Circular Breathing Quotes

We've searched our database for all the quotes and captions related to Circular Breathing. Here they are! All 38 of them:

Could she smell my breath? Could she hear my cursed circular heart beat revolving like the crime it is in my deathly chest?
Markus Zusak (The Book Thief)
You are telling me that I did something because I was going to do something.” “Well, didn’t you? You were there.” “No, I didn’t—no… well, maybe I did, but it didn’t feel like it.” “Why should you expect it to? It was something totally new to your experience.” “But… but—” Wilson took a deep breath and got control of himself. Then he reached back into his academic philosophical concepts and produced the notion he had been struggling to express. “It denies all reasonable theories of causation. You would have me believe that causation can be completely circular. I went through because I came back from going through to persuade myself to go through. That’s silly.” “Well, didn’t you?" ~ By His Bootstraps / Robert A. Heinlein
Robert A. Heinlein (By His Bootstraps)
God's true language: Hebrew. Latin. Arabic. Sanskrit. As if utterance fit into the requirements of the human mouth. I learned how to find the new moon by looking for the circular absence of stars. [...] I learned God's true language is only silence and breath.
Kazim Ali (Bright Felon: Autobiography and Cities)
One of the quickest ways to feel happy is through the pranayama technique called circular breathing. When you equalize the lengths of your inhale and exhale, you balance the sympathetic and parasympathetic sides of your nervous system.
Catherine Carrigan (The Little Book of Breathwork)
Umm,” he moaned, as he started his rhythmic movements underneath me; raising me up and down with his hands at the speed and tempo he wanted. I leaned forward a bit so that my breasts were brushing against his chest; my hands gripped his shoulders as the heat of our lovemaking increased. He raised me up and down; up and down; my hips gyrated in a circular motion making sure the head of his beautiful cock was hitting my magic spot over and over again. My whimpers of pleasure were getting louder; his breathing was coming faster…
Andrea Smith (Diamond Girl (G-Man, #1))
Sifting through these layers of belongings while Ira stood mute behind her, Maggie had a sudden view of her life as circular. It forever repeated itself, and it was entirely lacking in hope.
Anne Tyler (Breathing Lessons)
In depth, remember the surface, and remember to surface. Not in the sense that we need to catch our breath, but, for the trees, the wind, the Moon, and the Sun may miss us [if] we are gone for too long. Consideration.
Psixomaxaristw
It is a different sensation than watching the stars while lying in a field, something Bailey has done many times. There are no trees creeping into the edges, and the gentle swaying of the carriage makes him feel almost weightless. And it is incredibly quiet. As the carriage moves along in what seems to be a circular pattern, Bailey can hear nothing but a soft creak and the sound of Poppet breathing next to him. It is as though the entire circus has faded away into the darkness. He glances over at Poppet, who is looking at him instead of the sky. She gives him a grin and then turns away. Bailey wonders if he should ask if she sees anything in the stars.
Erin Morgenstern (The Night Circus)
Wes’s big hand pulls back the tissue. He squints at the thing inside. Then he carries the box over to the window to see it better. “It’s…made of purple Skittles?” “Yeah.” My voice is like gravel. He picks it up in two fingers, the one-inch circular shape outlined against the city lights. “It’s a…?” He bites off the question, as if afraid to guess wrong. “Ring,” I croak. “You…I…” My mouth is like sandpaper. “In that interview, you said you wanted…” Deep breaths. “To get married some day. And I think that’s something we should do.
Sarina Bowen (Us (Him, #2))
This is how the universe came into being: There was no heaven, no earth, no universe—just empty space. In this vast emptiness, a single point suddenly manifested itself. From that point, steam, smoke, and mist spiraled forth in a luminous sphere and the sacred sound SU was born. As SU expanded circularly up and down, left and right, nature and breath began, clear and uncontaminated. Breath developed life, and sound appeared
Morihei Ueshiba (The Art of Peace)
A cycle is the basic unit of life: birth, growth, transformation, decline and death, followed once again by birth. It is a circular, repeating journey. A process of expansion and contraction, which is echoed in the pulsations of the womb, the beating of our hearts, the in and out of our breath. Cycles can be observed in every life form on the planet, in the seasons and the phases of the moon. Our menstrual cycles connect our female bodies directly to nature.
Lucy H. Pearce (Moon Time: harness the ever-changing energy of your menstrual cycle)
she whispers into my truculence and I succumb to that thing called faith that blind old hag who left her brothers and sisters under the overpass she strokes her way into my soul a divining rod slips from the heavens a greasy old senior citizen with stale coffee breath and a proverb for any situation she recounts the transgressions from a lifetime ago with a glassine vision the images move in a circular sway, dashing from light to dark truisms to falsehoods this is a woman, my friend, with whom you can ride the river and gaze at the mountain this is a woman with a heart fired by the very furnace of Hell yet beats with the sonnets of God
Daniel Ames (Feasting at the Table of the Damned)
Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.
