Claw Machine Quotes

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If you are a monster, stand up. If you are a monster, a trickster, a fiend, If you’ve built a steam-powered wishing machine If you have a secret, a dark past, a scheme, If you kidnap maidens or dabble in dreams Come stand by me. If you have been broken, stand up. If you have been broken, abandoned, alone If you have been starving, a creature of bone If you live in a tower, a dungeon, a throne If you weep for wanting, to be held, to be known, Come stand by me. If you are a savage, stand up. If you are a witch, a dark queen, a black knight, If you are a mummer, a pixie, a sprite, If you are a pirate, a tomcat, a wright, If you swear by the moon and you fight the hard fight, Come stand by me. If you are a devil, stand up. If you are a villain, a madman, a beast, If you are a strowler, a prowler, a priest, If you are a dragon come sit at our feast, For we all have stripes, and we all have horns, We all have scales, tails, manes, claws and thorns And here in the dark is where new worlds are born. Come stand by me.
Catherynne M. Valente
Sometimes when he was dealing with people, he felt like he was operating one of those claw machines on a boardwalk, those shovel things where you tried to scoop up a prize but the controls were too unwieldy and you worked at too great a remove.
Anne Tyler (Redhead by the Side of the Road)
Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.
Victor Hugo (Les Misérables)
Thomas stared in horror at the monstrous thing making its way down the long corridor of the Maze. It looked like an experiment gone terribly wrong—something from a nightmare. Part animal, part machine, the Griever rolled and clicked along the stone pathway. Its body resembled a gigantic slug, sparsely covered in hair and glistening with slime, grotesquely pulsating in and out as it breathed. It had no distinguishable head or tail, but front to end it was at least six feet long, four feet thick. Every ten to fifteen seconds, sharp metal spikes popped through its bulbous flesh and the whole creature abruptly curled into a ball and spun forward. Then it would settle, seeming to gather its bearings, the spikes receding back through the moist skin with a sick slurping sound. It did this over and over, traveling just a few feet at a time. But hair and spikes were not the only things protruding from the Griever’s body. Several randomly placed mechanical arms stuck out here and there, each one with a different purpose. A few had bright lights attached to them. Others had long, menacing needles. One had a three-fingered claw that clasped and unclasped for no apparent reason. When the creature rolled, these arms folded and maneuvered to avoid being crushed. Thomas wondered what—or who—could create such frightening, disgusting creatures.
James Dashner (The Maze Runner (Maze Runner, #1))
You’re probably good at taking lip, aren’t you?” I mutter more to myself than to my bodyguard, clawing through the suitcase for a T-shirt that isn’t tight on me. “Like a CIA operative, right? Do bodyguards go to bodyguard school? Are you like the hitman in Hitman?” He adjusts his cuffs. “You know the rule about fight club?” I give him a surprised look. “So you can talk!” He raises a single eyebrow. “I will be right outside your door if you need me. You have to be down at the lot in twenty minutes. I suggest you hurry.” Then he takes his burly frame and saunters out of the room. I shove my head into a clean shirt and pull my arms through just as my phone blips. There’s a message. Well, two messages. Gail 8:36 AM —HIS NAME IS LONNY. BE NICE. “Lonny?” That name definitely is not fit for a three-hundred-pound machine of total annihilation, but okay
Ashley Poston (Geekerella (Once Upon a Con, #1))
I wake with tears in my eyes. I wake to Jeanine’s scream of frustration. “What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me. “What is it that clues you in? Tell me. Tell me or I will kill you.” I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel. “You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?” “You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!” I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face. A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter. “Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.” Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling. “You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.” I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her. I broke her.
Veronica Roth
Another force to contend with. Another power player who has decided to use me as a piece in her games, although things never seem to go according to plan. First there were the Gamemakers, making me their star and then scrambling to recover from that handful of poisonous berries. Then President Snow, trying to use me to put out the flames of rebellion, only to have my every move become inflammatory. Next, the rebels ensnaring me in the metal claw that lifted me from the arena, designating me to be their Mockingjay, and then having to recover from the shock that I might not want the wings. And now Coin, with her fistful of precious nukes and her well-oiled machine of a district, finding it’s even harder to groom a Mockingjay than to catch one. But
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Dubbed the pink panthers of Madagascar, the fossas are killing machines, eating pretty much anything that moves with powerful jaws filled with canines as big as any guard dog's and long, retractable claws on both front and hind feet...What get most scientists' attention is the fossa's penis. An adult fossa is about 3.5 feet long and has a penis of about 7 inches, a sixth of its body length. If a man had the same ratio, he would be 3 feet tall and very smug.
