Circus Sayings Quotes

I would have written you, myself, if I could put down in words everything I want to say to you. A sea of ink would not be enough.' 'But you built me dreams instead.

I made a wish on this tree years ago," Marco says. "What did you wish for?" Bailey asks. Marco leans forward and whispers in Bailey's ear. "I wished for her.

Do you remember all of your audiences?" Marco asks. "Not all of them," Celia says. "But I remember the people who look at me the way you do." "What way might that be?" "As though they cannot decide if they are afraid of me or they want to kiss me." " I am not afraid of you," Marco says.

Because I do not wish to know,” he says. “I prefer to remain unenlightened, to better appreciate the dark.

I tried to explain as much as I could," Poppet says. "I think I made an analogy about cake." "Well, that must have worked," Widget says. "Who doesn't like a good cake analogy?

It is difficult to see a situation for what it is when you are in the midst of it,” Tsukiko says. “It is too familiar. Too comfortable.

Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sister’s story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.

I do not mourn the loss of my sister because she will always be with me, in my heart," she says. "I am, however, rather annoyed that my Tara has left me to suffer you lot alone. I do not see as well without her. I do not hear as well without her. I do not feel as well without her. I would be better off without a hand or a leg than without my sister. Then at least she would be here to mock my appearance and claim to be the pretty one for a change. We have all lost our Tara, but I have lost a part of myself as well.

I believe you have my umbrella" he says, almost out of breath but wearing a grin that has too much wolf in it to be properly sheepish.

You look like a ghost," Bailey says. He can think of no better way to describe it. "You appear the same way to me, so which of us is real?

You will be fine,' the fortune teller says. 'There may be decisions to make and surprises in store. Life takes us to unexpected places sometimes. The future is never set in stone, remember that.

But I'm not special", Bailey says, "not the way they are. I'm not anyone important." "I know", Celia said, "you are not destined or chosen. I wish I could tell you that you were if that would make it easier, but it is not true. You are in the right place, at the right time, and you care enough to do what needs to be done. Sometimes that is enough.

Esse quam videri," Celia says. "To be, rather than to seem.

Celia, wait,” Marco says, standing but not moving closer to her. “You are breaking my heart. You told me once that I reminded you of your father. That you never wanted to suffer the way your mother did for him, but you are doing exactly that to me. You keep leaving me. You leave me longing for you again and again when I would give anything for you to stay, and it is killing me.” “It has to kill one of us,” Celia says quietly.

Follow your dreams Bailey. Be they Harvard or somehing else entirely. No matter what that father of yours says, or how loudly he might say it. He forgets that he was someone's dream once, himself

My Dad says that being a Londoner has nothing to do with where you're born. He says that there are people who get off a jumbo jet at Heathrow, go through immigration waving any kind of passport, hop on the tube and by the time the train's pulled into Piccadilly Circus they've become a Londoner.

I wished for her,” he says.

It's not a real name," she says. "Not one that he's carried with him always. It's one he wears like his hat. So he can take it off if he wants.

Is it not that bad to be trapped somewhere, then? Depending on where you're trapped?" "I suppose it depends on how much you like the place you're trapped in," Widget says. "And how much you like whoever you're stuck there with," Poppet adds, kicking his black boot with her white one.

I suggest you keep your distance from her and concentrate on your own work.” “I’m in love with her.” “I am sorry to hear that,” he says. “It will make the challenge a great deal more difficult for you.” “We have been playing at this for more than a decade, when does it end?” “It ends when there is a victor.

Panem et Circenses" translates into 'Bread and Circuses.' The writer was saying that in return for full bellies and entertainment, his people had given up their political responsibilities and therefore their power.

Is magic not enough to live for?" Widget asks. "Magic," the man in the grey suit repeats, turning the word into a laugh. "This is not magic. This is the way the world is, only very few people take the time to stop and note it. Look around you," he says, waving a hand at the surrounding tables. "Not a one of them even has an inkling of the things that are possible in this world, and what's worse is that none of them would listen if you attempted to enlighten them. They want to believe that magic is nothing but clever deception, because to think it real would keep them up at night, afraid of their own existence." "But some people can be enlightened," Widget says.

Celia." he says without looking up at her, "why do we wind our watch?" "Because everything requires energy," she recites obediently, eyes still focused on her hand. "We must put effort and energy into anything we wish to change.

