Circus Family Quotes

Prospero the Enchanter's immediate reaction upon meeting his daughter is a simple declaration of: "Well, fuck.

Esse quam videri," Celia says. "To be, rather than to seem.

God put Santa Claus on earth to remind us that Christmas is 'sposed to be a happy time.

Oh, I used to lie all the time as a kid." I didn't think of it as lying, though. I thought of it as playing make-believe. I told Kitty she was adopted and her real family was in a traveling circus. It's why she took up gymnastics.

Life's a bitch and then you keep on fucking living.

For life today in America is based on the premise of ever-widening circles of contact and communication. It involves not only family demands, but community demands, national demands, international demands on the good citizen, through social and cultural pressures, through newspapers, magazines, radio programs, political drives, charitable appeals, and so on. My mind reels in it, What a circus act we women perform every day of our lives. It puts the trapeze artist to shame. Look at us. We run a tight rope daily, balancing a pile of books on the head. Baby-carriage, parasol, kitchen chair, still under control. Steady now!

The classic definition of slapstick runs along the line of, "Funny is someone else ramming his face repeatedly into a brick wall.

The circus is a jealous wench. Indeed that is an understatement. She is a ravening hag who sucks your vitality as a vampire drinks blood – who kills the brightest stars in her crown and will allow no private life for those who serve her; wrecking their homes, ruining their bodies, and destroying the happiness of their loved ones by her insatiable demands. She is all of these things, and yet, I love her as I love nothing else on earth.

At cocktail parties, I played the part of a successful businessman's wife to perfection. I smiled, I made polite chit-chat, and I dressed the part. Denial and rationalization were two of my most effective tools in working my way through our social obligations. I believed that playing the roles of wife and mother were the least I could do to help support Tom's career. During the day, I was a puzzle with innumerable pieces. One piece made my family a nourishing breakfast. Another piece ferried the kids to school and to soccer practice. A third piece managed to trip to the grocery store. There was also a piece that wanted to sleep for eighteen hours a day and the piece that woke up shaking from yet another nightmare. And there was the piece that attended business functions and actually fooled people into thinking I might have something constructive to offer. I was a circus performer traversing the tightwire, and I could fall off into a vortex devoid of reality at any moment. There was, and had been for a very long time, an intense sense of despair. A self-deprecating voice inside told me I had no chance of getting better. I lived in an emotional black hole. p20-21, talking about dissociative identity disorder (formerly multiple personality disorder).

When someone makes a Family Circus reference and everyone on the room laughs, I'm in the wrong room.

I didn't think of it as lying. I thought of it as playing make-believe. I told Kitty she was adopted and her real family was in a travelling circus. It's why she took up gymnastics

To write competently is to do a few magic tricks for friends and family; to write well is to run away and join the circus.

In the evening a strange thing happened: the twenty families became one family, the Children were the children of all. The loss of home became one loss, and the golden time in the West was one dream. And it might be that a sick child threw despair into the hearts of twenty families, of a hundred people; that a birth there in a tent kept a hundred people quiet and awestruck trough the night and filled a hundred people with the birth-joy in the morning...Every night a world created, complete with furniture- friends made and enemies established; a world complete with braggarts and with cowards, with quiet men, with humble men, with kindly men. Every night relationships that make a world, established; and every morning the world torn down like a circus.

At the college where I teach, I'm surrounded by circus people. We aren't tightrope walkers or acrobats. We don't breathe fire or swallow swords. We're gypsies, moving wherever there's work to be found. Our scrapbooks and photo albums bear witness to our vagabond lives: college years, grad-school years, instructor-mill years, first-job years. In between each stage is a picture of old friends helping to fill a truck with boxes and furniture. We pitch our tents, and that place becomes home for a while. We make families from colleagues and students, lovers and neighbors. And when that place is no longer working, we don't just make do. We move on to the place that's next. No place is home. Every place is home. Home is our stuff. As much as I love the Cumberland Valley at twilight, I probably won't live there forever, and this doesn't really scare me. That's how I know I'm circus people.

Bitter flavours were all his palate knew. Once

Remember back in forty-four when someone killed that pet parrot of yours? What was his name, Reynold? You know, the only friend you ever had? That was me, George. I fucked it to death then fed it to Goshy.

But I've found the truest form of love," he tells me. "It's two loves that can live in harmony." He looks down at me. I stare up at him. My heart on an ascent. "The circus and you," he whispers, "amour amour.

The dominant way we deal with death in our culture is religious. And our religious culture deals with death by pretending it isn’t real. Religion deals with death by pretending it isn’t permanent; by pretending that the loss of the ones we love is just like a long vacation apart; by pretending that our dead loved ones are still hanging around somehow, like the dead grandparents in a “Family Circus” cartoon; by pretending that our own death is just a one-way trip to a different place. Our religious culture deals with death by putting it on the back burner, by encouraging people to stick their fingers in their ears and yell, “I can’t hear you, I can’t hear you, I can’t hear you!

