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Do not lose hope — what you seek will be found. Trust ghosts. Trust those that you have helped to help you in their turn. Trust dreams. Trust your heart, and trust your story. (from 'Instructions')
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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In every way that counted, I was dead. Inside somewhere maybe I was screaming and weeping and howling like an animal, but that was another person deep inside, another person who had no access to the lips and face and mouth and head, so on the surface I just shrugged and smile and kept moving. If I could have physically passed away, just let it all go, like that, without doing anything, stepped out of life as easily as walking through a door I would have done. But I was going to sleep at night and waking in the morning, disappointed to be there and resigned to existence.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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Nobody gets through life without losing a few things on the way.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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I think...that I would rather recollect a life mis-spent on fragile things than spent avoiding moral debt.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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We save our lives in such unlikely ways.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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I missed her, deeply, painfully. But life goes on.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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If you love somebody, tell them. If there is conflict, let it go and fight instead for peace. Break the numb false silence and break the distance too. Laugh and cry and apologize and start again. This life is short and fragile but friendship is among the greatest miracles.
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Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
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I think the purest of souls, those with the most fragile of hearts, must be meant for a short life. They can't be tethered or held in your palm.
Just like a sparrow, they light on your porch. Their song might be brief, but how greedy would we be to ask for more? No, you cannot keep a sparrow. You can only hope that as they fly away, they take a little bit of you with them.
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Emm Cole (The Short Life of Sparrows)
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His beard was all colors, a grove of trees in autumn, deep brown and fire-orange and wine-red, an untrimmed tangle across the lower half of his face. His cheeks were apple-red. He looked like a friend; like someone you had known all your life.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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In Japanese culture, the significance of the cherry blossom tree dates back hundreds of years. The cherry blossom represents the fragility and magnificence of life. It’s a reminder of how beautiful life is, almost overwhelmingly so, but that it is also heartbreakingly short.
As are relationships.
Be wise. Let your heart lead the way. And when you find someone who’s worth it—never let them go.
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L.J. Shen (Vicious (Sinners of Saint, #1))
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An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight.
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Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
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The World
"You know the saddest thing," she said. "The saddest thing is that we're you."
I said nothing.
"In your fantasies," she said, "my people are just like you. Only better. We don't die or age or suffer from pain or cold or thirst. We're snappier dressers. We possess the wisdom of the ages. And if we crave blood, well, it is no more than the way you people crave food or affection or sunlight - and besides, it gets us out of the house. Crypt. Coffin. Whatever."
"And the truth is?" I ask her.
"We're you," she said. "We're you with all your fuckups and all the things that make you human - all your fears and lonelinesses and confusions... none of that gets better.
"But we're colder than you are. Deader. I miss daylight and food and knowing how it feels to touch someone and care. I remember life, and meeting people as people and not just as things to feed on or control, and I remember what it was to feel something, anything, happy or sad or anything..." And then she stopped.
"Are you crying?" I asked.
"We don't cry," she told me. Like I said, the woman was a liar."
Fifteen Painted Cards From A Vampire Tarot
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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I'll die soon. But the last twenty minutes have been the best years of my life.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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I think…that I would rather recollect a life misspent on fragile things than spent avoiding moral debt.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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Life is so precious because it's short. Even the most resilient people are fragile. Life isn't about dying or not dying. It's about living well. Living so you can be proud and happy.
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Ilona Andrews (On the Edge (The Edge, #1))
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An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.
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Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
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If last night proved anything, it's that life is a strong drink served up in an extremely short - and fragile - shot glass.
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Samantha Sotto Yambao (Before Ever After)
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I reached out a hand, and touched her. Her body was hard, and slim, and lithe, and her breasts felt like breasts that Gauguin might have painted. Her mouth, in the darkness, was soft and warm against mine.
People come into your life for a reason.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles.
This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear.
But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God.
...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
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Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
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Unfortunately, mortal life is very fragile, and very short. Yours could be shorter than usual.
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Rachel Caine (Glass Houses (The Morganville Vampires, #1))
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Of course, fairy tales are transmissible. You can catch them, or be infected by them. They are the currency that we share with those who walked the world before ever we were here.(Telling stories to my children that I was, in my turn, told by my parents and grandparents makes me feel part of something special and odd, part of the continuous stream of life itself.)
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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Life is a strong drink served up in an extremely short, and fragile shot glass. We shouldn't waste a single drop.
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Samantha Sotto Yambao
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On an impulse he went into the room and stood before the window, pushing aside the sheer curtain to watch the snow, now nearly eight inches high on the lampposts and the fences and the roofs. It was the sort of storm that rarely happened in Lexington, and the steady white flakes, the silence, filled him with a sense of excitement and peace. It was a moment when all the disparate shards of his life seemed to knit themselves together, every past sadness and disappointment, every anxious secret and uncertainty hidden now beneath the soft white layers. Tomorrow would be quiet, the world subdued and fragile, until the neighborhood children came out to break the stillness with their tracks and shouts and joy. He remembered such days from his own childhood in the mountains, rare moments of escape when he went into the woods, his breathing amplified and his voice somehow muffled by the heavy snow that bent branches low, drifted over paths. The world, for a few short hours, transformed.
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Kim Edwards (The Memory Keeper's Daughter)
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Life is too short, too fragile, too precious to hide in the shadows of what might have been. If continuously looking behind, you risk missing the possibilities that lie ahead.
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Heather Webber (At the Coffee Shop of Curiosities)
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In the midst of this happy occasion,” Yoffe says, righting himself, “we should not forget how fragile life truly is. The breaking of glass—a symbol of the destruction of the temple in Jerusalem, of man’s short life on earth.
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Georgia Hunter (We Were the Lucky Ones)
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Then it hit me. Poppy, Poppymin, she was the cherry blossom.
She was my cherry blossom.
An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can't last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight.
It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight.
It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments.
Live beautifully.
