Mobile Love Quotes

We've searched our database for all the quotes and captions related to Mobile Love. Here they are! All 100 of them:

Friends are the family you choose (~ Nin/Ithilnin, Elven rogue).
Jess C. Scott (The Other Side of Life)
Yesterday was surreal. At times K was almost back to herself…funny…interested and relatively mobile. She was tactile and we kissed…she whispered naughty comments into my ear…achingly beautiful…I love her so much
Peter B. Forster (More Than Love, A Husband's Tale)
I don’t agree on spending time with someone who is more attached to his cell phone than he is to me.
Mohamed Ghazi (Honest)
We are loved way more by some of the people who have not contacted us in the last twelve or so months than we are loved by some of those who contact us every twelve or so days … or hours.
Mokokoma Mokhonoana
We are wasting our youth holding cold devices while we should be holding one another’s warm hands.
Mohamed Ghazi (Honest)
Sensuality is the total mobilization of the senses: an individual observes his partner intently, straining to catch every sound.
Milan Kundera (The Unbearable Lightness of Being)
For his thirtieth birthday he had filled a whole night-club off Regent Street; people had been queuing on the pavement to get in. The SIM card of his mobile phone in his pocket was overflowing with telephone numbers of all the hundreds of people he had met in the last ten years, and yet the only person he had ever wanted to talk to in all that time was standing now in the very next room.
David Nicholls (One Day)
We are living in a generation where people ‘in love’ are free to touch each other’s private parts but are not allowed to touch each other’s phones because they are private.
Robert Mugabe
With the many uncertainties, of one thing I was sure. I could not escape love, the very thing that had kept me mobile since the day I realized I was capable of giving and receiving it.
Rachael Wade (Amaranth (Resistance, #1))
The happiness of man is: I will. The happiness of woman is: he wills. ‘Behold, just now the world became perfect!’—thus thinks every woman when she obeys out of entire love. And women must obey and find a depth for her surface. Surface is the disposition of woman: a mobile, stormy film over shallow water. Man’s disposition, however, is deep; his river roars in subterranean caves: woman feels his strength but does not comprehend it.
Friedrich Nietzsche (Thus Spoke Zarathustra)
To cultivate love, or whole-soul-fulness, we must resist the temptation to be upwardly mobile, to be always on the move, to pull up our roots and fly to the mythic kingdom of Elsewhere.
Sam Keen (To Love and Be Loved)
Lord Macon deposited his wife into a chair and then knelt next to her, clutching one of her hands. "Tell me truthfully - how are you feeling?" Alexia took a breath. "Truthfully? I sometimes wonder if I, like Madame Lefoux, should affect masculine dress." "Gracious me, why?" "You mean aside from the issue of greater mobility?" "My love, I don't think that's currently the result of your clothing." "Indeed, I mean after the baby." "I still don't see why should want to." "Oh no? I dare you to spend a week in a corset, long skirts and a bustle." "How do you know I haven't?
Gail Carriger (Heartless (Parasol Protectorate, #4))
Sometimes a house wants to be your mother. Sometimes a house wants to hide the evidence. Some houses would smother you with good tastefulness, a claustrophobic need to impress. Some houses would like you to calm down already. Some houses want you to get the hell out. Some houses get silly with nostalgia. Some houses are destined for the aftermaths of true love. Some houses couldn’t care less: you might as well be living in generic anywhere. But no one ever is.
Megan Harlan (Mobile Home: A Memoir in Essays (The Sue William Silverman Prize for Creative Nonfiction Ser.))
So there I was eating haute cuisine in a mobile home. He cooked for me as seduction, a courtship, so that I'd never again be impressed with a man who simply took me out to dinner. And I fell in love with him over a deer's liver.
Kristin Kimball (The Dirty Life: On Farming, Food, and Love)
That is the great danger of meritocracy: the people who reach the top of the system are precisely the people who have most completely identified with the system and its demands, creating a vicious circle preventing any actual change. It is no accident that conservatives tend to employ the rhetoric of social mobility so readily, as social climbers generally do not ask questions about the ladder.
Adam Kotsko (Why We Love Sociopaths: A Guide To Late Capitalist Television)
Social media is basically standing at a bucket filled with other people’s vomit and you suck the vomit through a straw, and gag and wince at the unbearable taste of other people’s vomit. Yet strangely we continue to suck through the straw as if we’ve never tasted such lovely vomit. And then before you know it you’re old and you’re grey. And that’s the end of you. A lonely death. Your gravestone is marked with the six saddest words: Social Media Drained My Soul Away And they all mourn your loss at a budget funeral service while updating their social media statuses on mobile phones apps. And in years to come nobody remembers any of your updates; even those updates that you deep-down believed were going to bring about world peace. The Digital Age is more disposable than nappies and just as full of shit.
Rupert Dreyfus (The Rebel's Sketchbook)
Why is it that we honor the Great Thieves of Whitehall, for Acts that in Whitechapel would merit hanging? Why admire one sort of Thief, and despise the other? I suggest, 'tis because of the Scale of the Crime.--What we of the Mobility love to watch, is any of the Great Motrices, Greed, Lust, Revenge, taken out of all measure, brought quite past the scale of the ev'ryday world, approaching what we always knew were the true Dimensions of Desire. Let Antony lose the world for Cleopatra, to be sure,--not Dick his Day's Wages, at the Tavern.
Thomas Pynchon (Mason & Dixon)
It is high time for the living to get tough, for toughness is indispensable in the struggle to safeguard and develop the life-force; this will not detract from their goodness, as long as they stand courageously by the truth. There is ground for hope in the fact that among millions of decent, hard-working people there are only a few plague-ridden individuals, who do untold harm by appealing to the dark, dangerous drives of the armored average man and mobilizing him for political murder. There is but one antidote to the average man's predisposition to plague: his own feelings for true life. The life force does not seek power but demands only to play its full and acknowledged part in human affairs. It manifests itself through love, work and knowledge.
Wilhelm Reich (Listen, Little Man!)
At first happiness might seem like just desserts for biological fitness (more accurately, the states that would have led to fitness in the environment in which we evolved). We are happier when we are healthy, well-fed, comfortable, safe, prosperous, knowledgeable, respected, non-celibate, and loved. Compared to their opposites, these objects of striving are conducive to reproduction. The function of happiness would be to mobilize the mind to seek the keys to Darwinian fitness. When we are unhappy, we work for the things that make us happy; when we are happy, we keep the status quo. The problem is, how much fitness is worth striving for?
Steven Pinker (How the Mind Works)
I missed you, Kitten,” he growled. Then his mouth crushed over mine, his kiss more filled with raw need than romantic welcome. That was fine; I felt the same way. Aside from my compulsive urge to run my hands over him to assure myself that he was really here, relief, happiness, and the most profound feeling of rightness zoomed through me, settling all the way to my core. I hadn’t realized how deeply I’d missed Bones until that very moment, hadn’t let myself acknowledge how everything felt off when I was apart from him. On some levels, it was frightening how much a part of me he’d become. It let me know just how much I’d crumble if anything happened to him. “Why didn’t you answer your mobile earlier?” Bones murmured once he lifted his head. “I tried you several times. Tried Mencheres, too. Even Tepesh. None of you answered. Scared the wits out of me, so I stowed away on a FedEx plane to make sure you were all right.” “You came all the way from Ohio because I didn’t answer the phone?” I was torn between laughter and disbelief. “God, Bones, that’s a little crazy.” And it was, except the part of me that had had images of his tombstone dancing in my head because he hadn’t answered his phone earlier was nodding in complete understanding. Despite all our protestations, we were so alike when it came to fear over the other’s safety, and I doubted we’d ever change. “Crazy,” I repeated, my voice roughening with the surge of emotion in me. “And have I told you lately. that your crazy side . . . is your sexiest side?” He chuckled before his mouth swooped back over mine in another dizzying kiss. Then he picked me up, brushing past Vlad and Mencheres without even a hello, though I doubted either of them was surprised.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Where there is love there is courage, where there is courage there is peace, where there is peace there is God. And when you have God, you have everything.
Mobile Library (Louise Penny Quotes and Believes and Books Quiz: Get to know better this proud Canadian, creator of Inspector Gamache (Motivational & Inspirational Quotes))
Just say after Wednesday we never see each-" "Don't" he says, angry. "Jonah, you live six hundred kilometres away from me," I argue. "Between now and when we graduate next year there are at least ten weeks' holiday and five random public holidays. There's email and if you manage to get down to the town, there's text messaging and mobile phone calls. If not, the five minutes you get to speak to me on your communal phone is better than nothing. There are the chess nerds who want to invite you to our school for the chess comp next March and there's this town in the middle, planned by Walter Burley Griffin, where we can meet up and protest against our government's refusal to sign the Kyoto treaty.