That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality. That's all. And neither for the first hour nor for the first day will you be able to grasp anything else. Except that in your desperation the fake circus moon will blink at you: "It's a mistake! They'll set things right!" And everything which is by now comprised in the traditional, even literary, image of an arrest will pile up and take shape, not in your own disordered memory, but in what your family and your neighbors in your apartment remember: The sharp nighttime ring or the rude knock at the door. The insolent entrance of the unwiped jackboots of the unsleeping State Security operatives. The frightened and cowed civilian witness at their backs. (And what function does this civilian witness serve? The victim doesn't even dare think about it and the operatives don't remember, but that's what the regulations call for, and so he has to sit there all night long and sign in the morning. 1 For the witness, jerked from his bed, it is torture too—to go out night after night to help arrest his own neighbors and acquaintances.

It seemed to him the world was a carnival, and that we’ve all got a free ticket. And all shows get their curtain call. Eventually.

A company commander,’ said Dicky Umfraville, when we met later that year, ‘needs the qualifications of a ringmaster in a first-class circus, and a nanny in a large family.

No one bends further than someone made of completely straight lines. The

He tells himself that it is not a bad life. That there is nothing wrong with being a farmer. But still, the discontent remains. Even the ground beneath his feet feels unsatisfying to his boots.

Beneath Jamie's attempt to live a rational life where all was clearly marked and set in order, there was a wellspring of eccentric behaviour waiting to be tapped, which Jamie seemed instinctively at pains to keep from spilling over. It looked to be a daily battle. And the more fight he put up, the more impressive the results when the guy either temporarily cracked, or permanently bent. No one bends further than someone made of completely straight lines.

...'Mister Bobo says he thinks it might have been a weasel.' 'Mister Bobo?' 'The man in the top flat. Mister Bobo. Fine old circus family I believe. Romanian or Slovenian or Livonian, or one of those countries. Bless me, I can never remember them any more.' It had never occurred to Coraline that the crazy old man upstairs actually had a name, she realised. If she'd known his name was Mr. Bobo she would have said it every chance she got. How often do you get to say a name like 'Mister Bobo' aloud?

His kind of courage was boundless, though, and he would not have turned away a person in need, whether a star performer or a simple laborer or a child such as Theo with no skills at all. It was not about the circus or family connections, but human decency. Herr

there was this one family in Sarasota that was even identical. people couldn't tell who the father was, the mother was, the son was. they were all so happy that it didn't matter who they were. eventually a circus bought them and charged admission for people to see them in their natural happy habitat. spectators would come from all across the state to see them eat dinner together, watch the same channels together, talk to each other at length. People called them freaks not because they were identical, but because they were so damn happy.

Life was far from perfect. The circus celebrated that. And while some believed that is only mocked it, Pippa knew better. She knew deeper. She knew, in her soul, that they found communion under the circus banner. And they would rescue each other, because that's what family did.

Wanting All Husband, it's fine the way your mind performs Like a circus, sharp As a sword somebody has To swallow, rough as a bear, Complicated as a family of jugglers, Brave as a sequined trapeze Artist, the only boy I ever met Who could beat me in argument Was why I married you, isn't it, And you have beaten me, I've beaten you, We are old polished hands. Or was it your body, I forget, maybe I foresaw the thousands on thousands Of times we have made love Together, mostly meat And potatoes love, but sometimes Higher than wine, Better than medicine. How lately you bite, you baby, How angels record and number Each gesture, and sketch Our spinal columns like professionals. Husband, it's fine how we cook Dinners together while drinking, How we get drunk, how We gossip, work at our desks, dig in the garden, Go to the movies, tell The children to clear the bloody table, How we fit like puzzle pieces. The mind and body satisfy Like windows and furniture in a house. The windows are large, the furniture solid. What more do I want then, why Do I prowl the basement, why Do I reach for your inside Self as you shut it Like a trunkful of treasures? Wait, I cry, as the lid slams on my fingers.

Americans live no longer in homes, but in theaters. The members of many families hardly know each other, and the face of some popular TV star is to many wives as familiar as that of their husbands. Let no one smile. Rather should we weep at the portent. It will do no good to wrap ourselves in the Stars and Stripes for protection. No nation can long endure whose people have sold themselves for bread and circuses.

You’ve spent your career inside this elite brotherhood, this family, playing the game alongside everybody else when suddenly—whoosh, you’re flushed into a world of shit, labeled “doper” in headlines, deprived of your income, and—here’s the worst part—everybody in the brotherhood pretends that you never existed. You realize you’ve been sacrificed to keep the circus going; you’re the reason they can pretend they’re clean.

Poets may be the “unacknowledged legislators” but I don’t know if we’re that important. My fear overwhelms me at times; I gave you my fear, a withered gift. You are the true poet of the family. You gave me the cry of a baby in its mother’s arms, cotton candy at the circus, John Cage exhibits at the museum, lying under the light of the full moon. You gave me Fellini films and old Romances, a glass of Burgandy in a darkened restaurant where lovers cling to hope of passion and contentment. You gave me hope and love, but most of all, you gave me poetry.

