Cities Of The Plain Quotes

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And far away, across the snow-covered mountains, on a barren plain before the ruins of a once-great city, a flower began to bloom
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Love is not vain because it is frustrated, but because it is fulfilled. The people we love turn to ashes when we posess them.
Marcel Proust (Remembrance of Things Past: Volume II - The Guermantes Way & Cities of the Plain)
Our waking life's desire to shape the world to our convenience invites all manner of paradox and difficulty.
Cormac McCarthy (Cities of the Plain (The Border Trilogy #3))
There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we learn and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. But some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy.
H.P. Lovecraft
He sat a long time and he thought about his life and how little of it he could ever have foreseen and he wondered for all his will and all his intent how much of it was his doing.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
What this country needs... what this great land of ours needs is something to happen to it. Something ferocious and tragic, like what happened to Jericho or the cities of the plain - something terrible I mean, son, so that when the people have been through hellfire and the crucible, and have suffered agony enough and grief, they’ll be people again, human beings, not a bunch of smug contented cows rooting at the trough.
William Styron (Set This House on Fire)
Maybe it's like Mac says. Ever man winds up with the horse that suits him.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
This place aint the same. It never will be. Maybe we've all got a little crazy. I guess if everbody went crazy together nobody would notice, what do you think?
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
The man smiled at him a sly smile. As if they knew a secret between them, these two. Something of age and youth and their claims and the justice of those claims. And of the claims upon them. The world past, the world to come. Their common transiencies. Above all a knowing deep in the bone that beauty and loss are one.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Of course his dust would be absorbed in other living things and to that degree at least he would exist again, though it was plain enough that the specific combination which was he would never exist again.
Gore Vidal (The City and the Pillar)
He believed in God even if he was doubtful of men's claims to know God's mind. But that a God unable to forgive was no God at all.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
anything which we are taught by allegory or emblem affects and pleases us more, and is more highly esteemed by us, than it would be if most clearly stated in plain terms.
Augustine of Hippo (The Complete Works of Saint Augustine: The Confessions, On Grace and Free Will, The City of God, On Christian Doctrine, Expositions on the Book Of Psalms, ... (50 Books With Active Table of Contents))
It looks a lot better from up here than it does down there, dont it? Yes. It does. There's a lot of things look better at a distance. Yeah? I think so. I guess there are. The life you've lived, for one. Yeah. Maybe what of it you aint lived yet, too.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
That's what History teaches us, I think, that life goes on, even though individuals die and whole civilizations crumble away: The simple things last; they are repeated over and over by each generation.
Philip Reeve (A Darkling Plain (The Hungry City Chronicles, #4))
Every man's death is standing in for every other. And since death comes to all there is no way to abate the fear of it except to love the man who stands for us.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
The hardest lesson in the world: Maybe it's just that when things are gone they're gone. They aint comin back.
Cormac McCarthy (Cities of the Plain)
In the spring of her twenty-second year, Sumire fell in love for the first time in her life. An intense love, a veritable tornado sweeping across the plains—flattening everything in its path, tossing things up in the air, ripping them to shreds, crushing them to bits. The tornado’s intensity doesn’t abate for a second as it blasts across the ocean, laying waste to Angkor Wat, incinerating an Indian jungle, tigers and everything, transforming itself into a Persian desert sandstorm, burying an exotic fortress city under a sea of sand. In short, a love of truly monumental proportions. The person she fell in love with happened to be 17 years older than Sumire. And was married. And, I should add, was a woman. This is where it all began, and where it all ended. Almost.
Haruki Murakami (Sputnik Sweetheart)
I didn't mean I'd seen everything, John Grady said. I know you didn't. I just meant I'd seen some things I'd as soon not of. I know it. There's hard lessons in this world. What's the hardest? I dont know. Maybe it's just that when things are gone they're gone. They aint comin back. Yessir.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
For the special thrilling quality of their friendship was in their complete surrender. Like two open cities in the midst of some vast plain their two minds lay open to each other. And it wasn't as if he rode into hers like a conqueror, armed to the eyebrows and seeing nothing but a gay silken flutter--nor did she enter his like a queen walking on soft petals. No, they were eager, serious travellers, absorbed in understanding what was to be seen and discovering what was hidden--making the most of this extraordinary absolute chance which made it possible for him to be utterly truthful to her and for her to be utterly sincere with him.
Katherine Mansfield (The Collected Stories)
And as I close this chaotic volume I open again the strange small book from which all Christianity came; and I am again haunted by a kind of confirmation. The tremendous figure which fills the Gospels towers in this respect, as in every other, above all the thinkers who ever thought themselves tall. His pathos was natural, almost casual. The Stoics, ancient and modern, were proud of concealing their tears. He never concealed His tears; He showed them plainly on His open face at any daily sight, such as the far sight of His native city. Yet He concealed something. Solemn supermen and imperial diplomatists are proud of restraining their anger. He never restrained His anger. He flung furniture down the front steps of the Temple, and asked men how they expected to escape the damnation of Hell. Yet He restrained something. I say it with reverence; there was in that shattering personality a thread that must be called shyness. There was something that He hid from all men when He went up a mountain to pray. There was something that He covered constantly by abrupt silence or impetuous isolation. There was some one thing that was too great for God to show us when He walked upon our earth; and I have sometimes fancied that it was His mirth.
