Click Memories Quotes

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Some automatic device clicked in her big brain, and her knees felt weak, and there was a chilly feeling in her stomach. She was in love with this man. They don't make memories like that anymore
Kurt Vonnegut Jr. (Galápagos)
Images flicker, each one bringing its own sorrow or its own smile. Sometimes both. At the very worst, an impenetrable and sightless black and at best, a happiness so bright that it hurts the eyes to see, coming and going on some unseen projector perpetually turned by an invisible hand. One, then another. The hollow click of the shutter. Now stop. Freeze this frame. Pluck it down and hold it close and be damned by what you see. Henri always said: the price of a memory is the memory if the sorrow it brings.
Pittacus Lore (I Am Number Four (Lorien Legacies, #1))
My real mom died when I was born—hemorrhaged to death while giving birth to me, which has never been one of my favorite memories—and Dad married Denise before I’d turned a year. Without even asking my opinion on the matter. Denise and I never really clicked.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
If I'm still conscious to face the consequences of my actions, then at the very least I will know that my actions were real, thay they indeed had consequences, though my lone life will amount to less than a single click of static in the symphony of the big bang. If my actions were real, then so were my memories, and if those were real, the things I've done have allowed me to see God and I0m not afraid of following my life down that eight-second black rabbit hole.
Craig Clevenger (Dermaphoria)
Somewhere at the back of my head I heard a click, tiny and irrevocable. Memory magnifies it to a wrenching, echoing crack, but the truth is that it was the very smallness that made it so terrible.
Tana French (In the Woods)
Any idea what the pattern is?” Dex asked “I’m not sure.” Something felt familiar, a shadow of an idea, not formed enough to make sense. She poured through her memories, scrounging for the clue she was missing. The pieces clicked. “Elementine.” “What’s the pattern?” “I don’t know, but I know Elementine is right.
Shannon Messenger
Don't be afraid to make corrections! Whether the voice came from her memory or was a last whisper from the blinding new star far above, Nita never knew. But she knew what to do. While Kit was still on the first part of the name she pulled out her pen, her best pen that Fred had saved and changed. She clicked it open. The metal still tingled against her skin, the ink at the point still glittered oddly- the same glitter as the ink with which the bright Book was written. Nita bent quickly over the Book and with the pen, in lines of light, drew from the final circle an arrow pointing up-ward, the way out, the symbol that said change could happen- if, only if-
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
My memory is coming back. It is curious how it comes. Each day, a rush of pieces, loosely connected, unimportant bits, snake through me. They click, click, click into my brain, like links being snapped together. And then they are done. A small chain of memories that fill in one tiny part of my life. They come out of nowhere, and most are not important.
Mary E. Pearson (The Adoration of Jenna Fox (Jenna Fox Chronicles, #1))
An old girlfriend is a gun in your belly. It's no longer loaded, so when you see her, all you feel is the hollow mechanical click in your gut, and possibly the ghost of an echo, sense memory from when it used to carry live rounds. Occasionally, though, there's a bullet you missed, lying dormant in its overlooked chamber, and when that trigger gets pulled, the unexpected gunshot is deafening even as the forgotten bullet rips its way through the tissue and muscle of your midsection and out into the light of day. Seeing Carly is like that. Even though we haven't spoken in almost ten years, it's an explosion, and in that one instant every memory, every feeling, comes flooding back as fresh as if it were yesterday.
Jonathan Tropper (The Book of Joe)
Nothing had changed and yet everything had changed, and it was this invisibility that he found most disturbing, for it depicted by omission all the old freedoms. The vitality hidden in things that may have once got on his nerves had been snuffed out: there were no groups of tourists taking selfies; no men of God yelling fire and brimstone; no demonstrators marching or chaining themselves onto railings; no feverish sounds, or smells of sugared almonds and poisonous hot dogs – unbelievably no smells at all. The loudness of these absences was unendurable; it was all Mr Rubens could do to click his eyes wide open, and cast around for memories that might oppose the deadly dearth.
Panayotis Cacoyannis (The Coldness of Objects)
Discussing it later, many of us felt we suffered a mental dislocation at that moment, which only grew worse through the course of the remaining deaths. The prevailing symptom of this state was an inability to recall any sound. Truck doors slammed silently; Lux's mouth screamed silently; and the street, the creaking tree limbs, the streetlight clicking different colors, the electric buzz of the pedestrian crossing box - all these usually clamorous voices hushes, or had begun shrieking at a pitch too high for us to hear, though they sent chills up our spines. Sound returned only once Lux had gone. Televisions erupted with canned laughter. Fathers splashed, soaking aching backs.
Jeffrey Eugenides (The Virgin Suicides)
Dabbling in the sandbox gives Rabbit a small headache. Over at the pavilion the rubber thump of Roofball and the click of checkers call to his memory, and the forgotten smell of that narrow plastic ribbon you braid bracelets and whistlechains out of and of glue and of the sweat on the handles on athletic equipment is blown down by a breeze laced with children's murmuring. He feels the truth: the thing that has left his life has left irrevocably; no search would recover it. No flight would reach it. It was here, beneath the town, in these smells and these voices, forever behind him. The fullness ends when we give Nature her ransom, when we make children for her. Then she is through with us, and we become, first inside, and then outside, junk. Flower stalks.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
Own nothing! Possess nothing! Buddha and Christ taught us this, and the Stoics and the Cynics. Greedy though we are, why can't we seem to grasp that simple teaching? Can't we understand that with property we destroy our soul? So let the herring keep warm in your pocket until you get to the transit prison rather than beg for something to drink here. And did they give us a two-day supply of bread and sugar? In that case, eat it in one sitting. Then no one will steal it from you, and you won't have to worry about it. And you'll be free as a bird in heaven! Own only what you can always carry with you: know languages, know countries, know people. Let your memory be your travel bag. Use your memory! Use your memory! It is those bitter seeds alone which might sprout and grow someday. Look around you-there are people around you. Maybe you will remember one of them all your life and later eat your heartout because you didn't make use of the opportunity to ask him questions. And the less you talk, the more you'll hear. Thin strands of human lives stretch from island to island of the Archipelago. They intertwine, touch one another for one night only in just such a clickety-clacking half-dark car as this and then separate once and for all. Put your ear to their quiet humming and the steady clickety-clack beneath the car. After all, it is the spinning wheel of life that is clicking and clacking away there. What strange stories you can hear! What things you will laugh at!
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
...yes, I do smile for them. But I smile for myself too. My memories of them will be gone as I leave; their memories will stay with them forever. Don’t we all smile for the pictures we click even on the worst picnics? That’s all I want to do. I want to smile for their last pictures of me.
Durjoy Datta (Till The Last Breath)
Biju stepped out of the airport into the Calcutta night, warm, mammalian. His feet sank into dust winnowed to softness at his feet, ad he felt an unbearable feeling, sad and tender, old and sweet like the memory of falling asleep, a baby on his mother's lap. Thousands of people were out though it was almost eleven. He saw a pair of elegant bearded goats in a rickshaw, riding to slaughter. A conference of old men with elegant goat faces, smoking bidis. A mosque and minarets lit magic green in the night with a group of women rushing by in burkas, bangles clinking under the black and a big psychedelic mess of colour from a sweet shop. Rotis flew through the air as in a juggling act, polka-dotting the sky high over a restaurant that bore the slogan "Good food makes good mood". Biju stood there in that dusty tepid soft sari night. Sweet drabness of home - he felt everything shifting and clicking into place around him, felt himself slowly shrink back to size, the enormous anxiety of being a foreigner ebbing - that unbearable arrogance and shame of the immigrant. Nobody paid attention to him here, and if they said anything at all, their words were easy, unconcerned. He looked about and for the first time in God knows how long, his vision unblurred and he found that he could see clearly.
