β
I raise my left arm and twist my neck down to rip off the pill on my sleeve. Instead my teeth sink into flesh. I yank my head back in confusion to find myself looking into Peetaβs eyes, only now they hold my gaze. Blood runs from the teeth marks on the hand he clamped over my nightlock.
βLet me go!β I snarl at him, trying to wrest my arm from his grasp.
βI canβt,β he says.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
He f**ks even better than he looksβ, I settled on saying. Several heads turned. I didnβt care; I was pissed. βAnd that beautiful face is going to be clamped between my legs as soon as we get home, donβt you worry.
β
β
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
β
I canβt think of any greater happiness than to be with you all the time, without interruption, endlessly, even though I feel that here in this world thereβs no undisturbed place for our love, neither in the village nor anywhere else; and I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more.
β
β
Franz Kafka (Franz Kafka's The Castle (Dramatization))
β
I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more
β
β
Franz Kafka (The Castle)
β
If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
There is no such thing as coincidence in this world. The only thing is hitsuzen.
Hitsuzen...A naturally fore-ordained event. A state in which all other outcomes are impossible.
β
β
Clamp (xxxHolic, Vol. 1 (xxxHOLiC, #1))
β
Peeta opens his mouth for the first bite without hesitation. He swallows, then frowns slightly. "They're very sweet."
"Yes they're sugar berries. My mother makes jam from them. Haven't you've ever had them before?" I say, poking the next spoonful in his mouth.
"No," he says, almost puzzled. "But they taste familiar. Sugar berries?"
"Well, you can't get them in the market much, they only grow wild," I say. Another mouthful goes down. Just one more to go.
"They're sweet as syrup," he says, taking the last spoonful. "Syrup." His eyes widen as he realizes the truth. I clamp my hand over his mouth and nose hard, forcing him to swallow instead of spit. He tries to make himself vomit the stuff up, but it's too late, he's already losing consciousness. Even as he fades away, I can see in his eyes what I've done is unforgiveable.
I sit back on my heels and look at him with a mixture of sadness and satisfaction. A stray berry stains his chin and I wipe it away. "Who can't lie, Peeta?" I say, even though he can't hear me.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
I shaved this morning for precisely that reason. I was like, 'Well, you never know when someone is going to clamp down on your calf and try to suck out the snake poison.
β
β
John Green
β
I think he came to die with me," I say. I clamp my hand over my mouth to stifle a sob. If I can keep breathing, I can stop crying. I didn't need or want him to die with me. I wanted to keep him safe. What an idiot, I think, but my heart isn't in it.
"That's ridiculous," he says. "That doesn't make any sense. He's eighteen; he'll find another girlfriend once you're dead. And he's stupid if he doesn't know that."
Tears run down my cheeks, hot at first and then cold. I close my eyes. "If you think that's what it's about..." I swallow another sob. "...you're the stupid one.
β
β
Veronica Roth (Insurgent (Divergent, #2))
β
Put a shirt on while youβre at it,β I quipped. A feline smile. βDoes it make you uncomfortable?β βIβm surprised there arenβt more mirrors in this house, since you seem to love looking at yourself so much.β Azriel launched into a coughing fit. Cassian just turned away, a hand clamped over his mouth. Rhysβs lips twitched. βThereβs the Feyre I adore.β I
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
Humping my leg like a dog in heat every time I'm around you doesn't prove you like me, Daemon.' Daemon clamped his mouth shut, and I could tell he was fighting back laughter. 'Actually, that's how I show people I like them.
β
β
Jennifer L. Armentrout (Onyx (Lux, #2))
β
Where will I sit?β
Sit? Why, on this comfortable chaise longue Iβve carried here for you in my pocket, Your Highness, so glad you asked.
I clamp my mouth shut, struggling not to say it aloud.
β
β
Amie Kaufman (These Broken Stars (Starbound, #1))
β
If you make a wish and if you keep on making the same wish, it will be granted. That's how strong human wishes are.