G.K. Chesterton (Orthodoxy)
It was not a happy ending, but a happy middle - at last, after so many fraught beginnings. Their story would be long. Much would be written of them, some of it in verse, some sung, and some in plain prose, in volumes to be penned for the archives of cities not yet built.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
He scanned the skies beyond her for the Thirteen, for Asterin Blackbeak, undoubtedly roaring her victory to the stars. Manon said quietly, “You will not find them. In this sky, or any other.” His heart strained as he understood. As the loss of those twelve fierce, brilliant lives carved another hole within him. One he would not forget, one he would honor. Silently, he crossed the balcony. Manon did not back away as he slid his arms around her. “I am sorry,” he said into her hair. Tentatively, slowly, her hands drifted across his back. Then settled, embracing him. “I miss them,” she whispered, shuddering. Dorian only held her tighter, and let Manon lean on him for as long as she needed, Abraxos staring toward that blasted bit of earth on the plain, toward the mate who would never return, while the city below celebrated.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
My daddy once told me that some of the most miserable people he ever knew were the ones that finally got what they’d always wanted.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
in dreams it is often the case that the greatest extravagances seem bereft of their power to astonish and the most improbable chimeras seem commonplace.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Today, suddenly, I reached an absurd but unerring conclusion. In a moment of enlightenment, I realized that I'm nobody, absolutely nobody. When the lightning flashed, I saw that what I had thought to be a city was in fact a deserted plain and, in the same sinister light that revealed me to myself, there seemed to be no sky above it. I was robbed of any possibility of having existed before the world. If I was ever reincarnated, I must have done so without myself, without a self to reincarnate. I am the outskirts of some non-existent town, the long-winded prologue to an unwritten book. I'm nobody, nobody. I don't know how to feel or think or love. I'm a character in a novel as yet unwritten, hovering in the air and undone before I've even existed, amongst the dreams of someone who never quite managed to breathe life into me. I'm always thinking, always feeling, but my thoughts lack all reason, my emotions all feeling. I'm falling through a trapdoor, through infinite, infinitous space, in a directionless, empty fall. My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool. And I, I myself, am the centre that exists only because the geometry of the abyss demands it; I am the nothing around which all this spins, I exist so that it can spin, I am a centre that exists only because every circle has one. I, I myself, am the well in which the walls have fallen away to leave only viscous slime. I am the centre of everything surrounded by the great nothing. And it is as if hell itself were laughing within me but, instead of the human touch of diabolical laughter, there's the mad croak of the dead universe, the circling cadaver of physical space, the end of all worlds drifting blackly in the wind, misshapen, anachronistic, without the God who created it, without God himself who spins in the dark of darks, impossible, unique, everything. If only I could think! If only I could feel!
Fernando Pessoa (The Book of Disquiet)
The world is a wide place where we stumble like children learning to walk. The world is a bright mosaic where we learn like children to see, where our little blurry eyes strive greedily to take in as much light and love and colour and detail as they can. The world is a coaxing whisper when the wind lips the trees, when the sea licks the shore, when animals burrow into earth and people look up at the sympathetic stars. The world is an admonishing roar when gales chase rainclouds over the plains and whip up ocean waves, when people crowd into cities or intrude into dazzling jungles. What right have we to carry our desperate mouths up mountains or into deserts? Do we want to taste rock and sand or do we expect to make impossible poems from space and silence? The vastness at least reminds us how tiny we are, and how much we don't yet understand. We are mere babes in the universe, all brothers and sisters in the nursery together. We had better learn to play nicely before we're allowed out..... And we want to go out, don't we? ..... Into the distant humming welcoming darkness.
Jay Woodman (SPAN)
Maybe. Anyway, some men get what they want. No man. Or perhaps only briefly so as to lose it. Or perhaps only to prove to the dreamer that the world of his longing made real is no longer that world at all.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
The martyr who longs for the flames can be no right candidate for them.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
And so Mort came at last to the river Ankh, greatest of rivers. Even before it entered the city, it was slow and heavy with the silt of the plains, and by the time it got to The Shades even an agnostic could have walked across it. It was hard to drown in the Ankh, but easy to suffocate.
Terry Pratchett (Mort (Discworld, #4; Death, #1))
All his early dreams were the same. Something was afraid and he had come to comfort it.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Love makes men foolish. I speak as a victim myself. We are taken out of our own care and then it remains to be seen only if fate will show to us some share of mercy. Or little. Or none.
Cormac McCarthy (Cities of the Plain)
Men imagine that the choices before them are theirs to make. But we are free to act only upon what is given. Choice is lost in the maze of generations and each act in that mazeis itself an enslavement for it voids every alternate and binds one ever more tightly in to the constraints that make a life.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
If we do not know ourselves in the waking world, what chance in dreams?
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Yet it is the narrative that is the life of the dream while the events themselves are often interchangeable. The events of the waking world on the other hand are forced upon us and the narrative is the unguessed axis along which they must be strung.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
This is how great intellectual breakthroughs usually happen in practice. It is rarely the isolated genius having a eureka moment alone in the lab. Nor is it merely a question of building on precedent, of standing on the shoulders of giants, in Newton's famous phrase. Great breakthroughs are closer to what happens in a flood plain: a dozen separate tributaries converge, and the rising waters lift the genius high enough that he or she can see around the conceptual obstructions of the age.
Steven Johnson (The Ghost Map: The Story of London's Most Terrifying Epidemic--and How It Changed Science, Cities, and the Modern World)
The world of our fathers resides within us. Ten thousand generations and more. A form without a history has no power to perpetuate itself. What has no past can have no future.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
It will be all right, Tom. Wherever we go now, whatever becomes of us, we'll be together, and it will all be all right.
Philip Reeve (A Darkling Plain (The Hungry City Chronicles, #4))
A dream inside a dream might not be a dream.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
She looks like her face caught fire and they beat it out with a rake
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Every man’s death is a standing in for every other. And since death comes to all there is no way to abate the fear of it except to love that man who stands for us. We are not waiting for his history to be written. He passed here long ago. That man who is all men and who stands in the dock for us until our own time come and we must stand for him. Do you love him, that man? Will you honor the path he has taken? Will you listen to his tale?
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Then the lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of Heaven; and He overthrew those cities, and all the plain, and all the inhabitants of the cities, and that which grew upon the ground. So it goes. Those were vile people in both those cities, as is well known. The world was better off without them. And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt.
Kurt Vonnegut Jr.