Which tent is your favourite?" he asks. "The Ice Garden," Celia answers, without even pausing to consider. "Why is that?" Marco asks. "Because of the way it feels," she says. "It's like walking into a dream. As though it is someplace else entirely and not simply another tent...

I suppose there will never be a lack of things to say, of stories to be told and shared.

I lurve you, circus freak," Cabel says. It almost hurts to hear him say that. I lurve you, too, you big lumpy monster man," Janie says. That hurts even more to say.

It is a matter of perspective, the difference between opponent and partner," Tsukiko says. "You step to the side and the same person can be either or both or something else entirely. It is difficult to know which face is true.

Grow up, Bailey." "That is precisely what I'm doing," Bailey says. "I don't care if you don't understand that. Staying here won't make me happy. It will make you happy because you're insipid and boring, and an insipid, boring life is enough for you. It's not enough for me. It will never be enough for me. So I'm leaving. Do me a favor and marry someone who will take decent care of the sheep.

Wait. Far be it for me to say this" — Hamish looked around the compartment — "and if anyone tells Uncle Eddie I suggested being an upstanding citizen I'll kill 'em, but aren't there...laws and stuff? I mean, can't you...you know...sue him or something?" asked the boy who had once stolen an entire circus, all three rings.

It almost contradicts itself," she says after a moment. "It's as if there is love and loss at the same time, together in a kind of beautiful pain.

Who am I? And how I wonder, will this story end? . . . My life? It is'nt easy to explain. It has not been the rip-roaring spectacular I fancied it woulf be, but neither have I burrowed around with the gophers. i suppose it has most resembled a bluechip stock: fairly stable, more ups and downs, and gradually tending over time. A good buy, a lucky buy, and I've learned that not everyone can say this about his life. But do not be misled. I am nothing special; of this I am sure. I am common man with common thought and I've led a common life. There are no monuments dedicated to me, and my name will soon be forgotten, but I've loved another with all my heart and soul, and to me, this has always been enough. The romantics would call this a love story, the cynics would call it a tragedy. In my mind, it's a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that involves a great deal of my life and the path I've chosen to follow. I have no complaints about the places it has taken me, enough complaints to fill a circus tent about other thins, maybe, but the path I've chosen has always been the right one, and I would'nt have had it any other way. Time, unfortunatley, does'nt make it easy to stay on course. The path is straight as ever, but now it is strewn with the rocks and gravel that accumulated over a lifetime . . . There is always a moment right before I begin to read the story when my mind churns, and I wonder, will it happen today? I don't know, for I never know beforehand, and deep down it really doesn't matter. It's the possibility that keeps me going, not the guarantee, a sort of wager on my part. And though you may call me a dreamer or a fool or any other thing, I believe that anything is possible. I realize that odds, and science, are againts me. But science is not the answer; this I know, this I have learned in my lifetime. And that leaves me with the belief that miracles, no matter how inexplicable or unbelievable, are real and can occur without regard to the natural order of things. So once again, just as I do ecery day, I begin to read the notebook aloud, so that she can hear it, in the hope that the miracle, that has come to dominate my life will once again prevail. And maybe, just maybe, it will.

We cannot go backward,' Marco says. 'A great deal is not how it used to be.

I'm not certain I understand the rules," Marco says. "You don't need to understand the rules. You need to follow them.

What happened?" Bailey asks. "That is somewhat difficult to explain," Tsukiko answers. "It is a long and complicated story." "And you're not going to tell me, are you?" She tilts her head a bit ... "No, I am not," she says. "Great," Bailey mutters under his breath... "The bonfire exploded? How?" "Remember when I said it was difficult to explain? That has not changed.

All the world's a circus. Sometimes you choose your act and sometimes it's assigned to you. I had roamed the arena for far too long, roaring and bellowing, believing that I wasn't brave enough to leap through fire. But all along, she had stood there, constant and calm."I can't make the fire go away," she had seemed to say, "I can't guarantee you won't get burned. But I can hold this hoop for you, I can remain steady and strong, because I believe in you. Because you are mine." And in the end, I had jumped. And the other side was just as glorious as her eyes had promised.

Wufju fay foo im?” he asks, with his mouth mostly full. “I tried to explain as much as I could,” Poppet says. “I think I made an analogy about cake.” “Well, that must have worked,” Widget says. “Who doesn’t like a good cake analogy?

