Circus Of Wonders Quotes

He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself. And he is not in the position to do any rescuing of his own.

I cannot let a place that is so important to so many people fade away. Something that is wonder and comfort and mystery all together that they have nowhere else. If you had that, wouldn't you want to keep it?

I want people, when they realize they have been wrong about the world, to feel not embarrassment, but that childlike sense of wonder, inspiration, and curiosity that I remember from the circus, and that I still get every time I discover I have been wrong: “Wow, how is that even possible?

Who am I? And how I wonder, will this story end? . . . My life? It is'nt easy to explain. It has not been the rip-roaring spectacular I fancied it woulf be, but neither have I burrowed around with the gophers. i suppose it has most resembled a bluechip stock: fairly stable, more ups and downs, and gradually tending over time. A good buy, a lucky buy, and I've learned that not everyone can say this about his life. But do not be misled. I am nothing special; of this I am sure. I am common man with common thought and I've led a common life. There are no monuments dedicated to me, and my name will soon be forgotten, but I've loved another with all my heart and soul, and to me, this has always been enough. The romantics would call this a love story, the cynics would call it a tragedy. In my mind, it's a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that involves a great deal of my life and the path I've chosen to follow. I have no complaints about the places it has taken me, enough complaints to fill a circus tent about other thins, maybe, but the path I've chosen has always been the right one, and I would'nt have had it any other way. Time, unfortunatley, does'nt make it easy to stay on course. The path is straight as ever, but now it is strewn with the rocks and gravel that accumulated over a lifetime . . . There is always a moment right before I begin to read the story when my mind churns, and I wonder, will it happen today? I don't know, for I never know beforehand, and deep down it really doesn't matter. It's the possibility that keeps me going, not the guarantee, a sort of wager on my part. And though you may call me a dreamer or a fool or any other thing, I believe that anything is possible. I realize that odds, and science, are againts me. But science is not the answer; this I know, this I have learned in my lifetime. And that leaves me with the belief that miracles, no matter how inexplicable or unbelievable, are real and can occur without regard to the natural order of things. So once again, just as I do ecery day, I begin to read the notebook aloud, so that she can hear it, in the hope that the miracle, that has come to dominate my life will once again prevail. And maybe, just maybe, it will.

The Romans always wanted bread and circuses-food and entertainement! As we destroy their city, I will offer them both. Behold, a sample!" Someething dropped from the ceiling and landed at Percy's feet: a loaf of sandwich bread in a white plastic wrapper with red and yellow dots. Percy picked it up. "Wonder bread?" "Magnificent, isn't it?" Ephialtes eyes danced with crazy excitement.

Wise men have regarded the earth as a tragedy, a farce, even an illusionist's trick; but all, if they are truly wise, and not merely intellectual rapists, recognize that it is certainly some kind of stage in which we all play roles, most of us being very poorly coached and totally unrehearsed before the curtain rises. Is it too much if I ask, tentatively, that we agree to look upon it as a circus, a touring carnival wandering about the sun for a record season of four billion years and producing new monsters and miracles, hoaxes and bloody mishaps, wonders and blunders, but never quite entertaining the customers well enough to prevent them from leaving, one by one, and returning to their homes for a long and bored winter's sleep under the dust?

Hello, my sister, Libby, also your daughter, is snogging a potato in my bed. What are you going to do about it?' Dad started yelling uncontrollably. I wonder if he is having the male menopause? If he starts growing breasts, I will definitely be running away with the circus.

I have been surrounded by love letters you two have built each other for years, encased in tents. It reminds me of what it was to be with her. It is wonderful and it is terrible. I am not yet prepared to give it up, but you are letting it fade.

She looks wonderful, but she doesn't look right.

He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves.

Because sometimes the Church seems like those posed circus tableaus where the curtain lifts and men, white, zinc-oxide, talcum-powder statues, freeze to represent abstract Beauty. Very wonderful. But I hope there will always be room for me to dart about among the statues, don't you, Father Stone?

This is what the girls felt, she thinks, those seized by pedlars in the lanes. Pinned down like moths, like squids on rocks. This is the fight women have always fought, their soft bodies turned to battlegrounds, slim bones crushed beneath the solid weight of men.

He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself. And he is not in the position to do any rescuing of his own. During the hours spent watching the sheep as they wander aimlessly around their fields, he even wishes that someone would come and take him away, but wishes on sheep appear to work to better than wishes on stars.

He didn’t want to be this thin man whose desires were barely covered by skin, standing absolutely still. But everytime he moved there was another place to go, and everytime sadness would arrive with its wonderful cocoon not even that would last.

Matilda said nothing. She simply sat there admiring the wonderful effect of her own handiwork. Mr Wormwood’s fine crop of black hair was now a dirty silver, the colour this time of a tightrope-walker’s tights that had not been washed for the entire circus season.

I had never seen her this way before, and I wondered why until I realized it was the tattoo; I saw, finally, there was magic at work here that was darker and deeper than I had imagined, that the tattoo was like putting a pair of spectacles on a child with poor vision. I stared up at the camp hill, my heart in my throat, and wondered what everything would look like, now that I could see.