Do you particularly like the man?” he muttered, at his own image; “why should you particularly like a man who resembles you? There is nothing in you to like; you know that. Ah, confound you! What a change you have made in yourself! A good reason for taking to a man, that he shows you what you have fallen away from, and what you might have been! Change places with him, and would you have been looked at by those blue eyes as he was, and commiserated by that agitated face as he was? Come on, and have it out in plain words! You hate the fellow
Charles Dickens (A Tale of Two Cities)
Another priest said,"Is it true you've said you'll believe in any god whose existence can be proved by logical debate?" "Yes." Vimes had a feeling about the immediate future and took a few steps away from Dorfl. "But the gods plainly do exist," said a priest. "It Is Not Evident." A bolt of lightning lanced down through the clouds and hit Dorfl's helmet. There was a sheet of flame and then a trickling noise. Dorfl's molten armour formed puddles around his white-hot feet. "I Don't Call That Much Of An Argument," said Dorfl calmly, from somewhere in the clouds of smoke.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
where all is known, no narrative is possible.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Those who cannot see must rely upon what has gone before. If I do not wish to appear so foolish as to drink from an empty glass I must remember whether I have drained it or not.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
You stand there, braced. Cloud shadows race over the buff rock stacks as a projected film, casting a queasy, mottled ground rash. The air hisses and it is no local breeze but the great harsh sweep of wind from the turning of the earth. The wild country--indigo jags of mountain, grassy plain everlasting, tumbled stones like fallen cities, the flaring roll of sky--provokes a spiritual shudder. It is like a deep note that cannot be heard but is felt, it is like a claw in the gut... ...Other cultures have camped here a while and disappeared. Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that.
Annie Proulx (Close Range: Wyoming Stories)
The immappable world of our journey. A pass in the mountains. A bloodstained stone. The marks of steel upon it. Names carved in the corrosible lime among stone fishes and ancient shells. Things dimmed and dimming. The dry sea floor. The tools of migrant hunters. The dreams encased upon the blades of them. The peregrine bones of a prophet. The silence. The gradual extinction of rain. The coming of night.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
the child would ask him questions about the world that for him was not even a memory. He thought hard how to answer. There is no past.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
This is a dance for all the lovers Takin’ a chance for one another Finally it’s our time now These are the times that we’ll remember Breaking the city’s heart together Finally it’s our time now, it’s our time now
Plain White T's
The flame in her was slow and deep-he was going to incite it with the fire in himself; he was going to make a blaze to burn down cities, to lay waste cathedrals and castles and plain meetinghouses-to make a world where it was only him, and only her, and this bed, and one flesh.
Laura Kinsale (Flowers from the Storm)
When you’re a kid you have these notions about how things are goin to be, Billy said. You get a little older and you pull back some on that. I think you just wind up tryin to minimize the pain. Anyway this country aint the same. Nor anything in it. The war changed everthing. I dont think people even know it yet.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
In Vienna there are shadows. The city is black and everything is done by rote. I want to be alone. I want to go to the Bohemian Forest. May, June, July, August, September, October. I must see new things and investigate them. I want to taste dark water and see crackling trees and wild winds. I want to gaze with astonishment at moldy garden fences, I want to experience them all, to hear young birch plantations and trembling leaves, to see light and sun, enjoy wet, green-blue valleys in the evening, sense goldfish glinting, see white clouds building up in the sky, to speak to flowers. I want to look intently at grasses and pink people, old venerable churches, to know what little cathedrals say, to run without stopping along curving meadowy slopes across vast plains, kiss the earth and smell soft warm marshland flowers. And then I shall shape things so beautifully: fields of colour…
Egon Schiele
prayed for the poor and destitute in great cities, where the struggle for life was harder than it was here with us.
Willa Cather (My Ántonia)
Generation Y are everything you feared. They’re everything your worst nightmares conjured up. They’re lazy, apathetic, unoriginal, scared of innovation, scared of difference, just plain scared. They binge drink. The confuse sex for intimacy. They definitely couldn’t tell you the capital cities of more than five countries. And they really think that Justin Bieber is the Second Coming. Only fifty per cent of Generation Y own more than two books and, yes, they listen to music, but they download it from the internet because content is free, yo. Want, take, have is their battle cry. Ladies and gentlemen, this is my generation and my generation is royally screwed up.
Sarra Manning (Adorkable)
When at the typewriter I am no longer where I site but am away across the mountains, in ancient cities or on the Great Plains among the buffalo. Often I think of what pitiful fools are those who use mind-altering drugs to seek feelings they do not have, each drug taking a little more from what they have of mind, leaving them a little less. Give the brain encouragement from study, from thinking, from visualizing, and no drugs are needed.
Louis L'Amour (Education of a Wandering Man: A Memoir)
Where do we go when we die? he said. - I don’t know, the man said. Where are we now?
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Satan hath power to assume a pleasing form. Them big blue eyes. Knew more ways to turn a man's head than the devil's grandmother. I dont know where they learn it at. Hell, she wasnt but seventeen.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
The war tried to kill us in the spring. As grass greened the plains of Nineveh and the weather warmed, we patrolled the low-slung hills beyond the cities and towns. We moved over them and through the tall grass on faith, kneading paths into the windswept growth like pioneers. While we slept, the war rubbed its thousand ribs against the ground in prayer.
Kevin Powers (The Yellow Birds)
There was a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.
Charles Dickens (A Tale of Two Cities)
You call forth the world which God has formed and that world only. Nor is this life of yours by which you set such store your doing, however you may choose to tell it. Its shape was forced in the void at the onset and all talk of what might otherwise have been is senseless for there is no otherwise. Of what could it be made? Where be hid? Or how make its appearance? The probability fo the actual is absolute. That we have no power to guess it out beforehand makes it no less certain. That we may imagine alternate histories means nothing at all.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
I’m a twenty-first-century American woman; I don’t have enough faith to covet anything but freedom. Over the course of my life, every industry I worked in collapsed, and then my city collapsed, and then my government collapsed.