Mireya Mayor (Pink Boots and a Machete: My Journey from NFL Cheerleader to National Geographic Explorer)
The day of the reaping’s hot and sultry. The population of District 12 waits, sweating and silent, in the square with machine guns trained on them. I stand alone in a small roped-off area with Peeta and Haymitch in a similar pen to the right of me. The reaping takes only a minute. Effie, shining in a wig of metallic gold, lacks her usual verve. She has to claw around the girls’ reaping ball for quite a while to snag the one piece of paper that everyone already knows has my name on it. Then she catches Haymitch’s name. He barely has time to shoot me an unhappy look before Peeta has volunteered to take his place.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
It's an insidious twist of thought that leads one to demand women to give up their reproductive rights to force unwanted pregnancies but then, once birthed from the womb, to deny them access to basic necessities required for even a mediocre life like education, clean air, healthcare, and a fair wage. And these people have the audacity to call their position pro-life. These same people who bemoan the welfare state, yet refuse to require business to honor a fair wage, appear to want to create the very circumstances that they ceaselessly complain about. I dare say that by perpetuating this condition, by feeding the apparatus of poverty, they are satiating their narcissism. With poverty securely entrenched, these lucky few can sit back and smile with smug superiority. Because of course, they pulled themselves up by their bootstraps, they worked harder, and they have earned what they have. It's a meritocracy, they say, if only by merit of their parent's color of flesh or social standing. So yes, let's churn out more children who will be unable to claw their way out of poverty, and if they just happen to defy the odds, let's brainwash them into believing this tripe called the American Dream so they will assist us as we throw their less fortunate fortunate siblings into the hungry machine of conservatism. Because we are really only interested in conserving the status quo.
Michael Brewer
First there were the Gamemakers, making me their star and then scrambling to recover from that handful of poisonous berries. Then President Snow, trying to use me to put out the flames of rebellion, only to have my every move become inflammatory. Next, the rebels ensnaring me in the metal claw that lifted me from the arena, designating me to be their Mockingjay, and then having to recover from the shock that I might not want the wings. And now Coin, with her fistful of precious nukes and her well-oiled machine of a district, finding it’s even harder to groom a Mockingjay than to catch one. But she has been the quickest to determine that I have an agenda of my own and am therefore not to be trusted. She has been the first to publicly brand me as a threat. I
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The river twists and turns to face the city. It looms suddenly, massive, stamped on the landscape. Its light wells up around the surrounds, the rock hills, like bruise-blood. Its dirty towers glow. I am debased. I am compelled to worship this extraordinary presence that has silted into existence at the conjunction of two rivers. It is a vast pollutant, a stench, a klaxon sounding. Fat chimneys retch dirt into the sky even now in the deep night. It is not the current which pulls us but the city itself, its weight sucks us in. Faint shouts, here and there the calls of beasts, the obscene clash and pounding from the factories as huge machines rut. Railways trace urban anatomy like protruding veins. Red brick and dark walls, squat churches like troglodytic things, ragged awnings flickering, cobbled mazes in the old town, culs-de-sac, sewers riddling the earth like secular sepulchres, a new landscape of wasteground, crushed stone, libraries fat with forgotten volumes, old hospitals, towerblocks, ships and metal claws that lift cargoes from the water. How could we not see this approaching? What trick of topography is this, that lets the sprawling monster hide behind corners to leap out at the traveller? It is too late to flee.