Melina Marchetta (On the Jellicoe Road)
The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.
William Faulkner (Intruder in the Dust)
Bourdieu's interpretation was that tastes were serving as strategic tools. While working-class tastes seemed mainly a default (serving at best to express group belongingness and solidarity), for everyone else taste was not only a product of economic and educational background but, as it developed through life, a force mobilized as part of their quest for social status (or what Bourdieu called symbolic power). What we have agreed to call tastes, he said, is an array of symbolic associations we use to set ourselves apart from those whose social ranking is beneath us, and to take aim at the status we think we deserve. Taste is a means of distinguishing ourselves from others, the pursuit of distinction. And its end product is to perpetuate and reproduce the class structure.
Carl Wilson (Let's Talk About Love: A Journey to the End of Taste)
We are accustomed to think of ourselves as an emancipated people; we say that we are democratic, liberty-loving, free of prejudices and hatred. This is the melting-pot, the seat of a great human experiment. Beautiful words, full of noble, idealistic sentiment. Actually we are a vulgar, pushing mob whose passions are easily mobilized by demagogues, newspaper men, religious quacks, agitators and such like. To call this a society of free peoples is blasphemous. What have we to offer the world beside the superabundant loot which we recklessly plunder from the earth under the maniacal delusion that this insane activity represents progress and enlightenment? The land of opportunity has become the land of senseless sweat and struggle. The goal of all our striving has long been forgotten. We no longer wish to succor the oppressed and homeless; there is no room in this great, empty land for those who, like our forefathers before us, now seek a place of refuge. Millions of men and women are, or were until very recently, on relief, condemned like guinea pigs to a life of forced idleness. The world meanwhile looks to us with a desperation such as it has never known before. Where is the democratic spirit? Where are the leaders?
Henry Miller (The Air-Conditioned Nightmare)
If any theme runs through all my work, it is what Adrienne Rich once called "re-vision", i.e., the re-perceiving of experience, not because our experience is complex or subtle or hard to understand (though it is sometimes all three) but because so much of what's presented to us as "the real world" or "the way it is" is so obviously untrue that a great deal of social energy must be mobilized to hide that gross and ghastly fact. has a theatre critic (whose name I'm afraid I've forgotten) once put it," There's less there than meets the eye". Hence, my love for science fiction, which analyses reality by changing it.
Joanna Russ (To Write Like a Woman: Essays in Feminism and Science Fiction)
Why has that man fallen in love with that woman? Because she’s pretty. Why does pretty matter? Because human beings are a mainly monogamous species and so males are choosy about their mates (as male chimpanzees are not); prettiness is an indication of youth and health, which are indications of fertility. Why does that man care about fertility in his mate? Because if he did not, his genes would be eclipsed by those of men who did. Why does he care about that? He does not, but his genes act as if they do. Those who choose infertile mates leave no descendants. Therefore, everybody is descended from men who preferred fertile women, and every person inherits from those ancestors the same preference. Why is that man a slave to his genes? He is not. He has free will. But you just said he’s in love because it is good for his genes. He’s free to ignore the dictates of his genes. Why do his genes want to get together with her genes anyway? Because that’s the only way they can get into the next generation; human beings have two sexes that must breed by mixing their genes. Why do human beings have two sexes? Because in mobile animals hermaphrodites are less good at doing two things at once than males and females are at each doing his or her own thing. Therefore, ancestral hermaphroditic animals were outcompeted by ancestral sexed animals.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
I tend the mobile now like an injured bird We text, text, text our significant words. I re-read your first, your second, your third, look for your small xx, feeling absurd. The codes we send arrive with a broken chord. I try to picture your hands, their image is blurred. Nothing my thumbs press will ever be heard. "Text
Carol Ann Duffy (Rapture)
These are universals, as is the fear women feel during times of political upheaval that occur in what could still be called the outside world of men--whether during the Taiping Rebellion so many years ago or today for women in Iraq, Afghanistan, the Sudan, or even right here in this country in the post-9/11 era. On the surface, we as American women are independent, free, and mobile, but at our cores we still long for love, friendship, happiness, tranquility, and to be heard.
Lisa See (Snow Flower and the Secret Fan)
The hearing was adjourned. For a few brief moments, as I left the Law Courts on my way to the van, I recognised the familiar smells and colours of a summer evening. In the darkness of my mobile prison I rediscovered one by one, as if rising from the depths of my fatigue, all the familiar sounds of a town that I loved and of a certain time of day when I sometimes used to feel happy. The cries of the newspaper sellers in the languid evening air, the last few birds in the square, the shouts of the sandwich sellers, the moaning of the trams high in the winding streets of the town and the murmuring of the sky before darkness spills over onto the port, all these sounds marked out an invisible route which I knew so well before going into prison. Yes, this was the time of day when, long ago, I used to feel happy. What always awaited me then was a night of easy, dreamless sleep. And yet something had changed, for with the prospect of the coming day, it was to my cell that I returned. As if a familiar journey under a summer sky could as easily end in prison as in innocent sleep.
Albert Camus (The Stranger)
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
For the Christian tradition, the heart’s true home is a life rooted in the love of God. Like Lao-tzu and Dorothy both, Christian wisdom about stability points us toward the true peace that is possible when our spirits are stilled and our feet are planted in a place we know to be holy ground.
Jonathan Wilson-Hartgrove (The Wisdom of Stability: Rooting Faith in a Mobile Culture)
When I meet kids who suffer, I want to teach them everything I know about the world, which isn’t a lot, and basically amounts to: Go to Harvard. Make hella money. Read contracts before you sign them. Bring two tiny bottles of Kahlúa and a tiny bottle of mouthwash when you have to go with your parents to their biopsy results. I follow my own advice while trying to hold off on the suicidal ideation while trying to be as socially fucking mobile as socially fucking possible and then these kids fucking find me, and what do I do, but invite them into my heart and tell them, babes, go to school, climb the ranks, kill the salutatorian, make it look like an accident, and in your valedictory address, remind your school that cops are pigs, and ICE are Nazis, and you are John at the foot of the cross, Jesus’s most loved apostle, maybe his lover, and you’re in the holy word, escape to my home for some chamomile tea and RuPaul, there will always be room for you, I love you and forever will.
Karla Cornejo Villavicencio (The Undocumented Americans)
Look at them on days like that, when the wind is blowing through the boundaries of fresh and stiff, and you will see them for what they are: wind-runners, wind-dancers, the wind-spirits, alive with an evolved ability to live with the wind, in it and on it, drawing out its energy to make their own feathered, mobile, ocean-ranging magnificence.
Adam Nicolson (The Seabird's Cry: The Lives and Loves of the Planet's Great Ocean Voyagers)
He lived in sight of both worlds, but he looked toward the unknown. And he was a scholar.... You can still live on that shimmering line between your old thinking and your new understanding, always in a state of learning. In the figurative sense, this is a border that is always moving-- as you advance forward in your studies and realizations, that mysterious forest of the unknown always stays a few feet ahead of you, so you have to travel light in order to keep following it. You have to stay mobile, movable, supple.
Elizabeth Gilbert (Eat, Pray, Love)
They come from Mobile. Aiken. From Newport News. From Marietta. From Meridian. And the sounds of these places in their mouths make you think of love. When you ask them where they are from, they tilt their heads and say "Mobile" and you think you've been kissed. They say "Aiken" and you see a white butterfly glance off a fence with a torn wing. They say "Nagadoches" and you want to say "Yes, I will." You don't know what these towns are like, but you love what happens to the air when they open their lips and let the names ease out.
Toni Morrison (The Bluest Eye)
Flies are the only creature named after their main mode of mobility.
David Yoon (Frankly in Love)
Like all men endowed with great mental mobility, I have an irrevocable, organic love of settledness. I abhor new ways of life and unfamiliar places. 122
Fernando Pessoa (The Book of Disquiet)
Leadership is the art of mobilizing others to want to struggle for shared aspirations.
Steve Farber (The Radical Leap Re-Energized: Doing What You Love in the Service of People Who Love What You Do)
I want a house that’s mobile but stationary, situated in a safe place without borders, where the people are peace-loving.
Andrei Codrescu (Wakefield)
You'll always be my favourite notification.