He was one of those persons whom one loves not because of some lustrous streak of talent (this retired businessman possessed none), but because every moment spent with them fits exactly the gauge of one's life. There are friendships like circuses, waterfalls, libraries; there are others comparable to old dressing gowns. You found nothing especially attractive about Maximov's mind if you took it apart: his ideas were conservative, his tastes undistinguished: but somehow or other these dull components formed a wonderfully comfortable and harmonious whole.

Wine is bottled poetry, he thinks [...] He wonders if the poem of the circus could possibly be bottled.

... a wolf cannot stop being a wolf, instinct cannot be suppressed ...

He wonders if everyone else feels as immortal as he does. He has too many thoughts, too many ideas, too many ambitions merely to die.

No matter what people said they wanted (Real estate! Stocks! Bonds!), their actions always spoke louder. People wanted an escape. They wanted entertainment, a place where they could revel in wonder and forget about the drudgery of everyday life.

Trump wonders why we can’t have more people coming from places like Norway? Why would they come? They live better there. Europeans come to America like you go to the circus to see the fucking animals. That’s why. You come to shop, take a picture where Brad Pitt slept, and to see the fucking animals. It’s a tour. You’re not coming to live here.

wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself. And he is not in the position to do any rescuing of his own.

All history is fiction.

I want to climb up the blank blue dome as a man would storm the inside of a circus tent, wildly, dangling, and with a steel knife claw a rent in the top, peep, and, if I must, fall.

Mr. Kadam, something’s been bothering me.” He teased, “Only one thing?” I laughed. “For now. I’ve been wondering, did you ever really ask Mr. Davis to come with you to take care of Ren? I mean, what would you have done if he’d said yes and I’d said no?” “I did ask him, just to keep up appearances, but I also suggested subtly to Mr. Maurizio that it might be in his best interest to persuade Mr. Davis not to go. In fact, I offered him more money if he would insist Mr. Davis stay with the circus. As far as what to do if you had turned us down, I suppose we would have had to make you a better offer and keep trying until we found one you couldn’t refuse.” “What if I still said no? Would you have kidnapped me?” Mr. Kadam laughed. “No. If our offer had still been turned down, my next step would have been to tell you the truth and hope you believed me.” “Whew, that’s a relief.” “Then I would have kidnapped you.” He chuckled at his joke and turned his attention back to our dinner. “That’s not very funny, Mr. Kadam.” “I couldn’t resist. Sorry, Miss Kelsey.

Every element of the circus blends together in a wonderful coalescence. Acts that have been training in separate countries on separate continents now perform in adjacent tents, each part melding seamlessly into a whole. Each costume, each gesture, each sign on each tent is more perfect than the last.

Not everyone in my industry is supportive of the way I run my funeral home. Some believe a dead body must be embalmed to be safe (untrue) and that a body should be handled only by licensed professionals (also untrue). The dissenters imagine that younger, progressive morticians are “starting to make our profession look like a joke” and wonder if “circus is the right word for what funeral service is becoming.

Mr. Galliano wore his big top-hat very much on one side of his head, so much so that Jimmy really wondered why it didn't fall off. ‘When Galliano wears his hat on one side the circus is taking lots of money,’ said Lotta to him. ‘But when you see him wearing it straight up, then you know things are going badly. He gets into a bad temper then, and I hide under the caravan when I see him coming. I've never seen his hat so much on one side before!’ Jimmy thought that circus ways were very extraordinary. Even hats seemed to share in the excitement!

He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself...During the hours spent watching the sheep as they wander aimlessly around their fields, he even wishes that someone would come and take him away, but wishes on sheep appear to work no better than wishes on stars.

Welcome, welcome to Caraval! The grandest show on land or by sea. Inside you’ll experience more wonders than most people see in a lifetime. You can sip magic from a cup and buy dreams in a bottle. But before you fully enter into our world, you must remember it’s all a game. What happens beyond this gate may frighten or excite you, but don’t let any of it trick you. We will try to convince you it’s real, but all of it is a performance. A world built of make-believe. So while we want you to get swept away, be careful of being swept too far away. Dreams that come true can be beautiful, but they can also turn into nightmares when people won’t wake up.

Government as we now know it in the USA and other economically advanced countries is so manifestly horrifying, so corrupt, counterproductive, and outright vicious, that one might well wonder how it continues to enjoy so much popular legitimacy and to be perceived so widely as not only tolerable but indispensable. The answer, in overwhelming part, may be reduced to a two-part formula: bribes and bamboozlement (classically "bread and circuses"). Under the former rubric falls the vast array of government "benefits" and goodies of all sorts, from corporate subsidies and privileges to professional grants and contracts to welfare payments and health care for low-income people and other members of the lumpenproletariat. Under the latter rubric fall such measures as the government schools, the government's lapdog news media, and the government's collaboration with the producers of professional sporting events and Hollywood films. Seen as a semi-integrated whole, these measures give current governments a strong hold on the public's allegiance and instill in the masses and the elites alike a deep fear of anything that seriously threatens the status quo.

It may not seem funny now, because it’s happening to us, but centuries from this moment, people will laugh in wonder.

He sinks back. Easier not to strive, to feel only the ratchet of tiny, dry breaths. He reaches out his hand, grips only air.

The truth of his story had been snipped about, suppressed, until he began to wonder if he had imagined the entire incident, and his whole life might never cast a single ripple.