Douglas’s work. And the first time Mrs. Caperdeen showed us a slide from his series Aspects of Negro Life, I knew the kind of art I wanted to start making. And so I did. The only difference was that I framed mine in a circle, like The Family Circus. And that’s why I needed Ma to make sure she brought me my sketch pad and pencils. I woke up early, and before doing anything else, before getting up and having a morning pee, or brushing my teeth, or spirometering, I turned the TV on, muted it, then grabbed my stuff and starting sketching on a fresh page. I wasn’t sure what I was drawing. That’s not true. I knew exactly what I was drawing. The only thing I could. I was

A socialist member from Glasgow, John McGovern, delivered the most pointed attack of the day, going so far as to criticize Churchill’s practice of visiting bombed cities. He said, “When we have got to the stage when the Prime Minister has to parade himself through every bombed area in the country, and has to sit on the back of a wagonette waving his hat on a stick like a ‘Doodles’ at the circus—well, it has come to a very sad state of affairs when representatives of the Government are not so sure of the opinions of the people of the country.” McGovern professed to have no confidence in the war or the government, adding, “And, while I have a tremendous admiration for the oratorical powers of the Prime Minister, who can almost make you believe that black is white, I have no faith in his achieving anything of lasting benefit to humanity.

were good friends. They’d maintained their friendship after Ted was out of the game. Both of them were avid fishermen, but they both had different ideas about it. They would hassle on technique, and neither would give in to the other.” Wallace Lawrimore vividly remembered the April 6, 1939, game in Florence between the Red Sox and the Reds. “Daddy carried two carloads of family to the game. We all went up to the dugout to tell Cronin we wanted some passes to get in. I got a program from that day, with all the players’ autographs.” The one ball field Florence had was deemed unsuitable for a major-league game because the fences were too short, so it was decided to build a field from scratch at the local fairgrounds. They laid down a coating of dirt for the infield and put up some circus-style bleachers for the 2,285 spectators who showed up, but when it came time for the game, gale-force winds blowing out toward left field drove the dirt everywhere, and conditions made the game virtually unplayable. It was called in the ninth inning, with the score tied 18–18, because they ran out of baseballs. Ted went 1–2 before leaving the game in the third inning after complaining of chills and a fever. Several days later, Gerry Moore of the Globe summed up spring training

IN THE SMALL Ohio town where I grew up, many homes had parlors that contained pianos, sideboards, and sofas, heavy objects signifying gentility. These pianos were rarely tuned. They went flat in summer around the Fourth of July and sharp in winter at Christmas. Ours was a Story and Clark. On its music stand were copies of Stephen Foster and Ethelbert Nevin favorites, along with one Chopin prelude that my mother would practice for twenty minutes every three years. She had no patience, but since she thought Ohio—all of it, every scrap—made sense, she was happy and did not need to practice anything. Happiness is not infectious, but somehow her happiness infected my father, a pharmacist, and then spread through the rest of the household. My whole family was obstinately cheerful. I think of my two sisters, my brother, and my parents as having artificial, pasted-on smiles, like circus clowns. They apparently thought cheer and good Christian words were universals, respected everywhere. The pianos were part of this cheer. They played for celebrations and moments of pleasant pain. Or rather, someone played them, but not too well, since excellent playing would have been faintly antisocial. “Chopin,” my mother said, shaking her head as she stumbled through the prelude. “Why is he famous?

The next morning, I went over to pick them up. I’d spent the night thinking of more things I should tell them--everything about Chris I thought they needed to know. It was all too much. “I don’t know how to tell you everything,” I confessed to Bradley as he got into the car. I started to cry. “There’s so many things and we have such a short amount of time.” “Just being here is all we need,” he said. “I’m not an impersonator. I’m just here to feel Chris’s life--I feel him here with me right now.” Bradley put me at ease and I calmed down. Back at the house, he and Clint became almost like family. Little bits of their personality came out as well--and I saw a glimmer of Clint’s famous Dirty Harry character later on in the day when I had to leave to go to Bubba’s basketball game. They’d talked about coming with me--which frankly would have created an impossible circus. But I did give them the option. As they stood trying to make up their minds, I snapped into anxious mom mode. “All right,” I told them both. “You’re welcome to come. But if you’re coming, we’re leaving now.” I guess my tone was a little too strident. “So you want to get tough with me, huh, lady?” said Clint in his best Dirty Harry voice as he raised his eyebrow. It’s amazing how threatening a simple facial tic can be. I left them home to study some of Chris’s replica guns and gear. Our own already had its ample share of lawmen.

