City Slickers Quotes

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I know the rules. I've been living here longer than you have." He cracks a smile then. He nudges me back. "Hardly." "Born and raised. You're a transplant." I nudge him again, a little harder, and he laughs and tries to catch hold of my arm. I squirm away, giggling, and he stretches out to tickle my stomach. "Country bumpkin!" I squeal, as he grabs out and wrestles me back onto the blanket, laughing. "City slicker," he says, rolling over on top of me, and then kisses me. Everything dissolves: heat, explosions of color, floating.
Lauren Oliver
What are you looking at?” I asked… “City slicker. What are you looking at?” “A stupid wookie man-bear-pig who doesn’t know how to mind his own business.
Elle Casey (Shine Not Burn (Shine Not Burn, #1))
In the 1991 movie City Slickers, Jack Palance gives Billy Crystal some profoundly simple advice. When Crystal asks him the secret of life, Palance holds up a forefinger, answers with a single word: "One." Choose one thing. Do it to the best of your ability. Let it go. Pick something else. Repeat endlessly.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
For all the talk about common sense, common sense is not always sensical and there are often more intelligent (albeit, less obvious) solutions. Further, what is good common sense in one environment is far from common or sensical in another environment. It is situational. City slickers can be a danger to themselves and others in the country, but the reverse is also true.
Donna Goddard (Purnima (Waldmeer, #7))
Old Timer Farmer's Wisdom in Haiku Keep skunks, city slickers, Jews, lawyers at a distance Or else ya' get fucked. Life is simpler when You plow around the stump Or else ya' get fucked. If you don’tknow bees Are faster than your tractor Ya' gonna’get fucked. Do your pissing down Stream and your drinking upstream Or else ya' get fucked. Fences need to be Horse-high, pig-tight,bull-strong Or else ya' get fucked Cheat an Indian Out of his liquor money Ya' gonna get stabbed.
Beryl Dov
In the 1991 movie, City Slickers, Jack Palance gives Billy Crystal some profoundly simple advice. When Crystal asks him the secret of life, Palance holds up a forefinger, answers with a single word: "One." Choose one thing. Do it to the best of your ability. Let it go. Pick something else. Repeat endlessly. How sad that so much of our lives is spent looking back over our shoulders or gazing far ahead instead of wringing full benefit from the only thing we truly own: Now. This moment. None other. There is no other. How tragic, therefore, not to fulfill its unique promise before it passes from us forever. How much of our regret comes from wasting so many of our moments wanting something better, something different, something other than what we have at the moment we have it.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
Ladies,” he said as he stepped forward. “I’m afraid we don’t have enough tents or saddles to add you to the group.” “I already tried to stop them,” Elaine said, “but they insisted.” She turned to Phoebe. “Eddie and Gladys are known for being a little hardheaded.” “Among other things,” Maya added wryly. “That one’s Eddie, and that one’s Gladys,” she said, pointing. “We’re not additions,” Eddie said, “we’re replacements.” Gladys dug through the large black purse strapped over her forearm and pulled out a checkbook. “We met a nice couple at Ronan’s last night, and they couldn’t say yes fast enough when we offered to buy their spots on the cattle drive.” “They said they’re gonna stay in town and get a hot stone massage every day instead.” “But--” “We already paid,” Eddie said. “Five hundred bucks a pop. Figured it would be worth it if we could see some sexy cowboys. We’ve taken riding lessons from Shane Stryker, but he refuses to take off his shirt for us. I hope you’re not going to be so stubborn.” Phoebe thought Zane might call off the whole thing, after all, but all he did was mutter, “Fine. Head inside, I’ll bring your things.” She supposed the novices were a bit of a challenge and senior novices would be even more of one, but to her mind, the older women were quirky and delightful. “We’re mighty excited about this trip,” Gladys said. “Eddie here has wanted to go on a cattle drive since she first saw City Slickers.” She winked. “Not that either of us have a hankering to help with a birthing, mind you. It looked a tad messy.” Phoebe was charmed.
