“
It takes courage to love, but pain through love is the purifying fire which those who love generously know. We all know people who are so much afraid of pain that they shut themselves up like clams in a shell and, giving out nothing, receive nothing and therefore shrink until life is a mere living death.
”
”
Eleanor Roosevelt
“
Happy as a clam, is what my mother says for happy. I am happy as a clam: hard-shelled, firmly closed.
”
”
Margaret Atwood (Cat’s Eye)
“
It seems that the young woman made some indelicate suggestion of a threesome...When I got there, Miss Nash was standing by the hot tub in a small bikini, pointing the business end of a SIG-Sauer P-226 at her fella and concerned members of the hotel staff, while dunking the scantily clad female's head under the water and asking, "Who's diving for clams now, bitch?
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
There's little in taking or giving
There's little in water or wine
This living, this living , this living
was never a project of mine.
Oh, hard is the struggle, and sparse is
the gain of the one at the top
for art is a form of catharsis
and love is a permanent flop
and work is the province of cattle
and rest's for a clam in a shell
so I'm thinking of throwing the battle
would you kindly direct me to hell?
”
”
Dorothy Parker
“
Sadly, I part from you;
Like a clam torn from its shell,
I go, and autumn too.
”
”
Matsuo Bashō (Narrow Road to the Interior (Shambhala Centaur Editions))
“
It's all the same to the clam.
”
”
Shel Silverstein (A Light in the Attic)
“
When you are depressed you feel alone, and that no one is going through quite what you are going through. You are so scared of appearing in any way mad you internalise everything, and you are so scared that people will alienate you further you clam up and don’t speak about it, which is a shame, as speaking about it helps.
”
”
Matt Haig (Reasons to Stay Alive)
“
Today you are you, that is truer than true. There is no one alive who is you-er than you. Shout aloud, I am glad to be what I am. Thank goodness I'm not a ham, or a clam, or a dusty old jar of gooseberry jam. I am what I am, what a great thing to be. If I say so myself, happy everyday to me!
”
”
Dr. Seuss
“
They luxuriated in the feeling of deep and all pervading satisfaction, a feeling of knowing absolutely that all was well with the world and them and that the world was not only their oyster it was also their linguine with clam sauce. Not only were all things possible, but all things were theirs.
”
”
Hubert Selby Jr. (Requiem for a Dream)
“
We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.
”
”
Mokokoma Mokhonoana
“
If I get reincarnated…, I wanna become a clam.
”
”
Eiichiro Oda
“
Kearan has the emotional depth of a clam.
”
”
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
“
I know women. And when they clam up like this? They’re not just working one thought over in their brains. Nope, they’re constructing a complicated web of scenarios and what ifs, each thread layering over another, thickening and twisting until suddenly they’re mad about something that never even occurred to you.
”
”
Elle Kennedy (The Score (Off-Campus, #3))
“
I give him a strange look. Just a second ago he was grousing, and now he's happy as a clam. I don't get boys.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
I am lucky to be what I am! Thank goodness I'm not just a clam or ham or a dirty jar of sour gooseberry jam! I am what I am. That's a great thing to be.
”
”
Dr. Seuss
“
What I didn't say was that each time I picked up a German dictionary or a German book, the very sight of those dense, black, barbed-wire letters made my mind shut like a clam.
”
”
Sylvia Plath (The Bell Jar)
“
She likes her wine white, and that’s how I like my clam chowder. So chuggable!
”
”
Jarod Kintz (Sleepwalking is restercise)
“
Standing Here
My entire world far beneath
my feet, I should be filled
with pride. Instead, I feel
overwhelmed by a sense of defeat.
Suddenly it comes to me,
toes tempted to test the ledge,
that there is a way out of this.
Clam surety flows through
my veins, and as I turn to wave
good-bye, I wonder if it will
hurt or if a single person
will cry at my funeral.
I take a deep breath, a final
taste of sweet mountain air.
I conjure Leona, Emily.
Move my feet closer. Closer
There's Grandma One, Grandma
Two, and their spouses, waiting
for me. I see Dad. Cara. Mommy.
I screw up my courage, step over
”
”
Ellen Hopkins (Impulse (Impulse, #1))
“
Was love then like a bag of assorted sweets passed around from which one might choose more than once? Some might sting the tongue, some invoke night perfume. Some had centers as bitter as gall, some blended honey and poison, some were quickly swallowed. And among the common bull's-eyes and peppermints a few rare ones; one or two with deadly needles at the heart, another that brought clam and gentle pleasure. Were his fingers closing on that one?
”
”
Annie Proulx (The Shipping News)
“
I tell lies sometimes. The last time I lied was a year ago. I absolutely detest lying. You could say that lying and silence are the two greatest sins of present day society. Actually, I lie a lot, and I'm always clamming up.
”
”
Haruki Murakami (Hear the Wind Sing (The Rat, #1))
“
He brewed his tea in a blue china pot, poured it into a chipped white cup with forget-me-nots on the handle, and dropped in a dollop of honey and cream. He sat by the window, cup in hand, watching the first snow fall. "I am," he sighed deeply, "contented as a clam. I am a most happy man.
”
”
Ethel Pochocki (Wildflower Tea)
“
She is the goddess in the Botticelli clam shell, her eyes are the waterlilies in Monet’s pond, she is the hand of God reaching down to mankind. Klimt’s kiss is a portrait of us and I’m gonna steal it. Take it, make it mine, make her mine too.
”
”
Jessa Hastings (Daisy Haites: The Great Undoing (Magnolia Parks Universe, #4))
“
His lyrical whistle beckoned me to adventure and forgetting. But I didn't want to forget. Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over.
The Tide ebbed, sucked back into itself. There I was, a reject, with the dried black seaweed whose hard beads I liked to pop, hollowed orange and grapefruit halves and a garbage of shells. All at once, old and lonely, I eyed these-- razor clams, fairy boats, weedy mussels, the oyster's pocked gray lace (there was never a pearl) and tiny white "ice cream cones." You could always tell where the best shells were-- at the rim of the last wave, marked by a mascara of tar. I picked up, frigidly, a stiff pink starfish. It lay at the heart of my palm, a joke dummy of my own hand. Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.
