Makeover Artist Quotes

Marko looked as if he could use a makeover himself. A big-boned six foot three, he was much stockier than most Serbians, with an olive complexion and the out-of-proportion head of a Peanuts character. He wore an overcoat that was one size too big, a thick gray Brooks Brothers sweater with flecks of white, and a cream-colored turtleneck that actually made him look like a turtle. Marko

Dictatorship has had an external makeover and is labeled today as democracy, where the people are kept under control by means of false security. And in this new dictatorship, people are happy as long as they are made to think that they themselves are making the decisions of their life, while in reality those decisions are made under the dictatorship of specific political parties that mainly consist of politicians, who in most cases have no more brains than termites. And this process of social delusion is sustained by the modern con-artists (either conscious or subconscious) called politicians (not all) with the use of psychologically reinforcing terms such as "democracy", "freedom", "sovereignty" and many more.

The romance that has surrounded the Beat generation since the mid-Sixties has acted as a kind of sentimental glaze, obscuring its fundamentally nihilistic impulse under a heap of bogus rhetoric about liberation, spontaneity, and 'startling oases of creativity', Notwithstanding their recent media media make-over, the Beats were not Promethean iconoclasts. They were drug-abusing sexual predators and infantilized narcissists whose shamelessness helped dupe a confused and gullible public into believing that their utterances were works of genius. We have to thank Lisa Phillips and the Whitney for inadvertently reminding us of this with such vividness. If nothing else, 'Beat Culture and the New America' showed that the Beats were not simply artistic charlatans; the were -- and, in the case of those who are still with us, they remain -- moral simpletons, whose destructive influence helped fuel the cultural catastrophe with which we are now living.

This is the part of the book where the author usually sums it all up in a conclusion chapter and announces, “I did it!” I suppose I could have titled it “The Finale,” but that’s just not me. I don’t think you ever reach a point in life (or in writing!) where you get to say that. It ain’t over till it’s over. I want to be an eternal student, always pushing myself to learn more, fear less, fight harder. What lies in the future? Truthfully, I don’t know. For some people, that’s a scary thought. They like their life mapped out and scheduled down to the second. Not me. Not anymore. I take comfort in knowing not everything is definite. There’s where you find the excitement, in the unknown, uncharted, spaces. If I take the lead in my life, I expect that things will keep changing, progressing, moving. That’s the joy for me. Where will I go next? What doors will open? What doors will close? All I can tell you is that I will be performing and connecting with people--be it through dance, movies, music, or speaking. I want to inspire and create. I love the phrase “I’m created to create.” That’s what I feel like, and that’s what makes me the happiest. I’m building a house right now--my own extreme home makeover. I love the process of tearing something down and rebuilding it, creating something from nothing and bringing my artistic vision to it. I will always be someone who likes getting his hands dirty. But the blueprint of my life has completely changed from the time I was a little boy dreaming about fame. It’s broadened and widened. I want variety in my life; I like my days filled with new and different things. I love exploring the world, meeting new people, learning new crafts and art. It’s why you might often read what I’m up to and scratch your head: “I didn’t know Derek did that.” I probably didn’t before, but I do now.

I’m definitely an ambivert, meaning I’m both introverted and extroverted. While I come across as very social—and I am to a large degree—I’m usually one of the first to want to leave a party because of overstimulation. I have a cap on how much chatter I can handle. I much prefer one-on-one connection to large groups, and I covet my quiet and alone time. I’m also a deep thinker about big-picture ideas. I love to ponder the “whys” of life. Superficial conversation bores me, and I need artistic expression to feel connected to myself.

As in other industries, the recruitment process has become a lot easier (cheaper) for employers and a lot more expensive for would be employees. A demo with a new sound or a solid audition isn’t good enough. Artists are now expected to arrive with a market-ready brand and audience, saving their corporate overlords the makeover expense. Building a brand is no longer the purview of slick besuited experts; it’s the individual responsibility of every voice that wants to “make it.

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