β
β
Clamp (xxxHOLiC, Vol. 13)
β
I pull my foot back again, but Four's hands clamp around my arms, and he pulls me away from her with irresistible force. I breathe through gritted teeth, staring at Molly's blood-covered face, the color deep and rich and beautiful, in a way. She groans, and I hear a gurgling in her throat, watch blood trickle from her lips. "You won," Four mutters. "Stop." I wipe the sweat from my forehead. He stares at me. His eyes too wide; they look alarmed. "I think you should leave," he says. "Take a walk." I'm fine," I say. "I'm fine now," I say again, this time for myself.
I wish I could say I felt guilty for what I did.
I don't.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
Heβs quiet for a minute, then grins again. βI canβt believe you think Iβm hot.β
βShut up.β
βYou probably faked passing out the other day, just so you could be carried in my hot, sweaty, manly arms.β
βShut up.β
βIβll bet you fantasize about me at night, right here in this bed.β
βShut up, Holder.β
βYou probably evenβ¦β
I reach over and clamp my hand over his mouth. βYouβre way hotter when you arenβt speaking.
β
β
Colleen Hoover (Hopeless (Hopeless, #1))
β
There's no quiet place here on earth for our love, not in the village and not anywhere else, so I picture a grave, deep and narrow, in which we embrace as if clamped together, I bury my face against you, you yours against me, and no one will ever see us.
β
β
Franz Kafka (The Castle)
β
An emotion clamped down on her heart. It squeezed her into a terrible silence. But he said nothing after that, only her name, as if her name were not a name but a question. Or perhaps that it wasnβt how he had said it, and she was wrong, and sheβd heard a question simply because the sound of him speaking her name made her wish that she were his answer.
β
β
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
β
There is no such thing as coincidence, only hitsuzen.
β
β
Clamp (xxxHolic, Vol. 1 (xxxHOLiC, #1))
β
Celaena walked and walked, until she found herself by the tree-lined shore of a lake, glaringly bright in the midday sun. She figured it was as good a spot as any as she crumpled to the mossy bank, as her arms wrapped tight around herself and she bowed over her knees.
There was nothing that could be done to fix her. And she was...she was...
A whimpering noise came out of her, lips trembling to hard she had to clamp down to keep the sound inside.
--
She vaguely felt the light shifting on the lake. Vaguely felt the sighing wind, warm as it brushed against her damp cheeks. And heard, so soft it was as if she dreamed it, a woman's voice whispering, Why are you crying, Fireheart?...
"Because I am lost," she whispered onto the earth. "And I do not know the way.
β
β
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
β
Oh this? It's a 'bookworm.'
They live in books, and they love to eat important or valuable words.
β
β
Clamp (xxxHolic, Vol. 7 (xxxHOLiC, #7))
β
To change yourself means to change the future.
β
β
Clamp
β
I was born as sweet as that and if I am too sweet for your tastes then just clamp your mouth shut and spin on your heels. I canβt add sourness to my sap anymore just to fit onto a menu in a restaurant for wimps
β
β
Jenny Slate (Little Weirds)
β
She fit her head under his chin, and he could feel her weight settle into him. He held her tight and words spilled out of him without prior composition. And this time he made no effort to clamp them off. He told her about the first time he had looked on the back of her neck as she sat in the church pew. Of the feeling that had never let go of him since. He talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, Inman said, for you can grieve your heart out and in the end you are still where you are. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it's knowing you carry your scars with you. Nevertheless, over all those wasted years, he had held in his mind the wish to kiss her on the back of her neck, and now he had done it. There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.
β
β
Charles Frazier (Cold Mountain)
β
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake.
That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead.
And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
β
β
Elizabeth Wurtzel (Prozac Nation)
β
You have something on your neck," he observed.
Alec's hand flew to his throat. "What?"
"Looks like a bite mark," said Jace. "What have you been doing all day, anyway?"
"Nothing." Beet red, his hand still clamped to his neck, Alec started down the corridor. Jace followed him. "I went walking in the park. Tried to clear my head."
"And ran into a vampire?"
"What? No! I fell."
"On your neck?
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
He studied the threshold to the bedroom hallway. "Azriel, Mor, Amren, and Cassian," he said, marking the eyes I'd painted. "You do know that one of them is going to paint a moustache under the eyes of whoever pisses them off that day."
I clamped my lips to keep the smile in. "Oh, Mor already promised to do that.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
There is within every human being a deep well of thinking over which a heavy iron lid is kept clamped.