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Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
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VI. FINAL WARNING There are monsters in these pages, but as Ogden Nash pointed out in my first short-story collection, Smoke and Mirrors, where there’s a monster, there’s also a miracle. There are some long stories and some short ones. There are a handful of poems, which perhaps might need their own warning for the people who are frightened, disturbed, or terminally puzzled by poetry. (In my second short-story collection, Fragile Things, I tried to explain that the poems come free. They are bonuses for the kind of people who do not need to worry about sneaky and occasional poems lurking inside their short-story collections.) There. Consider yourself warned. There are so many little triggers out there, being squeezed in the darkness even as I write this. This book is correctly labeled. Now all we have to worry about is all the other books, and, of course, life, which is huge and complicated and will not warn you before it hurts you. Thank you for coming. Enjoy the things that never happened. Secure your own mask again after you read these stories, but do not forget to help others.
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Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
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William Butler Yeats’s “Second Coming” seems perfectly to render our present predicament: “The best lack all conviction, while the worst / Are full of passionate intensity.” This is an excellent description of the current split between anaemic liberals and impassioned fundamentalists. “The best” are no longer able to fully engage, while “the worst” engage in racist, religious, sexist fanaticism.
However, are the terrorist fundamentalists, be they Christian or Muslim, really fundamentalists in the authentic sense of the term? Do they really believe? What they lack is a feature that is easy to discern in all authentic fundamentalists, from Tibetan Buddhists to the Amish in the U.S.: the absence of resentment and envy, the deep indifference towards the non-believers’ way of life. If today’s so-called fundamentalists really believe they have their way to truth, why should they feel threatened by non-believers, why should they envy them? When a Buddhist encounters a Western hedonist, he hardly condemns him. He just benevolently notes that the hedonist’s search for happiness is self-defeating. In contrast to true fundamentalists, the terrorist pseudo-fundamentalists are deeply bothered, intrigued, fascinated by the sinful life of the non-believers. One can feel that, in fighting the sinful Other, they are fighting their own temptation. These so-called Christian or Muslim fundamentalists are a disgrace to true fundamentalists.
It is here that Yeats’s diagnosis falls short of the present predicament: the passionate intensity of a mob bears witness to a lack of true conviction. Deep in themselves, terrorist fundamentalists also lack true conviction-their violent outbursts are proof of it. How fragile the belief of a Muslim must be, if he feels threatened by a stupid caricature in a low-circulation Danish newspaper. The fundamentalist Islamic terror is not grounded in the terrorists’ conviction of their superiority and in their desire to safeguard their cultural-religious identity from the onslaught of global consumerist civilization. The problem with fundamentalists is not that we consider them inferior to us, but rather that they themselves secretly consider themselves inferior. This is why our condescending, politically correct assurances that we feel no superiority towards them only make them more furious and feeds their resentment. The problem is not cultural difference (their effort to preserve their identity), but the opposite fact that the fundamentalists are already like us, that secretly they have already internalized our standards and measure themselves by them. (This clearly goes for the Dalai Lama, who justifies Tibetan Buddhism in Western terms of the pursuit of happiness and avoidance of pain.) Paradoxically, what the fundamentalists really lack is precisely a dose of that true “racist” conviction of one’s own superiority.
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Slavoj Žižek (Violence: Six Sideways Reflections)
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Our time together is drawing short, my reader. Possibly you will view these pages of mine as a fragile treasure box, to be opened with the utmost care. Possibly you will tear them apart, or burn them: that often happens to words. Perhaps you’ll be a student of history, in which case I hope you’ll make something useful of me: a warts-and-all portrait, a definitive account of my life and times, suitably footnoted; though if you don’t accuse me of bad faith I will be astonished. Or, in fact, not astonished: I will be dead, and the dead are hard to astonish.
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Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
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My mother was, in the tradition of parents, quite a complicated and contradictory human being. Moralistic but a devout lover of pleasure (food, music, the aesthetics of nature). Deeply religious but seemingly as comforted by singing a secular chanson as by prayer. A lover of the natural world who was visibly anxious every time she left the castle. Fragile, but also though and stubborn. I never knew how many of her oddities had sprung from grief and how many from her own inherent nature. "There is not one blade of grass, there is no colour in this world that is not intended to make us rejoice," my mother told me once, shortly after arriving in England.
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Matt Haig (How to Stop Time)
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The voice came from the night all around him, in his head and out of it.
"What do you want?' it repeated.
He wondered if he dared to turn and look, realised he did not.
'Well? You come here every night, in a place where the living are not welcome. I have seen you.
Why?'
'I wanted to meet you,' he said, without looking around. 'I want to live for ever.' His voice cracked
as he said it.
He had stepped over the precipice. There was no going back. In his imagination, he could already
feel the prick of needle-sharp fangs in his neck, a sharp prelude to eternal life.
The sound began. It was low and sad, like the rushing of an underground river. It took him several
long seconds to recognise it as laughter.
'This is not life,' said the voice.
It said nothing more, and after a while the young man knew he was alone in the graveyard.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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Reminding me how fragile this life is and how easily it can be lost. Compelling me to live and to live well, while I still can.
Because sooner or later, we must all face eternity.
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Jessica Khoury (Origin (Corpus, #1))
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In Japanese culture, the significance of the cherry blossom tree dates back hundreds of years. The cherry blossom represents the fragility and magnificence of life. It’s a reminder of how beautiful life is, almost overwhelmingly so, but that it is also heartbreakingly short. As are relationships. Be wise. Let your heart lead the way. And when you find someone who’s worth it—never let them go.
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L.J. Shen (Vicious (Sinners of Saint, #1))
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When my parents were away, I would often be sent to spend the night in the house of an older lady who I didn’t know, and who didn’t seem to know me, either. (I assume it was a friendly neighbor or acquaintance, or at least hope it was.)
I hated it.
I remember the smell of the old leather photo frame containing a picture of my mum and dad that I would cling to in the strange bed. I was too young to understand that my parents would be coming back soon.
