Chair Cushion Quotes

We've searched our database for all the quotes and captions related to Chair Cushion. Here they are! All 100 of them:

Women can go mad with insomnia. The sleep-deprived roam houses that have lost their familiarity. With tea mugs in hand, we wander rooms, looking on shelves for something we will recognize: a book title, a photograph, the teak-carved bird -- a souvenir from what place? A memory almost rises when our eyes rest on a painting's grey sweep of cloud, or the curve of a wooden leg in a corner. Fingertips faintly recall the raised pattern on a chair cushion, but we wonder how these things have come to be here, in this stranger's home. Lost women drift in places where time has collapsed. We look into our thoughts and hearts for what has been forgotten, for what has gone missing. What did we once care about? Whom did we love? We are emptied. We are remote. Like night lilies, we open in the dark, breathe in the shadowy world. Our soliloquies are heard by no one.
Cathy Ostlere (Lost: A Memoir)
Have I missed anything, Watson?” “Were you going to tell him about the molted snakeskin under the chair cushion he’s sitting on, or should I?” With an undignified yelp, Milo leapt to his feet. “Oh, yes,” Holmes said blandly. “That. Peterson, do check the walls for a rattlesnake.
Brittany Cavallaro (A Study in Charlotte (Charlotte Holmes, #1))
Do you believe in ghosts, Maester?" [Jaime] asked Qyburn. The man's face grew strange. "Once, at the Citadel, I came into an empty room and saw an empty chair. Yet I knew a woman had been there, only a moment before. The cushion was dented where she'd sat, the cloth was still warm, and her scent lingered in the air. If we leave our smells behind us when we leave a room, surely something of our souls must remain when we leave this life?
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
I love the stillness of a room, after a party. The chairs are moved, the cushions disarranged, everything is there to show that people enjoyed themselves; and one comes back to the empty room happy that it's over, happy to relax and say, 'Now we are alone again.
Daphne du Maurier
No, he mustn't think about it, or indeed about anything, and especially not about heroin, because heroin was the one thing that really worked, the only thing that stopped him scampering around in a hamster's wheel of unanswerable questions. Heroin was the cavalry. Heroin was the missing chair leg, made with such precision that it matched every splinter of the break. Heroin landed purring at the base of his skull, and wrapped itself darkly around his nervous system, like a black cat curling up on its favourite cushion. It was as soft and rich as the throat of a wood pigeon, or the splash of sealing wax onto a page, or a handful of gems slipping from palm to palm.
Edward St. Aubyn (Bad News (Patrick Melrose, #2))
Every one made such a fuss over things nowadays! They wanted injections before they had teeth pulled -they took drugs if they couldn't sleep-they wanted easy chairs and cushions and the girls allowed their figures to slop about anyhow and lay about half naked on the beaches in summer.
Agatha Christie (And Then There Were None)
Isabelle had traded kisses with boys as if they were pennies to be left on park benches and lost in chair cushions—meaningless.
Kristin Hannah (The Nightingale)
INSTRUCTIONS FOR ZAZEN First of all, you have to sit down, which you’re probably already doing. The traditional way is to sit on a zafu cushion on the floor with your legs crossed, but you can sit on a chair if you want to. The important thing is just to have good posture and not to slouch or lean on anything. Now you can put your hands in your lap and kind of stack them up, so that the back of your left hand is on the palm of your right hand, and your thumb tips come around and meet on top, making a little round circle. The place where your thumbs touch should line up with your bellybutton. Jiko says this way of holding your hands is called hokkai jo-in,113 and it symbolizes the whole cosmic universe, which you are holding on your lap like a great big beautiful egg.
Ruth Ozeki (A Tale for the Time Being)
My wife has made up Ty’s old bedroom for you,” he told him in a low voice as Ty and Mara argued over the merits of the couch cushions versus the rocks out back. “Oh Christ.” Zane laughed, falling back in his chair. “He won’t let me forget this. Losing his bed to me.” “Well,” Earl said with a sigh, “it’s either that or fight his mama over it.” He sat and watched Ty and Mara for a moment, sipping at his coffee contentedly. “Ain’t none of us ever won that fight,” he told Zane flatly. “Me and Zane’ll just bunk together,” Ty was arguing. Mara laughed at him. “You two boys won’t fit in a double bed any more than I’ll still fit in my wedding dress,” she scoffed. [...] “Good morning, Zane dear, how did you sleep?” Mara asked as she came up to him and pressed a glass of orange juice into his hands. “Ah, okay,” Zane hedged, taking the glass out of self-defense. “I don’t do too well sleeping in strange places lately, but….” “Well, Ty’s bed is about as strange a place as you can get,” Deuce offered under his breath. He followed it with a muffled grunt as Ty kicked him under the table.
Abigail Roux (Sticks & Stones (Cut & Run, #2))
I’m so fucking tired of this,” I whisper. Ruby’s crouching on the floor in front of me, her hands on my shoulders, the first time she’s ever touched me. “What are you tired of?” she asks. “Hearing him, seeing him, everything I do being laced with him.” We’re quiet. My breathing steadies and she stands, her hands dropping away from me. Gently, she says, “If you think back to the first incident—” “No, I can’t.” I throw my head against the back of the chair, press myself into the cushion. “I can’t go back there.” “You don’t have to go back,” she says. “You can stay in the room. Just think of one moment, the first one between the two of you that could be considered intimate. When you look back on that first memory, who was the initiator, you or him?” She waits, but I can’t say it. Him. He called me up to his desk and touched me while the rest of the class did their homework. I sat beside him, stared out the window, and let him do what he wanted. And I didn’t understand it, didn’t ask for it. I exhale, hang my head. “I can’t.” “That’s fine,” she says. “Take it slow.” “I just feel . . .” I press the heels of my hands into my thighs. “I can’t lose the thing I’ve held on to for so long. You know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story. You know? I really, really need it to be that.” “I know,” she says. “Because if it isn’t a love story, then what is it?” I look to her glassy eyes, her face of wide-open empathy. “It’s my life,” I say. “This has been my whole life.” She stands over me as I say I’m sad, I’m so sad, small, simple words, the only ones that make sense as I clutch my chest like a child and point to where it hurts.
Kate Elizabeth Russell (My Dark Vanessa)
What if we take away the cool music and the cushioned chairs? What if the screens are gone and the stage is no longer decorated? What if the air conditioning is off and the comforts are removed? Would his Word still be enough for his people to come together? At Brook Hills we decided to try to answer this question. We actually stripped away the entertainment value and invited people to come together simply to study God’s Word for hours at a time. We called it Secret Church. We set a date—one Friday night—when we would gather from six o’clock in the evening until midnight, and for six hours we would do nothing but study the Word and pray. We would interrupt the six-hour Bible study periodically to pray for our brothers and sisters around the world who are forced to gather secretly. We would also pray for ourselves, that we would learn to love the Word as they do.
David Platt (Radical: Taking Back Your Faith from the American Dream)
He started to apologize for the fact that there were no chairs in his son's room--only floor cushions--but I quickly gave him to believe that for me this was little short of a godsend. (In fact, I think I said I hated chairs. I was so nervous that if he had informed me that his son's room was flooded, night and day, with a foot of water, I probably would have let out a little cry of pleasure. I probably would have said I had a rare foot disease, one that required my keeping my feet wet eight hours daily.)
J.D. Salinger (Nine Stories)
It might have felt easier if she'd been able to say that she moved across the room to him in a trance, as if he were a vampire exerting some kind of mind control. That would have been a cop-out, though. Not to mention a lie. She was exquisitely aware of every movement she made as she uncurled her legs, rose from her chair and walked slowly and carefully around the end of the coffee table towards him. She felt the wide hem of her yoga pants sway around her ankles, felt the nap of the blue-and-green area rug and then the cool smoothness of the wooden floorboards beneath her feet. She felt the way the thick sofa cushions gave beneath her as she sat beside him and the pull of gravity when his heavier weight made a deeper depression that her body rolled naturally into...And then she felt everything.
Christine Warren (Born to Be Wild (The Others, #15))
How to Meditate 1. Sit comfortably, with your spine erect, either in a chair or cross-legged on a cushion. 2. Close your eyes, take a few deep breaths, and feel the points of contact between your body and the chair or the floor. Notice the sensations associated with sitting—feelings of pressure, warmth, tingling, vibration, etc. 3. Gradually become aware of the process of breathing. Pay attention to wherever you feel the breath most distinctly—either at your nostrils or in the rising and falling of your abdomen. 4. Allow your attention to rest in the mere sensation of breathing. (You don’t have to control your breath. Just let it come and go naturally.) 5. Every time your mind wanders in thought, gently return it to the breath. 6. As you focus on the process of breathing, you will also perceive sounds, bodily sensations, or emotions. Simply observe these phenomena as they appear in consciousness and then return to the breath. 7. The moment you notice that you have been lost in thought, observe the present thought itself as an object of consciousness. Then return your attention to the breath—or to any sounds or sensations arising in the next moment. 8. Continue in this way until you can merely witness all objects of consciousness—sights, sounds, sensations, emotions, even thoughts themselves—as they arise, change, and pass away.
Sam Harris (Waking Up: A Guide to Spirituality Without Religion)
And how closely related to you is Cousin Beatrice?” Reynaud gave him a look. “Not that close. “Glad to hear it.” Vale dropped into a cushioned chair. “I hope she recovers fully so that you can then propose to her. Because I tell you now, matrimony truly is a blessed state, enjoyed by all men of good sense and halfway adequate bedroom skills.” “Thank you for that edifying thought,” Reynaud growled. Vale waved his glass. “Think nothing of it. I say, you haven’t forgotten how to treat a lady in the bedroom, have you?” “Oh, for God’s sake!” “You’ve been out of refined society for years and years now. I could give you some pointers, should you need them.