Becky Chambers (To Be Taught, If Fortunate)
It bounded from the line of trees directly ahead. This was his first real sight of the spirit and the breath stuck in his throat. Its black fur rippled as muscles bunched, flexed and powered the sleek animal towards him. Front legs reached forward, claws extended to dig into the soft ground as its body compressed. Back arching upwards as the rear legs caught up with the front and gathered their strength, propelling the cat forward again. The panther ate up the ground between the forest and Zhou. As it closed, he could see the yellow iris surrounding the deep, black, circular pupil. Either side of its snout, whiskers sprouted, sensing the movement of air, and its mouth parted to reveal two, long, sharp canine teeth rising from its bottom jaw.
G.R. Matthews (The Blue Mountain (The Forbidden List, #2))
She reached toward the chessboard, and he caught her hand in his. “Believe me,” he whispered. “When I wish to be, I can be very convincing.” He followed the seam of her fingers with this thumb, tracing slowly upward until he reached the soft cleft below her knuckles. He watched as her eyes widened and her lips parted. Then he stroked the spot lightly—a quick, circular caress—and she made a little sound, half gasp and half sigh. That little sound—that tiny, panting breath—was very nearly his undoing. Jeremy knew that sound. It was the tumbler of a lock falling in place, the charged crackle between lightning and thunderbolt, the hiss of a candlewick the instant before it comes alive with flame. An incomplete sound. A sound that promised—and begged for—more.
Tessa Dare (Goddess of the Hunt (The Wanton Dairymaid Trilogy, #1))
When I opened my eyes, we were still surrounded by darkness. A lantern, standing on the ground, showed a bubbling well. The water splashing from the well disappeared, almost at once, under the floor on which I was lying, with my head on the knee of the man in the black cloak and the black mask. He was bathing my temples and his hands smelt of death. I tried to push them away and asked, ‘Who are you? Where is the voice?’ His only answer was a sigh. Suddenly, a hot breath passed over my face and I perceived a white shape, beside the man’s black shape, in the darkness. The black shape lifted me on to the white shape, a glad neighing greeted my astounded ears and I murmured, ‘Cesar!’ The animal quivered. Raoul, I was lying half back on a saddle and I had recognized the white horse out of the PROFETA, which I had so often fed with sugar and sweets. I remembered that, one evening, there was a rumor in the theater that the horse had disappeared and that it had been stolen by the Opera ghost. I believed in the voice, but had never believed in the ghost. Now, however, I began to wonder, with a shiver, whether I was the ghost’s prisoner. I called upon the voice to help me, for I should never have imagined that the voice and the ghost were one. You have heard about the Opera ghost, have you not, Raoul?” “Yes, but tell me what happened when you were on the white horse of the Profeta?” “I made no movement and let myself go. The black shape held me up, and I made no effort to escape. A curious feeling of peacefulness came over me and I thought that I must be under the influence of some cordial. I had the full command of my senses; and my eyes became used to the darkness, which was lit, here and there, by fitful gleams. I calculated that we were in a narrow circular gallery, probably running all round the Opera, which is immense, underground. I had once been down into those cellars, but had stopped at the third floor, though there were two lower still, large enough to hold a town. But the figures of which I caught sight had made me run away. There are demons down there, quite black, standing in front of boilers, and they wield shovels and pitchforks and poke up fires and stir up flames and, if you come too near them, they frighten you by suddenly opening the red mouths of their furnaces … Well, while Cesar was quietly carrying me on his back, I saw those black demons in the distance, looking quite small, in front of the red fires of their furnaces: they came into sight, disappeared and came into sight again, as we went on our winding way. At last, they disappeared altogether. The shape was still holding me up and Cesar walked on, unled and sure-footed. I could not tell you, even approximately, how long this ride lasted; I only know that we seemed to turn and turn and often went down a spiral stair into the very heart of the earth. Even then, it may be that my head was turning, but I don’t think so: no, my mind was quite clear. At last, Cesar raised his nostrils, sniffed the air and quickened his pace a little. I felt a moistness in the air and Cesar stopped. The darkness had lifted. A sort of bluey light surrounded us. We were on the edge of a lake, whose leaden waters stretched into the distance, into the darkness; but the blue light lit up the bank and I saw a little boat fastened to an iron ring on the wharf!” - Chapter 12: Apollo’s Lyre
Gaston Leroux (The Phantom of the Opera)