Nitya Prakash
Alma poured more Gin like it was tea; careful with two hands like to steady the pot. ‘Well, it’s a lovely tradition. Used to do it with my parents. Most people back then had physical mobile phones filled with apps. I used to walk around looking at all the trees and beauty and wonder why other kids my age didn’t put their phones down and just take it all in...
Trevor Barton (Brobots (Brobots #1))
It is ironic, in the manner of a dystopian nightmare, that an advanced capitalist empire which is founded on genocide and slavery, which still functions as the global police, which has an armed population, which routinely violates international human rights, which has the largest known military industrial complex in the world, which is the world’s largest producer of pornography, has also produced a saccharine ideology in which ‘positive thinking’ functions as a form of psychological gentrification. And it is not insignificant that the neoliberal lie that one is 110% responsible for one’s life—first powerfully encapsulated by the ‘alternative’ conservative thinker Louise Hay, and more recently echoed by Eckhart Tolle, author of The Power of Now (1997/2005)—is directed at women. Today, gendered victim-blaming has become a form of upwardly mobile common sense ‘wisdom’. Now victimblaming is expressed by voices that sound soothing, wise, calm, above all, loving.
Abigail Bray (Misogyny Re-Loaded)
Menjadi orang baik sebenarnya sangat mudah. Susahnya adalah menjadi "orang baik" versi ayah (punya rumah, punya mobil, punya pekerjaan dengan gaji tinggi), versi ibu (menikah dengan pasangan berkecukupan, melangsungkan pesta yang megah, punya anak), versi teman (harus pintar, mengerti gosip terkini, bisa diajak nongkrong), dan menjadi baik versi seluruh orang di dunia ini yang mengenal kita.
Regis Machdy (Loving the Wounded Soul: Alasan dan Tujuan Depresi Hadir di Hidup Manusia)
We talk about unplugging, but we’re enchanted—by the endless social media circus of love and hatred, the vapid, alarming, sensational, and unforgivable. We’re snagged by every new notification. And while we’ve always had our individual struggles and heartbreaks to deal with, now we have the tragedies of the entire world delivered to us hourly on our mobile devices. This is all very hard on the soul. Traumatizing, in fact.
John Eldredge (Get Your Life Back: Everyday Practices for a World Gone Mad)
Making Waves I would do anything for you. Would you be yourself? In the Hans Christian Anderson classic, The Little Mermaid, Ariel gives up her beautiful voice in exchange for legs. This is a seemingly innocent fable that captures our deal with the modern devil. For aren't we taught that mobility is freedom, whether it be moving from state to state, or from marriage to marriage, or from adventure to adventure? Aren't we convinced that upward mobility, moving from job to job, is the definition of success? Of course, there is nothing inherently wrong with change or variety or newness or with improving our condition. The catch is when we are asked to give up our voice in order to move freely, when we are asked to silence what makes us unique in order to be successful. When not making waves means giving up our chance to dive into the deep, then we are bartering our access to God for a better driveway. As a story about relationship, the lesson of Ariel is crucial. On the surface, her desire for legs seems touching and sweetly motivated by love and the want to belong. Yet here too is another false bargain that plagues everyone who ever tries it. For no matter how badly we want to love or be loved, we cannot alter our basic nature and survive inside, where it counts.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places. Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
I cried, a bit, as a spoke to Belinda on my mobile phone, in a quiet corner, perhaps the only quiet corner in Jaipur. I told her how I'd hoped Paul would read the forward, that he'd read how much I admired his work and how much I admired him, how much I just plain liked him and loved him. But, even as I spoke, I knew: Paul had always known that. He'd seen in on my face every time we met. What made me cry was the obvious, stupid fact that we'd never meet again.
Roddy Doyle (Cigar Box Banjo: Notes on Music and Life)
Like all men endowed with great mental mobility, I have an irrevocable, organic love of settledness. I abhor new ways of life and unfamiliar places. 122. The idea of travelling nauseates me. I’ve already seen what I’ve never seen. I’ve already seen what I have yet to see. The tedium of the forever new, the tedium of discovering – behind the specious differences we see in things and ideas – the unrelenting sameness of everything, the absolute similarity of a mosque and a temple and a church, the exact equivalence of a cabin and a castle, the same structural body for a king in robes and for a naked savage, the eternal concordance of life with itself, the stagnation of everything that lives just because it moves* … Landscapes
Fernando Pessoa (The Book of Disquiet)
I Knew a Woman" I knew a woman, lovely in her bones, When small birds sighed, she would sigh back at them; Ah, when she moved, she moved more ways than one: The shapes a bright container can contain! Of her choice virtues only gods should speak, Or English poets who grew up on Greek (I’d have them sing in chorus, cheek to cheek). How well her wishes went! She stroked my chin, She taught me Turn, and Counter-turn, and Stand; She taught me Touch, that undulant white skin; I nibbled meekly from her proffered hand; She was the sickle; I, poor I, the rake, Coming behind her for her pretty sake (But what prodigious mowing we did make). Love likes a gander, and adores a goose: Her full lips pursed, the errant note to seize; She played it quick, she played it light and loose; My eyes, they dazzled at her flowing knees; Her several parts could keep a pure repose, Or one hip quiver with a mobile nose (She moved in circles, and those circles moved). Let seed be grass, and grass turn into hay: I’m martyr to a motion not my own; What’s freedom for? To know eternity. I swear she cast a shadow white as stone. But who would count eternity in days? These old bones live to learn her wanton ways: (I measure time by how a body sways).
Theodore Roethke (The Collected Poems)
You have to have money these days. The roads are falling apart, so you need a Pajero or a Land Cruiser. The phone lines are erratic, so you need a mobile. The colleges are overrun with fundos who have no interest in getting an education, so you have to go abroad. And that’s ten lakhs a year, mind you. Thanks to electricity theft there will always be shortages, so you have to have a generator. The police are corrupt and ineffective, so you need private security guards. It goes on and on. People are pulling their pieces out of the pie, and the pie is getting smaller, so if you love your family, you’d better take your piece now, while there’s still some left. That’s what I’m doing. And if anyone isn’t doing it, it’s because they’re locked out of the kitchen.
Mohsin Hamid (Moth Smoke)
In The Unbearable Lightness of Being, Tereza lives with Tomas, but her love requires mobilization of all her strength, and suddenly she can’t go on, she longs to retreat down below, to where she came from. And I ask myself: What is happening with her? And this is the answer I find: She is overcome by vertigo. But what is vertigo? I look for a definition and I say: “A heady, insuperable longing to fall.” But immediately I correct myself, I sharpen the definition: Vertigo is “the intoxication of the weak. Aware of his weakness, a man decides to give in rather than stand up to it. He is drunk with weakness, wishes to grow even weaker, wishes to fall down in the middle of the main square in front of everybody, wishes to be down, lower than down. Vertigo is one of the keys to understanding Tereza
Milan Kundera
God was dead: to begin with. And romance was dead. Chivalry was dead. Poetry, the novel, painting, they were all dead, and art was dead. Theatre and cinema were both dead. Literature was dead. The book was dead. Modernism, postmodernism, realism and surrealism were all dead. Jazz was dead, pop music, disco, rap, classical music, dead. Culture was dead. Decency, society, family values were dead. The past was dead. History was dead. The welfare state was dead. Politics was dead. Democracy was dead. Communism, fascism, neoliberalism, capitalism, all dead, and marxism, dead, feminism, also dead. Political correctness, dead. Racism was dead. Religion was dead. Thought was dead. Hope was dead. Truth and fiction were both dead. The media was dead. The internet was dead. Twitter, instagram, facebook, google, dead. Love was dead. Death was dead. A great many things were dead. Some, though, weren’t, or weren’t dead yet. Life wasn’t yet dead. Revolution wasn’t dead. Racial equality wasn’t dead. Hatred wasn’t dead. But the computer? Dead. TV? Dead. Radio? Dead. Mobiles were dead. Batteries were dead. Marriages were dead, sex
Ali Smith (Winter (Seasonal #2))
The Desire To Paint" Unhappy perhaps is the man, but happy the artist, who is torn with this desire. I burn to paint a certain woman who has appeared to me so rarely, and so swiftly fled away, like some beautiful, regrettable thing the traveller must leave behind him in the night. It is already long since I saw her. She is beautiful, and more than beautiful: she is overpowering. The colour black preponderates in her; all that she inspires is nocturnal and profound. Her eyes are two caverns where mystery vaguely stirs and gleams; her glance illuminates like a ray of light; it is an explosion in the darkness. I would compare her to a black sun if one could conceive of a dark star overthrowing light and happiness. But it is the moon that she makes one dream of most readily; the moon, who has without doubt touched her with her own influence; not the white moon of the idylls, who resembles a cold bride, but the sinister and intoxicating moon suspended in the depths of a stormy night, among the driven clouds; not the discreet peaceful moon who visits the dreams of pure men, but the moon torn from the sky, conquered and revolted, that the witches of Thessaly hardly constrain to dance upon the terrified grass. Her small brow is the habitation of a tenacious will and the love of prey. And below this inquiet face, whose mobile nostrils breathe in the unknown and the impossible, glitters, with an unspeakable grace, the smile of a large mouth ; white, red, and delicious; a mouth that makes one dream of the miracle of some superb flower unclosing in a volcanic land. There are women who inspire one with the desire to woo them and win them; but she makes one wish to die slowly beneath her steady gaze.