”
”
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts)
“
Theology is-- or should be-- a species of poetry,which read quickly or encountered in a hubbub of noise makes no sense. You have to open yourself to a poem with a quiet, receptive mind, in the same way you might listen to a difficult piece of music... If you seize upon a poem and try to extort its meaning before you are ready, it remains opaque. If you bring your own personal agenda to bear upon it, the poem will close upon itself like a clam, because you have denied its unique and separate identity, its inviolate holiness.
”
”
Karen Armstrong (The Spiral Staircase: My Climb Out of Darkness)
“
I'm from southern Arelon, Princess," Ahan said, reaching for some more clams. "To us, round is beautiful. Not everyone wants their women to look like starving schoolboys.
”
”
Brandon Sanderson (Elantris (Elantris, #1))
“
We wanted to blast the world free of history.... picture yourself planting radishes and seed potatoes on the fifteenth green of a forgotten golf course. You'll hunt elk through the damp canyon forests around the ruins of Rockefeller Center, and dig clams next to the skeleton of the Space Needle leaning at a forty-five degree angle. We'll paint the skyscrapers with huge totem faces and goblin tikis, and every evening what's left of mankind will retreat to empty zoos and lock itself in cages as protection against the bears and big cats and wolves that pace and watch us from outside the cage bars at night.
”
”
Chuck Palahniuk (Fight Club)
“
Her expression shut faster than a poked clam. 'I'll just get a cardigan.'
He might not be a hellraiser anymore but Devin valued his reputation. 'Haven't you got anything sexy?'
'Yes,' said Rachel, 'my mind.
”
”
Karina Bliss (What the Librarian Did)
“
If you don't want her to go, you should say it. Those jerks who can't say a word no matter how much time passes ... I just don't get them. If they're doing whatever the hell they want ... then you should do what you want too. I hate those jerks who fool themselves into thinking that just because they clam up, nobody knows what's going on with them!!
”
”
Clamp (ツバサ-RESERVoir CHRoNiCLE- 19)
“
There I am, in the Grade Six class picture, smiling broadly. Happy as a clam, is what my mother says for happy. I am happy as a clam: hardshelled, firmly closed.
”
”
Margaret Atwood (Cat’s Eye)
“
I find it best to worry about the little things. Things that can be helped by being worried about. Such as the making of clam chowder, (..)coffee. The bigger stuff, well, you have to handle that as it faces you.
”
”
Terry Pratchett (The Long Earth (The Long Earth, #1))
“
Oysters, clams, and cockles were cat's magic words, and like all good magic words they could take her almost anywhere.
”
”
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
“
Life is like a clam,” Birds Mottle’s father once told her. “Years filtering shit then some bastard cracks you open and scrapes you into its damned mouth.
”
”
Steven Erikson (Bauchelain and Korbal Broach (The Tales of Bauchelain and Korbal Broach, #1-3))
“
She was my balm, my clam. My Kisa-Anna.
”
”
Tillie Cole (Raze (Scarred Souls, #1))
“
Hungry for what? Money? No. Power? Over people? That was like having power over clams.
”
”
Victor Robert Lee (Performance Anomalies)
“
I never expected to feel this way about someone." She stared at me, eyes wide nad lips parted as if she couldn't believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother's antique diamond and sapphire ring, she clammed a hand over her mouth. "I want to be married," I said again. Her silence was unnerving, and fuck, I'd completely botched this with my rambling nonsense. "Married to you, I mean." Her eyes filled with tears and she held them, unblinking. "You.Are such.An ass.
”
”
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
“
Listen! Clam up your mouth and be silent like an oyster shell, for that tongue of yours is the enemy of the soul, my friend. When the lips are silent, the heart has a hundred tongues.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
You dance your lobster quadrille, and I’ll juggle some clams, and we’ll both pretend to be hidden away in a secret sea cave, where we don’t have to think about courtships or royal missions or anything but ourselves.
”
”
Marissa Meyer (Heartless)
“
A woman is an important somebody and sometimes you win the triple crown: good food, good sex, and good talk. Most men settle for any one, happy as a clam if they get two. But listen, let me tell you something. A good man is a good thing, but there is nothing in the world better than a good good woman. She can be your mother, your wife, your girlfriend, your sister, or somebody you work next to. Don’t matter. You find one, stay there. You see a scary one, make tracks.
”
”
Toni Morrison (Love)
“
I’ve been thinking about the way, when you walk
down a crowded aisle, people pull in their legs
to let you by. Or how strangers still say “bless you”
when someone sneezes, a leftover
from the Bubonic plague. “Don’t die,” we are saying.
And sometimes, when you spill lemons
from your grocery bag, someone else will help you
pick them up. Mostly, we don’t want to harm each other.
We want to be handed our cup of coffee hot,
and to say thank you to the person handing it. To smile
at them and for them to smile back. For the waitress
to call us honey when she sets down the bowl of clam chowder,
and for the driver in the red pick-up truck to let us pass.
We have so little of each other, now. So far
from tribe and fire. Only these brief moments of exchange.
What if they are the true dwelling of the holy, these
fleeting temples we make together when we say, “Here,
have my seat,” “Go ahead—you first,” “I like your hat.
”
”
Danusha Laméris (The Moons of August)
“
More often than not, your best move is to keep quiet.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
I talked with the admiral’s staff. Military personnel are the worst, no disrespect intended. They clam up tighter than a bullfrog’s ass.
”
”
Feather Stone (The Guardian's Wildchild)
“
My daughter was calm as a clam. She had no clue what that text meant for the rest of her life. She had no clue that her father had just abandoned her.
”
”
Penelope Ward (RoomHate)
“
It is not enough to read Hesse
and drink clam chowder,
we must have the answers.
”
”
Anne Sexton (Transformations)
“
Coda"
There's little in taking or giving,
There's little in water or wine;
This living, this living, this living
Was never a project of mine.