β
β
Sherwood Anderson
β
We won't be having an affair." I stare dumbly, certain I just heard an organ in my body crack in my chest. His hands clamp around me, and he crushes me to his body as he slides his nose along the shell of my ear. "When I take you, you'll be mine," he says, a soft promise in my ear.
β
β
Katy Evans (Real (Real, #1))
β
He clamped his eyes shut and waited for the pang of something he could no longer name to subside; it plucked at steel threads holding him together and reverberated through his system.
β
β
J. Rose Black (Losing My Breath)
β
People are the world's strangest creature.
β
β
Clamp
β
But there's one thing you must remember. Whether you want it or not, once you have created bonds between you and other people, those bonds will never disappear.
β
β
Clamp (γγγ΅-RESERVoir CHRoNiCLE- 19)
β
I moaned then, tilting my head back to give him better access. His hands clamped on my waist, then movedβone going to cup my rear, the other sliding between us.
Thisβthis moment, when it was him and me and nothing between our bodies β¦
His tongue scraped the roof of my mouth as he dragged a finger down the center of me, and I gasped, my back arching. βFeyre,β he said against my lips, my name like a prayer more devout than any Ianthe had offered up to the Cauldron on that dark solstice morning.
His tongue swept my mouth again, in time to the finger that he slipped inside of me. My hips undulated, demanding more, craving the fullness of him, and his growl reverberated in my chest as he added another finger.
I moved on him. Lightning lashed through my veins, and my focus narrowed to his fingers, his mouth, his body on mine. His palm pushed against the bundle of nerves at the apex of my thighs, and I groaned his name as I shattered
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
You must speak the truth and you must speak it now, Conor O'Malley. Say it. You must.
Conor shook his head again, his mouth clamped shut tight, but he could feel a burning in his chest, like a fire someone had lit there, a miniature sun, blazing away and burning him from the inside.
βIt'll kill me if I do,β he gasped.
It will kill you if you do not, the monster said. You must say it.
β
β
Patrick Ness (A Monster Calls)
β
Iβd much rather you licked my wounds for me. My heart pounded, faster and faster, and a strange sort of rush went through my veins as I read the sentence again and again. A challenge. I clamped my lips shut to keep from smiling as I wrote, Lick you where, exactly? The paper vanished before Iβd even completed the final mark. His reply was a long time coming. Then, Wherever you want to lick me, Feyre. Iβd like to start with βEverywhere,β but I can choose, if necessary.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
Only with a clear mind will you be able to see who is truly in your heart.
β
β
Clamp
β
I cannot believe they haven't yet come up with a better screening process than the mammogram. If a man had to put his special parts inside a clamp to test him for anything, I think they would come up with a new plan before the doctor finished saying, "Put that thing there so I can crush it.
β
β
Ellen DeGeneres (Seriously... I'm Kidding)
β
Faster than lightening, his hand shot out and she gagged, jolting as he grabbed her tongue between his fingers...He released her tongue, and she gasped for breath. She swore at him, a filthy, foul name, and spat at his feet. And that's when he bit her. She cried out as those canines pierced the spot between her neck and shoulder, a primal act of aggression--the bite so strong and claiming that she was too stunned to move. He had her pinned against the tree and clamped down harder, his canines digging deep, her blood spilling onto her shirt. Pinned, like some weakling. But that was what she'd become, wasn't it? Useless, pathetic.
She growled, more animal than sentient being. And shoved.
Rowan staggered back a step, teeth ripping her skin and she struck his chest. She didn't feel the pain, didn't care about the blood or flash of light. No, she wanted to rip his throat out--rip it out with the elongated canines she bared at him as she finished shifting and roared.
Rowan grinned. "There you are.
β
β
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
β
Lassiter hit pause and clamped a hard hand on his shoulder."Sit the fuck back. Watch and learn."
"What? How much I hate rom-coms? How 'bout we just stipulate that and let me go."
"You're going to need this."
" For my second career as a pussy?
β
β
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
β
Instead of regretting what we cannot do, it is better to do anything we can do. Even if what we do does not bring us to our goal, it brings us much closer to it.
β
β
Clamp
β
Sanctified cyanide
Super-quick arsenic
Higgledy-piggledy
Into the Soup.