But it taught me another big lesson: Don’t leave your children if they don’t want you to.
Life, and their childhood, is so short and fragile.
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Bear Grylls (Mud, Sweat and Tears)
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There is a sweetness to the month of October and season fall in general that brings our attention homeward and inward. Could it be the trees going to sleep, cool dry temperatures that delight our morning or daylight hours slipping way causing our focus to converge on how short and fragile life really is. All these things conspire to usher in a season of reflection on relationships and the things that give our lives meaning. What a great loss to our human experience should we ignore or squander this the autumn of our lives. Embrace it, feel it, study it, it is indeed one of God’s great gifts to us.
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Michael Marcel, Sr.
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There are few situations in life which are more difficult to cope with than an adolescent son or daughter during the attempt to liberate themselves.” Raising teenagers is not for the fragile, and that’s true even when everything is going just as it should. Parents of teenagers need supportive partners and friends to prop them up when they feel that they just can’t take one more push-off. Knowing that you can serve as a reliable, safe base allows your daughter to venture out into the world; having the strength to stay in place when your daughter clings to and rejects you in short order usually requires the loving support of adult allies.
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Lisa Damour (Untangled: Guiding Teenage Girls Through the Seven Transitions into Adulthood)
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That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight.
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Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
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They were a fragile house of cards by an open window … and I was the breeze. I had to go. I wouldn’t get to say goodbye to Grace … I couldn’t go back. I’d lose my nerve. This punched me right in the heart, made me feel like I couldn’t breathe. My baby … I’d seen her for the last time and I didn’t even know it. I’d kissed her face and snuggled her and smelled her head and I didn’t savor it, I didn’t hold it in … She was more mine than she ever was Annabel’s. She’d always be mine, even when she didn’t remember a thing about me.
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Abby Jimenez (Life's Too Short (The Friend Zone, #3))
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And here I am, bravely risking the fallout of wounding your fragile, pudding-like soul—because real, forever friends don’t let each other wear ugly hats. I’ve wanted to say it for a month now, and I can bear it no longer. I know my witch is showing, but please take that thing off your head.
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Emm Cole (The Short Life of Sparrows)
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It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight.
”
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Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
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That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.
”
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Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
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That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully. I
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Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
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Fig trees interest me," he said. "They're like children: full of potential, but frighteningly vulnerable. Ignore a fig tree, neglect it, and its life will be short. It will die and never give fruit. But if you accept the fig's fragility and give it your full attention as it grows, you will have a tree that lasts for centuries and bears fruit beyond compare.
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Megan Morrison (Transformed: The Perils of the Frog Prince (Tyme #3))
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Of course, fairy tales are transmissible. You can catch them, or be infected by them. They are currency that we share with those who walked the world before ever we were here. (Telling stories to my children that I was, in my turn, told by my parents and grandparents makes me feel part of something special and odd, part of the continuous stream of life itself.)
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
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Commend me to them,
And tell them that, to ease them of their griefs,
Their fears of hostile strokes, their aches, losses,
Their pangs of love, with other incident throes
That nature's fragile vessel doth sustain
In life's uncertain voyage, I will some kindness do them:
I'll teach them to prevent wild Alcibiades' wrath.
First Senator
I like this well; he will return again.
TIMON
I have a tree, which grows here in my close,
That mine own use invites me to cut down,
And shortly must I fell it: tell my friends,
Tell Athens, in the sequence of degree
From high to low throughout, that whoso please
To stop affliction, let him take his haste,
Come hither, ere my tree hath felt the axe,
And hang himself. I pray you, do my greeting.
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William Shakespeare (Timon of Athens)
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Life is very precious to God. That's why He made it so fragile and so short."
"That make absolutely no sense."
"Yes, it does. He made it fragile so we would treasure it, just like He does. You're not nearly as careful with your cast-iron frying pans as you are with your good china, are you? God wanted life to be precious to us-so He made it as frail as fine china.
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Lynn Austin
“
I think the purest of souls, those with the most fragile of hearts, must be meant for a short life. They can't be tethered or held in your palm. Just like a sparrow, they light on your porch. Their song might be brief, but how greedy would we be to ask for more? No, you cannot keep a sparrow. You can only hope that as they fly away, they take a little bit of you with them.
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Emm Cole (The Short Life of Sparrows)
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She was my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight.
”
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Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
“
She was my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grade that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us that we must live. That life is fragile, yet in that fragility there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight.
”
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Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
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But we humans now represent a new and perhaps decisive factor. Our intelligence and our technology have given us the power to affect the climate. How will we use this power? Are we willing to tolerate ignorance and complacency in matters that affect the entire human family? Do we value short-term advantages above the welfare of the Earth? Or will we think on longer time scales, with concern for our children and our grandchildren, to understand and protect the complex life-support systems of our planet? The Earth is a tiny and fragile world. It needs to be cherished.
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Carl Sagan (Cosmos)
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In every way that counted, I was dead. Inside somewhere maybe I was screaming and weeping and howling like an animal, but that was another person deep inside, another person who had no access to the face and lips and mouth and head, so on the surface I just shrugged and smiled and kept moving. If I could have physically passed away, just let it all go, like that, without doing anything, stepped out of life as easily as walking through a door, I would have done. But I was going to sleep at night and waking in the morning, disappointed to be there and resigned to existence.
”
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.
”
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Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
“
She was my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can't last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures...capture moments. Live beautifully.
”
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Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
She was my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.
”
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Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
“
Here's the core problem we have with the Sermon on the Mount: it isn't that Jesus' teachings are absurd; it's that we don't see the world that Jesus sees. We see a world of injustice and anger and hatred and violence--a world where everything good is in short supply and life itself is fragile. But Jesus saw a world in which his father was in control, in which justice was guaranteed, in which goodness was breaking forth, and in which life itself is without end. And if you see that world through the lens of the gospel, then what Jesus tells us to do and how he informs us to live makes perfect sense.