Oh, hard is the struggle, and sparse is
The gain of the one at the top,
For art is a form of catharsis,
And love is a permanent flop,
And work is the province of cattle,
And rest's for a clam in a shell,
So I'm thinking of throwing the battle-
Would you kindly direct me to hell?
”
”
Dorothy Parker
“
Harry - “No plovers no pigeons no snipe. No oysters mussels clams or whole lobsters. No artichokes no savories no cheese.” He paused for breath then went on “Nothing too rich nothing too highly seasoned. And never more than one glass of wine. Did I miss any no-noes ”
Emma - She sighed. “When it comes to my work I do wish you would be serious.”
Harry - “I am serious ” he assured her. “After reading this I understand why women have such tiny waists and go about fainting all the time. I thought it was corsets but no. You’re all hungry .
”
”
Laura Lee Guhrke (And Then He Kissed Her (Girl Bachelors, #1))
“
Hormones and neurotransmitters, the chemicals associated with human desire, fear, love, joy, and sadness, “are highly conserved across taxa,” Jennifer said. This means that whether you’re a person or a monkey, a bird or a turtle, an octopus or a clam, the physiological changes that accompany our deepest-felt emotions appear to be the same. Even a brainless scallop’s little heart beats faster when the mollusk is approached by a predator, just like yours or mine would do were we to be accosted by a mugger.
”
”
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
“
in the hospital, Jenny Fields felt she was making up for lost time; she was discovering that people weren't much more mysterious, or much more attractive, than clams.
”
”
John Irving (The World According to Garp)
“
one of the mugs, robin saw, read keep clam and proofread
”
”
Robert Galbraith (The Silkworm (Cormoran Strike, #2))
“
If someone talks trash, you can just trash them back. Clamming up in a corner makes the thing half your fault."
"[...] There are people out there who get crushed by that logic.
”
”
Natsuki Takaya (Fruits Basket, Vol. 15)
“
If I had a clam for every time I heard someone call them [wolf eels] hideous or ugly, I would be a very plump octopus indeed.
”
”
Shelby Van Pelt (Remarkably Bright Creatures)
“
What can I do? I can only breathe in deeply. I can only bellow in a church that is deep inside of myself. I can only blast a shell-shaped horn that would shake down the oldest buildings. I can only leap for joy in my sacred inner caves and ring out the message: I am alive. I woke up again. I might as well be sprouting leaves, I might as well be covered in little clams.
”
”
Jenny Slate (Little Weirds)
“
If I order an appetizer is there any chance I can get it quickly? I'm two and a half months pregnant with a Bradford," she said, not mentioning it was twins because the thought was actually starting to scare her and she hadn't told Trevor yet and didn't want him finding out this way. She just hoped the woman understood because she was close to crying. Judging by the slightly startled look on the woman's face she did.
The waitress shook her head. "No, you're right. You probably won't be able to survive the wait," she said, sending Trevor, who was still trying to get the woman to leave, a glare. "I'll bring you out a bowl of clam chowder followed by chicken fingers, they'll only take a few minutes to prepare. Will that work?"
Zoe nodded solemnly. "You are my hero."
"I'll put a rush on your food," the waitress said before walking away.
"Bless you," Zoe said, fighting the urge to kiss the woman.
”
”
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
“
... And when the giant clam opened you were standing there dressed only in kelps and weeds of the ocean. And you held in your hand a starfish, and you said, 'Take, my Queen, this is for you. I bring you the stars, the stars from the borderless sea.
”
”
Matt Suddain (Theatre of the Gods)
“
From the molten basements of the world, two hundred miles down, it comes. One crystal in a seam of others. Pure carbon, each atom linked to four equidistant neighbors, perfectly knit, octahedral, unsurpassed in hardness. Already it is old: unfathomably so. Incalculable eons tumble past. The earth shifts, shrugs, stretches. One year, one day, one hour, a great upflow of magma gathers a seam of crystals and drives it toward the surface, mile after burning mile; it cools inside a huge, smoking xenolith of kimberlite, and there it waits. Century after century. Rain, wind, cubic miles of ice. Bedrock becomes boulders, boulders become stones; the ice retreats, a lake forms, and galaxies of freshwater clams flap their million shells at the sun and close and die and the lake seeps away. Stands of prehistoric trees rise and fall and rise again in succession. Until another year, another day, another hour, when a storm claws one particular stone out of a canyon and sends it into a clattering flow of alluvium, where eventually it finds, one evening, the attention of a prince who knows what he is looking for.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Some things are hard to talk about, and then the world clams up and pretends like it was nothing. Or they act like it never happened in the first place. But maybe that's a mistake. Just because people won't talk about something, it doesn't mean that it's any less true or important.
”
”
Kelly Barnhill (When Women Were Dragons)
“
They bought clams and cockles from her, told her true tales of Braavos and lies about their lives, and laughed at the way she talked when she tried to speak Braavosi.
”
”
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
“
How 'bout just Clam? Or Clampbell?'
'Absolutely not.
”
”
Wendy Wunder (The Probability of Miracles)
“
I forced a smile to my face and lifted my chin. He pressed his lips to mine with all the romance of kissing a clam.
”
”
Jennifer A. Nielsen (The Traitor's Game (The Traitor's Game, #1))
“
I tried to utter, but could not. The tongue had got all tangled up with the uvula, and the brain seemed paralyzed. I was feeling the same stunned feeling which, I imagine, Chichester Clam must have felt as the door of the potting shed slammed and he heard Boko starting to yodel without -- a nightmare sensation of being but a helpless pawn in the hands of Fate.
”
”
P.G. Wodehouse
“
Don't be satisfied with stories, how things have gone with others. Unfold your own myth.” Listen! Clam up your mouth and be silent like an oyster shell, for that tongue of yours is the enemy of the soul, my friend. When the lips are silent, the heart has a hundred tongues.