Arthur tried to gauge the speed at which they were traveling, but the blackness outside was absolute and he was denied any reference points. The sense of motion was so soft and slight he could almost believe they were hardly moving at all. Then a tiny glow of light appeared in the far distance and within seconds had grown so much in size that Arthur realized it was traveling toward them at a colossal speed, and he tried to make out what sort of craft it might be. He peered at it, but was unable to discern any clear shape, and suddenly gasped in alarm as the aircar dipped sharply and headed downward in what seemed certain to be a collision course. Their relative velocity seemed unbelievable, and Arthur had hardly time to draw breath before it was all over. The next thing he was aware of was an insane silver blur that seemed to surround him. He twisted his head sharply round and saw a small black point dwindling rapidly in the distance behind them, and it took him several seconds to realize what had happened. They had plunged into a tunnel in the ground. The colossal speed had been their own, relative to the glow of light which was a stationary hole in the ground, the mouth of the tunnel. The insane blur of silver was the circular wall of the tunnel down which they were shooting, apparently at several hundred miles an hour. He closed his eyes in terror. After a length of time which he made no attempt to judge, he sensed a slight subsidence in their speed and some while later became aware that they were gradually gliding to a gentle halt. He opened his eyes again. They were still in the silver tunnel, threading and weaving their way through what appeared to be a crisscross warren of converging tunnels. When they finally stopped it was in a small chamber of curved steel. Several tunnels also had their termini here, and at the farther end of the chamber Arthur could see a large circle of dim irritating light. It was irritating because it played tricks with the eyes, it was impossible to focus on it properly or tell how near or far it was. Arthur guessed (quite wrongly) that it might be ultraviolet. Slartibartfast turned and regarded Arthur with his solemn old eyes. “Earthman,” he said, “we are now deep in the heart of Magrathea.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Soft moonlight enveloped her path, guiding her toward the gate like creamy white petals leading a bride to the altar. Walter didn't understand- she needed to be in these gardens. The beauty breathed life into her. Filled her very soul. She pushed down the latch, testing it slowly to see if it was locked on the opposite side. Her heart leapt when it opened. The lady left her gardens every autumn now when the flowers began to die, and Mummy didn't seem to care if she visited the gardens when the lady was gone. But in the summer, when the flowers were blooming, when the air smelled sweet and the butterflies danced in the breeze, Mummy and Walter didn't want her to explore. Yet this was her sustenance. Her magic. She needed to be here as much as the butterflies needed their nectar to fly. Quietly she closed the gate and hurried across the brick path until she reached the circular rose garden. In the center of the roses was the most lush carpet of grass. She tossed her shoes into the air, the soft grass tickling her toes. Then she stretched out her arms and twirled in the moonlight. Some people thought the rays of the moon were cool, like the rays of the sun were warm, but they were wrong. The light from the moon was as warm as the sun, a lovely, golden warmth that electrified her from the inside.
Melanie Dobson (Shadows of Ladenbrooke Manor)
THE DAY HAD GONE BY JUST AS DAYS GO BY. I had killed it in accordance with my primitive and retiring way of life. I had worked for an hour or two and perused the pages of old books. I had had pains for two hours, as elderly people do. I had taken a powder and been very glad when the pains consented to disappear. I had lain in a hot bath and absorbed its kindly warmth. Three times the mail had come with undesired letters and circulars to look through. I had done my breathing exercises, but found it convenient today to omit the thought exercises. I had been for an hour's walk and seen the loveliest feathery cloud patterns penciled against the sky. That was very delightful. So was the reading of the old books. So was the lying in the warm bath. But, taken all in all, it had not been exactly a day of rapture. No, it had not even been a day brightened with happiness and joy. Rather, it had been just one of those days which for a long while now had fallen to my lot; the moderately pleasant, the wholly bearable and tolerable, lukewarm days of a discontented middle-aged man; days without special pains, without special cares, without particular worry, without despair; days when I calmly wonder, objective and fearless, whether it isn't time to follow the example of Adalbert Stifter and have an accident while shaving.
Hermann Hesse (Steppenwolf)
Frederick? Had she really spoken? Certainly she'd tried, but her voice had failed to materialize and all she heard was the sound of her nightgown ripping as Frederick pulled it over her head and threw it aside. He was kneeling now between her ankles, pushing at her, forcing her knees apart and then her arms until she was entirely splayed on the bed beneath him. Nothing was said. Not a word. Ede felt his hand between her legs, forcing the way for the rest of him. Stop, she wanted to tell him. Stop. I don't understand what you're doing. But nothing - still nothing was said. He seemed to be raging inside her, moving his hips in a circular fashion, all the weight of his upper body help above her, resting on his arms, his hands pushing down into the mattress. Stop! But he didn't. Don't! But he did. Nothing. Not one word. The only sound he made was a choking noise in his throat at the end, as tough he might be going to strangle. But when he rolled away from her onto his back, she felt the shudder of his first free breath and she heard him sigh. It was over. Tonight. It was done. Ede could not bare the thought of seeing him, or of being seen. Still without speaking, she rose from the bed and through the dark, found her way to the bathroom. She had brought the torn nightgown wit her, but when she turned on the light and saw it, she threw it down in the corner. Ruined. Spoiled. Everything. When at last, she returned to the bed, Fredrick was sound asleep beneath the covers - and nothing - nothing - nothing was said.