Elizabeth Hoyt (To Desire a Devil (Legend of the Four Soldiers, #4))
She turned her attention from Maharani Putlabai to Mirabai. Why was the younger queen on a chair and not a cushion? Perhaps it was a statement of her middling position—that she was not high enough for the zenana throne, but she was respected enough not to be somewhat elevated.
Sujata Massey (The Satapur Moonstone (Perveen Mistry, #2))
Here’s how to get started: 1. Sit still and stay put . Sit in a chair with your feet flat on the ground, or sit cross-legged on a cushion. Sit up straight and rest your hands in your lap. It’s important not to fidget when you meditate—that’s the physical foundation of self-control. If you notice the instinct to scratch an itch, adjust your arms, or cross and uncross your legs, see if you can feel the urge but not follow it. This simple act of staying still is part of what makes meditation willpower training effective. You’re learning not to automatically follow every single impulse that your brain and body produce. 2. Turn your attention to the breath. Close your eyes or, if you are worried about falling asleep, focus your gaze at a single spot (like a blank wall, not the Home Shopping Network). Begin to notice your breathing. Silently say in your mind “inhale” as you breathe in and “exhale” as you breathe out. When you notice your mind wandering (and it will), just bring it back to the breath. This practice of coming back to the breath, again and again, kicks the prefrontal cortex into high gear and quiets the stress and craving centers of your brain . 3. Notice how it feels to breathe, and notice how the mind wanders. After a few minutes, drop the labels “inhale/exhale.” Try focusing on just the feeling of breathing. You might notice the sensations of the breath flowing in and out of your nose and mouth. You might sense the belly or chest expanding as you breathe in, and deflating as you breathe out. Your mind might wander a bit more without the labeling. Just as before, when you notice yourself thinking about something else, bring your attention back to the breath. If you need help refocusing, bring yourself back to the breath by saying “inhale” and “exhale” for a few rounds. This part of the practice trains self-awareness along with self-control. Start with five minutes a day. When this becomes a habit, try ten to fifteen minutes a day. If that starts to feel like a burden, bring it back down to five. A short practice that you do every day is better than a long practice you keep putting off to tomorrow. It may help you to pick a specific time that you will meditate every day, like right before your morning shower. If this is impossible, staying flexible will help you fit it in when you can.
Kelly McGonigal (The Willpower Instinct: How Self-Control Works, Why It Matters, and What You Can Do To Get More of It)
He collapsed into a chair bedecked with cushions. "Pillows love me," he sighed.
Kate Dolan (A Certain Want of Reason)
I love the stillness of a room after a party. The chairs are moved, the cushions disarranged, everything is there to show that people enjoyed themselves; and one comes back to the empty room happy that it’s over, happy to relax and say, ‘Now we are alone again.’ Ambrose used to say to me in Florence that it was worth the tedium of visitors to experience the pleasure of their going. He was so right.
Daphne du Maurier (My Cousin Rachel)
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
And you will spend the rest of your life wondering if I have disciples to avenge me. Hire your tasters, Burbesh. Until the Master of the Sleeps comes for you, you’ll never know a taste of anything that has not touched another’s lips first. You’ll never sleep in a bed that has not been first tossed for vipers. You’ll never sit in a chair that has not been tested for poisoned barbs in its cushions. You shall never see a bath drawn for you that you will not at first fear is acid. And you’ll never have another dream where my face is not grinning at you from the shadows.” -- From "Morality for Alchemists and Thieves
L. Joseph Shosty
There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. 'Very uncomfortable for the Dormouse,' thought Alice; 'only, as it's asleep, I suppose it doesn't mind.' The table was a large one, but the three were all crowded together at one corner of it: 'No room! No room!' they cried out when they saw Alice coming. 'There's plenty of room!' said Alice indignantly, and she sat down in a large arm-chair at one end of the table. 'Have some wine,' the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. 'I don't see any wine,' she remarked. 'There isn't any,' said the March Hare. 'Then it wasn't very civil of you to offer it,' said Alice angrily. 'It wasn't very civil of you to sit down without being invited,' said the March Hare. 'I didn't know it was your table,' said Alice; 'it's laid for a great many more than three.' 'Your hair wants cutting,' said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. 'You should learn not to make personal remarks,' Alice said with some severity; 'it's very rude.' The Hatter opened his eyes very wide on hearing this; but all he said was, 'Why is a raven like a writing-desk?' 'Come, we shall have some fun now!' thought Alice. 'I'm glad they've begun asking riddles.--I believe I can guess that,' she added aloud. 'Do you mean that you think you can find out the answer to it?' said the March Hare. 'Exactly so,' said Alice. 'Then you should say what you mean,' the March Hare went on. 'I do,' Alice hastily replied; 'at least--at least I mean what I say--that's the same thing, you know.' 'Not the same thing a bit!' said
Lewis Carroll (Alice's Adventures in Wonderland)
We went back into the drawing room. The evening had passes pleasantly enough, heaven knows, but I was glad that they had gone and the house was silent once again. She must have had the same thought, for she stood a moment, looking around her in the drawing room, she said, 'I love the stillness of a room, after a party. The chairs are moved, the cushions disarranged, everything is there to show that people enjoyed themselves; and one comes back to the empty room happy that it's over, happy to relax and say, "Now we are alone again." Ambrose used to say to me in Florence that it was worth the tedium of visitors to experience the pleasure of their going, He was so right.
Daphne du Maurier (My Cousin Rachel)
Marigold smiled wickedly. “I’d love for you to get naked, but you might find my kitchen chairs cold on the ass seeing as how they don’t have any cushions. But, it’s up to you. I sure wouldn’t mind some visual candy while we eat.
Eve Langlais (Date with Death (Welcome to Hell, #2.5))
Nothing is emptier than an empty house. The vacant kitchen chair, the imprint on a sofa cushion, the pillow unsplayed with hair, absent of scent. An unspoken thought, an unshared laugh, the silence of no footsteps, no sighs, no breaths.
Don Winslow (The Border (Power of the Dog, #3))
He started to apologize for the fact that there were no chairs in his son's room -only floor cushions- but I quickly gave him to believe that for me this was little short of a godsend. (In fact, I think I said I hated chairs. I was so nervous that if he had informed me that his son's room was flooded, night and day, with a foot of water, I probably would have let out a little cry of pleasure. I probably would have said I had a rare foot disease, one that required my keeping my feet wet eight hours daily.)
J.D. Salinger (Nine Stories)
Jenny remembers what it was like, all those years ago. It was never dolls for her, nothing so tangible as that. It was more of a feeling. As if, for the first several years of her life, everything held over her a sort of knowledge and insistence. Fence posts, wallpaper, the lawn at certain hours of the day. These things glowered at her, or smiled. Even something as ordinary as the blue rolling chair in her father's office had some hold on her, some whisper of a new dimension in its puffs of dust sent upward by her fists against its cushions. There was an intensity inherent in everything until, one day, there wasn't. The blue chair rolled on its wheels to the window when she pushed it. The rising dust was rising dust. And when it was gone, there was only a knot of longing somewhere deep inside of her, a vacant ache: adolescence. Boredom. It's why we fall in love, Jenny will tell June. We fall in love to get back to that dimension, that wonder. She goes to the laundry room, where, from a pile of clean clothes, she picks out a few articles of June's, folds them, then goes upstairs to knock on her daughter's door and tell her that this, this lost doll world, is the reason there is love.
Emily Ruskovich (Idaho)
Statements made by distant church bells remind me it is Sunday. Today the sky has become cloudy. I have been watching the clouds and it occurs to me that I have never done this in my life before, simply sit and watch clouds. As a child I would have been far too anxious to ‘waste time’ in this way. And my mother would have stopped me. As I write this I am sitting on my plot of grass behind the house where I have put a chair, cushions, rugs. It is evening. Thick lumpy slate-blue clouds, their bulges lit up to a lighter blue, move slowly across a sky of muddy and yet brilliant gold, a sort of dulled gilt effect. At the horizon there is a light glittering slightly jagged silver line, like modern jewellery. Beneath it the sea is a live choppy lyrical goldeny-brown, jumping with white flecks. The air is warm. Another happy day. (‘Whatever will you do down there?’ they asked.) In a quiet surreptitious way I am feeling very pleased with myself.
Iris Murdoch (The Sea, the Sea)
What would you like for your own life, Kate, if you could choose?” “Anything?” “Of course anything.” “That’s really easy, Aunty Ivy.” “Go on then.” “A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden. “In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.” From A DISH OF STONES
Valentina Hepburn (A Dish of Stones)
For instance, in a popularized 2010 study, researchers from Harvard, Yale, and MIT had eighty-six volunteer subjects participate in a mock financial negotiation: bargaining down the price of a car with the sticker price of $16,500. One by one, each subject would sit in a chair facing an experimenter who was playing the part of the car salesman. But there was a catch: half the participants were seated in hard, wooden chairs, and the other half were treated to plush, cushioned ones. The result? Those given the hard chairs were the harder bargainers. They were more forceful in their negotiations and bargained the salesman down to a price that was on average $347 lower than that of the comfy chair group. Apparently, the added comfort of the cushioned chairs led the other group to agree to a higher price.