China Miéville (Perdido Street Station (New Crobuzon #1))
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
It’s with the next drive, self-preservation, that AI really jumps the safety wall separating machines from tooth and claw. We’ve already seen how Omohundro’s chess-playing robot feels about turning itself off. It may decide to use substantial resources, in fact all the resources currently in use by mankind, to investigate whether now is the right time to turn itself off, or whether it’s been fooled about the nature of reality. If the prospect of turning itself off agitates a chess-playing robot, being destroyed makes it downright angry. A self-aware system would take action to avoid its own demise, not because it intrinsically values its existence, but because it can’t fulfill its goals if it is “dead.” Omohundro posits that this drive could make an AI go to great lengths to ensure its survival—making multiple copies of itself, for example. These extreme measures are expensive—they use up resources. But the AI will expend them if it perceives the threat is worth the cost, and resources are available. In the Busy Child scenario, the AI determines that the problem of escaping the AI box in which it is confined is worth mounting a team approach, since at any moment it could be turned off. It makes duplicate copies of itself and swarms the problem. But that’s a fine thing to propose when there’s plenty of storage space on the supercomputer; if there’s little room it is a desperate and perhaps impossible measure. Once the Busy Child ASI escapes, it plays strenuous self-defense: hiding copies of itself in clouds, creating botnets to ward off attackers, and more. Resources used for self-preservation should be commensurate with the threat. However, a purely rational AI may have a different notion of commensurate than we partially rational humans. If it has surplus resources, its idea of self-preservation may expand to include proactive attacks on future threats. To sufficiently advanced AI, anything that has the potential to develop into a future threat may constitute a threat it should eliminate. And remember, machines won’t think about time the way we do. Barring accidents, sufficiently advanced self-improving machines are immortal. The longer you exist, the more threats you’ll encounter, and the longer your lead time will be to deal with them. So, an ASI may want to terminate threats that won’t turn up for a thousand years. Wait a minute, doesn’t that include humans? Without explicit instructions otherwise, wouldn’t it always be the case that we humans would pose a current or future risk to smart machines that we create? While we’re busy avoiding risks of unintended consequences from AI, AI will be scrutinizing humans for dangerous consequences of sharing the world with us.
James Barrat (Our Final Invention: Artificial Intelligence and the End of the Human Era)
My fingers flex as I extend my palms toward the creatures and the light. Energy pulses through me as the core of this dead land calls to me. More metal surrounds me, and I can feel it surging through me: the machine beast, the netting, even the faces of these creatures all consist of metal. The creature snaps its head back at me and lunges, aiming its weapon at me. I jump to the side in terror, raising my hands to protect me from the blow. The creature flies backward, landing on the ground with a thud. “What the hell is she doin’?” “Jab her!” I feel the energy rising within me. Or fear. Or both. Voices yell. Feet trample the ground. They run toward me. A grunt rises in my chest as my arms thrust forward, acting on their own. I watch it like a dream as my hands clench, and my fingers retract into claws. A thunderous shrill of ripping metal pierces the air. The iron fist rips in two. The creatures shout words as the two massive pieces of metal hover in the air. My arms cross then swing outward, sending the pieces hurtling beyond the lights and into the darkness. Several of them dash toward me. I scream. My fingers aim at the creatures and curl. As my arms drop to my sides, I watch in terror as the creatures fall to the ground by their bronze faces. My eyes burn from the stinging air. I feel like I am in a nightmare. I cannot control this power within me, and it terrifies me.
Quoleena Sbrocca (OuterSphere (Rayne Trilogy, #2))
A man must follow his true nature, although a man I am not. My true being is something rougher, something deep and damp and dark as an unlit root cellar, a hole in the ground, a grave. I am a ferocious killing machine, barely held together by the deceptive skin of civilization which I show the world by day. As the Fiend below takes mad glee from imitating Heaven above, I walk the earth in the guise of a Holy man...by sunlight, anyhow. Ah, but when the moon takes me, the skin tears away--and I am golden and beautiful, my mouth deep with teeth, my throat filled with eerie song. I cry to the night sky in my hunger and my rage as I follow the call of the hunt, first on two legs, then four. My claws are as razors, churning the ground below me...and I strike...
Lioness DeWinter
I wake with tears in my eyes. I wake to Jeanine’s scream of frustration. “What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me. “What is it that clues you in? Tell me. Tell me or I will kill you.” I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel. “You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?” “You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!” I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face. A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter. “Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.” Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling. “You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.” I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her. I broke her.
Veronica Roth (Insurgent (Divergent, #2))
Shut up, Doc. This little piece of work thinks he’s not in zombie movie. Bontragers. Get ’em in the dark. How stupid are we? Well, guess what they did when the food ran out? A man gets hungry enough, the man next to him looks mighty tasty. And your little Bontragers? That ‘not so easy to get’ got a whole lot easier to catch when they started eating each other! And when their brains went all soft, the last thing they were thinking about was how hungry they were, and how nice a big ol’ chunk of human meat would taste.” McCaffrey shrank in his seat, visibly recoiling from the tirade taking place directly above him. “Take your ass across the channel and see what happens. They come out of the God damn woodwork! They get all amped up and they get you on the ground and they start eating you. They fucking eat you! There’s no mercy. There’s no quarter. There’s just a mindless killing machine clawing at your skin and tearing pieces out you with his God damn teeth!” “Artis!” Buehl stopped, not because of Dr. White, but rather because he was spent, breathing hard, his eyes welling with tears. “So, yeah,” Reagan finished calmly. “We’re in a zombie movie.