Timothy Findley (The Piano Man's Daughter)
Some events can be seen as milestones only in retrospect, while at the time they pass almost unnoticed. This was not such an event. The court circular for January 28, 1988, spelled it out in black and white: Jephson was going to the Palace and an insistent inner voice told me his life would never be the same again. Reaction among my friends and relations was mixed. The American, Doug, thought it was a quaint English fairy tale. My father thought it inevitably meant promotion (he was wrong). My stepmother thought it was nice (she was mostly right). My brother thought it would make me an unbearably smug nuisance (no change). Although I would never have admitted it, I thought I must be pretty clever, and I apologize belatedly to everyone who had to witness it. That was lesson one: breathing royal air can seriously damage your ability to laugh at yourself. It is sometimes called “red-carpet fever” and usually only lasts a few months, but severe cases never recover and spend the rest of their lives believing in their own acquired importance.
Patrick D. Jephson (Shadows Of A Princess: An Intimate Account by Her Private Secretary)
I’ll serve first, shall I?” Caroline called across the net as she plucked a ball out of her pocket, stepped up to the line, and tossed it into the air, leaving Millie, who was supposed to be the recipient of the serve, barely any time to get ready. All the breath seemed to leave him as the ball traveled rather slowly over the net. But then Millie drew back her racquet and . . . slammed the ball back Caroline’s way, the force of her swing completely unexpected given her small size. Before Caroline even moved, the ball shot past her. “Was that out?” Caroline demanded, swinging around. “It was in,” called a lady from the stands. Caroline spun to face Millie as Nora flashed a cheeky grin. “Love-fifteen,” Nora called. “I know how to keep score,” Caroline snapped back. Unfortunately, the game did not get better for Caroline after that. Millie had obviously not been exaggerating when she’d claimed she’d played tennis before, but it was clear that she hadn’t been playing with young boys. She was all over the court, hitting anything Caroline or Gertrude managed to get over the net, while Nora simply strolled back and forth, swinging her racquet, and at one point, whistling a jaunty tune. When it was Millie’s turn to serve, matters turned downright concerning. Gertrude was the first to try and return Millie’s serve, but when the ball came rushing at her, she screamed, dropped her racquet, and ran the other way, earning a screech from Caroline until she seemed to recall that her turn was next. “Give her a fast one, Miss Longfellow,” Thaddeus called. Millie lowered her racquet to send Thaddeus another wave. “Miss Longfellow, we are in the middle of a match here,” Caroline yelled across the net. “Forgive me, Miss Dixon. You’re quite right.” As if the world had suddenly slowed down, Everett watched as Millie threw the ball up, and then the racquet connected squarely with it, the thud of the connection reaching his ears. It began to move, and then the world sped up as the ball hurled at Caroline, and . . . smacked her right in the middle of the forehead, the impact knocking Caroline off her feet. Her skirt fluttered up, showing a bit of leg. Millie immediately began running across the court. Darting around the net, she raced to Caroline’s side, and yanked Caroline’s skirt back over her legs. Before Everett had a chance to see what Millie would do next, Abigail was tugging on his arm, and he realized he needed to act . . . the sooner the better. By the time he got to Caroline, made certain she wasn’t seriously hurt, and on her feet, he knew he had to get Millie as far away as possible from her. Caroline was shaking with rage and muttering threats under her breath. Telling Caroline he’d be right back, he nodded to Millie, who was still trying to apologize to Caroline, even though Caroline was not acknowledging the apologies and was resolutely looking the opposite way from Millie. “I really am so very, very sorry,” Millie said one last time before Abigail suddenly appeared right by her side and the crowd that had gathered around them fell silent. “Good heavens, Millie, it’s not as if you hit Miss Dixon on purpose—something Caroline knows all too well.” Abigail leveled a cool look on Caroline. “Why, your forehead is just a little pink. Granted the pink is perfectly circular, but . . . I’m sure it’ll fade soon, so no harm done.” Abigail
Jen Turano (In Good Company (A Class of Their Own Book #2))
Right inside the front door in what must be the living room, who should be standing at a circular saw cutting planks but George Davenport. She let out a breath. Well, avoiding him wasn’t going to work. She’d tried to give him a wide berth at the wedding party on Friday night, but he’d singled her out, complimented her, made small talk and even kissed the back of her hand! There seemed to be only two options to deal with the man. Face him head-on or leave town. And there he stood, his white hair, which was not terribly thick, askew and spiking, wearing jeans and a sweatshirt, covered with sawdust. His face was tan—but hadn’t he said he’d come from Seattle? Cloudy, dreary Seattle? Despite herself, she noticed his shoulders were broad, his butt was solid and his legs were long. What was a man his age doing with broad shoulders and a solid butt? She wondered what he’d look like without a shirt and was immediately appalled that she would even think that! The
Robyn Carr (Angel's Peak (Virgin River #10))
Do you know what the word believe means?” I’m holding my breath. “No.” I think it means that you have no proof. Or you believe without seeing. But that’s really just circular logic, so… yeah, I have no idea. “Believe means to love into being.” She smiles. “All God really requires of us is love. And the faith that God loves us in return.
