Claim Your Girl Quotes

We've searched our database for all the quotes and captions related to Claim Your Girl. Here they are! All 100 of them:

You’re mine, the girls are mine. I’m stakin’ my claim with you right now and, you force it, I’ll do it with him too.
Kristen Ashley (At Peace (The 'Burg, #2))
My favorite kind of musical experience is to feel afterward that your heart is filled up and transformed, like it is pumping a whole new kind of blood into your veins. This is what it is to be a fan: curious, open, desiring for connection, to feel like art has chosen you, claimed you as its witness.
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
I’ve seen a lot of people in my life, and I’ve been with a lot of girls. None of them are as real as you. I’ll fuck you, sugar. I’ll claim you because you’re the meaning of need. You’re what I’ve been lookin’ for.
Bella Jewel (Hell's Knights (The MC Sinners, #1))
Emperor, right." she retacked the curtain "That's weird to say, after eighteen years of listening to celebrity gossip feeds go on and on about 'Earth's favorite prince'". She claimed one of the lumpy sofa cushions, curling her legs beneath her. "I had a picture of him taped to my wall when I was fifteen. Grand-mere cut it off a cereal box." Wolf scowled. "Of course, half the girls in the world probably have had that same picture from that same cereal box." Wolf scrunched his shoulders against his neck, and Scarlet grinned, teasing. "Oh, no. You're not going to have to fight him for pack dominance now are you? Come here." She beckoned him with a wave of her hand and he was at her side in half a second, the glower softening as he pulled her against his chest.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I'm your mind", it claims. "You can't parse ME into dendrites and synapses
Susanna Kaysen (Girl, Interrupted)
Shh.” His breath at her ear sent a delicious shiver down her spine. “Be very quiet and very still or everyone will know I’m fingering your pussy under this blanket. It needs to be our little secret, doesn’t it, baby girl?
Tessa Bailey (Staking His Claim (Line of Duty, #5))
You are claiming what is yours, and that is a prosperous life. A prosperous life of peace, joy, love, happiness, inspiration, creativity, hope and guidance. Although it was taken from you because you were brainwashed to put others first, you have found your birthright. Having a prosperous life has always been your birthright!
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
We love men because they can never fake orgasms, even if they wanted to. Because they write poems, songs, and books in our honor. Because they never understand us, but they never give up. Because they can see beauty in women when women have long ceased to see any beauty in themselves. Because they come from little boys. Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women. Because they are incredible lovers and never rest until we’re happy. Because they elevate sports to religion. Because they’re never afraid of the dark. Because they don’t care how they look or if they age. Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything. Because they never wear or dream of wearing high heels. Because they’re always ready for sex. Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations. Because they’re afraid to go bald. Because you always know what they think and they always mean what they say. Because they love machines, tools, and implements with the same ferocity women love jewelry. Because they go to great lengths to hide, unsuccessfully, that they are frail and human. Because they either speak too much or not at all to that end. Because they always finish the food on their plate. Because they are brave in front of insects and mice. Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots. Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between. Because for them there’s no such thing as too much adrenaline. Because when all is said and done, they can’t live without us, no matter how hard they try. Because they’re truly as simple as they claim to be. Because they love extremes and when they go to extremes, we’re there to catch them. Because they are tender they when they cry, and how seldom they do it. Because what they lack in talk, they tend to make up for in action. Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys. Because they really love their moms, and they remind us of our dads. Because they never care what their horoscope, their mother-in-law, nor the neighbors say. Because they don’t lie about their age, their weight, or their clothing size. Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to. Because when we say “I love you” they ask for an explanation.
Paulo Coelho
The day my father came to claim me, my mother did not wish for me to go. ‘She is a girl,' she said, ‘and I do not think that she is yours. I had a thousand other men.' He tossed his spear at my feet and gave my mother the back of his hand across the face, so she began to weep. ‘Girl or boy, we fight our battles,' he said, ‘but the gods let us choose our weapons.' He pointed to the spear, then to my mother's tears, and I picked up the spear.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
You may claim no affiliation with them, but perhaps some have crossed your path.And perhaps you'd like to help us find them." "Oh,sure.You killed my mother. You can imagine I'm dying to help you out." Thomas manages to ignore me again. He glances at the first photo projected on the wall. "Know this person?" I shake my head. "Never seen him before." Thomas clicks the remote. Another photo pops up. "How about this one?" "Nope." Another photo. "How about this?" "Nope." Yet another stranger pops up on the wall. "Seen this girl before?" "Never seen her in my life." More unfamiliar faces. Thomas goes through them without blinking an eye or questioning my responses. What a stupid puppet of the state. I watch him as we continue, wishing I weren't chained so I could beat this man to the ground.
Marie Lu (Legend (Legend, #1))
She said, “Do you see how I’m wearing this apron? It means I’m working. For a living.” The unconcerned expression didn’t flag. He said, “I’ll take care of it.” She echoed, “Take care of it?” “Yeah. How much do you make in an hour? I’ll take care of it. And I’ll talk to your manager.” For a moment, Blue was actually lost for words. She had never believed people who claimed to be speechless, but she was. She opened her mouth, and at first, all that came out was air. Then something like the beginning of a laugh. Then finally, she managed to sputter, “I am not a prostitute.” The Aglionby boy appeared puzzled for a long moment, and then realization dawned. “Oh, that was not how I meant it. That is not what I said.” “That is what you said! You think you can just pay me to talk to your friend? Clearly you pay most of your female companions by the hour and don’t know how it works with the real world, but . . . but . . .” Blue remembered that she was working to a point, but now what that point was. Indignation had eliminated all higher functions and all that remained was the desire to slap him. The boy opened his mouth to protest, and her thought came back to her all in a rush. “Most girls, when they’re interested in a guy, will sit with them for free.” To his credit, the Aglionby boy didn’t speak right away. Instead, he thought for a moment and then he said, without heat, “You said you were working for living. I thought it’d be rude to not take that into account. I’m sorry you’re insulted. I see where you’re coming from, but I feel it’s a little unair that you’re not doing the same for me.” “I feel you’re being condescending,” Blue said. In the background, she caught a glimpse of Soldier Boy making a plane of his hand. It was crashing and weaving toward the table surface while Smudgy Boy gulped laughter down. The elegant boy held his palm over his face in exaggerated horror, fingers spread just enough that she could see him wince. “Dear God,” remarked Cell Phone boy. “I don’t know what else to say.” “Sorry,” she recommended. “I said that already.” Blue considered. “Then ‘bye.’” He made a little gesture at his chest that she thought was supposed to mean he was curtsying or bowing or something sarcastically gentleman-like.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Would you like to keep pretending? I know you’re not the good girl you claim to be.
Emily McIntire (Scarred (Never After, #2))
Your haughty religious people would have held their heads up to see me as I am tonight, and preached of flames and vengeance,' cried the girl. 'Oh, dear lady, why ar'n't those who claim to be God's own folks as gentle and as kind to us poor wretches as you, who, having youth, and beauty, and all that they have lost, might be a little proud instead of so much humbler?
Charles Dickens (Oliver Twist)
You claiming me?” The words were practically a growl and I realized our lips were now inches apart. “Are you saying you’re claimable?” she murmured. “Depends on the girl…” “I thought it was just sex.” “Those were your words, babe. Not mine.
Kimberly Lauren (Beautiful Broken Promises (Broken, #3))
The Friend Zone, while not always ideal, is still a goddamn gift, and really, the definition of true love. If you love someone, or even just care about them, as you claim to, you don’t mind the Friend Zone at all, because sure, fine, you don’t get to French them and stuff, but you get to know them and be close to them and hear all the dumb things that run through their minds and all the brilliant things that they don’t even know are brilliant. You get to know them and share the same air, and you’re alive at the same time, which is a gift in and of itself. If you don’t want the Friend Zone, you don’t want the girl. Simple as that.
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
You, uh, you like to choke people?” “No, but there’s something so sexy, so possessive, about being able to hold your girl at the nape of her neck.” “Possessive, are we?” I ask, trying to feel this man out. “I prefer to claim what’s mine.
Meghan Quinn (A Not So Meet Cute (Cane Brothers, #1))
It is no surprise that so many women and girls have what are delicately called 'control issues' around their bodies, from cutting and injuring their flesh to starving or stuffing themselves with food, compulsive exercise, or pathological, unhappy obsession over how we look and dress. Adolescence, for a woman, is the slow realisation that you are not considered as fully human as you hoped. You are a body first, and your body is not yours alone: whether or not you are attracted to men, men and boys will believe they have a claim on your body, and the state gets to decide what you're allowed to do with it afterwards.
Laurie Penny (Unspeakable Things: Sex, Lies and Revolution)
Before he could answer, the front door flew open and a little girl ran out, skidding to a halt inches from them. “Daddy?” The concern in the tiny child’s eyes melted Shay’s heart. “Josie,” Shay whispered. Josie propped her fists on her hips, and she cocked her head to the side. “How do you know my name?” “Joselynn, be nice and go get your nana.” Her lower lip trembled, but she turned and ran back inside.
Lia Davis (A Tiger's Claim (Shifters of Ashwood Falls, #2))
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
Listen to me. I love your sister. I love her so much I can't wait for tomorrow. To see what she says, what she wears, which laugh she'll use. She's not your sister to me. She's Lucy. She's the girl who makes me feel human.
Tessa Bailey (Staking His Claim (Line of Duty, #5))
Precious Auntie, what is our name? I always meant to claim it as my own. Come help me remember. I'm not a little girl anymore. I'm not afraid of ghosts. Are you still mad at me? Don't you recognize me? I am LuLing, your daughter.
Amy Tan (The Bonesetter's Daughter)
Hannibal knew your beauty was trouble. Only bad things could come from such a pretty girl. You were made for temptation. You would be a source of jealousy and greed. Men would lust, plot and kill to claim you as their own. He decided to place you in the public domain and donate your body to the pimps as a gift to the people.
James W. Bodden (The Red Light Princess)
How ’bout the new roommates?” “Fine. I mean, kind of weird. One of them claims to be a psychic. But I don’t think they’re, like, serial killers.” She hums, only half-listening. “Remember the rules. Number one—” “Us versus everyone.” “And number two—” “If they’re gonna kill you, get their DNA under your fingernails.” “Thatta girl,” she says.
Casey McQuiston (One Last Stop)
Your friend Lila is calling from her car phone,' Ned said, half amused and half annoyed. 'Apparently something earth-shattering has come up, and unless she can talk to you this very second, she claims she will die.