Saturday is birthday cake day. During the week, the panadería is all strong coffee and pan dulce. But on weekends, it's sprinkle cookies and pink cake. By ten or eleven this morning, we'll get the first rush of mothers picking up yellow boxes in between buying balloons and paper streamers. In the back kitchen, my father hums along with the radio as he shapes the pastry rounds of ojos de buey, the centers giving off the smell of orange and coconut. It may be so early the birds haven't even started up yet, but with enough of my mother's coffee and Mariachi Los Camperos, my father is as awake as if it were afternoon. While he fills the bakery cases, my mother does the delicate work of hollowing out the piñata cakes, and when her back is turned, I rake my fingers through the sprinkle canisters. During open hours, most of my work is filling bakery boxes and ringing up customers (when it's busy) or washing dishes and windexing the glass cases (when it's not). But on birthday cake days, we're busy enough that I get to slide sheet cakes from the oven and cover them in pink frosting and tiny round nonpareils, like they're giant circus-animal cookies. I get to press hundreds-and-thousands into the galletas de grajea, the round, rainbow-sprinkle-covered cookies that were my favorite when I was five. My mother finishes hollowing two cake halves, fills them with candy- green, yellow, and pink this time- and puts them back together. Her piñatas are half our Saturday cake orders, both birthday girls and grandfathers delighting at the moment of seeing M&M's or gummy worms spill out. She covers them with sugar-paste ruffles or coconut to look like the tiny paper flags on a piñata, or frosting and a million rainbow sprinkles.

Different form, same function. Many companies that create blue oceans attract customers from other industries who use a product or service that performs the same function or bears the same core utility as the new one but takes a very different physical form. In the case of Ford’s Model T, Ford looked to the horse-drawn carriage. The horse-drawn carriage had the same core utility as the car: transportation for individuals and families. But it had a very different form: a live animal versus a machine. Ford effectively converted the majority of noncustomers of the auto industry, namely customers of horse-drawn carriages, into customers of its own blue ocean by pricing its Model T against horse-drawn carriages and not the cars of other automakers. In the case of the school lunch catering industry, raising this question led to an interesting insight. Suddenly those parents who make their children’s lunches came into the equation. For many children, parents had the same function: making their child’s lunch. But they had a very different form: mom or dad versus a lunch line in the cafeteria. Different form and function, same objective. Some companies lure customers from even further away. Cirque du Soleil, for example, has diverted customers from a wide range of evening activities. Its growth came in part through drawing people away from other activities that differed in both form and function. For example, bars and restaurants have few physical features in common with a circus. They also serve a distinct function by providing conversational and gastronomical pleasure, a very different experience from the visual entertainment that a circus offers. Yet despite these differences in form and function, people have the same objective in undertaking these three activities: to enjoy a night out.

went off, without waiting for serving men, and unsaddled my horse, and washed such portions of his ribs and his spine as projected through his hide, and when I came back, behold five stately circus tents were up—tents that were brilliant, within, with blue, and gold, and crimson, and all manner of splendid adornment! I was speechless. Then they brought eight little iron bedsteads, and set them up in the tents; they put a soft mattress and pillows and good blankets and two snow-white sheets on each bed. Next, they rigged a table about the centre-pole, and on it placed pewter pitchers, basins, soap, and the whitest of towels—one set for each man; they pointed to pockets in the tent, and said we could put our small trifles in them for convenience, and if we needed pins or such things, they were sticking every where. Then came the finishing touch—they spread carpets on the floor! I simply said, "If you call this camping out, all right—but it isn't the style I am used to; my little baggage that I brought along is at a discount." It grew dark, and they put candles on the tables—candles set in bright, new, brazen candlesticks. And soon the bell—a genuine, simon-pure bell—rang, and we were invited to "the saloon." I had thought before that we had a tent or so too many, but now here was one, at least, provided for; it was to be used for nothing but an eating-saloon. Like the others, it was high enough for a family of giraffes to live in, and was very handsome and clean and bright-colored within. It was a gem of a place. A table for eight, and eight canvas chairs; a table-cloth and napkins whose whiteness and whose fineness laughed to scorn the things we were used to in the great excursion steamer; knives and forks, soup-plates, dinner-plates—every thing, in the handsomest kind of style. It was wonderful! And they call this camping out. Those stately fellows in baggy trowsers and turbaned fezzes brought in a dinner which consisted of roast mutton, roast chicken, roast goose, potatoes, bread, tea, pudding, apples, and delicious grapes; the viands were better cooked than any we had eaten for weeks, and the table made a finer appearance, with its large German silver candlesticks and other finery, than any table we had sat down to for a good while, and yet that polite dragoman, Abraham, came bowing in and apologizing for the whole affair, on account of the unavoidable confusion of getting under way for a very long trip, and promising to do a great deal better in future! It is midnight, now, and we break camp at six in the morning. They call this camping out. At this rate it is a glorious privilege to be a pilgrim to the Holy Land.

Evening brings the people to their windows, balconies, and doorways. Evening fills the streets with strolling crowds. Evening is an indigo tent for the circus of the city, and families bring children to the entertainments that inspire every corner and crossroad. And evening is a chaperone for young lovers: the last hour of light before the night comes to steal the innocence from their slow promenades. There’s no time, in the day or night, when there are more people on the streets of Bombay than there are in the evening, and no light loves the human face quite so much as the evening light in my Mumbai.