Susan Kaye Quinn (The Duality Bridge (Singularity #2))
I cannot allow you to burn the candle at both ends, Emmaline,” St. Just scolded. “Either we find you some assistance in the kitchen, or we get you some more rest. You look exhausted, and Douglas agrees, so it’s a bona fide fact. I’m going to take Winnie out with me tomorrow morning, and you’re going to sleep in.” “Sleep in,” Emmie said, the way some women might have said “a dozen new bonnets” or “chocolate” or “twenty thousand a year.” “It isn’t a baking day tomorrow,” the earl went on. “Winnie has acquainted me with every detail of her schedule, and baking isn’t on for tomorrow. So you will rest?” “I will sleep in,” Emmie said as they reached her room and pushed her door open. He preceded her into the darkened chamber and lit several candles while she watched. “You will go directly to bed,” he admonished. “No languishing in the arms of Mr. Darcy or whatever it is you read to soothe you into slumber.” She listened to him lecturing as she drifted around the room in slow, random motion. “Emmie?” He set the candles down and frowned at her. “What is amiss?” “Nothing.” But her voice quavered just the least little bit as she sat on her bed. “I’m just tired. My thanks for a pleasant evening.” He went to the bed and paused, frowning down at her mightily. He let out a gusty exhalation, then drew her to feet and wrapped his arms around her. “We will both be relieved when your damned menses have arrived.” For an instant, she was stiff and resisting against him, but then she drew in a shuddery breath, nodded silently, and laid her cheek on his chest. He held her, stroking her hair with one hand, keeping her anchored to him with the other, and the warmth and solid strength of him left her feeling more tired but in some fashion relieved, as well. Winnie would thrive in his care. Thrive in ways Emmie could never have afforded. “There is no crime, Emmie, in seeking a little comfort betimes. Being grown up doesn’t mean we can’t need the occasional embrace or hand to hold.” She nodded again and let her arms steal around his waist. Slowly, she gave in to what he offered, letting him support more and more of her weight. His hand drifted from her hair to her back, and when he swept his palm over her shoulder blades in a slow, circular caress, she sighed and rubbed her cheek against him. She could have stood there all night, so peaceful and right did it feel to be in his arms. His scent was enveloping her, his body warming hers. “Thank you,” she said, mustering a smile when he stepped back. “And good night, good knight.” He must have comprehended her play on words, because he returned her smile, kissed her forehead and her cheek, and withdrew. She
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Dawn came in wisps of pink against a blue-gray sky. Through the trees, shafts of misty sunlight formed luminous motes of warmth along the river. Birds sang. Squirrels chattered. The low rush of the water was ceaseless. Loretta woke slowly, aware before she opened her eyes that something was horribly wrong. Amy wasn’t this big. The arm around her was hard and heavy, the warm hand that cupped her breast distinctly masculine. She frowned and wondered where the hairy blanket touching her cheek had come from. Where was the gray down quilt? Why did she hurt everywhere? Through the spikes of her eyelashes, she stared at a gnarled tree root. A breeze stirred the leaves overhead. The moldy floor of the forest blended its musty smell with the rich, tantalizing aroma of coffee. Then the sound of men’s voices drifted to her, the tones conversational, interspersed with an occasional chuckle. Friendly voices. Normal-sounding voices--except for one thing. She couldn’t understand the language. With a start, she remembered. Her sudden gasp of alarm woke the Comanche who held her in his arms. She knew without looking that it was Hunter, the most horrible. His hand tightened reflexively on her naked breast, and his arm hardened to steel around her. He grunted something and nuzzled her neck. Loretta’s first instinct was to grab his hand, but she no sooner tried than she realized that her own were bound behind her. He pressed his face against her hair and took a deep breath. She could tell he was only half-awake by the slow, lazy way he moved. His thumb grazed her nipple, teasing the sensitive tip into an unwilling response. Her body sprang taut as well, jerking with every flick of his fingers. He yawned and pressed closer. Oh, God, help me. Lowering his hand to her belly, he pressed his palm against her spasm-stricken muscles and kneaded away the tightness. She felt like a sensitive harp string, thrummed by expert fingers. Horrified by her body’s reaction, she tried to twist free, but he threw a damp, buckskin-clad leg over both of hers and pinned her to the fur. Her back stung each time she moved, the pain so sharp it made beads of sweat pop out on her brow. Her thighs felt as if they were on fire. “M-mm-m, you are still hot,” he mumbled. His hand lingered on her belly. “Not too bad where the sun did not touch, though. The fever is better.” No man had ever dared touch her like this. She tossed her head from side to side, strained to get her arms and legs free, then shuddered in defeat. “Do not fight.” His voice was so close, it seemed to come from within her own mind. “You cannot win, eh? Rest.” His sleepy whispers invaded her whole being, slow, hypnotic, persuasive. He rubbed her in a circular motion, pausing in sleep, then coming awake to rub some more. “Lie still. Trust this Comanche. It is for the burn, no? To heal your skin.
