Cleft Lip Quotes

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Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour.
Roman Payne
Michael, this is an order from your mistress. Tell me what you want. Now.” “I want Griffin.” The words came out immediately. She had trained him too well. “I want Griffin so much it hurts. I love him, Nora. I have never felt anything like this before. And it’s absolutely stupid because he’s rich and he’s perfect and amazing and I’m a nobody. I’m a nobody, and I’m in love with someone I can’t be with. He’s so beautiful. I can’t stop looking at him, I can’t stop thinking about him. I dream about him at night. And he’s the first thing I think about when I wake up. And I want to touch him so much. I want to touch his face and that fucking perfect hair of his. And his lips and his chest and his arms— and I think about those arms around me, and it’s humiliating how much I want that. And, God, I want to live in his bed. I want to spend the rest of my life underneath him. I want to feel him on top of me and inside me. And I want submit to him. I want to go down on my knees in front of him. I want to call him sir and wear his collar and kiss his fucking feet if he told me to. And I want to walk down the busiest street in New York with him holding hands so the entire world can see us together and know that I belong to him. I love Griffin, Nora. I’m in love with him. And I can’t be with him. But that’s… that’s it.” Michael turned his head and buried it a little deeper into the cleft of Nora’s neck and shoulder. He wanted to stay there so he wouldn’t have to look her or anyone in the eyes ever again. “You won’t tell him, will you?” “She doesn’t have to.
Tiffany Reisz (The Angel (The Original Sinners, #2))
It is said, and it is true, that just before we are born, a cavern angel puts his finger to our lips and says, “Hush, don’t tell what you know.” This is why we are born with a cleft on our upper lips and remembering nothing of where we came from".
Roderick MacLeish (Carnaby Rex)
I’d loved women who were old and who were young; those extra kilos and large rumps, and others so thin there was barely even skin to pinch, and every time I held them, I worried I would snap them in two. But for all of these: where they had merited my love was in their delicious smell. Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour.
Roman Payne
And it took me by surprise how much I wanted to be kissed by him, to realize that I’d thought about it so often that I’d memorized the exact shape of his lips, that I’d imagined running my finger down the cleft of his chin.
Gayle Forman (If I Stay (If I Stay, #1))
Her lips touch just against my mouth, then the cleft of my chin, back to my lips. 'Good night, Tim.' My lips on her forehead. 'Good night, Alice.' I can't remember ever having something and not reaching for more. But I back away from her, hands in my pockets. Enough.
Huntley Fitzpatrick (The Boy Most Likely To)
I flipped quickly through the pages as I waited—made my family a jerky, imperfect movie. It struck me that my mother had compiled mostly a book of her father, Thomas, and me. Others make appearances: Ray, Dessa, the Anthonys from across the street, the Tusia sisters from next door. But my grandfather, my brother, and I are the stars of my mother’s book. Ma herself, camera-shy and self-conscious about her cleft lip, appears only twice in the family album. In the first picture, she’s one of a line of dour-faced schoolchildren posed on the front step of St. Mary of Jesus Christ Grammar School. (A couple of years ago, the parish sold that dilapidated old schoolhouse to a developer from Massachusetts who converted it into apartments.
Wally Lamb (I Know This Much Is True)
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
I felt the heat flood my neck and I could sense myself blushing. I stared at my shoes. I knew that Adam was looking at me now with as much certainty as I knew that if I looked up he was going to kiss me. And it took me by surprise how much I wanted to be kissed by him, to realize that I’d thought about it so often that I’d memorized the exact shape of his lips, that I’d imagined running my finger down the cleft of his chin. My eyes flickered upward. Adam was there waiting for me. That was how it started.
Gayle Forman (If I Stay (If I Stay, #1))
The smell of a woman is her most important quality. I’d loved women who were old and who were young; those with extra kilos and large rumps, and others so thin there was barely even skin to pinch, and every time I held them, I worried I would snap them in two. But for all of these, where they had merited my love was in their delicious smell. Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour.
Roman Payne
He fell on his back and lay there, staring stupidly up at the sky. Then he began to tremble with fear. In the blue curve of the sky he saw a great rent, a cleft which, he perceived, was an open, gaping wound. The two irregular edges were jagged as though it had been made with something blunt, something which had first cut and then ripped and torn. Here and there shreds of the flesh, still attached to the edges, stuck out across the wound, obscuring whatever was behind. All that he could see in the suppurating depth of the wound was blood and pus, a glistening, viscous, uneven surface like a marsh. The edges were messy too, fringed all along with blood and yellow matter on which flies were walking. As he stared in horror, the dead body of a rabbit fell out of the wound, but disappeared as it fell. To El-ahrairah’s distraught eyes, the whole gash seemed to be slowly moving, two parted lips descending to close over him and draw him in.
Richard Adams (Tales from Watership Down (Watership Down, #2))
It had gone so far that mothers in certain regions where the slave scouts were most rife, such as Eliana, disfigured their daughters by shaving their heads, cutting or burning their faces, pulling out their teeth. Anything to try to keep them safe. Those born with a cleft lip or birthmarks were seen as blessed. They were safe
Maria Turtschaninoff (Naondel (Punaisen luostarin kronikoita #2))
While awake, he was all angles and tension- the muscles of his jaw were strung tight as a bow, as though he were in a perpetual state of holding himself back. But now, in slumber, in the glow of the fire, he was... Beautiful. The angles were still there, sharp and perfect, as though a master sculptor had had a hand in creating him- the tilt of his jaw, the cleft of his chin, his long, straight nose, the perfect curve of his brows, and those eyelashes, just as they were when he was a boy, unbelievably long and lush, a black, sooty caress against his cheeks. And his lips. Not pressed in a firm, grim line at the moment, instead lovely and full. They had once been so quick to smile, but... they had become dangerous and tempting in a way they'd never been when he was a boy. She traced the peak and valleys of his upper lip with her gaze, wondering how many women had kissed him. Wondering what his mouth would feel like- soft or firm, light or dark. She exhaled, temptation making the breath long and heavy. She wanted to touch him.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
Snuggle up with a hot fireman! Meet Tanner West. Sharon looked up into the most gorgeous face she had ever seen. Eyes like dark chocolate, deep and warm, stared out at her from a face that looked like it could have been chiseled in stone. Skin the color of burnished copper, high cheekbones, a sharp nose, full lips, and a cleft chin. How the hell had she failed to notice him before? Her heart skipped a beat and she ran her gaze down the rest of his body. He was tall, well over six feet, she would guess, with broad shoulders that tapered into a trim waist. His thighs, encased in worn denim, fit like a second skin against legs the size of tree trunks, and oh my, what lay between those thighs… Her attention snapped back to his face and she could feel the heat of a blush suffuse her skin.