She had always enjoyed the carte blanche accorded to mobsters, aristocrats, circus clowns, and lunatics

I’m not sure that team bonding is all that important. What’s important is that a team works together well, and that will come or not over the course of a project. It’s also important that individuals feel respected and that they feel that their ideas are respected. Team bonding is not, “Did you take your team to enough dinners? Did you go out to the movies? Did you go to the circus?” Most people, even very hard-working people, want to have a life, to be with their families. I think that’s more important than going out to the circus.

This kind of violence is fine amongst friends, but not family.

By the way, she’s gonna get him, but I don’t know who him is, but it could be us.’ ‘Yeah, great,’ Gonko said over his shoulder. ‘Ever considered being a writer, Doops? Shakespeare would be jealous.

Don’t you find it odd that Satan acts as God’s policeman?’ JJ

There’s ways to bring out the clown in you.

We didn’t know what to do. It was as though we were being hunted. Steve went off to the back block of the zoo to try to get his head around everything that had been happening. He built a fire and gazed into it. I didn’t have to think about it. I knew beyond certainty that the most important part of Steve’s life was his family. His children meant everything to him. All of a sudden, my wonderful, sharing, protective husband was being condemned. His crime was sharing wildlife experiences with Robert, exactly as he had done for the last five and a half years with Bindi. The media circus escalated. Helicopters hovered over the zoo, trying to snag any glimpse of the crazy Irwin family. Steve erected shade cloth around our yard for privacy. We soon realized we couldn’t go anywhere. There would be no visits to the zoo, no answering the phone, no doing croc shows. The criticism and the spin continued. I stood by Steve’s side and watched his heart break. I couldn’t believe the mean-spirited, petty, awful people in the world. Editors manipulated film footage, trying to make the croc look bigger or closer to Robert than it actually was. What possible end could that serve? I have seen Tasmanian devils battle over a carcass. I have seen lionesses crowding a kill, dingoes on the trail of a feral piglet, an adult croc thrashing its prey to pieces. But never, in all the animal world, have I witnessed anything to match the casual cruelty of the human being. It was about to get worse. We stepped off a very dark cliff indeed.

I believe that all people long to have a consistent friend who loves them, believes in them, and is continually there for them no matter the circumstances. If you’re willing to be that kind of person for others, not only will it expand your people capacity, it will also give you a more satisfying life. You may also be thinking, I can’t do this with everyone, because some people are just difficult. That’s true—for all of us. Debbie Ellis calls such people porcupines in her book How to Hug a Porcupine. When I was a pastor, we called such people EGRs—extra grace required. But we can all use extra grace from time to time. Maybe those who face the greatest challenges are the ones who have difficult people in their families. A friend once told me, “My family is a circus, and every day there is a different clown.” Family life is ground zero in learning how to deal with difficult people. The advice of cartoonist Michael Leunig? “Love one another and you will be happy. It’s as simple and as difficult as that.” It is both difficult and simple. In the end, our goal should be to treat others better than they treat us, to add value to them in a greater capacity than maybe they expect. I love the way Brian Bethune described Nelson Mandela. The South African statesman was a fantastic example of someone with high relational capacity. Bethune

The Los Angeles coach and his assistants were befuddled by the Buss family’s willingness to kneel before a child. Around the same time as he was being accused of sexual assault, Bryant started behaving in curious ways. There were the new tattoos scrolling down his right arm—a crown, his wife Vanessa’s name, a halo and angel wings above Psalm XXVII.

It was one giant learning curve, figuring out how to be married and how to create content for a kind of show that had never been done before, something they were calling a “reality show.” The Osbournes had premiered the previous year and had become the highest-rated show on MTV. As much as The Osbournes showed the “real” life of a celebrity family, they would have been the first to say it was kind of a circus. My dad pitched Newlyweds to MTV right after the wedding. This would be two celebrities, who viewers were used to seeing air-brushed to perfection, eating cereal and passing gas. Dad’s theory was that this would get me and my music on MTV—who never played my videos unless it was on TRL—while also undoing the damage of how I’d been marketed by the label. “If girls knew you, they’d like you,” he said. “Columbia’s been pushing them all away with this sexy-Barbie stuff. This show would be about your heart.

GIVING A VOICE “Julian Starks compassionately depicts animals who can only dream of the life they may have had if not for the thoughtless and cruel behavior of humans. We hope his beautiful images will inspire people to get active in whatever ways they can to help wildlife, from boycotting circuses with animal acts to refusing to have their photos taken with tiger cubs while on vacation. From talented photographers like Julian who document animals' plight to families who take the time to educate themselves before they buy that ticket, we can all make a difference for animals.

I had assumed Herr Neuhoff had taken me in only to help the show, and perhaps as a favor to an old family friend. His kind of courage was boundless, though, and he would not have turned away a person in need, whether a star performer or a simple laborer or a child such as Theo with no skills at all. It was not about the circus or family connections, but human decency.