Francine Pascal (Rock Star's Girl (Sweet Valley High, #72))
But you cannot claim a child’s ignorance forever. At some point you grow up enough to understand that many people here on earth are different from you; and what you do with that knowledge defines much of your story.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
Take more selfies. Not because you need validation or likes or comments. but because you are here on this earth. Alive and holy and true. And yes, your beauty deserves to be seen and known, most especially by you. You are worthy of being the subject of your own art. It is okay to capture the process of your own becoming. To be your own kind and gentle and fierce witness. To learn the truth of your eyes and your skin and your bones. To choose to show what wants to be shown, to name what wishes to be named, to claim ownership of the story that is told about you by being the one to tell it. Dear girl. YOU are the greatest art you will ever create. The masterpiece. The magnum opus. You’re it. However you want to be. Look at yourself now, miracle that you are, look at yourself and soak in the wonder, until you no longer want to look away.
Jeanette LeBlanc
I find it appalling that the Church claims Mary consented at the age of thirteen to become the mother of God.” “But she did,” James said. “There is ample evidence to show she consented.” “Isn’t that the classic defense of the pedophile?” Helena asked. “In Christ’s time and even today in some countries in the Middle East and India, child marriages are customary. But that doesn’t make it right. In Europe and the U.S. we prosecute adults for preying on children. God would be arrested for impregnating a girl below the age of consent.” “People didn’t live as long then,” James said. Helena would not back down. “But human biology hasn’t changed. My point is she was too young to consent. The brain of a young teenager isn’t fully developed.” “The mysteries of the faith require us to have faith.” “Don’t hide behind that nonsense. What kind of message is the Church sending to women? Only virgin children are pure? Experienced mothers are impure and unfit to raise Christ? It’s creepy and insulting when you think about it, but you would have me suspend rational judgment and just accept something I would tear your eyes out for thinking about my underage sister?
Janet M. Tavakoli (Archangels: Rise of the Jesuits)
This isn’t girl power,” I say, panic-talking now. “You’re Skye’s puppet. In court your lawyer’s going to claim emotional coercion. You weren’t responsible for your actions. The man was in charge all the way. You’ll be just another victim of a powerful, manipulative male.
Grady Hendrix (The Final Girl Support Group)
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
It was the best night I’ve had in a really fucking long time,” he says through clenched teeth. “I’ve dreamed of the day that I could hold your hand and walk around, knowing you were the girl I could claim as mine. The night wasn’t just great, Blakely, it was a fucking awesome reality that stemmed from many lonely nights dreaming.
Meghan Quinn (He's Not My Type (The Vancouver Agitators, #4))
Young girl, don't cry I'll be right here when your world starts to fall Young girl, it's alright Your tears will dry, you'll soon be free to fly When you're safe inside your room, you tend to dream Of a place where nothing's harder than it seems No one ever wants or bothers to explain Of the heartache life can bring and what it means When there's no one else, look inside yourself Like your oldest friend, just trust the voice within Then you'll find the strength that will guide your way You'll learn to begin to trust the voice within Young girl, don't hide You'll never change if you just run away Young girl, just hold tight Soon you're gonna see your brighter day Now in a world where innocence is quickly claimed It's so hard to stand your ground when you're so afraid No one reaches out a hand for you to hold When you look outside, look inside to your soul When there's no one else, look inside yourself Like your oldest friend, just trust the voice within Then you'll find the strength that will guide your way If you will learn to begin to trust the voice within Life is a journey It can take you anywhere you choose to go As long as you're learning You'll find all you'll ever need to know Be strong You'll break it Hold on You'll make it Be strong Just don't forsake it because Hold on No one can tell you what you can't do No one can stop you, you know that I'm talking to you When there's no one else, look inside yourself Like your oldest friend, just trust the voice within Then you'll find the strength that will guide your way You'll learn to begin to trust the voice within Young girl, don't cry, I'll be right here When your world starts to fall
Christina Aguilera
You’ve been such a good girl for your Daddy,” I murmur against her heated flesh. “Come for me, sweet girl. Give it to me.
Dana Isaly (Claimed By Cupid (Nick and Holly #2))
You like that, baby girl? My hand on your throat, my fingers in your cunt…I’m gonna claim you, make you mine.
Emily Rath (That One Night (Jacksonville Rays, #0.5))
There is a phenomenon that occurs in the minds of many manic depressives when entering into either a manic or a depressive state that nobody claims to understand, but that bipolars from the far corners of the world can attest to: the consistent waking up at four o’clock in the morning. And when I say four o’clock, I mean four o’clock on the fucking dot. How many times have I given myself chills, waking up yet again after only two hours of sleep and looking over at the blinking red of a digital alarm clock only to see that number staring back at me? I’ve lost count. And the thing is, you don’t just wake up. You wake up with your mind racing, music churning over and over inside your head, the internal noise, words, pictures, absolutely unbearable, and it is absolutely impossible to go back to sleep.
Emilie Autumn (The Asylum for Wayward Victorian Girls)
The current crop of experts claimed that baby girls stare at faces while baby boys watch the mobile over their cribs. They extrapolated from this to conclude that women are inherently interested in people and men are inherently interested in objects. ... Turner supposed they might be right in a statistical sense, but numbers don’t tell the whole story. If you have one foot in boiling water and one in a tub of dry ice, on the average you’re comfortable.
Eileen Wilks (Blood Challenge (World of the Lupi, #7))
till it appears that men are much more philosophic on the subject of beauty than they are generally supposed; till they do fall in love with well-informed minds instead of handsome faces, a girl, with such loveliness as Harriet, has a certainty of being admired and sought after, of having the power of chusing from among many, consequently a claim to be nice. Her good-nature, too, is not so very slight a claim, comprehending, as it does, real, thorough sweetness of temper and manner, a very humble opinion of herself, and a great readiness to be pleased with other people. I am very much mistaken if your sex in general would not think such beauty, and such temper, the highest claims a woman could possess.
Jane Austen (Emma)
There’s something else I’m curious about, Kelsey.” I smiled at him. “Sure, what else do you want to know?” “What exactly is going on between you and Ren?” A vise clamped down on my chest, but I tried to play it cool. “What do you mean?” “I mean, are you two more than just traveling companions? Are you together?” I clipped off a fast, “No. Definitely not.” He grinned. “Good!” He grabbed my hand and kissed it. “Then that means you’re free to go out with me. No girl in her right mind would want to be with Ren, anyway. He’s very…stuffy. Cold, as far as relationships go.” My mouth hung open for a minute, shocked, and then I felt anger shove the shock aside and take over. “First of all, I am not going to be with either one of you. Second, a girl would have to be crazy not to want Ren. You’re wrong about him. He’s not stuffy or cold. In fact, he’s considerate, warm, drop-dead gorgeous, dependable, loyal, sweet, and charming.” He raised an eyebrow and measure me thoughtfuly for a minute. I squirmed under his gaze, knowing that I had spoken too quickly and said way too much. He ventured carefully. “I see. You may be right. The Dhiren I know has surely changed in the past couple of hundred years. However, despite that and your insistent claim that you will not be with either one of us, I would like to propose that we go out and celebrate tonight, if not as my..what is the correct word?” “The word is date.” “Date. If not as my date…then, as my friend.” I grimaced. Kishan continued, pressing his point, “Surely, you won’t leave me to fend for myself on my first night back in the real world?” He smiled at me, encouraging my acceptance. I did want to be his friend, but I wasn’t sure what to say to his request. And for just a moment, I wondered how Ren would feel about it and what the consequences might be. I questioned, “Where exactly do you want to go to celebrate?” “Mr. Kadam said there’s a nightclub in town nearby with dinner and dancing. I thought we could celebrate there, maybe get something to eat, and you can teach me how to dance.” I laughed nervously. “This is my first time in India, and I don’t know a thing about dancing or the music here.” Kisham seemed even more delighted by that news. “Fantastic! Then we will learn together. I won’t take no for an answer.” He jumped up to rush off. I yelled, “Wait, Kishan! I don’t even know what to wear!” He shouted back over his shoulder, “Ask Kadam. He knows everything!
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
You may not know the word, but you definitely know the girl. She’s the girl who has guys wrapped around her finger, whose outfit is always perfectly conceived, and who magically accomplishes whatever she wants, whether it’s getting an amazing job at twenty-two or engaged at twenty-five, and she does it effortlessly. She may seem unapproachable, but those who are lucky enough to know her are likely to claim that she’s “really great if you’re friends with her, but she can be a huge bitch.
The Betches (Nice Is Just a Place in France: How to Win at Basically Everything)
You like that, baby girl? My hand on your throat, my fingers in your cunt…I’m gonna claim you, make you mine.” She whimpers, her body melting against me. I give her clit a little friction with my palm and her tight pussy clenches around my fingers
Emily Rath (That One Night (Jacksonville Rays, #0.5))
Now, tell me again why I’m freezing my ass off in the middle of the woods?” Legna chuckled. “Because it is tradition. Your mate must find you and then carry you to the altar. Seeking you out is symbolic of his desire to let nothing come between you. Bringing you to the altar is a reflection of how it is his duty to help you over obstacles so that you may reach moments of joy together.” “It’s very romantic,” Isabella said, “if a little chauvinistic.” “Not in the least. The sharing of responsibility within a joining is symbolized just as strongly. The bride must tie the handfasting ribbon around her mate’s wrist. The white ribbon symbolizes honesty and love and fidelity, and by allowing himself to be so tied means the groom must provide for her at all times, as she will provide for him. The black is a promise that they will forever do all in their power to protect their union, their children, and the perpetuation of the essentials of our culture.” “But you’ve tied a red ribbon to the end of the black, Legna. What does thatmean?” “Actually”—the Demon woman smiled—“there is no precedent for the red ribbon. However, I felt it only fair to have a physical reminder that you have a culture of your own and will have just as much right to perpetuate that within your children as Jacob does.” “Legna,” Isabella giggled, giving her an admonishing look, “that is positively rebellious and feminist of you.” “I never claimed to be an old-fashioned girl,” Legna confided with a wink.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
My wolf wants to claim you. To make you mine. To protect you. But I’m trying to give you time, give you a choice even if it’s killing me. It’s why I keep messing up. I should’ve just staked my claim and let you deal with having me attached at your hip.
Aileen Erin (Becoming Alpha (Alpha Girl, #1))
You’re a priest. A Jesuit priest. And I left the house for one hour and come back, and I’ve got a girl with afterglow on my couch eating strawberries claiming my ex-lover who is not a Catholic priest gave her the best pain of her life. I can’t ever leave my house again.
Tiffany Reisz (The King (The Original Sinners, #6))
Because you’re right. I want to control you, darlin’. Not in the way your fucking ex did, in a way that makes you come apart.” A hot pulse of need shoots through me, igniting me with his words. He leans in closer and I have to tilt my head back to keep eye contact. “I want to fucking claim you. Tie you to my goddamn bed and force you to submit to me.” He presses his mouth to the shell of my ear and I don't fight it, I wait. Wait for everything and more. “I want to do dirty things to you, Kenz. Things only dirty girls enjoy. I want to push every one of your limits so no man will ever be able to make you come like I do.” His hot breath moves over my ear and I can’t help the shiver that rolls through me. “I. Want. To. Own. You.” He pulls back when he's finished. Both of our breathing thick with need. Holy shit. How do you respond to that?