Susan Mallery (Kiss Me (Fool's Gold, #17))
What does one wear to a ranch early in the morning? I wondered. I was stumped. I had enough good sense, thank God, to know my spiked black boots--the same boots I’d worn on basically every date with Marlboro Man thus far--were out of the question. I wouldn’t want them to get dirty, and besides that, people might look at me funny. I had a good selection of jeans, yes, but would I go for the dark, straight-leg Anne Kleins? Or the faded, boot-cut Gaps with contrast stitching? And what on earth would I wear on top? This could get dicey. I had a couple of nice, wholesome sweater sets, but the weather was turning warmer and the style didn’t exactly scream “ranch” to me. Then there was the long, flax-colored linen tunic from Banana Republic--one I loved to pair with a chunky turquoise necklace and sandals. But that was more Texas Evening Barbecue than Oklahoma Early-Morning Cattle Gathering. Then there were the myriad wild prints with sparkles and stones and other obnoxious adornments. But the last thing I wanted to do was spook the cattle and cause a stampede. I’d seen it happen in City Slickers when Billy Crystal fired up his cordless coffee grinder, and the results weren’t the least bit pretty. I considered cancelling. I had absolutely nothing to wear. Every pair of shoes I owned was black, except for a bright yellow pair of pumps I’d bought on a whim in Westwood one California day. Those wouldn’t exactly work, either. And I didn’t own a single shirt that wouldn’t loudly broadcast *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* I wanted to crawl under my covers and hide.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He goes on to contrast his country-bumpkin client with the city-slickers who are trying to frame him, and draws an explicit contrast between the morality of the country and the lawlessness of the city: the kind of crime (patricide) that Roscius is accused of doesn’t fit with a rural lifestyle. ‘Every type of crime doesn’t come from every type of life. Luxury is created in the city. Of necessity, luxury creates avarice. From avarice, recklessness bursts out. And from that comes every type of crime and wickedness. But the country life – which you call uncultured – teaches thrift, conscientiousness and justice.’ Cicero, we should remember, loved Rome; the politics, the law courts, the power-brokers, the back-stabbers, he was born to rise through them all. But he knew perfectly well that a jury of Romans might well see the city/country divide rather differently, and he played to the crowd accordingly.
Natalie Haynes (The Ancient Guide to Modern Life)
extent, Polly Lear took Fanny Washington’s place: she was a pretty, sociable young woman who became Martha’s closest female companion during the first term, at home or out and about, helping plan her official functions. The Washingtons were delighted with the arrival of Thomas Jefferson, a southern planter of similar background to themselves, albeit a decade younger; if not a close friend, he was someone George had felt an affinity for during the years since the Revolution, writing to him frequently for advice. The tall, lanky redhead rented lodgings on Maiden Lane, close to the other members of the government, and called on the president on Sunday afternoon, March 21. One of Jefferson’s like-minded friends in New York was the Virginian James Madison, so wizened that he looked elderly at forty. Madison was a brilliant parliamentary and political strategist who had been Washington’s closest adviser and confidant in the early days of the presidency, helping design the machinery of government and guiding measures through the House, where he served as a representative. Another of Madison’s friends had been Alexander Hamilton, with whom he had worked so valiantly on The Federalist Papers. But the two had become estranged over the question of the national debt. As secretary of the Treasury, Hamilton was charged with devising a plan to place the nation’s credit on a solid basis at home and abroad. When Hamilton presented his Report on the Public Credit to Congress in January, there was an instant split, roughly geographic, north vs. south. His report called for the assumption of state debts by the nation, the sale of government securities to fund this debt, and the creation of a national bank. Washington had become convinced that Hamilton’s plan would provide a strong economic foundation for the nation, particularly when he thought of the weak, impoverished Congress during the war, many times unable to pay or supply its troops. Madison led the opposition, incensed because he believed that dishonest financiers and city slickers would be the only ones to benefit from the proposal, while poor veterans and farmers would lose out. Throughout the spring, the debate continued. Virtually no other government business got done as Hamilton and his supporters lobbied fiercely for the plan’s passage and Madison and his followers outfoxed them time and again in Congress. Although pretending to be neutral, Jefferson was philosophically and personally in sympathy with Madison. By April, Hamilton’s plan was voted down and seemed to be dead, just as a new debate broke out over the placement of the national capital. Power, prestige, and a huge economic boost would come to the city named as capital. Hamilton and the bulk of New Yorkers and New Englanders
Patricia Brady (Martha Washington: An American Life)
They had very little grub and they usually run out of that and lived on straight beef; they had only three or four horses to the man, mostly with sore backs, because the old time saddle ate both ways, the horse's back and the cowboy's pistol pocket; they had no tents, no tarps, and damn few slickers. They never kicked, because those boys was raised under just the same conditions as there was on the trail―corn meal and bacon for grub, dirt floors in the houses, and no luxuries. They used to brag they could go any place a cow could and stand anything a horse could. It was their life. In person the cowboys were mostly medium-sized men, as a heavy man was hard on horses, quick and wiry, and as a rule very good natured; in fact it did not pay to be anything else. In character there like never was or will be again. They were intensely loyal to the outfit they were working for and would fight to the death for it. They would follow their wagon boss through hell and never complain. I have seen them ride into camp after two days and nights on herd, lay down on their saddle blankets in the rain, and sleep like dead men, then get up laughing and joking about some good time they had had in Ogallala or Dodge City. Living that kind of a life, they were bound to be wild and brave. In fact there was only two things the old-time cowpuncher was afraid of, a decent woman and being set afoot.
E.C. "Teddy Blue" Abbott
I crap bigger than you.
Curly, City Slickers
Texas City Slicker Haiku Keep city slickers, skunks and Jews at a distance or you'll get hoodwinked.
