Clan Deity Quotes

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The Goddess-centered art we have been examining, with its striking absence of images of male domination or warfare, seems to have reflected a social order in which women, first as heads of clans and priestesses and later on in other important roles, played a central part, and in which both men and women worked together in equal partnership for the common good. If there was here no glorification of wrathful male deities or rulers carrying thunderbolts or arms, or of great conquerors dragging abject slaves about in chains, it is not unreasonable to infer it was because there were no counterparts for those images in real life.10 And if the central religious image was a woman giving birth and not, as in our time, a man dying on a cross, it would not be unreasonable to infer that life and the love of life—rather than death and the fear of death—were dominant in society as well as art.
Riane Eisler (The Chalice and the Blade: Our History, Our Future (Updated With a New Epilogue))
The deity at the Malanada Temple in Poruvazhy village, Kerala, is none other than the most reviled villain of Indian mythology – Duryodhana.
Anand Neelakantan (Ajaya: Roll of the Dice (Epic of the Kaurava Clan #1))
In many societies—such as clan societies that earn their fortune through raiding other clans—battle and killing becomes natural, for it is part of their culture from the time they are born. It is easier for people to engage themselves in armed-struggle when they know they have their deities’ edict and a nice reward awaiting them in the afterworld. Some deities even reward only those who die in battle for this very reason.
J.M. Clarke (Mark of the Fool 3 (Mark of the Fool, #3))
The Matres (Mothers) or Matronae (Married Women) had a similar function, although the original periphery-center connection started not in Rome but in the provinces, which was different from the origin of the flaminicae. The Matres/Matronae were a unique phenomenon of ancestral mothers of Celtic clans that had turned into deities. Formerly linked to extended families, these mother-deities were dislodged from their original geographical and ideological context and received a Roman interpretation. They took on anthropomorphic form as Roman matrons with broad-rimmed hats and most often were depicted in a group of three. Even when Christianity became the sole religion of the Empire, the Matres/Matronae, who, like other female deities brought about and secured fecundity, and consequently well-being, continued to exist.
Sarolta A. Takács (Vestal Virgins, Sibyls, and Matrons: Women in Roman Religion)
They were, as their names (matres or matronae) suggest, originally ancestral mothers who had turned into goddesses.21 It is the connection with iuno, the female equivalent of the male genius, that reveals the ancestral aspect of the Matres/ Matronae.22 Mercury accompanied the Matronae, if they were depicted with a male figure. Behind this god was a Celtic god, who had received a Roman interpretation that rendered him as Mercury. Matres/Matronae represented not only families or clans, but whole ethnic groups. Original location as well as family connection played an important role in the attachment of goddesses to groups. Both aspects, location and family, however, have an inherent dynamic; they can change. Settlers, such as veterans of the Roman army, were integrated into already existing groups who worshiped these deities, while those leaving such groups could take their ancestral goddesses with them.
Sarolta A. Takács (Vestal Virgins, Sibyls, and Matrons: Women in Roman Religion)