Eliezer Sternberg (NeuroLogic: The Brain's Hidden Rationale Behind Our Irrational Behavior)
If the room did not look quite so freshly scrubbed as most farm wives kept their homes—Tam’s piperack and The Travels of Jain Farstrider sat on the table, while another wood-bound book rested on the cushion of his reading chair; a bit of harness to be mended lay on the bench by the fireplace, and some shirts to be darned made a heap on a chair—if not quite so spotless, it was still clean and neat enough, with a lived-in look that was almost as warming and comforting as the fire.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
He was, in short, in his after-dinner mood; more expanded and genial, and also more self-indulgent than the frigid and rigid temper of the morning: sill, he looked precariously grim, cushioning his massive head against the swelling back of his chair, and receiving the light of the fire on his granite-hewn features, in his great, dark eyes—for he had great, dark eyes, and very fine eyes, too; not without a certain change in their depths sometimes, which, if it was not softness, reminded you, at least, of that feeling.
Charlotte Brontë (Jane Eyre)
The furniture once appropriated to the lower apartments had from time to time been removed here, as fashions changed: and the imperfect light entering by their narrow casements showed bedsteads of a hundred years old; chests in oak or walnut, looking, with their strange carvings of palm branches and cherubs’ heads, like types of the Hebrew ark; rows of venerable chairs, high-backed and narrow; stools still more antiquated, on whose cushioned tops were yet apparent traces of half-effaced embroideries, wrought by fingers that for two generations had been coffin-dust.
Charlotte Brontë (Jane Eyre)
ESTABLISHING A DAILY MEDITATION First select a suitable space for your regular meditation. It can be wherever you can sit easily with minimal disturbance: a corner of your bedroom or any other quiet spot in your home. Place a meditation cushion or chair there for your use. Arrange what is around so that you are reminded of your meditative purpose, so that it feels like a sacred and peaceful space. You may wish to make a simple altar with a flower or sacred image, or place your favorite spiritual books there for a few moments of inspiring reading. Let yourself enjoy creating this space for yourself. Then select a regular time for practice that suits your schedule and temperament. If you are a morning person, experiment with a sitting before breakfast. If evening fits your temperament or schedule better, try that first. Begin with sitting ten or twenty minutes at a time. Later you can sit longer or more frequently. Daily meditation can become like bathing or toothbrushing. It can bring a regular cleansing and calming to your heart and mind. Find a posture on the chair or cushion in which you can easily sit erect without being rigid. Let your body be firmly planted on the earth, your hands resting easily, your heart soft, your eyes closed gently. At first feel your body and consciously soften any obvious tension. Let go of any habitual thoughts or plans. Bring your attention to feel the sensations of your breathing. Take a few deep breaths to sense where you can feel the breath most easily, as coolness or tingling in the nostrils or throat, as movement of the chest, or rise and fall of the belly. Then let your breath be natural. Feel the sensations of your natural breathing very carefully, relaxing into each breath as you feel it, noticing how the soft sensations of breathing come and go with the changing breath. After a few breaths your mind will probably wander. When you notice this, no matter how long or short a time you have been away, simply come back to the next breath. Before you return, you can mindfully acknowledge where you have gone with a soft word in the back of your mind, such as “thinking,” “wandering,” “hearing,” “itching.” After softly and silently naming to yourself where your attention has been, gently and directly return to feel the next breath. Later on in your meditation you will be able to work with the places your mind wanders to, but for initial training, one word of acknowledgment and a simple return to the breath is best. As you sit, let the breath change rhythms naturally, allowing it to be short, long, fast, slow, rough, or easy. Calm yourself by relaxing into the breath. When your breath becomes soft, let your attention become gentle and careful, as soft as the breath itself. Like training a puppy, gently bring yourself back a thousand times. Over weeks and months of this practice you will gradually learn to calm and center yourself using the breath. There will be many cycles in this process, stormy days alternating with clear days. Just stay with it. As you do, listening deeply, you will find the breath helping to connect and quiet your whole body and mind. Working with the breath is an excellent foundation for the other meditations presented in this book. After developing some calm and skills, and connecting with your breath, you can then extend your range of meditation to include healing and awareness of all the levels of your body and mind. You will discover how awareness of your breath can serve as a steady basis for all you do.
Jack Kornfield (A Path with Heart: A Guide Through the Perils and Promises of Spiritual Life)
On his chair, the yellow slit of Greebo’s left eye opened lazily. “Get down, You,” said Granny, lifting the kitten off her head and putting it on the floor. “I daresay Mrs. Ogg has got some milk in the kitchen.” “Not much,” said Nanny. “I’ll swear something’s been drinking it!” Greebo’s eye opened all the way, and he began to growl softly. “You sure you know what you’re doing, Esme?” said Nanny Ogg, reaching for a cushion to throw. “He’s very protective of his territory.” You the kitten sat on the floor and washed her ears. Then, as Greebo got to his feet, she fixed him with an innocent little stare and took a flying leap onto his nose, landing on it with all her claws out. “So is she,” said Granny Weatherwax, as Greebo erupted from the chair and hurtled around the room before disappearing into the kitchen. There was a crash of saucepans followed by the groioioioing of a saucepan lid spinning into silence on the floor. The kitten padded back into the room, hopped into the empty chair, and curled up. “He brought in half a wolf last week,” said Nanny Ogg. “You haven’t been hexperimentingi on that poor kitten, have you?” “I wouldn’t dream of such a thing,” said Granny. “She just knows her own mind, that’s all.
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
She is thinking, as she walks, about that argument with her father, on an evening just before bed when the fire was dying down, and Kitty, her mother and the grandmother were busy with what they called their handwork and her mother had just asked her where was the tapestry square she’d given her. And Esme couldn’t reply that she had hidden it, stuffed it down behind the chair cushions in her room. ‘Put the book away, Esme,’ her mother had said. ‘You have read enough for tonight.’ But she couldn’t because the people on the page and the room they were in were holding her fast but then her father was there in front of her and he snatched the book away, shut it without saving her page, and suddenly there was only the room she was in. Do as your mother asks,’ he said, ‘for God’s sake.’ She’d sat up and the fury was within her, and instead of saying, please give me my book, she said, I want to stay on at school. She hadn’t meant to. She knew it wasn’t the time to bring this up, that it would get nowhere, but it felt sore within her, this desire, and she couldn’t help herself. The words came out from where they’d been hidden. Her hands felt strange and useless without the book and the need to stay at school had risen up and come out of her mouth without her knowing.
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
so as to form a narrow passage which I would be further helped to roof snugly with the divan’s bolsters and close up at the ends with a couple of its cushions. I then had the fantastic pleasure of creeping through that pitch-dark tunnel, where I lingered a little to listen to the singing in my ears—that lonesome vibration so familiar to small boys in dusty hiding places—and then, in a burst of delicious panic, on rapidly thudding hands and knees I would reach the tunnel’s far end, push its cushion away, and be welcomed by a mesh of sunshine on the parquet under the canework of a Viennese chair and two gamesome flies settling by turns.
Vladimir Nabokov (Speak, Memory: An Autobiography Revisited)
When Mr. Barrett came as usual, Flush marvelled at his obtuseness. He sat himself down in the very chair that the man had sat in. His head pressed the same cushions that the man’s had pressed, and yet he noticed nothing. “Don’t you know,” Flush marvelled, “who’s been sitting in that chair? Can’t you smell him?” For to Flush the whole room still reeked of Mr. Browning’s presence. The air dashed past the bookcase, and eddied and curled round the heads of the five pale busts. But the heavy man sat by his daughter in entire self-absorption. He noticed nothing. He suspected nothing. Aghast at his obtuseness, Flush slipped past him out of the room.
Virginia Woolf (Flush)
Short work was made of a cushion which was so unfortunate as to slip off my chair; and finally, leaping up in a paroxysm of high spirits to lick my distracted face, Ivo knocked the table over, and there was a most frightful mix-up on the floor of Fräulein Schmidt and Mr. Anstruther—a story I was just then trying to write,—and ink, and broken glass. Could Shakespeare, could Kipling, have worked under such circumstances? I remember kneeling down to rescue what still remained of Fräulein Schmidt, and seeing, staring up at me where a great splash of ink left off, the remarks she had been making, and I had been writing, when Ivo tumbled her over on to the floor. A
Elizabeth von Arnim (All The Dogs Of My Life)
I’ve been thinking about something – almost constantly, actually – and it’s something we need to discuss.” Her head tilts with curiosity. She stands. “This sounds serious.” My aching balls couldn’t agree more. I sit on the cushioned chair, leaning back – watching her every move – while she moves to the sofa just across from me. Lenora sit prettily, legs crossed at the ankles, hands demurely resting in her lap like the gracious lady she was raised to be. “What would you like to discuss, Edward?” “Fucking.” And she flinches so hard she almost comes out of her seat. I smirk shamelessly while she unleashes her fiercest scowl. “Must you call it that?” “I really must, love.
Emma Chase (Royally Yours (Royally, #4))
My father and Paul would be outside, talking about boats or motors or forest fires or one of their expeditions, and my mother and Madame would be inside in the rocking chairs (my mother with the Niagara Falls cushion), trying with great goodwill to make conversation. Neither knew more than five words of the other’s language and after the opening Bonjours both would unconsciously raise their voices as though talking to a deaf person. “Il fait beau,” my mother would shout, no matter what the weather was like, and Madame would grin with strain and say “Pardon? Ah, il fait beau, oui, il fait beau, ban oui.” When she had ground to a stop both would think desperately, chairs rocking.