”
”
John Balkh (Rumi Poetry: 101 Quotes Of Wisdom On Life, Love And Happiness (Rumi Poetry, Sufism and Love Poems Series))
“
The essential fault of surrealism is that it invents without discovering. To make a clam play an accordion is to invent not to discover. The observation of the unconscious, so far as it can be observed, should reveal things of which we have previously been unconscious, not the familiar things of which we have been conscious plus imagination. p. 919
”
”
Wallace Stevens (Collected Poetry & Prose)
“
Heroin makes you sick the first try. Cigarette smoking too if you're lucky. But if you're not lucky, and you develop a taste, if you're one who senses that cocaine gets better with time, or you're one who jumps out of a plane and becomes an adrenaline junky, or you're one who loves the feel of grease melting over your tongue in the form of pecan pie or thick clam chowder or a fat porterhouse or just plain ol' Doritos by the bagful, and you want to repeat the same comfort and recognizable surprise of that first go, that first indulgence, and yet with each succeeding bite the small hope of true satisfaction slides farther away, then you understand Celeste, at least a little.
”
”
Amanda Boyden (Pretty Little Dirty)
“
We are paint streaked runners,
deafened by the cries of all the sad people.
It's a powerful sound that practically yanks the tears right out of you.
Sometimes, you just can't help but feel like a
very small
clam in
a very
big ocean.
”
”
Taylor Rhodes (Sixteenth Notes: the breaking of the rose-colored glasses)
“
A Faint Music by Robert Hass
Maybe you need to write a poem about grace.
When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days—
likes and dislikes, reasons, habits, fears—
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one—
except some almost inconceivable saint in his pool
of poverty and silence—can escape this violent, automatic
life’s companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears.
As in the story a friend told once about the time
he tried to kill himself. His girl had left him.
Bees in the heart, then scorpions, maggots, and then ash.
He climbed onto the jumping girder of the bridge,
the bay side, a blue, lucid afternoon.
And in the salt air he thought about the word “seafood,”
that there was something faintly ridiculous about it.
No one said “landfood.” He thought it was degrading to the rainbow perch
he’d reeled in gleaming from the cliffs, the black rockbass,
scales like polished carbon, in beds of kelp
along the coast—and he realized that the reason for the word
was crabs, or mussels, clams. Otherwise
the restaurants could just put “fish” up on their signs,
and when he woke—he’d slept for hours, curled up
on the girder like a child—the sun was going down
and he felt a little better, and afraid. He put on the jacket
he’d used for a pillow, climbed over the railing
carefully, and drove home to an empty house.
There was a pair of her lemon yellow panties
hanging on a doorknob. He studied them. Much-washed.
A faint russet in the crotch that made him sick
with rage and grief. He knew more or less
where she was. A flat somewhere on Russian Hill.
They’d have just finished making love. She’d have tears
in her eyes and touch his jawbone gratefully. “God,”
she’d say, “you are so good for me.” Winking lights,
a foggy view downhill toward the harbor and the bay.
“You’re sad,” he’d say. “Yes.” “Thinking about Nick?”
“Yes,” she’d say and cry. “I tried so hard,” sobbing now,
“I really tried so hard.” And then he’d hold her for a while—
Guatemalan weavings from his fieldwork on the wall—
and then they’d fuck again, and she would cry some more,
and go to sleep.
And he, he would play that scene
once only, once and a half, and tell himself
that he was going to carry it for a very long time
and that there was nothing he could do
but carry it. He went out onto the porch, and listened
to the forest in the summer dark, madrone bark
cracking and curling as the cold came up.
It’s not the story though, not the friend
leaning toward you, saying “And then I realized—,”
which is the part of stories one never quite believes.
I had the idea that the world’s so full of pain
it must sometimes make a kind of singing.
And that the sequence helps, as much as order helps—
First an ego, and then pain, and then the singing
”
”
Robert Hass (Sun under Wood)
“
Let’s say that your significant other has been paying less and less attention to you. You realize he or she has a busy job, but you still would like more time together. You drop a few hints about the issue, but your loved one doesn’t handle it well. You decide not to put on added pressure, so you clam up. Of course, since you’re not all that happy with the arrangement, your displeasure now comes out through an occasional sarcastic remark. “Another late night, huh? I’ve got Facebook friends I see more often.” Unfortunately (and here’s where the problem becomes self-defeating), the more you snip and snap, the less your loved one wants to be around you. So your significant other spends even less time with you, you become even more upset, and the spiral continues. Your behavior is now actually creating the very thing you didn’t want in the first place. You’re caught in an unhealthy, self-defeating loop.
”
”
Kerry Patterson (Crucial Conversations Tools for Talking When Stakes Are High)
“
Every one of the restraints she'd locked into place after she'd rampaged through Endovier snapped free. An icy, endless rage swept through her, wiping away everything except the plan that she could see with brutal clarity. The killing clam, Arobynn Hamel had once called it. Even he had never realized just how calm she could get when she went over the edge. If they wanted Adarlan's Assassin, they'd get her. And Wryd help them when she arrived.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Tell me bout this caveman with the clam moustache been barkin speeches all over Germany.
”
”
Esi Edugyan
“
Rejoice in your growth, in which you naturally can take no one with you, and be kind to those who remain behind, and be sure and clam before them and do not torment them with your doubts and do not frighten them with your confidence or joy, which they could not understand.
”
”
Rainer Maria Rilke (Letters to a Young Poet)
“
Wetlands are actually unsung heroes. They nurture young fish, provide refuge to birds, bats, bugs, and sometimes to big mammals like panthers and bears. Mangroves, for instance, are trees and shrubs that inhabit coastal swamps, and they form peat that is home to clams, snails, crabs, and shrimp, and filter pollution out of the water. Their “interlaced roots protect tiny fish from ravenous jaws of larger fish, and even manatees and dolphins take refuge there.
”
”
Annie Proulx (Fen, Bog and Swamp: A Short History of Peatland Destruction and Its Role in the Climate Crisis)
“
Seeing the look in his eye, I shake my head. “Uh uh. I really am sleepy. No sexy times.” He laughs. “Sure.” I cross my arms. “I’m serious. My puss pearl is clammed up for the night. My tuna pot pie is already put away in the Tupperware. This fun hatch is closed for business, Evert.