Put out the mourning lamps
Call for coffin clamps
Teach them to trifle with
Flavia de Luce!
β
β
Alan Bradley (The Weed That Strings the Hangman's Bag (Flavia de Luce, #2))
β
If I can protect, I want to protect.
β
β
Clamp
β
However if you wish unhappiness on someone else then the very strength of that wish will make you unhappy.
β
β
Clamp (xxxHOLiC, Vol. 13)
β
After perhaps thirty meters, just as a soldier turned around, the girl was felled. Hands were clamped upon her from behind and the boy next door brought her down. He forced her knees to the road and suffered the penalty. He collected her punches as if they were presents. Her bony hands and elbows were accepted with nothing but a few short moans. He accumulated the loud, clumsy specks of saliva and tears as if they were lovely to his face, and more important, he was able to hold her down.
β
β
Markus Zusak (The Book Thief)
β
She's easy to use." Laszlo pointed at the doll's neck. "You remove the clamp, insert the small funnel, select two quarts of your favorite blood from Romatech Industries, and fill her up."
I see. Does she light up when she's running low?"
Laszlo frowned. "I suppose I could put in an indicator light-
β
β
Kerrelyn Sparks (How to Marry a Millionaire Vampire (Love at Stake, #1))
β
I shake my head, eyes clamped tightly. βWeβre too high β¦ it makes my stomach kick.β
He laughs and inhales a puff off the hookah then blows the smoke over me, saturating me in the comforting scent. βThatβs how you know youβre alive, Alyssa. The kicks.
β
β
A.G. Howard (Splintered (Splintered, #1))
β
Long ago she'd clamped an iron shell around her heart and nothing and no one could pry it lose, but deep inside the tender flesh still beat.
β
β
Sarah Sundin (A Memory Between Us (Wings of Glory, #2))
β
But the aspect of secrets is they leak out. If they didn't leak, they wouldn't be interesting.
β
β
Clamp
β
Kurogane, to Fai: You, shut up!! If you want to die that much, I'll kill you myself! But until that day, you're going to live!
β
β
Clamp (Tsubasa: RESERVoir CHRoNiCLE, Vol. 17 (Tsubasa: RESERVoir CHRoNiCLE, #17))
β
But all that is warm will go cold. My ears will fall off and my eyes will melt. My mouth will be clamped shut. My lips will turn to glue.
...No taste or smell or touch or sound.Nothing to look at. Total emptiness for ever.
β
β
Jenny Downham (Before I Die)
β
Never lose sight of your wish! And if you want to see the wish fulfilled ... you must choose! No matter how painful the choice may be.
β
β
Clamp (Tsubasa: RESERVoir CHRoNiCLE, Vol. 27 (Tsubasa: RESERVoir CHRoNiCLE, #27))
β
There are no 'ifs' in combat. When you win, you win, When you lose, you lose.
β
β
Clamp (Tsubasa: RESERVoir CHRoNiCLE, Vol. 06 (Tsubasa: RESERVoir CHRoNiCLE, #6))
β
He whistled. "Are you serious? I was sure I saw Mason showing you."
My hand clamped down on his shoulder and he winced, howling under his breath. "Remove the claws, Sam. Seriously.
β
β
Tijan (Fallen Crest High (Fallen Crest High, #1))
β
Knowledge is dangerous, which is why governments often clamp down on people who can think thoughts above a certain caliber.
β
β
Terry Pratchett (The Last Continent (Discworld, #22))
β
What chilled my blood was a felt marker outline of a woman on the wall. Hands above the head, where there was a hook, then below the shape of the head, a neck strap. Then a waist strap, and two ankle clamps. The silhouette gave me no doubt that Gina had been confined here. But where was she now?
β
β
Grahame Shannon (Tiger and the Robot (Chandler Gray, #1))
β
I nod"Maybe.But I'm pretty sure mom won't consent to a field trip across the country with my hot boyfriend.Especially not back to Florida."I clamp my mouth shut so fast my teeth should be chipped. He grins."You think I'm hot?"
"my mom thinks you are." Except, mom's not the one blushing right now.
β
β
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
β
To get mad at being called a βlittle boyβ is a proof that you indeed are one
β
β
Clamp
β
All happiness and all unhappiness ... stems from one having a desire. And that is why mankind will always make their wishes.