River Savage (Infatuation (Knights Rebels MC, #4))
It was written by a doctor, but I've no idea whether it was accurate: the author claimed that blacking out wasn't simply a matter of forgetting what happened, but having no memories to forget in the first place. His theory was that you get into a state where you no longer make short term memories. And while you're there, in deepest black, you don't behave as you usually would, because you're simply reacting to the very last thing you think happened, because---since you aren't making memories---you might not actually know what the last thing to happen really was.
Paula Hawkins (The Girl on the Train)
My favorite kind of musical experience is to feel afterward that your heart is filled up and transformed, like it is pumping a whole new kind of blood into your veins. This is what it is to be a fan: curious, open, desiring for connection, to feel like art has chosen you, claimed you as its witness. —
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!
Rick Riordan (Percy Jackson's Greek Gods)
She made him want to be better. She always had, from the first. But when she left him, he’d be lost all over again. It would never work, unless . . . Unless he didn’t let her go. Keep her close. Make her stay. Make her yours. He dragged her into his arms and kissed her. There was no more contemplation in his mind. No more logic or reason or sense. Only a wild impulse that roared to life inside him and pounded in his blood like an ancient drum. One his cave-dwelling ancestors likely pounded in some torch-lit mating ceremony followed by a buffet of raw antelope. Each beat resonated as a primal urge. Want. Need. Take. Claim. Mine.
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
At the door to the shop, a bell tinkled, and moments later they seemed to enter the very flowering of lavender. The scent was all around them; it curled and diffused in the air with a sweet warmth and subtlety, then burst with a peppery, musky intensity. The blind girls moved into another room. There they arranged themselves expectantly around a long wooden table, Mme Musset welcomed them, and a cork was pulled with a squeaky pop. "This is pure essence of lavender, grown on the Valensole plateau," said Madame. "It is in a glass bottle I am sending around to the right for you all to smell. Be patient, and you will get your turn." Other scents followed: rose and mimosa and oil of almond. Now that they felt more relaxed, some of the other girls started being silly, pretending to sniff too hard and claiming the liquid leapt up at them. Marthe remained silent and composed, concentrating hard. Then came the various blends: the lavender and rosemary antiseptic, the orange and clove scent for the house in winter, the liqueur with the tang of juniper that made Marthe unexpectedly homesick for her family's farming hamlet over the hills to the west, where as a child she had been able to see brightness and colors and precise shapes of faces and hills and fruits and flowers.
Deborah Lawrenson (The Sea Garden)
Naked Girl and Mirror This is not I. I had no body once- only what served my need to laugh and run and stare at stars and tentatively dance on the fringe of foam and wave and sand and sun. Eyes loved, hands reached for me, but I was gone on my own currents, quicksilver, thistledown. Can I be trapped at last in that soft face? I stare at you in fear, dark brimming eyes. Why do you watch me with that immoderate plea- 'Look under these curled lashes, recognize that you were always here; know me-be me.' Smooth once-hermaphrodite shoulders, too tenderly your long slope runs, above those sudden shy curves furred with light that spring below your space. No, I have been betrayed. If I had known that this girl waited between a year and a year, I'd not have chosen her bough to dance upon. Betrayed, by that little darkness here, and here this swelling softness and that frightened stare from eyes I will not answer; shut out here from my own self, by its new body's grace- for I am betrayed by someone lovely. Yes, I see you are lovely, hateful naked girl. Your lips in the mirror tremble as I refuse to know or claim you. Let me go-let me be gone. You are half of some other who may never come. Why should I tend you? You are not my own; you seek that other-he will be your home. Yet I pity your eyes in the mirror, misted with tears; I lean to your kiss. I must serve you; I will obey. Some day we may love. I may miss your going, some day, though I shall always resent your dumb and fruitful years. Your lovers shall learn better, and bitterly too, if their arrogance dares to think I am part of you.
Judith A. Wright
She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information—stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognized the eagerness in their voices and the way they tracked him with their eyes. One night, as he’d passed her in the parlor, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlor. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life. “I can help you,” she said now. “Help me with what?” She couldn’t remember. There was something she was supposed to tell him. It didn’t matter anymore. “Talk to me, Wraith.” “You came back for me.” “I protect my investments.” Investments. “I’m glad I’m bleeding all over your shirt.” “I’ll put it on your tab.” Now she remembered. He owed her an apology. “Say you’re sorry.” “For what?” “Just say it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
You are a very warm friend to Mr. Martin; but, as I said before, are unjust to Harriet. ... Waiving that point, however, and supposing her to be, as you describe her, only pretty and good-natured, let me tell you, that in the degree she possesses them, they are not trivial recommendations to the world in general, ... and till it appears that men are much more philosophic on the subject of beauty than they are generally supposed; till they do fall in love with well-informed minds instead of handsome faces, a girl, with such loveliness as Harriet, has a certainty of being admired and sought after, of having the power of chusing from among many, consequently a claim to be nice. Her good-nature, too, is not so very slight a claim, comprehending, as it does, real, thorough sweetness of temper and manner, a very humble opinion of herself, and a great readiness to be pleased with other people. I am very much mistaken if your sex in general would not think such beauty, and such temper, the highest claims a woman could possess.
Jane Austen (Emma)
He is famously kind, my husband. Always sending money to those afflicted with obscure diseases or shoveling the walk of the crazy neighbor or helloing the fat girl at Rite Aid. He’s from Ohio. This means he never forgets to thank the bus driver or pushes in front at the baggage claim. Nor does he keep a list of those who infuriate him on a given day. People mean well. That is what he believes. How then is he married to me? I hate often and easily. I hate, for example, people who sit with their legs splayed. People who claim to give 110 percent. People who call themselves “comfortable” when what they mean is decadently rich. You’re so judgmental, my shrink tells me, and I cry all the way home, thinking of it.
Jenny Offill (Dept. of Speculation)
Stop thinking of hope as a feeling then. But instead, it’s something you work at, something you recommit to every day. It’s showing up and doing it scared. Fear is a cult that claims too many. It lures you in with faulty promises of safety. It wants to change your very identity and keep you bound to its lies. Not one decision I made out of fear has ever served me
Jenny B. Jones (Forever Your Girl (Katie Parker Productions, #6))
You can't expect a child not to become a product of his environment. If you're a drinker, you'll raise a drunk. If you're a single mother, traipsing men in and out of your bedroom in front of your girl child - mark my words, in time she'll claim a corner and charge money for what you gave away for free. Kings and queens raise princes and princesses. That's just the way it is.
Bernice L. McFadden (The Book of Harlan)
Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes. One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life. “I can help you,” she said now. “Help me with what?” She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more. “Talk to me, Wraith.” “You came back for me.” “I protect my investments.” Investments. “I’m glad I’m bleeding all over your shirt.” “I’ll put it on your tab.” Now she remembered. He owed her an apology. “Say you’re sorry.” “For what?” “Just say it.” She didn’t hear his reply.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
She reminded me of the girls I'd grown up with. Spoiled, undeniably pretty girls who tirelessly solicited compliments by claiming to be disgusted by their looks (too fat, too thin), who'd beg you to order nachos or fries to share! and then, claiming loss of appetite, sit and stare at you while you ate like they were watching porn. Who one day are your best friends and the next the agents of your destruction.
Elissa Schappell (Blueprints for Building Better Girls)
This problem can be illustrated with a mock analogy. Imagine in your golden years you are accused of murdering a child many decades ago and put on trial for it. The prosecution claims you murdered a little girl in the middle of a public wedding in front of thousands of guests. But as evidence all they present is a religious tract written by ‘John’ which lays out a narrative in which the wedding guests watch you kill her. Who is this John? The prosecution confesses they don’t know. When did he write this narrative? Again, unknown. Probably thirty or forty years after the crime, maybe even sixty. Who told John this story? Again, no one knows. He doesn’t say. So why should this even be admissible as evidence? Because the narrative is filled with accurate historical details and reads like an eyewitness account. Is it an eyewitness account? Well, no, John is repeating a story told to him. Told to him by an eyewitness? Well . . . we really have no way of knowing how many people the story passed through before it came to John and he wrote it down. Although he does claim an eyewitness told him some of the details. Who is that witness? He doesn’t say. I see. So how can we even believe the story is in any way true if it comes from unknown sources through an unknown number of intermediaries? Because there is no way the eyewitnesses to the crime, all those people at the wedding, would have allowed John to lie or make anything up, even after thirty to sixty years, so there is no way the account can be fabricated. If that isn’t obviously an absurd argument to you, then you didn’t understand what has just been said and you need to read that paragraph again until you do. Because
Richard C. Carrier (On the Historicity of Jesus: Why We Might Have Reason for Doubt)
When someone says to me, "I have been talking with this girl for a while. We're trying to figure out when to make it official, like, Facebook official. What's your advice?" I always ask in response, "Are you, as an individual, in an emotional, spiritual, and financial situation where you feel you could reasonable get married in the next six months?" Normally the guy answers, "No." I respond, "Then you do not need to be in a rush to try to lay some claim on this girl. You do not need to expedite attempting to name your relationship. Because what you are trying to do is get the security and comfort of locking her down, saying to the world, 'She is MY girlfriend.' But what does that mean? It means other guys can't have her. It means you have laid a certain claim on her. But under God, you have no rights over her! She can do whatever she wants!
Ben Stuart (Single, Dating, Engaged, Married: Navigating Life and Love in the Modern Age)
Technically this is assault and Henry would tell me to verbally request that you not file a sexual harassment claim against me,” she said, turning back to Priya. “Honestly, I don’t give a shit. I just want you to wake up. Although you know, you’re pretty hot and all.” This, too, was part of the story. Sleeping Beauties liked declarations of love, or attraction, or just “damn, girl, look at that body” before they were kissed awake.
Seanan McGuire (Indexing (Indexing, #1))
He was monstrous, but he was mine. And I was his, as surely as if he’d already claimed my soul. I’d spent so many years chasing darkness, reaching out for it, calling to it, and now I’d sunk into it. It had embraced me and I didn’t want it any other way. The darkness was sharp but, God, it was warm. It was terrifying, but it was safe. The darkness was a demon leaning over me with fire in his eyes, whispering, “You’re mine, baby girl.