Catherine Anderson (Comanche Moon (Comanche, #1))
Lowering his hand to her belly, he pressed his palm against her spasm-stricken muscles and kneaded away the tightness. She felt like a sensitive harp string, thrummed by expert fingers. Horrified by her body’s reaction, she tried to twist free, but he threw a damp, buckskin-clad leg over both of hers and pinned her to the fur. Her back stung each time she moved, the pain so sharp it made beads of sweat pop out on her brow. Her thighs felt as if they were on fire. “M-mm-m, you are still hot,” he mumbled. His hand lingered on her belly. “Not too bad where the sun did not touch, though. The fever is better.” No man had ever dared touch her like this. She tossed her head from side to side, strained to get her arms and legs free, then shuddered in defeat. “Do not fight.” His voice was so close, it seemed to come from within her own mind. “You cannot win, eh? Rest.” His sleepy whispers invaded her whole being, slow, hypnotic, persuasive. He rubbed her in a circular motion, pausing in sleep, then coming awake to rub some more. “Lie still. Trust this Comanche. It is for the burn, no? To heal your skin.” As he slid his palm slowly downward, she realized she was slick with some kind of oil. Her heart drummed a sensual alto, off-key to the soprano shrills of fear emitted by her nerve endings. No, please, no. He molded his hand to the slight mound between her thighs, searching out its external softness, his fingertips undulating in a subtle manipulation that shot bolts of sensation to the core of her. Nuzzling her hair again, he sighed, his warm breath raising goose bumps on her neck. “Ah, Blue Eyes, your mother did not lie. You are sweet.” He gave the conjuncture of her thighs a farewell caress, then traced the curve of her hip with a hand that skimmed the painfully burned flesh there so lightly that she scarcely felt it. The pressure of his palm increased when it gained purchase on her ribs where the sun had not reached. His hand tightened its grip, squeezed, and released so rhythmically that it seemed to keep time with the strange, blood-pounding beat inside her. It was as if he had begun the rhythm within her, as if he somehow knew the thrusts, the lulls, better than she.
Catherine Anderson (Comanche Moon (Comanche, #1))
Do not fight.” His voice was so close, it seemed to come from within her own mind. “You cannot win, eh? Rest.” His sleepy whispers invaded her whole being, slow, hypnotic, persuasive. He rubbed her in a circular motion, pausing in sleep, then coming awake to rub some more. “Lie still. Trust this Comanche. It is for the burn, no? To heal your skin.” As he slid his palm slowly downward, she realized she was slick with some kind of oil. Her heart drummed a sensual alto, off-key to the soprano shrills of fear emitted by her nerve endings. No, please, no. He molded his hand to the slight mound between her thighs, searching out its external softness, his fingertips undulating in a subtle manipulation that shot bolts of sensation to the core of her. Nuzzling her hair again, he sighed, his warm breath raising goose bumps on her neck. “Ah, Blue Eyes, your mother did not lie. You are sweet.” He gave the conjuncture of her thighs a farewell caress, then traced the curve of her hip with a hand that skimmed the painfully burned flesh there so lightly that she scarcely felt it. The pressure of his palm increased when it gained purchase on her ribs where the sun had not reached. His hand tightened its grip, squeezed, and released so rhythmically that it seemed to keep time with the strange, blood-pounding beat inside her. It was as if he had begun the rhythm within her, as if he somehow knew the thrusts, the lulls, better than she. Held captive now by more than bonds and strength of arm, she turned her face to study his, fascinated by the sleepy innocence that clouded his half-closed eyes. The merciless killer was gone, replaced by a drowsy, mischievous boy who stroked her as if she were a newly acquired pet. A slow smile curved his mouth, a dreamy smile that told her he was more asleep than awake. He moved closer to whisper something unintelligible against her cheek. Her lips tingled, then parted. She found herself wondering how it might have felt if he had kissed her, then cringed at the wayward thought. Comanches didn’t kiss, they just took. And her time was running out. With the tip of his tongue, he outlined her ear. “Topsannah, tani-har-ro.” The words came out so slurred, she doubted he even knew he was saying them. “Prairie flower,” he muttered, “in springtime.
Catherine Anderson (Comanche Moon (Comanche, #1))
But it was the center of the room that drew my eyes, for there was a great circular table, covered in a glass dome, on which sat a model of Arcadia. I approached it slowly; it was so delicately detailed, I felt it would crumble if I breathed, despite the glass. There was the ocean, crafted of tinted glass so that it glimmered like real water. There were the southern mountains, pocked with entrances to the coal mines; there was the river Severn, there the capital city of Sardis, still half-ruined by the great fire of twenty years ago.
Rosamund Hodge (Cruel Beauty)
Evidence suggests that people with irritable bowels have bodies that are more physically reactive to stress. I recently came across an article in the medical journal Gut that explained the circular relationship between cognition (your conscious thought) and physiological correlates (what your body does in response to that thought): people who are less anxious tend to have minds that don’t overreact to stress and bodies that don’t overreact to stress when their minds experience it, while clinically anxious people tend to have sensitive minds in sensitive bodies—small amounts of stress set them to worrying, and small amounts of worrying set their bodies to malfunctioning. People with nervous stomachs are also more likely than people with settled stomachs to complain of headaches, palpitations, shortness of breath, and general fatigue. Some evidence suggests that people with irritable bowel syndrome have greater sensitivity to pain, are more likely to complain about minor ailments like colds, and are more likely to consider themselves sick than other people.