I would have written you, myself, if I could put down in words everything I want to say to you. A sea of ink would not be enough.” “But you built me dreams instead,” Celia says, looking up at him. “And I built you tents you hardly ever see. I have had so much of you around me always and I have been unable to give you anything in return that you can keep.

Why haven’t you asked me how I do my tricks?” Celia asks, once they have reached the point where she is certain he is not simply being polite about the matter. “Because I do not wish to know,” he says. “I prefer to remain unenlightened, to better appreciate the dark.

So proper for a circus girl," Mme. Padva says with with a gleam in her eye. "We shall have to loosen those corset laces if we intend to keep you an intimate dinner company." "I expected the corset unlacing would take place after dinner," Celia says mildly, earning a chorus of laughter. "We shall keep Miss Bowen as intimate company regardless of the state of her corset," Chandresh says. "Make a note of that," he adds, waving a hand at Marco. "Miss Bowen's corset is duly noted, sir," Marco replies, and the laghter bubbles over the table again.

Panem et Circenses translates into 'Bread and Circuses.' The writer was saying that in return for full bellies and entertainment, his people had given up their political responsibilities and therefore their power.

Trust me.” “I don’t even know you,” I say softly, adrenaline pulsating through my veins. He has led me to the precipice of a cliff, pushed me off, and now he’s clasping my wrist. He can let go at any moment, and I will fall. “Every day,” he says lowly, “I hold a person’s life in my hands. The circus is based one-hundred percent off trust. I give it all to someone, and they give it all to me. I’m asking you, right now, to trust me.

I have never lied, “ Mr. Barris counters, standing as well. “I do not share what I am not at liberty to say. I gave my word and I intend to keep it but I have never lied to you. You never even asked me, you assumed I knew nothing.

He turns and walks away, moving so quickly that the candle flames shiver with the motion of the air. “I miss you,” Isobel says as he leaves, but the sentiment is crushed by the clatter of the beaded curtain falling closed behind him.

Widge can see the past." Poppet says suddenly. "That's why his stories are so good." "The past is easier," Widget says. "It's already there." "In the stars?" Bailey asks. "No." Widget says. "On people. The past stays on you the way powdered sugar stays on fingers. Some people can get rid of it but it's still there, the events and t hings that pushed you to where you are now.

I know, I'm sorry, "Bailey says. "What does exsanguinated mean?" The girl smiles. "It means draining all your blood," she says. "But they don't actually do that, I don't think.

She's more delicate than you'd think," I say. She's glass. I'm glass. We're all glass, busted up, unrecognizable from our original selves. We walk around in fragments. It's a circus act.

And this bad-boy boyfriend?” “Bad boy?” “Yeah. The type you apparently avoid now.” Oh, right.” I laugh. It’s one single bark of bitterness. “Ummm, he fell into a wood chipper?” “Poor guy. And the one before that?” “Eaten by a shark?” “And before that?” “Kidnapped by a travelling circus?” He chuckles. “Wow. Your life’s like a cautionary tale.” “Future suitors be warned.” “I’m willing to take my chances,” he says with a wink.

Maybe it’s not a lesson so much as it’s a magic trick. You can make a little girl into anything if you say the right words. Take her apart until all that’s left is her red, red heart thumping against the world. Stitch her up again real good. Now, maybe you get a woman. If you’re lucky. If that’s what you were after. Just as easy to end up with a blackbird or a circus bear or a coyote. Or a parrot, just saying what’s said to you, doing what’s done to you, copying until it comes so natural that even when you’re all alone you keep on cawing hello pretty bird at the dark.

I have tried to let you go and I cannot. I cannot stop thinking of you. I cannot stop dreaming about you. Do you not feel the same for me?" "I do," Celia says. "I have you here, all around me. I sit in the Ice Garden to get a hint of this, this way that you make me feel. I felt it even before I knew who you were, and everytime I think it could not possibly get any stronger, it does." "Then what is stopping us from being together now?" he asks. He slides his hands down from her face, following the neckline of her gown.

When people say that German or any other language is romantic... all they really mean is that they've enjoyed a past in the language.

This is all lie, she want to say to them. The dead are not hovering nearby to knock politely at teacups and tabletops and whisper through billowing curtains.

Follow your dreams, Bailey," she says. "Be they Harvard or something else entirely. No matter what that father of yours says, or how loudly he might say it. He forgets that he was someone's dream once, himself.