A couple of weeks after Mia’s bone graft surgery in January 2014, she received a letter from Congressman Trent Franks of Arizona on official United States congressional letterhead. Mia was so excited about the letter that she stood on the fireplace hearth (the living room stage) and proceeded to read it to the entire family. In the letter, Congressman Franks told Mia that he, too, was born with a cleft lip and palate and underwent many surgeries as a child. He told her he understood how she felt and told her not to get discouraged because he recognized how she is helping so many people. He invited her to Washington, DC, to receive an award from Congress for service to her community. As soon as she had finished reading it to us, she exclaimed, “Can we go?” Knowing how Jase puts little value on earthly awards and how he likes to travel even less, I responded with a phrase that most parents can understand and appreciate: “We’ll see.” Mia immediately ran upstairs and tacked the letter to her bulletin board, full of hope and optimism. How could Jase say no to this? Oh, she knew her daddy well. He couldn’t, and he didn’t. That summer, Mia, Jase, Reed, Cole, and I spent a few days together visiting monuments and historical sites in Washington before meeting Congressman Franks on July 8 in his office on Capitol Hill. Mia’s favorite monument was the Lincoln Memorial because she had learned about it in school, so it was cool to see it “for real.” It was really crowded there, and people were taking pictures of us while we were trying to read about the monument and take photographs ourselves. Getting Jase out of there took a while because of so many fans wanting pictures--he’s very accommodating. That’s why it surprised me that this was Mia’s favorite site. I’m glad she remembers the impact of the monument and didn’t allow the circus of activity from the fans to put a damper on her experience. Congressman Franks presented Mia with a Certificate of Special Congressional Recognition for “outstanding and invaluable service to the community” at a press conference held at the foot of the Capitol steps. Both he and Mia made speeches that day to numerous cameras and reporters. Hearing my ten-year-old daughter speak about her condition and how she hopes people will look to God to help them get through their own problems was an unbelievably proud moment for me, Jase, and her brothers. After the press conference, Congressman Franks took us into the House chamber where Congress was voting on a new bill. He took Mia down to the floor, introduced her to some of his colleagues, and let her push his voting button for him. When some of the other members of Congress saw this, they also asked her to push their voting buttons for them. Of course, Mia wasn’t going to push any buttons without quizzing these representatives about what exactly she was voting for. She needed to know what was in the bill before she pushed the buttons. Once she realized she agreed with the bill and saw that some members were voting “no,” she commented, “That’s just rude.” Mia was thrilled with the experience and told us all how she helped make history. Little does she know just how much history she has made and continues to make.

not to share that particular piece of news with Michelle. Just thinking about Trump and the symbiotic relationship he’d developed with the media made her mad. She saw the whole circus for what it was: a variation on the press’s obsession with flag pins and fist bumps during the campaign, the same willingness on the part of both political opponents and reporters to legitimize the notion that her husband was suspect, a nefarious “Other.” She made clear to me that her concerns regarding Trump and birtherism were connected not to my political prospects but, rather, to the safety of our family. “People think it’s all a game,” she said. “They don’t care that there are thousands of men with guns out there who believe every word that’s being said.

General Sherman praised the shows as "wonderfully realistic and historically reminiscent." Reviews and the show's own publicity always stressed its "realism." There is no doubt it was more realistic, visually and in essence, than any of the competing Wild Wests. There were four other Wild West shows that year: Adam Forepaugh had one, Dr. A. W. Carver another; there was a third called Fargo's Wild West and one known as Hennessey's Wild West. Cody criticized all their claims and their use of the words "Wild West." He had copyrighted the term according to an act of Congress on December 22, 1883, and registered a typescript at the Library of Congress on June 1, 1885. The copyright title read: The Wild West or Life among the Red Man and the Road Agents of the Plains and Prairies-An Equine Dramatic Exposition on Grass or Under Canvas, of the Adventures of Frontiersmen and Cowboys. Additional copy was headed BUFFALO BILL'S "WILD WEST" PRAIRIE EXHIBITION AND ROCKY MOUNTAIN SHOW, A DRAMATIC-EQUESTRIAN EXPOSITION OF LIFE ON THE PLAINS, WITH ACCOMPANYING MONOLOGUE AND INCIDENTAL MUSIC THE WHOLE INVENTED AND ARRANGED BY W.F. CODY W.F. CODY AND N. SALSBURY, PROPRIETORS AND MANAGERS WHO HEREBY CLAIM AS THEIR SPECIAL PROPERTY THE VARIOUS EFFECTS INTRODUCED IN THE PUBLIC PERFORMANCES OF BUFFALO BILL'S "WILD WEST" Although the show's first year under enlarged and reorganized management had not been a financial success, at least one good thing had come from it. Also showing in New Orleans that winter had been the Sells Brothers Circus. One of its performers who had wandered over to visit the Wild West lot was Annie Oakley. The story of Annie Oakley's life was so much in the American grain that it might have come from the pen of Horatio Alger Jr., the minister turned best-selling author, who chronicled the fictional lives of poor boys who made good. Ragged Dick: or, Street Life in New York, Ragged Tom, and Luck Moses then married Dan Brumbaugh, who died in an accident shortly afterward, leaving another daughter. When she was seven, Annie frequently fed the family with quail she had caught in homemade traps, much as young Will Cody had trapped small game. In an interview she once said: "I was eight years old when I made my first shot, and I still consider it one of the best shots I ever

It was, to those on the inside, a period of “mutual falling in love,” a bonding that went well beyond the usual backstage infatuation. It also spilled over, even those on the inside knew, into arrogance. Tom Schiller saw it as “the bringing together of Lorne Michaels’ chosen people…a traveling family circus, like an amoeba, a cell that started to grow.… We lived the show; we breathed the show; we slept with each other about the show. There was no private life. I would compare it exactly to living on a submarine.