Scott Stossel (My Age of Anxiety: Fear, Hope, Dread, and the Search for Peace of Mind)
The snake was an ancient symbol of the traditions which honored the Goddess and the Divine Feminine. You will see Her in ancient forms of the uroboros, a symbol of a snake that looks like it chases its tail or eats its tail. It is a symbol of the ability of the Divine Feminine to give birth and to be reborn like the snake that sheds its skin. She recreates herself for ever. The circular form of the uroboros symbol implies the interminable nature of many cycles. That was part of the Divine Feminine's wisdom, knowing the life cycles, being informed by them and living in harmony with them. Some of the Divine Feminine's mysteries were understood to be impenetrable, and it was only by the Goddess ' grace that one could enter the mysteries, that darkness, and acquire direct knowledge that the ordinary mind and ordinary words would never illuminate or touch. The Goddess gave the fruit from the tree of knowledge, and this did not like the dominating form of a male god! As a quintessential form of the Divine Feminine power of consciousness, Goddess Kundalini has been touched by those dominating modes that have influenced the development of yogic traditions. In the yogic traditions, there have been approaches that try to dominate Kundalini, forcefully push Kundalini to do this or do that by prescribing endless exercises of forced breathing and body postures that are meant to bind and force Kundalini to go in a direction that the yogi wants Her to go. Not surprisingly, these traditions are also the ones that often say Kundalini is dangerous and must be controlled. Those were also the kinds of descriptions that patriarchal dominator approaches applied to the Divine Feminine. But this power of Consciousness is indomitable, it will not be suppressed; it will always have its ways out. Through respect, love, and loyalty, the wise try to follow Her, and then they receive the good graces of this force. Devotees who consider Kundalini as the Great Goddess have a completely different experience with their caring devotion. They gain their boons, their gifts of enlightenment, without having to fear what some forceful, dominant practice may provoke. That mentality is key to understanding how we accept the blessings to be given by this remarkable inherent force of consciousness. It doesn't mean our karmas experiences in flames might not be intense. But with eager egotistical mentality there is no need to escalate issues. We are living in a time of the Goddess's return. We need her experience to educate and encourage mankind to relive cooperatively if life is to exist on this planet. We need her vision clarity, her deep compassion and her steadfast patience to live in harmony with each other and the environment. We need Kundalini Shakti's awakened state of selflessness, empowering people to reinvent culture, social structures, industries, and economic systems on a cooperative model rather than the dominant mode that brings about destruction and conflict. The more people She awakens, the more individuals there will transform the collective consciousness of families, groups, cities, businesses and countries. We are her perceptive and acting organs. We may see clearly, encouraged by Her, and act accordingly.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
Like the sifting ground, the scattered baleen, and this your body ancient turned upside down. Heart Swathing in Late Summer In the penumbra of an oak under sculpted Moonlight, we pile the last waking hours On our faces, breathe the wilderness of dry Heat waiting for fall ventilations. It feels Later than it is and the air is already mouthing The date for tomorrow. At least now, our eyes Can fall into the craters of a waterproof Reflection, and we stop for a moment to fill Ourselves with the kind of light that can only Be found in the dark. What is night if not for It being a repetition of unlit squares glued Jointly, plastered against the thought of midday. What is not seeing but to echolocate a name. It’s how I find your chin when I can’t sense The meaning of your hands. Weeks ago, it was Astral rebounds, shiny hinges. We harvested The fertile Perseids posed recumbent In the back of a flatbed, tallying the mineral Opulence reserved for those who wait. Not Ever so many in return. Now this moon in its Entirety has never looked so much like A distant circular kite set ablaze, doused by The kind of burning a man feels when he hears The humming of rain against a woman’s bare neck.
Mai Der Vang (Afterland)
Poornima is the full moon. Auspicious. Romantic. Illuminating. Not rare, only rhythmic. Arriving every month with the dependability of breath. In, then out. Growing from a sliver to wholeness. Hiding in the dark, then blazing to full, circular glory. Only to disappear again, crescent by crescent. But always whole behind the shadows.
Sonali Dev (The Vibrant Years)
You have to tame your breath to tame your brain. Live from moment to moment absorbed in the unruffled flow of the circular movement of the in- and out-breaths. It's current should be like that of a very full, stately river, whose movements cannot be seen.