Charles Baudelaire (The Poems and Prose Poems of Charles Baudelaire)
She was, as you know already without as yet knowing anything, the Lily of this valley, where she grew for heaven, filling it with the fragrance of her virtues. Love, infinite love, without other sustenance than vision, dimly seen, of which my soul was full, was there, expressed to me by that long ribbon of water flowing in the sunshine between the grass-green banks, by the lines of the poplars adorning with their mobile laces that vale of love, by the oak-woods coming down between the vineyards to the shore, which the river curved and rounded as it chose, and by those dim varying horizons as they fled confusedly away.
Honoré de Balzac (The Lily Of The Valley / The Gallery Of Antiquities: La Comedie Humaine of Honore de Balzac)
She did not like bigots or brilliant bores or academicians who wore their honors, or scholars who wore their doctorates, like dogtags. But she had an infinite capacity to love peasants and children and great but simple causes across the board and a grace in giving that was itself gratitude and she had a body like sculpture in the thinnest of wire and a face made of a million mosaics in a gauze-web of cubes lighter than air and a piñata of a heart in the center of a mobile at fiesta time with bits of her soul swirling in the breeze in honor of life and love and Good Morning to you, Bon Jour, Muy Buenos, Muy Buenos! Muy Buenos! On Nancy Cunard
Langston Hughes
So what happened?" "I don't know." Another glance to ensure his continued state of Not Looking, and then I rip off my clothes in one fast swoop. I am now officially stark naked in the room with the most beautiful boy I know. Funny,but this isn't how I imagined this moment. No.Not funny.One hundred percent the exact opposite of funny. "I think I maybe,possibly, vaguely remember hitting the snooze button." I jabber to cover my mortification. "Only I guess it was the off button.But I had the alarm on my phone set,too, so I don't know what happened." Underwear,on. "Did you turn the ringer back on last night?" "What?" I hop into my jeans, a noise he seems to determinedly ignore.His ears are apple red. "You went to see a film,right? Don't you set your mobile to silent at the theater?" He's right.I'm so stupid. If I hadn't taken Meredith to A Hard Day's Night, a Beatles movie I know she loves, I would have never turned it off. We'd already be in a taxi to the airport. "The taxi!" I tug my sweater over my head and look up to find myself standing across from a mirror. A mirror St. Clair is facing. "It's all right," he says. "I told the driver to wait when I came up here. We'll just have to tip him a little extra." His head is still down. I don't think he saw anything.I clear my throat, and he glances up. Our eyes meet in the mirror,and he jumps. "God! I didn't...I mean,not until just now..." "Cool.Yeah,fine." I try to shake it off by looking away,and he does the same. His cheeks are blazing.I edge past him and rinse the white crust off my face while he throws my toothbrush and deodorant and makeup into my luggage, and then we tear downstairs and into the lobby.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Claims to ordinariness and salt-of-the-earth virtue—“slumming it,” as it’s crudely called—are themselves pretentious. The assumption that dropping your aitches or asserting a love of a cheap beer over a fine wine, or processed cheese over a Parmesan, will make you seem unspoiled or somehow more gritty is classic downwardly mobile play-acting.
Dan Fox (Pretentiousness: Why It Matters)
Everyone loved a good reader. And he'd always loved being a great reader - until recently. Maybe it was just part of getting older, or maybe it was being a librarian, or just being here, but lately he'd found he was becoming suspicious of his own love of books. All that reading - it had started to seem wrong, worthless almost, without purpose.
Ian Sansom (Mr. Dixon Disappears (Mobile Library Mystery, #2))
He was a man who didn’t own a mobile phone, as a matter of principle and stubborn pride. He loved it when people were shocked to discover he had never owned one, never would own one. He truly believed it made him morally superior, which drove Joy bananas because, excuse me, he was not. The way he talked about his “stance” on mobile phones, you would think he were the lone person in the crowd not giving the Nazi salute. Before their retirement he told people, “I don’t need a phone, I’m a tennis coach, not a surgeon. There are no tennis emergencies.” There were so tennis emergencies, and more than once over the years she’d been furious when she couldn’t contact him and she was left in a tricky situation that would have been instantly solved if he’d owned a phone. Also, his principles didn’t prevent him from happily picking up the landline and calling Joy on her mobile when she was at the shops, to ask how much longer she’d be, or to please buy more chili crackers, but when Stan was gone, he was gone, and if she thought about that too much and all it implied she could tap into a great well of rage, so she didn’t think about it.
Liane Moriarty (Apples Never Fall)
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. It was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. These were fragrant, colorless alcohols served from cut-glass carafes in small glasses and whether they were quetsche, mirabelle or framboise they all tasted like the fruits they came from, converted into a controlled fire on your tongue that warmed you and loosened your tongue. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern Italian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
Shame creates lies about how men should think and act, and when men don't fulfill those roles, they have additional shame. We see it play out in one of the greatest and most-ignored crises of our times: homelessness. We largely see it as an economic problem, because it is. It's a result of a lack of economic mobility and opportunity as well as a housing crisis, but it's also enabled by the lies we tell about men.
Liz Plank (For the Love of Men: A New Vision for Mindful Masculinity)
With 21 million people following her on Facebook and 18 million on Twitter, pop singer Ariana Grande can’t personally chat with each of her loves, as she affectionately calls her fans. So she and others are spreading their messages through new-style social networks, via mobile apps that are more associated with private, intimate conversation, hoping that marketing in a cozier digital setting adds a breath of warmth and a dash of personality. It’s the Internet’s equivalent of mailing postcards rather than plastering a billboard. Grande could have shared on Twitter that her most embarrassing moment on stage was losing a shoe. The 21-year-old instead revealed the fact during a half-hour live text chat on Line, an app built for close friends to exchange instant messages. It’s expensive to advertise on Facebook and Twitter, and the volume of information being posted creates uncertainty over what people actually notice. Chat apps including Line, Kik, Snapchat, WeChat and Viber place marketing messages front and center. Most-used apps The apps threaten to siphon advertising dollars from the social media leaders, which are already starting to see chat apps overtake them as the most-used apps on smartphones, according to Forrester Research. Chat apps “demand attention,” said Rebecca Lieb, an analyst at consulting firm Altimeter Group.
Anonymous
The fact is that an unscrupulous tyrant mobilizes the suppressed fears and anxieties of those who were beaten as children but have never been able to accuse their own fathers of doing so. Their loyalty to these fathers is unswerving, despite the torments suffered at their hands. Every tyrant symbolizes such a father, the figure whom the abused children remain attached to with every fiber of their being, hoping that one day they will be able to transform him into a loving parent by remaining blind.
Alice Miller (The Body Never Lies: The Lingering Effects of Hurtful Parenting)
Instead of a list of priorities, Jesus introduced us to something completely different: a moving, dynamic, living relationship in which God is not first, but central. This is not a flowchart, but rather a mobile where everything is moving and changing as our choices and participation are woven inside the activity of the Holy Spirit. Lists are about control and performance; God is about adventure and trust. If God is at the center of our lives, then so is love and relationship, since God is profoundly both.
William Paul Young (Lies We Believe About God)
It works twenty-four hours a day for decades without (for the most part) needing regular servicing or the installation of spare parts, runs on water and a few organic compounds, is soft and rather lovely, is accommodatingly mobile and pliant, reproduces itself with enthusiasm, makes jokes, feels affection, appreciates a red sunset and a cooling breeze. How many machines do you know that can do any of that? There is no question about it. You are truly a wonder. But then so, it must be said, is an earthworm.