Margaret Atwood (Surfacing)
CORE MEDITATION: Breathing This classic meditation can deepen concentration by teaching us to focus on the “in breath” and the “out breath.” Sit comfortably on a cushion or chair and keep your back upright, without straining or overarching. If you can’t sit, then lie on your back on a yoga mat or folded blanket with your arms at your sides. Just be at ease and close your eyes, or gaze gently a few feet in front of you and aim for a state of alert relaxation. Take three or four deep breaths, feeling the air as it enters your nostrils, fills your chest and abdomen, and flows out again. Then let your breathing settle into a natural rhythm, and just feel the breath as it happens, without trying to change it or improve it—all you have to do is feel it. Notice where you sense your breath most intensely. Perhaps it’s at the nostrils, or at the chest or abdomen. Then rest your attention as lightly as a butterfly rests on a flower—only on that area—and become aware of the sensations there. For example, if you’re focusing on the breath at the nostrils, you may experience tingling, vibration, or pulsing, or you may observe that the breath is cooler when it comes in and warmer when it goes out. If you’re focusing on the breath at the abdomen, you may feel movement, pressure, stretching, or release. You don’t need to name these feelings—simply let your attention rest on them, one breath at a time. (Notice how often the word rest comes up in this instruction. This is a very restful practice). You don’t need to make the inhalation deeper or longer or different from the way it is. Just be aware of it, one breath at a time. Whenever you notice your attention has wandered and your mind has jumped to the past or the future, to judgment or speculation, don’t worry about it. Seeing your attention has wandered is the signal to gently let go of whatever has distracted you and return your attention to the feeling of the breath. If you have to let go over and over again, that’s fine—being able to more gracefully start over when we’ve become distracted or disconnected is one of the biggest benefits of meditation practice.
Sharon Salzberg (Real Happiness at Work: Meditations for Accomplishment, Achievement, and Peace)
Crispin wonders why he never married a woman with a body like this flight attendant’s. None of his wives had an ass to speak of. Maybe skinny girls are a young man’s game, he thinks, and it takes years to appreciate the value of a cushion in your bed. He’s not attracted to this woman; she’s the age of a couple of his grandchildren, and he has no more fire in his loins. The very idea of two people writhing around in a bed seems like a distasteful joke. It’s a joke he spent a lot of time cracking himself, of course, when he was a younger man. He realizes—gripping the arms of his chair as hot pain blinks on and off in his midsection—that all the major chapters in his personal life started and ended on wrinkled bedsheets.
Ann Napolitano (Dear Edward)
Rounding the corner at Haste, the crowd rushed toward People’s Park, smashing through the fence and sweeping across the lawn, attacking construction vehicles, slashing tires and seat cushions, knocking out glass. Down came the work lights. They kicked in the door to Nestor Arriola’s trailer and ransacked it. They scaled the remaining trees to take up residence. I didn’t witness any of it. I was sitting onstage in the silent auditorium, squinting in the direction of the light booth. The glare made it impossible to tell if UC Berkeley executive vice chancellor George Greenspan was in there. Just in case, I waved and gave him a thumbs-up. Judy Bronson shifted to face me. The creak of her chair leather carried clear to the back of the room. Zellerbach Hall has world-class acoustics. She said, “What just happened.” I said, “Berkeley.
Jonathan Kellerman (Half Moon Bay (Clay Edison, #3))
There were a few civilized details, like chairs that looked as though they had been purloined from more modern and elegant domiciles- a red velvet recliner, for instance, which would have been far more at home at Mr. Darling's club than in a cave. Wherever did that come from? Wendy wondered. But the rest of the furniture consisted primarily of things like barrels cut in half with moss for cushions, and the stumps of trees with hastily hammered-on backs. Enormous mushrooms made for tables. Some of the lanterns were fungus as well- softly glowing bluish-green "flowers" that spread in delicate clumps just below the ceiling. "John would just have a field day with those, I'm certain," Wendy said with a smile. One large barrel was placed under the end of a hollowed-out root to collect rainwater. There were shelves and nooks for the few possessions considered precious by the Lost Boys: piles of gold coins, interesting animal skeletons, shiny crystals, captivating burrs and seedpods. Also more strange detritus of the civilized world: a hinge, a pipe, a knob from a drawer, a spanner, and even a pocket watch.
Liz Braswell (Straight On Till Morning)
When Adrian’s father opened certain books with illustrations in colour of exotic lepidoptera and sea creatures, we looked at them, his sons and I, Frau Leverkühn as well, over the back of his leather-cushioned chair with the ear-rests; and he pointed with his forefinger at the freaks and fascinations there displayed in all the colours of the spectrum, from dark to light, mustered and modelled with the highest technical skill: genus Papilio and genus Morpho, tropical insects which enjoyed a brief existence in fantastically exaggerated beauty, some of them regarded by the natives as evil spirits bringing malaria. The most splendid colour they displayed, a dreamlike lovely azure, was, so Jonathan instructed us, no true colour at all, but produced by fine little furrows and other surface configurations of the scales on their wings, a miniature construction resulting from artificial refraction of the light rays and exclusion of most of them so that only the purest blue light reached the eyes. “Just think,” I can still hear Frau Leverkühn say, “so it is all a cheat?” “Do you call the blue sky a cheat?” answered her husband looking up backwards at her. “You cannot tell me the pigment it comes from.
Thomas Mann
She knew how to play him so very well. He slipped his hand around hers. "Friends," he repeated roughly. Her smile was bright enough to light up the room-and make him see stars. "Excellent! I'm so pleased. And now I really should go. I don't want to keep your family waiting." His family. She was going out with his family. His mother and sister, who would no doubt think her absolutely perfect. Perfect for Archer, who his mother was determined to see married, now that she had given up all hopes for Grey. Or perhaps they'd want her for Trystan, although he was still living the life of an adventurous young man. "Have fun," he encouraged with all the false enthusiasm he could muster. She flashed a quick grin at him over her shoulder as she made for the door. "I'm sure I will. Your brother will see to that." As far as parting shots went, it wasn't bad. By no means mortal, but deep enough to wound never the less. Alone once more, Grey returned to his chair and pulled the copy of Voluptuous out from underneath the cushion of the other. He stared at it for a moment, contemplating finishing the article on pleasing a woman orally. And then, with a snarl, he flung the pages into the fire, watching ash and embers fly up in the assault. The paper caught quickly, giving off a sudden bloom of heat. Women, he thought as he watched the magazine's mocking text blacken and char. He would be much happier in his misery without them.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
When they had gone less than a bowshot from the shore, Drinian said, “Look! What’s that?” and everyone stopped. “Are they great trees?” said Caspian. “Towers, I think,” said Eustace. “It might be giants,” said Edmund in a lower voice. “The way to find out is to go right in among them,” said Reepicheep, drawing his sword and pattering off ahead of everyone else. “I think it’s a ruin,” said Lucy when they had got a good deal nearer, and her guess was the best so far. What they now saw was a wide oblong space flagged with smooth stones and surrounded by gray pillars but unroofed. And from end to end of it ran a long table laid with a rich crimson cloth that came down nearly to the pavement. At either side of it were many chairs of stone richly carved and with silken cushions upon the seats. But on the table itself there was set out such a banquet as had never been seen, not even when Peter the High King kept his court at Cair Paravel. There were turkeys and geese and peacocks, there were boars’ heads and sides of venison, there were pies shaped like ships under full sail or like dragons and elephants, there were ice puddings and bright lobsters and gleaming salmon, there were nuts and grapes, pineapples and peaches, pomegranates and melons and tomatoes. There were flagons of gold and silver and curiously-wrought glass; and the smell of the fruit and the wine blew toward them like a promise of all happiness. “I say!” said Lucy. They came nearer and nearer, all very quietly. “But where are the guests?” asked Eustace. “We can provide that, Sir,” said Rhince.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Sometimes our need clouds our ability to develop perspective. Being needy is kind of like losing your keys. You become desperate and search everywhere. You search in places you know damn well what you are looking for could never be. The more frantic you become in trying to find them the less rational you are in your search. The less rational you become the more likely you'll be searching in a way that actually makes finding what you want more difficult. You go back again and again to where you want them to be, knowing that there is no way in hell that they are there. There is a lot of wasted effort. You lose perspective of your real goal, let's say it's go to the grocery store, and instead of getting what you need -nourishment, you frantically chase your tail growing more and more confused and angry and desperate. You are mad at your keys, you are mad at your coat pockets for not doing their job. You are irrational. You could just grab the spare set, run to the grocery store and get what you need, have a sandwich, calm down and search at your leisure. But you don't. Where ARE your keys?! Your desperation is skewing your judgement. But you need to face it, YOUR keys are not in HIS pocket. You know your keys are not there. You have checked several times. They are not there. He is not responsible for your keys. You are. He doesn't want to be responsible for your keys. Here's the secret: YOU don't want to be responsible for your keys. If you did you would be searching for them in places they actually have a chance of being. Straight boys don't have your keys. You have tried this before. They may have acted like they did because they wanted you to get them somewhere or you may have hoped they did because you didn't want to go alone but straight boys don't have your keys. Straight boys will never have your keys. Where do you really want to go? It sounds like not far. If going somewhere was of importance you would have hung your keys on the nail by the door. Sometimes it's pretty comfortable at home. Lonely but familiar. Messy enough to lose your keys in but not messy enough to actually bother to clean house and let things go. Not so messy that you can't forget about really going somewhere and sit down awhile and think about taking a trip with that cute guy from work. Just a little while longer, you tell yourself. His girlfriend can sit in the backseat as long as she stays quiet. It will be fun. Just what you need. And really isn't it much safer to sit there and think about taking a trip than accepting all the responsibility of planning one and servicing the car so that it's ready and capable? Having a relationship consists of exposing yourself to someone else over and over, doing the work and sometimes failing. It entails being wrong in front of someone else and being right for someone too. Even if you do find a relationship that other guy doesn't want to be your chauffeur. He wants to take turns riding together. He may occasionally drive but you'll have to do some too. You will have to do some solo driving to keep up your end of the relationship. Boyfriends aren't meant to take you where you want to go. Sometimes they want to take a left when you want to go right. Being in a relationship is embarking on an uncertain adventure. It's not a commitment to a destination it is just a commitment to going together. Maybe it's time to stop telling yourself that you are a starcrossed traveler and admit you're an armchair adventurer. You don't really want to go anywhere or you would venture out. If you really wanted to know where your keys were you'd search in the most likely spot, down underneath the cushion of that chair you've gotten so comfortable in.