Harley Laroux (Her Soul to Take (Souls Trilogy, #1))
raise my eyebrows, relieved to finally be meeting someone outside Fallon’s social circle. I extend my hand to her. “I’m Elloren Gardner.” She laughs and takes my hand in hers. “That’s obvious. I’ve heard all about you.” “Let me guess,” I say guardedly. “I’m the girl who looks exactly like my grandmother?” “No,” she laughs, “you’re the girl who’s been living under a rock somewhere up north. But I think your real claim to fame is that you’ve never been kissed.” My face going hot, I sigh and reach up to massage my aching forehead. “I should never have told her that.” “Don’t worry,” she says, trying to comfort me. “I have been kissed, and it’s overrated.” I stop rubbing my forehead. “Really?” “Really. Two people, smushing their mouths together, tasting each other’s spit, possibly with food bits mixed into it. It’s not at all appealing, when you really think about it.” I let
Laurie Forest (The Black Witch (The Black Witch Chronicles, #1))
Look you," Pandora told him in a businesslike tone, "marriage is not on the table." Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy? "I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife." "What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage? "That's none of your business," she told him smartly. "Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?" "Because I thought it would be only slightly less boring than staying at home." "Anyone as opposed to marriage as you claim to be has no business taking part in the Season." "Not every girl who attends a ball wants to be Cinderella." "If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse." "Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds." "I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are." "Then why were you at the ball?" "To see a fireworks display!" After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing? "Well," she muttered, "it seems you succeeded." Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded. Damn it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
When you’re about to do something really stupid and you know it’s incredibly stupid and it’s the very last thing on earth that you should be doing, but you go ahead and do it anyways, that’s when you realize that you are predestined to be a loser and there is nothing anyone can do about it, night school or not. Anyways, I didn’t think robbing a bank was that difficult. Every second bonehead at the bar claimed to have robbed a bank. I felt pretty in my scrap of a mask, and when I felt pretty, I felt infallible.
Heather O'Neill (The Girl Who Was Saturday Night: A Novel)
the author claimed that blacking out wasn’t simply a matter of forgetting what had happened, but having no memories to forget in the first place. His theory was that you get into a state where your brain no longer makes short-term memories. And while you’re there, in deepest black, you don’t behave as you usually would, because you’re simply reacting to the very last thing that you think happened, because—since you aren’t making memories—you might not actually know what the last thing that happened really was.
Paula Hawkins (The Girl on the Train)
the author claimed that blacking out wasn’t simply a matter of forgetting what had happened, but having no memories to forget in the first place. His theory was that you get into a state where your brain no longer makes short-term memories. And while you’re there, in deepest black, you don’t behave as you usually would, because you’re simply reacting to the very last thing that you think happened, because – since you aren’t making memories – you might not actually know what the last thing that happened really was.
Paula Hawkins (The Girl on the Train)
It’s time to stop hiding. It’s time to know your power, claim your voice, and tip the balance back toward a feminine future. To restore balance. It’s not about man vs. woman. Rulers vs. religion. Command and conquer. This is about harmony. Unity. Removing what has defined and divided us. It’s time to become activated Goddesses. Understand. These shifts are going to make your earth move. So if you know one thing, know this, that if you hold your Goddess energy, your truthful emotion, in your soul, nothing can shake you.
Emma Mildon (Evolution of Goddess: A Modern Girl's Guide to Activating Your Feminine Superpowers)
The problem is that you are too much in love. You are here because your parents mentioned your name to someone who mentioned your parents' name to someone who mentioned your name to my superior who suggested that I might find a position for you. And so here you sit blocking my light and dripping on my floor, eager to tell me that you love the paintings in my museum. That you have known them, admired them, dreamt of them since you were a little girl. I wish it were otherwise but all this means nothing to me. Everyone who has sat on that stool has claimed your devotion.
C.S. Richardson (The Emperor of Paris)
Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.
Carol Ann Duffy (The World's Wife)
If somebody swapped the real sword for the fake while it was in Dumbledore’s office,” she panted, as they propped the painting against the side of the tent, “Phineas Nigellus would have seen it happen, he hangs right beside the case!” “Unless he was asleep,” said Harry, but he still held his breath as Hermione knelt down in front of the empty canvas, her wand directed at its center, cleared her throat, then said: “Er--Phineas? Phineas Nigellus?” Nothing happened. “Phineas Nigellus?” said Hermione again. “Professor Black? Please could we talk to you? Please?” “‘Please’ always helps,” said a cold, snide voice, and Phineas Nigellus slid into his portrait. At once, Hermione cried: “Obscuro!” A black blindfold appeared over Phineas Nigellus’s clever, dark eyes, causing him to bump into the frame and shriek with pain. “What--how dare--what are you--?” “I’m very sorry, Professor Black,” said Hermione, “but it’s a necessary precaution!” “Remove this foul addition at once! Remove it, I say! You are ruining a great work of art! Where am I? What is going on?” “Never mind where we are,” said Harry, and Phineas Nigellus froze, abandoning his attempts to peel off the painted blindfold. “Can that possibly be the voice of the elusive Mr. Potter?” “Maybe,” said Harry, knowing that this would keep Phineas Nigellus’s interest. “We’ve got a couple of questions to ask you--about the sword of Gryffindor.” “Ah,” said Phineas Nigellus, now turning his head this way and that in an effort to catch sight of Harry, “yes. That silly girl acted most unwisely there--” “Shut up about my sister,” said Ron roughly. Phineas Nigellus raised supercilious eyebrows. “Who else is here?” he asked, turning his head from side to side. “Your tone displeases me! The girl and her friends were foolhardy in the extreme. Thieving from the headmaster!” “They weren’t thieving,” said Harry. “That sword isn’t Snape’s.” “It belongs to Professor Snape’s school,” said Phineas Nigellus. “Exactly what claim did the Weasley girl have upon it? She deserved her punishment, as did the idiot Longbottom and the Lovegood oddity!” “Neville is not an idiot and Luna is not an oddity!” said Hermione. “Where am I?” repeated Phineas Nigellus, staring to wrestle with the blindfold again. “Where have you brought me? Why have you removed me from the house of my forebears?” “Never mind that! How did Snape punish Ginny, Neville, and Luna?” asked Harry urgently. “Professor Snape sent them into the Forbidden Forest, to do some work for the oaf, Hagrid.” “Hagrid’s not an oaf!” said Hermione shrilly. “And Snape might’ve thought that was a punishment,” said Harry, “but Ginny, Neville, and Luna probably had a good laugh with Hagrid. The Forbidden Forest…they’ve faced plenty worse than the Forbidden Forest, big deal!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I vowed to myself that day that I would be wealthy when I grew up. It was my birthday-candle wish. I stood in that tiny dining room on stained carpet, in front of the yard-sale table, and I promised myself something better. I will never live like this when I have the ability to prevent it. I was vehement in this: someday I would be rich. I’m not supposed to say that, I know. Social media is filled with hundreds of male CEOs and self-made entrepreneurs who tout the power of wealth and the justification for achieving it. But, if you’re a woman, it’s frowned upon. It’s impolite. It’s not something good girls do. Good girls don’t talk about money, and they certainly don’t claim it as a life goal, regardless of their reasons why.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals (Girl, Wash Your Face))
Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.
Clementine Paddleford
The real problem with going over to Craig’s Saturday night for a little get-together is that there is no way for you to leave without looking and feeling like an asshole. You wouldn’t have to worry about holding in a turd all night if your homie would just let you bounce after dessert (i.e., a half-eaten box of Girl Scout cookies he found in the freezer, because people our age never remember to buy a fucking pie when they invite you over). But nooooooooo, he just set his projector up and you have to watch a movie on the living room wall and I’m sorry you hated that movie but don’t leave yet! We haven’t even played Cards Against Humanity!!! I just want to go down to the bar, listen to three beers’ worth of your problems, then claim that my stomach hurts so I can leave and get in bed before nine.
Samantha Irby (We Are Never Meeting in Real Life.)
When we broke up, you said you wanted to be someone’s number one girl, but look at you. You don’t want to have a number one guy.” He gestures rudely at the cake table. “You want to have your cake and eat it too.” His words sting just the way he intends them to. “I hate that saying. What does it even mean? Of course I want to have my cake and eat it too--otherwise what’s the point of having cake?” He frowns at me. “That’s not what I’m talking about and you know it.” The song finishes then, and the kids come over to claim their cakes. Kitty and Owen, too. “Let’s go,” Owen says to Peter. He’s got my caramel cake. Peter glances down at him and then back at me, his eyes hard. “I don’t want that one.” “That’s the one you told me to get!” “Well, I don’t want it anymore. Put it back and get the Funfetti down there at the end.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Choate has marvelous facilities. I’m certain Bee will find more than enough to keep her from “growing bored.” While we’re on the subject, please indulge me while I tell you the story of the first and last time Bee ever claimed she was bored. Bernadette and I were driving Bee and a friend, both preschoolers, to a birthday party. There was traffic. Grace said, “I’m bored.” “Yeah,” Bee mimicked, “I’m bored.” Bernadette pulled the car over, took off her seat belt, and turned around. “That’s right,” she told the girls. “You’re bored. And I’m going to let you in on a little secret about life. You think it’s boring now? Well, it only gets more boring. The sooner you learn it’s on you to make life interesting, the better off you’ll be.” “OK,” Bee said quietly. Grace burst into tears and never had a playdate with us again. It was the first and last time Bee ever said she was bored.
Maria Semple (Where'd You Go, Bernadette)
Was I mad at being “outed” by him as sexually active? No. To be honest with you, I liked that Justin said that. Why did my managers work so hard to claim I was some kind of young-girl virgin even into my twenties? Whose business was it if I’d had sex or not? I’d appreciated it when Oprah told me on her show that my sexuality was no one else’s business, and that when it came to virginity, “you don’t need a world announcement if you change your mind.” Yes, as a teenager I played into that portrayal, because everyone was making such a big deal out of it. But if you think about it, it was pretty stupid for people to describe my body in that way, for them to point to me and say, “Look! A virgin!” It’s nobody’s business at all. And it took the focus off me as a musician and performer. I worked so hard on my music and on my stage shows. But all some reporters could think of to ask me was whether or not my breasts were real (they were, actually) and whether or not my hymen was intact.
Britney Spears (The Woman in Me)
It sure if terrific to be in the back seat of a car full of all the people in your affinity group, and as you zip down the center of the road the radio is going boodeley-boodeley-boo in some bluegrass heart song to open space, and, whoopee, you’re hugging all the committed girls who love you just as the boys love you but even more so, maybe, because Bug never forgot that a Swiss army knife, for instance, does everything well and nothing excellently; and to do something excellently a good navy surplus kelp-slitting blade is far superior to a thousand sawtoothed frogman’s specials; and a gun is worth a thousand knives; and a good friend is worth a thousand guns; and ten minutes’ bored talk about the weather with any girl is worth a thousand friends at your back on the Great Trek of 1836, at least at that time in his life, perhaps because until he joined the affinity group none of his friends had ever been girls; but now everyone was his friend, especially the girls (but he only thought that; he didn’t say it, didn’t want anyone to claim that he was a sexist).