Bill Bryson (The Body: A Guide for Occupants)
But history,” wrote Dodd’s friend Claude Bowers, ambassador to Spain and later Chile, “will record that in a period when the forces of tyranny were mobilizing for the extermination of liberty and democracy everywhere, when a mistaken policy of ‘appeasement’ was stocking the arsenals of despotism, and when in many high social, and some political, circles, fascism was a fad and democracy anathema, he stood foursquare for our democratic way of life, fought the good fight and kept the faith, and when death touched him his flag was flying still.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
In 1946, Eric Johnston—president of the U.S. Chamber of Commerce from 1941 to 1946 and a former board member of Spiritual Mobilization—became president of the Motion Picture Association of America. He immediately began redirecting Hollywood’s mythmaking machinery. In a talk to screenwriters, Johnston said: “We’ll have no more Grapes of Wrath, we’ll have no more Tobacco Roads, we’ll have no more films that deal with the seamy side of American life. We’ll have no more films that treat the banker as villain.”1 Socioeconomic criticism was out, market fundamentalism was in.
Naomi Oreskes (The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market)
William Slothrop was a peculiar bird. He took off from Boston, heading west in true Imperial style, in 1634 or -5, sick and tired of the Winthrop machine, convinced he could preach as well as anybody in the hierarchy even if he hadn’t been officially ordained. The ramparts of the Berkshires stopped everybody else at the time, but not William. He just started climbing. He was one of the very first Europeans in. After they settled in Berkshire, he and his son John got a pig operation going—used to drive hogs right back down the great escarpment, back over the long pike to Boston, drive them just like sheep or cows. By the time they got to market those hogs were so skinny it was hardly worth it, but William wasn’t really in it so much for the money as just for the trip itself. He enjoyed the road, the mobility, the chance encounters of the day—Indians, trappers, wenches, hill people—and most of all just being with those pigs. They were good company. Despite the folklore and the injunctions in his own Bible, William came to love their nobility and personal freedom, their gift for finding comfort in the mud on a hot day—pigs out on the road, in company together, were everything Boston wasn’t, and you can imagine what the end of the journey, the weighing, slaughter and dreary pigless return back up into the hills must’ve been like for William. Of course he took it as a parable—knew that the squealing bloody horror at the end of the pike was in exact balance to all their happy sounds, their untroubled pink eyelashes and kind eyes, their smiles, their grace in crosscountry movement. It was a little early for Isaac Newton, but feelings about action and reaction were in the air. William must’ve been waiting for the one pig that wouldn’t die, that would validate all the ones who’d had to, all his Gadarene swine who’d rushed into extinction like lemmings, possessed not by demons but by trust for men, which the men kept betraying . . . possessed by innocence they couldn’t lose . . . by faith in William as another variety of pig, at home with the Earth, sharing the same gift of life. . . .
Thomas Pynchon (Gravity's Rainbow)
Our emotions always seek a foothold in what they form and shape, and always find it for a while. But Agathe and I feel an imprisoned ghostliness in our surroundings, the reverse magnetism of two connected poles, the recall in the call, the mobility of supposedly fixed walls; we see and hear it suddenly. To have stumbled 'into a time' seems to us like an adventure, and dubious company. We find ourselves in the enchanted forest. And although we cannot encompass 'our own,' differently constituted feeling, indeed hardly know what it is, we suffer anxiety about it and would like to hold it fast. But how do you hold a feeling fast? How could one linger at the highest stage of rapture, if indeed there were any way of getting there at all? Basically this is the only question that preoccupies us. We have intimations of an emotion removed from the entropy of the other emotions. It stand like a miraculous, motionless shadow in the flow before us. But would it not have to arrest the world in its course in order to exist? I arrive at the conclusion that it cannot be a feeling in the same sense as the other feelings." And suddenly Ulrich concluded: "So I come back to the question: Is love an emotion? I think not. Love is an ecstasy. And God Himself, in order to be able to lastingly love the world and, with the love of God-the-artist, also embrace what has already happened, must be in a constant state of ecstasy. This is the only form in which he may be imagined--" Here he had broken off this entry.
Robert Musil (The Man Without Qualities)
We cannot hope to recapture today the terror that the mounted horse struck into the Middle East and Eastern Europe when it first appeared. That is because there is a difference of scale which I can only compare with the arrival of tanks in Poland in 1939, sweeping all before them. I believe that the importance of the horse in European history has always been underrated. In a sense, warfare was created by the horse, as a nomad activity. That is what the Huns brought, that is what the Phrygians brought, that is what finally the Mongols brought, and brought to a climax under Genghis Khan much later. In particular, the mobile hordes transformed the organisation of battle. They conceived a different strategy of war – a strategy that is like a war game; how, warmakers love to play games!
Jacob Bronowski (The Ascent Of Man)
A degree of anxiety is fundamental to our nature for well-founded reasons: •   Because we are intensely vulnerable physical beings, a complicated network of fragile organs deeply affected by the vagaries of our outer and inner worlds. •   Because we can imagine so much more than we can ever have and live in mobile-driven, mediatised societies where envy and restlessness are constants. •   Because we are the descendants of the great worriers of the species (the others having been trampled and torn apart by wild animals) and because we still carry in our bones – into the calm of the jasmine-scented holiday resort – the terrors of the savannah. •   Because we rely for our self-esteem and sense of comfort on the love of people we cannot control and whose needs and hopes will never align seamlessly with our own
Alain de Botton (How to Travel)
Over the years, I have grown to love airports, despite all the travel inconveniences which are getting worse every year. I don’t know why I have this strong desire to depart; to always be somewhere else. Maybe getting displaced and being forced out of my home as a result of war has turned me into a permanent nomad? Since I left Iraq for the first time in 2005, I almost always have a plane, bus, or train ticket to go somewhere. Sometimes I think of the mothers who abandon their unwanted babies at the doors of churches and mosques. I imagine that my mother, too, had left me at the door of an airport with a plane ticket instead of a pacifier in my mouth! And since then, I have been moving everywhere and arriving nowhere. Could it be that disillusion takes place precisely at the moment we arrive at a certain destination?
Louis Yako
A variation in belief can also cause the death of love. Love, mobile and pre-existing, focuses on the image of a certain woman simply because she will be almost certainly unattainable. From then on, one thinks not so much about her, it being difficult to imagine her anyway, as about possible ways of getting to know her. A whole process of anxieties comes into play, which is enough to fixate our love on her, though she is the barely known object of it. Love having become immense, we never reflect on how small a part the woman herself plays in it. And if, as had happened to me when I saw Elstir stop beside the girls, we have sudden cause to lose our feeling of anxiety or uneasiness, since our love amounts to nothing more than that, our love too seems to have vanished at the very moment when we come into possession of a prize the value of which we have never really thought about.
Marcel Proust (In the Shadow of Young Girls in Flower)
Moving was one thing that helped me understand what our environment does to us. Another was becoming a foster parent. Our foster kids were born in a county that borders Clemson, where we lived. Their county is in the ninth percentile for upward income mobility—it’s a very poor area with few jobs and fewer opportunities. Due to the legalities surrounding foster children, I cannot go into much detail about their early environment, but suffice it to say their home situation was far from ideal. The chances for these bright, intelligent, loving children to improve their lot in life, as well as their opportunities for happiness and fulfillment, if they had remained in their native environment were practically zero percent. But as Dr. Raj Chetty and Dr. Nathaniel Hendren stated, “The data shows we can do something about upward mobility…Every extra year of childhood spent in a better neighborhood seems to matter.
Benjamin P. Hardy (Willpower Doesn't Work: Discover the Hidden Keys to Success)
To escape the throngs, we decided to see the new Neil Degrasse Tyson planetarium show, Dark Universe. It costs more than two movie tickets and is less than thirty minutes long, but still I want to go back and see it again, preferably as soon as possible. It was more visually stunning than any Hollywood special effect I’d ever seen, making our smallness as individuals both staggering and - strangely - rather comforting. Only five percent of the universe consists of ordinary matter, Neil tells us. That includes all matter - you, and me, and the body of Michael Brown, and Mork’s rainbow suspenders, and the letters I wrote all summer, and the air conditioner I put out on the curb on Christmas Day because I was tired of looking at it and being reminded of the person who had installed it, and my sad dying computer that sounds like a swarm of bees when it gets too hot, and the fields of Point Reyes, and this year’s blossoms which are dust now, and the drafts of my book, and Israeli tanks, and the untaxed cigarettes that Eric Garner sold, and my father’s ill-fitting leg brace that did not accomplish what he’d hoped for in terms of restoring mobility, and the Denver airport, and haunting sperm whales that sleep vertically, and the water they sleep in, and Mars and Jupiter and all of the stars we see and all of the ones we don’t. That’s all regular matter, just five percent. A quarter is “dark matter,” which is invisible and detectable only by gravitational pull, and a whopping 70 percent of the universe is made up of “dark energy,” described as a cosmic antigravity, as yet totally unknowable. It’s basically all mystery out there - all of it, with just this one sliver of knowable, livable, finite light and life. And did I mention the effects were really cool? After seeing something like that it’s hard to stay mad at anyone, even yourself.