Tamara Hoffa (A Special Kind of Love)
You’re not wearing drawers,” he murmured, his hand wandering avidly over her bare limbs. “It’s too hot today,” she said breathlessly, wiggling to evade him, pushing ineffectually at the mound of his hand beneath her dress. “I most certainly did not discard them for your benefit, and… Nick, stop that. The maid is going to come in at any moment.” “Then I’ll have to be fast.” “You’re never fast. Nick… oh…” Her body curled against his as he reached the patch of hair between her thighs, the sweet cleft already rich with moisture as her well-tutored body responded to his touch. “I’m going to do this to you next week at the Markenfields’ ball,” he said softly, running his thumb along the humid seam of her sex. “I’m going to take you to some private corner… and pull up the front of your dress, and stroke and tease you until you come.” “No,” she protested faintly, her eyes closing as she felt his long middle finger slide inside her. “Oh, yes.” Nick withdrew his wet finger and ruthlessly tickled the softly straining crest until he felt her body tensing rhythmically in his lap. “I’ll keep you quiet with my mouth,” he whispered. “And I’ll be kissing you when you climax with my fingers inside you… like this…” He thrust his two middle fingers inside the warm, pulsing channel and covered her lips with his as she moaned and shuddered violently. When he had siphoned the last few shivers of pleasure from her body, Nick lifted his mouth and smiled smugly into her flushed face. “Was that fast enough for you?” -Nick & Lottie
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
She reached toward the chessboard, and he caught her hand in his. “Believe me,” he whispered. “When I wish to be, I can be very convincing.” He followed the seam of her fingers with this thumb, tracing slowly upward until he reached the soft cleft below her knuckles. He watched as her eyes widened and her lips parted. Then he stroked the spot lightly—a quick, circular caress—and she made a little sound, half gasp and half sigh. That little sound—that tiny, panting breath—was very nearly his undoing. Jeremy knew that sound. It was the tumbler of a lock falling in place, the charged crackle between lightning and thunderbolt, the hiss of a candlewick the instant before it comes alive with flame. An incomplete sound. A sound that promised—and begged for—more.
Tessa Dare (Goddess of the Hunt (The Wanton Dairymaid Trilogy, #1))
I see it out of the corner of my eye as the man moves his fork toward his mouth. He's talking to the woman and he looks like the same pompous asshole I've been watching for the last hour. Truly. The he moves the fork and a piece of pasta falls off. It hits his lip and smears cheese down his perfect, clefted chin. He tries to act cool, but for a split second, like a flash of light, I see what he's hiding. Curt looks up with his chin still on the table. He's watching me watch them. "You saw it, didn't you?" he breathes. I shake my head. "No, I didn't see anything really...." I squint. the woman puts a small amount of egg on her fork, then lifts it tentatively. She's trying to act beautiful, in control. She moves her body sideways, then opens her mouth.... "See?" curt asks drowsy. "You see it?" I stare, fascinated. Maybe, after all, I do. Curt nods in answer to the question I haven't asked. "Finally," he says. "Do you get it now?" I nod very slowly. The woman takes another bite, and I don't think about her legs anymore. I just watch for the flash. I don't think I will, but I see it again. One minute she looks confident , perfect, the next I see something else. I cringe. I try watching the man instead, but that's worse. I realize for the first time that he's trying really hard.
K.L. Going (Fat Kid Rules the World)
here was Dorothy, always knotted to the point of strangulation, aspiring to be what she was not, because of that parvenu prince. Mrs Hunter saw him: the groove in the lower lip, above the cleft chin, beneath the pink-shaded restaurant lights. She had ordered tournedos Lulu Watier. After the first shock of mutual disapproval, she felt that she and Hubert were enjoying each other. Alfred said, ‘Out with us, the food is plainer. We don’t feel the need to titillate our palates by dolling it up with a lot of seasoning and fancy sauces.’ He might have worsened the situation if she hadn’t kicked him under the table. They had gone over for the wedding because the old princess insisted she could not travel out to ce pays si lointain et inconnu. It was the first occasion the mountain hadn’t come to Elizabeth Hunter: she couldn’t very well believe it; nor that she would overlook the fact that her little Dorothy was being received into the Roman Catholic Church. But you did: at the nuptial mass there was your plain little girl in the dress by Lanvin tissé expres à la main à Lyon, and none of it could disguise the fact that you were prostituting your daughter to a prince, however desirably suave and hung with decorations. For one instant, out of the chanting and the incense, Elizabeth Hunter experienced a kind of spiritual gooseflesh.