Kiran Desai (The Inheritance of Loss)
I had a lot of those memories clicking before me like projector slides in the dark. Lots of pictures, smells and sounds flashing in and out.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
Each tick had been another memory clicking by, but now, all other faces were forgotten.
Scarlet Ibis James (Scarlet Yearnings: Stories of Love and Desire (The Scarlet Yearnings, #1))
Here’s the thing: I’m ridiculously smart, and I’m pretty sure I have a photographic memory. It’s like I have a camera in my head, and if I see or hear something, I click it, and it stays. I saw a special on PBS once on children who were geniuses. These kids could remember complicated strands of numbers and recall words and pictures in correct sequence and quote long passages of poetry. So can I.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
In difficult times, when he had trouble falling asleep, he would click it open and inhale the rose scent of the silken cake of powder within. It never failed to calm him with the memory of how it had felt to be loved like that.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Over the years, Raul remembered many events like if they were TV shows, especially at night, like when he and Alberto cruised around town. The open windows, the wide space of the desert, allowed room for his thoughts to emerge. Some memories played over and over again, like the re-runs he watched during the summer. And depending on the events, he didn’t mind having to sit through them. At least his memories weren’t interrupted with commercials. Click . . . Click . . . Click . . .
Richard Yañez (Cross Over Water (Western Literature and Fiction Series))
The phone was laid on a desk thousands of miles away. Once more, with that clear familiarity, the footsteps, the pause, and, at last, the raising of the window. "Listen," whispered the old man to himself. And he heard a thousand people in another sunlight, and the faint, tinkling music of an organ grinder playing "La Marimba"— oh, a lovely, dancing tune. With eyes tight, the old man put up his hand as if to click pictures of an old cathedral, and his body was heavier with flesh, younger, and he felt the hot pavement underfoot. He wanted to say, "You're still there, aren't you? All of: you people in that city in the time of the early siesta, the shops closing, the little boys crying loteria nacional para hoy! to sell lottery tickets. You are all there, the people in the city. I can't believe I was ever among you. When you are away I: from a city it becomes a fantasy. Any town, New York, Chicago, with its people, becomes improbable with distance. Just as I am improbable here, in Illinois, in a small town by a ' quiet lake. All of us improbable to one another because we are not present to one another. And it is so good to hear the sounds, and know that Mexico City is still there and the people moving and living . . .
Ray Bradbury (Dandelion Wine)
Where is he?” Leo sat up, but his head felt like it was floating. They’d landed inside the compound. Something had happened on the way in—gunfire? “Seriously, Leo,” Jason said. “You could be hurt. You shouldn’t—” Leo pushed himself to his feet. Then he saw the wreckage. Festus must have dropped the big canary cages as he came over the fence, because they’d rolled in different directions and landed on their sides, perfectly undamaged. Festus hadn’t been so lucky. The dragon had disintegrated. His limbs were scattered across the lawn. His tail hung on the fence. The main section of his body had plowed a trench twenty feet wide and fifty feet long across the mansion’s yard before breaking apart. What remained of his hide was a charred, smoking pile of scraps. Only his neck and head were somewhat intact, resting across a row of frozen rosebushes like a pillow. “No,” Leo sobbed. He ran to the dragon’s head and stroked its snout. The dragon’s eyes flickered weakly. Oil leaked out of his ear. “You can’t go,” Leo pleaded. “You’re the best thing I ever fixed.” The dragon’s head whirred its gears, as if it were purring. Jason and Piper stood next to him, but Leo kept his eyes fixed on the dragon. He remembered what Hephaestus had said: That isn’t your fault, Leo. Nothing lasts forever, not even the best machines. His dad had been trying to warn him. “It’s not fair,” he said. The dragon clicked. Long creak. Two short clicks. Creak. Creak. Almost like a pattern…triggering an old memory in Leo’s mind. Leo realized Festus was trying to say something. He was using Morse code—just like Leo’s mom had taught him years ago. Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
They came to a destroyed cabin and he pulled up and then went inside. Broken cups and pieces of dress material torn on a nail. A doll’s body without a head. He dug a .50-caliber bullet out of the wall with his knife and then carefully placed it on the windowsill as if for a memento. Here were memories, loves, deep heartstring notes like the place where he had been raised in Georgia. Here had been people whose dearest memories were the sound of a dipper dropped in the water bucket after taking a drink and the click of it as it hit bottom. The quiet of evening. The shade of the Devil’s trumpet vine over a window, scattered shadows gently hypnotic. The smell of a new calf, a long bar of sun falling into the back door over worn planks and every knot outlined. The familiar path to the barn walked for years by one’s father, grandfather, uncles, the way they called out, Horses, horses. How they swung the bucket by the handle as they went at an easy walk down the path between the trees, between here and there, between babyhood and adulthood, between innocence and death, that worn path and the lifting of the heart as the horses called out to you, how you knew each by the sound of its voice in the long cool evening after a day of hard work. Your heart melted sweetly, it slowed, lost its edges. Horses, horses. All gone in the burning.
Paulette Jiles (News of the World)
Because I was tired of strangers vaguely recognizing it when I was introduced to them. Because I hated the way their features froze, if only for a second, when their memories clicked. Because it made me sick knowing my name and His will forever be associated. Coop ultimately talked me out of it. He said I should hold on to my name as a stubborn point of pride. Changing it wouldn’t separate the name Quincy Carpenter from the horrors of Pine Cottage. Keeping it could, if I moved on and made something of myself.
Riley Sager (Final Girls)
I remember, the first time I saw you.” I did too, something seared into my memory, but it wasn’t about me, right then. “You were this… fierce thing,” he said, moving the wipe to my left eye, pressing carefully to the eyelid. “Tall and gorgeous and fucking bitchy as all hell.” He set the wipe down behind me and then pulled out another. He started in on the other eye. “And I didn’t think I’d ever seen anything as amazing as you before.” My throat clicked audibly as I wondered where this was leading to. Because he was talking about Helena, not me. “You were with Paul,” he continued. “Though I didn’t know who he was at the time. All I wanted to do was find out who you were.” He finished with my eyes and used another wipe on my cheeks. My lips, though, there wasn’t much lipstick left. He didn’t say much more until he’d finished. By the time he sat back, my skin felt raw and my heart was tripping all over itself in my chest. “And then you disappeared,” he said. “But you came back. As her.” I froze. He sighed and took my hands in his. “You were Sandy when I first saw you,” he said, squeezing my fingers. “You were Helena when I saw you again.” His eyes darted away. “And you were Sandy when I was an asshole. That was on me, and I don’t know that I’ll ever forgive myself for that.” He took a deep breath and let it out slow. “I don’t care if you’re Helena. I don’t care if you never put on a wig again. I will take anything you’re willing to give me. But just know that it was you I saw first, Sandy. Not her. I don’t need her or whatever division you think exists. I don’t want just part of you. I want all of you.
T.J. Klune (The Queen & the Homo Jock King (At First Sight, #2))
I wondered as I watched people leaning out to snap digital photographs if the ability to capture the technical reality of a place took away from the feeling of it, and muted the memory forever. A picture in the mind was a picture in the heart, but a picture on paper or on a computer was only relevant when it was taken out or clicked on to view. Another way in which society was distancing itself from living, perhaps. Life could no longer be enjoyed unless we could send it on a phone so friends we rarely thought of and who rarely thought of us could see how much fun we were having.