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Skye Jethani (The Road We Must Travel: A Personal Guide for Your Journey)
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Let me summarise our delicate position in this universe: Our every word can be our last word; our every look can be our last look! Our every moment can be our last moment! Are we happy about this fragile situation? No! Are we going to deceive ourselves with some childish stories, in other words with religion? No! Then what are we going to do? We will change this desperate situation, we will strike this chaotic universe with human mind, with high intelligence, in short with science! Humanity’s ultimate objective is to reshape this dangerous universe so that no threat will ever remain for our existence!
”
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Mehmet Murat ildan
“
I am neither ill nor well. There is no need for you to say that all virtues are fragile to start with and acquire firmness and strength with time. I know too that those which toil to make a good impression, seeking high rank, for example, and a reputation for eloquence, and whatever depends on the approval of others, take time to mature – both those which offer real strength and those which are tricked out in some sort of dye aimed at popularity have to wait years until the passage of time gradually produces their colour. But I’m afraid that habit, which induces firmness in things, may drive this fault more deeply into me: long association brings love of evil as well as good.
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”
Seneca (On the Shortness of Life)
“
A few million years ago, when human beings first evolved on Earth, it was already a middle-aged world, 4.6 billion years along from the catastrophes and impetuosities of its youth. But we humans now represent a new and perhaps decisive factor. Our intelligence and our technology have given us the power to affect the climate. How will we use this power? Are we willing to tolerate ignorance and complacency in matters that affect the entire human family? Do we value short-term advantages above the welfare of the Earth? Or will we think on longer time scales, with concern for our children and our grandchildren, to understand and protect the complex life-support systems of our planet? The Earth is a tiny and fragile world. It needs to be cherished.
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Carl Sagan (Cosmos)
“
The usual short story cannot have a complex plot, but it often has a simple one resembling a chain with two or three links. The short short, however, doesn't as a rule have even that much - you don't speak of a chain when there's only one link. ...
Sometimes ... the short short appears to rest on nothing more than a fragile anecdote which the writer has managed to drape with a quantity of suggestion. A single incident, a mere anecdote - these form the spine of the short short.
Everything depends on intensity, one sweeping blow of perception. In the short short the writer gets no second chance. Either he strikes through at once or he's lost. And because it depends so heavily on this one sweeping blow, the short short often approaches the condition of a fable. When you read the two pieces by Tolstoy in this book, or I.L. Peretz's 'If Not Higher,' or Franz Kafka's 'The Hunter Gracchus,' you feel these writers are intent upon 'making a point' - but obliquely, not through mere statement. What they project is not the sort of impression of life we expect in most fiction, but something else: an impression of an idea of life. Or: a flicker in darkness, a slight cut of being. The shorter the piece of writing, the more abstract it may seem to us. In reading Paz's brilliant short short we feel we have brushed dangerously against the sheer arbitrariness of existence; in reading Peretz's, that we have been brought up against a moral reflection on the nature of goodness, though a reflection hard merely to state.
Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short. ...
Writers who do short shorts need to be especially bold. They stake everything on a stroke of inventiveness. Sometimes they have to be prepared to speak out directly, not so much in order to state a theme as to provide a jarring or complicating commentary. The voice of the writer brushes, so to say, against his flash of invention. And then, almost before it begins, the fiction is brought to a stark conclusion - abrupt, bleeding, exhausting. This conclusion need not complete the action; it has only to break it off decisively.
Here are a few examples of the writer speaking out directly. Paz: 'The universe is a vast system of signs.' Kafka in 'First Sorrow': The trapeze artist's 'social life was somewhat limited.' Paula Fox: 'We are starving here in our village. At last, we are at the center.' Babel's cossack cries out, 'You guys in specs have about as much pity for chaps like us as a cat for a mouse.' Such sentences serve as devices of economy, oblique cues. Cryptic and enigmatic, they sometimes replace action, dialogue and commentary, for none of which, as it happens, the short short has much room.
There's often a brilliant overfocussing.
("Introduction")
”
”
Irving Howe (Short Shorts)
“
The bust of the General was unquestionably the finest bust I ever saw. For your life you could not have found a fault with its wonderful proportion. This rare peculiarity set off to great advantage a pair of shoulders which would have called up a blush of conscious inferiority into the countenance of the marble Apollo. I have a passion for fine shoulders, and may say that I never beheld them in perfection before. The arms altogether were admirably modeled. Nor were the lower limbs less superb. These were, indeed, the ne plus ultra of good legs. Every connoisseur in such matters admitted the legs to be good. There was neither too much flesh, nor too little,—neither rudeness nor fragility. I could not imagine a more graceful curve than that of the os femoris, and there was just that due gentle prominence in the rear of the fibula which goes to the conformation of a properly proportioned calf. I wish to God my young and talented friend Chiponchipino, the sculptor, had but seen the legs of Brevet Brigadier General John A. B. C. Smith.
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Edgar Allan Poe (The Man that was Used Up - an Edgar Allan Poe Short Story)
“
Our time together is drawing short, my reader. Possibly you will view these
pages of mine as a fragile treasure box, to be opened with the utmost care.
Possibly you will tear them apart, or burn them: that often happens to words.
Perhaps you’ll be a student of history, in which case I hope you’ll make
something useful of me: a warts-and-all portrait, a definitive account of my life
and times, suitably footnoted; though if you don’t accuse me of bad faith I will
be astonished. Or, in fact, not astonished: I will be dead, and the dead are hard to
astonish.
I picture you as a young woman, bright, ambitious. You’ll be looking to make
a niche for yourself in whatever dim, echoing caverns of academia may still exist
by your time. I situate you at your desk, your hair tucked back behind your ears,
your nail polish chipped—for nail polish will have returned, it always does.
You’re frowning slightly, a habit that will increase as you age. I hover behind
you, peering over your shoulder: your muse, your unseen inspiration, urging you
on.