Summer Brennan
In his Reflections on the French Revolution, Edmund Burke argued against the ‘geometrical’ politics, as he called it, of the French revolutionaries – a politics that proposed a rational goal, and a collective procedure for achieving it, and which mobilized the whole of society behind the resulting programme. Burke saw society as an association of the dead, the living and the unborn. Its binding principle is not contract, but something more akin to love. Society is a shared inheritance for the sake of which we learn to circumscribe our demands, to see our own place in things as part of a continuous chain of giving and receiving, and to recognize that the good things we inherit are not ours to spoil. There is a line of obligation that connects us to those who gave us what we have; and our concern for the future is an extension of that line. We take the future of our community into account not by fictitious cost-benefit calculations, but more concretely, by seeing ourselves as inheriting benefits and passing them on.
Roger Scruton (How to Be a Conservative)
God was dead: to begin with. And romance was dead. Chivalry was dead. Poetry, the novel, painting, they were all dead, and art was dead. Theatre and cinema were both dead. Literature was dead. The book was dead. Modernism, postmodernism, realism and surrealism were all dead. Jazz was dead, pop music, disco, rap, classical music, dead. Culture was dead. Decency, society, family values were dead. The past was dead. History was dead. The welfare state was dead. Politics was dead. Democracy was dead. Communism, fascism, neoliberalism, capitalism, all dead, and marxism, dead, feminism, also dead. Political correctness, dead. Racism was dead. Religion was dead. Thought was dead. Hope was dead. Truth and fiction were both dead. The media was dead. The internet was dead. Twitter, instagram, facebook, google, dead. Love was dead. Death was dead. A great many things were dead. Some, though, weren’t, or weren’t dead yet. Life wasn’t yet dead. Revolution wasn’t dead. Racial equality wasn’t dead. Hatred wasn’t dead. But the computer? Dead. TV? Dead. Radio? Dead. Mobiles were dead. Batteries were dead. Marriages were dead, sex lives were dead, conversation was dead. Leaves were dead. Flowers were dead, dead in their water. Imagine being haunted by the ghosts of all these dead things. Imagine being haunted by the ghost of a flower. No, imagine being haunted (if there were such a thing as being haunted, rather than just neurosis or psychosis) by the ghost (if there were such a thing as ghosts, rather than just imagination) of a flower. Ghosts themselves weren’t dead, not exactly. Instead, the following questions came up: “are ghosts dead are ghosts dead or alive are ghosts deadly” but in any case forget ghosts, put them out of your mind because this isn’t a ghost story, though it’s the dead of winter when it happens, a bright sunny post-millennial global-warming Christmas Eve morning (Christmas, too, dead), and it’s about real things really happening in the real world involving real people in real time on the real earth (uh huh, earth, also dead):
Ali Smith (Winter (Seasonal, #2))
The trial was adjourned. As I was leaving the courthouse on my way back to the van, I recognized for a brief moment the smell and color of the summer evening. In the darkness of my mobile prison I could make out one by one, as if from the depths of my exhaustion, all the familiar sounds of a town I loved and of a certain time of day when I used to feel happy. The cries of the newspaper vendors in the already languid air, the last few birds in the square, the shouts of the sandwich sellers, the screech of the streetcars turning sharply through the upper town, and that hum in the sky before night engulfs the port: all this mapped out for me a route I knew so well before going to prison and which now I traveled blind. Yes, it was the hour when, a long time ago, I was perfectly content. What awaited me back then was always a night of easy, dreamless sleep. And yet something had changed, since it was back to my cell that I went to wait for the next day . . . as if familiar paths traced in summer skies could lead as easily to prison as to the sleep of the innocent.
Albert Camus (The Stranger)
We [Americans] are accustomed to think of ourselves as an emancipated people; we say that we are democratic, liberty-loving, free of prejudices and hatred. This is the melting-pot, the seat of a great human experiment. Beautiful words, full of noble, idealistic sentiment. Actually we are a vulgar, pushing mob whose passions are easily mobilized by demagogues, newspaper men, religious quacks, agitators and such like. To call this a society of free peoples is blasphemous. What have we to offer the world beside the superabundant loot which we recklessly plunder from the earth under the maniacal delusion that this insane activity represents progress and enlightenment? The land of opportunity has become the land of senseless sweat and struggle. The goal of all our striving has long been forgotten. We no longer wish to succor the oppressed and homeless; there is no room in this great, empty land for those who, like our forefathers before us, now seek a place of refuge. Millions of men and women are, or were until very recently, on relief, condemned like guinea pigs to a life of forced idleness. The world meanwhile looks to us with a desperation such as it has never known before. Where is the democratic spirit? Where are the leaders?
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
Colby was quietly shocked to find Tate not only at his door the next morning, but smiling. He was expecting an armed assault following their recent telephone conversation. “I’m here with a job offer.” Colby’s dark eyes narrowed. “Does it come with a cyanide capsule?” he asked warily. Tate clapped the other man on the shoulder. “I’m sorry about the way I’ve treated you. I haven’t been thinking straight. I’m obliged to you for telling me the truth about Cecily.” “You know the baby’s yours, I gather?” Tate nodded. “I’m on my way to Tennessee to bring her home,” he replied. Colby’s eyes twinkled. “Does she know this?” “Not yet. I’m saving it for a surprise.” “I imagine you’re the one who’s going to get the surprise,” Colby informed him. “She’s changed a lot in the past few weeks.” “I noticed.” Tate leaned against the wall near the door. “I’ve got a job for you.” “You want me to go to Tennessee?” Colby murmured dryly. “In your dreams, Lane,” Tate returned. “No, not that. I want you to head up my security force for Pierce Hutton while I’m away.” Colby looked around the room. “Maybe I’m hallucinating.” “You and my father,” Tate muttered, shaking his head. “Listen, I’ve changed.” “Into what?” “Pay attention. It’s a good job. You’ll have regular hours. You can learn to sleep without a gun under your pillow. You won’t lose any more arms.” He added thoughtfully, “I’ve been a bad friend. I was jealous of you.” “But why?” Colby wanted to know. “Cecily is special. I look out for her, period. There’s never been a day since I met her when she wasn’t in love with you, or a time when I didn’t know it.” Tate felt warmth spread through his body at the remark. “I’ve given her hell. She may not feel that way, now.” “You can’t kill love,” Colby said heavily. “I know. I’ve tried.” Tate felt sorry for the man. He didn’t know how to put it into words. Colby shrugged. “Anyway, I’ve learned to live with my ghosts, thanks to that psychologist Cecily pushed me into seeing.” He scowled. “She keeps snakes, can you imagine? I used to see mine crawling out of whiskey bottles, but hers are real.” “Maybe she’s allergic to fur,” Tate pointed out. Colby chuckled. “Who knows. When do I start?” he added. “Today.” He produced a mobile phone and dialed a number. “I’m sending Colby Lane over. He’s my relief while I’m away. If you have any problems, report them to him.” He nodded as the person on the other end of the line replied in the affirmative. He closed up the phone. “Okay, here’s what you need to do…
Diana Palmer (Paper Rose (Hutton & Co. #2))
I had abandoned Elana; I deserved her uncertainty. I closed my eyes and focused on her touch. Perhaps she wouldn't have understood had I tried to explain it to her, but to me Elana was not only Elana--she was the sad-eyed love of mine who used to bag groceries at Woodley's in Buffalo; she was the sweet one who always sat across from me on the city bus in Niagara Falls; she was the girl I'd picked up hitchhiking in Mobile and dropped off in New Orleans, brash, full of sarcastic humor, but truly lonely and scared; she was the one I'd nabbed pinching Newports for her dad from the Marathon station I'd worked at in Bakersfield (I'd softened and paid for the pack myself); yes, she was the girl playing basketball with all the boys in the park, collecting cans by the side of the road, keeping secret pet kittens in an empty boxcar in the woods, walking alone at night through the rail yards, teaching her little sisters how to kiss, reading out loud to herself, so absorbed by the story, singing sadly in the tub, building a fort from the junked cars out in the meadow, by herself in the front row at the black-and-white movies or in the alley, gazing at an eddy of cigarette stubs and trash and fall leaves, smoking her first cigarette at dusk by a pile of dead brush in the desert, then wishing at the stars-she was all of them, and she was so much more that was just her that I still didn't know.