”
”
Raven Kennedy (Crimes of Cupidity (Heart Hassle, #3))
“
When you are depressed you feel alone, and that no one is going through quite what you are going through. You are so scared of appearing in any way mad you internalise everything, and you are so scared that people will alienate you further you clam up and don’t speak about it, which is a shame, as speaking about it helps. Words—spoken or written—are what connect us to the world, and so speaking about it to people, and writing about this stuff, helps connect us to each other, and to our true selves.
”
”
Matt Haig (Reasons to Stay Alive)
“
Imagine the great depths of time required for countless generations of corals, clams, and microorganisms to live out their lives, pass on their legacy, then die and sink to the ocean floor - just so you can have a gravel driveway. Our own lives, of course, are far less meaningful. We leave nothing, decaying into plant food and fertilizer in just a few years. These creatures built mountains. Our cities rest on their bones.
”
”
Theodore Gray (Molecules: The Elements and the Architecture of Everything, Book 2 of 3)
“
Fragrances linger for decades, and our loved ones may remember us by them, but the legend in each vial clams up the moment we're gone. Our genie speaks to no one. He simply watches as those he's love open and investigates. He's dying to scream with the agony of then Rosetta stones begging to be heart across centuries.
”
”
André Aciman (Alibis: Essays on Elsewhere)
“
The other night I took her on-out of pity-and what do you think the crazy bitch had done to herself? She had shaved it clean ... not a speck of hair on it. Did you ever have a woman who shaved her twat? It's repulsive, ain't it? And it's funny, too. Sort of mad like. It doesn't look like a twat any more: it's like a dead clam or something." He describes to me how, his curiosity aroused, he got out of bed and searched for his flashlight. "I made her hold it open and I trained the flashlight on it. You should have seen me ... it was comical. I got so worked up about it that I forgot all about her. I never in my life looked at a cunt so seriously.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
Tides
Every day the sea
blue gray green lavender
pulls away leaving the harbor’s
dark-cobbled undercoat
slick and rutted and worm-riddled, the gulls
walk there among old whalebones, the white
spines of fish blink from the strandy stew
as the hours tick over; and then
far out the faint, sheer
line turns, rustling over the slack,
the outer bars, over the green-furred flats, over
the clam beds, slippery logs,
barnacle-studded stones, dragging
the shining sheets forward, deepening,
pushing, wreathing together
wave and seaweed, their piled curvatures
spilling over themselves, lapping
blue gray green lavender, never
resting, not ever but fashioning shore,
continent, everything.
And here you may find me
on almost any morning
walking along the shore so
light-footed so casual.
”
”
Mary Oliver (A Thousand Mornings: Poems)
“
Nothing is really more inhuman than human relations based on morals. When a man gives bread in order to be charitable, lives with a woman in order to be faithful, eats with a Negro in order to be unprejudiced, and refuses to kill in order to be peaceful, he is as cold as a clam. He does not actually see the other person. Only a little less chilly is the benevolence springing from pity, which acts to remove suffering because it finds the sight of it disgusting. But
”
”
Alan W. Watts (The Wisdom of Insecurity)
“
Well, I just finished reading this sexy book where the male character was aggressive and dominant and the female love interest was submissive. It was hot. I mean really hot. And I thought it sounded romantic the way he took care of her.” I took a long gulp of my tea, finishing the cup. “But girl, as soon as he tried to force those clams on me, I was like ‘oh hell no!
”
”
Danielle Allen (Autumn and Summer)
“
He had scooped up another handful of sand and stared at each grain as it fell through his fingers. 'You are like these. Each a trifling speck. A hundred, many hundreds—what matter? Cast them into the air. You cannot even find them when they land upon the ground. But there are more grains than you can count. There is no end to them. You will pour across this land, and we will be smothered. Your stone walls, your dead trees, the hooves of your strange beasts trampling the clam beds. My uncle sees these things, here and now. And in his trance, he sees that worse is coming. You walls will rise everywhere until they shut us out. You will turn the land upside down with your ploughs until all the hunting grounds are gone. This, and more, my uncle sees.
”
”
Geraldine Brooks (Caleb's Crossing)
“
He, too, had dreamed dreams. Folk are usually content to draw from such visions portents which sometimes prove true, since they reveal the sleeper's secrets; but he surmised that these games the mind plays when left to itself can indicate to us chiefly the way in which the soul perceives things. Accordingly, he sought to enumerate the qualities of substance as seen in dream: lightness, impalpability, incoherence, total liberty with regard to time; then, the mobility of forms which allows each person in this state to be several people, and the several to reduce themselves to one; last, the sense of something akin to Platonic reminiscence, but also the almost insupportable feeling of necessity. Such phantom categories strongly resemble what Hermetists clam to know of existence beyond the grave, as if the world of death were only continuing for the soul the awesome world of night.
”
”
Marguerite Yourcenar (L'Œuvre au noir)
“
One of my favourite things about dining outdoors in a warmer season is that it frees hands and bares skin. ... When we don't need to wear or carry heavy clothing, our bodies feel lighter and our hands are freed for other things. Like carrying bottles of rosé; bags of stone fruit, fish, and clams; and a simple kettle and a tiny grill for a quiet, all-day beach excursion. Then we can eat well.
”
”
Kirstin Jackson
“
She lowered her hands. He had taken a step closer to her. "You dance your lobster quadrille, and I'll juggle some clams, and we'll both pretend to be hidden away in a secret sea cave, where we don't have to think about courtships or royal missions or anything but ourselves."
"That does sound lovely," she said, struggling to remember why this was a bad idea. Everything about him was a bad idea, and yet...
”
”
Marissa Meyer (Heartless)
“
Poetry, I tell my students,
is idiosyncratic. Poetry
is where we are ourselves,
(though Sterling Brown said
"Every 'I' is a dramatic 'I'")
digging in the clam flats
for the shell that snaps,
emptying the proverbial pocketbook.
Poetry is what you find
in the dirt in the corner,
overhear on the bus, God
in the details, the only way
to get from here to there.
Poetry (and now my voice is rising)
is not all love, love, love
and I'm sorry the dog died.