β
β
Clamp (γγγ΅-RESERVoir CHRoNiCLE- 23)
β
Depends on the dog. Big country dogs like these? Yeah. It's the fancy city ones that give me trouble. Overbred, Dad says. Makes them skittish and screws up their wiring. I had a Chihuahua attack me last year." He showed me a faint scar on his hand. "Took a good chunk out."
I sputtered a laugh. "A Chihuahua?"
"Hey, that thing was more vicious than a pit bull. I was at a park with Simon, kicking around a ball. All of a sudden, this little rat dog comes tearing out of nowhere, jumps up, and clamps down on my hand. Wouldn't let go. I'm shaking it, and the owner's yelling at me not to hurt little Tito. I finally get the dog off. I'm bleeding all over that place and the guy never even apologizes.
β
β
Kelley Armstrong (The Awakening (Darkest Powers, #2))
β
Eli drew his fingers through a ring of water on the table. βI donβt want to be forgotten.β He said it so softly he worried Victor wouldnβt hear, not over the chatter of the bar, but he clamped his hand down on Eliβs shoulder. For a moment he looked so serious, but then he let go and slumped back in his seat. βTell you what,β said Victor. βYou remember me, and Iβll remember you, and that way we wonβt be forgotten.β βThatβs shit logic, Vic.β βItβs perfect.β βAnd what happens when weβre dead?β βWe wonβt die, then.β βYou make cheating death sound so simple.β βWe do seem awfully good at it,β said Victor cheerfully. He lifted his glass. βTo never dying.β Eli lifted his. βTo being remembered.β Their glasses clinked as Eli added, βForever.
β
β
Victoria E. Schwab (Vicious (Villains, #1))
β
The princess is strong. And because she's strong, she's fragile. If somebody doesn't teach her that fact, she'll break.
β
β
Clamp (Tsubasa: RESERVoir CHRoNiCLE, Vol. 18 (Tsubasa: RESERVoir CHRoNiCLE, #18))
β
Because I wished for everyone to live, I did everything I could.
β
β
Clamp
β
Just because you know it [my past]... doesn't mean that my wounds are a weight you have to carry.
~Kurogane-san
β
β
Clamp
β
Scarlet cocked her head. βAre you sure you donβt want me to go? Itβs going to require some precise manuvering to attach to the docking clamp, and from what Cinder told me about your flying skillsβ¦β
βWhat do you mean? What did Cinder say about my flying skills?β
Scarlet and Cinder shared a look. βNaturally, she told me that youβre a fantastic pilot,β said Scarlet, βAbsolutely top-notch.β
βI think she was practicing her sarcasm,β said Iko.
Thorne glared, but Cinder only shrugged.
β
β
Marissa Meyer (Cress (The Lunar Chronicles, #3))
β
You can reach, but you cannot touch. It's reflected in your eye, but the message is never conveyed. It is something you decided for yourself, but that does not change the pain you feel. Even so...you must protect what you must protect.
β
β
Clamp
β
Because we knew you were waiting, we did our best so that we'd return.
β
β
Clamp
β
Jake scratches his forehead. βYeah, I know people generally have sex while pregnant, but itβs just that I, umβ¦ well, I haveβ¦β He thrusts his hands through his hair, and i canβt help but smile at his struggling, wondering where on earth heβs going with this. βLook, I have a huge penis,β he states, looking Dr. Glamazon dead in the eye. I burst out laughing immediately clamping my hand over my mouth.
β
β
Samantha Towle (Wethering the Storm (The Storm, #2))
β
If one wishes for revenge, before you know it, a hurt as bad as the one wished for will come upon the wisher.
β
β
Clamp (xxxHOLiC, Vol. 13)
β
In the deepening spring of May, I had no choice but to recognize the trembling of my heart. It usually happened as the sun was going down. In the pale evening gloom, when the soft fragrance of magnolias hung in the air, my heart would swell without warning, and tremble, and lurch with a stab of pain. I would try clamping my eyes shut and gritting my teeth, and wait for it to pass. And it would pass βbut slowly, taking its own time, and leaving a dull ache behind.