Davy Rothbart
Eight Bells: Robert J. Kane ‘55D died June 3, 2017, in Palm Harbor, Florida. He came to MMA by way of Boston College. Bob or “Killer,” as he was affectionately known, was an independent and eccentric soul, enjoying the freedom of life. After a career at sea as an Officer in the U.S. Navy and in the Merchant Marine he retired to an adventurous single life living with his two dogs in a mobile home, which had originally been a “Yellow School Bus.” He loved watching the races at Daytona, Florida, telling stories about his interesting deeds about flying groceries to exotic Caribbean Islands, and misdeeds with mysterious ladies he had known. For years he spent his summers touring Canada and his winters appreciating the more temperate weather at Fort De Soto in St. Petersburg, Florida…. Enjoying life in the shadow of the Sunshine Bridge, Bob had an artistic flare, a positive attitude and a quick sense of humor. Not having a family, few people were aware that he became crippled by a hip replacement operation gone bad at the Bay Pines VA Hospital. His condition became so bad that he could hardly get around, but he remained in good spirits until he suffered a totally debilitating stroke. For the past 6 years Bob spent his time at various Florida Assisted Living Facilities, Nursing Homes and Palliative Care Hospitals. His end came when he finally wound up as a terminal patient at the Hospice Facility in Palm Harbor, Florida. Bob was 86 years old when he passed. He will be missed….
Hank Bracker
At the risk of oversimplifying a topic that deserves entire books, we can summarize like this: During enslavement, many Black cooks learned their way around kitchens because their lives could depend on having that knowledge and skill. After slavery was abolished, many took to slinging fried chicken (or cooking in general) as one way to make a living. Interestingly, it wasn’t until Black folks began navigating their supposed freedoms-applying to schools, looking for paid work, seeking housing-that cartoonish, offensive images of Black folks eagerly consuming chicken or stealing chickens began to appear in essays, comics, advertisements, and postcards, perpetuating a narrative by white society that Black people were subhuman and needed to be controlled, policed, and locked out of mainstream opportunities. Exacerbated by the deep white resentment of Black people’s increasing social and political mobility (this period saw the largest representation of Black people in Congress than any time since), the idea took root that being Black meant that you loved fried chicken so much that you couldn’t resist it. This narrative is a painful legacy of slavery that wasn’t of our own making and is ironic, given that people all over the world get down with wings and things. But the essence of this stereotype persists. We know folks who refuse to eat fried chicken around white people, or chefs who don’t cook it in their restaurants, because they feel that’s the only thing certain diners expect from them…American fried chicken tastes good. It’s also complicated.
Jon Gray (Ghetto Gastro Presents Black Power Kitchen)
Discipline As your baby becomes more mobile and inquisitive, she’ll naturally become more assertive, as well. This is wonderful for her self-esteem and should be encouraged as much as possible. When she wants to do something that’s dangerous or disrupts the rest of the family, however, you’ll need to take charge. For the first six months or so, the best way to deal with such conflicts is to distract her with an alternative toy or activity Standard discipline won’t work until her memory span increases around the end of her seventh month. Only then can you use a variety of techniques to discourage undesired behavior. When you finally begin to discipline your child, it should never be harsh. Remember that discipline means to teach or instruct, not necessarily to punish. Often the most successful approach is simply to reward desired behavior and withhold rewards when she does not behave as desired. For example, if she cries for no apparent reason, make sure there’s nothing wrong physically; then when she stops, reward her with extra attention, kind words, and hugs. If she starts up again, wait a little longer before turning your attention to her, and use a firm tone of voice as you talk to her. This time, don’t reward her with extra attention or hugs. The main goal of discipline is to teach limits to the child, so try to help her understand exactly what she’s doing wrong when she breaks a rule. If you notice her doing something that’s not allowed, such as pulling your hair, let her know that it’s wrong by calmly saying “no,” stopping her, and redirecting her attention to an acceptable activity. If your child is touching or trying to put something in her mouth that she shouldn’t, gently pull her hand away as you tell her this particular object is off-limits. But since you do want to encourage her to touch other things, avoid saying “Don’t touch.” More pointed phrases, such as “Don’t eat the flowers” or “No eating leaves” will convey the message without confusing her. Because it’s still relatively easy to modify her behavior at this age, this is a good time to establish your authority and a sense of consistency Be careful not to overreact, however. She’s still not old enough to misbehave intentionally and won’t understand if you punish her or raise your voice. She may be confused and even become startled when told that she shouldn’t be doing or touching something. Instead, remain calm, firm, consistent, and loving in your approach. If she learns now that you have the final word, it may make life much more comfortable for both of you later on, when she naturally becomes more headstrong.
American Academy of Pediatrics (Your Baby's First Year)
Beyoncé and Rihanna were pop stars. Pop stars were musical performers whose celebrity had exploded to the point where they could be identified by single words. You could say BEYONCÉ or RIHANNA to almost anyone anywhere in the industrialized world and it would conjure a vague neurological image of either Beyoncé or Rihanna. Their songs were about the same six subjects of all songs by all pop stars: love, celebrity, fucking, heartbreak, money and buying ugly shit. It was the Twenty-First Century. It was the Internet. Fame was everything. Traditional money had been debased by mass production. Traditional money had ceased to be about an exchange of humiliation for food and shelter. Traditional money had become the equivalent of a fantasy world in which different hunks of vampiric plastic made emphatic arguments about why they should cross the threshold of your home. There was nothing left to buy. Fame was everything because traditional money had failed. Fame was everything because fame was the world’s last valid currency. Beyoncé and Rihanna were part of a popular entertainment industry which deluged people with images of grotesque success. The unspoken ideology of popular entertainment was that its customers could end up as famous as the performers. They only needed to try hard enough and believe in their dreams. Like all pop stars, Beyoncé and Rihanna existed off the illusion that their fame was a shared experience with their fans. Their fans weren’t consumers. Their fans were fellow travelers on a journey through life. In 2013, this connection between the famous and their fans was fostered on Twitter. Beyoncé and Rihanna were tweeting. Their millions of fans were tweeting back. They too could achieve their dreams. Of course, neither Beyoncé nor Rihanna used Twitter. They had assistants and handlers who packaged their tweets for maximum profit and exposure. Fame could purchase the illusion of being an Internet user without the purchaser ever touching a mobile phone or a computer. That was a difference between the rich and the poor. The poor were doomed to the Internet, which was a wonderful resource for watching shitty television, experiencing angst about other people’s salaries, and casting doubt on key tenets of Mormonism and Scientology. If Beyoncé or Rihanna were asked about how to be like them and gave an honest answer, it would have sounded like this: “You can’t. You won’t. You are nothing like me. I am a powerful mixture of untamed ambition, early childhood trauma and genetic mystery. I am a portal in the vacuum of space. The formula for my creation is impossible to replicate. The One True God made me and will never make the like again. You are nothing like me.
Jarett Kobek (I Hate the Internet)
MY PROCESS I got bullied quite a bit as a kid, so I learned how to take a punch and how to put up a good fight. God used that. I am not afraid of spiritual “violence” or of facing spiritual fights. My Dad was drafted during Vietnam and I grew up an Army brat, moving around frequently. God used that. I am very spiritually mobile, adaptable, and flexible. My parents used to hand me a Bible and make me go look up what I did wrong. God used that, as well. I knew the Word before I knew the Lord, so studying Scripture is not intimidating to me. I was admitted into a learning enrichment program in junior high. They taught me critical thinking skills, logic, and Greek Mythology. God used that, too. In seventh grade I was in school band and choir. God used that. At 14, before I even got saved, a youth pastor at my parents’ church taught me to play guitar. God used that. My best buddies in school were a druggie, a Jewish kid, and an Irish soccer player. God used that. I broke my back my senior year and had to take theatre instead of wrestling. God used that. I used to sleep on the couch outside of the Dean’s office between classes. God used that. My parents sent me to a Christian college for a semester in hopes of getting me saved. God used that. I majored in art, advertising, astronomy, pre-med, and finally English. God used all of that. I made a woman I loved get an abortion. God used (and redeemed) that. I got my teaching certification. I got plugged into a group of sincere Christian young adults. I took courses for ministry credentials. I worked as an autism therapist. I taught emotionally disabled kids. And God used each of those things. I married a pastor’s daughter. God really used that. Are you getting the picture? San Antonio led me to Houston, Houston led me to El Paso, El Paso led me to Fort Leonard Wood, Fort Leonard Wood led me back to San Antonio, which led me to Austin, then to Kentucky, then to Belton, then to Maryland, to Pennsylvania, to Dallas, to Alabama, which led me to Fort Worth. With thousands of smaller journeys in between. The reason that I am able to do the things that I do today is because of the process that God walked me through yesterday. Our lives are cumulative. No day stands alone. Each builds upon the foundation of the last—just like a stairway, each layer bringing us closer to Him. God uses each experience, each lesson, each relationship, even our traumas and tragedies as steps in the process of becoming the people He made us to be. They are steps in the process of achieving the destinies that He has encoded into the weave of each of our lives. We are journeymen, finding the way home. What is the value of the journey? If the journey makes us who we are, then the journey is priceless.