You’ll labour over this manuscript of mine, reading and rereading, picking nits
as you go, developing the fascinated but also bored hatred biographers so often
come to feel for their subjects. How can I have behaved so badly, so cruelly, so
stupidly? you will ask. You yourself would never have done such things! But
you yourself will never have had to.
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”
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
INVENTING ALADDIN” One thing that puzzles me (and I use puzzle here in the technical sense of really, really irritates me) is reading, as from time to time I have, learned academic books on folktales and fairy stories that explain why nobody wrote them and which go on to point out that looking for authorship of folktales is in itself a fallacy; the kind of books or articles that give the impression that all stories were stumbled upon or, at best, reshaped, and I think, Yes, but they all started somewhere, in someone’s head. Because stories start in minds—they aren’t artifacts or natural phenomena. One scholarly book I read explained that any fairy story in which a character falls asleep obviously began life as a dream that was recounted on waking by a primitive type unable to tell dreams from reality, and this was the starting point for our fairy stories—a theory which seemed filled with holes from the get-go, because stories, the kind that survive and are retold, have narrative logic, not dream logic. Stories are made up by people who make them up. If they work, they get retold. There’s the magic of it. Scheherazade as a narrator was a fiction, as was her sister and the murderous king they needed nightly to placate. The Arabian Nights are a fictional construct, assembled from a variety of places, and the story of Aladdin is itself a late tale, folded into the Nights by the French only a few hundred years ago. Which is another way of saying that when it began, it certainly didn’t begin as I describe. And yet.
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”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
Housman would not have appealed so deeply to the people who were young in 1920 if it had not been for another strain in him, and that was his blasphemous, antinomian, "cynical" strain. The fight that always occurs between the generations was exceptionally bitter at the end of the Great War; this was partly due to the war itself, and partly it was an indirect result of the Russian Revolution, but an intellectual struggle was in any case due at about that date. Owing probably to the ease and security of life in England, which even the war hardly disturbed, many people whose ideas were formed in the 'eighties or earlier had carried them quite unmodified into the nineteen-twenties. Meanwhile, so far as the younger generation was concerned, the official beliefs were dissolving like sand-castles. The slump in religious belief, for instance, was spectacular. For several years the old—young antagonism took on a quality of real hatred. What was left of the war generation had crept out of the massacre to find their elders still bellowing the slogans of 1914, and a slightly younger generation of boys were writhing under dirty-minded celibate schoolmasters. It was to these that Housman appealed, with his implied sexual revolt and his personal grievance against God. He was patriotic, it was true, but in a harmless old-fashioned way, to the tune of red coats and "God save the Queen" rather than steel helmets and "Hang the Kaiser." And he was satisfyingly anti-Christian—he stood for a kind of bitter, defiant paganism, a conviction that life is short and the gods are against you, which exactly fitted the prevailing mood of the young; and all in charming fragile verse that was composed almost entirely of words of one syllable.
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”
George Orwell (All Art is Propaganda: Critical Essays)
“
Can a reasonable man ever truly question the nobility of the heat engine he calls his body? What option does he have but to heap praise on his form, to self-adore, to admire, and to hold it up as the greatest statement of beauty in a beautiful garden? What, though, is to be admired in such a frighteningly fragile machine; a perilously needy contraption laced with kilometres of liquid and electrical conduits prone to leaks, rot, clogs, and short-circuits? What is there to be proud of in a machine that has an eight hour battery life and is predetermined to spend half its existence in a defenceless, catatonic coma? What is to be revered in a mechanism let loose in a sealed off room where almost everything—including its single source of light and warmth—makes it sick, but whose immune system functions by late entry crisis-response imitation? Where is the awe in a contrivance that freezes and dies if placed a little over here, or overheats and dies if placed a little over there? Where is the wonder in an instrument that is crushed to a pulp if dropped a little down there, or boiled away to nothing if lifted a little up there? Where is the marvel in an appliance where three-quarters of the planet’s surface will drown it, and three-quarters of the atmosphere will asphyxiate it? What is there to be cherished in a machine born innately greedy and so utterly useless that it has to wait three years for its neural networks to hook-up and come online before it even begins to get a hint of who or even what it is, and only then can it start to relearn absolutely everything its forebears had already bothered to learn? Where is the artistry in a thinking engine whose sweetest fuel can only be embezzled from other thinking engines?
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”
John Zande (The Owner of All Infernal Names: An Introductory Treatise on the Existence, Nature & Government of our Omnimalevolent Creator)
“
Poor child. Listen closely: Parent is no longer a noun—those days are done. Parent is now a verb, something you do ceaselessly. Think of the verb parent as synonymous with protect, shield, hover, deflect, fix, plan, and obsess. Parenting will require all of you; please parent with your mind, body, and soul. Parenting is your new religion, within which you will find salvation. This child is your savior. Convert or be damned. We will wait while you cancel all other life endeavors. Thank you. Now the goal of parenting is: Never allow anything difficult to happen to your child. To that end, she must win every competition she enters. (Here are your four hundred participation trophies, distribute accordingly.) She must feel that everyone likes and loves her and wants to be with her at all times. She must be constantly entertained and amused; every one of her days on Earth must be like Disneyland, but better. (If you go to actual Disneyland, get a fast pass because she should never be forced to wait. For anything, ever.) If other kids don’t want to play with her, call those kids’ parents, find out why, and insist they fix it. In public, walk in front of your child and shield her from any unhappy faces that might make her sad, and any happy faces that might make her feel left out. When she gets into trouble at school, call her teacher and explain loudly that your child does not make mistakes. Insist that the teacher apologize for her mistake. Do not ever, ever let a drop of rain fall upon your child’s fragile head. Raise this human without ever allowing her to feel a single uncomfortable human emotion. Give her a life without allowing life to happen to her. In short: Your life is over, and your new existence is about ensuring that her life never begins. Godspeed.