Poetry (here I hear myself loudest)
is the human voice,
and are we not of interest to each other?
”
”
Elizabeth Alexander (American Sublime: Poems)
“
Let a woman learn only a handful of basic finishes for her meat, and she will become a cook instead of a housewife. Butter and cream, for example. What chicken is there - what veal, what pork - indeed, what shrimp, scallops, oysters, or clams, that will not come to a glorious end if, five minutes before they leave the stove, they are graced with a lump of butter and as many tablespoons of cream as can be spared?
”
”
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
“
My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,
which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,
which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.
”
”
Mary Oliver (Thirst)
“
t smells in. Let the smell of hot tarmac in the summer remind you of a meal you ate the first time you landed in a hot place, when the ground smelled like it was melting. Let the smell of salt remind you of a paper basket of fried clams you ate once, squeezing them with lemon as you walked on a boardwalk. Let it reach your deeper interest. When you smell the sea, and remember the basket of hot fried clams, and the sound of skee-balls knocking against each other, let it help you love what food can do, which is to tie this moment to that one. Then something about the wind off the sea will have settled in your mind, and carried the fried clams and squeeze of a lemon with it.
”
”
Tamar Adler (An Everlasting Meal: Cooking with Economy and Grace)
“
A friend's mother ate nothing but clams for six months. Morning, noon, and night, nothing but clams. 'I don't know what it is - I can't seem to get enough of them' she told her son. He shakes his head, but I understand. I eat nothing but broccoli for a month, then yogurt for six days, then (for one glorious week) lamb chops. One day I roasted a chicken and had seven chicken sandwiches before nightfall. If I like something, I like it a lot. Just one doesn't cut it. I don't know what it is I can't get enough of.
”
”
Abigail Thomas (Thinking About Memoir)
“
In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick and red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf — nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco…
”
”
Jack Kerouac (On the Road)
“
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
”
”
Anne Frank (The Diary of a Young Girl)
“
I don't have anything as exotic as saffron. I hope a jar of blackberry jam will do. As you know, I write often about picking wild native blackberries. It's a chore since they're not easy game like the big purple bubbles that grow all over the sides of the road around here. Whenever I set out to hunt for a hidden patch in an old clear-cut, Francis accuses me of looking like a hobo with my canvas sunhat, khaki trousers, and Folgers cans tied over my shoulders. I don't care. When I'm in the brambles, I'm happy as a clam at high tide. Just writing to you about it makes me wish for July mornings. There's always a perfect moment when the sun strikes the bushes and a deep, sweet, earthy smell rises into the air.
”
”
Kim Fay (Love & Saffron)
“
To know Seattle one must know its waterfront. It is a good waterfront, not as busy as New York's, not as self-consciously colorful as San Francisco's, not as exotic as New Orleans, but a good, honest, working waterfront with big gray warehouses and trim fishing boats and docks that smell of creosote, and sea gulls and tugs and seafood restaurants and beer joints and fish stores--a waterfront where you can hear foreign languages and buy shrunken heads and genuine stuffed mermaids, where you can watch the seamen follow the streetwalkers and the shore patrol follow the sailors, where you can stand at an open-air bar and drink clam nectar, or sit on a deadhead and watch the water, or go to an aquarium and look at an octopus.
”
”
Murray Morgan (Skid Road: An Informal Portrait of Seattle)
“
This may have looked like a cookbook, but what it really is is an annotated list of things worth living for: a manifesto of moments worth living for. Dinner parties, and Saturday afternoons in the kitchen, and lazy breakfasts, and picnics on the heath; evenings alone with a bowl of soup, a or a heavy pot of clams for one. The bright clean song of lime and salt, and the smoky hum of caramel-edged onions. Soft goat's cheese and crisp pastry. A six-hour ragù simmering on the stove, a glass of wine in your hand. Moments, hours, mornings, afternoons, days. And days worth living for add up to weeks, and weeks worth living for add up to months, and so on and so on, until you've unexpectedly built yourself a life worth having: a life worth living.
”
”
Ella Risbridger (Midnight Chicken: & Other Recipes Worth Living For)
“
I tried every diet in the book. I tried some that weren’t in the book. I tried eating the book. It tasted better than most of the diets. I tried the Scarsdale diet and the Stillman water diet (you remember that one, where you run weight off trying to get to the bathroom). I tried Optifast, Juicefast, and Waterfast. I even took those shots that I think were made from cow pee. I endured every form of torture anybody with a white coat and a clipboard could devise for a girl who really liked fried pork chops.
One night while I was on some kind of liquid-protein diet made from bone marrow, or something equally appetizing, I was with a group of friends at a Howard Johnson’s and some of them were having fried clams. I’ll never forget sitting there with all of that glorious fried fat filling my nostrils and feeling completely left out. I went home and wrote one of my biggest hits, “Two Doors Down.” I also went off my diet and had some fried clams.
There were times when I thought of chucking it all in. “Damn the movie,” I would say. “I’m just gonna eat everything and go ahead and weigh five hundred pounds and have to be buried in a piano case.” Luckily, a few doughnuts later, that thought would pass and I would be back to the goal at hand. I remember something in a book I read called Gentle Eating. The author said you should pretend the angels are eating with you and that you want to save some for them. I loved that idea, because I love angels. I have to admit, though, there were times I would slap those angels out of the way and have their part too. A true hog will do that.
”
”
Dolly Parton (Dolly: My Life and Other Unfinished Business)
“
On either side of them the essence of honky tonk beach resort had now enclosed them: gas stations, fried clam stands, Dairy Treets, motels painted in feverish pastel colors, mini golf.
Larry was drawn two painful ways by these things. Part of him clamored at their sad and blatant ugliness and at the ugliness of the minds that had turned this section of a magnificent, savage coastline into one long highway amusement park for families in station wagons. But there was a more subtle, deeper part of him that whispered of the people who had filled these places and this road during other summers. Ladies in sunhats and shorts too tight for their large behinds. College boys in red and black striped rugby shirts. Girls in beach shifts and thong sandals. Small screaming children with ice cream spread over their faces. They were American people, and there was a kind of dirty, compelling romance about them whenever they were in groups never mind if the group was in an Aspen ski lodge or performing their prosaic/ arcane rites of summer along Route 1 in Maine. And now all these Americans were gone.