Sarah Kendzior (Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of America)
Lahore, the second largest city of Pakistan, ancient capital of the Punjab, home to nearly as many people as New York, layered like a sedimentary plain with the accreted history of invaders from the Aryans to the Mongols to the British.
Mohsin Hamid (The Reluctant Fundamentalist)
This election is about the past vs. the future. It's about whether we settle for the same divisions and distractions and drama that passes for politics today or whether we reach for a politics of common sense and innovation, a politics of shared sacrifice and shared prosperity. There are those who will continue to tell us that we can't do this, that we can't have what we're looking for, that we can't have what we want, that we're peddling false hopes. But here is what I know. I know that when people say we can't overcome all the big money and influence in Washington, I think of that elderly woman who sent me a contribution the other day, an envelope that had a money order for $3.01 along with a verse of scripture tucked inside the envelope. So don't tell us change isn't possible. That woman knows change is possible. When I hear the cynical talk that blacks and whites and Latinos can't join together and work together, I'm reminded of the Latino brothers and sisters I organized with and stood with and fought with side by side for jobs and justice on the streets of Chicago. So don't tell us change can't happen. When I hear that we'll never overcome the racial divide in our politics, I think about that Republican woman who used to work for Strom Thurmond, who is now devoted to educating inner city-children and who went out into the streets of South Carolina and knocked on doors for this campaign. Don't tell me we can't change. Yes, we can. Yes, we can change. Yes, we can. Yes, we can heal this nation. Yes, we can seize our future. And as we leave this great state with a new wind at our backs and we take this journey across this great country, a country we love, with the message we carry from the plains of Iowa to the hills of New Hampshire, from the Nevada desert to the South Carolina coast, the same message we had when we were up and when we were down, that out of many, we are one; that while we breathe, we will hope. And where we are met with cynicism and doubt and fear and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of the American people in three simple words -- yes, we can.
Barack Obama
Beyond the wall of the unreal city … there is another world waiting for you. It is the old true world of the deserts, the mountains, the forests, the islands, the shores, the open plains. Go there. Be there. Walk gently and quietly deep within it. And then — May your trails be dim, lonesome, stony, narrow, winding and only slightly uphill. May the wind bring rain for the slickrock potholes fourteen miles on the other side of yonder blue ridge. May God's dog serenade your campfire, may the rattlesnake and the screech owl amuse your reverie, may the Great Sun dazzle your eyes by day and the Great Bear watch over you by night.
Edward Abbey
The plain old Sam Vimes had fought back. He got rid of most of the plumes and the stupid tights, and ended up with a dress uniform that at least looked as though its owner was male. But the helmet had gold decoration, and the bespoke armourers had made a new, gleaming breastplate with useless gold ornamentation on it. Sam Vimes felt like a class traitor every time he wore it. He hated being thought of as one of those people that wore stupid ornamental armour. It was gilt by association.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
She patted his hand. Gnarled, ropescarred, speckled from the sun and the years of it. The ropy veins that bound them to his heart. There was map enough for men to read. There God's plenty of signs and wonders to make a landscape. To make a world.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Dan was shorter than me, especially as I was wearing sky blue silk stilettos. He appeared to be my age or a few years older,stocky, and thick necked with swirling tattoos just visible beneath the blue collar of his uniform.Dan gave me a plain once over as he walked me to an elevator and placed his palm against a glass screen. The screen retracted to reveal keypad. Dan then punched in a series of numbers and he said- “You’re very big.”I gave him a cursory smile, “Yes. I ate all my vegetables as a child.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Our waking life's desire to shape the world to our convenience invites all manner of paradox and difficulty. All in our custody seethes with an inner restlessness. But in dreams we stand in this great democracy of the possible and there we are right pilgrims indeed. There we go forth to meet what we shall meet.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
On the one hand, the Republicans are telling industrial workers that the high cost of food in the cities is due to this government's farm policy. On the other hand, the Republicans are telling the farmers that the high cost of manufactured goods on the farm is due to this government's labor policy. That's plain hokum. It's an old political trick: "If you can't convince 'em, confuse 'em." But this time it won't work.
Harry Truman
A man was coming down the road driving a donkey piled high with firewood. In the distance the churchbells had begun. The man smiled at him a sly smile. As if they knew a secret between them, these two. Something of age and youth and their claims and the justice of those claims. And of the claims upon them. The world past, the world to come. Their common transiencies. Above all a knowing deep in the bone that beauty and loss are one.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Billy lit a cigarette with a brand from the fire and laid the brand back He smoked. It looks a lot better from up here than it doesn down there, dont it? Yes. It does. There's a lot of things look better at a distance. Yeah? I think so. I guess there are. The life you've lived, for one. Yeah. Maybe what of it you aint lived yet, too.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
I will give you a few guarantees of my own, Mukthar. I guarantee that before the sun sets, even if you win, even if my cold, dead body is lying on the field, you will rue the day you ever set foot in the Plains. For every inch you advance I'll exact gallons of Mukthar blood. I guarantee that there will be not one family of the Bear Mukthars or they will mourn at least one of theirs. I guarantee that even if you are triumphant the fruits of victory will taste like dust in your mouth. I guarantee that if you fail to kill me today, you will meet me again. You will meet me at the Ximerionian border. You will meet me at every city, town, village, and hamlet. You will meet me on every Amirathan crossroad, on every hill. I will fight you with every sword at my command, with every arrow, with every dagger. I will fight you with pitchforks. I will fight you with the very rocks of the land you try to conquer. I will never, never, never give up. ~Anaxantis, before the Battle of the Zinchara (May 29th, 1453 aed)
Andrew Ashling (The Invisible Chains - Part 3: Bonds of Blood (Dark Tales of Randamor the Recluse, #3))
Nine tenths of the ills from which intelligent people suffer spring from their intellect. They need at least a doctor who understands the disease. How can you expect Cottard to be able to treat you? He has made allowances for the difficulty of digesting sauces, for gastric trouble, but he has made no allowance for the effect of reading Shakespeare.