Tim Janes
A cross with yellow roses. What a fucking thing. It was like an electric chair with floral-print cushions, a bad joke.
Anonymous
she did look remarkably like a chair—a great, accommodating upholstered armchair. You could certainly sit on Mma Potokwane and feel perfectly comfortable: she was the sort of chair into which one might sink after a hard day’s work—sink, and possibly not reappear until hours later, emerging from voluminous feather-filled cushions.
Alexander McCall Smith (The Colors of All the Cattle (No. 1 Ladies' Detective Agency Series 19))
Furniture was scanty - demountable tables and benches eased only by “bankers,” cushions or embroidered cloths. Usually the noble host alone had a chair; hence our chairman is the person who presides at meetings.
Morris Bishop (The Middle Ages)
Why should she listen to a litany of her flaws when she knew them all so well? She never stood up straight. She always looked down at the ground when she walked. She jutted out her elbows and didn't stand with grace. She never backed up until she felt the chair behind her and then gracefully sank to the cushion like a feather. Instead, she sat like a stone falling to the ground. When she did laugh, it normally ended in an unladylike snort. She cried much too often when touched by a scene, a flower, a sunset.
Karen Ranney (The Virgin of Clan Sinclair (Clan Sinclair, #3))
Every once in a while, go ahead and meditate without a meditation cushion. Learn to adapt and meditate in whatever environment you may be in without the need of any special equipment. One of the best and most often used positions for meditating just about anywhere without the need of a cushion is the “seiza” position. What you do is basically kneel down and sit back on top of your lower legs, resting your bottom on the soles of your feet. This is actually a very comfortable position once you get used to it and it can be done at any time and practically anywhere you may happen to be. But then again, if you find that this position is just not comfortable for you, or you have a condition that doesn’t allow you to sit like this, just remember that there is absolutely nothing wrong with meditating while sitting upright in a chair.
Alexis G. Roldan (Zen: The Ultimate Zen Beginner’s Guide: Simple And Effective Zen Concepts For Living A Happier and More Peaceful Life)
She took a long drink and then another before lowering the glass. She thought she heard him give a sound of approval before he turned and claimed a seat in one of the chairs. Her courage strengthened, Lily lifted her chin to look at him only a few feet away and swallowed hard past the knot of doubt lodged in her throat. Dressed in elegant evening wear, he sat with his back stiff and straight despite the plush cushion of the chair. His knees were spread and his feet braced squarely on the floor. His hands, with his long masculine fingers, splayed on the surface of strong thighs. He was the epitome of masculine sophistication and mystery. Dark, enigmatic, handsome, and intense.
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
Where are all my clothes?” I jerked awake, knocking my elbow against the headboard. Any hopes of it all being a dream were dashed by the sight of Tristan, his arms full of colorful silk dresses, storming about the room. Both my maids and a grey-clad manservant stood in a row, their heads lowered. Covers tucked up around my shoulders, I watched Tristan dash into the closet and emerge with another armload of dresses. He threw them in a pile on the floor. “Why is my closet full of dresses?” “Are they mine?” I asked with interest. Silver eyes fixed on me. “Well, they certainly are not mine. Unless you imagine that I dress up in ladies’ clothing and prance about the palace when the mood strikes me?” A giggle slipped out of Élise, which she promptly smothered with a hand over her mouth. “You consider this a laughing matter?” Tristan glowered at the girl. “Sorry, my lord,” she said. “Your clothes are in the other closet.” “Why?” “Her Grace thought the larger closet more appropriate for her ladyship’s gowns, my lord.” “She did, did she?” He stormed back into the closet, returning with another armload. “That’s the last of them.” “You are wrinkling my dresses,” I said. “Zoé and Élise will waste their entire day pressing them.” “And then they can hang them somewhere else,” he snapped. “You’re creating an enormous amount of unnecessary work.” “It is the role of the aristocracy to create work,” he said, kicking the pile of gowns. “Necessary or otherwise. Without us, who knows what would happen to productivity.” I rolled my eyes and climbed out of bed. Catching the corner of a sheet, I set to making the bed. “What are you doing?” Tristan shouted. “What does it look like I’m doing?” “Ladies do not make their own beds! It shows initiative, which is broadly considered most unladylike!” My temper rising, I whirled about. “Dear me,” I shouted. “I must have forgotten that my new purpose in life is to create work.” Jerking all the blankets off the bed, I threw them on the floor. The pillows followed next, and I proceeded to run around the room taking all the cushions off the chairs and tossing them about the room. The last I deliberately aimed at Tristan’s head. It froze midair. “You are making quite the mess of my room.” “Our room!” I shouted back.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
Please, sit down. I have an important announcement to make... ...FAAAAAAAART! I put Woppie Cushions on your chairs. Hehehe.
James Warwood (49 Excuses for Not Tidying Your Bedroom (The 49... #1))
He drenched himself in a scent so thick that it was almost visible and he had only to spend a second in a room to permeate the whole atmosphere, while the cushions he leaned against and the chairs he sat in reeked for days afterwards.
Gerald Durrell (The Corfu Trilogy (The Corfu Trilogy #1-3))
Stop doubting my amazing stripping skills, dude,” Roxy teased as she continued to struggle with her buttons. I was about to force my eyes away from her when she cursed and yanked on her shirt hard enough to rip every button off of it. Beneath it she was wearing a gold push up bra which accentuated her perfect tits and made her look like something out of a Dragon’s wet dream. She tossed her head back with laughter, taking a playful bow for her friends but her foot slipped and she tumbled off of the table instead. I took a few running steps towards her before I could stop myself but the guy had leapt up to catch her before she could hit the ground. “Tory?” he asked as she slumped against him, seeming to have fallen unconscious. “Oh, shit! Help me.” The girl Roxy had called Sofia scrambled to help him with her and they struggled to move her towards one of the cushioned chairs close to where they’d been sitting. I shook my head to clear it of the image of her in that gold bra and spun on my heel, striding towards the exit and quite possibly a cold shower. Just as I made it to the door, a loud scream halted me. I turned back to see Roxy’s friends backing away from her in a panic as a thick sheet of ice spread across the ground away from her, tinting everything in its path a frosty blue. “Wake up, Tory!” Sofia yelled desperately. “Maybe you should run for a teacher,” the boy said. “I’ll try to get through to her.” Sofia turned to run for the exit and her eyes widened in panic as she found me striding towards her instead. “What’s wrong with her?” I asked, my tone clipped. “She err...” Sofia hesitated, clearly not wanting to trust me with her friend’s condition while battling against the inclination to do whatever I told her. “She passed out and now she’s using magic in her sleep and we can’t get close to help her.” Roxy whimpered behind her and I stepped around Sofia to inspect the damage for myself. I’d dealt with this kind of thing with the other Heirs once or twice when our powers had first been Awakened. We were just so powerful that if we got too drunk, sometimes we’d lose control over our magic in our sleep and Roxy had seemed wasted to me. “It’s fine, we’ll look after her,” the boy said firmly but I ignored him as I walked closer to Roxy where she was slumped in the chair. Ice crunched loudly beneath my boots while the temperature around me plummeted and I hadn’t even gotten close to her yet. I drew on my fire magic, pushing it against the ice and melting some of it but Roxy’s power fought back as she whimpered again. “Roxy,” I growled as I made it to stand before her. The ice was still spreading and thickening. She was trembling in the chair and I noticed a few tears sailing down her cheeks. “Not again,” she breathed, her fists balling as she curled in on herself. “Roxy, wake up!” I snapped, moving forward to grab her arm and shake her. She didn’t wake but the ice around me thickened even more and her friends cried out as they were forced to back up again. My breath rose before me and I dropped the six pack beside her chair, crouching down before her so that I could shake her more firmly. She started coughing and water burst from her mouth like she’d been drowning. I pulled her forward, slapping her back to help her get it all up and the tremors rocking her body reverberated through mine as she pressed against my chest. More cold water flooded from her, drenching her as she cried out in panic and I pulled her against me more firmly. (Darius POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
Innovation itself can be viewed as a stack of interconnected elements. Consider a chair, for instance, which combines wood or other solid materials with a specific geometric shape designed for comfortable seating, primarily suited for humans. Adding cushions to the chair further enhances its innovation by increasing comfort.
Tiisetso Maloma (Innovate Like Elon Musk: Easily Participate in Innovation with Guidelines from Tesla and SpaceX: A Simple Understanding of First Principle Thinking and Vertical Integration)
We sat down to eat, right?” continued Gonzales. “And so... yeah, we sat down to eat and then we talked about chairs. Chairs! That drove our conversation gooooood. And none of us wanted to talk about it, but we smiled and made the best of it. Said a bunch of smart things about chairs—and French café chairs, and shopping for one, and sofas and her thoughts on the proper cushioning. And it was very engaging, but why didn’t any of us cut the crap and say, ‘I don’t care about chairs. I want to— I don’t know—roll around in the grass with you!’ We just spend the whole couple of hours able to grasp each other’s ideas and respond perfectly, but it’s so careful that we don’t get anywhere. I don’t know why that happens. We got love all up in our heads, man. We articulate who we are, but we don’t show people. She and I are just clever. There’s no chemistry in being clever. I mean, why interview on dates man? It’s not like anyone’s gonna tell the truth. Better to lay down with her, like cubs, really be with her, and see if we want to hold each other or not. But you can’t ask someone to do that, huh?” said Gonzales, defeated.