”
”
Glennon Doyle (Untamed)
“
How short life must be, if something so fragile can last a lifetime. —KAFKA
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”
Clive James (Cultural Amnesia: Necessary Memories from History and the Arts)
“
Umar, despite his strong character and impressive personality, had lost control of himself for a short while, his emotions seizing him so strongly that it brought out a heretofore unsuspected fragility, causing him to react like a child refusing the ruling of God, of reality, of life. By contrast, Abu Bakr, who was normally so sensitive, who wept so abundantly and so intensely when he read the Quran, had received the news of the Prophet’s death with deep sorrow but also with extraordinary calm and unsuspected inner strength. At that particular moment, the two men’s roles were inverted, thus showing that through his departure the Prophet offered us a final teaching: in the bright depths of spirituality, sensitivity can produce a degree of strength of being that nothing can disturb. Conversely, the strongest personality, if it forgets itself for a moment, can become vulnerable and fragile. The
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”
Tariq Ramadan (In the Footsteps of the Prophet: Lessons from the Life of Muhammad)
“
Life is too short and hearts are too fragile to be burdened down with deceit and lies.
”
”
Joel Thomas Hynes (Right Away Monday)
“
When we understand the fragility of life, we live consciously. People generally live as if they have all the time in the world. They don’t. They have the time of one lifetime, however long that will be. It’s not a lot. We don’t have enough time to procrastinate and waste large chunks of our lives. It is a valuable offering when we give our attention and love to anything in life. What we spend our time on will determine the course of our life. If we know that we are here for a short time, our choices will become more meaningful and satisfying. We don’t have to be told to be brave and follow our inner leanings when we are aware of our limited time. Who cares what other people think of us when we are busy living a brief life to the best of our ability? We will want to use it every day to better ourselves and the world we live in.
”
”
Donna Goddard (Writing: A Spiritual Voice (The Creative Spirit Series, #2))
“
But would they still be okay if I stuck around? If they had to watch me slowly decline like they watched Melanie? They wouldn’t. Because looking at me now was nothing but looking at the sun. They were a fragile house of cards by an open window…and I was the breeze. I had to go.
”
”
Abby Jimenez (Life's Too Short (The Friend Zone, #3))
“
Life is so short. We spend so much time sweating the small stuff: worrying, complaining, gossiping, comparing, wishing, wanting and waiting for something bigger and better instead of focusing on all the simple blessings that surround us every day. Life is so fragile and all it takes is a single moment to change everything you take for granted. Focus on what’s important and be grateful! You are blessed - believe it! Live your life and leave no regrets!
”
”
Melanie M. Koulouris
“
Now, Audrey, to me secret: while I have days that I struggle, some pretty terrible days, it mean that I also have stunning days. I weigh them both on the same side of the scale, lesson you taught. Life is short. Life is fragile. I shall grasp it with both hands and hang on, trying always to find the joy.
”
”
Camron Wright (In Times of Rain and War)
“
Out on his flank, a soldier whipped up his crossbow, cocked it with a jerk on a leather thong, took aim and let fly. The iron-tipped arrow whistled through the air and found its mark, straight between the shoulder blades of the retreating spy. The man dropped like a stone. A short scream became a cough, and the cough a torrent of blood on the sand.
”
”
Nicholas Monsarrat (The Kappillan of Malta)
“
It is triste to contemplate the winding down of the Universe into a cold, dark, lonely place, but we are a young species in a young Universe, with vast reaches of time before us. It is certainly true that there are countless worlds out there that could support life as we know it, and probably countless more that could support life as we don’t know it. It may be that the Universe is teeming with life waiting to make our acquaintance. Or, we may well be the first ones in our galaxy to make the leap to sentience. The vast distance between stars poses a severe barrier to individuals or even societies making the journey. Protoplasm is just too fragile and short-lived a medium to be up to the task of such voyaging. However, at a tenth the speed of light, the whole galaxy can be traversed in a million years. That’s a long time for protoplasm, but it is not a stretch to think of the data that makes us what we are—embodied perhaps in silicon or some other sturdy information-bearing material and reconstituted at destination—spreading throughout the galaxy, hopping from planet to planet along the way like Pacific Islanders in their canoes. If life—or complex life—is rare, it may well be our destiny to seed the Universe with an expanding wave of consciousness. But it is to be hoped that we will leave abundant worlds alone to develop their own destinies. There are worlds enough, and time.
”
”
Raymond T. Pierrehumbert (Planetary Systems: A Very Short Introduction (Very Short Introductions))
“
Life is fragile and love is precious, but our world is built around the idea that life is forever and love is expendable.
”
”
Oli Anderson (Personal Revolutions: A Short Course in Realness)
“
But it taught me another big lesson: Don’t leave your children if they don’t want you to. Life, and their childhood, is so short and fragile.
”
”
Bear Grylls (Mud, Sweat, and Tears: The Autobiography)
“
Fig trees interest me. They're like children: full of potential, but frighteningly vulnerable. Ignore a fig tree, neglect it, and its life will be short... But if you accept the fig's fragility and give it your full attention as it grows, you will have a tree that will last for centuries and bears fruit beyond compare. -Nexus Burdock--Transformed: The Perils of the Frog Prince
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”
Megan Morrison
“
You don’t get a restart, but that doesn’t mean you can’t make a change. Life is fragile, short, and you only get one.
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”
Ashley N. Rostek (Love Me (WITSEC, #3))
“
This is your only life, and it is short. Surround yourself with people who love you.
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”
Sara Barnard (Fierce Fragile Hearts (Beautiful Broken Things, #2))
“
Life is fragile, short, and you only get one. So if you want to quit the swim team, then quit. Your brothers will understand, I will understand, and more importantly, your dad would understand if he were here.” His eyes became watery, and I knew my words were reaching him.
”
”
Ashley N. Rostek (Love Me (WITSEC, #3))
“
How random and fragile life can be. We don’t talk about the fragility of life: how everything can be normal one moment, and completely changed the next. We have no words, no language, no capacity to face this, together or as individuals. Because we don’t talk about it, when we most need love and support, there’s nothing to be found. What is available falls far short of what we need.