Bobby Underwood (The Turquoise Shroud (Seth Halliday #1))
The clarity offered by software as metaphor - and the empowerment allegedly offered to us who know software - should make us pause, because software also engenders a sense of profound ignorance. Software is extremely difficult to comprehend. Who really knows what lurks behind our smiling interfaces, behind the objects we click and manipulate? Who completely understands what one’s computer is actually doing at any given moment? Software as a metaphor for metaphor troubles the usual functioning of metaphor, that is, the clarification of an unknown concept through a known one. For, if software illuminates an unknown, it does so through an unknowable (software). This paradox - this drive to grasp what we do not know through what we do not entirely understand… does not undermine, but rather grounds software’s appeal. Its combination of what can be seen and not seen, can be known and no known - it’s separation of interface from algorithm, of software from hardware - makes it a powerful metaphor for everything we believe is invisible yet generates visible effects, from genetics to the invisible hand of the market, from ideology to culture. Every use entails an act of faith.
Wendy Hui Kyong Chun (Programmed Visions: Software and Memory (Software Studies))
For three weeks straight I had been observing the ocean. On the twenty-first day, I saw a man running along the shoreline. I could hear his feet hitting the sand. It was the first time I was able to discern with utter precision every nuance, every gearshift, every soft click of another person's mind. He remembered that he was there to run, and he even remembered a time there was a reason for it. He did not remember the reason, nor did he want to. He feared he might be running for the old reasons, and didn't want to imitate himself. That would be running in place. Not too far down below the top shelves of memory he knew he was there to run for a reason, but still he decided to invent a different reason. He was reinvigorated by this decision to find a new reason, and ran even faster. He’d run seventeen miles when he realized in dismay that he'd forgotten to do it. He’d been running off the memory of an idea. He was exhausted and his lungs burned. He pushed his head into the sand and his legs ran in a circle around his head that he was screwing into the sand. He pushed down and screw-drove himself until only his toes stuck out. His toes were twined around each other. I could no longer hear his thoughts. Was he dead? His heart was still beating.
Miranda Mellis (The Revisionist)
How long could we remain true to the girls? How long could we keep their memory pure? As it was, we didn’t know them any longer, and their new habits - of opening windows, for instance, to throw out a wadded paper towel - made us wonder if our vigilance had been only the fingerprinting of phantoms. Our talismans ceased to work. Lux’s tartan, when touched, summoned only a hazy memory of her wearing it in class - one bored hand fiddling with the silver kilt pin, undoing it, leaving the folds unfastened on her bare knees, about to fall open any minute but never… We had to rub the skirt for minutes to see it clearly. And every other slide in our carousel began to fade in the same way, or we clicked and absolutely nothing fell into the projection slot, leaving us staring at goose bumps on a white wall.
Jeffrey Eugenides (The Virgin Suicides)
I remember, in no particular order: —a shiny inner wrist; —steam rising from a wet sink as a hot frying pan is laughingly tossed into it; —gouts of sperm circling a plughole, before being sluiced down the full length of a tall house; —a river rushing nonsensically upstream, its wave and wash lit by half a dozen chasing torchbeams; —another river, broad and grey, the direction of its flow disguised by a stiff wind exciting the surface; —bathwater long gone cold behind a locked door. This last isn’t something I actually saw, but what you end up remembering isn’t always the same as what you have witnessed. We live in time—it holds us and moulds us—but I’ve never felt I understood it very well. And I’m not referring to theories about how it bends and doubles back, or may exist elsewhere in parallel versions. No, I mean ordinary, everyday time, which clocks and watches assure us passes regularly: tick-tock, click-clock. Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time’s malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing—until the eventual point when it really does go missing, never to return. I’m not very interested in my schooldays, and don’t feel any nostalgia for them. But school is where it all began, so I need to return briefly to a few incidents that have grown into anecdotes, to some approximate memories which time has deformed into certainty. If I can’t be sure of the actual events any more, I can at least be true to the impressions those facts left. That’s the best I can manage.
Julian Barnes (The Sense of an Ending)
Is it hard for you to be in an Abnegation house again? I meant to ask before. We can go somewhere else, if it is.” I finish my second piece of bread. All Abnegation houses are the same, so this living room is exactly the same as my own, and it does bring back memories, if I look at it carefully. Light glowing through the blinds every morning, enough for my father to read by. The click of my mother’s knitting needles every evening. But I don’t feel like I’m choking. It’s a start. “Yes,” I say. “But not as hard as you might think.” He raises an eyebrow. “Really. The simulations in Erudite headquarters…helped me, somehow. To hold on, maybe.” I frown. “Or maybe not. Maybe they helped me to stop holding on so tightly.” That sounds right. “Someday I’ll tell you about it.” My voice sounds far away. He touches my cheek and, even though we’re in a room full of people, crowded by laughter and conversation, slowly kisses me. “Whoa there, Tobias,” says the man to my left. “Weren’t you raised a Stiff? I thought the most you people did was…graze hands or something.” “Then how do you explain all the Abnegation children?” Tobias raises his eyebrows. “They’re brought into being by sheer force of will,” the woman on the arm of the chair interjects. “Didn’t you know that, Tobias?” “No, I wasn’t aware.” He grins. “My apologies.” They all laugh. We all laugh. And it occurs to me that I might be meeting Tobias’s true faction. They are not characterized by a particular virtue. They claim all colors, all activities, all virtues, and all flaws as their own. I don’t know what binds them together. The only common ground they have, as far as I know, is failure. Whatever it is, it seems to be enough. I feel, as I look at him, that I am finally seeing him as he is, instead of how he is in relation to me. So how well do I really know him, if I have not seen this before?
Veronica Roth (Insurgent (Divergent, #2))
The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.