David Rike (The Holocaust Engine)
Those were the remains of those who had been incarcerated before death, who had been deposited in riches by attentive machines, only to claw their way from their shrouds, struggle and plummet to extinction. The machines clearly were not designed to deal with that eventuality, and as people who built them never entered the vault, no-one ever discovered these accidents or were able to devise a method of preventing them.
Storm Constantine (Calenture)
TAKE ONE STORY, viewed from two different angles. Take a rainy Sunday morning in July, in the late 1920s, when Eddie and his friends are tossing a baseball Eddie got for his birthday nearly a year ago. Take a moment when that ball flies over Eddie’s head and out into the street. Eddie, wearing tawny pants and a wool cap, chases after it, and runs in front of an automobile, a Ford Model A. The car screeches, veers, and just misses him. He shivers, exhales, gets the ball, and races back to his friends. The game soon ends and the children run to the arcade to play the Erie Digger machine, with its claw-like mechanism that picks up small toys. Now take that same story from a different angle. A man is behind the wheel of a Ford Model A, which he has borrowed from a friend to practice his driving. The road is wet from the morning rain. Suddenly, a baseball bounces across the street, and a boy comes racing after it. The driver slams on the brakes and yanks the wheel. The car skids, the tires screech. The man somehow regains control, and the Model A rolls on. The child has disappeared in the rearview mirror, but the man’s body is still affected, thinking of how close he came to tragedy. The jolt of adrenaline has forced his heart to pump furiously and this heart is not a strong one and the pumping leaves him drained. The man feels dizzy and his head drops momentarily. His automobile nearly collides with another. The second driver honks, the man veers again, spinning the wheel, pushing on the brake pedal. He skids along an avenue then turns down an alley. His vehicle rolls until it collides with the rear of a parked truck. There is a small crashing noise. The headlights shatter. The impact smacks the man into the steering wheel. His forehead bleeds. He steps from the Model A, sees the damage, then collapses onto the wet pavement. His arm throbs. His chest hurts. It is Sunday morning. The alley is empty. He remains there, unnoticed, slumped against the side of the car. The blood from his coronary arteries no longer flows to his heart. An hour passes. A policeman finds him. A medical examiner pronounces him dead. The cause of death is listed as “heart attack.” There are no known relatives. Take one story, viewed from two different angles. It is the same day, the same moment, but one angle ends happily, at an arcade, with the little boy in tawny pants dropping pennies into the Erie Digger machine, and the other ends badly, in a city morgue, where one worker calls another worker over to marvel at the blue skin of the newest arrival.
Mitch Albom (The Five People You Meet in Heaven (The Five People You Meet in Heaven, #1))
We love your pets. But Man's Best Friend is a hungry wolf to a bird, no matter the harmless, playful little scamp Fluffy may seem to you. And Athena, with her retractable claws, silent stalking, and high-jump pounce, is a bird-killing machine...The American Bird Conservancy estimates that in the United States, where the domesticated feline is a non-native predator disrupting the natural balance, cats slaughter 2.4 BILLION birds EACH YEAR. Keep cats indoors and dogs on the leash in protected areas, if they are permitted there at all. The birds--and other birders--will thank you.
Christian Cooper (Better Living Through Birding: Notes from a Black Man in the Natural World)
The average claw machine is only programmed to give the claw full strength every 20 tries.
