Classified Appreciation Quotes

Easy beauty was apparent and unchallenging: "A simple tune; a simple spatial rhythm... a one; a youthful face, or the human form in its prime, all these afford a plain straightforward pleasure..." Conversely, difficult beauty, wrote Bosanquet required more time, patience, and a higher amount of concentration. Our ability to appreciate difficult beauty depended on our education, insights endurance, and our capacity or attention. In difficult beauty, one often encourages intricacy, tension, and width. The intricacy of a difficult aesthetic object can provoke resentment and disgust in us if we are unable to resolve and classify the complex elements of the object. Difficult beauty also required us to stay in a state of "high tension of feeling," and it is our own weakness - the "weakness of the spectators," says Bosanquet, taking the phrase from Aristotle - that causes us to shrink from the challenge of difficult beauty. "The capacity to endure and enjoy feeling at high tension is somewhat rare.

The pop culture lionized by young adults of the nineties was often based on a myth: the dogmatic belief that things they’d loved as children had always been appreciated with adult minds. There was a misguided notion that the populist esoterica of the seventies that had come to signify kitschy subversion—the daredevil Evel Knievel, the sitcom Good Times, the pop band ABBA—had always been seen and experienced in the same way they were now being recalled in retrospect. To classify this as simple “nostalgia” isn’t quite accurate, because the process was proactive and methodical; the goal, it seemed, was to increase the intellectual value of bygone consumer art in order to make it match the emotional resonance that had been there all along.

Our modern lives are very different from those of early humans, who hunted and gathered to survive. Their reverence for the natural world is evident in the early murals of wildlife they painted on cave walls and in the stylized visions of life they sculpted from bone and ivory. Our lives reflect remnants of our ancestral attachment to nature and the diversity of life - the concept of biophilia that was introduced early in this chapter. We evolved in natural environments rich in biodiversity, and we still have a biophilia for such settings. Indeed, our biophilia may be innate, an evolutionary product of natural selection acting on a brainy species who survival depended on a close connection to the environment and a practical appreciation of plants and animals. Our appreciation of life guides the field of biology today. We celebrate life by deciphering he genetic code that makes each species unique. We embrace life by using fossils and DNA to chronicle evolution through time. We preserve life through our efforts to classify and protect the millions of species on Earth. We respect life by using nature responsibly and reverently to improve human welfare. Biology is the scientific expression of our desire to know nature. We are most likely to protect what we appreciate, and we are mostly likely to appreciate what we understand. By learning about the processes and diversity of life, we also become more aware of ourselves and our place in the biosphere. We hope this text has served you well in this lifelong adventure.

Marilyn Monroe (born Norma Jeane Mortenson; June 1, 1926 – August 5, 1962) was an American actress, model, and singer, who became a major sex symbol, starring in a number of commercially successful motion pictures during the 1950s and early 1960s. After spending much of her childhood in foster homes, Monroe began a career as a model, which led to a film contract in 1946 with Twentieth Century-Fox. Her early film appearances were minor, but her performances in The Asphalt Jungle and All About Eve (both 1950), drew attention. By 1952 she had her first leading role in Don't Bother to Knock and 1953 brought a lead in Niagara, a melodramatic film noir that dwelt on her seductiveness. Her "dumb blonde" persona was used to comic effect in subsequent films such as Gentlemen Prefer Blondes (1953), How to Marry a Millionaire (1953) and The Seven Year Itch (1955). Limited by typecasting, Monroe studied at the Actors Studio to broaden her range. Her dramatic performance in Bus Stop (1956) was hailed by critics and garnered a Golden Globe nomination. Her production company, Marilyn Monroe Productions, released The Prince and the Showgirl (1957), for which she received a BAFTA Award nomination and won a David di Donatello award. She received a Golden Globe Award for her performance in Some Like It Hot (1959). Monroe's last completed film was The Misfits, co-starring Clark Gable with screenplay by her then-husband, Arthur Miller. Marilyn was a passionate reader, owning four hundred books at the time of her death, and was often photographed with a book. The final years of Monroe's life were marked by illness, personal problems, and a reputation for unreliability and being difficult to work with. The circumstances of her death, from an overdose of barbiturates, have been the subject of conjecture. Though officially classified as a "probable suicide", the possibility of an accidental overdose, as well as of homicide, have not been ruled out. In 1999, Monroe was ranked as the sixth greatest female star of all time by the American Film Institute. In the decades following her death, she has often been cited as both a pop and a cultural icon as well as the quintessential American sex symbol. 수면제,액상수면제,낙태약,여성최음제,ghb물뽕,여성흥분제,남성발기부전치유제,비아,시알,88정,드래곤,바오메이,정력제,남성성기확대제,카마그라젤,비닉스,센돔,,꽃물,남성조루제,네노마정,러쉬파퍼,엑스터시,신의눈물,lsd,아이스,캔디,대마초,떨,마리화나,프로포폴,에토미데이트,해피벌륜 등많은제품판매하고있습니다 원하시는제품있으시면 추천상으로 더좋은제품으로 모시겠습니다 qwe114.c33.kr 카톡【ACD5】텔레【KKD55】 I believe that everything happens for a reason. People change so that you can learn to let go, things go wrong so that you appreciate them when they're right, you believe lies so you eventually learn to trust no one but yourself, and sometimes good things fall apart so better things can fall together

Easy beauty was apparent and unchallenging: 'A simple tune; a simple spatial rhythm...a rose; a youthful face, or the human form in its prime, all of these afford a plain straightforward pleasure...' Conversely, difficult beauty, wrote Bosanquet, required more time, patience, and a higher amount of concentration. Our ability to appreciate difficult beauty depended on our education, insight, endurance, and our capacity for attention. In difficult beauty, one often encounters intricacy, tension, and width. The intricacy of a difficult aesthetic object can provoke resentment and disgust in us if we are unable to resolve and classify the complex elements of the object.