Patrick White (The Eye of the Storm)
in the men's room. I couldn't control the want or the need." He moves his hands up my sides, pulling the dress with them. "That tight little body teasing me from across the room." I lift my hands above my head and he pulls the dress over. "I wanted you too," I whisper. "You came to the club to get fucked." He pulls the front clasp of my bra open. "You were made to be fucked by me." He takes one of my nipples into his mouth, twirling his tongue around it. I throw my head back at the sensation and I feel his hand push down my belly. "You're so wet and ready." He moves his finger quickly across my clit. The pressure is so light I can barely feel it. "Sometimes, at night, I close my eyes and think about how you taste and I jerk myself off." I moan at the thought of him coming to any thoughts of me. I push his hand back down, towards my center. He pulls it back up as I moan in protest. "I'm going to make you scream, Jessica." He holds my hips as he shifts his hips to the side, pulling himself down on his back. "You're going to ride my face until you can't take it anymore." I feel him pull my thighs towards him and I eagerly acquiesce. I move my body so my core is right above his mouth. I feel so close already and he hasn't even touched me with his tongue yet. He jerks my legs and I fall forward, my cleft meeting his mouth. He sucks the folds between his lips and
Deborah Bladon (Pulse - Part One (Pulse, #1))
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
Sue Monk Kidd (The Invention of Wings)
Missy and I haven’t spent a lot of time asking God why Mia was born with her difficulties. We have accepted that it’s yet another opportunity to glorify Him. A couple of years after Mia was born, one of the nurses at St. Francis Medical Center in Monroe called Missy. The nurse told her that there was a couple at the hospital, and they had just given birth to a baby with a cleft lip and soft palate. The couple was really struggling with the shock, and the nurse told Missy she remembered how we handled it. Missy and I went to the hospital and talked to the parents. Missy told the nurses to call us whenever a similar situation occurred. A few months later, Missy and Mia were in Dallas for a checkup. The nurse from St. Francis called Missy and told her there was another baby born with the same condition. Since Missy was out of town, she called me. “Jason, you have to go up there,” she said. “I can’t do this,” I said. “The parents are devastated,” she said. “You have to go.” “I can’t,” I said. After I hung up the phone, I thought about the situation for several minutes. I remembered how Missy and I felt when Mia was born, and I knew the parents at the hospital needed all the support in the world. I called Missy back and told her I was going. When I walked into the hospital room, the parents were there with some family members. Everybody was crying, and it seemed like the normal joy of a child being born was missing. They looked at me like, “Who is this guy?” I was so quiet I could have heard a pin drop. Their new son was with the other babies in the nursery, and I could see him through the glass wall that separated the waiting room and the nursery. I’d brought along before-and-after photos of Mia. I took them out of my pocket and held them up. “I have a girl named Mia, and when she was born she looked a lot like him,” I said. “All I can tell you is that you can make it through this. It is going to be okay.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
There is no silence upon the earth or under the earth like the silence under the sea; No cries announcing birth, No sounds declaring death. There is silence when the milt is laid on the spawn in the weeds and fungus of the rock-clefts; And silence in the growth and struggle for life. The bonitoes pounce upon the mackerel, And are themselves caught by the barracudas, The sharks kill the barracudas And the great molluscs rend the sharks, And all noiselessly-- Though swift be the action and final the conflict, The drama is silent. There is no fury upon the earth like the fury under the sea. For growl and cough and snarl are the tokens of spendthrifts who know not the ultimate economy of rage. Moreover, the pace of the blood is too fast. But under the waves the blood is sluggard and has the same temperature as that of the sea. There is something pre-reptilian about a silent kill. Two men may end their hostilities just with their battle-cries, 'The devil take you,' says one. 'I'll see you in hell,' says the other. And these introductory salutes followed by a hail of gutturals and sibilants are often the beginning of friendship, for who would not prefer to be lustily damned than to be half-heartedly blessed? No one need fear oaths that are properly enunciated, for they belong to the inheritance of just men made perfect, and, for all we know, of such may be the Kingdom of Heaven. But let silent hate be put away for it feeds upon the heart of the hater. Today I watched two pairs of eyes. One pair was black and the other grey. And while the owners thereof, for the space of five seconds, walked past each other, the grey snapped at the black and the black riddled the grey. One looked to say--'The cat,' And the other--'The cur.' But no words were spoken; Not so much as a hiss or a murmur came through the perfect enamel of the teeth; not so much as a gesture of enmity. If the right upper lip curled over the canine, it went unnoticed. The lashes veiled the eyes not for an instant in the passing. And as between the two in respect to candour of intention or eternity of wish, there was no choice, for the stare was mutual and absolute. A word would have dulled the exquisite edge of the feeling. An oath would have flawed the crystallization of the hate. For only such culture could grow in a climate of silence-- Away back before emergence of fur or feather, back to the unvocal sea and down deep where the darkness spills its wash on the threshold of light, where the lids never close upon the eyes, where the inhabitants slay in silence and are as silently slain.
E.J. Pratt
Nick..." She started as his mouth descended to the nest of blond curls. "Nick..." But he did not listen, completely absorbed in her salt-scented female flesh. His breath filled the moist cleft with steamy heat. A moan rose from her throat, and her wrists twisted in his grasp. His tongue searched through the springy curls until he reached the rosy lips hidden beneath. He licked one side of her sex, then the other, the tip of his tongue teasing delicately. His mouth ravished her so gently, his tongue slipping over her melting flesh to find the secret entrance to her body, filling her with silky heat... withdrawing... filling. Lottie went weak all over, her sex pulsing urgently. As he nuzzled and played with her, she tried to angle her body so that he would touch the peak that throbbed so desperately. He seemed not to understand what she wanted, licking all around the sensitive spot but never quite reaching it. "Nick," she whispered, unable to find words for what she wanted. "Please. Please." But he continued to deny her, until she realized he was doing it deliberately. Frustrated beyond bearing, she reached down to his head, and she felt the puff of his brief laugh against her. Immediately his mouth slid away and traveled downward, tasting the damp creases of her knees, moving to the hollows of her ankles. By the time he made his way back to her loins, her entire body was sweltering. His head hovered over the place between her legs again. Lottie held her breath, aware of a hot trickle of moisture from her body. His tongue brushed the peak of her sex in a tentative lap. Lottie could not hold back a wild cry as she arched into his mouth. "No," he murmured against her damp flesh. "Not yet, Lottie. Wait just a little longer." "I can't, can't, oh, don't stop..." She pulled at his dark head frantically, groaning as he feathered his tongue over her once more. Catching her wrists, Nick pulled them over her head and settled his body between her thighs, taking care not to crush her. His shaft was cradled in the hot valley between her legs. His dark blue eyes stared directly into hers as he released her hands. "Leave them there," he said, and she obeyed with a sob. He kissed her breasts, moving from one to the other. With each incendiary swirl of his tongue, she nearly rose off the sheet. His sex slid against her in disciplined thrusts that teased and rubbed and tormented, while his mouth drew hungrily on her nipples. She arched upward with supplicating moans. Stunning pleasure built inside her, gaining intensity... she hovered on the brink, waiting, waiting... oh, please... until the culmination was finally upon her. She cried out in bashful amazement as rich spasms spread from the center of her body. "Yes," he whispered against her taut throat, his hips working gently over hers.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?” He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.” “No one has lavender eyes.” “Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?” Sophia nodded. “The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.” She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look. He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.” Sophia felt a hot blush spreading from her bosom to her throat. He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.” Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.” He turned a leaf of his book, then fell silent. Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs. Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes. Sophia smiled. She always won at cards. “Balderdash,” she said calmly. He looked up at her, eyebrow raised. “No one has violet lips.” “Don’t they?” She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.” His lips quirked in a lopsided grin. “Really.” “Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.” “Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
His fingers entered the cleft between her thighs with a gentle twist that made her quiver. He reached far inside the depths of her, exploring with subtle, diabolical knowledge. "You'll make it up to me," he murmured. "Won't you?" "Yes... yes..." And her lips parted against his chest in a sigh of pleasure.