Marcel Proust (Remembrance of Things Past: Volume II - The Guermantes Way & Cities of the Plain)
I worked, long ago, in New York City, in construction, like many young men of the Mohawk Nation. I found that whites were often like us, and I could not hate them one at a time. But they do not know the earth or love it. They do not speak from the heart, usually. They do not act from the heart. They are more like the actors on the movie screen. They play roles. And their leaders are not like our leaders. They are not chosen for virtue, but for their skill at playing roles. Whites have told me this, in plain words. They do not trust their leaders, and yet they follow them. When we do not trust a leader, he is finished. Then, also, the leaders of the whites have too much power. It is bad for a man to be obeyed too often. But the worst thing is what I have said about the heart. Their leaders have lost it and they have lost mercy. They speak from somewhere else. They act from somewhere else. But from where? Like you, I do not know. It is, I think, a kind of insanity.
Robert Anton Wilson (The Eye in the Pyramid (Illuminatus, #1))
You stand there, braced. Cloud shadows race back over the buff rock stacks as a projected film, casting a queasy, mottled ground rash. The air hisses and it is no local breeze but the great harsh sweep of wind from the turning of the earth. The wild country -- indigo jags of mountain, grassy plain everlasting, tumbled stones like fallen cities, the flaring roll of sky -- provokes a spiritual shudder. It is like a deep note that cannot be heard but is felt, it is like a claw in the gut.
Annie Proulx
They rode for days through the rain and they rode through rain and hail and rain again. In that gray storm light they crossed a flooded plain with the footed shapes of the horses reflected in the water among clouds and mountains and the riders slumped forward and rightly skeptic of the shimmering cities on the distant shore of that sea whereon they trod miraculous. They climbed up through rolling grasslands where small birds shied away chittering down the wind and a buzzard labored up from among bones with wings that went whoop whoop whoop like a child's toy swung on a string and in the long red sunset the sheets of water on the plain below them lay like tidepools of primal blood.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Before my first battle,” Aedion said to the girl, “I spent the entire night in the privy.” Evangeline squeaked, “You?” Aedion smirked. “Oh yes. Quinn, the old Captain of the Guard, said it was a wonder I had anything left inside me by the time dawn broke.” An old ache filled Aedion’s chest at the mention of his mentor and friend, the man he’d admired so greatly. Who had made his final stand, as Aedion would, on the plain beyond this city. Evangeline let out a little laugh. “That’s disgusting.” “It certainly was,” Aedion said, and could have sworn Lysandra was smiling a bit. “So you’re already much braver than I ever was.” “I threw up earlier,” Evangeline whispered. Aedion said in a conspiratorial whisper, “Better than shitting your pants, sweetheart.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Though it was undeclared, there was a new world war being waged, where fundamental decency and respect for human rights were under assault by forces of intolerance, despotism, and blind fervor. And while its battles were sometimes waged in plain sight-- in New York City, in Iraq-- its greater struggle was carried on invisibly, fought in secret, its heroes unknown, its villains hidden.
James Rollins (Sandstorm (Sigma Force, #1))
I looked through the Gideon Bible in my motel room for tales of great destruction. The sun was risen upon the Earth when Lot entered into Zo-ar, I read. Then the Lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of Heaven; and He overthrew those cities, and all the plain, and all the inhabitants of the cities, and that which grew upon the ground. So it goes. Those were vile people in both those cities, as is well known. The World was better off without them. And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
If I think about what I wanted as a kid and what I want now they aint the same thing. I guess what I wanted wasnt what I wanted. . . .Hell, I dont know what I want. Never did. . . . When you're a kid you have these notions about how things are goin to be. You get a little older and you pull back some on that. I tink you wind up just tryin to minimize the pain.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
You will hold this book in your hands, and learn all the things that I learned, right along with me: There is no immortality that is not built on friendship and work done with care. All the secrets in the world worth knowing are hiding in plain sight. It takes forty-one seconds to climb a ladder three stories tall. It’s not easy to imagine the year 3012, but that doesn’t mean you shouldn’t try. We have new capabilities now—strange powers we’re still getting used to. The mountains are a message from Aldrag the Wyrm-Father. Your life must be an open city, with all sorts of ways to wander in. After that, the book will fade, the way all books fade in your mind. But I hope you will remember this: A man walking fast down a dark lonley street. Quick steps and hard breathing, all wonder and need. A bell above a door and the tinkle it makes. A clerk and a ladder and warm golden light, and then: the right book exactly, at exactly the right time.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
There's a way to train a horse where when you get done you've got the horse. On his own ground. A good horse will figure things out on his own. You can see what's in his heart. He wont do one thing while you're watching him and another when you aint. He's all of a piece. When you've got a horse to that place you cant hardly get him to do somethin he knows is wrong. He'll fight you over it. And if you mistreat him it just about kills him. A good horse has justice in his heart.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
He asked her out and she told him she wouldnt go out with a man that drank. He looked her straight in the eye and told her he didnt drink. She like to fell over backwards. I guess it come as somethin of a shock to her to meet a even bigger liear than what she was. But he told the naked truth. Of course she called hishand on it. Said she knew for a fact he drank. Said everbody in Jeff Davis County knew he drank and drank plenty and was wild as a buck. He never batted a eye. Said he used to but he quit. She asked him when did he quit and he said I just now did. And she went out with him. And as far as I know he never took another drink. Till she quit him of course. By then he had a lot of catchin up to do. Tell me about the evils of liquor. Liquor aint nothin. But he was changed from that day.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Sapphique strapped the wings to his arms and flew, over oceans and plains, over glass cities and mountains of gold. Animals fled; people pointed up. He flew so far, he saw the sky above him and the sky said, "Turn back, my son, for you have climbed too high." Sapphique laughed, as he rarely did. "Not this time. This time I beat on you until you open." But Incarceron was angered, and struck him down.