Jasper has turned her life into his own, his pen distorting her truth. She feels like a pulled flower, its roots severed.

He aches to think she has lived before him, that she exists apart from him.

Circus has always made him believe that anything is possible. But he knows, too, that it is illusion, that life does not share its boldness, its neat stories.

Mejor volar y caer que permanecer encerrado.

Todo era un circo. El circo era la vida, el deseo magnificados.

Perhaps that, too, is why they love her. She flies like Icarus, and they are waiting for her to fall.

But first, he thinks, he should get a mulled cider. It does not take him long to find the proper vendor in the courtyard. He pays for his cup, the steaming concoction contained in black-and-white marbled swirls, and wonders for a moment before his first sip if it won’t taste as good as he remembers. He has recalled that taste countless times in his head, and despite the wealth of apples in the area, no cider with or without spices has ever tasted as good. He hesitates before taking the tiniest of sips. It tastes even better than he remembers.

Papa had once told me that as every man grows the layers of mysticism and wonder peel away like an onion until all that's left is the hardened center on which you must swallow or choke.

I cannot let a place that is so important to so many people fade away. Something that is wonder and comfort and mystery all together that they have nowhere else. If you had that, wouldn’t you want to keep it?

Tomorrow will be like today, and the day after tomorrow will be like day before yesterday," said Apollonius. "I see your remaining days each as quiet, tedious collections of hours. You will not travel anywhere. You will think no new thoughts. You will experience no new passions. Older you will become but not wiser. Stiffer but not more dignified. Childless you are, and childless you shall remain. Of that suppleness you once commanded in your youth, of that strange simplicity which once attracted a few men to you, neither endures, nor shall you recapture any of them anymore. People will talk to you and visit with you out of sentiment or pity, not because you have anything to offer them. Have you ever seen an old cornstalk turning brown, dying, but refusing to fall over, upon which stray birds alight now and then, hardly remarking what it is they perch on? That is you. I cannot fathom your place in life's economy. A living thing should either create or destroy according to its capacity and caprice, but you, you do neither. You only live on dreaming of the nice things you would like to have happen to you but which never happen; and you wonder vaguely why the young lives about you which you occasionally chide for a fancied impropriety never listen to you and seem to flee at your approach. When you die you will be buried and forgotten and that is all. The morticians will enclose you in a worm-proof casket, thus sealing even unto eternity the clay of your uselessness. And for all the good or evil, creation or destruction, that your living might have accomplished, you might just as well has never lived at all. I cannot see the purpose in such a life. I can see in it only vulgar, shocking waste.

A momentum builds in him, an unsettling thought that he could not be without her, that his life meant nothing before she arrived in it. He shuts his eyes to close it off; he hates her for how cleanly she has undone him.

It is a different sensation than watching the stars while lying in a field, something Bailey has done many times. There are no trees creeping into the edges, and the gentle swaying of the carriage makes him feel almost weightless. And it is incredibly quiet. As the carriage moves along in what seems to be a circular pattern, Bailey can hear nothing but a soft creak and the sound of Poppet breathing next to him. It is as though the entire circus has faded away into the darkness. He glances over at Poppet, who is looking at him instead of the sky. She gives him a grin and then turns away. Bailey wonders if he should ask if she sees anything in the stars.

I cannot let a place that is so important to so many people fade away. Something that is wonder and comfort and mystery all together that they have nowhere else. If you had that, wouldn’t you want to keep it?" “I have that whenever I’m with you.

A crowd of men stood in front of them. Of all ages, with expressions of sex-wonder in their eyes, gazing curiously as men who cannot solve a mystery that populates graveyards and through the ages has sent poets, popes, kings and fools to the junk heap.

He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself.

The Tower is not a sacred monument, and no taboo can forbid a commonplace life to develop there, but there can be no question, nonetheless, of a trivial phenomenon here; the installation of a restaurant on the Tower, for instance ... The Eiffel Tower is a comfortable object, and moreover, it is in this that it its an object wither very old (analogous, for instance, to the Circus) or very modern (analogous to certain American institutions such as the drive-in movie, in which one can simultaneously enjoy the film, the car, the food, and the freshness of the night air). Further, by affording its visitor a whole polyphony of pleasures, from technological wonder to haute cuisine, including the panorama, the Tower ultimately reunites with the essential function of all major human sites: autarchy; the Tower can live on itself: one can dream there, eat there, observe there, understand there, marvel there, shop there, as on an ocean liner (another mythic object that sets children dreaming), one can feel oneself cut off from the world and yet the owner of a world.

Anyone who speaks Latin (gets egged by the populace for being a nerd) must have wondered from the start if Panem was a reference to the Roman people’s reported liking for bread and circuses—for instant gratification that would distract them from the harsher realities of life.

When Tsukiko speaks, she addresses them both. “I have been surrounded by love letters you two have built each other for years, encased in tents. It reminds me of what it was to be with her. It is wonderful and it is terrible. I am not yet prepared to give it up, but you are letting it fade.