The old man held out a paper scroll, not mere parchment. It was a clear sign of wealth and status. Not every noble family could afford to use paper for invitations. The very fact that Hadjar was being visited by the clan’s attorney, and not by a simple servant, spoke volumes. “Thank-” Hadjar reached out, almost closing his fingers around the scroll, but the old man suddenly loosened his grip. Caught in the wind, the invitation, decorated with monograms and tied with a scarlet ribbon, fell to the dirt at Hadjar’s feet. The old man didn’t apologize. He stood there, with his hand still outstretched, a sneer on his lips, radiating complete confidence in his superiority. A clear example that old age didn’t mean one also gained intelligence or wisdom. He’d lived long enough for his hair to turn gray, but not long enough to acquire a brain. He didn’t even realize how simply and blatantly he was being used. Hadjar, just as the old man had expected, bent down to pick up the invitation, dusted it off, and held it without putting it away in his spatial artifact, as was required by etiquette. “You didn’t have to bow to me, young man,” the old man grunted. This was quite a serious insult. Being the personal disciple of a great hero made Hadjar equal in status to the senior heirs of aristocratic families. He was at the very top of the social structure of Dahanatan. But Hadjar didn’t really care about any of that. The power he possessed was insignificant in his opinion, and ever since he’d eaten those first scraps in Primus’ dungeon, he’d stopped caring about whether he was a Prince or a circus freak. Titles didn’t matter. The important thing was that the old man was a servant, and Hadjar was almost an aristocrat. The lawyer’s words were akin to the old man throwing a glove in Hadjar’s face. Hadjar looked behind his visitor, at the dark carriage emblazoned with the white coat of arms of the Predatory Blades clan. Brustor would have to try a little harder. So far, his provocations weren’t even a match for the insults that Hadjar had received during his meetings with Emperor Morgan. Shocking the old man, Hadjar bowed deeply. “Only a silly young man,” he said, straightening back up, “doesn’t feel respect toward someone whose hair is whiter than his.

Then he went to the chestnut tree, thinking about the circus, and while he urinated he tried to keep thinking about the circus, but he could no longer find the memory. He pulled his head between his shoulders like a baby chick and remained motionless with his forehead against the trunk of the chestnut tree. The family did not find him until the following day at eleven o'clock in the morning when Santa Sofia de la Piedad went to throw out the garbage in the back and her attention was attracted by the descending vultures.

Damon’s friendly demeanor is back. “In that case, welcome to the circus that is our family.

It seemed like Leo had flown all of his family over from Ivory Coast. Why, I didn’t know. It wasn’t like they were even close. These same people I hadn’t seen since our little faux wedding two years ago, not even at our little courthouse ceremony a few months ago. The whole thing felt like some kind of three-ring circus act as opposed to genuine interest in Leo’s celebratory event.

Thousands of humans, visiting from all across the country to ogle and fondle the animals in their cages. Blinding, flashing lights. Music as mad as a March hare. The game stalls are fixed and the food turns the humans loud and rough. The showmen, all part of a petulant, foul-mouthed family, stink of cigarettes and beer and represent the lowest rung of human society.

The Earwood family was special to me then. They are still special to me now. I suppose that we all have those too-brief relationships, where we can’t help but think back and wonder how much different it might have been if the timeline of our lives had run more parallel instead heading off into a hundred different directions like the rails in that train yard. But that doesn’t make me any less thankful for the one spot where they intersected.

Move past the circus of manmade caves, within every heart you'll find a Naskar.

When age and death are not likely to trouble people, they have no need to acquire wisdom. They are unafraid to play with fire.

Bitter flavours were all his palate knew.

Some call it wish dust, prayer dust — but it is soul dust.

With family indoctrination potentially behind good or bad habits that last a lifetime, what is learned in childhood is practiced throughout adulthood.

If you're an artist, your kids are bound to end up artists, too. To put it another way, once you're in the circus, it's hard to get out.

Every night a world created, complete with furniture—friends made and enemies established; a world complete with braggarts and with cowards, with quiet men, with humble men, with kindly men. Every night relationships that make a world, established; and every morning the world torn down like a circus. At first the families were timid in the building and tumbling worlds, but gradually the technique of building worlds became their technique. Then leaders emerged, then laws were made, then codes came into being. And as the worlds moved westward they were more complete and better furnished, for their builders were more experienced in building them.

I like to make fun of Jeffy [of Family Circus] the most, because I know the grown-up Jeff Keane personally and enjoy ridiculing him.