”
”
Stephen King (The Stand)
“
We navigate the produce stands, plucking palms full of cherries from every pile we pass, chewing them and spitting the seeds on the ground. We eat tiny tomatoes with taut skins that snap under gentle pressure, releasing the rabid energy of the Sardinian sun trapped inside. We crack asparagus like twigs and watch the stalks weep chlorophyll tears. We attack anything and everything that grows on trees- oranges, plums, apricots, peaches- leaving pits and peels, seeds and skins in our wake. Downstairs in the seafood section, the heart of the market, the pace quickens. Roberto turns the market into a roving raw seafood bar, passing me pieces of marine life at every stand: brawny, tight-lipped mussels; juicy clams on the half shell with a shocking burst of sweetness; tiny raw shrimp with beads of blue coral clinging to their bodies like gaudy jewelry. We place dominoes of ruby tuna flesh on our tongues like communion wafers, the final act in this sacred procession.
”
”
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
“
I notice you have written about mussels a few times, but you only ever mention cooking clams. I recently learned a creative mussels recipe from a Frenchwoman I met on a voyage to the Far East. I am enclosing a packet of saffron from that voyage. It is my small way of thanking you for "Letters from the Island."
For steamed mussels, in a stockpot add a generous pinch of saffron, coarsely chopped garlic, and parsley to a half cup of melted butter. The red enamel pot you mentioned in your column about racing Dungeness crabs, the one with the pockmark from your niece's Red Ryder BB gun, will do perfectly. If you can't find fresh garlic, shallots can be substituted, but in my opinion, without fresh garlic the dish isn't worth making. The Frenchwoman told me the addition of a cup or so of white wine is considered standard for this broth, but she prefers vermouth. I agree with her. It gives the dish a crisp, botanical flavor, and I can save my Chablis for drinking with my meal.
”
”
Kim Fay (Love & Saffron)
“
So how about you?" she asked. "Why did you and your" - she broke out the air quotes again - "'life partner' decide to move to Clam Bay?"
"Not really a good reason for it, I guess. Just bad judgment on... Wait. What did you call us?"
"Oh, I'm sorry." She blushed. "Was that the wrong term? I didn't mean to offend."
"You think... Uh, we're not gay."
She laughed. "Oh, it's all right. Nobody here cared about something like that. We're pretty tolerant of alternative lifestyles."
"We're not gay," he said with a little more force than intended. "We're just friends."
"Are you married?"
"No."
"Girlfriends?"
"Not at the moment."
"Confirmed bachelors?" She raised an eyebrow/
"Not confirmed," he replied.
"So two single guys from the big city move to our little town and open a bed-and-breakfast. But you're not gay."
"We're just friends," he said.
"Right. Because straight men open bed-and-breakfasts all the time."
"These straight men did."
"Straight men names Philip and Vance."
He wanted to argue, but he was suddenly beginning to question it himself.
”
”
A. Lee Martinez (Death's Excellent Vacation)
“
When it came to my turn in the super spelling bee everyone had already been given really easy words. “Ryan,” Mr H said, “I want you to spell the word icup.” “Icup?” I thought. I clammed up and my face went all warm and prickly, that feeling you get when you know you’re going to get the answer wrong. It’s a bit like the feeling you get when you walk up on stage to collect an award and you trip going up the stairs in front of everyone, or worse still, your pants fall down. It’s called embarrassment and I was feeling it big time. Actually it was worse than big time. It was humongous, mammoth, big time. All those long, boring afternoons sitting with Mom on the couch spelling word after word meant nothing anymore. I’d never heard of the word ‘icup’. “Oh no,” I thought. If I got this wrong I might not make the necessary criteria to get a raffle ticket before the big draw. Panic stations set in. This was going to be disastrous. Mom always said that if you get nervous or frightened, just imagine everyone around you is only in their underwear. It will make you laugh and you’ll forget your nerves. So I did, but it wasn’t a pretty sight. “Ok get a grip of yourself Rino,” I said in my head. “Think about it and just sound the word out.” I could hear my Mom’s words bleating in my head as she so often did when I got stuck on a word. I began slowly, deep in thought and not willing to put one foot wrong sounding out each letter, “I … c.. u .. pee.” There was silence and then the whole class erupted into hysterics, laughing their heads off, followed by Mr Higginbottom. Then I realised what I had just said when I sounded out the word; “I see you pee,” and I burst out into an embarrassed sort of laughter too. Mr Higginbottom came over and gave me a friendly pat on my head and ruffled my hair. It didn’t worry me that I’d combed it just the right way and put gel in it that morning. It was ok for Mr H to mess it up, but if my sister ever did it, she’d be dead meat. “Well
”
”
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
“
It has now been many months, at the present writing, since I have had a nourishing meal, but I shall soon have one—a modest, private affair, all to myself. I have selected a few dishes, and made out a little bill of fare, which will go home in the steamer that precedes me, and be hot when I arrive—as follows:
Radishes. Baked apples, with cream
Fried oysters; stewed oysters. Frogs.
American coffee, with real cream.
American butter.
Fried chicken, Southern style.
Porter-house steak.
Saratoga potatoes.
Broiled chicken, American style.
Hot biscuits, Southern style.
Hot wheat-bread, Southern style.
Hot buckwheat cakes.
American toast. Clear maple syrup.
Virginia bacon, broiled.
Blue points, on the half shell.
Cherry-stone clams.
San Francisco mussels, steamed.
Oyster soup. Clam Soup.
Philadelphia Terapin soup.
Oysters roasted in shell-Northern style.
Soft-shell crabs. Connecticut shad.
Baltimore perch.
Brook trout, from Sierra Nevadas.
Lake trout, from Tahoe.
Sheep-head and croakers, from New Orleans.
Black bass from the Mississippi.
American roast beef.
Roast turkey, Thanksgiving style.