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
Behind her, Annabelle heard Daisy say to Lillian accusingly, “I thought you said that no one ever comes to this meadow!” “That’s what I was told,” Lillian replied, her voice muffled as she stepped into the circle of her gown and bent to jerk it upward. The earl, who had been mute until that point, spoke with his gaze trained studiously on the distant scenery. “Your information was correct, Miss Bowman,” he said in a controlled manner. “This field is usually unfrequented.” “Well, then, why are you here?” Lillian demanded accusingly, as if she, and not Westcliff, was the owner of the estate. The question caused the earl’s head to whip around. He gave the American girl an incredulous glance before he dragged his gaze away once more. “Our presence here is purely coincidental,” he said coldly. “I wished to have a look at the northwest section of my estate today.” He gave the word my a subtle but distinct emphasis. “While Mr. Hunt and I were traveling along the lane, we heard your screaming. We thought it best to investigate, and came with the intention of rendering aid, if necessary. Little did I realize that you would be using this field for…for…” “Rounders-in-knickers,” Lillian supplied helpfully, sliding her arms into her sleeves. The earl seemed incapable of repeating the ridiculous phrase. He turned his horse away and spoke curtly over his shoulder. “I plan to develop a case of amnesia within the next five minutes. Before I do so, I would suggest that you refrain from any future activities involving nudity outdoors, as the next passersby who discover you may not prove to be as indifferent as Mr. Hunt and I.” Despite Annabelle’s mortification, she had to repress a skeptical snort at the earl’s claim of indifference on Hunt’s behalf, not to mention his own. Hunt had certainly managed to get quite an eyeful of her. And though Westcliff’s scrutiny had been far more subtle, it had not escaped her that he had stolen a quick but thorough glance at Lillian before he had veered his horse away. However, in light of her current state of undress, it was hardly the time to deflate Westcliff’s holier-than-thou demeanor. “Thank you, my lord,” Annabelle said with a calmness that pleased her immensely. “And now, having dispensed such excellent advice, I would ask that you allow us some privacy to restore ourselves.” “With pleasure,” Westcliff growled.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
In Truth,” I said, “there are no rules other than you have to tell the truth.” “How do you win?” he asked. “That,” I said, “is such a boy question.” “What, girls don’t like to win?” He snorted. “Please. You’re the one who got all rule driven on me claiming Instant Breakfast isn’t a food.” “It’s not,” I told him. “It’s a beverage.” He rolled his eyes. I can’t believe this, I thought. A week or two ago putting a full sentence together in front of Wes was a challenge. Now we were arguing about liquids. “Okay,” he said, “back to Truth. You were saying?” I took in a breath. “To win, one person has to refuse to answer a question,” I said. “So, for example, let’s say I ask you a question and you don’t answer it. Then you get to ask me a question, and if I answer it, I win.” “But that’s too simple,” he said. “What if I ask you something easy?” “You wouldn’t,” I told him. “It has to be a really hard question, because you don’t want me to win.” “Ahhh,” he said, nodding. Then, after mulling it for a second he said, “Man. This is diabolical.” “It’s a girl’s game,” I explained, tilting my head back and looking at the stars. “Always good for a little drama at the slumber party. I told you, you don’t want to play.” “No. I do,” he squared his shoulders. “I can handle it.
Sarah Dessen (The Truth About Forever)
Knocking on a massive carved door minutes later, the sigils on it shouting to those literate enough to ‘Stay away or else!’ he received a nice surprise when the door swung open. Well, hello there. Reaching only his shoulder, with a wild mop of black hair, bright brown eyes and a rounded body made for worship – by his tongue – Remy wondered if he could convince the servant girl to come around the corner with him for a quickie before he met with this Ysabel person. Then she opened her luscious mouth. “If you’re done gawking, you might want to step back before I smash your nose with the door when I shut it.” Someone got up without sex today. He could fix that. “Hello beautiful, I actually have business with the occupant of this suite. I’m here to meet with Ysabel, the witch.” “Really.” Her tone said what she thought of his claim and her brown gaze looked him up and down, then dismissed him. “I don’t think so.” The door slammed shut in his face. What. The. Fuck. Remy pounded on the door. It immediately opened. The ebony haired vixen, her arms crossed under her bountiful tits, smirked. “Back already. What’s wrong? Did I hurt your feelings?” “Listen woman, I don’t know what crawled up your ass and turned you into an uptight bitch, but I’m here to see Ysabel, so get the fuck out of my way before I put you over my knee and –” “And what? Spank me?” Her eyes actually sparked with challenge, the minx. “I’d like to see you try. But, before you do, just so you know, my name is Ysabel. The witch.” Aaaaah, shit. Never one to admit defeat, he let a slow simmering smile spread across his face. It worked on demonesses, damned souls, human women, and even gay men, but apparently, it had no effect on scowling witches. Too bad. “It’s your lucky day. Lucifer has informed me that you’re my next assignment.” “Not by choice. And what are you supposed to do exactly? I need a tracker, not a gigolo. What happened? Did your gig as a pole dancer not work out? Equipment too small?” She dropped her gaze to his groin and sneered. A sudden, irrational urge possessed him to drop his pants, flip her over and show her there was nothing wrong with the size of his cock. He abstained, but couldn’t prevent himself from taunting her, eyeing her up and down in the same dismissive manner. “Anytime you want to measure my dick, you let me know. Naked.” “Pig.” “No, demon. Really, get your terminology straight, would you? After Lucifer’s warning, I expected someone older and badder.” To his credit he didn’t drop to the ground, but the pain in his balls did require he bend over to cup them gently which in turn meant he got the door in the face. Again. -Ysabel & Remy
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
Listen, it’s simple, because men are simple. A guy likes a chick, he needs to get her attention. There are a coupla ways to do this. The dicks, they do it by bein’ a dick to the girl, insultin’ her hair or her makeup or somethin’ totally made up just to start a conversation. Best thing to do is ignore ’em. The better ones, they’ll try an’ be your pal, buddy up to you about somethin’ they think you might like even though they definitely fuckin’ don’t. These guys are harmless, Lou, just friend zone ’em for long enough and they’ll give up. Then there are the best kinda men, yeah? The ones that man-up and claim a woman the way a woman wants and needs to be claimed. He sees somethin’ he likes, he goes up, lays it out, and asks her out. He does what he needs to do to get to know her, listenin’, spendin’ the money, and, better, the time to know her mind so he can rock her world. Somethin’ fucks with her, that man is gonna throw down to make it right again. She wants somethin’ he can’t immediately get her? That guy’s gonna work his fuckin’ ass off to get it for her just for a chance to get some more of her sweetness. That’s the kinda man you’re gonna get yourself one day, Lou. Not now, you’re just a kid, so be patient. Ignore the dicks that will be ignored and throat punch the idiots that won’t. Make friends with the pussies who let you do that to them. And wait. Z.
Giana Darling (Welcome to the Dark Side (The Fallen Men, #2))
Do those things, god damnit, because nothing sucks worse than a girl who reads. Do it, I say, because a life in purgatory is better than a life in hell. Do it, because a girl who reads possesses a vocabulary that can describe that amorphous discontent as a life unfulfilled—a vocabulary that parses the innate beauty of the world and makes it an accessible necessity instead of an alien wonder. A girl who reads lays claim to a vocabulary that distinguishes between the specious and soulless rhetoric of someone who cannot love her, and the inarticulate desperation of someone who loves her too much. A vocabulary, god damnit, that makes my vacuous sophistry a cheap trick. Do it, because a girl who reads understands syntax. Literature has taught her that moments of tenderness come in sporadic but knowable intervals. A girl who reads knows that life is not planar; she knows, and rightly demands, that the ebb comes along with the flow of disappointment. A girl who has read up on her syntax senses the irregular pauses—the hesitation of breath—endemic to a lie. A girl who reads perceives the difference between a parenthetical moment of anger and the entrenched habits of someone whose bitter cynicism will run on, run on well past any point of reason, or purpose, run on far after she has packed a suitcase and said a reluctant goodbye and she has decided that I am an ellipsis and not a period and run on and run on. Syntax that knows the rhythm and cadence of a life well lived. Date a girl who doesn’t read because the girl who reads knows the importance of plot. She can trace out the demarcations of a prologue and the sharp ridges of a climax. She feels them in her skin. The girl who reads will be patient with an intermission and expedite a denouement. But of all things, the girl who reads knows most the ineluctable significance of an end. She is comfortable with them. She has bid farewell to a thousand heroes with only a twinge of sadness. Don’t date a girl who reads because girls who read are the storytellers. You with the Joyce, you with the Nabokov, you with the Woolf. You there in the library, on the platform of the metro, you in the corner of the café, you in the window of your room. You, who make my life so god damned difficult. The girl who reads has spun out the account of her life and it is bursting with meaning. She insists that her narratives are rich, her supporting cast colorful, and her typeface bold. You, the girl who reads, make me want to be everything that I am not. But I am weak and I will fail you, because you have dreamed, properly, of someone who is better than I am. You will not accept the life that I told of at the beginning of this piece. You will accept nothing less than passion, and perfection, and a life worthy of being storied. So out with you, girl who reads. Take the next southbound train and take your Hemingway with you. I hate you. I really, really, really hate you.
Charles Warnke
As soon as all the prizes had been given out, the band began to play a lively dance number. Rod Havelock, who had been watching closely, came up to claim Nancy and was only a second ahead of Al. “I guess I’d better get my dances in early,” the assistant purser teased. “I see I have a handsome rival.” Nancy laughed as they glided off. “I’m glad you did, because I must ask you a question. We are planning to open the mystery trunk tonight after this party is over. Will you come and help us investigate it?” “You bet I will,” Rod replied. “I can tell you now that the dancing will end at eleven o’clock sharp. Shall we say eleven-fifteen in your room?” “Perfect,” Nancy agreed. At this moment the music ended. Others came up to talk to the couple, and presently AI made his way toward Nancy. “May I have the next dance?” he asked. The whole evening was a joyful one for Nancy and her friends. They were claimed for every dance. Al asked the girl detective if she would accompany him to the lavish table of food that had been set up on the deck outside. She went along and they found Bess, George, and Nelda there with Bruce, Chipper, and Tubby. “Hey, have some of those delicious meatballs!” Tubby recommended. “Now, Tub, I thought you were staying away from all this fattening stuff?” Chipper teased. “Well, I had to try a little of each!” Tubby defended himself. When the music began to play again, Al asked Nancy to dance. “Sure, I’d like to,” she said. “I’m glad you would,” Al commented. “Next to football, dancing is my favorite pastime.