Interesting evidence of the essential link between Yahweh and copper metallurgy is provided by the story of the first 'encounter' between Moses and Yahweh on Mt Horeb, near the 'burning bush' (Exod. 3)... ...Moses had to perform a 'prodigy' in order to demonstrate that he acts in the name of Yahweh (Exod. 4.5). This prodigy is depicted as the reversible transformation of a matteh into a nahash (Exod. 4.2-5). The term matteh is generally understood as designating a wood-made staff, but this meaning is probably secondary. From Isa. 10.15 and Ezek. 19-13-14 it appears that a matteh was formerly a copper scepter hung up on a wooden staff. The term nahash is generally translated as 'serpent'. However, the closeness existing in Hebrew between nahash ('serpent') and nehoshet ('copper') suggests that nahash may also designate copper. [The term nahash designates copper in Ugaritic, Aramaic, and Arabic. In 1 Chron. 4.11-12, Ir Nahash is founded by Caleb, a clan of metalworkers, and designates it as a place of copper smelting/working.] Accordingly, the prodigy performed 'in the name of Yahweh' becomes the transformation of a copper artifact...into melted copper. ...If the reversible matteh-nahash conversion is considered in the book of Exodus as a specific sign of Yahweh, this implies that this deity was intimately associated with copper melting, at least in the period prior to the Israelite Alliance. (pp. 395-396) (from 'Yahweh, the Canaanite God of Metallurgy?', JSOT 33.4 (2009): 387-404)
Nissim Amzallag
Interesting evidence of the essential link between Yahweh and copper metallurgy is provided by the story of the first 'encounter' between Moses and Yahweh on Mt Horeb, near the 'burning bush' (Exod. 3), where it is related that Moses is involved in the mission to deliver the sons of Israel from Egyptian tyranny. It is also stressed that Moses had to perform a 'prodigy' in order to demonstrate that he acts in the name of Yahweh (Exod. 4.5). This prodigy is depicted as the reversible transformation of a matteh into a nahash (Exod. 4.2-5). The term matteh is generally understood as designating a wood-made staff, but this meaning is probably secondary. From Isa. 10.15 and Ezek. 19.13-14 it appears that a matteh was formerly a copper scepter hung up on a wooden staff.&sup32; The term nahash is generally translated as 'serpent'. However, the closeness existing in Hebrew between nahash ('serpent') and nehoshet ('copper') suggests that nahash may also designate copper.&sup33; Accordingly, the prodigy performed 'in the name of Yahweh' becomes the transformation of a copper artifact (matteh, the scepter) into melted copper (nahash, the serpent). It is interesting to notice that such a 'prodigy' (occuring not so far from the camp of Jethro the Kenite) happens after Moses threw his matteh on a hot source, the 'burning bush', which may be a poetic evocation of live charcoal. If the reversible matteh-nahash conversion is considered in the book of Exodus as a specific sign of Yahweh, this implies that this deity was intimately associated with copper melting, at least in the period prior to the Israelite Alliance. (pp. 395-396) from 'Yahweh, the Canaanite God of Metallurgy?', JSOT 33.4 (2009): 387-404 [32]: The term matteh is explicitly used to designate the wooden staff in Exod. 17.16-23. But the initial meaning is revealed in Isa. 10.15, when it is asked, 'Shall the axe vaunt itself over the one who wields it, or the saw magnify itself against the one who handles it? As if a rod should raise the one who lifts it up, or as of a staff should lift the one who is not wood!' It a matteh cannot be hung up without a wooden staff, it is clear that it is not the wooden staff itself but something that is fitted with it. Furthermore, in his lamentation about the destruction of Israel, Ezekiel mentions the fact that the staff supporting the matteh will burn and will provoke a qeyna (Ezek. 19.13-14), a term designating the smelting of copper (and by extension its melting). This strongly suggests that the matteh is a copper-scepter. In some cases, traces of wood have been found in the inner space of the scepter, confirming that such items were probably borne upon wooden staffs. [33]: The term nahash is also used to designate copper in languages closely related to Hebrew (Ugaritic, Aramaic, Arabic). In the book of Chronicles, the term nahash is used once to designate copper: Ir Nahash was a town founded by a descendant of Celoub (Caleb), a clan of metalworkers (1 Chron 4.11-12), so that it designates the town where copper was smelted or worked.