Catherine Fisher (Sapphique (Incarceron, #2))
Manila is a city of extremes. The poor are very poor and the rich very rich. They live side by side. The rich live in sprawling houses in residential subdivisions with fancy names like Green Meadows, White Plains, Corinthian Plaza, Bel Air, San Lorenzo, Magallanes and the very exclusive Forbes Park, a leafy enclave that was home to the famous Manila Polo Club. The poor are not far from sight. They live in little pockets on the periphery of these affluent subdivisions. A constant reminder to the rich that there is another side to life.
Arlene J. Chai (The Last Time I Saw Mother)
That's the myth of it, the required lie that allows us to render our judgments. Parasites, criminals, dope fiends, dope peddlers, whores--when we can ride past them at Fayette and Monroe, car doors locked, our field of vision cautiously restricted to the road ahead, then the long journey into darkness is underway. Pale-skinned hillbillies and hard-faced yos, toothless white trash and gold-front gangsters--when we can glide on and feel only fear, we're well on the way. And if, after a time, we can glimpse the spectacle of the corner and manage nothing beyond loathing and contempt, then we've arrived at last at that naked place where a man finally sees the sense in stretching razor wire and building barracks and directing cattle cars into the compound. It's a reckoning of another kind, perhaps, and one that becomes a possibility only through the arrogance and certainty that so easily accompanies a well-planned and well-tended life. We know ourselves, we believe in ourselves; from what we value most, we grant ourselves the illusion that it's not chance in circumstance, that opportunity itself isn't the defining issue. We want the high ground; we want our own worth to be acknowledged. Morality, intelligence, values--we want those things measured and counted. We want it to be about Us. Yes, if we were down there, if we were the damned of the American cities, we would not fail. We would rise above the corner. And when we tell ourselves such things, we unthinkably assume that we would be consigned to places like Fayette Street fully equipped, with all the graces and disciplines, talents and training that we now posses. Our parents would still be our parents, our teachers still our teachers, our broker still our broker. Amid the stench of so much defeat and despair, we would kick fate in the teeth and claim our deserved victory. We would escape to live the life we were supposed to live, the life we are living now. We would be saved, and as it always is in matters of salvation, we know this as a matter of perfect, pristine faith. Why? The truth is plain: We were not born to be niggers.
David Simon (The Corner: A Year in the Life of an Inner-City Neighborhood)
Exploitation. Now, there’s a word that has been scrubbed out of the poverty debate. 42 It is a word that speaks to the fact that poverty is not just a product of low incomes. It is also a product of extractive markets. Boosting poor people’s incomes by increasing the minimum wage or public benefits, say, is absolutely crucial. But not all of those extra dollars will stay in the pockets of the poor. Wage hikes are tempered if rents rise along with them, just as food stamps are worth less if groceries in the inner city cost more—and they do, as much as 40 percent more, by one estimate. 43 Poverty is two-faced—a matter of income and expenses, input and output—and in a world of exploitation, it will not be effectively ameliorated if we ignore this plain fact.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
A long time from now someone unknown to me will stand on the white plain where I now stand. He will speak a different language and the mountains in the distance may have been ground down but there are certain constants that will reliably inform his life -- kings like great trees whose roots are watered in ignorance, men who come to war reluctantly only to discover they have the souls of jackals, and fortresses like mountains, as immovable and inevitable. I anticipate that a flash of intuition will make him look at the tumulus or crater or clamorous sprawling city where Troy once stood and intuit how many men once bent their minds toward its destruction.
Zachary Mason (The Lost Books of the Odyssey)
I seen but little of this world, Except my corner of it; The city never drew me, For I knew I could not love it. What I loved best was watching The garden getting ripe And a pouch of sweet tobacco And my old cob pipe. What I loved best was a harvest moon Before a frosty morn And lamplight in the barn lot And them long, straight rows of corn. I was plain and country; That's where it starts and ends, But nobody loved her family more, Or treasured more her friends. I loved the changing seasons, And looking for life's reasons, And honey in the comb, and home.
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
It happened all the time in this city that encompassed seven hills, two continents, three seas and fifteen million mouths. It happened behind closed doors and in open courtyards; in cheap motel rooms and five-star luxury suites; in the midst of the night or plain daylight. The brothels of this city could tell many a story had they only found ears willing to listen. Call girls and rent boys and aged prostitutes beaten, abused and threatened by clients looking for the smallest excuse to lose their temper. Transsexuals who never went to the police for they knew they could be assaulted a second time. Children scared of particular family members and new brides of their fathers- or brothers-in-law; nurses and teachers and secretaries harassed by infatuated lovers just because they had refused to date them in the past; housewives who would never speak a word for there were no words in this culture to describe marital rape. It happened all the time. Canopied under a mantle of secrecy and silence that shamed the victims and shielded the assailants. Istanbul was no stranger to sexual abuse. In this city where everyone feared outsiders, most assaults came from those who were too familiar, too close.
Elif Shafak (Havva'nın Üç Kızı)
China the Communist Party still pays lip service to traditional Marxist–Leninist ideals, but in practice it is guided by Deng Xiaoping’s famous maxims that ‘development is the only hard truth’ and that ‘it doesn’t matter if a cat is black or white, so long as it catches mice’. Which means, in plain language: do anything it takes to promote economic growth, even if Marx and Lenin wouldn’t have been happy with it. In Singapore, as befits that no-nonsense city state, they followed this line of thinking even further, and pegged ministerial salaries to the national GDP. When the Singaporean economy grows, ministers get a raise, as if that is what their job is all about
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Twenty million people live and work in Tokyo. It’s so big that nobody really knows where it stops. It’s long since filled up the plain, and now it’s creeping up the mountains to the west and reclaiming land from the bay in the east. The city never stops rewriting itself. In the time one street guide is produced, it’s already become out of date. It’s a tall city, and a deep one, as well as a spread-out one. Things are always moving below you, and above your head. All these people, flyovers, cars, walkways, subways, offices, tower blocks, power cables, pipes, apartments, it all adds up to a lot of weight. You have to do something to stop yourself caving in, or you just become a piece of flotsam or an ant in a tunnel. In smaller cities people can use the space around them to insulate themselves, to remind themselves of who they are. Not in Tokyo. You just don’t have the space, not unless you’re a company president, a gangster, a politician or the Emperor. You’re pressed against people body to body in the trains, several hands gripping each strap on the metro trains. Apartment windows have no view but other apartment windows.
