Cliff Hanger Quotes

To my wonderful readers: Sorry about that last cliff-hanger. Well, no, not really. HAHAHAHA. But seriously, I love you guys.

We throw in as many fresh words as we can get away with. Simple, short sentences don't always work. You have to do tricks with pacing, alternate long sentences with short, to keep it alive and vital. Virtually every page is a cliff-hanger—you've got to force them to turn it.

To my wonderful readers: sorry about that last cliff-hanger. Well no, not really. HAHAHAHA. But seriously, I love you guys.

Shane kissed her one more time, lightly and softly, and fluffed her hair back from her face. “To be continued,” he said. “I hate cliff-hangers.” “Blame Eve.

To my wonderful readers: Sorry about that last cliff-hanger. Well, no, not really. HAHAHAHA. But seriously, I love you guys.

To my wonderful readers: Sorry about that last cliff-hanger. Well, no, not really. HAHAHAHA.

We get it. Plants are pretty and smell nice. For us, the new and exotic frontier is season finale cliff-hangers.

bless us and deliver us. He will not forsake us. As my husband is fond of saying, “God loves cliff-hangers.” He loves to deliver us at the last moment to see if we will trust Him and not flinch.

Like most modern people, we no longer bothered to make the distinction between events in real life and the dramas of fictional worlds, and so the cliff-hanger that inevitably, reliably ended the hour held just as much or more importance to us as the newspaper that usually went from doorstep to garbage bin unread, and we speculated about the future lives of the characters that populated decayed mansions or desert isles as if they weren't inventions of other human minds.

What is it with these authors giving us these incredible books and the BAM, leaving us with blue balls and bullshit cliff hangers that have our tiny minds exploding with insanity

So no cliff-hanger to end with, Bill? You’re losing your touch.

Content risks include changing genres, moving from one length of book to another, putting out more books, creating a serial, writing fan fiction, or writing a book with a cliff-hanger. I think taking one career risk per year is important to growth—as both a writer and a person.

Because I never would’ve finished this book without your steady support, brilliant brainstorming sessions, and tiny chocolate chip cookies (And FYI, readers: The cliff-hanger was Deb’s idea!)

Now we know where all those cliff-hangers of yours came from. Not hard to drop a bombshell if you’ve a whole arsenal of them primed and ready to go.

And suddenly, there were the shapes of many people lurking out of the woods, light glowing from their hands.

To my wonderful readers: Sorry about that last cliff-hanger. Well, no, not really. HAHAHAHA. But seriously, I love you guys.

Advance Praise for THE GREAT NEW ORLEANS KIDNAPPING CASE: RACE, LAW, AND JUSTICE IN THE RECONSTRUCTION ERA "Michael Ross' The Great New Orleans Kidnapping Case has all the elements one might expect from a legal thriller set in nineteenth-century New Orleans. Child abduction and voodoo. 'Quadroons.' A national headline-grabbing trial. Plus an intrepid creole detective.... A terrific job of sleuthing and storytelling, right through to the stunning epilogue." --Lawrence N. Powell, author of The Accidental City: Improvising New Orleans "When little Mollie Digby went missing from her New Orleans home in the summer of 1870, her disappearance became a national sensation. In his compelling new book Michael Ross brings Mollie back. Read The Great New Orleans Kidnapping Case for the extraordinary story it tells--and the complex world it reveals." --Kevin Boyle, author of Arc of Justice: A Saga of Race, Civil Rights, and Murder in the Jazz Age "Michael Ross's account of the 1870 New Orleans kidnapping of a white baby by two African-American women is a gripping narrative of one of the most sensational trials of the post-Civil War South. Even as he draws his readers into an engrossing mystery and detective story, Ross skillfully illuminates some of the most fundamental conflicts of race and class in New Orleans and the region." --Dan T. Carter, University of South Carolina "The Great New Orleans Kidnapping Case is a masterwork of narration, with twists, turns, cliff-hangers, and an impeccable level of telling detail about a fascinating cast of characters. The reader comes away from this immersive experience with a deeper and sadder understanding of the possibilities and limits of Reconstruction." --Stephen Berry, author of House of Abraham: Lincoln and The Todds, a Family Divided by War "The Great New Orleans Kidnapping Case is such a great read that it is easy to forget that the book is a work of history, not fiction. Who kidnapped Mollie Digby? The book, however, is compelling because it is great history. As Ross explores the mystery of Digby's disappearance, he reconstructs the lives not just of the Irish immigrant parents of Mollie Digby and the women of color accused of her kidnapping, but also the broad range of New Orleanians who became involved in the case. The kidnapping thus serves as a lens on the possibilities and uncertainties of Reconstruction, which take on new meanings because of Ross's skillful research and masterful storytelling." --Laura F. Edwards, Duke University

I thought it’d be fun to have you take a really really really hard test to see how much you remember—and if you don’t pass, this book will self-destruct and you’ll never be able to read the novella and see what happens next—mwhahahahahahahaha. JUST KIDDING! I’m evil—but not that evil. (Or maybe I am that evil. You’ve read my cliff-hangers.…)