β
β
Haruki Murakami (Norwegian Wood)
β
Good guys are either taken or gay
β
β
Clamp (X/1999, Volume 13: Lament)
β
All who make wishes are the same. When one wish comes into conflict with someone else's wish ... then one must make a choice. Either abandon one's own wish ... or crush the other's wish for the sake of your own.
β
β
Clamp (γγγ΅-RESERVoir CHRoNiCLE- 24)
β
He clamped a large hand down on mine as I moved to lift the diaries. I glanced up at him and he shook his head with a small smile. "It's painful to read how my stupidity hurt you at the time, but I like being inside you head. I like knowing that while I was struggling with the fact that I had fallen in love with my best friend's little sister, she loved me back more than I could ever hope to deserve.
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Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
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Nothing is more painful than to wander in the world without the one you love.
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Clamp (RG Veda, Vol. 10)
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This isn't the kind of story where understanding makes you smart, or not understanding makes you dumb.
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Clamp (xxxHolic, Vol. 2 (xxxHOLiC, #2))
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...the problem of space remained, she thought, taking up her brush again. It glared at her. The whole mass of the picture was poised upon that weight. Beautiful and bright it should be on the surface, feathery and evanescent, one colour melting into another like the colours on a butterfly's wing; but beneath the fabric must be clamped together with bolts of iron.
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Virginia Woolf (To the Lighthouse)
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A rolled-up newspaper landed on my head and then on Jimβs. βNone of that in my house!β
Oh my gods. The alpha of Clan Cat just got smacked with a rolled-up newspaper. βMom!β
She pointed at me with the newspaper. βDo not shame me.β
I clamped my mouth shut. When she pulled out the shame card, it was all over.
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Ilona Andrews (Magic Dreams (World of Kate Daniels, #4.5; Dali Harimau, #1))
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Kurogane: For all my life... I've wanted strength. I didn't want those things precious to me to be taken away from me anymore. But, to have strength means to invite disaster to come to you. And strength alone can't really protect you.
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Clamp (γγγ΅-RESERVoir CHRoNiCLE- 22)
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Yuuko, speaking to Fai: To all the young ones in your group, you are no longer someone who passes through their lives and is forgotten. You have become someone very important to them. Your hardships are their hardships too.
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Clamp (Tsubasa: RESERVoir CHRoNiCLE, Vol. 16 (Tsubasa: RESERVoir CHRoNiCLE, #16))
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I reach for Prim in the twilight, clamp my hand on her leg and pull myself over to her. Her voice remains steady as she croons to Buttercup. "It's all right, baby, it's all right. We'll be OK down there."
My mother wraps her arms around us. I allow myself to feel young for a moment and rest my head on her shoulder.
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Suzanne Collins (Mockingjay (The Hunger Games, #3))
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I do not lie to you, Watanuki.
Because you are a very important person to me.
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Clamp (ΓΓΓHOLiC 15)
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You've always asked me to wait, as if we had time in abundance. But time is too precious, Perry. We've wasted years, when we could have been with each other. Don't you understand how much even one day of loving each other is worth? Some people are separated by distances they can never cross. All they can do is dream about each other for a lifetime, never having what they want most. How foolish, how wasteful to have love within your reach and not take it!" She clamped her teeth on her trembling bottom lip to steady herself
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
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You can't know now what the results will be in the future. So for now, don't even think about it. Think about what you want to do and what you can do. That's very different from 'running away'. What do you want to do?
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Clamp (Tsubasa: RESERVoir CHRoNiCLE, Vol. 26)
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April ended and May came along, but May was even worse than April. In the deepening spring of May, I had no choice but to recognize the trembling of my heart. It usually happened as the sun was going down. In the pale evening gloom, when the soft fragrance of magnolias hung in the air, my heart would swell without warning, and tremble, and lurch with a stab of pain. I would try clamping my eyes shut and gritting my teeth, and wait for it to pass. And it would pass....but slowly, taking its own time, and leaving a dull ache behind.
At those times I would write to Naoko. In my letters to her, I would describe only things that were touching or pleasant or beautiful: the fragrance of grasses, the caress of a spring breeze, the light of the moon, a movie I'd seen, a song I liked, a book that had moved me. I myself would be comforted by letters like this when I would reread what I had written. And I would feel that the world I lived in was a wonderful one. I wrote any number of letters like this, but from Naoko or Reiko I heart nothing.