Douglas M. Laurent
this thing—his thing—still well and alive inside me. # I dreamed of clawed hooks and sexual abandon. Faces covered in leather masks and eyeliner so dark I could only see black. Here the monsters would come alive, but not the kind you have come to expect. I watched myself as if I were outside my own flesh, free from the imprisonment of bone and conscience. Swollen belly stretch-marked and ugly; my hair tethered and my skin vulnerable. Earthquake beats blared from the DJ booth as terrible looking bodies thrashed, moshed and convulsed. Alone, so alone. Peter definitely gone, no more tears left but the ones that were to come from agony. She was above me again, Dark Princess, raging beauty queen, and I was hers to control. The ultimate succession into human suspension. Like I’d already learned: the body is the final canvas. There is no difference between love and pain. They are the same hopeless obsession. The hooks dived, my legs opened and my back arched. Blood misted my face; pussy juice slicked my inner thigh as my water suddenly broke. # The next night I had to get to the club. 4 A.M. is a time that never lets me down; it knows why I have nightmares, and why I want to suspend myself above them. L train lunacies berated me once again, but this time I noticed the people as if under a different light. They were all rather sad, gaunt and bleary. Their faces were to be pitied and their hands kept shaking, their legs jittering for another quick fix. No matter how much the deranged governments of New York City have cleaned up the boroughs, they can’t rid us of our flavor. The Meatpacking District was scarily alive. Darkness laced with sizzling urban neon. Regret stitched up in the night like a black silk blanket. The High Line Park gloomed above me with trespassers and graffiti maestros. I was envious of their creative freedom, their passion, and their drive. They had to do what they were doing, had to create. There was just no other acceptable life than that. I was inside fast, my memories of Peter fleeting and the ache within me about to be cast off. Stage left, stage right, it didn’t matter. I passed the first check point with ease, as if they already knew the click of my heels, the way my protruding stomach curved through my lace cardigan. She found me, or I found her, and we didn’t exchange any words, any warnings. It was time. Face up, legs open, and this time I’d be flying like Superman, but upside down. There were many hands, many faces, but no
Joe Mynhardt (Tales from The Lake Vol. 1)
I cast my gangly body into the shadow of the stable and watched them, curious to see my uncle with a triumphant smile on his mouth. He called for Jedha, the Master-at-Arms, and they spoke in low, swift voices before turning in to the house. I stayed in the shadows and trailed them through the hall into the mahogany library, the wooden doors left slightly ajar. I can’t remember what they said to one another—how my uncle had gotten the Providence Card away from the highwaymen—only that they were consumed with excitement. I waited for them to leave, my uncle fool enough not to lock the Card away, and I stole into the heart of the room. Writ on the top of the Card were two words: The Nightmare. My mouth opened, my childish eyes round. I knew enough of The Old Book of Alders to know this particular Providence Card was one of only two of its kind, its magic formidable, fearsome. Use it, and one had the power to speak into the minds of others. Use it too long, and the Card would reveal one’s darkest fears. But it wasn’t the Card’s reputation that ensnared me—it was the monster. I stood over the desk, unable to tear my eyes away from the ghastly creature depicted on the Card’s face. Its fur was coarse, traveling across its limbs and down its hunched spine to the top of its bristled tail. Its fingers were eerily long, hairless and gray, tipped by great, vicious claws. Its face was neither man nor beast, but something in between. I leaned closer to the Card, drawn by the creature’s snarl, its teeth jagged beneath a curled lip. Its eyes captured me. Yellow, bright as a torch, slit by long, catlike pupils. The creature stared up at me, unmoving, unblinking, and though it was made of ink and paper, I could not shake the feeling it was watching me as intently as I was watching it. Trying to grasp what happened next was like mending a shattered mirror. Even if I could realign the pieces, cracks in my memory still remained. All I’m certain of was the feel of the burgundy velvet—the unbelievable softness along the ridges of the Nightmare Card as my finger slipped across it. I remember the smell of salt and the white-hot pain that followed. I must have fallen or fainted, because it was dark outside when I awoke on the library floor. The hair on the back of my neck bristled, and when I sat up, I was somehow aware I was no longer alone in the library. That’s when I first heard it, the sound of those long, vicious claws tapping together. Click. Click. Click. I jumped to my feet, searching the library for an intruder. But I was alone. It wasn’t until it happened again—click, click, click—that I realized the library was empty. The intruder was in my mind.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Click, hum, click, hum, click, hum. Click, click, click, click, click, hum. Hmmm. A low-level supervising program woke up a slightly higher-level supervising program deep in the ship’s semisomnolent cyberbrain and reported to it that whenever it went click all it got was a hum. The higher-level supervising program asked it what it was supposed to get, and the low-level supervising program said that it couldn’t remember what it was meant to get, exactly, but thought it was probably more of a sort of distant satisfied sigh, wasn’t it? It didn’t know what this hum was. Click, hum, click, hum. That was all it was getting. The higher-level supervising program considered this and didn’t like it. It asked the low-level supervising program what exactly it was supervising and the low-level supervising program said it couldn’t remember that either, just that it was something that was meant to go click, sigh every ten years or so, which usually happened without fail. It had tried to consult its error look-up table but couldn’t find it, which was why it had alerted the higher-level supervising program of the problem. The higher-level supervising program went to consult one of its own look-up tables to find out what the low-level supervising program was meant to be supervising. It couldn’t find the look-up table. Odd. It looked again. All it got was an error message. It tried to look up the error message in its error message look-up table and couldn’t find that either. It allowed a couple of nanoseconds to go by while it went through all this again. Then it woke up its sector function supervisor. The sector function supervisor hit immediate problems. It called its supervising agent, which hit problems too. Within a few millionths of a second virtual circuits that had lain dormant, some for years, some for centuries, were flaring into life throughout the ship. Something, somewhere, had gone terribly wrong, but none of the supervising programs could tell what it was. At every level, vital instructions were missing, and the instructions about what to do in the event of discovering that vital instructions were missing, were also missing. Small modules of software—agents—surged through the logical pathways, grouping, consulting, regrouping. They quickly established that the ship’s memory, all the way back to its central mission module, was in tatters. No amount of interrogation could determine what it was that had happened. Even the central mission module itself seemed to be damaged. This made the whole problem very simple to deal with, in fact. Replace the central mission module. There was another one, a backup, an exact duplicate of the original. It had to be physically replaced because, for safety reasons, there was no link whatsoever between the original and its backup. Once the central mission module was replaced it could itself supervise the reconstruction of the rest of the system in every detail, and all would be well.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
Darius hesitated right beside us and reached out to run his fingers along the side of my face. “You were right you know,” he breathed as if the others weren’t surrounding us and as I looked into his eyes, it almost felt like they weren’t. “I’m not good enough for you.” ... “I don’t wanna sleep here,” I muttered as Darius’s scent enveloped me and a whole host of regrets came whispering in my ears. But I was so exhausted from using my gifts that I just couldn’t stop my eyes from fluttering shut. Caleb laughed softly. “I’ll lock the door and push the key back under it so you can escape in the morning.” “Asshole,” I murmured. “Always,” he agreed, flicking the lights off and the door clicked shut before the sound of the key turning in the lock followed. I was too tired to argue further but before I gave in to sleep, I snagged my Atlas from the nightstand and forwarded the photograph I’d taken of Xavier and Catalina flying together in their Order forms to Darius. He deserved to see evidence of his mother’slove after all of these years and the knowledge that they’d all been denied that bond for so long made my heart ache for them. A moment later, a message came through from him and I smiled to myself as I read it. Darius: Thank you, Roxy. This means more to me than words can convey. My cheeks flushed at his reply and I bit my lip as exhaustion pulled at me. I sighed to myself as I nestled down in his bed, trying not to linger in the memories of sleeping here with his arms wrapped around me, feeling like nothing and no one in the world could ever hurt me so long as I just stayed right there. Maybe I should have listened to those instincts. Because his bed didn’t feel the same without him in it. And for the first time that I would admit to myself, I had to wonder if I’d made a terrible mistake when I said no. (Tory POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
He meant to,” Leni said quietly, feeling a cold wave of understanding wash through her. Memories clicked into place like pieces of a puzzle, fitting together. Mama’s bruises, her always saying, I’m clumsy. She had hidden this ugly truth from Leni for years.
Kristin Hannah (The Great Alone)
In a world of instant clicks and swipes, there's a charm in the wait of a radio tune, the thrill of a letter's arrival, and the rewind sound of a VHS cassette.