B.K.S. Iyengar (Light on Life)
humming to himself and looking for the flat wafer. He heard a sudden intake of breath, then what sounded like a rather embarrassed cough, just behind him. He turned round to see Mr. Dreltram behind him, looking oddly awkward. Gurgeh frowned as Mr. Dreltram, just returned from the bathroom, his eyes wide with the mixture of drugs he was glanding, and followed by a tray bearing drinks, sat down again, staring at Gurgeh’s hands. It was only then, as the tray set the glasses on the table, that Gurgeh realized the cards he happened to be holding, which he had lifted up to look for his hidden-piece wafer, were Mr. Dreltram’s remaining mine-cards. Gurgeh looked at them—they were still face down; he hadn’t seen where the mines were—and understood what Mr. Dreltram must be thinking. He put the cards back where he’d found them. “I’m very sorry,” he laughed, “I was looking for my hidden piece.” He saw it, even as he spoke the words. The circular wafer was lying, uncovered, almost right in front of him on the table. “Ah,” he said, and only then felt the blood rise
Iain M. Banks (The Player of Games (Culture, #2))
Everything is moving in a cycle. We breathe out, the trees breathe in. They breathe out, we breathe in. ...Everything - an endless loop. The sun, moon, earth - all round, and they all move in a circular path. Just like us. No beginning. No ending. Just eternal movement, constant change.
Julie Cantrell (Perennials)
He closed the space between us and relaxed as he stretched his arm along the back of the sofa. “I don’t bite, Ash. It’s just me. Promise. Come here and see.” I studied the crook of his arm; the idea of snuggling up against him was extremely tempting. But I didn’t think he had that in mind. So instead I leaned back on the couch, careful not to touch him. His hand didn’t come around me and pull me closer. It remained on the back of the couch, and I hated that I was disappointed. “Relax and watch the movie,” he said in a soft voice I’d never heard him use before. It made me feel warm and safe. Beau’s arm eventually slid down to settle on my shoulders. Absently he started tracing small circles on my upper arm. It was almost as if little jolts of electricity were zinging through my body. I hoped he couldn’t tell my breathing was getting erratic. I closed my eyes and fantasized about how it would feel to run my hands under his T-shirt and touch the soft skin that covered his muscled chest. I glanced up at him through my lashes, and his attention was completely focused on the movie. He had no idea he was driving me crazy. I slowly moved closer to him until my head was nestled in the crook of his arm. The smell of Irish Spring soap and the outdoors filled my senses. Sawyer always smelled like cologne. I liked soap. I turned my head just enough so I could smell him better. His arm gently tightened around me. He didn’t mean anything by it, but it felt so very good. I turned my body toward his side and closed my eyes. My imagination took over, and I wondered what it would feel like if he didn’t have this bothersome shirt covering his chest. “Ash.” Beau’s voice entered my fantasy. “Hmm…” I managed to respond as my hand touched his abs. “What’re you doing?” His voice didn’t sound right. There was a panicked tone to it that snapped me out of my dream and into reality. I gasped when I realized my leg was hiked up on Beau’s thigh. The hem of my sundress was barley covering my panties. To make matters worse, my hand was under his black shirt; his skin felt so warm and soft. The soft, circular patterns on my arm had stopped, and his hand was no longer touching me. Horror washed over me, and I jerked my hand out of his shirt and sat up. “Oh my God,” I blurted out. “I’m sorry…I didn’t mean…I’m sorry.” I couldn’t look at him. Not after I’d been all over him! Instead I did the only thing I could think of: I ran for my room.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
Ash.” Beau’s voice entered my fantasy. “Hmm…” I managed to respond as my hand touched his abs. “What’re you doing?” His voice didn’t sound right. There was a panicked tone to it that snapped me out of my dream and into reality. I gasped when I realized my leg was hiked up on Beau’s thigh. The hem of my sundress was barley covering my panties. To make matters worse, my hand was under his black shirt; his skin felt so warm and soft. The soft, circular patterns on my arm had stopped, and his hand was no longer touching me. Horror washed over me, and I jerked my hand out of his shirt and sat up. “Oh my God,” I blurted out. “I’m sorry…I didn’t mean…I’m sorry.” I couldn’t look at him. Not after I’d been all over him! Instead I did the only thing I could think of: I ran for my room. I pushed the door hard enough to slam it, but the loud crack never came. “Ash, wait.” Beau’s voice made me cringe. Oh God, why did he have to follow me? Couldn’t he have just left? I couldn’t face him. “I’m sorry. Just…go, okay?” I crossed my arms and stared hard at the window, waiting for him to leave. His arms wrapped around me from behind, and I whimpered as the humiliation just got worse. He was going to try to comfort me. “I don’t know what’s going on in that head of yours, but from the way you’re acting, I can imagine it’s pretty bad.” He lowered his head to my shoulder. “You want me to leave and I’m going to go. But first I want to make sure you understand something.” My throat was tight and sobs constricted my airway. Responding wasn’t possible. “I stated that in there. Not you. I wasn’t prepared for the reaction I got. I thought you’d push me away--not…snuggle closer.” He stopped again, and his breath was warm on my neck as his lips touched my bare shoulder. I shivered, and his hands ran down my arms until they covered mine. “I shouldn’t have touched you. But I couldn’t help myself,” he murmured into my ear. I wanted to argue. It wasn’t his fault. I wanted to tell him I was the one who got carried away. But I couldn’t manage more than just a small snivel. “I can’t do this, Ash. God knows I want to, but I can’t.” And then he was gone. I turned to see him walking out my door. More than anything, I wanted to call him back. But I didn’t.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))