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Haruki Murakami (Norwegian Wood)
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It is not 'strength' to try to take everything upon oneself.
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Clamp (γγγ΅-RESERVoir CHRoNiCLE- 25)
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The fact is that camels are far more intelligent than dolphins. They are so much brighter that they soon realised that the most prudent thing any intelligent animal can do, if it would prefer its descendants not to spend a lot of time on a slab with electrodes clamped to their brains or sticking mines on the bottom of ships or being patronized rigid by zoologists, is to make bloody certain humans don't find out about it. So they long ago plumped for a lifestyle that, in return for a certain amount of porterage and being prodded with sticks, allowed them adequate food and grooming and the chance to spit in a human's eye and get away with it.
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Terry Pratchett (Pyramids (Discworld, #7))
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No matter how painful it might be...I'll do everything in my might! So please, you too, act according to what you believe in!
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Clamp
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A fair price ... is nothing to be trifled with." "A price, once paid, cannot be returned.
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Clamp (Tsubasa: RESERVoir CHRoNiCLE, Vol. 05 (Tsubasa: RESERVoir CHRoNiCLE #5))
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He turned to leave, then hesitated. "One more thing."
He walked up to me. "I've also been thinking about your declaration of undying love or whatever."
"I didn't - it wasn't -"
He clamped his hands on the sides of my gooey face and kissed me.
I had to wonder: was it possible to dissolve into chocolate on a molecular level and melt into a puddle on the carpet? Because that's how I felt. I'm pretty sure Valhalla had to resurrect me several times during the course of that kiss. Otherwise, I don't know how I was still in one piece when Alex finally pulled away.
He studied me critically, his brown and amber eyes taking me in. He had a chocolate moustache and goatee now, and chocolate down the front of his sweater vest.
I'll be honest. A small part of my brain thought, Alex is male right now. I have just been kissed by a dude. How do I feel about that?
The rest of my brain answered: I have just been kissed by Alex Fierro. I am absolutely great with that.
In fact, I might have done something typically embarrassing and stupid, like making the aforementioned declaration of undying love, but Alex spared me.
"Eh." He shrugged. "I'll keep thinking about it. I'll get back to you. In the meantime, definitely take that shower."
He left, whistling a tune that might have been a Frank Sinatra song from the elevator, "Fly Me to the Moon".
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Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
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A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldnβt have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister.
Jules, Helen had called him. Her little brother.
The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids.
The misery on their faces cut at Claryβs heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldnβt make someone love you with a rune, and you couldnβt assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart.
βJulian Blackthorn,β said Jia Penhallow, and her voice was gentle. βStep forward, please.β
Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didnβt quite fit, and her head was down, as if she couldnβt bear so many people looking at her. It was clear that she didnβt want to be there β on the stage or perhaps even in Idris β but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd.
βJulian,β said Jia, in the same gentle voice, βwould you do something for us? Would you take up the Mortal Sword?
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Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
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hear him breathing behind me, loud and fast. "Are you all right, Four?"
"Are you human, Tris? Being up this high..." He gulps for air. "It doesn't scare you at all?"
I look over my shoulder at the ground. If I fall now, I will die. But I don't think I will fall. A gust of air presses against my left side, throwing my body weight to the right. I gasp and cling to the rungs, my balance shifting. Four's cold hand clamps around one of my hips, one of his fingers finding a strip of bare skin just under the hem of my T-shirt. He squeezes, steading me and pushing me gently to the left, restoring my balance. Now I can't breathe. I pause, staring at my hands, my mouth dry. I feel the ghost of where his hand was, his fingers long and narrow.
"You okay?" he asks quietly.
"Yes," I say, my voice strained.
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Veronica Roth
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You think this is some sort of comedy going on here?β Collins gave him his tough stare.
A little red spark flared in Barabasβs eyes. βExcuse me.β He struck with preternatural quickness and yanked a five-foot snake from the counter, an inch away from Tsoiβs elbow. Tsoi jumped, clearing half the room in a single bound. The snake body flailed in my lawyerβs fist. Barabas jerked the snake to his mouth and bit its neck.
βJesus Christ!β Collins took a step back. Tsoi clamped her hand over her mouth.