She has gathered that the man in the grey suit whom her father called Alexander also has a student, and there will be some sort of game. "Like chess?" she asks once. "No," her father says. "Not like chess.

Just because everyone is behaving like a clown, it doesn’t mean you have to join the circus.

Don’t you want to know my name?” the boy asks. “Names are not of nearly as much import as people like to suppose,” the man in the grey suit says. “A label assigned to identify you either by this institution or your departed parents is neither of interest nor value to me. If you find you are in need of a name at any point, you may choose one for yourself. For now it will not be necessary.

Thus I have come to think that the fourth commandment on sabbath is the most difficult and most urgent of the commandments in our society, because it summons us to intent and conduct that defies the most elemental requirements of a commodity-propelled society that specializes in control and entertainment, bread and circuses … along with anxiety and violence.

It’s a saying from thousands of years ago, written in a language called Latin about a place called Rome,” he explains. “Panem et Circenses translates into ‘Bread and Circuses.’ The writer was saying that in return for full bellies and entertainment, his people had given up their political responsibilities and therefore their power.

I am tired of trying to hold things together that cannot be held,” Celia says when he approaches her. “Trying to control what cannot be controlled. I am tired of denying myself what I want for fear of breaking things I cannot fix. They will break no matter what we do.

The most difficult thing to read is time," Isobel says, and Marco stops, turning back to her. "Maybe because it changes so many things. I have read for countless people on innumerable subjects and the most difficult thing to understand within the cards is always the timing. I knew that, and still it surprised me. How long I was willing to wait for soomething that was only a possiblity. I always thought it was just a matter of time, but I was wrong." "I did not expect this to go on as long as-" Marco begins, but Isobel interrupts him. "It was all a matter of timing,

Had they not been taken, she asked, to circuses when they were children? Never, he answered, as if she asked the very thing he wanted; had been longing all these days to say, how they did not go to circuses.

Mad is beautiful,” I say. “It has its flaws, but when shared with the good-hearted it’s beautiful.

The teacher should be like the conductor in the orchestra, not the trainer in the circus.

You know what they say about the circus.” “What, that the show must go on?” “No,” she says. “That the show can’t begin until you jump.

When I say that she was the greatest, I mean that she resembled a circus. She was not brightly colored, nor was she composed of three rings, but under a tent in the middle of a starlit field on a summer night, you could see her in just a t-shirt and forget how unhappy the elephants were.

That man has no shadow," he says, as Chandresh leans over the twins to peer out the window at the empty street. "what did you say?" Chandresh asks, but Poppet and Widget, and the orange kittens have already run off down the hall, lost in the colorful crowd.

-We live in Rome, he says, turning his face to the room again, -Caligula's Rome, with a new circus of vulgar bestialized suffering in the newspapers every morning. The masses, the fetid masses, he says, bringing all his weight to his feet.-How can they even suspect a self who can do more, when they live under absolutely no obligation. There are so few beautiful things in the world...

Look around you, he says, waving a hand at the surrounding tables. Not a one of them even has an inkling of the things that are possible in this world, and what's worse is that none of them would listen if you attempted to enlighten them. They want to believe that magic is nothing but clever deception, because to think it real would keep them up at night, afraid of their own existence.

I read for someone a week ago,” she says. “He was young, younger than I was when I met you. Tall in the way of someone who is not yet used to being tall.

Yes," Poppet says. "But what's the use in seeing the future if I can't do anything to stop it?" " You cannot stop things," Celia says. "You can only be prepared for them to happen.

But if as you read this book you're saying to yourself: "I'd rather be miserably married than be alone." Well young lady, take out your clown shoes and buckle your seat belt - it's going to be a very bumpy one-woman circus.

How are you managing to keep everyone from aging?” Celia asks after a while. “Very carefully,” Marco answers. “And they are aging, albeit extremely slowly. How are you moving the circus?” “On a train.” “A train?” Marco asks, incredulous. “The entire circus moved by a single train?” “It’s a large train,” Celia says. “And it’s magic,” she adds, making Marco laugh. “I confess, Miss Bowen, you are not what I had expected.” “I assure you that feeling is mutual.

People are naïve about such things,” Marco says, a phrase oft repeated by his instructor as both admonishment and warning. “And they would rather write them off as evil than attempt to understand them. An unfortunate truth, but a truth nonetheless.