Kristian Ventura (A Happy Ghost)
Inside, my stepmother, Nerium, and my twin half sisters, Nya and Dimia, rose from cushioned chairs. The twins had the decency to smile, identical dimples carved into their rounded cheeks. I could see my father in their faces, particularly because their mother, Nerium, did not have a face made for easy smiles. My stepmother looked down her delicate nose at me, twisting the ends of her waist-length white hair around her thin, gnarled fingers. She had all the appearance of a beautiful vulture, perched in her favorite chair.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Time isn’t the thing that will heal us; practicing what we are learning on and off the cushion, in and out of the therapist’s chair, will.
Alexandra Elle (How We Heal: Uncover Your Power and Set Yourself Free)
What if we take away the cool music and the cushioned chairs? What if the screens are gone and the stage is no longer decorated? What if the air conditioning is off and the comforts are removed? Would his Word still be enough for his people to come together?
David Platt (Radical: Taking Back Your Faith from the American Dream)
Penury was a matter of hard chairs and mean cushions; prosperity—old money—was a matter of feathers: an absurd reductionist view of it, but at times quite strikingly true.
Alexander McCall Smith (The Uncommon Appeal of Clouds (Isabel Dalhousie, #9))
Two things have to happen in order for the spine to be in optimum alignment. First, your foundation (the parts of the body in contact with your cushion, bench, or chair) must be evenly and efficiently grounded. Next, your spinal curves must be intact.
Charlotte Bell (Yoga for Meditators: Poses to Support Your Sitting Practice (Rodmell Press Yoga Shorts))
Kate looked to the kitchen stairs that led up to the second floor where her four-year-old son was sound asleep, then shook her head. She hadn’t told him the news yet. She didn’t want him hearing it from the neighbors. “No, but thanks. I need to be with him if he wakes. We’ll be fine.” “I’m always here for you, Kate. Remember that. If you need anything, I’m just across the street.” “Thanks.” Kate forced a smile she didn’t feel. With a quick hug, Mindy made her way to the front of the house. When the heavy mahogany door clicked shut, Kate turned and surveyed the empty house. She was alone. Totally alone. No car would be pulling into the drive in the middle of the night. Jake wouldn’t come bounding through the door, apologizing for missing yet another dinner. She wouldn’t see his face or feel his arms around her again. It didn’t matter if he’d been a lousy husband. He’d been her husband. And now he was gone. From now on, it would just be her and Reed. Shaky lips blew out a long sigh. She tamped down the grief that wanted to pour over her again. Even though it was close to midnight, she knew there was no way she’d be able to drift into a slumber, peaceful or otherwise. Making her way into Jake’s office, she rubbed the chill from her arms, then sank into the chair behind his desk, letting the butter-soft leather cushion her aching body. With trembling fingers, her hand feathered the dark wood in front of her. Her gaze washed over the room. A tall bookshelf
Elisabeth Naughton (Wait for Me (Against All Odds #2))
When you are meditating, whether you are alone or sharing the space with others, you always hold your seat properly. Then you feel that you are doing the practice with dignity. When you sit down to meditate, you are making a connection with the earth, whether you sit in a chair or on a cushion. It’s almost as if a message is coming from the earth, encouraging you to hold your seat properly.
Chögyam Trungpa (Mindfulness in Action: Making Friends with Yourself through Meditation and Everyday Awareness)
Aric glanced at Jaxon, Jake and Kel. “So who wants to help me plan a wedding? Jaxon slapped his whiskey on the poker table. “How long is she withholding sex?” Jake laughed. “I don’t think it has anything to do with that.” “It must,” Jaxon said. “No man ever wants to plan a wedding. That’s the stuff horror movies are made of.” “Tell me about it,” Aric growled. “Jordan’s stressed. I’ve noticed her lack of sleep and I want to make it easier for her.” “So just go do what Nic and I did,” Jake grinned. “Minus her throwing herself at you drunk in front of the Elvis impersonator and trying to strip you naked so you could ‘hit that’.” Aric grinned. “Was it really that bad?” Jake leaned back in the cushion of his sofa chair. “It was great! She was all over me. Elvis asked if we wanted to say anything after our vows and she turned to the people waiting to use the chapel and mom and said ‘he’s really good in bed. He does this thing with his mouth’ but then got interrupted when mom cleared her throat and Elvis started coughing.” Jaxon chuckled. “Your wives are a handful, but they sure are
Milly Taiden (A Sassy Wedding (Sassy Mates, #3.7))
Nic walked to the end of the hallway and opened the door that led to the unfinished attic. She flipped on the light switch and gasped aloud. The attic wasn’t merely finished. It had been transformed. He’d chosen a mountain wildlife theme for the nursery that suited the space to a T, and he’d included two sets of everything—two cribs, two dressers, two changing tables, and even two full-size rocking chairs. Both rockers sported cushions that had been embroidered with two words: Mama Bear on one, Papa Bear on the other. “Oh, Gabe,” she said with a sigh. She sat in the Mama Bear rocker, rubbed her belly, and that’s when she saw the mural on the wall. Papa Bear, Mama Bear, two Baby Bears, and a crooked-tailed boxer sprawled at their feet. Papa Bear held a T-square. Mama Bear had a stethoscope draped around her neck. In the sky to the right, a happy-faced sun shined down upon them. In the sky to the left, two silhouettes with angel wings sat perched at the apex of a rainbow. Gabe
Emily March (Angel's Rest (Eternity Springs, #1))
Sit Quietly This is the most important Zen practice.   It is the classroom for living a wise and kind life.   Sit anywhere and be quiet: on a couch, a bed, a bench, inside, outside, leaning against a tree, by a lake, at the ocean, in a garden, on an airplane, in your office chair, on the floor, in your car. Meditation cushions are okay too.   Sit at any time: morning, night, one minute, three years.   Wear what you've got on. Loosen your waist so that your belly can move with your breath.   Sit as relaxed as possible. Relax your muscles when starting and during sitting.   Sit with your back straight but not stiff. Keep your head upright with your ears level.   Respect all medical conditions. Only take a posture you can. All postures are okay.   Do what you can do.   Keep your eyes slightly opened and out of focus. Closing them will make you sleepy and sometimes busy. Opening them wide will keep you busy.   Breathe naturally through your nose. Enjoy breathing. Feel your breath. Watch your breath. Become your breath.   Be like a cat purring. Follow your breath like ocean waves coming in and out.   When you get distracted, come back to the simplest and most basic experience of being alive, your breathing.   That's it. No belief. No program. No dogma.   You do not have to be Buddhist. You can be of any faith, religion, race, nationality, gender, relationship status, or capacity.   Just sit quietly, connect with your breath, and pay attention to what happens. You will learn things.   Do it when you want. You decide how much is enough for you. If you do it daily, it will get into your bones.   Please enjoy sitting quietly!   The only way to learn sitting quietly is to do it.
Tai Sheridan (Buddha in Blue Jeans: An Extremely Short Simple Zen Guide to Sitting Quietly and Being Buddha)
cushioned easy chair, and was dozing peacefully.
Kevin O'Brien (One Last Scream)
The two or three antique chairs had apparently been chosen for their bizarre design and not for their ability to seat anyone, for they were delicate suggestions, hints at furniture with cushions barely capable of accommodating a child. A human in such a room was expected not to rest or sit or even relax, but rather pose, thereby transforming himself into a human furnishing that would complement the decor as well as possible.
Anonymous
The major set Lily in a chair near the fire, and he dropped to one knee in front of her, took her hand in his, and kissed it He looked so like a prince from a fairy tale that Lily was nearly overcome. “I didn’t make a proper proposal before,” he said quietly. “Oh, Caleb.” “There’s never been anyone else for me, Lily,” he went on, “and there never will be again. I’m promising you right now that your happiness will always be as important to me as my own.” Lily’s eyes brimmed with joyous tears. Why had she waited so long? She put her arms around Caleb’s neck and embraced him, and his head was cradled against the plump cushion of her breasts. “I love you so much,” she whispered. He looked up at her, a glint dancing in his eyes. “Show me, Mrs. Halliday.” Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Agreeing completely, Zarya came to an abrupt halt as she saw the small side table that had been pulled out for them. “Small” being the operative word. It must have been an end table in the conference room. The chairs were tiny foldaways with stained gray cushions. And while the linens were clean, they, too, were stained in places. It was the ultimate slap in the face. But for Darling, she’d be throwing a tantrum over it. Instead, she smiled at the woman and graciously sat down while Maris followed suit. Never let them know how much they’ve hurt you. Don’t give them the satisfaction. Her father had raised her on those principles and she held them tight. Starskas didn’t flinch or bitch. They got even. Lady
Sherrilyn Kenyon (Born of Silence (The League #5))
It’s not meant to be comfortable,” Cly told him. He pushed at the captain’s chair, which had been furnished with a leather pad in the shape of a cushion. It looked approximately as soft as an old book. Fang
Cherie Priest (Ganymede (The Clockwork Century, #3))
I love the way you eat pizza – always picking off the pepperoni and piling it up in the corner of your plate – it’s essentially a margherita when you do that, you know? …and I love that you can’t watch a scary movie with me without hiding behind a cushion, and I love that you point-blank refuse to watch a movie with a sad ending – and that you read the end of every book you pick up in the shop before you buy it – just in case! And I love that you leave your shoes in the middle of the floor – and your jackets on the back of the chairs in the kitchen – and that you never put your stuff in the dishwasher…
Heather Mar-Gerrison (What If... I want commitment? (What If? #2))
Mrs. Smallweed, following her usual instinct, breaks out with "Fifteen hundred pound. Fifteen hundred pound in a black box, fifteen hundred pound locked up, fifteen hundred pound put away and hid!" Her worthy husband, setting aside his bread and butter, immediately discharges the cushion at her, crushes her against the side of her chair, and falls back in his own, overpowered. His appearance, after visiting Mrs. Smallweed with one of these admonitions, is particularly impressive and not wholly prepossessing, firstly because the exertion generally twists his black skull-cap over one eye and gives him an air of goblin rakishness, secondly because he mutters violent imprecations against Mrs. Smallweed, and thirdly because the contrast between those powerful expressions and his powerless figure is suggestive of a baleful old malignant who would be very wicked if he could. All this, however, is so common in the Smallweed family circle that it produces no impression. The old gentleman is merely shaken and has his internal feathers beaten up, the cushion is restored to its usual place beside him, and the old lady, perhaps with her cap adjusted and perhaps not, is planted in her chair again, ready to be bowled down like a ninepin.