Lisa Kleypas (Stranger in My Arms)
But then his tongue moved over me and started to lick the whipped cream over my sex, making my legs fall open, swiping the creamy coolness down and over my cleft, making a long, ragged moan escape me, dragging a rumbling sound from his chest that made another rush of wet pool as his mouth closed over my clit and sucked hard. Then he devoured me, drove me up fast and unrelenting until the orgasm started to crest, seeming to start at the base of my spine and exploding outward until it took over whole body, making me cry out his name as he took possession of my clit and sucked it in pulses as the waves washed over me, dragging it out, intensifying everything. As soon as the waves lessened, he released me and licked a line back upward, taking the whipped cream off my breasts then pressing up to balance over me, wicked look in his eyes. "Tell me." "Tell you what?" I asked, brain nothing but sparking misfirings right then. He smiled at that, either delighted with his prowess or glad to torture me more. Or, more likely, both. I grabbed the can of whipped cream as I moved to straddle him, watching as his eyes went knowing just a second before I started making a line down his stomach with the cream, then down the little happy trail, over his balls, and then up the underside of his cock until there was a large amount on the swollen head. Then I tossed the can to the side and gave him a smile before ducking my head and starting my path down, deciding that while foreplay was always good, it was infinitely better with food involved as my tongue licked the cream off his balls then his shaft before closing my lips around the head and licking it off from there as well, making Brant let out a deep, primal groan that spurred me on, made me work him faster, deeper. "Maddy..." he warned, but I didn't need a warning. I wanted to make him come. I wanted to give him the selfless orgasm he gave me. "Fuck," he growled, his hand crushing into the back of my head as he came down my throat. I worked him for a long moment before letting him slide away, looking up at him to find an intense weight in his gaze. "From now on, we only ever eat dessert off of each other," he said a second later, his hand going under my chin and pulling me until I moved to straddle him, bringing my face close to his. "I can get behind that plan," I agreed with a smile before he yanked me forward and our lips crashed together. It wasn't a slow, sweet, post-orgasm kiss. It was still wild, hungry, primal. It said we weren't done. "Come on," he said when he pulled away, a little out of breath. "Let's go take a shower. That was hot as fuck but we're both sticky now." Thank God. I didn't want to complain, but every time I moved, my skin got stuck to his skin and it was weird and decidedly unsexy. I went to move off him, but his arms went to slip around my lower back, holding me to him as he stood and started walking around the house. Then up the stairs. I was generally not the kind of girl who got carried around. I was fit, sure, but I was tall and leggy and most guys wanted to carry around the short, lithe little women. But since Brant was a huge wall of muscle, he didn't seem bothered by my height and less than dainty limbs. He set me on my feet outside the shower and reached in to put the water on, water I knew would take a couple of minutes to warm up. But he stepped in regardless, cursing at the cold spray. "Yeah, I think not," I said when he looked at me expectantly. I should have known to step away. I really should have. But I didn't and the next thing I knew, he was yanking me in with him, making me let out a string of incredibly unladylike curses before I felt the water get warmer against my back.
Jessica Gadziala
And it was all there, in her lovely face. The lines, high on her cheeks, were the dams she used to keep the tears in her eyes. Unspoken, unanswerable questions parented her full, red lips, whenever she was alone, or absorbed in her work. Determination stiffened the defiant thrust of her cleft chin. And her forehead was always slightly creased in the centre, between the brows, as if she was grasping, in those soft folds of skin, the monstrous and pitiable understanding that no happiness exists without its woe, no wealth without its cost, and no life without its full measure, sooner or later, of sorrowing and death.
Gregory David Roberts (Shantaram)
Their encounter had been amazing, breathtaking. He'd touched her in ways she'd never imagined a man might touch a woman and...it had been wonderful. Shocking, too, but wonderful was the only accurate method of describing it. All these hours later, her body was alive and thrumming with an unfamiliar, exotic energy, as though it had been in hibernation and had just been awakened. Her nipples were alert and aroused from how he'd pinched them. Whenever she shifted about on the bed, the fabric of her nightdress irritatingly rubbed against them and made her wish he was present to fondle them again. He'd suckled against her! With his dark hair splayed across her chest, and his lips wrapped around her breast, he'd looked so beautiful. The episode had been brief and abrupt, but the agitation he'd inflicted with his atrocious teeth and tongue still tormented. Her womanly cleft was overly aggravated, as well, and when he'd caressed her there, she'd been outraged by the intimate penetration of his conniving hand, but not now as she reflected upon it cooly and analytically. His shrewd finger had fit exactly right, had stroked across an itch she hadn't realized needed scratching. Retrospection about him and his indecent gestures caused her to press her thighs together, but the movement inundated her with searing sensation, and she groaned in frustration. Her tender, feminine flesh was moist and swollen, and to her consternation, she wished he was available to continue his maneuvers. Without a doubt, he would be competent to ease her physical woes.
Cheryl Holt (Total Surrender)
Sartre gazed upon Freya's beauty, continuously reminding himself that he should not stare. Every time that he let his guard down, his eye wandered back to her cherry lips. He wanted to know if they tasted as good as they looked. He trailed down and noticed how the slight cleft in her chin served to accentuate the much deeper cleft between her breasts. Freya detected Sartre skimming her body. She liked it. This frail little man with the crazy eye was so much different than the strong, muscular brutes that she was used to. He was a cute little oddity.