Even at such a tender age, I knew that life is lived in leftovers, account ledgers, and timetables rather than in the Platonic sphere of perfect theory. I couldn't float sylphlike around Love Hall in the flowing robes of indeterminacy for the rest of my life, however much I wished there to be no change. I had to accept my responsibilities and, at least in the eyes of the world and at least for the time being, nail my colors to a mast. Unless I wished to appear a strange wonder for the rest of time, caked in circus makeup covering the truth inches beneath, the mast would be male.

I love the circus. I love the mystery, and the wonder, and the way every act transports my soul into another dimension. I love the way it makes me feel as if the world is in reverse and upside down all at once--like there's starlight beneath my feet and the ocean above my head, and every impossible dream can come true with a single whisper.

She steadies herself on the wagon, remembers how she used to stand on the furthest tip of the cliffs and watch the sea sucking the rocks below her. Charlie would plead with her to step back, not to be so foolish. She kicked earth over the edge and watched it tumble down, until the urge to fall was almost greater than the urge to stand still.

Physical deprivation and hunger are one thing; the poverty of the mind and psyche is quite another. Crashing Costco to find bulk beans and rice is not the same as flash-mobbing for Air Jordans and iPhones. How odd that our cultural elite and our dependent poor are somewhat alike, in a symbiotic relationship in which the latter guilt-trip the former for entitlements, with the assurance that the top of the pyramid is safe and free to fritter about far from those they worry about. No wonder those in between who lack the romance of the poor and the privileges and power of the elite are shrinking. We are entering the age of the bread-and-circuses Coliseum: luxury box seats for the fleshy senatorial class, free food and tickets for the rest—and the shrinking middle out in the sand of the arena providing the entertainment.

I was amused and somewhat astonished at a critic a few years back who wrote an article analyzing Dandelion Wine plus the more realistic works of Sinclair Lewis, wondering how I could have been born and raised in Waukegan, which I renamed Green Town for my novel, and not noticed how ugly the harbor was and how depressing the coal docks and railyards down below the town. But, of course, I had noticed them and, genetic enchanter that I was, was fascinated by their beauty. Trains and boxcars and the smell of coal and fire are not ugly to children. Ugliness is a concept that we happen on later and become selfconscious about. Counting boxcars is a prime activity of boys. Their elders fret and fume and jeer at the train that holds them up, but boys happily count and cry the names of the cars as they pass from far places. And again, that supposedly ugly railyard was where carnivals and circuses arrived with elephants who washed the brick pavements with mighty steaming acid waters at five in the dark morning. As for the coal from the docks, I went down in my basement every autumn to await the arrival of the truck and its metal chute, which clanged down and released a ton of beauteous meteors that fell out of far space into my cellar and threatened to bury me beneath dark treasures. In other words, if your boy is a poet, horse manure can only mean flowers to him; which is, of course, what horse manure has always been about.

It is these aficionados, these rêveurs, who see the details in the bigger picture of the circus. They see the nuance of the costumes, the intricacy of the signs. They buy sugar flowers and do not eat them, wrapping them in paper instead and carefully bringing them home. They are enthusiasts, devotees. Addicts. Something about the circus stirs their souls, and they ache for it when it is absent. They seek each other out, these people of such specific like mind. They tell of how they found the circus, how those first few steps were like magic. Like stepping into a fairy tale under a curtain of stars. They pontificate upon the fluffiness of the popcorn, the sweetness of the chocolate. They spend hours discussing the quality of the light, the heat of the bonfire. They sit over their drinks smiling like children and they relish being surrounded by kindred spirits, if only for an evening. When they depart, they shake hands and embrace like old friends, even if they have only just met, and as they go their separate ways they feel less alone than they had before.

Lena?" He glanced at the dictionary. "Are you 'pleased, contented, joyful, delighted'? Do you feel 'Lucky, fortunate'? Are things 'clever and fitting,' 'successful and suitable' for you?" Lena stopped slicing vegetables and closed her eyes. "Read me the list again, please," she said. He shut the book. "What have I done, you got to stop and think an hour before you can tell me. All I ask is a simple yes or no! You're not contented, delighted, joyful?" "Cows are contented, babies and old people in second childhood are delighted, God help them," she said. "As for 'joyful,' Lee? Look how I laugh scrubbing out the sink . . ." He peered closely at her and his face relaxed. "Lena, it's true. A man doesn't appreciate. Next month, maybe, we'll get away." "I'm not complaining!" she cried. "I'm not the one comes in with a list saying/stick out your tongue. Lee, do you ask what makes your heart beat all night? No! Next will you ask, What's marriage? Who knows, Lee? Don't ask. A man who thinks like that, how it runs, how things work, falls off the trapeze in the circus, chokes wondering how the muscles work in the throat. Eat, sleep, breathe, Lee, and stop staring at me like I'm something new in the house!

He looked like a circus acrobat who had been reassigned to bedpans and taken to them like a duck to water. He didn't miss a beat while they talked and his military bed-making was hypnotic to watch (...) He stripped beds, bundled dirty sheets, shook out fresh ones and then wound mattresses in them as neat and as tight as if he ws working in the gift-wrap department of the Great Pyramid at Giza. M. wondered how the hell the old folk managed to fight their way between the top and bottoms sheets every night, and had a mental image of residents spending years shivering above the covers, too frail to gain entry to their won beds.