David Mitchell (Ghostwritten)
At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before: Arise, arise, Riders of Theoden! Fell deeds awake: fire and slaughter! spear shall be shaken, shield be splintered, a sword-day, a red day, ere the sun rises! Ride now, ride now! Ride to Gondor! With that he seized a great horn from Guthlaf his banner-bearer, and he blew such a blast upon it that it burst asunder. And straightway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm upon the plain and a thunder in the mountains. Ride now, ride now! Ride to Gondor! Suddenly the king cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Eomer rode there, the white horsetail on his helm floating in his speed, and the front of the first eored roared like a breaker foaming to the shore, but Theoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Orome the Great in the battle of the Valar when the world was young. his golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removed, and the hosts of Mordor wailed, and terror took them, and they fled, and died, and the hoofs of wrath rode over them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
IT ALL BEGAN with the High Court case about the madman and the watermelons. The man in question, named Ivan, lived along the River Dell in an eastern section of the city near the merchant docks. To one side of his house resided a cutter and engraver of gravestones, and to the other side was a neighbor’s watermelon patch. Ivan had contrived somehow in the dark of night to replace every watermelon in the watermelon patch with a gravestone, and every gravestone in the engraver’s lot with a watermelon. He’d then shoved cryptic instructions under each neighbor’s door with the intention of setting each on a scavenger hunt to find his missing items, a move useless in one case and unnecessary in the other, as the watermelon-grower could not read and the gravestone-carver could see her gravestones from her doorstep quite plainly, planted in the watermelon patch two lots down. Both had guessed the culprit immediately, for Ivan’s antics were not uncommon. Only a month ago, Ivan had stolen a neighbor’s cow and perched her atop yet another neighbor’s candle shop, where she mooed mournfully until someone climbed the roof to milk her, and where she was compelled to live for several days, the kingdom’s most elevated and probably most mystified cow, while the few literate neighbors on the street worked through Ivan’s cryptic clues for how to build the rope and pulley device to bring her down.
Kristin Cashore (Bitterblue (Graceling Realm, #3))
It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel; I will drink life to the lees. All times I have enjoyed Greatly, have suffered greatly, both with those that loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vexed the dim sea. I am become a name; For always roaming with a hungry heart Much have I seen and known---cities of men And manners, climates, councils, governments, Myself not least, but honored of them all--- And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end. To rust unburnished, not to shine in use! As though to breathe were life! Life piled on life Were all too little, and of one to me Little remains; but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, my own Telemachus, To whom I leave the scepter and the isle--- Well-loved of me, discerning to fulfill This labor, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail; There gloom the dark, broad seas. My mariners, Souls that have toiled, and wrought, and thought with me--- That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads---you and I are old; Old age hath yet his honor and his toil. Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with gods. The lights begin to twinkle from the rocks; The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order smite the sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down; It may be that we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are--- One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.
Alfred Tennyson
You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do: Say NO! You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do: Say NO! You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do: Say NO! You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do: Say NO! You. Pilot in your aeroplane. If tomorrow they tell you you are to carry bombs over the cities, then there's only one thing to do: Say NO! You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do: Say NO! You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do: Say NO! For if you do not say NO - if YOU do not say no - mothers, then: then! In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish. The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track. The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs. In the fields beside rusted ploughs the corn will be flattened like a beaten army. Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities. The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY? will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered, the last animal scream of the last human animal - All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if - You do not say NO.
Wolfgang Borchert
We are the center. In each of our minds - some may call it arrogance, or selfishness - we are the center, and all the world moves about us, and for us, and because of us. This is the paradox of community, the one and the whole, the desires of the one often in direct conflict with the needs of the whole. Who among us has not wondered if all the world is no more than a personal dream? I do not believe that such thoughts are arrogant or selfish. It is simply a matter of perception; we can empathize with someone else, but we cannot truly see the world as another person sees it, or judge events as they affect the mind and the heart of another, even a friend. But we must try. For the sake of all the world, we must try. This is the test of altruism, the most basic and undeniable ingredient for society. Therein lies the paradox, for ultimately, logically, we each must care more about ourselves than about others, and yet, if, as rational beings we follow that logical course, we place our needs and desires above the needs of our society, and then there is no community. I come from Menzoberranzan, city of drow, city of self. I have seen that way of selfishness. I have seen it fail miserably. When self-indulgence rules, then all the community loses, and in the end, those striving for personal gains are left with nothing of any real value. Because everything of value that we will know in this life comes from our relationships with those around us. Because there is nothing material that measures against the intangibles of love and friendship. Thus, we must overcome that selfishness and we must try, we must care. I saw this truth plainly following the attack on Captain Deudermont in Watership. My first inclination was to believe that my past had precipitated the trouble, that my life course had again brought pain to a friend. I could not bear this thought. I felt old and I felt tired. Subsequently learning that the trouble was possibly brought on by Deudermont's old enemies, not my own, gave me more heart for the fight. Why is that? The danger to me was no less, nor was the danger to Deudermont, or to Catti-brie or any of the others about us. Yet my emotions were real, very real, and I recognized and understood them, if not their source. Now, in reflection, I recognize that source, and take pride in it. I have seen the failure of self-indulgence; I have run from such a world. I would rather die because of Deudermont's past than have him die because of my own. I would suffer the physical pains, even the end of my life. Better that than watch one I love suffer and die because of me. I would rather have my physical heart torn from my chest, than have my heart of hearts, the essence of love, the empathy and the need to belong to something bigger than my corporeal form, destroyed. They are a curious thing, these emotions. How they fly in the face of logic, how they overrule the most basic instincts. Because, in the measure of time, in the measure of humanity, we sense those self-indulgent instincts to be a weakness, we sense that the needs of the community must outweigh the desires of the one. Only when we admit to our failures and recognize our weaknesses can we rise above them. Together.