Barabas spat the head onto the counter. βPit viperβmy favorite. Where were we? Ah, yes. You were trying to intimidate me. I apologize for the interruption. Please, resume your staring.
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Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
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It's tough when anyone is hurt, it's painful and awful.
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Clamp (Kobato 04)
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You'll stay here with me?" "Yeah" "If I fall asleep like this ... the first thing i'll see when I wake up ... will be you.
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Clamp (Tsubasa: RESERVoir CHRoNiCLE, Vol. 02 (Tsubasa: RESERVoir CHRoNiCLE, #2))
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Most of the people who feel they are unhappy now are holding a grudge and wishing unhappiness on that person.
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Clamp (xxxHOLiC, Vol. 13)
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I pinch the sentence's butt with my other hand and tug it from my skin like a leech, smack it back on the page and clamp the book shut. Part of it's hanging out, and it waves jerkily at me with what appears to be blatant hostility. I stick the book back on the upside-down shelf over my head, pissed off sentence first, counting on the gluey base to hold it in. All I need is a badly mangled, irate sentence stalking me.
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Karen Marie Moning (Iced (Fever, #6))
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I can't do much yet, but even if I can do a little to help ... I want to give it all I have! If a person doesn't do anything, they never get any better. Doing one little thing, taking one little step forward ... I gotta believe it will help build a better future!
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Clamp (Tsubasa: RESERVoir CHRoNiCLE, Vol. 04 (Tsubasa: RESERVoir CHRoNiCLE, #4))
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There are always a few bored audience members at an opera, especially by the time act four comes along. Those particular eyes would be wandering around the hall, searching for something, anything, interesting to watch. Those eyes would land on the little demon downstage right, unless they were distracted.
Right on cue, a large stage lamp broke free of its clamp in the rigging and swung on its cable into the back canvas. [...]
On his way though the lobby minutes later, Artemis was highly amuse to overhear several audience members gushing over the unorthodox direction of the opera's final scene. The exploding lamp, muse one buff, was doubtless a metaphor for Norma's own falling star. But no, argued a second. The lamp was obviously a modernistic interpretation of the burning stake that Norma was about to face.
Or perhaps, thought Artemis as he pushed through the crowd to find a light Sicilian mist falling on his forehead, the exploding lamp was simply an exploding lamp.
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Eoin Colfer (The Lost Colony (Artemis Fowl, #5))
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By the way, Dallas?"
"What, Peabody?"
"That's a lovely tattoo. New?"
Eve clamped her teeth together, strode toward the door with as much dignity as she could manage. "See?" She jabbed a finger into Roarke's chest as they walked down the corridor. "I told you I'd be humiliated by that stupid rosebud."
"You've been drugged, slapped, tied up naked, and nearly killed, but a rose on your butt humiliates you?"
"All that other stuff's the job. The rosebud's personal."
Laughing, he swung his arm around her shoulders, hugging her close. "Christ, Lieutenant, I love you.
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J.D. Robb (Ceremony in Death (In Death, #5))
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She was shaking so badly that she tucked her hands into her pockets and clamped her lips together to lock up the words.
But they danced in her skull anyway, around and around.
You should have gotten Dorian and Sorscha out the day the king butchered those slaves. Did you learn nothing from Nehemia's death? Did you somehow think you could win with your honor intact, without sacrificing something? You shouldn't have left him; how could you let him face the king alone? How could you, how could you, how could you?
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Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
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Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.
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Mervyn Peake (Titus Groan (Gormenghast, #1))
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Kurogane: That's what you want, isn't it? Underneath that constant grin, you're keeping everyone away. So that nobody gets involved with you. But look. Just now you checked to see if the kid had a fever, and you're relieved that the princess doesn't see the wretched condition of this world. And in the last country, you used your magic.
Fai: *smiling* I said it, didn't I? I wasn't going to die. And so...
Kurogane: Yeah, but that was all about you not dying on your own account. Dying for somebody else... That's a whole new question. Back then, if you hadn't done anything, we would have been captured, and if we handled it wrong, we might have died. But you decided to use magic on your own. You involved yourself in their lives.
Fai: *no longer smiling, looks depressed* I... I don't want to make anyone unhappy because of their involvement with me.
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Clamp