At Circus of The Wonder, only young women—just the girl acrobats, of a certain age—were trained to be skywalkers (The Wonders themselves). This was also on purpose, and entirely Ignacio’s doing. The lion tamer liked young women; he thought that prepubescent girls were the best skywalkers. Ignacio believed that if you were in the audience, you wanted to be worried about the girls falling, not thinking about them sexually; once women were old enough for you to have sexual thoughts about them—well, at least in the lion tamer’s opinion, you weren’t so worried about them dying if you could imagine having sex with them. Naturally,

I believe you have my umbrella," he says, almost out of breath but wearing a grin that has too much wolf in it to be properly sheepish. Celia stares up at him in surprise. At first she wonders what on earth Chandresh's assistant is doing in Prauge, as she has never seen him outside London. Then comes the question of how he could possess such an umbrella. As she stairs at him, confused, the pieces of the puzzle begin to shift together. She remembers every encounter she had with the man now standing before her in the rain, recalling the distress he had exhibited at her audition, the years of glances and comments she had read as no more than coy flirtation. And the constant impression as though he is not really there, blending so well into the background that she would occasionally forget he was in the room.

I suddenly felt, well, terribly old as I watched a mudskipper hopping along with what now seemed to me like a wonderful sense of hopeless, boundless naïve optimism. I hoped that if its descendant was sitting here on this beach in 350 million years' time with a camera around its neck, it would feel that the journey had been worth it. I hoped that it might have a clearer understanding of itself in relation to the world it lived in. I hoped that it wouldn't be reduced to turning other creatures into horror circus shows in order to try and ensure them their survival. I hoped that if someone tried to feed the remote descendant of a goat to the remote descendant of a dragon for the sake of a little more than a shudder of entertainment, that it would feel it was wrong. I hoped it wouldn't be too chicken to say so.

went off, without waiting for serving men, and unsaddled my horse, and washed such portions of his ribs and his spine as projected through his hide, and when I came back, behold five stately circus tents were up—tents that were brilliant, within, with blue, and gold, and crimson, and all manner of splendid adornment! I was speechless. Then they brought eight little iron bedsteads, and set them up in the tents; they put a soft mattress and pillows and good blankets and two snow-white sheets on each bed. Next, they rigged a table about the centre-pole, and on it placed pewter pitchers, basins, soap, and the whitest of towels—one set for each man; they pointed to pockets in the tent, and said we could put our small trifles in them for convenience, and if we needed pins or such things, they were sticking every where. Then came the finishing touch—they spread carpets on the floor! I simply said, "If you call this camping out, all right—but it isn't the style I am used to; my little baggage that I brought along is at a discount." It grew dark, and they put candles on the tables—candles set in bright, new, brazen candlesticks. And soon the bell—a genuine, simon-pure bell—rang, and we were invited to "the saloon." I had thought before that we had a tent or so too many, but now here was one, at least, provided for; it was to be used for nothing but an eating-saloon. Like the others, it was high enough for a family of giraffes to live in, and was very handsome and clean and bright-colored within. It was a gem of a place. A table for eight, and eight canvas chairs; a table-cloth and napkins whose whiteness and whose fineness laughed to scorn the things we were used to in the great excursion steamer; knives and forks, soup-plates, dinner-plates—every thing, in the handsomest kind of style. It was wonderful! And they call this camping out. Those stately fellows in baggy trowsers and turbaned fezzes brought in a dinner which consisted of roast mutton, roast chicken, roast goose, potatoes, bread, tea, pudding, apples, and delicious grapes; the viands were better cooked than any we had eaten for weeks, and the table made a finer appearance, with its large German silver candlesticks and other finery, than any table we had sat down to for a good while, and yet that polite dragoman, Abraham, came bowing in and apologizing for the whole affair, on account of the unavoidable confusion of getting under way for a very long trip, and promising to do a great deal better in future! It is midnight, now, and we break camp at six in the morning. They call this camping out. At this rate it is a glorious privilege to be a pilgrim to the Holy Land.

We didn’t know what to do. It was as though we were being hunted. Steve went off to the back block of the zoo to try to get his head around everything that had been happening. He built a fire and gazed into it. I didn’t have to think about it. I knew beyond certainty that the most important part of Steve’s life was his family. His children meant everything to him. All of a sudden, my wonderful, sharing, protective husband was being condemned. His crime was sharing wildlife experiences with Robert, exactly as he had done for the last five and a half years with Bindi. The media circus escalated. Helicopters hovered over the zoo, trying to snag any glimpse of the crazy Irwin family. Steve erected shade cloth around our yard for privacy. We soon realized we couldn’t go anywhere. There would be no visits to the zoo, no answering the phone, no doing croc shows. The criticism and the spin continued. I stood by Steve’s side and watched his heart break. I couldn’t believe the mean-spirited, petty, awful people in the world. Editors manipulated film footage, trying to make the croc look bigger or closer to Robert than it actually was. What possible end could that serve? I have seen Tasmanian devils battle over a carcass. I have seen lionesses crowding a kill, dingoes on the trail of a feral piglet, an adult croc thrashing its prey to pieces. But never, in all the animal world, have I witnessed anything to match the casual cruelty of the human being. It was about to get worse. We stepped off a very dark cliff indeed.