Cranberry sauce. Celery.
Roast wild turkey. Woodcock.
Canvas-back-duck, from Baltimore.
Prairie liens, from Illinois.
Missouri partridges, broiled.
'Possum. Coon.
Boston bacon and beans.
Bacon and greens, Southern style.
Hominy. Boiled onions. Turnips.
Pumpkin. Squash. Asparagus.
Butter beans. Sweet potatoes.
Lettuce. Succotash. String beans.
Mashed potatoes. Catsup.
Boiled potatoes, in their skins.
New potatoes, minus the skins.
Early rose potatoes, roasted in the ashes, Southern style, served hot.
Sliced tomatoes, with sugar or vinegar. Stewed tomatoes.
Green corn, cut from the ear and served with butter and pepper.
Green corn, on the ear.
Hot corn-pone, with chitlings, Southern style.
Hot hoe-cake, Southern style.
Hot egg-bread, Southern style.
Hot light-bread, Southern style.
Buttermilk. Iced sweet milk.
Apple dumplings, with real cream.
Apple pie. Apple fritters.
Apple puffs, Southern style.
Peach cobbler, Southern style
Peach pie. American mince pie.
Pumpkin pie. Squash pie.
All sorts of American pastry.
Fresh American fruits of all sorts, including strawberries which are not to be doled out as if they were jewelry, but in a more liberal way.
Ice-water—not prepared in the ineffectual goblet, but in the sincere and capable refrigerator.
”
”
Mark Twain
“
Galen doesn’t get truly nervous until he senses the size of the Syrena mass coming toward them. Up until this point, he’d been worried about Emma. What she thought about all this. Her mother’s reunion with Grom. What she planned to do while they were gone. Whether or not she was going to keep her promise and stay out of the water.
And…his thoughts keep wandering back to their kiss between the sand dunes. It was an exquisite torture, the way she tasted like a mixture of salt water and herself. A combination of two things he’s come to cherish. Water and land. Syrena world and human world. Love for his kind and love for Emma.
Only now, as the party of Syrena approaches, its presence seems to encroach on Galen’s options. For some reason, it feels like a choice between water or land, Syrena world or human world, love for his kind or love for Emma. According to the law, there never was a choice. But that was before Emma.
And Galen has the feeling that the time for truly deciding between the two is closing in on him. But haven’t I already made that decision?
He steals a glance at Toraf, who’s been wearing the same grim expression since they left Emma’s house. Toraf is never grim. Since they were fingerlings, he’s always had a special talent for finding the positive in a situation, and if not the positive, then he can certainly find mischief in a situation.
But not now. Now he’s keeping to himself. Toraf never keeps to himself. Even Grom, the usual sealed-up clam, has become boisterous and enlivened while he and Nalia chatter to each other, laughing and whispering and holding hands, all the while speculating over the events that separated them so long ago.
But Toraf seems oblivious to the chatter and to Galen’s internal war of emotions and to the swarm of jellyfish he just narrowly avoided. Galen had thought Toraf might have been anxious about leaving Rayna behind. Usually, though, he comforts himself by talking about her until Galen wishes he’d had a twin brother instead of a twin sister.
No, what’s troubling Toraf has nothing to do with leaving Rayna behind. He even persuaded her to stay. Which means he thinks it’s safer for her on land right now. Toraf’s motives are always simple: do what’s best for Rayna, in spite of Rayna.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
He raised an eyebrow. "Where did you get this? Is our Anne Boleyn suddenly from Mars?" He chuckled. "I always thought she hailed from Wiltshire."
Luce's mind raced to catch up. She was playing Anne Boleyn? She'd never read this play, but Daniel's costume suggested he was playing the king, Henry VIII.
"Mr. Shakespeare-ah,Will-thought it would look good-"
"Oh,Will did?" Daniel smirked, bot believing her at all but seeming not to care. It was strange to feel that she could do or say almost anything and Daniel would still find it charming. "You're a little bit mad, aren't you, Lucinda?"
"I-well-"
He brushed her cheek with the back of his finger. "I adore you."
"I adore you,too." The words tumbled from her mouth,feeling so real and so true after the last few stammering lies. It was like letting out a long-held breath. "I've been thinking, thinking a lot,and I wanted to tell you that-that-"
"Yes?"
"The truth is that what I feel for you is...deeper than adoration." She pressed her hands over his heart. "I trust you. I trust your love. I know how strong it is,and how beautiful." Luce knew that she couldn't come right out and say what she really meant-she was supposed to be a different version of herself,and the other times,when Daniel had figured out who she was, where she'd come from,he'd clammed up immediately and told her to leave. But maybe if she chose her words carefully, Daniel would understand. "It may seem like sometimes I-I forgot what you mean to me and what I mean to you,but deep down...I know.I know because we are meant to be together.I love you, Daniel."
Daniel looked shocked. "You-you love me?"
"Of course." Luce almost laughed at how obvious it was-but then she remembered: She had no idea which moment from her past she'd walked into.Maybe in this lifetime they'd only exchanged coy glances.
Daniel's chest rose and fell violently and his lower lip began to quiver. "I want you to come away with me," he said quickly.There was a desperate edge to his voice.
Luce wanted to cry out Yes!, but something held her back.It was so easy to get lost in Daniel when his body was pressed so close to hers and she could feel the heat coming off his skin and the beating of his heart through his shirt.She felt she could tell him anything now-from how glorious it had felt to die in his arms in Versailles to how devastated she was now that she knew the scope of his suffering. But she held back: The girl he thought she was in this lifetime wouldn't talk about those things, wouldn't know them. Neither would Daniel. So when she finally opened her mouth,her voice faltered.
Daniel put a finger over her lips. "Wait. Don't protest yet. Let me ask you properly.By and by, my love."
He peeked out the cracked wardrobe door, toward the curtain.A cheer came from the stage.The audience roared with laughter and applause. Luce hadn't even realized the play had begun.
"That's my entrance.I'll see you soon." He kissed her forehead,then dashed out and onto the stage.
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Lauren Kate (Passion (Fallen, #3))