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Megan Devine (It's OK That You're Not OK: Meeting Grief and Loss in a Culture That Doesn't Understand)
“
Felix, who is now awake and is on the rigging again, signals to Ingrid that she should climb up on the opposite side, he wants to show her something. […]. Felix points down behind her, Ingrid turns and stares down into the crystalline depths and sees whales, three gigantic finback whales frolicking around the boat, all bigger than the Salthammer, as well as a slightly smaller fourth whale, blue planets twisting and turning, as smoothly and soundlessly as birds in the air. […]. And Ingrid's gaze caresses these wonderful creatures, six of them now, she feels the boat rise and hover, the chilling sensation and the tears, for she will never see this again, life is too short, she knows this, as she also knows that she won't be able to keep anything for ever, nothing. She sees the disaster before it strikes, she sees the end of all things, life's fragility.
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”
Roy Jacobsen (Bare en mor (Ingrid Barrøy, #4))
“
Life is short. We spend so much time sweating the small stuff; worrying, complaining, gossiping, comparing, wishing, wanting and waiting for something bigger and better instead of focusing on all the simple blessings that surround us every day. Life is so fragile and all it takes is a single moment to change everything you take for granted. Focus on what’s important and be grateful! You are blessed! Believe it! Live your life and leave no regrets.
”
”
Melanie Koulouris
“
In Japanese culture, the significance of the cherry blossom tree dates back hundreds of years. The cherry blossom represents the fragility and magnificence of life. Its a reminder of how beautiful life is, almost overwhelmingly so, but that is also heartbreakingly short. As are relationships. Be wise. Let your heart lead the way. And when you find someone who's worth it--never let them go.
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L.J. Shen (Vicious (Sinners of Saint, #1))
“
And humans could be so careless with lives, even other human lives, despite how short they were. They were careless with their own lives at times, letting them slip away almost without noticing, while they waited for … something. For some ideal moment that never arrived, or could never be returned to, or some distant goal they were so busy running toward that they missed all the beautiful and fragile and heroic life they passed on the way.
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Kim M. Watt (Bonfire of the Calamities (Beaufort Scales, #8))
“
In Japanese culture, the significance of the cherry blossom tree dates back hundreds of years. The cherry blossom represents the fragility and magnificence of life. It’s a reminder of how beautiful life is, almost overwhelmingly so, but that it is also heartbreakingly short. As are relationships. Be wise. Let your heart lead the way. And when you find someone who’s worth it—never let them go.
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L.J. Shen (Vicious (Sinners of Saint, #1))
“
She hugged him and kissed his hair. “Life is so precious because it’s short,” she said. “Even the most resilient people are fragile. Life isn’t about dying or not dying. It’s about living well, George. Living so you can be proud and happy.” Georgie hunched his shoulders. “I’m ready,” he said. “I just want to see them all. For the last time.
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Ilona Andrews (On the Edge (The Edge, #1))
“
Then it hit me. Poppy, Poppymin, she was the cherry blossom. She was my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.
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Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
“
More than any other of my siblings or relatives, the bond that developed between my maternal grandfather and I, from the day I was born, was the strongest. My grandfather would go on to pass in a few brief short years, and it was through his passing that I experienced firsthand at a very early age the impermanent quality and fragility of our lives. This would serve as a constant reminder to treat others with a bit more care and concern later in my life.
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VD.
“
More than any other of my siblings or relatives, the bond that developed between my maternal grandfather and I, from the day I was born, was the strongest. It was from his passing after a few brief short years that I experienced at a very early age firsthand the impermanent quality and fragility of our lives. This would serve as a constant reminder to treat others with a bit more care and concern later in my life.
”
”
VD.
“
From the day I was born, more than any other of my siblings or relatives, the bond that developed between my maternal grandfather and I was the strongest. It was from his passing at a very early age after a few brief short years that I experienced firsthand the impermanent quality and fragility of our lives. This would serve as a constant reminder to treat others with a bit more care and concern later in my life.
”
”
VD.
“
I think,” he said slowly, “that you should marry a man who would appreciate you.” She made a face. “Those are in short supply.” He smiled. “You don’t need a supply. You just need one.” He grasped Poppy’s shoulder, his hand curving over the illusion-trimmed sleeve of her gown until she felt its warmth through the fragile gauze. His thumb toyed with the filmy edge of fabric, brushing her skin in a way that made her stomach tighten. “Poppy,” he said gently, “what if I asked for permission to court you?” She went blank as astonishment swept through her. Finally, someone had asked to court her. And it wasn’t Michael, or any of the diffident, superior aristocrats she had met during three failed seasons. It was Harry Rutledge, an elusive and enigmatic man she had known only a matter of days. “Why me?” was all she could manage. “Because you’re interesting and beautiful. Because saying your name makes me smile. Most of all because this may be my only hope of ever having hotchpotch.” “I’m sorry, but . . . no. It wouldn’t be a good idea at all.” “I think it’s the best idea I’ve ever had. Why can’t we?” Poppy’s mind was spinning. She could hardly stammer out a reply. “I-I don’t like courtship. It’s very stressful. And disappointing.” His thumb found the soft ridge of her collarbone and traced it slowly. “It’s arguable that you’ve ever had a real courtship. But if it pleases you, we’ll dispense with it altogether. That would save time.” “I don’t want to dispense with it,” Poppy said, increasingly flustered. She trembled as she felt his fingertips glide along the side of her neck. “What I mean is . . . Mr. Rutledge, I’ve just been through a very difficult experience. This is too soon.” “You were courted by a boy, who had to do as he was told.” His hot breath feathered against her lips as he whispered, “You should try it with a man, who needs no one’s permission.” A man. Well, he certainly was that. “I don’t have the luxury of waiting,” Harry continued. “Not when you’re so hell-bent on going back to Hampshire. You’re the reason I’m here tonight, Poppy. Believe me, I wouldn’t have come otherwise.” “You don’t like balls?” “I do. But the ones I attend are given by a far different crowd.” Poppy couldn’t imagine what crowd he was referring to, or what kind of people he usually associated with. Harry Rutledge was too much of a mystery. Too experienced, too overwhelming in every way. He could never offer the quiet, ordinary, sane life she longed for. “Mr. Rutledge, please don’t take this as an affront, but you don’t have the qualities I seek in a husband.” “How do you know? I have some excellent qualities you haven’t even seen yet.