Enamul Haque
The Hyderabad Baby Studio recognizes that photography is not just about clicking a camera; it's about preserving the emotions, memories, and unique personality of each child. To achieve this, the studio takes a personalized approach to each session. Parents are encouraged to share their vision and ideas, enabling the photographers to tailor the session to their desires. Whether it's a specific theme, a favorite toy, or a particular milestone, the studio ensures that the essence of the child is reflected in every photograph. The final product is not just a collection of images but a narrative of a child's journey, one that parents can revisit and cherish for years to come. In an era marked by the proliferation of digital photography and smartphone cameras, the Hyderabad Baby Studio brings back the importance of professional photography. While anyone can take a picture, professional photographers possess the expertise and equipment necessary to create images that stand the test of time.
chickharsha
So she can’t winnow, then,” Cassian concluded. “And again—would she really be foolish enough to do something like this if the other queens have left?” Vassa’s eyes darkened. “Yes. The others’ departure would serve to remove obstacles to her ambitions. But she’d only do this if she had someone of immense power behind her. Perhaps pulling her strings.” Even the fire seemed to quiet. Lucien’s eye clicked. “Who?” “You wonder who is capable of making a unit of Fae soldiers across the sea vanish? Who could give Briallyn the power to winnow—or do it for her? Who could aid Briallyn so she’d be bold enough to do such a thing? Look to Koschei.” Cassian froze as memories clicked into place, as surely as one of Amren’s jigsaw puzzles. “The sorcerer who imprisoned you is named Koschei? Is he … is he the Bone Carver’s brother?” Everyone gaped at him. Cassian clarified, “The Bone Carver mentioned a brother to me once, a fellow true immortal and a death-lord. That was his name.” “Yes,” Vassa breathed. “Koschei is—was—the Bone Carver’s older brother.” Lucien and Jurian
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Bryce set aside her outrage and waved a hand to the drifting planets. “This space map—” “It is called an orrery.” “This orrery.” Bryce approached the male’s side. “It’s tech—not magic?” “Can it not be both?” Bryce’s fingers curled into fists. But she said, a murky memory rippling from her childhood, “The Autumn King has one in his private study.” The Astronomer clicked his tongue. “Yes, and a fine one at that. Made by craftsmen in Avallen long ago. I haven’t had the privilege to see it, but I hear it is as precise as mine, if not more so.” “What’s the point of it?” she asked. “Only one who does not feel the need to peer into the cosmos would ask such a thing. The orrery helps us answer the most fundamental questions: Who are we? Where do we come from?
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The second benefit of sleep for memory comes after learning, one that effectively clicks the “save” button on those newly created files. In doing so, sleep protects newly acquired information, affording immunity against forgetting: an operation called consolidation.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
(I picture him now reading this, and long to reach out of the page and grab ahold of his shirt front that we might together reminisce some. Hey, bucko. Probably you don't read, but you must have somebody who reads for you -- your pretty wife or some old neighbor boy you still go fishing with. Where will you be when the news of this paragraph floats back to you? For some reason, I picture you changing your wife's tire. She'll mention that in some book I wrote, somebody from the neighborhood is accused of diddling me at seven. Maybe your head will click back a notch as this registers. Maybe you'll see your face's image spread across the silver hubcap as though it's been flattened by a ballpeen hammer. Probably you thought I forgot what you did, or you figured it was no big deal. I say this now across decades and thousands of miles solely to remind you of the long memory my daddy always said I had.)
Mary Karr, The Liars' Club
Bryce murmured, “And no one is worried about giving this stuff over to trigger-happy Pippa?” “No,” Cormac replied gravely. “Not one of them.” “But they’re cool with us examining the suit?” Bryce asked. “I told them Athalar would have some insight into how they’re constructed.” Hunt clicked his tongue. “No pressure, huh?” He suppressed the memory of Sandriel’s face, her cruel amusement as she watched what he’d done to the suits on her orders.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
It’s impossible to un-know a secret. Once you know it, you own it. It can’t be returned like a borrowed book. Or burned like a love letter. The click of a mouse won’t delete it from the conscious mind. It’ll stick to the walls of your memory like dried oatmeal to a dish. The secrets you wish you never knew become a burden to lug. A bowling ball without holes.
Eva Lesko Natiello (The Memory Box)
Here were memories, loves, deep heartstring notes like the place where he had been raised in Georgia. Here had been people whose dearest memories were the sound of a dipper dropped in the water bucket after taking a drink and the click of it as it hit bottom. The quiet of evening. The shade of the Devil’s trumpet vine over a window, scattered shadows gently hypnotic. The smell of a new calf, a long bar of sun falling into the back door over worn planks and every knot outlined. The familiar path to the barn walked for years by one’s father, grandfather, uncles, the way they called out, Horses, horses. How they swung the bucket by the handle as they went at an easy walk down the path between the trees, between here and there, between babyhood and adulthood, between innocence and death, that worn path and the lifting of the heart as the horses called out to you, how you knew each by the sound of its voice in the long cool evening after a day of hard work.
Paulette Jiles (News of the World)
Uh, Gary,” I venture hesitantly, my voice just above the tinny pattering of rain against the car roof. Gary glances at me quickly in the rearview mirror, and then his eyes fall back on the road ahead. “This isn’t the way to my house." I go on, a little more sharply now. "Maybe you should turn on the GPS. I don’t want you to get lost.” Gary snorts. “Relax. This is a shortcut. I take this way all the time to get to your home.” I furrow my brows, trying to think back to the last time I invited him over. I can't dredge up a memory of it. “I'm sorry, when have you been to my house?” His silence makes the short hairs on the back of my neck stand. “When have you been to my house?” I repeat. He only continues to stare forward. “Do you remember when you came to Visionaries to work for me?" He asks offhandedly, catching me off-guard. "I do. It was one of the best days of my life. You were so impressive during your interview. I knew I was going to hire you. And over the years, I never once regretted the decision. Not once.” I watch as the number on the speedometer increases from forty miles per hour to sixty. The click of the locks makes me jump in my seat, and I suddenly feel claustrophobic. I can't find any words to say, so I keep quiet. Gary doesn't seem to notice, because he keeps on without pause. “It didn’t take long for me to fall madly in love with you.” He chuckled harshly. “And you rejected me.” “I don’t date people I work with. It's a rule of mine...Besides, you’re my boss, and I’m not comfortable with that.” I wonder what happened to the traffic. I search the other lanes, but they're empty.
Lexi Esme (Threads of Fate)
Lost in Tale" Cold wooden slats Breathless morning Train click clacks Motorists roaring Full harvest moon Street lamps mourning Jovial voices tune Cool breeze scorning Ghost cat trails Vibrant leaves adjourning Aged bone wail Tears storing Lost in tale Anguish boring Searching the grail Timeless loring Vacant bench Soul for lorning Heart strings pinch Memories adjourning Copyright ©️ Laura DeGrave
Laura Degrave (Crispy Ink Muse)
It was because Max had what Zeryth wanted most: not just a military mind, but a family name respected by the Aran upper class. Max had told me about the competition for Arch Commandant, all those years ago. Now, the memory returned, clicking another piece into place. There had been four candidates, he had told me. One had been killed in the war. Max had withdrawn after the deaths of his family. And Nura had been unable to continue while she recovered after Sarlazai. And that had left Zeryth, and so he became Arch Commandant. Not because anyone chose him. But because he was the only one left standing.
Carissa Broadbent (Children of Fallen Gods (The War of Lost Hearts, #2))
Ah, my sweet, sweet boy.” He clicks his tongue. “It’s been many years since we’ve been acquainted.” He bends down toward the side of my head, whispering into my ear in a tone that makes my spine shiver with broken memories of my tortured past. “I’ve missed our lessons dearly.” Bishop Caldwell. They’ve brought me into the lion’s den, filled with nothing but the demons of my past.
Jescie Hall (That Sik Luv)
I closed the Word document, like clicking that little X in the corner would shut out the memories too.