Zach Neese (How to Worship a King: Prepare Your Heart. Prepare Your World. Prepare the Way)
mobile
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
Offering a free app to your consumers is no guarantee that they’ll use it and love you for it.
Scott Bales (Mobile Ready: Connecting With The Untethered Consumer)
Have you noticed that there are no local consumer electronics webs, run by earnest chaps with straggly beards called Hugo and Jake who are, ‘you know, just, like, trying to make a difference by cutting down the electronics miles on people’s phones in an attempt to save the planet’? Have you clocked that there is no such thing as an artisan mobile phone? This is because we understand that different parts of the world are better suited to different tasks. You don’t own a local phone because they make them better and cheaper in China, which is a very long way from where you are. Exactly the same applies to our food. Illinois, Iowa, Michigan, Indiana – the entire US corn belt – grows so much of it because it has the right climate and the right soil to do so. Bemoaning industrial-scale agriculture in America on principle is about as sensible as criticizing China for making all those mobile phones. Which you wouldn’t do, because you bloody love your smartphone, don’t you, you dirty little digital warrior? And that sound is the penny suddenly dropping. Yes, you are absolutely right: this argument is going to kick ten tons of crap out of the local food movement. Have patience. We’ll get there.
Jay Rayner (A Greedy Man in a Hungry World: How (almost) everything you thought you knew about food is wrong)
The suffering person faces choices. She can recoil in anger and despair against God. Or she can accept the trial as an opportunity for joy. I do not mean to imply that God loves one type of sufferer and rejects the other, or even that one is more “spiritual” than the other. I believe God understands those people who kick and struggle and scream as well as those who learn that suffering can be a means of grace, of transformation. (Remember, God had far more sympathy for Job’s honest ravings than for his friends’ pieties.) God does not need our good responses for himself, to satisfy some jealous parental hunger. He directs attention from cause to response for our sakes, not his. Indeed, the path of joyful acceptance is self-healing: an attitude of joy and gratitude will reduce stress, calm nerves, allay fears, help mobilize bodily defenses.
Philip Yancey (Where Is God When It Hurts?)
Em, it’s Will. Where the hell is that fiancé of yours? He didn’t turn up at the meeting place, and he’s not answering his phone.’ Emma Holden pressed her mobile into one ear and cupped her hand over the
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
Dear KDP Author, Just ahead of World War II, there was a radical invention that shook the foundations of book publishing. It was the paperback book. This was a time when movie tickets cost 10 or 20 cents, and books cost $2.50. The new paperback cost 25 cents – it was ten times cheaper. Readers loved the paperback and millions of copies were sold in just the first year. With it being so inexpensive and with so many more people able to afford to buy and read books, you would think the literary establishment of the day would have celebrated the invention of the paperback, yes? Nope. Instead, they dug in and circled the wagons. They believed low cost paperbacks would destroy literary culture and harm the industry (not to mention their own bank accounts). Many bookstores refused to stock them, and the early paperback publishers had to use unconventional methods of distribution – places like newsstands and drugstores. The famous author George Orwell came out publicly and said about the new paperback format, if “publishers had any sense, they would combine against them and suppress them.” Yes, George Orwell was suggesting collusion. Well… history doesn’t repeat itself, but it does rhyme. Fast forward to today, and it’s the e-book’s turn to be opposed by the literary establishment. Amazon and Hachette – a big US publisher and part of a $10 billion media conglomerate – are in the middle of a business dispute about e-books. We want lower e-book prices. Hachette does not. Many e-books are being released at $14.99 and even $19.99. That is unjustifiably high for an e-book. With an e-book, there’s no printing, no over-printing, no need to forecast, no returns, no lost sales due to out of stock, no warehousing costs, no transportation costs, and there is no secondary market – e-books cannot be resold as used books. E-books can and should be less expensive. Perhaps channeling Orwell’s decades old suggestion, Hachette has already been caught illegally colluding with its competitors to raise e-book prices. So far those parties have paid $166 million in penalties and restitution. Colluding with its competitors to raise prices wasn’t only illegal, it was also highly disrespectful to Hachette’s readers. The fact is many established incumbents in the industry have taken the position that lower e-book prices will “devalue books” and hurt “Arts and Letters.” They’re wrong. Just as paperbacks did not destroy book culture despite being ten times cheaper, neither will e-books. On the contrary, paperbacks ended up rejuvenating the book industry and making it stronger. The same will happen with e-books. Many inside the echo-chamber of the industry often draw the box too small. They think books only compete against books. But in reality, books compete against mobile games, television, movies, Facebook, blogs, free news sites and more. If we want a healthy reading culture, we have to work hard to be sure books actually are competitive against these other media types, and a big part of that is working hard to make books less expensive. Moreover, e-books are highly price elastic. This means that when the price goes down, customers buy much more. We've quantified the price elasticity of e-books from repeated measurements across many titles. For every copy an e-book would sell at $14.99, it would sell 1.74 copies if priced at $9.99. So, for example, if customers would buy 100,000 copies of a particular e-book at $14.99, then customers would buy 174,000 copies of that same e-book at $9.99. Total revenue at $14.99 would be $1,499,000. Total revenue at $9.99 is $1,738,000. The important thing to note here is that the lower price is good for all parties involved: the customer is paying 33% less and the author is getting a royalty check 16% larger and being read by an audience that’s 74% larger. The pie is simply bigger.
Amazon Kdp
People love simple, dependable, adaptable products.
Giles Colborne (Simple and Usable Web, Mobile, and Interaction Design (Voices That Matter))
Friday dusk becomes Friday evening. The park is feverish with life. A young Asian man screams into his mobile phone, not stopping to listen: a young man with his heart in his penis.
Craig Stone (The Squirrel that Dreamt of Madness)
In theorizing about the emotion of belonging (to a community, a nation), Ahmed points out that any form of belonging requires, first, the creation of an imagined other who threatens the lives of ordinary subjects (hate); second, the creation of a community through the mobilization of hate via a process of difference and displacement - a process of expressing love for the community.
Chua Beng-Huat
I don’t want to get too serious here, but a purse (like a pair of high heels) actually impinges on your mobility. That’s one of many reasons why you don’t see the guys-with-purses trend catching on. If one of your hands is stuck carrying your purse, it means it’s not free for all sorts of exciting things you could be using it for, like shoving your way through crowds, throwing your arms around loved ones, climbing the greasy pole to success, and waving madly for taxis.
Anonymous
As a result, there’s always another billion-dollar company, and in the B2B space there is room for a few of them. With the waves of Big Data, cloud, mobile, and social setting the stage, it’s not hard to imagine that the next twenty years of information technology will be even more exciting than the last twenty.
David Feinleib (Big Data Demystified: How Big Data Is Changing The Way We Live, Love And Learn)
Every time I try to diagram some organizational phenomena or strategy, the resulting pretty picture generally fails to create any lasting understanding. Much like movies, diagrams are more meaningful when you are there to witness the “making-of” experience or any other “live” means of presentation. We love to be there at the very moment of conception of an idea, but when we’re not, we’re less likely to be excited by the idea (because it doesn’t feel like our own). There is something to be said for sitting right there and watching the drawing unfold — it can make the spoken narrative clearer. At the very end of an intense diagramming session that has revealed every possible magnificent detail, there is always the moment of excitement and reckoning that warrants, “Wait, wait… let me take a photo of this with my mobile phone.” But when you show it to someone else a week or two later, it no longer makes any sense. Watching something being made is a powerful way to understand a concept; trying to decode just the final result, no matter how simple and visually elegant, demands an explanation of how it came to be.
John Maeda (Redesigning Leadership (Simplicity: Design, Technology, Business, Life))
said, stepping out onto the crowded pavement – the heat wave that had baked the country for the past two weeks had really brought out the revellers. ‘That was my fault – Lizzy persuaded the barman to turn the music up. Now it’s so loud my eardrums feel like they’re about to burst. I only noticed your call because I had my mobile out, showing Lizzy and the girls some photos from last week.
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))