”
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Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
Her armor appears fragile –
a delicate shell of silk and perfume.
Life's troubles seem to find each chink.
But try to touch that smooth shield
and you will see it crumble in your hands.
As the dust dissipates, you find she is gone.
”
”
R.L. Martinez (Wild Horses Don't Stop at Whoa: Poems and Stories)
“
If she could take my strength. He put his hand on his chest, feeling his heartbeat. If she could have some of my heart's strength. I'd give years of my life, Lord, if she could use them." He looked at her peaceful face, again looking at her beating pulse. Life seemed so fragile to him. She had become, in such a short time, infinitely precious to him. "A daughter of God. Your daughter, Lord. My wife.
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Jan Holly (Marriage by Mail (Grace Church #1))
“
I thought I at least understood what that story meant-that life was fragile and short, but maybe knowing this helped us appreciate it more.
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Ali Standish (August Isle)
“
There are the days when you feel fragile, as if you were made of glass and could shatter at any moment. And finally, when you think you will never smile with pure happiness again, acceptance comes. You will recognize its arrival by the awakening of emotions that you’ve held at bay for so long. Suddenly, you will find yourself hoping to meet someone with whom to share the rest of your life. And if you’re lucky enough to find that person, I say to you, pursue it with all your might. Don’t be afraid. Don’t let obstacles deter you. If it’s worth having, it’s worth fighting for. Life is short. Don’t let the past keep you from reaching out to grab the future. Believe that it is possible to love with your whole heart again, and to be loved in return. No matter the cost. Peace and Blessings. That
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Liv Constantine (The Wife Stalker)
“
We are beginning to see the unfolding plan of God. Jesus is going to gather around him a core group of people who will continue his work after his departure. Jesus will preach only for a short time, about three years, in a small land. Yet his message is for the whole world and for all the ages to come. What is important for him is to form the hearts of a few disciples who will travel, as poor pilgrims, throughout the world, to announce and communicate his message of love and forgiveness. These few disciples will break down the barriers that separate people and cultures from one another and so bring peace. Many young people today, like these first disciples of Jesus, are disillusioned by our rich societies. They are looking for an ideal, a vision that gives meaning to their lives. They search, but what do they find? A world where material success has become the most important thing in life. Many seek to break through the competition and rivalry, greed and corruption that they see and hear everywhere. They are often shocked by the way our beautiful, fragile earth is treated and depressed by the continuing armed conflicts. Some slip into a world of drugs, searching for an experience that takes them away for a few moments from our rigidly structured society. They hope to find relief from the pain of despair, to taste the “infinite” and forget the harshness of our world.
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”
Jean Vanier (Drawn into the Mystery of Jesus through the Gospel of John)
“
Life is fragile. You are here today and gone tomorrow. When days pass, you are merely a memory, rotting in a cemetery. That's how it is.
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”
Jaka Tomc (You Only Die Once: A Short Story)
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To that end, she must win every competition she enters. (Here are your four hundred participation trophies, distribute accordingly.) She must feel that everyone likes and loves her and wants to be with her at all times. She must be constantly entertained and amused; every one of her days on Earth must be like Disneyland, but better. (If you go to actual Disneyland, get a fast pass because she should never be forced to wait. For anything, ever.) If other kids don’t want to play with her, call those kids’ parents, find out why, and insist they fix it. In public, walk in front of your child and shield her from any unhappy faces that might make her sad, and any happy faces that might make her feel left out. When she gets into trouble at school, call her teacher and explain loudly that your child does not make mistakes. Insist that the teacher apologize for her mistake. Do not ever, ever let a drop of rain fall upon your child’s fragile head. Raise this human without ever allowing her to feel a single uncomfortable human emotion. Give her a life without allowing life to happen to her. In short: Your life is over, and your new existence is about ensuring that her life never begins. Godspeed. We got a terrible memo. Our terrible memo is why we feel exhausted, neurotic, and guilty. Our terrible memo is also why our kids suck. They do, they just suck. Because people who do not suck are people who have failed, dusted themselves off, and tried again. People who do not suck are people who have been hurt, so they have empathy for others who are hurt. People who do not suck are those who have learned from their own mistakes by dealing with the consequences. People who do not suck are people who have learned how to win with humility and how to lose with dignity. Our memo has led us to steal from our children the one thing that will allow them to become strong people: struggle.
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Glennon Doyle (Untamed)
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Suppose you and Pa were gone, and we were lost. Suppose we were inside of Lord of the Flies What would happen then?
I wonder what my sister, who understand books better than life, would say if she were confronted with a question like this one. She's so good at explaining books and their meanings, beyond the obvious. Maybe she'd say that all those books and stories devoted to adult-less children – books like Peter Pan, The Adventures of Huckleberry Finn, that short story by García Márquez, "Light is Like Water," and of course Lord of the Flies – are nothing but desperate attempts by adults to come to terms with childhood. That although they may seem to be stories about children's worlds – worlds without adults – they are in fact stories about children's worlds – worlds without adults – they are in fact stores about an adult's world when there are children in it, about the way that children's imaginations destabilize our adult sense of reality and force us to question the very grounds of that reality. The more time one spends surrounded by children, disconnected by other adults, the more their imaginations leak through the cracks of our own fragile structures.
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Valeria Luiselli (Lost Children Archive)