Dylan Callens (Operation Cosmic Teapot)
Naomi stretched as she woke with an exaggerated yawn in her own bed. How the hell did I get here? Recollection of the dirty trick the two men played on her the previous night made her sit up abruptly. The sheet fell away and she noticed her clothing of the previous eve gone, replaced with a t-shirt and shorts. “Those dirty, rotten pigs,” she cursed as she swung her legs out of bed and sat on the edge. “You called?” A head topped with tousled hair poked out from around the door frame of the bathroom. Number sixty-nine’s dark eyes twinkled and his lips curled in a sensual smile. Despite her irritation, her body flooded with warmth. “You!” She pointed at him and shot him a dark glare. He grinned wider. “What about me, darling?” “I’m going to kick your balls so hard you’re going to choke on them. How dare you drug me and then do despicable things to my body while I was unconscious?” Stepping forward from the bathroom, he raised his arms in surrender and her eyes couldn’t help drinking in the sight of him. No one should look that delicious, especially in the morning, was her disgruntled thought. Shirtless, Javier’s tight and toned muscles beckoned. Encased in smooth, tanned skin, his muscular torso tapered down to lean hips where his jeans hung, partially unbuttoned and displayed a bulge that grew as she watched. Unbidden heat flooded her cleft and her nipples shriveled so tight she could have drilled holes with them. She forced herself to swallow and look away before she did something stupid— say, like, licking her way down from his flat nipples to the dark vee of hair that disappeared into his pants. “It would take a braver man than me to disobey your mother’s orders. Besides, you needed the sleep,” he added in a placating tone. Scowling, Naomi mentally planned a loud diatribe for her mother. “Let me ask you, how does your head feel now?” His question derailed her for a second, and she paused to realize she actually felt pretty damned good— but now I’m horny and it’s all his friggin’ fault. She dove off the bed and stalked toward him, five foot four feet of annoyed woman craving coffee, a Danish, and him— naked inside her body. The first two she’d handle shortly, the third, she’d make him pay for. He stood his ground as she approached, the idiot. “What did you do to me while I was out?” she growled as she patted her neck looking for a mating mark. “Nothing. Contrary to your belief, snoring women with black and blue faces just don’t do it for me.” His jibe hurt, but not as much as her foot when it connected with his undefended man parts. He ended up bent over, wheezing while Naomi smirked in satisfaction. “That’s for knocking me out. But, if I find out you did anything to me other than dress me, like cop a feel or take nudie pictures, I’m going hurt you a lot worse.” “Has anyone ever told you you’re hot when you’re mad?” said the man with an obvious death wish. Only his speed saved him from her swinging fist as she screeched at him. “Go away. Can’t you tell I’m not interested?” “Liar.” He threw that comment at her from the other side of her bed. “I can smell your arousal, sweetheart. And might I say, I can’t wait to taste it.
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
He swallowed hard, and stared into the corner. “I never wanted you to see me like that. When a man faces death, he meets the animal lurking inside him. When it’s hand to hand, blade to blade, kill or be killed . . .” Defiant green eyes met hers, and he slapped a hand to his scar. “The man who did this to me— I killed him. With his bayonet stuck in my flesh, I reached out and grabbed him by the throat and watched his eyes bulge from his skull as he suffocated at my hand.” She would not react, Cecily told herself, calmly dabbing at his wound. That’s what he expected, what he feared— her reaction of revulsion or disgust. “And he wasn’t the only one,” he continued. “To learn what violence you’re truly capable of, in those moments . . . It’s a burden I’d not wish on anyone.” She risked a glance at him then. “Burdens are lighter when they’re shared.” Luke swore. “I’ve shared too much of it with you already. I can’t believe I’m telling you this.” “You can tell me anything. I’ll still love you. And I warn you, I’ve learned something of tenacity in the past four years. I’m not going to let you go.” He shook his head. “You don’t understand. Sometimes, I scarcely feel human anymore. The brutal way I took down that boar, Cecily. That barbarism with the stocking . . .” “Ah, yes.” She put aside her handkerchief and stood. “The stocking.” She propped one boot on the stool and slowly rucked up her skirts to reveal her stocking-clad leg. “Cecy . . .” “Yes, Luke?” She leaned over to untie the laces of her boot, giving him an eyeful of her décolletage. He groaned. “Cecy, what are you doing?” “Tending to your wounds,” she said, slipping the boot from her foot. With sure fingers, she unknotted the ribbon garter at her thigh, then eased the stocking down her leg. “Making it better.” Skirts still hiked thigh-high, she straddled his legs and nestled on his lap. “Shh.” She quieted his objection, then deftly wound the length of flannel around his injured arm, tucking in the end to secure it. “There,” she said in a husky voice, lowering her lips to the underside of his wrist. “All better.” “I wasn’t after your damn stocking,” he blurted out. “When I took you to the ground last night and pushed up your skirts. By all that’s holy, I wanted—” With a muttered oath, he gripped her by the shoulders, hauling her further into his lap. Until she felt the hard ridge of his arousal, pressing insistently against her cleft. “Cecily, what I want from you is not tender. It’s not romantic in the least. It’s plunder. It’s possession. If you had the least bit of sense, you’d turn and run from—” She kissed him hard, raking his back with her fingernails and clutching his thighs between hers like a vise. Boldly, she sucked his lower lip into her mouth and gave it a sharp nip, savoring his startled moan. Wriggling backward, she placed her hands over his, dragging them downward and molding his fingers around her breasts. “For God’s sake, Luke. You’re not the only one with animal urges.” He took her mouth, growling against her lips as he did.
Tessa Dare (The Legend of the Werestag)
You can’t seriously expect me to trust my mane to a woman?” Sexism, alive and well in Arik’s world, the fault of the females in his pride who’d raised him. No coddling for Arik. They didn’t believe in letting him play with dolls or caving to others. His mother and aunts, not to mention his numerous female cousins, had taught him to be tough. They didn’t allow softness in his world, not when they groomed him as the future leader of their pride. He was all male, all the time, and dammit, a man used a barber, not a hairdresser. Even if she was cute. “Suit yourself. I’ve got more than enough men to take care of—” Was that his cat growling? “— without adding a pompous one to the list.” “Pompous?” Even if she’d pegged him right, it didn’t stop his indignant glare. A glare she chose to ignore. She crossed her arms over her chest, plumping her cleavage— ooh, pretty, shadowy cleft. His curious nature drew his eyes to the mysterious and beckoning vee until she cleared her throat. “My eyes are up here, big guy.” Caught. Good thing he was a cat. His kind had no shame, nor did they apologize. He shot her his most engaging, boyish grin. “My name is Arik. Arik Castiglione.” She didn’t react to his smile or titles, so he elaborated, “The CEO for Castiglione Enterprises.” He stretched his lips wide enough to engage his deadly dimple. And still failed to impress. She raised a brow. “Is that supposed to mean something?” Surely she jested. Within his mind, his poor lion lay down in a traumatized heap and crossed its paws over its eyes. “We are the largest importer of meat in the world.” Her shoulders lifted in a shrug. “I don’t check the label to see who brings me my steak. I just eat it.” “What about our chain of restaurants? A Lion’s Pride Steakhouses.” “Those I’ve heard of. Decent, I hear, but overpriced. I can get a bigger plate of food at LongHorn. And according to my girlfriends, the male waiters are cuter too.