Charles Dickens, Bleak House
She rose heavily from her chair and motioned to me to follow. I walked very close to her, these days—she didn’t seem completely steady on her feet, and frequently listed to one side, like a badly loaded ship in high seas. But she made it, her hand trailing the wall for extra stability. “Under that bed, dear. No, there. There are two chests. That’s it.” I knelt and wrenched out two heavy wooden boxes with lids. Opening them, I found them filled to the brim with rows of buttons, zippers, tapes, and fringes. There were hooks and eyes, fastenings of every type, all neatly separated and labeled, brass naval buttons and tiny Chinese ones, covered with bright silk, bone, and shell, sewn neatly onto little strips of card. In the cushioned lid sat sprays of pins, rows of different-sized needles, and an assortment of silk threads on tiny pegs. I ran my
Jojo Moyes (Still Me (Me Before You #3))
She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams.
Kate Chopin (The Story of an Hour)
Lyra and her daemon moved through the darkening hall, taking care to keep to one side, out of sight of the kitchen. The three great tables that ran the length of the hall were laid already, the silver and the glass catching what little light there was, and the long benches were pulled out ready for the guests. Portraits of former Masters hung high up in the gloom along the walls. Lyra reached the dais and looked back at the open kitchen door, and, seeing no one, stepped up beside the high table. The places here were laid with gold, not silver, and the fourteen seats were not oak benches but mahogany chairs with velvet cushions.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
I can’t wait to test them out!” Falkor bounced like a child on the sofa cushion, causing Fluffy to start barking furiously from his chosen spot on a chair across the room.  Looking down at the devil dog, he asked, “Hey, Fluffy.  Wanna play fetch the meteor?” Both Grelda and the dog growled at him.
Dave Willmarth (Ritual Combat (Contender Saga #2))
Samantha strolled into the garden and followed the little winding pathway that led through a small orchid garden to a beach shaded by tall palms. Delighted to find the beach relatively empty, Samantha carefully chose a lounge chair with a bright turquoise cushion under a palm tree whose leaves fluttered softly in the breeze. Settling in, she pulled her books and notepad from her bag and set them with her water bottle on the table next to the chair.
Tricia O'Malley (Good Girl (Siren Island #1))
where my mother and grandmother spent most of the day sitting side by side in cushioned chairs, two near invalids each pretending to be the other’s caretaker.
Marie Benedict (The Mystery of Mrs. Christie)
You do know scones are not donuts, right?" Nina wasn't one to pass up any baked goods, but a donut was a donut. No scone would do. "This is not your white, British-royals high tea, my friend. This is Highland Park high tea. It opened a month ago, and I think we're about to have our whole world rocked." The Jam's exterior was black-and-white---- if you blinked you'd miss it. But when they went inside Nina immediately spotted a colorful mural of dinosaurs seated on velvet cushions, eating donuts and drinking out of porcelain cups. A pristine glass display case on the opposite wall featured rows and rows of endless donuts--- a happy welcoming committee of frosting and dough. "We'll be having tea for two," Jasmine said at the counter. "And for my donut, could I get the Swirly Rosewater, please?" As soon as she saw the names and flavors of the donuts, she instantly knew two things: one, she was going to love these, and two, Leo would absolutely hate them. Nina suddenly felt sympathy for Leo any time a contestant created a unique flavor pairing on the show. She raced to find the donut her friend had ordered in the case, and landed on a frosted pink cake donut that had a lemon rosewater glaze topped with roasted pistachios. "You live your life in pink, Jas." "No better color. So from what I read online, the deal is that instead of scones, they do vegan donuts---" Nina's eyes narrowed, and Jasmine glared right back. "Don't judge. What are you going to get?" "I need chocolate," Nina said. She scanned the rows in search of the perfect solution. "May I recommend our Chocolate from the Crypt donut?" the saleswoman suggested from behind the display. Her sharp bangs and blunt ponytail bobbed as she explained, "It's our fall-themed donut--- chocolate cake with a chocolate glaze, and it's got a kick from the cayenne pepper and cinnamon we add in." "Oh, my donut," Nina said. In the case was an absolutely gorgeous chocolate confection--- the cayenne and cinnamon flakes on the outside created a black-and-orange effect. "I am sold." "You got it." The saleswoman nodded and rang them up. A narrow hallway covered in murals of cartoon animals drinking tea led them to the official tearoom. Soaring ceilings revealed exposed beams and brick walls, signaling that the building was likely older and newly restored. Modern, barrel-back walnut chairs were clustered around ultrasleek Scandinavian round tables. Nina felt like she'd followed Jasmine down a rabbit hole and emerged into the modern interpretation of the Mad Hatter's tea party. "This is like..." Nina began. "It's a fun aesthetic." "I know, right?" Jasmine replied as they sat down. "It makes me feel like I'm not cool enough to be here, but glad I got invited." Nina picked up the prix fixe high tea menu on the table. The Jam's version of finger sandwiches were crispy "chicken" sliders, potato-hash tacos and mini banh mi, and in lieu of scones, they offered cornbread with raspberry jam and their signature donuts. "And it's all vegan...?" "Yes, my friendly carnivore, and hopefully delicious.
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
You know you’re living in the future when you can board a hundred-ton pressurized aluminum tube with wings, fly smoothly in a cushioned chair at 500 miles per hour, 31,000 feet above Earth’s surface, and while crossing the continent, get served a pasta dinner and a mixed drink by someone whose job, in part, is to make you comfortable. And for most of the trip you surf the internet, watch any one of a hundred movies, only to land safely and smoothly a few hours later and complain that the marinara sauce was not to your liking.
Neil deGrasse Tyson (Starry Messenger: Cosmic Perspectives on Civilization)
The vinyl cushioned seat on his chair let out a long windy sigh like a mule when its packs are unloaded.
Loren D. Estleman (Cut-Throat Dogs (Amos Walker #29))
Find a quiet place where you can practice consistently. This way the physical space—a room, a corner, a cushion—will help signal to your body that this is a time for your practice. Sit comfortably. If you are sitting on a cushion or chair, try to lean slightly forward, away from the back of the chair so that your back will be straight. If you have chronic back pain, adjust as necessary. Close your eyes or keep them slightly open in a restful position. Place your hands gently on your knees or in your lap. Focus your attention on your breath. Breathe in deeply through your nose as your belly expands. As a jug of water fills from the bottom, your lungs should also fill from the bottom. Breathe out slowly. On each inhalation you can think in, and on each exhalation you can think out. Alternatively, you can count each breath after each exhalation. You can count out five to ten breaths and then repeat. If you lose your focus and your mind begins to wander, as minds do, just gently bring your attention back to your breath. You can start by doing this for five to ten minutes and extend the time as your practice develops. If you are feeling particularly stressed, you can imagine each breath bringing in calming cool air and it spreading throughout your body. Then, as you release your breath, you can imagine the stress leaving your body from the neck, shoulders, back, tummy, or wherever you tend to hold on to stress.
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
CHRISTMAS FUSS IN BARBADOS IN THE 70’S 1.BUY A BOTTLE OF FALERNUM 2.PUT DOWN CONGOLEUM IN THE SHEDROOF, AFTER SCRUBBING/VARNISHING THE FLOOR 3.WASH DOWN THE HOUSE AND CLEANED THE WINDOWS 4.BAKE GREAT CAKE AND PUDDING 5.GRATE COCONUTS TO MAKE SWEETBREAD 6.HUNG UP CURTAIN RODS/ NEW CURTAINS ON CHRISTMAS EVE 7.TRUST CREAM SACHETS IN FANCY BOTTLES/BIG WHEEL COLOGNE, SKIN SOFTENERS FROM AVON LADY 8.BUY ENGLISH APPLES AND A SHADDOCK FROM THE MARKET 9.WEED AROUND THE HOUSE 10. A CASE OF SOFT DRINKS-JU-C, FRUTEE, BIM, BBC GINGER, COKES 11.GO TO ELLIS QUARRY AND GET SOME MARL 12.PICK GREEN PEAS 13.STEEP SORREL 14.CHANGE THE CUSHION COVERS 15.SANDPAPER THE MAHOGANY CHAIRS 16.CLEAN THE CABINET AND WASHED ALL THE FINE CHINA 17.BUY HAM IN WHITE BURLAP BAG 18.DECANTER OF PORT WINE 19.PICK UP CLOTHES FROM THE NEEDLE WORKER 20.WASH AND PRESS HAIR 21.BUY PIECE OF FRESH PORK 2016
Charmaine J. Forde
Meanwhile, on Dudley Road, stalks of rhubarb grew behind the blue-painted shed and roses bloomed on a bush above the cellar window. The swing set creaked. The stones in the garden path wobbled underneath my feet and there were pink sprigged cushions on the white wicker chairs on the porch. Inside, everything was pink and green, green and pink: the walls in my bedroom the color of the center of a raspberry thumbprint cookie, the floors the color of the sliver of green in after-dinner mints; the floor in my parents' bedroom the same, and the walls a smudged baby pink.