R.A. Salvatore (Passage to Dawn (Forgotten Realms: Legacy of the Drow, #4; Legend of Drizzt, #10))
Friends, Grecian Heroes, Ministers of Mars! Grievous, and all unlook’d for, is the blow Which Jove hath dealt me; by his promise led I hop’d to raze the strong-built walls of Troy, And home return in safety; but it seems 130 He falsifies his word, and bids me now Return to Argos, frustrate of my hope, Dishonour’d, and with grievous loss of men. Such now appears th’ o’er-ruling sov’reign will Of Saturn’s son; who oft hath sunk the heads 135 Of many a lofty city in the dust, And yet will sink; for mighty is his hand. ’Tis shame indeed that future days should hear How such a force as ours, so great, so brave, Hath thus been baffled, fighting, as we do, 140 ’Gainst numbers far inferior to our own, And see no end of all our warlike toil. For should we choose, on terms of plighted truce, Trojans and Greeks, to number our array; Of Trojans, all that dwell within the town, 145 And we, by tens disposed, to every ten, To crown our cups, one Trojan should assign, Full many a ten no cup-bearer would find: So far the sons of Greece outnumber all That dwell within the town; but to their aid 150 Bold warriors come from all the cities round, Who greatly harass me, and render vain My hope to storm the strong-built walls of Troy. Already now nine weary years have pass’d; The timbers of our ships are all decay’d, 155 The cordage rotted; in our homes the while Our wives and helpless children sit, in vain Expecting our return; and still the work, For which we hither came, remains undone. Hear then my counsel; let us all agree 160 Home to direct our course, since here in vain We strive to take the well-built walls of Troy.” Thus as he spoke, the crowd, that had not heard The secret council, by his words was mov’d; So sway’d and heav’d the multitude, as when 165 O’er the vast billows of th’ Icarian sea Eurus and Notus from the clouds of Heav’n Pour forth their fury; or as some deep field Of wavy corn, when sweeping o’er the plain The ruffling west wind sways the
Homer (The Iliad)
He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.
Colson Whitehead (Apex Hides the Hurt)
New Rule: If you're going to have a rally where hundreds of thousands of people show up, you may as well go ahead and make it about something. With all due respect to my friends Jon Stewart and Stephen Colbert, it seems that if you truly wanted to come down on the side of restoring sanity and reason, you'd side with the sane and the reasonable--and not try to pretend the insanity is equally distributed in both parties. Keith Olbermann is right when he says he's not the equivalent of Glenn Beck. One reports facts; the other one is very close to playing with his poop. And the big mistake of modern media has been this notion of balance for balance's sake, that the left is just as violent and cruel as the right, that unions are just as powerful as corporations, that reverse racism is just as damaging as racism. There's a difference between a mad man and a madman. Now, getting more than two hundred thousand people to come to a liberal rally is a great achievement that gave me hope, and what I really loved about it was that it was twice the size of the Glenn Beck crowd on the Mall in August--although it weight the same. But the message of the rally as I heard it was that if the media would just top giving voice to the crazies on both sides, then maybe we could restore sanity. It was all nonpartisan, and urged cooperation with the moderates on the other side. Forgetting that Obama tried that, and found our there are no moderates on the other side. When Jon announced his rally, he said that the national conversation is "dominated" by people on the right who believe Obama's a socialist, and by people on the left who believe 9/11 was an inside job. But I can't name any Democratic leaders who think 9/11 was an inside job. But Republican leaders who think Obama's socialist? All of them. McCain, Boehner, Cantor, Palin...all of them. It's now official Republican dogma, like "Tax cuts pay for themselves" and "Gay men just haven't met the right woman." As another example of both sides using overheated rhetoric, Jon cited the right equating Obama with Hitler, and the left calling Bush a war criminal. Except thinking Obama is like Hitler is utterly unfounded--but thinking Bush is a war criminal? That's the opinion of Major General Anthony Taguba, who headed the Army's investigation into Abu Ghraib. Republicans keep staking out a position that is farther and farther right, and then demand Democrats meet them in the middle. Which now is not the middle anymore. That's the reason health-care reform is so watered down--it's Bob Dole's old plan from 1994. Same thing with cap and trade--it was the first President Bush's plan to deal with carbon emissions. Now the Republican plan for climate change is to claim it's a hoax. But it's not--I know because I've lived in L.A. since '83, and there's been a change in the city: I can see it now. All of us who live out here have had that experience: "Oh, look, there's a mountain there." Governments, led my liberal Democrats, passed laws that changed the air I breathe. For the better. I'm for them, and not the party that is plotting to abolish the EPA. I don't need to pretend both sides have a point here, and I don't care what left or right commentators say about it, I can only what climate scientists say about it. Two opposing sides don't necessarily have two compelling arguments. Martin Luther King Jr. spoke on that mall in the capital, and he didn't say, "Remember, folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point, too." No, he said, "I have a dream. They have a nightmare. This isn't Team Edward and Team Jacob." Liberals, like the ones on that field, must stand up and be counted, and not pretend we're as mean or greedy or shortsighted or just plain batshit at them. And if that's too polarizing for you, and you still want to reach across the aisle and hold hands and sing with someone on the right, try church.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)