Carolyn Keene (Mystery of the Brass-Bound Trunk (Nancy Drew, #17))
VIN RESISTED THE URGE TO PICK at her noblewoman’s dress. Even after a half week of being forced to wear one—Sazed’s suggestion—she found the bulky garment uncomfortable. It pulled tightly at her waist and chest, then fell to the floor with several layers of ruffled fabric, making it difficult to walk. She kept feeling as if she were going to trip—and, despite the gown’s bulk, she felt as if she were somehow exposed by how tight it was through the chest, not to mention the neckline’s low curve. Though she had exposed nearly as much skin when wearing normal, buttoning shirts, this seemed different somehow. Still, she had to admit that the gown made quite a difference. The girl who stood in the mirror before her was a strange, foreign creature. The light blue dress, with its white ruffles and lace, matched the sapphire barrettes in her hair. Sazed claimed he wouldn’t be happy until her hair was at least shoulder-length, but he had still suggested that she purchase the broochlike barrettes and put them just above each ear. “Often, aristocrats don’t hide their deficiencies,” he had explained. “Instead, they highlight them. Draw attention to your short hair, and instead of thinking you’re unfashionable, they might be impressed by the statement you are making.” She also wore a sapphire necklace—modest by noble standards, but still worth more than two hundred boxings. It was complemented by a single ruby bracelet for accentuation. Apparently, the current fashion dictated a single splash of a different color to provide contrast. And it was all hers,
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
A BLESSING FROM MY SIXTEEN YEARS’ SON I have this son who assembled inside me during Hurricane Gloria. In a flash, he appeared, in a tiny blaze. Outside, pines toppled. Phone lines snapped and hissed like cobras. Inside, he was a raw pearl: microscopic, luminous. Look at the muscled obelisk of him now pawing through the icebox for more grapes. Sixteen years and not a bone broken, not a single stitch. By his age, I was marked more ways, and small. He’s a slouching six foot two, with implausible blue eyes, which settle on the pages of Emerson’s “Self Reliance” with profound belligerence. A girl with a navel ring could make his cell phone buzz, or an Afro’d boy leaning on a mop at Taco Bell— creatures strange as dragons or eels. Balanced on a kitchen stool, each gives counsel arcane as any oracle’s. Dante claims school is harshing my mellow. Rodney longs to date a tattooed girl, because he wants a woman willing to do stuff she’ll regret. They’ve come to lead my son into his broadening spiral. Someday soon, the tether will snap. I birthed my own mom into oblivion. The night my son smashed the car fender, then rode home in the rain-streaked cop cruiser, he asked, Did you and Dad screw up so much? He’d let me tuck him in, my grandmother’s wedding quilt from 1912 drawn to his goateed chin. Don’t blame us, I said. You’re your own idiot now. At which he grinned. The cop said the girl in the crimped Chevy took it hard. He’d found my son awkwardly holding her in the canted headlights, where he’d draped his own coat over her shaking shoulders. My fault, he’d confessed right off. Nice kid, said the cop.
Mary Karr (Now Go Out There: (and Get Curious))
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
Deep down, the young are lonelier than the old.” I read this in a book somewhere and it’s stuck in my mind. As far as I can tell, it’s true. So if you’re wondering whether it’s harder for the adults here than for the children, the answer is no, it’s certainly not. Older people have an opinion about everything and are sure of themselves and their actions. It’s twice as hard for us young people to hold on to our opinions at a time when ideals are being shattered and destroyed, when the worst side of human nature predominates, when everyone has come to doubt truth, justice and God. Anyone who claims that the older folks have a more difficult time in the Annex doesn’t realize that the problems have a far greater impact on us. We’re much too young to deal with these problems, but they keep thrusting themselves on us until, finally, we’re forced to think up a solution, though most of the time our solutions crumble when faced with the facts. It’s difficult in times like these: ideals, dreams and cherished hopes rise within us, only to be crushed by grim reality. It’s a wonder I haven’t abandoned all my ideals, they seem so absurd and impractical. Yet I cling to them because I still believe, in spite of everything, that people are truly good at heart. It’s utterly impossible for me to build my life on a foundation of chaos, suffering and death. I see the world being slowly transformed into a wilderness, I hear the approaching thunder that, one day, will destroy us too, I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too will end, that peace and tranquility will return once more.
Anne Frank (The Diary of a Young Girl)
It was the morning when she went confront my father's killer. I asked her why she wouldn't let one of the soldiers or gerents handle his rescue. And she said to me that all little girls, regardless of what they say, dream of a prince to come in and sweep them off their feet and save the day. But what no one ever mentions is that all little boys dream of a princess to do the same thing for them. But the problem with princes and princesses is that they're spoiled and self-absorbed. They act in their own best interest. They don't go after their loved ones to rescue them so much as they do it for their own vainglory, and to serve themselves. While she'd had many princes try for her hand, it was a king who had claimed her heart. Unlike princes, kings take responsibility. they think of others instead of themselves and they will risk everything, even their very lives , for those they love. It is never about them, but rather about the ones they cherish most. they love to such depth that they would sacrifice all just to see their family smile. For every thousand princes, there is only one king. And such rare men do not deserve a useless princess who sits on her duff and orders others to worship her and do her bidding. Kings deserve queens- rare women who never flinch to do whatever it takes to keep their king safe. Women who have the courage to face any attacker and to rally to whatever challenge life throws at them. I will not sit here, she said to me, and let your father suffer while I hide in comfort. He risked his life to keep us safe and I will do no less for him. If it means my life, so be it. After all, he is my life and I don't want to live without him. He deserves only my best and that's exactly what he's going to get, no matter the personal cost.
Sherrilyn Kenyon (Cloak and Silence (The League, #5.5))
Four Years Since Today I remember the day but to be honest it is everyday That day then, the moment then, when you left us all here More than just a father I call, a gem I treasure, that day I lost We four girls, my mom’s other half, my brothers best bud, our first love, we lost Holding the key to the future called You, I stand still facing the gate of the past Why I keep on asking the same question? Why you? Why out of all those people? Why too soon? Why? It has been years, 4 years exact, it seems like yesterday yes You were taken too soon, words aren’t enough to express It’s not fair, but who I am to blame, who Am I to question? My eyes express longing you cannot fathom From my open mouth my broken heart pours Words that try to capture that image so faint He is the picture I could not ever paint Yet our memories is in the solid bowl being kept Spare me even just 5 or 10 minutes of your presence To build up this longing I feel, I am asking I want to hear your nag; I want to hear your laugh In my dreams please see me there I won’t get afraid nor get frightened Like a waterfalls my tears keeps on flowing Like a bubble your voice keeps on vanishing He, his shadow, he himself starts from fading I don’t want to forget you please stop time from ticking I don’t want to open my eyes don’t wake me from dreaming You are the art of my painting, the muse of my poem My strength, my inspiration why I’m still holding on My king, my superman, name them all, you are my only one I miss the old golden days when you used to carry us one by one Look papa, how I am now, hoping always, you’ll be proud It pains me to know this inevitable truth, yes That I can’t see you for now yes it’s the truth, but My father’s love undeniable not easily obtained Something that few, many people rather don’t have But I’m blessed and proud I have mine claimed.
Venancio Mary Ann
How come I wasn’t riding around in his middle seat? Was I supposed to initiate this? Was this expected of me? Because I probably should know early on. But wouldn’t he have gestured in that direction if he’d wanted me to move over and sit next to him? Maybe, just maybe, he’d liked those girls better than he liked me. Maybe they’d had a closeness that warranted their riding side by side in a pickup, a closeness that he and I just don’t share? Please don’t let that be the reason. I don’t like that reason. I had to ask him. I had to know. “Can I ask you something?” I said as we drove down the road separating a neighboring ranch from his. “Sure,” Marlboro Man answered. He reached over and touched my knee. “Did you ever used to drive around in your pickup with a girl sitting in the middle seat right next to you?” I tried not to sound accusatory. A grin formed in the corner of Marlboro Man’s mouth. “Sure I did,” he said. His hand was still on my knee. “Why?” “Oh, no reason. I was just curious,” I said. I wanted to leave it at that. “What made you think of that?” he said. “Oh, I was really just curious,” I repeated. “Growing up, I’d sometimes see boys and girls riding right next to each other in pickups, and I just wondered if you ever did. That’s all.” I stopped short of telling him I never understood the whole thing or asking him why he loved Julie more than me. “Yep. I did,” he said. I looked out the window and thought for a minute. What am I? Chopped liver? Is there some specific reason he never pulls me over close to him as we drive around the countryside? Why doesn’t he hook his right arm affectionately around my neck and claim me as the woman of his pickup? I never knew I had such a yearning to ride next to a man in a pickup, but apparently it had been a suppressed lifelong dream I knew nothing about. Suddenly, sitting in that pickup with Marlboro Man, I’d apparently never wanted anything so badly in my life.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
We paused to breathe and I slid my arms around his neck and held his face the way I'd wanted to for so long. My fingers weaved into his wind-blown hair and tugged the back of his head, pulling his lips toward mine once more. There would be time for breathing later. "I love you," I whispered when our lips finally parted. "The biggest lie I ever told was telling you I didn't. And if I ever claim you're not romantic, please remind me of the time we were 1.200 feet in the air in December and I needed to fan myself." I saw a smile overtake his eyes and felt it overtake his mouth. "I mean, seriously, Will," I said, my breath still coming back to me. He pulled away, which was the last thing I wanted, and laughed. "But I'm also just a boy, standing in front of a girl..." I threw my head back in joyous laughter. "You don't have to ask me to love you, Whitaker. It's done." "Actually..." He kissed my hand and lowered onto one knee. "I was going to say "asking her to marry him." The hand that wasn't linked with mine was holding a beautiful emerald cut diamond ring. "Sorry there's not a box," he said with a wink. My breath caught in my throat. "But, how did you...why do you..." "Sorry, but Kevin's on my team. I claimed him pretty early. And he understands, in a way you still don't seem to, that not even Willie Mays and Hank Aaron could provide me with the motivation that you could. Besides, McCaffrey, even I'm not stupid enough to fall for that ridiculous plan you hatched." His smile grew wider and he kissed my hand once more. "But I just like that you try." I Ieaned down to kiss him. Tears flooded my cheeks, but still I said nothing. "You're killing me here. And frankly, I'm not sure how long my knee can stay on this cold concrete." He smiled and asked, "Will you marry me or not?" I sniffed. "Have you asked my father's permission?" I began laughing as he jumped up to face me. "Oh, you think that's funny, do you?" "Too soon?" He captured my mouth once again, and I threw my arms around his neck before pulling away from his kiss, just long enough to whisper, "My answer is yes." I smiled against his lips and added, "I really thought you'd never ask.