Stories have changed, my dear boy," the man in the gray suit says, his voice almost imperceptibly sad. "There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience; at least the ones worth something in any case.

But the significant difference between Thirteen and the Capitol are the expectations of the populace. Thirteen was used to hardship, wheras in the Capitol, all they’ve known is Panem et Circenses. “(Plutrach) ” What’s that?” I recognize Panem, of course, but the rest is nonsense. “It’s a saying from thousands of years ago, written in a language called Latin about a place called Rome,” he explains. ”Panem et Circenses translates into ‘Bread and Circuses.’ The writer was saying that in return for full bellies and entertainment, his people had given up their political responsibilities and therefore their power.

Okay, so I stopped posting status updates on Facebook a long time ago. I noticed that whenever someone posts something completely mundane and stupid, like 'Sushi 2nite!' seventeen people have to comment on that. 'I ♥ sushi!' and 'Spicy Tuna 4 meee!' But if you ever try to actually say something serious about your feelings or, like, your life, every one of your 386 "friends" is suddenly mute. So there you have it: My life is a post with no comments. Less interesting than spicy tuna.

Tenderly, as only monsters are tender, he asks, "Are you afraid to be like us, Ying?" "No," Ying says. (How can she be afraid of anything, when he is so beautiful?) She turns her head. Her breath fogs over the copper petals, until nothing is left of her but a dim reflection in his wings.

Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case.

It's nothing I can clearly see as good or bad, but it is...intense." Isobel pushes the cards around a bit, Le Bateleur and La Papessa surrounded by fire-tinged wands and watery cups. The crackle of the fire next to them mingles with the rain pattering against the windows. "It almost contradicts itself," she says after a moment. "It's as if there is love and loss at the same time, together in a kind of beautiful pain.

I would dearly love to read the reactions, the observations of each and every person who walks through the gates of Le Cirque des Reves, to know what they see and hear and feel. To see how their experience overlaps with my own and how it differs. I have been fortunate letters with such information, to have reveurs share with me writings from journals or thoughts scribbled on scraps of paper. We add our own stories, each visitor, each visit each night spent at the circus. I suppose there will never be a lack of things to say, of stories to be told and shared. -Friedrick Thiessen, 1895

Is it not that bad to be trapped somewhere, then? Depending on where you’re trapped?” “I suppose it depends on how much you like the place you’re trapped in,” Widget says. “And how much you like whoever you’re stuck there with,” Poppet adds, kicking his black boot with her white one. Her brother laughs and the sound echoes through the tent, carried over the branches that are covered in candles. Each flame flickering and white.

Poetic Terrorism WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ... Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc. Go naked for a sign. Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty. Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement... The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails. PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now. An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE. Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you. Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.

Do you know why I gave my daughter permission to marry your father?” “No,” Bailey says. It is not a topic that has ever been discussed in his presence, though Caroline once told him in secret she heard it was something of a scandal. Even almost twenty years later, his father never sets foot in his grandmother’s house, nor does she ever come out to Concord. “Because she would have run off with him regardless,” she says. “That was what she wished. It would not have been my choice for her, but a child should not have their choices dictated for them...Follow your dreams, Bailey,” she says. “Be they Harvard or something else entirely. No matter what that father of yours says, or how loudly he might say it. He forgets that he was someone’s dream once, himself.

Here’s the simplest, most jargon-free, definition of marketing you’re ever likely to come across: If the circus is coming to town and you paint a sign saying “Circus Coming to the Showground Saturday,” that’s advertising. If you put the sign on the back of an elephant and walk it into town, that’s promotion. If the elephant walks through the mayor’s flower bed and the local newspaper writes a story about it, that’s publicity. And if you get the mayor to laugh about it, that’s public relations. If the town’s citizens go to the circus, you show them the many entertainment booths, explain how much fun they’ll have spending money at the booths, answer their questions and ultimately, they spend a lot at the circus, that’s sales. And if you planned the whole thing, that’s marketing.

Have you ever read your cards for someone who could not understand what they were dealing with, even though to you it was clear from only a short conversation and pictures on paper?" Tsukiko asks, "Yes," Isobel says. She has seen them hundreds of times, the querents who could not see things for what they were. Blind to betrayals and heartbreak, and always stubborn, no matter how gently she tried to explain.