Eve Langlais (When an Alpha Purrs (A Lion's Pride, #1))
A couple of weeks after Mia’s bone graft surgery in January 2014, she received a letter from Congressman Trent Franks of Arizona on official United States congressional letterhead. Mia was so excited about the letter that she stood on the fireplace hearth (the living room stage) and proceeded to read it to the entire family. In the letter, Congressman Franks told Mia that he, too, was born with a cleft lip and palate and underwent many surgeries as a child. He told her he understood how she felt and told her not to get discouraged because he recognized how she is helping so many people. He invited her to Washington, DC, to receive an award from Congress for service to her community. As soon as she had finished reading it to us, she exclaimed, “Can we go?” Knowing how Jase puts little value on earthly awards and how he likes to travel even less, I responded with a phrase that most parents can understand and appreciate: “We’ll see.” Mia immediately ran upstairs and tacked the letter to her bulletin board, full of hope and optimism. How could Jase say no to this? Oh, she knew her daddy well. He couldn’t, and he didn’t. That summer, Mia, Jase, Reed, Cole, and I spent a few days together visiting monuments and historical sites in Washington before meeting Congressman Franks on July 8 in his office on Capitol Hill. Mia’s favorite monument was the Lincoln Memorial because she had learned about it in school, so it was cool to see it “for real.” It was really crowded there, and people were taking pictures of us while we were trying to read about the monument and take photographs ourselves. Getting Jase out of there took a while because of so many fans wanting pictures--he’s very accommodating. That’s why it surprised me that this was Mia’s favorite site. I’m glad she remembers the impact of the monument and didn’t allow the circus of activity from the fans to put a damper on her experience. Congressman Franks presented Mia with a Certificate of Special Congressional Recognition for “outstanding and invaluable service to the community” at a press conference held at the foot of the Capitol steps. Both he and Mia made speeches that day to numerous cameras and reporters. Hearing my ten-year-old daughter speak about her condition and how she hopes people will look to God to help them get through their own problems was an unbelievably proud moment for me, Jase, and her brothers. After the press conference, Congressman Franks took us into the House chamber where Congress was voting on a new bill. He took Mia down to the floor, introduced her to some of his colleagues, and let her push his voting button for him. When some of the other members of Congress saw this, they also asked her to push their voting buttons for them. Of course, Mia wasn’t going to push any buttons without quizzing these representatives about what exactly she was voting for. She needed to know what was in the bill before she pushed the buttons. Once she realized she agreed with the bill and saw that some members were voting “no,” she commented, “That’s just rude.” Mia was thrilled with the experience and told us all how she helped make history. Little does she know just how much history she has made and continues to make.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
The Dreamer This green glowing night I'm lying right beside you. Demons summon me in my sleep, waterbording me with tyrannical interogations: 'Who are you?' Again, 'Who are you?' asks the gangly inquisitor With the Roswell eyes and Twilight fangs. I am my parent's son, my wife's husband, my children's father. 'Wrong!'' says his chain smoking subordinate with a cleft lip, 'That is a relative answer. We demand the true answer!' 'Who are you?' Again, 'Who are you?' Exhausted, I yell, 'I am the dreamer.' The demons walk backwards, disappearing into smoke. I wake with a start. My woman sleeps beside me, oblivious to my torture. She seems more beautiful than ever. I ask myself, 'Who are you?' Again, 'Who are you?' For if I am the dreamer, you too, my dearest love, are the dream.
Beryl Dov
I believe his exact words were, ‘Go sort this out, and don’t come back until you’re certain you can keep your mind on what matters.’” He smiled at Kerry, then. That big, broad grin that crinkled the deeply tanned skin at the corners of his eyes, the one that made all that bright blue twinkle and added a shadow to that hint of a cleft in his chin. “That sounds more like Big Jack,” she said. He’d just been making it clear he wanted Cooper’s head back in the game. She wondered if Big Jack was shocked when his oldest son had taken him up on the offer. Probably, she thought, a smile hovering again as she imagined the look on his broad, still handsome, craggy face. “He also said, ‘And, if what matters happens to be about yay high”--Cooper lifted the palm of his hand level with the top of Kerry’s head--“‘with firecracker hair and a temperament to match, well, you’d best be bringing her back along with you.’” “He did not say that,” Kerry declared, even as she knew damn well he probably had. She could hear him, see his own crinkled-at-the-corners, twinkle-eyed gaze. Now it was Cooper’s turn to shrug. “He’ll be deeply disappointed when I come back empty-handed.” He lifted his palms. “But what’s a bloke to do?” She swatted his shoulder, only it might have been a little more like a punch. “Don’t you dare try to emotionally blackmail me or make me feel bad about this. I didn’t ask you to fly halfway around the globe and could have saved you the trouble if you’d given me so much as a hint what you were thinking. Besides, you don’t want me--or anyone else--on the station who doesn’t want to be there. Who doesn’t feel the same as you.” His smile stayed, but the look in his eyes was nothing short of the fierce gaze of a man who pushed himself to the limits of his ability every single day and wasn’t the least bit afraid of a challenge. “My mistake, then.” Kerry tried to hold his gaze but ended up ducking her chin. “You never so much as hinted--” “Starfish--” Her head shot up, but the automatic rejection of the nickname died on her lips at the look on his face, in his eyes. “Nothing ever happened.” Only because you didn’t let it happen, her little voice supplied. She tried desperately to ignore that part. “As you said, you weren’t staying. We all knew that.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
You didn’t even look at me,” I protest. He sits up on his knees and lifts my leg up by his shoulder. He’s not looking at my body. “You have pink toenail polish, and you have a bit of stubble on your legs.” He grins. “You can use my razor if you want.” His hand slides up my calf, toward my knee, leaving a wake of goose bumps behind. “Your thighs are firm, and you have a generous flare to your hips.” His hand slips to the front of my panties, where he drags his thumb back and forth for a moment. “You have this tiny dusting of hair, here.” His thumb presses against my cleft, and I arch my back to press harder against him. He chuckles. His hands drift up my sides, lifting the shirt. He tugs it up, until it rests just beneath my breasts. He presses a kiss to my belly. My nipples are hard and standing tall. He licks his lips. “Your nipples are pink and puffy and perfect. And your breasts will fit in my hands.” He throws the shirt back down, groaning as he lies back down on top of me, rocking his length against me again. “I saw everything,” he says. “I was just trying to be a gentleman.” He laughs. “You thought I didn’t look.” He kisses the tip of my nose. “Silly woman,” he scolds. “You looked.” That’s all I can say. And it comes out as a croak. Thank God he can’t hear the quiver in my voice. “I looked,” he admits. “You were naked. And so fucking beautiful that I could barely breathe. Of course, I looked.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Guess you told her.” “She has a way of bringing out the worst in me.” “And here I thought that was my job.” He rubbed his cheek and grinned. A smile curled her lips. “You came to hear the speech.” “And you’re surprised.” He plucked a long blade of grass from beside the steps. “You made some excellent points.” “Enough to convince you to change your mind?” “Not necessarily.” His eyes sparkled with mischief in the afternoon sun. “Sorry about the heckler.” “I could’ve handled it myself, but I still appreciate your intervention.” “Do you appreciate it enough to have supper with me tonight at Louie’s?” The cleft in his chin deepened with the crooked grin. “Alone?” He glanced toward Olivia and her two friends now speaking to Marguerite and Lilly. “Unless you’d like to invite Mrs. DeSoto.” “Carter, I . . . I . . . can’t.