It had been often commented upon that Vibe offspring tended to be crazy as bedbugs. ‘Fax’s brother Cragmont had run away with a trapeze girl, then brought her back to New York to get married, the wedding being actually performed on trapezes, groom and best man, dressed in tails and silk opera hats held on with elastic, swinging upside down by their knees in perfect synchrony across the perilous Æther to meet the bride and her father, a carnival “jointee” or concessionaire, in matched excursion from their own side of the ring, bridesmaids observed at every hand up twirling by their chins in billows of spangling, forty feet above the faces of the guests, feathers dyed a deep acid green sweeping and stirring the cigar smoke rising from the crowd. Cragmont Vibe was but thirteen that circus summer he became a husband and began what would become, even for the day, an enormous family. The third brother, Fleetwood, best man at this ceremony, had also got out of the house early, fast-talking his way onto an expedition heading for Africa. He kept as clear of political games as of any real scientific inquiry, preferring to take the title of “Explorer” literally, and do nothing but explore. It did not hurt Fleetwood’s chances that a hefty Vibe trust fund was there to pick up the bills for bespoke pith helmets and meat lozenges and so forth. Kit met him one spring weekend out at the Vibe manor on Long Island. “Say, but you’ve never seen our cottage,” ‘Fax said one day after classes. “What are you doing this weekend? Unless there’s another factory girl or pizza princess or something in the works.” “Do I use that tone of voice about the Seven Sisters material you specialize in?” “I’ve nothing against the newer races,” ‘Fax protested. “But you might like to meet Cousin Dittany anyway.” “The one at Smith.” “Mount Holyoke, actually.” “Can’t wait.” They arrived under a dourly overcast sky. Even in cheerier illumination, the Vibe mansion would have registered as a place best kept clear of—four stories tall, square, unadorned, dark stone facing looking much older than the known date of construction. Despite its aspect of abandonment, an uneasy tenancy was still pursued within, perhaps by some collateral branch of Vibes . . . it was unclear. There was the matter of the second floor. Only the servants were allowed there. It “belonged,” in some way nobody was eager to specify, to previous occupants. “Someone’s living there?” “Someone’s there.” . . . from time to time, a door swinging shut on a glimpse of back stairway, a muffled footfall . . . an ambiguous movement across a distant doorframe . . . a threat of somehow being obliged to perform a daily search through the forbidden level, just at dusk, so detailed that contact with the unseen occupants, in some form, at some unannounced moment, would be inevitable . . . all dustless and tidy, shadows in permanent possession, window-drapes and upholstery in deep hues of green, claret, and indigo, servants who did not speak, who would or could not meet one’s gaze . . . and in the next room, the next instant, waiting . . . “Real nice of you to have me here, folks,” chirped Kit at breakfast. “Fellow sleeps like a top. Well, except . . .” Pause in the orderly gobbling and scarfing. Interest from all around the table. “I mean, who came in the room in the middle of the night like that?” “You’re sure,” said Scarsdale, “it wasn’t just the wind, or the place settling.” “They were walking around, like they were looking for something.” Glances were exchanged, failed to be exchanged, were sent out but not returned. “Kit, you haven’t seen the stables yet,” Cousin Dittany offered at last. “Wouldn’t you like to go riding?

all life's some kind of fucked up circus. we're always tricked into doing stuff... for love, or money, or family, country, religion, maybe "fun" and validation… Friends? and I decided that the less I do, the better I'm doing. Why? Because if you think hard enough, you can probably figure out that all those are some kind of bullshit. But I try not to think too much either anymore.

The first and worst problem of migration illustrates that mostly immigrants miss and even lose its culture, literature, language, values and the atmosphere of religious surroundings and family connections; whereas, the second and gravely matter that unable and unwilling to adopt the new ones since the cat and lion features look like the similar; however, cannot be the same. As a fact, immigrants live and breathe in the circus, having the best care and all facilities, but not as a birth nature, where they belong. It is a tragedy of feelings, which no one views and realizes seriously.

Gurfein said he was open to the idea, so Polakoff told him he would call this “intermediary,” as Polakoff put it.1 Gurfein had no idea who Polakoff was talking about, but he did have faith that Polakoff understood perfectly how the underworld was organized and knew what he was doing. Socks Lanza was happy to be Luciano’s contact. But from what Haffenden had learned about underworld hierarchy, he had his reservations about sending in Lanza to meet Luciano, so when Gurfein reported back that Polakoff had someone else in mind, the commander was more than receptive to the idea. Another dancer was thus added to the circus. Interestingly, Polakoff’s choice wasn’t Frank Costello—Luciano’s acting boss—or anyone from the Luciano family, for that matter. Polakoff knew Luciano well after spending so much time defending him—albeit unsuccessfully—during his trial. So he knew that the person who held the most sway with his client was his business partner, current accountant, and best friend, Meyer “Little Man” Lansky.

You need to stave off disruptions from those desperate masses with bread and circuses, football and Facebook. You need to fragment them so they are not supporting one another in communities or extended families; otherwise your demand base decreases. Above all, you need them to breed like rabbits, so you make sure their only asset is the potential energy of their children.