Is six a.m. too early to watch The Bachelor and mock all the giggly, desperate women?" "Go for it. Though I bet it'd work better as a drinking game," Laurel said. "One shot for the flirty arm touch. Chug if they strip and bum-rush the pool." Anne hit play. "Like they'd get their hair wet." Laurel stared at the screen, laughed at Anne's comments but felt another weird pang upset her insides. "Would you say this show makes something incredibly complex--you know, relationships--into something mind-numbingly vapid? Or does it make something actually rather simple into a big fucking circus?" "Both. That's why I love it." "I couldn't stand competing for a man like that," Laurel murmured. "I don't have the right...programming for it. Like to fight like that. Some people get an adrenaline rush and they're like foosh, give me somebody to beat down. I just, like curl up into a ball and want to hide." "I'm somewhere in the middle," Anne said. "I'm like a ninja. I'll like, come out of my shadowy hiding space and beat you down, bitches. You won't even see me.

The most powerful anti-Christian movement is the one that takes over and "radicalizes" the concern for victims in order to paganize it. The powers and principalities want to be “revolutionary” now, and they reproach Christianity for not defending victims with enough ardor. In Christian history they see nothing but persecutions, acts of oppression, inquisitions. This other totalitarianism presents itself as the liberator of humanity. In trying to usurp the place of Christ, the powers imitate him in the way a mimetic rival imitates his model in order to defeat him. They denounce the Christian concern for victims as hypocritical and a pale imitation of the authentic crusade against oppression and persecution for which they would carry the banner themselves. In the symbolic language of the New Testament, we would say that in our world Satan, trying to make a new start and gain new triumphs, borrows the language of victims. ... The Antichrist boasts of bringing to human beings the peace and tolerance that Christianity promised but has failed to deliver. Actually, what the radicalization of contemporary victimology produces is a return to all sorts of pagan practices: abortion, euthanasia, sexual undifferentiation, Roman circus games galore but without real victims, etc. Neo-paganism would like to turn the Ten Commandments and all of Judeo-Christian morality into some alleged intolerable violence, and indeed its primary objective is their complete abolition. Faithful observance of the moral law is perceived as complicity with the forces of persecution that are essentially religious... Neo-paganism locates happiness in the unlimited satisfaction of desires, which means the suppression of all prohibitions. This idea acquires a semblance of credibility in the limited domain of consumer goods, whose prodigious multiplication, thanks to technological progress, weakens certain mimetic rivalries. The weakening of mimetic rivalries confers an appearance of plausibility, but only that, on the stance that turns the moral law into an instrument of repression and persecution.

Not a single person in that audience believes for a second that what I do up there is real,” he says, gesturing in the general direction of the stage. “That’s the beauty of it. Have you seen the contraptions these magicians build to accomplish the most mundane feats? They are a bunch of fish covered in feathers trying to convince the public they can fly, and I am simply a bird in their midst. The audience cannot tell the difference beyond knowing that I am better at it.

The system that aims at educating our boys and girls in the same manner as in the circus where the trainer teaches the lion to sit on a stool, has not understood the true meaning of education itself. Instead of being like a circus where the trainer uses his stick to make animals do stunts to serve the interest of the audience, the system of education should be like an Orchestra where the conductor waves his stick to orchestrate the music already within the musicians’ heart in the most beautiful manner. The teacher should be like the conductor in the orchestra, not the trainer in the circus.

The kind of happy I was that day at the Vet when "Hawk" Dawson actually doffed his red "C" cap to me, and everyone cheered and practically convulsed into tears - you can't patent that. It was one shining moment of glory that was instantly gone. Whereas life, real life, is different and can't even be appraised as simply "happy", but only in terms of "Yes, I'll take it all, thanks" or "No, I believe I won't." Happy, as my poor father used to say, is a lot of hooey. Happy is a circus clown, a sitcom, a greeting card. Life, though, life's about something sterner. But also something better. A lot better. Believe me.

The greatest wizard in history made the mistake of sharing his secrets. And his secrets were both magic and important, so it was a rather serious mistake. “He told them to a girl. She was young and clever and beautiful—” Poppet snorts into her cup. Widget stops. “I’m sorry,” she says. “Go on, please, Widge.” “She was young and clever and beautiful,” Widget continues. “Because if the girl had not been beautiful and clever, she would have been easier to resist, and then there would be no story at all.