Emily Henry (Beach Read)
We have become so preoccupied in clicking, capturing and caging memories that we have forgotten to live them first.
Mitali Meelan (Coffee and Ordinary Life)
My secret name for the annex was "the hen-coop". Glued to the nesting boxes of their favorite wicker chairs, the inmates sat click-clacking knitting needles, hatching balls of wool, their silence pierced only by an occasional frail voice of meaningless conversation. Flapping imaginary wings, "Cock-a-doodle-dooing," and "Chook-chooking", I ran through crowing, but not so loudly as to frighten them or be rude. I see now the old women's pinched faces, stiff and severe as the potted aspidistras beside them, only masked despair. With nothing to do but breathe, they knitted and crocheted memories and lost dreams into tangible objects. On the hour as though on cue, the old chickens roused, froze suddenly still, before exchanging smiles and nodding some shared secret to one another as the wild music from Bruges' church bells rang out the time from the many belfries, rattling teh panes and vibrating through the "hen house" with deep echoes. And I'd leap to the wild music - a dancing puppet pulled by unseen strings.
EP Rose
Hannah is heartbroken—obsessed with the woman she saw kissing her man. In fact, she doesn’t even know whether Brandon was ever her man. She’s haunted by memories of blissful hours spent in his arms. But even if it kills her, she has to make the decision to let him go.   Thrill Book 4 Hannah is blissfully caught up in the attention of her Dom, living the perfect life. Only one thing is missing…one little sentence that would change it all. I love you. Will Brandon ever find the courage to utter those words? And if he doesn’t, will Hannah have to walk away?   CLICK HERE to get your copy of the COMPLETE SERIES
Lucia Jordan (Thrill)
There was an address on the website and she scribbled it on the back of her internet ticket. Then she clicked back to the search page and typed in ‘Chloe Markham’. There were a few links that were obviously irrelevant, but then one came up under lewisandmarchant.com. Going to that, she found a page containing a picture of the girl she had just conjured up in her memory. Yet in this portrait Chloe’s smile wasn’t the natural one she’d had at the restaurant, and she wore a suit jacket with a white shirt underneath as she sat straight-backed and gazed into the camera lens. Julia
Sara Foster (Come Back to Me)
It’s impossible to un-know a secret. Once you know it, you own it. It can’t be returned like a borrowed book. Or burned like a love letter. The click of a mouse won’t delete it from the conscious mind. It’ll stick to the walls of your memory like dried oatmeal to a dish. The secrets you wish you never knew become a burden to lug. A bowling ball without holes. Some
Eva Lesko Natiello (The Memory Box)
PA is the process by which an organization learns from the experience it has collectively gained across its team members and computer systems. In fact, an organization that doesn’t leverage its data in this way is like a person with a photographic memory who never bothers to think.
Eric Siegel (Predictive Analytics: The Power to Predict Who Will Click, Buy, Lie, or Die)
infant first opens its eyes on this world, it must see nothing but chaos because it has no memory to make sense of what it sees. The past gives shape to the present. Consciousness
Harvey Click (Night Conjurings: Tales of Terror)
Having an emotional connection with what we wear is at once transformative and talismanic. Why else would Glenda the Good Witch have given Dorothy a pair of ruby slippers? Clicking those heels did more than get Miss Garland back to Kansas; they manifested magic – that sweet spot where memories are made.
Annmarie O'Connor (Brigitte Bailey Women's Printed Romper with Tie Belt Yellow Jumpsuit LG)
Dreams All night the dark buds of dreams open richly. In the center of every petal is a letter, and you imagine if you could only remember and string them all together they would spell the answer. It is a long night, and not an easy one — you have so many branches, and there are diversions — birds that come and go, the black fox that lies down to sleep beneath you, the moon staring with her bone-white eye. Finally you have spent all the energy you can and you drag from the ground the muddy skirt of your roots and leap awake with two or three syllables like water in your mouth and a sense of loss — a memory not yet of a word, certainly not yet the answer — only how it feels when deep in the tree all the locks click open, and the fire surges through the wood, and the blossoms blossom.
Mary Oliver (Dream Work (International Edition))
Click Less, Live More (The Sonnet) Moments are vessel for memories, Don't waste them on snobbish hypes. A memory cherished with a loved one, Is worth more than a billion likes. The less devices you have to charge, The more charge you have for your mind. The less you obsess over convenience, The more you develop actual insight. Purpose of camera is to capture memory, Not to desecrate the moments seeking attention. Purpose of a picture is to rejuvenate emotions, Even a thousand pictures are useless without emotion. Click less, live more - that is the motto of wellness. Or else, click more, sick more - there is no treatment.
Abhijit Naskar (Amantes Assemble: 100 Sonnets of Servant Sultans)
My meal from Honey and Hickory came with a side of dysentery straight out of Oregon Trail.’” Finn now spat out the quote against the echo of Simone’s accusation, reciting from memory a review he’d found on a late-night, liquor-fueled deep dive into all things Honey and Hickory. “That’s a direct quote from a one-star review I found for Simone’s historic family restaurant online.” Simone strode forward and claimed center stage. “Written by a disgruntled cook who was fired for never showing up to work. It hardly classifies as empirical evidence.” “Look, Ms. Blake,” he said, leaning heavy on the honorific like she had, gratified when her eyes narrowed. “Beyond Honey and Hickory’s subpar reviews, your generic flavors can’t match the nuance of Finn’s Secret Sauce. You’re a mom-and-pop barbecue joint with no soul, stuck in the past.” Directing his next words to the investors, he said, “Whereas I’m all heart, focused on the future of barbecue. Sustainable, organic, outside-the-box flavor blends.” Simone clicked her tongue. “Organic? Wow, super cutting edge. If this was 1999.” Hands on her hips, she angled away from him, toward the crowd. “Honey and Hickory was farm to table long before it was fashionable, and we cook with locally sourced meat and home-grown produce.” “Like you had anything to do with that? Your grandfather probably set up those contacts while you were in diapers.” He turned his focus on the audience; two could play at that game. “Don’t let Ms. Blake fool you. She’s been at the helm of the restaurant for less than a year, yet she’s trying to convince you she played a role in Honey and Hickory’s decades of success.
Chandra Blumberg (Stirring Up Love (Taste of Love, #2))
There is another me in the remaining cell. He is wearing a white tennis shirt, shorts and oversized mirrorshades, lounging in a deck chair by a swimming pool. He has a book in his lap: Le Bouchon de cristal. One of my favorites, too. ‘It got you again,’ he says, not bothering to look up. ‘Again. What is that, three times in a row now? You should know by now that it always goes for tit-for-tat.’ ‘I almost got it this time.’ ‘That whole false memory of cooperation thing is a good idea,’ he says. ‘Except, you know, it will never work. The warminds have non-standard occipital lobes, non-sequential dorsal stream. You can’t fool it with visual illusions. Too bad the Archons don’t give points for effort.’ I blink. ‘Wait a minute. How do you know that, but I don’t?’ ‘Did you think you are the only le Flambeur in here? I’ve been around. Anyway, you need ten more points to beat it, so get over here and let me help you out.’ ‘Rub it in, smartass.’ I walk to the blue line, taking my first relieved breath of this round. He gets up as well, pulling his sleek automatic from beneath the book. I point a forefinger at him. ‘Boom boom,’ I say. ‘I cooperate.’ ‘Very funny,’ he says and raises his gun, grinning. My double reflection in his shades looks small and naked. ‘Hey. Hey. We’re in this together, right?’ And this is me thinking I had a sense of humor. ‘Gamblers and high rollers, isn’t that who we are?’ Something clicks. Compelling smile, elaborate cell, putting me at ease, reminding me of myself but somehow not quite right— ‘Oh fuck.’ Every prison has its rumours and monsters and this place is no different. I heard this one from a zoku renegade I cooperated with for a while: the legend of the anomaly. The All-Defector. The thing that never cooperates and gets away with it. It found a glitch in the system so that it always appears as you. And if you can’t trust yourself, who can you trust? ‘Oh yes,’ says the All-Defector, and pulls the trigger
Hannu Rajaniemi (The Quantum Thief (Jean le Flambeur #1))
clicked in Sophie’s memory. The Vasari Corridor
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
toenails clicking,
Carol Bodensteiner (Growing Up Country: Memories of an Iowa Farm Girl)
Before I ever took a photo of anyone, I’d take the time to get to know them—asking them about their childhood dreams, their cherished memories, the people they loved most,” Claudia said. “And then, as they were talking, I’d start clicking the shutter.