Charlotte Silver (Charlotte Au Chocolat: Memories of a Restaurant Girlhood)
I felt like an old magazine somebody finds wedged under a chair cushion, and I knew that’s where I wanted to be, under a huge cushion somewhere, curled up cool and private, to sleep a long time.
Andre Dubus III (House of Sand and Fog)
Nothing is emptier than an empty house. The vacant kitchen chair, the imprint on a sofa cushion, the pillow unsplayed with hair, absent of scent. An unspoken thought, an unshared laugh, the silence of no footsteps, no sighs, no breaths.
Don Winslow (The Border (Power of the Dog, #3))
The first time I walked through the stone archway into the building on Thirty-Fourth Street and rode the chrome elevators up to the seventh floor, I knew there was something special about Strauss & Adder Publishers. The way the doors opened and let out into a small, white-shelved lobby filled with books, both ones they had published and ones they just loved, weathered leather chairs faced you, beckoning you to sink down into their cushions, open a novel, and drown in the words.
Ashley Poston (The Seven Year Slip)
No,” I decide, jerking my chin, “what I want is for you to go get that cushion.” Pace’s brows knit up tightly, his eyes pinging to the chair. “For what?” I smile prettily. “For your knees, of course.” It’s evident when he comprehends, all mirth disappearing from his features. “You’re overplaying your hand, Rosi.” “And you’re under-licking my cunt.
Angel Lawson (Princes of Ash (Royals of Forsyth University, #8))
You’ve got a hot tip on a pony in the fifth race at Belmont and you’ve got an extra two bucks in your pocket and you wonder where to go. In Los Angeles you go south on Grand to Eleventh and straight across the street. On the corner, extending about sixty feet on down Grand, is the Ace Joke Shop. It seems a little big for one of those novelty stores, but you can buy matches that explode when you strike them, chair cushions that go pffffft, horribly, when you sit on them, and about nine hundred other gadgets to either enliven or ruin a party depending on your sense of humor.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Five)
AMANDA: I said ridiculous ass! ELYOT [with great dignity]: Thank you. [There is a silence. AMANDA gets up, and turns the gramophone on] You'd better turn that off, I think. AMANDA [coldly]: Why? ELYOT: It's very late and it will annoy the people upstairs. AMANDA: There aren't any people upstairs. It's a photographer's studio. ELYOT: There are people downstairs, I suppose? AMANDA: They're away in Tunis. ELYOT: This is no time of the year for Tunis. [He turns the gramophone off.] AMANDA [icily]: Turn it on again, please. ELYOT: I'll do no such thing. AMANDA: Very well, if you insist on being boorish and idiotic. [She gets up and turns it on again.] ELYOT: Turn it off. It's driving me mad. AMANDA: You're far too temperamental. Try to control yourself. ELYOT: Turn it off. AMANDA: I won't. [ELYOT rushes at the gramophone. AMANDA tries to ward him off. They struggle silently for a moment, then the needle screeches across the record] There now, you've ruined the record. [She takes it off and scrutinizes it.] ELYOT: Good job, too. AMANDA: Disagreeable pig. ELYOT [suddenly stricken with remorse]: Amanda darling, Sollocks. AMANDA [furiously]: Sollocks yourself. [She breaks the record over his head.] ELYOT [staggering]: You spiteful little beast. [He slaps her face. She screams loudly and hurls herself sobbing with rage on to the sofa, with her face buried in the cushions.] AMANDA [wailing]: Oh, oh, oh- ELYOT: I'm sorry, I didn't mean it -- I'm sorry, darling, I swear I didn't mean it. AMANDA: Go away, go away, I hate you. [ELYOT kneels on the sofa and tries to pull her round to look at him.] ELYOT: Amanda -- listen -- listen -- AMANDA [turning suddenly, and fetching him a welt across the face]: Listen indeed; I'm sick and tired of listening to you, you damned sadistic bully. ELYOT [with great grandeur]: Thank you. [He stalks towards the door, in stately silence. AMANDA throws a cushion at him, which misses him and knocks down a lamp and a vase on the side table. ELYOT laughs falsely] A pretty display I must say. AMANDA [wildly]: Stop laughing like that. ELYOT [continuing]: Very amusing indeed. AMANDA [losing control]: Stop--stop--stop-- [She rushes at him, he grabs her hands and they sway about the room, until he manages to twist her round by the arms so that she faces him, closely, quivering with fury]--I hate you--do you hear? You're conceited, and overbearing, and utterly impossible! ELYOT [shouting her down]: You're a vile-tempered, loose-living; wicked little beast, and I never want to see you again so long as I live. [He flings her away from him, she staggers, and falls against a chair. They stand gasping at one another in silence for a moment.] AMANDA [very quietly]: This is the end, do you understand? The end, finally and forever.
Noël Coward (Private Lives: An Intimate Comedy in Three Acts)
It seemed a very nice house to him, this one. It was a home that had been gathered together over the years with love. But while that love remained, it also felt to him like something that had slipped down behind the cushions and got lost under the chairs. That maybe there wasn’t enough talking in this house anymore and too much was being left unsaid.
Alex North (The Angel Maker)
I know my alphabet,' I said sharply as he laid a piece of paper in front of me. 'I'm not that stupid.' I twisted my fingers in my lap, then pinned my restless hands under my thighs. 'I didn't say you were stupid,' he said. 'I'm just trying to determine where we should begin.' I leaned back in the cushioned seat. 'Since you've refused to tell me a thing about how much you know.' My face warmed. 'Can't you hire a tutor?' He lifted a brow. 'Is it that hard for you to even try in front of me?' 'You're a High Lord- don't you have better things to do?' 'Of course. But none as enjoyable as seeing you squirm.' 'You're a real bastard, you know that?' Rhys huffed a laugh. 'I've been called worse. In fact, I think you've called me worse.' He tapped the paper in front of him. 'Read that.' A blur of letters. My throat tightened. 'I can't.' 'Try.' The sentence had been written in elegant, concise print. His writing, no doubt. I tried to open my mouth, but my spine locked. 'What exactly, is your stake in all this? You said you'd tell me if I worked with you.' 'I didn't specify when I'd tell you.' I peeled back from him as my lip curled. He shrugged. 'Maybe I resent the idea of you letting those sycophants and war-mongering fools in the Spring Court make you feel inadequate. Maybe I indeed enjoy seeing you squirm. Or maybe-' 'I get it.' He snorted. 'Try to read it, Feyre.' Prick. I snatched the paper to me, nearly ripping it in half in the process. I looked at the first word, sounding it out in my head. 'Y-you...' The next I figured out with a combination of my silent pronunciation and logic. 'Look...' 'Good,' he murmured. 'I didn't ask for your approval.' Rhys chuckled. 'Ab... absolutely.' It took me longer than I wanted to admit to figure that out. The next word was even worse. 'De... Del...' I deigned to glance at him, brows raised. 'Delicious,' he purred. My brows knotted. I read the next two words, then whipped my face toward him. 'You look absolutely delicious today, Feyre?! That's what you wrote?' He leaned back in his seat. As our eyes met, sharp claws caressed my mind and his voice whispered inside my head. It's true, isn't it? I jolted back, my chair groaning. 'Stop that!' But those claws now dug in- and my entire body, my heart, my lungs, my blood yielded to his grip, utterly at his command as he said, The fashion of the Night Court suits you.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
We passed stacks of books and parchments, the shelves either built into the stone itself or made of dark, solid wood. Hallways lined with both vanished into the mountain itself, and every few minutes, a little reading area popped up, full of tidy tables, low-burning glass lamps, and deep-cushioned chairs and couches. Ancient woven rugs adorned the floors beneath them, usually set before fireplaces that had been carved into the rock and kept well away from any shelves, their grates fine-meshed enough to retain any wandering embers. Cosy, despite the size of the space; warm, despite the unknown terror lurking below.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Before Chiara's eyes, a cottage sprang from the ground, with a pale blue door and windows with painted doves. "Oh, my!" Chia exclaimed. Inside, the cottage was sparsely furnished, with four wooden chairs covered in blue cotton cushions, a table with hearts carved along the edges, an oven that smelled like chocolate and cherries, and a harpsichord in the corner by the window. But it was everything Chiara could have dreamt of. A home of her own. "This spot is one of my favorites," Agata narrated. "Absolutely lovely. Look there, you've a view of the Silver Brook, and in the mornings the moon crickets sing most beautifully." Chiara inhaled. All the smells she had loved most from home---the wild grass, the pine cones from the trees, the fresh loaves Papa baked before dawn, the musty parchment from Ily's music paper. They flooded her nostrils all at once, as if she'd brought them with her.
Elizabeth Lim (When You Wish Upon a Star)