Beryl Dov
I crap bigger than you!” – City Slickers (1991)
Full Sea Books (Hollywood’s Favorite Insults and More: The Greatest TV & Movie Insults!)
As Joanna drove north, she turned her thoughts from one case to the other. In Cochise County, crimes involving gunshot livestock were fairly commonplace. Ordinary murders—the kind of crime where people kill people—usually occurred among folks who were known to one another. Killers and victims often turned out to be relatives, lovers or ex-lovers, former partners, or former friends. When it came to the unauthorized slaughter of livestock, Joanna had learned that was generally a stranger-to-stranger kind of crime. That was especially true during hunting season when good-old-boy city-slickers came down from Phoenix and Tucson to shoot up everything on four legs and occasionally a few things on two legs as well.
J.A. Jance (Rattlesnake Crossing (Joanna Brady, #6))
Him," he sighed, "that was Jim Sloan, constable from Grand Island, Neb. And they sent him here about two weeks ago to find me. See? And all this rube does is ride around in rubberneck wagons and take in the museums and parks, having no idee where I was. He figured merely on enjoyin' himself at Nebraska's expense. "And he was just on the observation tower lookin' over the city in his rube way when I have to walk into him. Yes, sir, Pete Handley, and there ain't no slicker guy in the country, walkin' like a prize sucker right into the arms of a Grand Island, Neb., constable. It all goes to show," sighed Dapper Pete, "what a small world it is after all.
Ben Hecht (A Thousand and One Afternoons in Chicago)
I know, Granddad, the woods are thick and I'm a city slicker, but Ash was with me, and it was just as well we went looking, because when we finally caught up with Ramsay he'd got himself stuck down a hole in an old jetty." "A jetty? In the woods?" "Not right in the woods, it was in a clearing, an estate. The jetty was by a lake in the middle of the most incredible overgrown garden. You'd have loved it. There were willows and massive hedges and I think it might once have been rather spectacular. There was a house, too. Abandoned." "The Edevane place," Louise said quietly. "Loeanneth." The name when spoken had that magical, whispering quality of so many Cornish words and Sadie couldn't help but remember the odd feeling the insects had given her, as if the house itself was alive. "Loeanneth," she repeated. "It means 'Lake House.
Kate Morton (The Lake House)
Max takes the pages, drops them into a folder in his messenger bag, and pats the side of it. The messenger bag is incongruous on a lawyer. But then again, so are the skinny pants and paisley patterned button-down. Max is rocking a look I call Brooklyn hipster attorney versus city-slicker in a three-piece suit
Lili Valente (Good With His Hands (Good Love, #2))
All human cultures, from hunter-gatherers to city slickers, share certain universals in the ways that we, as primates, interact with one another. This social destiny has a profound influence on the way that we relate to our dogs.
Patricia B. McConnell (The Other End of the Leash: Why We Do What We Do Around Dogs)
Generally, the shows and skits would be comprised of the same stereotypical characters (Painter, 2006): • The stupid, lazy hayseed. • The cheating chicken-stealing thief and/or the grinning, watermelon-eating dullard. • The sharp-dressing city slicker. • The pleasant, care-taking mammy. The stereotypes perpetuated by minstrel shows made African Americans appear as useless figures worthy of nothing but distain, punishment, restriction, humiliation, and scorn. ‘Jim Crow’ changed from a smiling, laughing onstage figure to a system of severely limiting laws and rules governing African Americans well into the twentieth century. Blacks were made
Salman Akhtar (The African American Experience: Psychoanalytic Perspectives)
The Recipe That Make's Me *City Slickers *County Bumpkins *And Everything In Between *My Beautiful Baby Girl *Whole Lot of European *Born and Raised in USA *Balance * By Bonnie Zackson Koury
Bonnie Zackson Koury
The farm is saved, hurrah!” Jade said without enthusiasm. She looked me over, pursing her lips at my sallow complexion and gimpy leg. Her expression made me thankful I wasn’t an injured horse. They scowled at my shaggy hair and thickening beard; nor were they pleased by my leather jacket, slacks, and scuffed Doc Martens. Tinhorn, city slicker, ne’er-do-well, is what my Big & Tall duds said about me. How much did they know of my background? No telling what lies Mr. Apollo had fed them, no telling what manner of bargain he’d struck.
Laird Barron (Blood Standard (Isaiah Coleridge, #1))
rattled and rocked the theater. Considered one of the funniest movies of all time, it also sprinkled in unexpected doses of wisdom and insight. In one memorable scene, Curly, the gritty cowboy played by the late Jack Palance, and city slicker Mitch, played by Billy Crystal, leave the group to search for stray cattle. Although they had clashed for most of the movie, riding along together they finally connect over a conversation about life. Suddenly Curly reins his horse
Gary Keller (The ONE Thing: The Surprisingly Simple Truth About Extraordinary Results)