And there were breasts absolutely everywhere — hoisted high in push-up bras, tamed and contoured under tight tops in T-shirt bras, firm and unfettered inside tiny dresses. And nearly all paired with minuscule bottoms and tiny taut waists. . . . was having a fabulous pair of breasts a prerequisite in this city? Do they hand them out at Oxford Circus?

She knelt and began gathering up the dirty cups, plates, and silverware she’d dropped with the tray. The movements of her hands were quick and jerky, but she went still when she saw a pair of scuffed black boots come to a stop directly in front of her, and her temper swelled anew. These rascals had been harassing her with their exuberant mischief all morning, and she was through turning the other cheek. She rose slowly to her feet and sighed as she felt the pins in her once-tidy hair give way, sending the silver-gold tresses tumbling down over her shoulders. Crows of amusement rose all around her as she set her hands on her hips and raised her chin. The eyes that gazed down at her were just the color of maple sugar and shadowed by the brim of a dusty blue field hat banded in gold braid. A gloved hand reached up to remove the hat, revealing a thatch of golden-brown hair. “On behalf of the United States Army, ma’am,” a deep voice said with barely contained amusement, “I’d like to apologize for these men.” Lily reminded herself that the soldiers from nearby Fort Deveraux kept the hotel dining room in business, and that without them she wouldn’t have a job. Nevertheless, she was near the end of her patience. “They would seem to be boys,” she answered pointedly, “rather than men.” The barb brought a chorus of howls, whistles, and cries of mock despair. The man looking down at Lily—a major, judging by his insignia—grinned rather insolently, showing teeth as white as the keys on a new piano. “They’ve been on patrol for two weeks, ma’am,” he explained with elaborate cordiality, apparently choosing to ignore her comment on their collective bad manners. Something about the curve of his lips made Lily feel as though the room had done a half spin. She reached out to steady herself by gripping the back of a chair. “I fail to see how that gives them the right to behave like circus gorillas.” The major’s grin intensified, half blinding Lily. “Of course, you’re right,” he said. Every word that came out of his mouth was congenial. So why did she feel that he was making fun of her? Lily found herself looking at the button-down panel on the front of his shirt and wondering about the chest beneath it. Was it as broad and muscled as it appeared, covered in a downy mass of maple hair? With a toss of her head she shook off the unwelcome thought and knelt to finish gathering the crockery.

The irony, of course, is that when America finally wrested control of the political process from the backroom oligarchs, the very first place where we spent our newfound freedom and power was on the campaign of the world’s most unapologetic asshole. It may not seem funny now, because it’s happening to us, but centuries from this moment, people will laugh in wonder. America is ceasing to be a nation, and turning into a giant television show. And this Republican race is our first and most brutal casting call.

The Grand Illusion "No one can create an illusion for you but you, and no one can free you from an illusion but you." John-Roger, DSS When I was on a trip to the USSR back in 1988 with J-R our group went to a Russian "Circus". I was anticipating lions and trapeze and tight rope walkers. What we saw there was much different than that, we saw a hypnotist. It was a huge arena that was filled to the gills and our group had our earphones in listening to the show through our group translator. As the "mesmerizer" hypnotized the entire hall he called out people to come down to the stage. Some in our group went down. Zombies alive!! I believe the translator was hypnotized as well. It was wild. I thought of this today thinking how we are in a world of illusion. The world that we "see" seems solid and firm but is made up of mostly space and vibration. We have hypnotized ourselves into believing we are victims or we are helpless, or we are stuck or fearful. It's like a strongman believing he is weak. Superman has touched Kryptonite. The kryptonite is our misbeliefs. We believe we are in a limited world and we are the victims of that world. In truth, we are part of God. We create our reality. We are powerful. You create, promote, or allow everything in your life. “The breezes at dawn have secrets to tell you Don't go back to sleep! You must ask for what you really want. Don't go back to sleep! People are going back and forth across the doorsill where the two worlds touch, The door is round and open Don't go back to sleep!” -Rumi Wake up to the wonder. LLS Richard Powell Essence-into-form.com

Victor Volcano (Sonnet for Haters) Haters keep yelling slurs, Then wonder and despond, Why do I always keep quite, Why do I never respond! I am not a slave you bought, At an arabian slave market. I am not your domestic pet, To exist for your amazement. I ain't no circus or zoo animal, To sit 'n bear slurs, you fool. My name is Victor Volcano, You're safe, so long as I'm cool. That's why I keep quite 'n walk away. If I ever retaliate, haters will fade away.

I wonder about the gorillas, too. I bet they hate it — feel acute terror and rage — when they wake up covered in something constraining which they cannot possibly understand. Do the game wardens mercifully knock them out again with another tranquilizer dart, and gently remove the disgraceful circus costumes? Or do the gorillas themselves tear the damned weird stuff off their bodies just as soon as they wake? Or do some of them simply wander off, not quite able to cope, like you or me after a bad drunk? In that case, how many tragic gorillas in clown suits might wander the Ugandan jungle this very day?