Stand in front of this fantastic machine, my friend, and for just 99¢ your likeness will appear, two hundred feet tall, on a screen above downtown Las Vegas. Ninety-nine cents more for a voice message. “Say whatever you want, fella. They’ll hear you, don’t worry about that. Remember you’ll be two hundred feet tall.” Jesus Christ. I could see myself lying in bed in the Mint Hotel, half-asleep and staring idly out the window, when suddenly a vicious nazi drunkard appears two hundred feet tall in the midnight sky, screaming gibberish at the world: “Woodstock Über Alles!” We will close the drapes tonight. A thing like that could send a drug person careening around the room like a ping-pong ball. Hallucinations are bad enough. But after a while you learn to cope with things like seeing your dead grandmother crawling up your leg with a knife in her teeth. Most acid fanciers can handle this sort of thing. But nobody can handle that other trip—the possibility that any freak with $1.98 can walk into the Circus-Circus and suddenly appear in the sky over downtown Las Vegas twelve times the size of God, howling anything that comes into his head. No, this is not a good town for psychedelic drugs. Reality itself is too twisted.

I can tell you that these two statues are not monkeys native to India. This one’s a spider monkey. They come from South America. This one is a chimpanzee, which is technically an ape, not a monkey. They’re often classified as monkeys because of their size.” I gaped at him. “How do you know so much about monkeys?” He crossed him arms over his chest. “Ah, so am I to assume that talking about monkeys is an approved topic of conversation? Perhaps if I were a monkey instead of a tiger you might clue me in as to why you’re avoiding me.” “I’m not avoiding you. I just need some space. It has nothing to do with your species. It has to do with other things.” “What other things?” “Nothing.” “It’s something.” “It can’t be anything.” “What can’t be anything?” “Can we just get back to the monkeys?” I yelled. “Fine!” he hollered back. We stood there glaring at each other for a minute, both of us frustrated and angry. He went back to examining the various monkeys and ticking off a list of their traits. Before I could stop myself, I shot off a sarcastic, “I had no idea that I was walking with a monkey expert, but, then again, you have eaten them right? So I guess that would be the difference between say, pork and chicken, to someone like me.” Ren scowled at me. “I lived in zoos and circuses for centuries, remember? And I don’t…eat…monkeys!

As soon as Santangelo and Raffy’s heads go under, Griggs leans over and kisses me. It’s a hungry kind of kiss, like he’s been dying to do it for ages and he can’t get enough but after a while I open my eyes and just stare at him. “You’re supposed to close your eyes,” he says, a little unnerved. “I’m not supposed to do anything,” I say, moving away from him and looking into the river, waiting for Raffy and Santangelo to come back up. “Is there a problem here?” “There’s nothing here.” “Really? Because that wasn’t the message you were giving me last Saturday night.” “And between last Saturday and today there have been at least six days, so let’s just say that I’m going by the message that you’ve been giving me since then.” “We’ve been surrounded by the Santangelo circus and that little pest who is either attached to you surgically or me and then, when they’re not around, Casanova Cassidy is hanging off every word you say or Raffy is giving me one of those ‘girl zone only’ looks,” he says. “So if I haven’t been giving you the attention—” “So you’re admitting it. That you can just switch this on and off?” “Yeah, whatever you say. I’m over it.” “Good, because I was never into it!

There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.” I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!” He shrugged his shoulders and grinned. “I missed you.” My mouth quirked up in a half smile. “I missed you too.” He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.” I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.” “I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.” “I wouldn’t either.” He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine. I squeezed his hand. “I understand. It’s fine. Really.” He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.” Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks. He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me." Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man." Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity." I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life." "I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me. I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.

After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.

I was scared—with that crystalline, childish fear of being caught and punished. That fear thrashed behind my rib cage like a bird in cupped hands, perhaps the last truly childlike instance of that emotion I’d ever feel. That fear is a kind of magic. As you get older, the texture of your fear changes. You’re no longer afraid of the things you had absolute faith in as a child: that you’d die in convulsions from inhaling the gas from a shattered lightbulb, that chewing apple pips brought on death by cyanide poisoning, or that a circus dwarf had actually bounced off a trampoline into the mouth of a hungry hippo. You stop believing in the things my uncle believed in. Even if your mind wants to go there, it has lost the nimbleness needed to make the leap. That magic gets kicked out of you, churched out, shamed out—or worse, you steal it from yourself. It gets embarrassed out of you by the kids who run the same stretch of streets and grown-ups who say it’s time to put away childish things. By degrees, you kill your own magic. Before long your fears become adult ones: crushing debts and responsibilities, sick parents and sick kids, the possibility of dying unremembered or unloved. Fears of not being the person you were so certain you’d grow up to be.

Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister’s story is part of many other stories, and there is no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.

It doesn't talk back,' he said ruefully as I approached, without looking round. I glanced up at the griffin. 'No,' I said. Then something, an impulse of gaiety perhaps, made me add, 'Perhaps you need to stroke it between the ears. Timothy likes that.' Timothy is my cat. Although the Doctor was evidently an eccentric man - who else talks to a statue - I was nonetheless taken aback when he jumped up into the air like a circus performer and, holding on to the iron standard of a lamp, swung himself on to the narrow sill above the carving. There he teetered for a moment, arms extended flat against the wall, his shoes dislodging small pieces of debris which clattered on to the yard. He somehow found a secure foothold, then reached down and petted the stone animal between the ears, or what would have been the ears if it hadn't been a relief carving. 'Hello, Timothy. Would you care for a stick of liquorice?' There was a brief silence, and I was struck by the puzzled, almost grief-stricken expression that crossed the Doctor's face when the carving made no reply. It could have been drollery, but it seemed genuine. Then he looked down at me, and grinned, as if it had been a joke. 'He still doesn't talk! Did you say he was called Timothy?' I decided it was time to inject some sanity into the conversation. 'Timothy.' I said, precisely and quietly, ' is the name of my cat.

There is probably something good in every religion, the important thing is how you practice it. And this is when I found out that the most beautiful thing is to be able to live with a religion. Not just by displaying it and going to church and all, but by really being able to live some of these thoughts in your everyday life. This is a good thought. My problem right now is—and I just went to a Catholic service in connection with my daughter's something-or-another—and I got so damn annoyed by the fact that every text was about humility in relation to God. That's annoying, and I keep on being annoyed by it. Granted, the texts were written by people and not by God, but it's still so annoying. I don't see the meaning of you being humble just because you've been created by God and He has created all this. You can be humble toward life and toward other human beings and toward creativity and everything—and you are—but being humble toward the man who has created the whole circus? Of course, but you shouldn't have to prostrate yourself, and you do that in many religions—you crawl in the dust before these gods. Why? I can see why some king down here on earth might enjoy seeing people crawling before him, but if this guy is that great, then he shouldn't care whether I bow down before him or whether I play around with my dick at night—he shouldn't care a bit about anything like that. As long as I don't do anything that will harm his creation, as long as I don't kill, say, too many fish—well, he's OK with fish, they eat them in the Bible. But this thing about throwing yourself on the floor and exclaiming, "You're so great! You're so great!"—that's completely illogical. If you believe in him, then he's the greatest anyhow. You look at a tiny leaf and you'll get humble—everyone will—even some stupid redneck in an ugly car. You really have to be stupid not to be able to appreciate a thing like that—a little leaf is like looking into eternity. It's totally amazing! And you don't have to stand around in church every day proclaiming that you're a little sinner and worth nothing and he is everything. That's annoying. Sorry, I must have made my point by now.

Don't you know that the less you tell someone, the more they want to know? You're better off to make something up than to say nothing at all." "I'm the youngest of twelve children of two South African missionaries," he said with such ease,she very nearly believed him. "When I was six,I wandered into the jungle and was taken in by a pride of lions.I still have a pechant for zebra meat.Then when I was eightteen,I was captured by hunters and sold to a circus.For five years I was the star of the sideshow." "The Lion Boy," Gennie put in. "Naturally.One night during a storm the tent caught fire.In the confusion I escaped.Living off the land, I wandered the country-stealing a few chickens now and again.Eventually an old hermit took me in after I'd saved him from a grizzly." "With your bare hands," Gennie added. "I'm telling the story," he reminded her. "He taught me to read and write. On his deathbead he told me where he'd buried his life savings-a quarter million in gold bullion. After giving him the Viking funeral he'd requested, I had to decide whether to be a stockbroker or go back to the wilderness." "So you decided against Wall Street, came here, and began to collect stamps." "That's about it." "Well," Gennie said after a moment. "With a boring story like that, I can see why you keep it to yourself." "You asked," Grant pointed out. "You might have made something up." "No imagination." She laughed then and leaned her head on his shoulder. "No,I can see you have a very literal mind.