Lorna Seilstad (A Great Catch)
Delicious shivers slid down her spine as she assessed his cool, sensual face. His eyes were the deepest shade of brown, dark like the forest floor she'd hidden on before she'd taken a chance to claim victory for her team. A hint of a cleft in his chin and full lips in a beautifully shaped mouth softened what might have otherwise been a severe expression. As his gaze raked up and down her body, her nipples tightened and she crossed her arms over her chest, silently thanking the '80s for her massive puffball sleeves.
Sara Desai (The Singles Table (Marriage Game, #3))
My lips pop open, ever so slightly at the thought of him closing the distance, gripping my head, and pressing his lips to mine. Giving me a taste of what I’ve fantasized about. He’s leaned close when his gentle fingers cup the bottom of my chin. His thumb hovers over the cleft there, like he’s questioning touching me at all. When the pad of his thumb brushes just beneath my lower lip, it’s feather light. It makes the hair on my arms stand on end and my eyes flutter shut. But he doesn’t stop, doesn’t hesitate. His thumb caresses over my top lip, a strangled groan catching in the back of his throat. My breathing becomes more labored, and when I catch sight of the expression on his face, I’m panting. The way he’s looking at me . . . it’s not polite. It’s primal.
Elsie Silver (Flawless (Chestnut Springs, #1))
Stockings, but no drawers?" he teased, breathlessly. He nudged the neckline of her gown lower with his teeth, exposing her breast, distracting her as his hand glided farther up her thigh, to come gently to rest against the damp, silken curls at the crook of them. "Too warm for... drawers... but I liked the... garters..." She gasped out the words, and he gave a short laugh before he took her nipple into his mouth. Puckered velvet, it was, the palest, most delicate pink, like her lips; her breast could fill the palm of his hand. He knew because he skimmed his palm over the other one. "Kit," she rasped. "God." "One and the same," he murmured. He heard her gasp something, either a tortured laugh or a word, which may have been "beast," but she stopped abruptly when he took her nipple into his mouth again and drew slow circles around it with his tongue. Her softly sighed, "oh," her back arching up to meet him, her fingers combing over his head, made him wilder than he thought he could bear. But he would bear it. Today was for her, and today was all there would be. He settled for tucking his hips closer to her, his aching erection brushing against her. His fingers stroked lightly over the curls between her legs, twining in them. And then he returned his lips to hers, gently, because he wanted to watch her eyes when he slid a finger lightly along her cleft. He felt her body go taut when he did; she drew in a sharp breath. His hand stilled. "No?" he said softly. "Yes," she disagreed on a whisper, touching his face. He kissed her softly, as his finger slid lightly again, and then again, and at last her legs slipped open wider still, inviting him in. Desire clawed him, a great bird of prey clinging to his back, he could scarcely breathe. With his fingers, he circled her gently, slowly at first, and then insistently, listening to the pulse of her breath, to her soft murmurs, to learn the rhythm she wanted, until her desire drenched his fingers. He touched nearly chaste kisses to her mouth as his fingers played over her, and watched, triumphant, as her pupils grew large, her beautiful, complicated eyes opaque, her breathing become a quiet storm. "Kit?" she whispered urgently. "I---it's---" "I know," he sympathized hoarsely. "Move with me now." And she began to move her hips in time with his knowing fingers, colluding with him in her own pleasure, and he moved his own hips against her, craving his own release even as he knew he must deny it. He covered her moth with a kiss, a deep kiss, tangling his tongue with hers, and oh the taste of her: honey and velvet, rich as plums. He moved his fingers in time with his tongue, knew by her escalating breathing, the rhythm of her hips, that it would be soon. She took her lips from his, her head thrashed to one side. "Please..." "Hold on to me, Susannah." She was utterly focused on her journey now, and God, how he wanted to go there with her. At last, her fingers dug into his arms and she bowed up with a soft cry, pulsing against his hand. And somehow, this seemed nearly as precious as the beat of her heart, and the pleasure he took in her release was so acute it might well have been his own.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
by searching for an outstanding feature, you’re accomplishing the second important step—you’re forcing yourself to look at, be interested in, concentrate on, that face! What you select could be anything: hair or hairline; forehead (narrow, wide, or high); eyebrows (straight, arched, bushy); eyes (narrow, wide-spaced, close-set); nose (large, small, pug, ski); nostrils (flaring, pinched); high cheekbones; cheeks (full or sunken); lips (straight, arched, full, thin); chin (cleft, receding, jutting); lines, pimples, warts, dimples—anything.