Mikki Brammer (The Collected Regrets of Clover)
We are supposedly living in a golden age of pleasure. So many tantalizing options lie only a click away: gourmet food, memory-foam mattresses, kinky sex, gadgets galore. Pleasure decoys, all of them, Epicurus would say. Like any good decoy, they look real, and so we take aim. If we fail to hit the target, we blame ourselves for poor marksmanship and reload. Stop aiming at decoys, counsels Epicurus. Better yet, stop shooting altogether. “Not what we have but what we enjoy constitutes our abundance,” he says, noting that, with the right mind-set, even a small pot of cheese can convert a simple meal into a lavish feast.
Eric Weiner (The Socrates Express: In Search of Life Lessons from Dead Philosophers)
I was going to click my heels and go home, where life would be, as it is anywhere, a little bit dull Knasas, a little bit great and terrible Oz. I just wanted to stand here for a minute, first, and fix in my memory the life I wasn't choosing, the way Rajiv looked at me before I told him I was leaving, the cottonwood snow. Nathan watched me, an uncertain look on his perfectly, terribly familiar face. "Are you ready?" he said
Leah Stewart (Husband and Wife)
Part: 1 July This one more of how where I remember these days. Photos online, and cam videos all that are my memories- of me to others. Part: 2 August Compare… them then and now- naked slut girl or 1940s modesty. I remember having the old photo album spread out on the bedroom floor. Oh! Wow! Look at this one… do you like how she was remembered better than me? (Photo) Part: 3 It's- September More of the same- I have become a cam-whore!!! Nothing more… Part: 4 OCTOBER …And yah- a, ah- pics that would make you blush, and hard, you boys would love to see me, now, wouldn’t you? Part: 5 NOVEMBER Making cummie videos is my life. Part: 6 DECEMBER Coming 7 hours out of the day is taking time away from other things. Part: 7 WAKING UP …After fraping till- I passed out all hot gross and sweaty, I did not remember falling asleep- with mom and dad- sis and the world seeing me as my door to my trashed bedroom- all jammed open- and’s- and’s- AND’S- did not care at this point. (SAY IT WITH exhausted SLURRING.) JANUARY yet how- ga-gives- a ________. Ef… E- un- mm- ah- in-n… Whatever… I am making 50 G’s in a night… so that makes it okay. (A photo of me lying in bed with all this money!) Part: 8 TIME PASSES Craziness… look at my life here… all board… ‘I am home,’ I mumbled, confused- not even more. ‘What did I do?’ I felt my face wrinkle. It was so unfair. My behavior… here is wow… After that first week… of doing this… How do I look… which neither of us ever mentioned what we do? I hadn't missed a day of school or work. My grades were perfect. Yet this show is all going to shit- no? This is what I did here… showing everything that makes me a girl! Now I am passing down- to her- yah me- is it wrong? I must live with it. #- A cam video and all these photos of her online now are worth 1,000 words! #-0-okay then what does this one says then? My little sis- and she is frapping harder than I do- in this- damn, she is my Minnie me! She started younger than me even- yet that is all girls, her age. Here is one with her dressed wow seem weird to see her with something on anymore- (Swipe- and the phone in your hand would make a click sound…) Oh, this one- She loves these beautiful white lace kid’s girls’ shorts- so girlie- girly- from Wal-Mart, yet she was banned from wearing them in school without anything under them, yet I look around and all other girls do it. Yet, on Facebook- and Instagram 1, you get one persona and on Google images a whole other- just like Snapchat you have her as your girlfriend for the night yet have- yet she is your striptease only- and the other Instagram- that grammar should never- ever see- yet this is how to get popular- and stay popular. Besides then there is the community of internet nudists- on MFC. And the profile- she now has too, a legacy to be remembered by, no? Yet, when you have no education to speak of and working for some d*ck head is just out of the question, over they think you’re not worthy of their time- were you're not making anything, and at this point in Pa she too young to work, yet is old enough to have unprotected sex… Um- and then I wonder- yet she needs the money- for school coming up because your mommy and daddy don’t have it, and all for fun, boys, and a girl's night of fun- and partying- and being crazy. Money is everything… and why girls do what they must do…
Marcel Ray Duriez (Nevaeh Hard to Let Go)
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Quickbooks
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Quickbooks (quickbooks user's guide 5.0)
I understood, suddenly, that everything was connected. The choices I’d made in the life I’d built. The things I remembered and the things I could not bear to remember. In a flash, all the pieces snapped together, and not just the memories themselves but the significance of them; that is, why they mattered. It clicked into place, crisply, like parts that were designed to interlock. A jigsaw puzzle took shape over my head, an awareness fusing, the way people say something can suddenly dawn on you, as if I’d had the corner pieces assembled but not the full contents of the puzzle, and I had turned a little pile of cardboard fragments into a clear picture for the first time. Now it all made sense. I understood why there were things that I had remembered for so many years, that I had seen constantly, running on a track through my mind.
Amy Griffin (The Tell (Oprah's Book Club))
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Christian growth is not like a combo-lock. We don’t change by dialing in the right amount of Bible reading, prayer, Scripture memory, service, and community, and then click. By all means, do the spiritual disciplines, but know that the spiritual disciplines aren’t what change us. We are transformed, and idols are shattered, by what the disciplines are meant to show us: the glory of Jesus. The disciplines are vehicles of faith, means of grace to get us on the path of the Spirit so we can behold, see, and feel the wonder of Christ.
J.A. Medders (Gospel Formed: Living a Grace-Addicted, Truth-Filled, Jesus-Exalting Life)
There are events you witness, or in which you participate, that forever remain sacrosanct and inviolate in memory, no matter how painful that memory is, because of the cost that you or others paid in order to be there in that moment when the camera lens clicked shut.
James Lee Burke (A Stained White Radiance (Dave Robicheaux #5))
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Mohammed Saiful Alam
Clicking pictures is like giving shape to memories !
Saiful Alam
Clicking pictures is like giving shape to memories !
Dr. Saiful Alam
Google uses click-through statistics as a way to rank search results,” George typed. “For people, memory search optimization is achieved by the emotional residue associated with the memories being searched. The strongest emotional associations cause those memories to rank highest.