Bethany Turner (Wooing Cadie McCaffrey)
While his patience frayed, in the end, it was Meena who snapped first. Whether it was the fact a woman touched him, hanging on to his arm, gushing at how beautiful the wedding was, or the fact that Meena couldn’t handle the frustration of the last few days, it didn’t matter. With a snarled, “Get your hands off my husband!” Meena sliced through the crowd, skirts hiked. She leaped the last few feet and soared through the air to tackle the lioness at his side, who, as it turned out, was Loni’s cousin. But at the time, all he knew was his new wife was in full-on jealous mode and determined to scalp a wedding guest. As omega, Leo should have jumped in to calm the hot tempers— and stop the hair pulling. At the very least, he should have definitely pried Meena off the lioness before she got blood on her white dress. But… Well… He kind of liked it. While Leo had dated his fair share of women, he’d never had one show such a possessive side before. Definitely never had one go after a girl for daring to flirt with him. He didn’t know what it said about him, the fact that he enjoyed her jealous outburst. Feeling kind of smug about it, he took a moment to bask. Hers. Yes, he was hers, and she was his, at least on paper. Perhaps it was time to complete the bond and truly mate so that everyone would know they belonged to each other. Time to claim each other. First, though, he needed to pry her off the other woman before she literally spilled blood. Winding an arm around her middle, he lifted Meena, even as she continued to snarl at the woman on the ground. “Touch my man again and I will rip that hand from you and slap you with it!” Ah, the romantic words of a woman in lust. Tossing Meena over his shoulder, he ignored the amused glances of the crowd as he carted her away from the party. “I wasn’t done, Pookie,” she grumbled. “I’ve got better plans for that energy,” was his reply. And yes, she announced to all that, “Leo’s finally going to debauch me.” She wasn’t the only one fist pumping. The other ladies in the pride were cheering too while Leo fought not to blush, and poor Peter, he made a beeline for the bar. However, embarrassment wasn’t enough to stop him.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Do you remember that time we played spin the bottle in my basement?” I nod. “I was nervous to kiss you, because I’d never kissed a girl before,” he says, and picks up the glass of sweet tea again. He takes a swig, but there’s no tea left, just ice. His eyes meet mine, and he grins. “All the guys gave me such a hard time afterward for whiffing it.” “You didn’t whiff it,” I say. “I think that was around when Trevor’s old brother told us he made a girl…” John hesitates, and I nod eagerly so he’ll go on. “He claimed he gave a girl an orgasm just by kissing her.” I let out a shrieky laugh and clap my hands to my mouth. “That’s the biggest lie I ever heard! I never saw him talk to even one girl. Besides, I don’t think that’s even possible. And if it was possible, I highly doubt Sean Pike was capable of it.” John laughs too. “Well, I know it’s a lie now, but at the time we all believed him.” “I mean, was it a great kiss? No, it wasn’t.” John winces and I quickly continue. “But it wasn’t an altogether terrible one. I swear. And listen, it’s not like I’m an expert on kissing anyway. Who am I to say?” “Okay okay, you can stop trying to make me feel better.” He sets down his glass. “I’ve gotten much better at it. That’s what the girls tell me.” This conversation has taken a strange and confessional turn, and I’m nervous but not in a bad way. I like sharing secrets, being coconspirators. “Oh, so you’ve kissed that many, huh?” He laughs again. “A respectable number.” He pauses. “I’m surprised you even remember that day. You were so into Kavinsky, I don’t think you even noticed who else was there.” I push him in the shoulder. “I was not ‘so into Kavinsky’!” “Yes you were. You kept your eyes on that bottle the whole game, like this.” John picks up the bottle and lasers his eyes at it. “Waiting for your moment.” I’m bright red, I know I am. “Oh, be quiet.” Laughing, he says, “Like a hawk on its prey.” “Shut up!” Now I’m laughing too. “How do you even remember that?” “Because I was doing the same thing,” he says. “You were staring at Peter too?” I say it like a joke, to tease, because this is fun. For the first time in days I’m having fun. He looks right at me, navy-blue eyes sure and steady, and my breath catches in my chest. “No. I was looking at you.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I told you before--you mustn’t let Edward scare you. He’s a bully and a coward. What would Frank Merriwell do if he were you?” Frank Merriwell--I was thoroughly sick of hearing that name. “I don’t care what some dumb guy in a story would do. I’m not going to fight Edward.” “Fight me then.” Hannah raised her fists and danced around on her bare feet, bouncing, ducking, and swinging at the air around my head. “Pretend I’m Edward!” I ducked a punch, and she swung again. “Put up your dukes,” she ordered, “defend yourself, sir.” This time Hannah clipped my chin hard enough to knock me down. Her shirtwaist was completely untucked, her face was smudged, her hair was tumbling down her back and hanging in her eyes. “On your feet, sir,” she shouted. “Let’s see your fighting spirit!” Hannah was making so much noise she didn’t hear John Larkin push aside the branches and enter the grove. When he saw her take another swing at me, he started laughing. Hannah whirled around, her face scarlet, and stared at John. “What do you mean by sneaking up on us like a common Peeping Tom?” “With the noise you’ve been making, you wouldn’t have noticed a herd of rampaging elephants.” John was still laughing, but Hannah was furious. Putting her fists on her hips, she scowled at him. “Well, now you know the truth about me. I’m no lady and I never claimed to be one. I suppose you’ll start taking Amelia Carter for rides in your precious tin lizzie and treating her to sodas at your father’s drugstore. I’m sure she’d never brawl with her brothers.” Theo and I looked at each other. We were both hoping Hannah would make John leave. Before he came along and ruined everything, we’d been having fun. To my disappointment, John didn’t seem to realize he was unwanted. Leaning against a tree, he watched Hannah run her hands through her hair. “I don’t know what you’re so fired up about,” he said. “Why should I want to take Amelia anywhere? I’ve never met a more boring girl. As for her brothers--a little brawling wouldn’t hurt them. Or Amelia either.” Hannah turned away, her face flushed, and John winked at me. “Your sister’s first rate,” he said, “but I wager I know a sight more about boxing than she does. Why not let me show you a thing or two?” Happy again, Hannah smiled at John. “What a grand idea! But go slow, Andrew’s still weak.” When John took off his jacket, I edged closer to Hannah. “I like your lessons,” I said to her, scowling at John. He was rolling up his sleeves, probably to show off his muscles. Next to him, I was nothing but a skinny little baby. He’d knock me flat and everyone would laugh at me.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
In a Harvard Business Review article titled “Do Women Lack Ambition?” Anna Fels, a psychiatrist at Cornell University, observes that when the dozens of successful women she interviewed told their own stories, “they refused to claim a central, purposeful place.” Were Dr. Fels to interview you, how would you tell your story? Are you using language that suggests you’re the supporting actress in your own life? For instance, when someone offers words of appreciation about a dinner you’ve prepared, a class you’ve taught, or an event you organized and brilliantly executed, do you gracefully reply “Thank you” or do you say, “It was nothing”? As Fels tried to understand why women refuse to be the heroes of their own stories, she encountered the Bem Sex-Role Inventory, which confirms that society considers a woman to be feminine only within the context of a relationship and when she is giving something to someone. It’s no wonder that a “feminine” woman finds it difficult to get in the game and demand support to pursue her goals. It also explains why she feels selfish when she doesn’t subordinate her needs to others. A successful female CEO recently needed my help. It was mostly business-related but also partly for her. As she started to ask for my assistance, I sensed how difficult it was for her. Advocate on her organization’s behalf? Piece of cake. That’s one of the reasons her business has been successful. But advocate on her own behalf? I’ll confess that even among my closest friends I find it painful to say, “Look what I did,” and so I don’t do it very often. If you want to see just how masterful most women have become at deflecting, the next time you’re with a group of girlfriends, ask them about something they (not their husband or children) have done well in the past year. Chances are good that each woman will quickly and deftly redirect the conversation far, far away from herself. “A key type of discrimination that women face is the expectation that feminine women will forfeit opportunities for recognition,” says Fels. “When women do speak as much as men in a work situation or compete for high-visibility positions, their femininity is assailed.” My point here isn’t to say that relatedness and nurturing and picking up our pom-poms to cheer others on is unimportant. Those qualities are often innate to women. If we set these “feminine” qualities aside or neglect them, we will have lost an irreplaceable piece of ourselves. But to truly grow up, we must learn to throw down our pom-poms, believing we can act and that what we have to offer is a valuable part of who we are. When we recognize this, we give ourselves permission to dream and to encourage the girls and women
Whitney Johnson (Dare, Dream, Do: Remarkable Things Happen When You Dare to Dream)
To the Highland Girl of Inversneyde SWEET Highland Girl, a very shower Of beauty is thy earthly dower! Twice seven consenting years have shed Their utmost bounty on thy head: And these gray rocks, this household lawn, These trees—a veil just half withdrawn, This fall of water that doth make A murmur near the silent lake, This little bay, a quiet road That holds in shelter thy abode; In truth together ye do seem Like something fashion’d in a dream; Such forms as from their covert peep When earthly cares are laid asleep! But O fair Creature! in the light Of common day, so heavenly bright I bless Thee, Vision as thou art, I bless thee with a human heart: God shield thee to thy latest years! I neither know thee nor thy peers: And yet my eyes are fill’d with tears. With earnest feeling I shall pray For thee when I am far away; For never saw I mien or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scatter’d, like a random seed, Remote from men, Thou dost not need The embarrass’d look of shy distress, And maidenly shamefacédness: Thou wear’st upon thy forehead clear The freedom of a mountaineer: A face with gladness overspread, Soft smiles, by human kindness bred; And seemliness complete, that sways Thy courtesies, about thee plays; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech: A bondage sweetly brook’d, a strife That gives thy gestures grace and life! So have I, not unmoved in mind, Seen birds of tempest-loving kind, Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful? O happy pleasure! here to dwell Beside thee in some heathy dell; Adopt your homely ways, and dress, A shepherd, thou a shepherdess! But I could frame a wish for thee More like a grave reality: Thou art to me but as a wave Of the wild sea: and I would have Some claim upon thee, if I could, Though but of common neighbourhood. What joy to hear thee, and to see! Thy elder brother I would be, Thy father, anything to thee. Now thanks to Heaven! that of its grace Hath led me to this lonely place: Joy have I had; and going hence I bear away my recompense. In spots like these it is we prize Our memory, feel that she hath eyes: Then why should I be loth to stir? I feel this place was made for her; To give new pleasure like the past, Continued long as life shall last. Nor am I loth, though pleased at heart, Sweet Highland Girl! from thee to part; For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small, The lake, the bay, the waterfall; And Thee, the spirit of them all
William Wordsworth
You are a thinker. I am a thinker. We think that all human beings are thinkers. The amazing fact is that we tend to think against artificial intelligence — that various kind of computers or artificial robots can think, but most of us never cast any doubt on human thinking potential in general. If during natural conservation with human any computer or artificial robot could generate human-like responses by using its own ‘brain’ but not ready-form programming language which is antecedently written and included in the brain design and which consequently determine its function and response, then that computer or artificial robot would unquestionably be acknowledged as a thinker as we are. But is it absolutely true that all humans are capable of using their own brain while interpreting various signals and responding them? Indeed, religion or any other ideology is some kind of such program which is written by others and which determines our vision, mind and behavior models, depriving us of a clear and logical thinking. It forces us to see the world with its eyes, to construct our mind as it says and control our behavior as it wants. There can be no freedom, no alternative possibilities. You don’t need to understand its claims, you need only believe them. Whatever is unthinkable and unimaginable for you, is said higher for your understanding, you cannot even criticise what seems to be illogical and absurd for you. The unwritten golden rule of religion and its Holy Scripture is that — whatever you think, you cannot contradict what is written there. You can reconcile what is illogical and absurd in religion with logic and common sense, if it is possible, if not, you should confine your thinking to that illogicality and absurdity, which in turn would make you more and more a muddled thinker. For instance, if it is written there that you should cut head or legs of anyone who dare criticize your religion and your prophet, you should unquestionably believe that it is just and right punishment for him. You can reason in favor of softening that cruel image of your religion by saying that that ‘just and right punishment’ is considered within religious community, but not secular society. However, the absurdity of your vision still remains, because as an advocate of your religion you dream of its spread all over the world, where the cruel and insane claims of your religion would be the norm and standard for everyone. If it is written there that you can sexually exploit any slave girl or woman, especially who doesn’t hold your religious faith or she is an atheist, you should support that sexual violence without any question. After all of them, you would like to be named as a thinker. In my mind, you are a thinker, but a thinker who has got a psychological disorder. It is logical to ask whether all those ‘thinkers’ represent a potential danger for the humanity. I think, yes. However, we are lucky that not all believers would like to penetrate into deeper ‘secrets’ of religion. Many of them believe in God, meditate and balance their spiritual state without getting familiar with what is written in holy scriptures or holding very vague ideas concerning their content. Many believers live a secular life by using their own brain for it. One should love anybody only if he thinks that he should love him/her; if he loves him/her because of God, or religious claims, he can easily kill him/her once because of God, or religious claims, too. I think the grave danger is the last motive which religion cause to arise.