Harry Lorayne (The Memory Book: The Classic Guide to Improving Your Memory at Work, at School, and at Play)
by searching for an outstanding feature, you’re accomplishing the second important step—you’re forcing yourself to look at, be interested in, concentrate on, that face! What you select could be anything: hair or hairline; forehead (narrow, wide, or high); eyebrows (straight, arched, bushy); eyes (narrow, wide-spaced, close-set); nose (large, small, pug, ski); nostrils (flaring, pinched); high cheekbones; cheeks (full or sunken); lips (straight, arched, full, thin); chin (cleft, receding, jutting); lines, pimples, warts, dimples—anything. First impressions are usually lasting impressions, and what is outstanding on someone’s face now will, most likely, seem outstanding when you see that face again. That’s important; but more important is the fact that you’ve really looked at that face. You’re etching that face into your memory by just trying to apply the system.
Harry Lorayne (The Memory Book: The Classic Guide to Improving Your Memory at Work, at School, and at Play)
. . .a peal of laughter sounded from within the room where the firelight was. . . .it was a boy’s laughter, and the joy of it called to the unhappy Marianne as nothing in her life had ever called to her before. He was standing on the hearthrug as a lord of creation should, his legs straddling arrogantly, his arms above his head as he stretched himself, his laughter caught up upon a prodigious yawn. He was broad-shouldered, strong, yet possessed of an elegance that was strangely mature, taller than she was but much younger. . .the brilliance of it was entangled in the wildly untidy shock of red-gold curly hair and there seemed sparks in his tawny eyes. His face was round and ruddy, with freckles on the nose, but finely featured. He had full red lips and a deep cleft in his chin, and he showed a great deal of pink tongue as he yawned. His coat and waistcoat of vivid emerald green cloth were stained with seawater and torn linings protruded from the pockets. His white cravat was soiled, the straps that should have fastened his long peg-top trousers beneath his instep had snapped, so that they coiled round his legs like delirious green snakes, and his shoes needed a polish. Never was a male so much in need of female attention or so blissfully unaware of his need. . . .she stood with her back against the door, stiff and ungainly, staring at him with great dark eyes that seemed to devour his face with the intensity of her gaze, and she could not move or speak because her heart was beating so madly that it made her feel sick and faint. Her figure might have delayed to plump itself out into the womanly roundness proper to her age, but her heart did not delay to claim this male creature for her own. She was in love, in love at sixteen, desperately in love, as Juliet was, and with a boy who for all his height and strength and maturity was only a child of thirteen years. It was absurd. But then Marianne was never at any time in the least like other girls.
Elizabeth Goudge (Green Dolphin Street)
And then I had to trust in the universal language of a smile. Jacob had told me to smile at all the starers, that ultimate act of disarming. As he said, it was the reason why so many doctors gave their time to perform cleft palate and cleft lip surgeries. Smiles biologically bonded mothers to their babies, kicked in their mothering instinct. Fix the smile, save the child. So I bet on it now. I smiled.
Justina Chen (North of Beautiful)
But it wasn’t our differences that I wanted to focus on. So I parked in one of the visitors’ spots and pulled out the GPS I had taken to carrying in my backpack when I went running. I switched it on so I could pinpoint my coordinates, the longitude and latitude that placed me here and nowhere else in the world. The problem was, inside the car, the device couldn’t locate the satellites, so I unrolled the window, stuck my hand out and held the device to the sun. As soon as it calibrated, I grabbed my notebook from my backpack, ripped out a random page, and wrote my position on the paper. As I folded the sheet in half, I caught sight of my meager notes from the lecture about Fate Maps all those months ago. Genetics might be our first map, imprinted within us from the moment the right sperm meets the right egg. But who knew that all those DNA particles are merely reference points in our own adventures, not dictating our fate but guiding our future? Take Jacob’s cleft lip. If his upper lip had been fused together the way it was supposed to be inside his mother’s belly, he’d probably be living in a village in China right now. Then there was me with my port-wine stain. I lifted my eyes to the rearview mirror, wondering what I would have been like had I never been born with it. My fingers traced the birthmark landlocked on my face, its boundary lines sharing the same shape as Bhutan, the country neighboring Tibetans call the Land of the Dragon. I liked that; the dragons Dad had always cautioned me about had lived on my face all this time. Here be dragons, indeed. I leaned back in my seat now, closing my eyes, relishing the feel of the sun warming my face. No, I wouldn’t trade a single experience — not my dad or my birthmark — to be anyone but me, right here, right now. At last, at 3:10, I open my door. I don’t know how I’ll find Jacob, only that I will. A familiar loping stride ambles out of the library. Not a Goth guy, not a prepster, just Jacob decked in a shirt as unabashedly orange as anything in Elisa’s Beijing boutique. This he wore buttoned to the neck and untucked over jeans, sleeves rolled up to reveal tanned arms. For the first time, I see his aggressively modern glasses, deathly black and rectangular. His hair is the one constant: it’s spiked as usual. What swells inside me is a love so boundless, I am the sunrise and sunset. I am Liberty Bell in the Cascades. I am Beihai Lake. I am every beautiful, truly beautiful, thing I’ve ever seen, captured in my personal Geographia, the atlas of myself.
Justina Chen (North of Beautiful)
When she turned eighteen, Tara had traveled to India in search of her father. She hadn't found him, but she had spent ten years in a yoga ashram in Jammu. She'd come home with Siddhartha, a four-year-old boy she'd adopted, and joined her mother in running the studio. Two years after that she'd adopted India from an orphanage in Bangkok, and two years after that China from an orphanage in Nairobi. India hadn't known there was anything different about her family until a substitute teacher in her kindergarten classroom had looked at her with an expression India would come to know well as she grew up, and asked, Aren't you one of that yoga teacher's kids? The ones with the cleft lip scars adopted from three continents? When India had told Sid about it on their way home from school, he'd said, But India and Thailand are on the same continent. It's how India had learned that adults, even teachers, didn't always know everything. To India, their family was how families were supposed to be. Many years later, when China was in her rebellious phase, she had asked Tara why she had felt the need to adopt children from three countries. I took a lifelong vow of celibacy. How else was I supposed to have children? That had been Tara's answer.
Sonali Dev (Incense and Sensibility (The Rajes, #3))