David Sosnowski (Buzz Kill)
did that, too. The first time I called him after returning home… I laughed lightly to myself at the memory. I was more nervous then than I had been when he first introduced himself to me at the engagement party! Thankfully, he hadn’t answered his phone. “This is Sawyer. Sorry I can’t answer your call, but I’ll return it when I can.” Beep. Hey, Sawyer. Um. I had a lot of fun this weekend at the wedding. If you visit Syd anytime, call me. Maybe we could hook up. I mean, not hook up hook up, but you know. Hang out. Yeah. Um. Yes. Alright, yeah. Bye. Click. Soon, one year turned to two. We didn’t see each other as much, but we still talked. However, that was about the time that many of my anxieties started to set in. I’d always been an anxious person, but there were
Mignon Mykel (Saving Grace (Loving Meadows, #1))
and you’re a good match.’ ‘You have a very precise memory.’ ‘It was yesterday.’ ‘I should have told you he keeps a mistress and ignores me.’ Reacher smiled. He said, ‘Good night, Mrs Mackenzie.’ She left him there, the same as the night before, alone in the dark, on the concrete bench, looking at the stars. At that moment a mile away, Stackley clicked off a phone call and parked his beat-up old pick-up truck in a lot behind an out-of-business retail enterprise three blocks from the centre of town. Earlier in his life he had favoured expensive haircuts, and one time when waiting in the salon he had read a magazine that said success in business depended entirely on ruthless control of costs. Thus wherever possible he slept in his truck. Hence the camper shell. A motel would take what he made on two pills. Why give it away? The old gal across the Snowy Range had bought a box of fentanyl patches, but he had given her one he had already opened, an hour before, very carefully, so he could skim out a patch all his own, for his pocket, for later. The old gal would never notice. If she did, she would assume she was too stoned to count right. A natural reaction. Addicts learned to blame themselves. The same the world over. He took scissors from his glove box, and he cut a quarter-inch strip off the patch, and he slipped it under his tongue. Sublingual, it was called. Another magazine in the same salon said it was the best method of all. Stackley couldn’t argue. At that moment sixty miles away, in the low hills west of town, Rose Sanderson was putting herself to bed. She had pulled down her hood, and taken off her silver track suit top. Under it was a T-shirt, which she took off, and a bra, likewise. She peeled the foil off her face. She used her toothbrush handle to scrape excess ointment off her skin. She buttered it back on the foil. With luck she might get one more day out of it. She ran her sink full of cool water. She took a breath, and held her face under the surface. Her record was four minutes. She came up and shook her head. Her
Lee Child (The Midnight Line (Jack Reacher, #22))
The top clicked open. The rusted hinge gave way. Through shimmering tears, she saw the tiny scrap of paper that fell out into her palm. Very slowly, she began to unfold it, piece by painstaking piece, all too aware of the delicate memories she was holding. Even after all this time… The delicate memories, and fragile lives, and long-ago brittle promises, all of them crumbling into dust between her fingertips. Yet the message itself remained. Six simple words, binding two hearts forever: Nathan, I love you, Your Ellena.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
They needed lots of peace and quiet," said Roy, "and so do I, and so do you, I guess, and I'm sorry if I disturbed you. I wasn't doing anything a bird wouldn't do." Some automatic device clicked in her big brain, and her knees felt weak, and there was a chilly feeling in her stomach. She was in love with this man. They don't make memories like that anymore.
Kurt Vonnegut Jr. (Galápagos)
Her outline kept slipping, like a wonky contact lens that wouldn’t sit on the iris. When other people were around, she could do the back-and-forth talk, but lately it felt like muscle memory, rather than genuine engagement. Now and again both her selves overlapped perfectly, clicked into place, and suddenly she was there, in the moment. Intense feelings would surge through her, both good and not-so-good, then her outline would detach again. She was living her life a short distance from herself.
Marian Keyes (Grown Ups)
Truly landlocked people know they are. Know the occasional Bitter Creek or Powder River that runs through Wyoming; that the large tidy Salt Lake of Utah is all they have of the sea and that they must content themselves with bank, shore and beach because they cannot claim a coast. And having none, seldom dream of flight. But the people living in the Great Lakes region are confused by their place on the country's edge - an edge that is border but not coast. They seem to be able to live a long time believing, as coastal people do, that they are at the frontier where final exit and total escape are the only journeys left. But those five Great Lakes which the St. Lawrence feeds with memories of the sea are themselves landlocked, in spite of the wandering river that connects them to the Atlantic. Once the people of the lake region discover this, the longing to leave because acute, and a break from the area, therefore, is necessarily dream-bitten, but necessary nonetheless. It might be an appetite for other streets, other slants of light. Or a yearning to be surrounded by strangers. It may even be a wish to hear the solid click of a door closing behind their backs.
Toni Morrison (Song of Solomon)
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The tape kept playing—Joel crooning through the rest of An Innocent Man, track by track—but I couldn’t tell you what came after “This Night.” I know the songs were there. I remember the faint hiss between sides, the click of the auto-reverse. But all I really remember… was her. The warmth of her skin. The featherlight touch of her fingers moving across me like she already knew what I didn’t have words for. The way her breath caught, not with hesitation, but with grace. That album played on, but in my memory, the rest is quiet. Only Kelly remained.
Alex Diaz-Granados (Comings and Goings - The Art of Being Seen : A Jim Garraty Story (The Reunion Duology))
Careful, Egrette,” the man warned. His voice sounded a world away. “You can’t kill her yet.” Egrette. I’d heard that name before. Distantly, it clicked together. The House of Shadow had a princess, too. A second heir, sister to the man I’d killed. But this knowledge flew by, lost beneath her assault on my mind. I barely heard her response. “She’ll die soon anyway. Before she does, I want to see how she did it.” She tore through my memories of that party—the coup, when Raihn had been kidnapped and Oraya disappeared. Pushed past the images of the Bloodborn guards dragging me away and locking me up, a gift for the Shadowborn prince’s favor. And then she stopped—right there, right at the moment it happened. I had the prince against the wall. Oraya was behind me. His hands were on my throat. I was so, so angry. This man had taken everything from me. He had Turned me into a beast undeserving of everything I’d devoted my entire life to. He was the reason I had lost my magic. He was the reason my god had abandoned me. I thought about nothing but that hatred as I grabbed the sword Oraya had given me. As I drove that blade straight through his chest and kept going, and going, and going, until I couldn’t push anymore—until the prince’s perfect face went slack⁠— Egrette stopped. Her magic clung to that image—her brother in his moment of death. She smiled. “Poor, poor Malach. How very sad.
Carissa Broadbent (The Songbird & the Heart of Stone (Crowns of Nyaxia, #3))
Memory populates itself with sneering faces, wine-cheeked characters extolling the division between man and woman, clicking their teeth; full of scorn for anyone who’d bow his head so meekly to a girl. But as quickly as it arrives, that unfortunate conceit is doused. Deacon has never been one to garland himself with someone else’s insecurities, and he’s not about to start now.
Cassandra Khaw (A Song for Quiet (Persons Non Grata, #2))
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You are allowed to love tiny, daily, ordinary moments in your life. You’re allowed to feel wild joy for the simplest and smallest of reasons. You’re allowed to be unreasonably delighted by spicy pickles or a perfect apple or a joke your teen tells you. You’re allowed to be bewitched by your partner, even after all these years, to yearn to be close to him, to bury your face in his neck. You’re allowed to feel joy for almost no reason, except that you walked by the candle that your mother sent you and even when it’s not lit, just seeing it there on the hutch makes you happy. You’re allowed to hold memories in your mind and play them over and over like an old-fashioned slideshow—click, click, click.
Shauna Niequist (I Guess I Haven't Learned That Yet: Discovering New Ways of Living When the Old Ways Stop Working)