this bay will be the centre of its prosperity. The abundance of wood and water; the extreme fertility of its shores; the excellence of its climate, which is as near to being perfect as any in the world; and its facilities for navigation, affording the best anchoring-grounds in the whole western coast of America — all fit it for a place of great importance.

I caught a couple of landmarks and knew we were on Benedict Canyon Drive, getting up into the hills. I'd driven here several times before—in happier days—and I knew almost all the road. It was hilly along here and there were steep clifflike drops and sloping ones. Maybe Dutch would let me jump off a cliff. Suicide. I strained at the rope on my wrists, but it was tight.

Then, breaking forth from a bizarre low angle, a ray of light shining up the gorge illuminating a world otherwise cast in darkness by the black rain clouds above. The water reflects a white brilliance. From where I am watching, the mass of glistening white is momentarily blinding. It takes some time for my eyes to adjust to this whiteness and recognise the river. The Franklin River. A world pure and whole and complete unto itself. Neither rubber condoms nor rubber tyres nor tin cans nor dioxins nor bent rusting chrome reminders of the cars they once graced nor any of the other detritrus of our world seem to abide here. This is an alien world. This is the river. Rising in the Cheyne Range. Falling down Mt Gell. Writhing like a snake in the wild lands at the base of the huge massif of Frenchmans Cap. Writing its past and prophesying its future in massive gorges slicing through mountains and cliffs so undercut they call them verandahs, and in eroded boulders and beautiful gilded eggs of river stone, and in beaches of river gravel that shift year to year, flood to flood, and in that gravel that once was rounded river rock that once was eroded boulder that once was undercut cliff that once was mountain and which will be again.

The world appears with too much contrast, like light is pressing itself against the seams of everything. Mud cliffs rise above and watch as indifferent sentinels. They’ve witnessed a thousand sky burials. The caves that brought me here ten years ago serve as perches for the vultures to collect before they descend on the body to feast and I see that everything has a role in the process.

People who are single shouldn't have to be second-class citizens – we needn't be embarrassed or feel guilty about it, we all have a role to play.

Bethany Waites was blonde and Northern and she died in a car that drove over Shakespeare Cliff, near Dover. (It’s just off the A20, I looked it up, because I suspect we’ll be going there at some point.) This must have been almost ten years ago. You would have thought it was just a suicide, cliffs and cars and what have you, but there were all sorts of other things. Someone had been seen in the car with her just beforehand, there were ambiguous messages on her phone, the waters were muddied. So the police called it murder and, looking through their files, we were inclined to agree.