Elmar Hussein
Spaghetti alla puttanesca is typically made with tomatoes, olives, anchovies, capers, and garlic. It means, literally, "spaghetti in the style of a prostitute." It is a sloppy dish, the tomatoes and oil making the spaghetti lubricated and slippery. It is the sort of sauce that demands you slurp the noodles Goodfellas style, staining your cheeks with flecks of orange and red. It is very salty and very tangy and altogether very strong; after a small plate, you feel like you've had a visceral and significant experience. There are varying accounts as to when and how the dish originated- but the most likely explanation is that it became popular in the mid-twentieth century. The first documented mention of it is in Raffaele La Capria's 1961 novel, Ferito a Morte. According to the Italian Pasta Makers Union, spaghetti alla puttanesca was a very popular dish throughout the sixties, but its exact genesis is not quite known. Sandro Petti, a famous Napoli chef and co-owner of Ischian restaurant Rangio Fellone, claims to be its creator. Near closing time one evening, a group of customers sat at one of his tables and demanded to be served a meal. Running low on ingredients, Petti told them he didn't have enough to make anything, but they insisted. They were tired, and they were hungry, and they wanted pasta. "Facci una puttanata qualsiasi!" they cried. "Make any kind of garbage!" The late-night eater is not usually the most discerning. Petti raided the kitchen, finding four tomatoes, two olives, and a jar of capers, the base of the now-famous spaghetti dish; he included it on his menu the next day under the name spaghetti alla puttanesca. Others have their own origin myths. But the most common theory is that it was a quick, satisfying dish that the working girls of Naples could knock up with just a few key ingredients found at the back of the fridge- after a long and unforgiving night. As with all dishes containing tomatoes, there are lots of variations in technique. Some use a combination of tinned and fresh tomatoes, while others opt for a squirt of puree. Some require specifically cherry or plum tomatoes, while others go for a smooth, premade pasta. Many suggest that a teaspoon of sugar will "open up the flavor," though that has never really worked for me. I prefer fresh, chopped, and very ripe, cooked for a really long time. Tomatoes always take longer to cook than you think they will- I rarely go for anything less than an hour. This will make the sauce stronger, thicker, and less watery. Most recipes include onions, but I prefer to infuse the oil with onions, frying them until brown, then chucking them out. I like a little kick in most things, but especially in pasta, so I usually go for a generous dousing of chili flakes. I crush three or four cloves of garlic into the oil, then add any extras. The classic is olives, anchovies, and capers, though sometimes I add a handful of fresh spinach, which nicely soaks up any excess water- and the strange, metallic taste of cooked spinach adds an interesting extra dimension. The sauce is naturally quite salty, but I like to add a pinch of sea or Himalayan salt, too, which gives it a slightly more buttery taste, as opposed to the sharp, acrid salt of olives and anchovies. I once made this for a vegetarian friend, substituting braised tofu for anchovies. Usually a solid fish replacement, braised tofu is more like tuna than anchovy, so it was a mistake for puttanesca. It gave the dish an unpleasant solidity and heft. You want a fish that slips and melts into the pasta, not one that dominates it. In terms of garnishing, I go for dried oregano or fresh basil (never fresh oregano or dried basil) and a modest sprinkle of cheese. Oh, and I always use spaghetti. Not fettuccine. Not penne. Not farfalle. Not rigatoni. Not even linguine. Always spaghetti.
Lara Williams (Supper Club)
widening. “Don’t you dare draw their fire.”  Lynn.   Jonathan committed the name to memory. The outsiders didn’t seem to notice the man’s slip. They kept their weapons trained on the girl. She glared at them as if daring them to kill her. “Go ahead! Shoot! I’m sick of being hunted by you! Kill me and claim the fame. Do it!”  Parker dodged forward, rushing past any and all that stood between him and the woman named Lynn. He shoved his body in front of hers in a protective manner and glared at the men. “You’ll not harm her. She’s under my protection now.”  Eli let out a low whistle. “Never did I see that coming. Saw-bones is a born skirt-chaser. Think he might have The Fever or something? He’s always doctorin’ folks with weird ailments.”  Well, if The Fever included an uncontrollable urge to protect a woman, then his brother most certainly had caught it. He could only hope Parker’s case was curable. Jonathan knew his own case wasn’t. Molly had infected him long ago and he knew he’d never get her out of his veins. It wasn’t like he hadn’t tried. His exploits of the female persuasion were legendary—so was the fact he refused to commit. “Are you stupid?” Lynn asked, giving Parker a good shove. At five-eight, she was tall by female standards but short compared the MacSweeny boys. Still, she managed to get Parker to budge ever so slightly, shocking Jonathan. “Move! They’ll gun you down to get to me.”  “Then so be it.”  Jonathan shook his head. Parker was bound to get himself killed without some serious intervention. “Parker, get her and your ass out of there. We’ll take care of our guests. We’ll even be sweet enough to give ‘em that welcome speech you had worked out.”  “Parker?” the girl asked. She glanced at Jonathan and Eli and her eyes widened. “That means one of you is Jonathan.” The feel of a cold, hard barrel pressed against the back of Jonathan’s head. Cursing himself for letting his guard down, he put his hands up as his attacker shoved harder with the gun.  “Lookie, boys, we got us a sheriff. He’s got to bring a good amount of coinage, don’t ya think?”  There was a flash of black. A blur. Several shots. Screams. Jonathan caught movement out of the corner of his eye and realized someone had shot the man who had him at gunpoint. Chapter Four Molly
Mandy M. Roth (Alpha Shifter Seductions Boxed Set: Paranormal Romance)
The Pirate Queen did not seem amused. I hope you intend to bring that poor girl more happiness than it appears you have already brought her!” “Have no fear of that, milord. Following my business with you, and my fleet, I’ll have Colin take me to her island so I can claim her and rectify the situation immediately.” He raised his glass and gave a sly grin. “Her days of plundering the Spanish Main are, I can assure you, about to end.” “I should damn well hope so,” Nelson snapped. “Should the Admiralty in London learn of your antics, it’d be disastrous enough, but if you were to involve yourself with a pirate, they’d waste no time demanding your resignation regardless of how many laurels your career boasts.” “All the more reason to put an end to Her Majesty’s piratical pursuits, now.
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
Never Let Me Down" (feat. Jay-Z, J-Ivy) [Intro:] Yeah Grandmama Told you I won't let you down Told you I won't let this rap game change me, right? [Chorus:] When it comes to being true, at least true to me One thing I found,one thing I found Oh no you'll neva let me down, Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) [Jay-Z:] Yo, yo first I snatched the street then I snatched the charts, First had they ear now I hav they're heart, Rappers came and went, I've been hear from the start, Seen them put it together Watch them take it apart, See the Rovers roll up wit ribbons I've seen them re-poed, re-sold and re-driven So when I reload, he holds #1 position When u hot I'm hot And when your feet cold, mines is sizzelin It's plain to see Nigga's can't f*** wit me Cuz ima be that nigga fo life This is not an image This is God given This is hard liven Mixed wit crystal sipping It's the most consistent Hov Give you the most hits you can fit inside a whole disc and Nigga I'm home on these charts, y'all niggaz visitin It's Hov tradition, Jeff Gordan of rap I'm back to claim pole position, holla at ya boy [Chorus] [Kanye West:] I get down for my grandfather who took my momma Made her sit that seat where white folks ain't wanna us to eat At the tender age of 6 she was arrested for the sit in With that in my blood I was born to be different Now niggas can't make it to ballots to choose leadership But we can make it to Jacob and to the dealership That's why I hear new music And I just don't be feeling it Racism still alive they just be concealing it But I know they don't want me in the damn club They even made me show I.D to get inside of Sam's club I did dirt and went to church to get my hands scrubbed Swear I've been baptised at least 3 or 4 times But in the land where nigga's praise Yukons and getting paid It gon' take a lot more than coupons to get us saved Like it take a lot more than do-rags to get your waves Noting sadder than that day my girl father past away So I promised to Mr Rany I'm gonna marry your daughter And u know I gotta thank u for they way that she was brought up And I know that u were smiling when u see that car I bought her And u sent tears from heaven when u seen my car get balled up But I can't complaint what the accident did to my Left Eye Cuz look what a accident did to Left Eye First Aaliyah and now romeo must die I know a got angels watching me from the other side
Kanye West