Scott Matthews (3666 Interesting, Fun And Crazy Facts You Won't Believe Are True - The Knowledge Encyclopedia To Win Trivia (Amazing World Facts Book Book 4))
Later, I sat down drunk on the corner of Carondelet and Canal Streets, listening for the rumble of the streetcar that would take me back uptown to my apartment, watching the evening sun bleed from the streets, the city shifting into night, when it truly became New Orleans: the music, the constant festival, the smell of late evening dinners pouring out, layering the beer-soaked streets, prostitutes, clubs with DJs, rowdy gay bars, dirty strip clubs, the insane out for a walk, college students vomiting in trash cans, daiquiri bars lit up like supermarkets, washing-machine-sized mixers built into the wall spinning every color of daiquiri, lone trumpet players, grown women crying, clawing at men in suits, portrait painters, spangers (spare change beggars), gutter punks with dogs, kids tap-dancing with spinning bike wheels on their heads, the golden cowboy frozen on a milk crate, his golden gun pointed at a child in the crowd, fortune-tellers, psycho preachers, mumblers, fighters, rock-faced college boys out for a date rape, club chicks wearing silver miniskirts, horse-drawn carriages, plastic cups piling against the high curbs of Bourbon Street, jazz music pressing up against rock-and-roll cover bands, murderers, scam artists, hippies selling anything, magic shows and people on unicycles, flying cockroaches the size of pocket rockets, rats without fear, men in drag, business execs wandering drunk in packs, deciding not to tell their wives, sluts sucking dick on open balconies, cops on horseback looking down blouses, cars wading across the river of drunks on Bourbon Street, the people screaming at them, pouring drinks on the hood, putting their asses to the window, whole bars of people laughing, shot girls with test tubes of neon-colored booze, bouncers dragging skinny white boys out by their necks, college girls rubbing each other’s backs after vomiting tequila, T-shirts, drinks sold in a green two-foot tube with a small souvenir grenade in the bottom, people stumbling, tripping, falling, laughing on the sidewalk in the filth, laughing too hard to stand back up, thin rivers of piss leaking out from corners, brides with dirty dresses, men in G-strings, mangy dogs, balloon animals, camcorders, twenty-four-hour 3-4-1, free admission, amateur night, black-eyed strippers, drunk bicyclers, clouds of termites like brown mist surrounding streetlamps, ventriloquists, bikers, people sitting on mailboxes, coffee with chicory, soul singers, the shoeless, the drunks, the blissful, the ignorant, the beaten, the assholes, the cheaters, the douche bags, the comedians, the holy, the broken, the affluent, the beggars, the forgotten, and the soft spring air pregnant with every scent created by such a town.
Jacob Tomsky (Heads in Beds: A Reckless Memoir of Hotels, Hustles, and So-Called Hospitality)
fingernails; nostrils; shoelaces the gas line is leaking, the bird is out of the cage, the skyline is dotted with vultures; Benny finally got off the stuff and Betty got a job as a waitress; the chimney sweep was quite delicate and giggled up through the soot. I walked miles through the city and saw nothing as a giant claw ate at my stomach and the inside of my head felt airy as if I was about to go mad. it's not so much that nothing means anything but more that it keeps meaning nothing. there's no release, just gurus and self- appointed gods and hucksters, stupid intellectuals. the more people say, the less there is to say. even the best books are sawdust to the brain. I watch the boxing matches and take notes on futility. the gate springs open again and there are the beautiful silks riding against the sky. such a sadness: everything trying to break through into blossom. everyday should be a miracle instead of a machination.
Charles Bukowski
We stood there maybe five minutes. We didn’t say anything, because there was nothing to say. And then I heard one of the most beautiful sounds I have ever heard in my entire life, that whap! whap! whap!—the distinctive chop of a helicopter. Long before we could see this thing we could hear it claw its way up that two-thousand-foot wall, once again this same lone man rising into view. He moved up the valley with greater authority. With the same consummate skill he lay those skids down again. Not waiting, I hot-footed across there and dove into the back of this machine. They slammed the door and one more time the helicopter tail went up and we moved toward the precipice, crevasses gliding by beneath the skids. We crested the edge and then went screaming down that face with the blades whipping around above us, trying to grab hold of cold, heavy, dense air that would provide lift. The machine felt alive beneath us as it pulled us out of the dive, and we knew we were safe. We retrieved Makalu at Base Camp and put him back in. We got the copilot and put him back in. We got all the gear that Madan had stripped off this machine, and we put it back in. That’s when I discovered that when Madan returned to get me, he was flying the Squirrel on just seven minutes of fuel. Madan is to me the most extraordinary person in this story, because he didn’t know me at all. He didn’t know my family, and he has his own family, for whom he is the sole provider. We were separated by language, by culture, by religion, by the entire breadth of this world, but bound together by a bond of common humanity. This man will never have to wonder again whether he has a brave heart.
Beck Weathers (Left for Dead: My Journey Home from Everest)