Nissim Amzallag
Interesting evidence of the essential link between Yahweh and copper metallurgy is provided by the story of the first 'encounter' between Moses and Yahweh on Mt Horeb, near the 'burning bush' (Exod. 3), where it is related that Moses is involved in the mission to deliver the sons of Israel from Egyptian tyranny. It is also stressed that Moses had to perform a 'prodigy' in order to demonstrate that he acts in the name of Yahweh (Exod. 4.5). This prodigy is depicted as the reversible transformation of a matteh into a nahash (Exod. 4.2-5). The term matteh is generally understood as designating a wood-made staff, but this meaning is probably secondary. From Isa. 10.15 and Ezek. 19.13-14 it appears that a matteh was formerly a copper scepter hung up on a wooden staff.&sup32 The term nahash is generally translated as 'serpent'. However, the closeness existing in Hebrew between nahash ('serpent') and nehoshet ('copper') suggests that nahash may also designate copper.&sup33 Accordingly, the prodigy performed 'in the name of Yahweh' becomes the transformation of a copper artifact (matteh, the scepter) into melted copper (nahash, the serpent). It is interesting to notice that such a 'prodigy' (occuring not so far from the camp of Jethro the Kenite) happens after Moses threw his matteh on a hot source, the 'burning bush', which may be a poetic evocation of live charcoal. If the reversible matteh-nahash conversion is considered in the book of Exodus as a specific sign of Yahweh, this implies that this deity was intimately associated with copper melting, at least in the period prior to the Israelite Alliance. (pp. 395-396) from 'Yahweh, the Canaanite God of Metallurgy?', JSOT 33.4 (2009): 387-404 [32]: The term matteh is explicitly used to designate the wooden staff in Exod. 17.16-23. But the initial meaning is revealed in Isa. 10.15, when it is asked, 'Shall the axe vaunt itself over the one who wields it, or the saw magnify itself against the one who handles it? As if a rod should raise the one who lifts it up, or as of a staff should lift the one who is not wood!' It a matteh cannot be hung up without a wooden staff, it is clear that it is not the wooden staff itself but something that is fitted with it. Furthermore, in his lamentation about the destruction of Israel, Ezekiel mentions the fact that the staff supporting the matteh will burn and will provoke a qeyna (Ezek. 19.13-14), a term designating the smelting of copper (and by extension its melting). This strongly suggests that the matteh is a copper-scepter. In some cases, traces of wood have been found in the inner space of the scepter, confirming that such items were probably borne upon wooden staffs. [33]: The term nahash is also used to designate copper in languages closely related to Hebrew (Ugaritic, Aramaic, Arabic). In the book of Chronicles, the term nahash is used once to designate copper: Ir Nahash was a town founded by a descendant of Celoub (Caleb), a clan of metalworkers (1 Chron 4.11-12), so that it designates the town where copper was smelted or worked.
Nissim Amzallag
Indeed it seemed at first that Medina’s Jews were quite open to him. The clans of the three main Jewish tribes had willingly signed on to the arbitration agreement and were part of the umma, though only as secondary members—as confederates, that is, of the dominant Aws and Khazraj tribes. The Quranic voice had appealed directly to the original “People of the Book,” instructing Muhammad to say: “We believe in that which has been revealed to us and that which was revealed to you. Our God and your God is one.”2 The believers were not to argue with Jews “except fairly and politely,”3 the Quran instructed. They should say, “People of the Book, let us come to an agreement that we will worship none but God, that we will associate no partners with him, and that none of us shall set up mortals as deities alongside God.”4 And then, since that formulation might be understood to exclude Christians, further verses expanded on it: “Believers, Jews, Christians, Zoroastrians, whoever believes in God and the Day of Judgment and does what is right, all shall be rewarded by God5 . . . We believe in God and in what was revealed to us, in that which was revealed to Abraham and Ishmael, to Isaac and Jacob and the tribes, and in that which God gave to Moses and Jesus and the prophets. We discriminate against none of them.
Lesley Hazleton (The First Muslim: The Story of Muhammad)
To our better judgment, for example, one of the most offensive features in tribal religion is its particularism; a man is held answerable to his god for wrong done to LECT. ir. a member of his own kindred or political community, but he may deceive, rob, or kill an alien without offence to religion; the deity cares only for his own kinsfolk. This is a very narrow morality, and we are tempted to call it sheer immorality. But such a judgment would be altogether false from an historical point of view. The larger morahty which embraces all mankind has its basis in habits of loyalty, love, and self-sacrifice, which were originally formed and grew strong in the narrower circle of the family or the clan; and the part which the religion of kinship played in the development and maintenance of these habits, is one of the greatest services it has done to human progress.
William Robertson Smith (Lectures on the religion of the Semites)
The Hastinapura Prince announced he was gifting the surrounding villages to a temple that would be built but have no idol. A Kurava Untouchable would be the Priest. To this day, family members of that old woman’s family are the hereditary Priests of the temple, which has no idol. Instead, the presiding deity is Duryodhana. The minor deities are his wife Bhanumati, his mother Gandhari, and his friend Karna.
Anand Neelakantan (Ajaya: Roll of the Dice (Epic of the Kaurava Clan #1))