General Sherman praised the shows as "wonderfully realistic and historically reminiscent." Reviews and the show's own publicity always stressed its "realism." There is no doubt it was more realistic, visually and in essence, than any of the competing Wild Wests. There were four other Wild West shows that year: Adam Forepaugh had one, Dr. A. W. Carver another; there was a third called Fargo's Wild West and one known as Hennessey's Wild West. Cody criticized all their claims and their use of the words "Wild West." He had copyrighted the term according to an act of Congress on December 22, 1883, and registered a typescript at the Library of Congress on June 1, 1885. The copyright title read: The Wild West or Life among the Red Man and the Road Agents of the Plains and Prairies-An Equine Dramatic Exposition on Grass or Under Canvas, of the Adventures of Frontiersmen and Cowboys. Additional copy was headed BUFFALO BILL'S "WILD WEST" PRAIRIE EXHIBITION AND ROCKY MOUNTAIN SHOW, A DRAMATIC-EQUESTRIAN EXPOSITION OF LIFE ON THE PLAINS, WITH ACCOMPANYING MONOLOGUE AND INCIDENTAL MUSIC THE WHOLE INVENTED AND ARRANGED BY W.F. CODY W.F. CODY AND N. SALSBURY, PROPRIETORS AND MANAGERS WHO HEREBY CLAIM AS THEIR SPECIAL PROPERTY THE VARIOUS EFFECTS INTRODUCED IN THE PUBLIC PERFORMANCES OF BUFFALO BILL'S "WILD WEST" Although the show's first year under enlarged and reorganized management had not been a financial success, at least one good thing had come from it. Also showing in New Orleans that winter had been the Sells Brothers Circus. One of its performers who had wandered over to visit the Wild West lot was Annie Oakley. The story of Annie Oakley's life was so much in the American grain that it might have come from the pen of Horatio Alger Jr., the minister turned best-selling author, who chronicled the fictional lives of poor boys who made good. Ragged Dick: or, Street Life in New York, Ragged Tom, and Luck Moses then married Dan Brumbaugh, who died in an accident shortly afterward, leaving another daughter. When she was seven, Annie frequently fed the family with quail she had caught in homemade traps, much as young Will Cody had trapped small game. In an interview she once said: "I was eight years old when I made my first shot, and I still consider it one of the best shots I ever

I always wonder why birds stay in the same place when they can fly anywhere on the earth. Then I ask myself the same question. –HARUN YAHYA

Guilt is a wonderful motivator.

Earth, demon realm, I don't give a shit where. I always have your back." His brows furrowed. "Did you really think otherwise?" "No, but sometimes I feel like I'm living in this crazy big top, riding on the back of an elephant while spinning plates and juggling balls. And I look out at you, the one person in the audience who I always find, who I always make sure is there, and I wonder if today is the day when you'll tire of the circus.

Lennon was – whether by luck, accident or perceptive foresight – at the forefront of the psychedelic era’s passion for rose-tinted introspection, which channelled the likes of children’s literature, Victorian fairgrounds and circuses, and an innocent sense of wonder. McCartney, too, moved with the times when writing his children’s singalong Yellow Submarine. Among the hippie era’s other moments of nostalgia were Pink Floyd’s Bike and The Gnome from their debut album Piper At The Gates Of Dawn, recorded at EMI Studios as the Beatles worked on Sgt Pepper’s Lonely Hearts Club Band; Jefferson Airplane’s White Rabbit, laid down in 1966 but released in the same month as Sgt Pepper, and which drew from Lewis Carroll’s Alice stories just as Lennon did; and many more, from Tiny Tim’s Tiptoe Through The Tulips to Traffic’s psychedelic fantasy Hole In My Shoe. The Beatles continued writing songs evoking childhood to the end of their days. Sgt Pepper – itself a loose concept album harking back to earlier, more innocent times – referenced Lewis Carroll (Lucy In The Sky With Diamonds), youthful anticipation of old age (When I’m Sixty-Four), a stroll down memory lane (Good Morning Good Morning), and the sensory barrage of a circus big top extravaganza (Being For The Benefit Of Mr Kite!). It was followed by Magical Mystery Tour and Yellow Submarine, two films firmly pitched at the widest possible audience. A splendid time was, indeed, guaranteed for all.

Oppressions are linked. We cannot free human beings without freeing cows, sows, and hens along with women and men who are systematically oppressed by those in power. Rather than seek to fight our way up the patriarchal ladder, those working for social justice need to dismantle hierarchies, and cease to exploit all those who are less powerful—even if we must give up a few culinary favorites in the process. (Those who have taken up a plantbased diet for any measure of time never want for fabulous foods. From my experience, people who discover the vast array of wonderful plant-based foods that are readily available in most of our communities never look back.) Each of us decides, over the course of our daily lives, whether we will ignore the suffering of nonhuman animals who are caught in laboratories, veal crates, circuses, and slaughterhouses, or choose to invest in compassionate, healthy alternatives . . . . We choose where our money goes, and in the process, we choose whether to boycott cruelty and support change, or melt ambiguously back into the masses.

The Earwood family was special to me then. They are still special to me now. I suppose that we all have those too-brief relationships, where we can’t help but think back and wonder how much different it might have been if the timeline of our lives had run more parallel instead heading off into a hundred different directions like the rails in that train yard. But that doesn’t make me any less thankful for the one spot where they intersected.

A person dies... Disappears into thin air... But people keep on doing things casually as though nothing has happened. TV, radio, newspaper, internet -- everywhere the only discussion should be on who we are and where we have come from? Instead people are busy doing circus. It should make you wonder whether people around you are real or just shadows that are putting on a show to stop you from knowing truth.

There is endless potential to contribute towards making this life's experiences more joyful and wonderful for everyone including oneself.

He doesn’t meet my eyes when he speaks. I wonder if he too feels like there’s no way to make any of this right. We’re in this together. Bonnie and Clyde. He’s with me to the bitter end. However near that is.

Fine. We’ll get the shark shifter some clothes and head out. It will be a wonderful trip. Me, my girlfriend, the shark shifter she has a crush on, and the magical circus performer who can somehow join her magic with that of my girlfriend to create big pink walls. What could possibly go wrong?

want people, when they realize they have been wrong about the world, to feel not embarrassment, but that childlike sense of wonder, inspiration, and curiosity that I remember from the circus, and that I still get every time I discover I have been wrong: “Wow, how is that even possible?

I have agreed to walk with my mother late in the day but I’ve come uptown early to wander by myself, feel the sun, take in the streets, be in the world without the interceding interpretations of a companion as voluble as she. At Seventy-third Street I turn off Lexington and head for the Whitney, wanting a last look at a visiting collection. As I approach the museum some German Expressionist drawings in a gallery window catch my eye. I walk through the door, turn to the wall nearest me, and come face to face with two large Nolde watercolors, the famous flowers. I’ve looked often at Nolde’s flowers, but now it’s as though I am seeing them for the first time: that hot lush diffusion of his outlined, I suddenly realize, in intent. I see the burning quality of Nolde’s intention, the serious patience with which the flowers absorb him, the clear, stubborn concentration of the artist on his subject. I see it. And I think, It’s the concentration that gives the work its power. The space inside me enlarges. That rectangle of light and air inside, where thought clarifies and language grows and response is made intelligent, that famous space surrounded by loneliness, anxiety, self-pity, it opens wide as I look at Nolde’s flowers. In the museum lobby I stop at the permanent exhibit of Alexander Calder’s circus. As usual, a crowd is gathered, laughing and gaping at the wonderfulness of Calder’s sighing, weeping, triumphing bits of cloth and wire. Beside me stand two women. I look at their faces and I dismiss them: middle-aged Midwestern blondes, blue-eyed and moony. Then one of them says, “It’s like second childhood,” and the other one replies tartly, “Better than anyone’s first.” I’m startled, pleasured, embarrassed. I think, What a damn fool you are to cut yourself off with your stupid amazement that she could have said that. Again, I feel the space inside widen unexpectedly. That space. It begins in the middle of my forehead and ends in the middle of my groin. It is, variously, as wide as my body, as narrow as a slit in a fortress wall. On days when thought flows freely or better yet clarifies with effort, it expands gloriously. On days when anxiety and self-pity crowd in, it shrinks, how fast it shrinks! When the space is wide and I occupy it fully, I taste the air, feel the light. I breathe evenly and slowly. I am peaceful and excited, beyond influence or threat. Nothing can touch me. I’m safe. I’m free. I’m thinking. When I lose the battle to think, the boundaries narrow, the air is polluted, the light clouds over. All is vapor and fog, and I have trouble breathing. Today is promising, tremendously promising. Wherever I go, whatever I see, whatever my eye or ear touches, the space radiates expansion. I want to think. No, I mean today I really want to think. The desire announced itself with the word “concentration.” I go to meet my mother. I’m flying. Flying! I want to give her some of this shiningness bursting in me, siphon into her my immense happiness at being alive. Just because she is my oldest intimate and at this moment I love everybody, even her.

I knew why I was claustrophobic, all right. But knowing why didn't make it go away. I wondered what it would be like to see the dark blue sky above us not as heavy drapes of cloth, the top of a circus tent, but as an infinite expanse. As everybody else saw it.

Hans was never good at giving proper answers. He always had different answers in his head, odd answers, answers that his teachers and his parents and his grandmother and even his crazy grandfather seemed to think were wrong. But they weren't wrong answers, they were just his answers. He wondered suddenly what the Ice Maiden would do if he gave her a wrong answer. And, thinking this, he found he couldn't open his mouth at all.

Jesus H Christ," Hank gasped as he took in the deadly circus descending on us. "And then some," I muttered. "Wait. What does the H stand for?" "What?" "I mean, I've always wondered. It must stand for something because everyone uses the same initial." "Um… Henry?" Hank guessed. "Nice try, Henry James Wilson." I laughed. "I was thinking it might stand for Hesus." "So his name is Jesus Hesus?" Hank asked, confused.

My feeding habits are like that of a trained circus animal: every time I do a trick, I get a reward.

What do you remember? he asked Maurice. I was circus ape, Maurice said. I did tricks. I did tricks, Koba said. Not for circus. For little pictures. Not understand. Koba tried to explain. After a while, Maurice scratched his head. We had little screens in our prison, he said. Had small humans. Sometimes apes. Maybe I saw you. Why did they do this? Koba wondered. Make us do tricks for them, wear clothes? Humans think apes funny when they act like stupid humans, Maurice explained. Why? Koba asked. It took so long for Maurice to answer that Koba thought that he had refused to do so, or had forgotten the question, perhaps lost in a reverie of his own. But finally the orangutan lifted his hands. I think maybe they hate themselves, he said.