Circe Quotes

We've searched our database for all the quotes and captions related to Circe. Here they are! All 100 of them:

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But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.
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Madeline Miller (Circe)
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He showed me his scars, and in return he let me pretend that I had none.
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Madeline Miller (Circe)
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Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep.
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Madeline Miller (Circe)
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I thought: I cannot bear this world a moment longer. Then, child, make another.
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Madeline Miller (Circe)
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I thought once that gods are the opposite of death, but I see now they are more dead than anything, for they are unchanging, and can hold nothing in their hands.
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Madeline Miller (Circe)
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It is a common saying that women are delicate creatures, flowers, eggs, anything that may be crushed in a moment's carelessness. If I had ever believed it, I no longer did.
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Madeline Miller (Circe)
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I would say, some people are like constellations that only touch the earth for a season.
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Madeline Miller (Circe)
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You threw me to the crows, but it turns out I prefer them to you.
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Madeline Miller (Circe)
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Percy tried to remember. He really did. For some reason, Annabeth and he had visited a spa and decided to destroy it. He couldn't imagine why. Maybe they hadn't like the deep-tissue massage? Maybe they'd gotten bad manicures?
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Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
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But perhaps no parent can truly see their child. When we look we see only the mirror of our own faults.
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Madeline Miller (Circe)
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Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
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Madeline Miller (Circe)
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That is one thing gods and mortals share. When we are young, we think ourselves the first to have each feeling in the world.
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Madeline Miller (Circe)
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You are wise,” he said. β€œIf it is so,” I said, β€œit is only because I have been fool enough for a hundred lifetimes.
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Madeline Miller (Circe)
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The thought was this: that all my life had been murk and depths, but I was not a part of that dark water. I was a creature within it.
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Madeline Miller (Circe)
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A golden cage is still a cage.
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Madeline Miller (Circe)
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When I was born, the word for what I was did not exist.
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Madeline Miller (Circe)
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I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open.
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Madeline Miller (Circe)
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You cannot know how frightened gods are of pain. There is nothing more foreign to them, and so nothing they ache more deeply to see.
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Madeline Miller (Circe)
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Yet because I knew nothing, nothing was beneath me.
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Madeline Miller (Circe)
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He was another knife I could feel it. A different sort, but a knife still. I did not care. I thought: give me the blade. Some things are worth spilling blood for.
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Madeline Miller (Circe)
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You can teach a viper to eat from your hands, but you cannot take away how much it likes to bite.
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Madeline Miller (Circe)
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The truth is, men make terrible pigs.
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Madeline Miller (Circe)
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So many years I had spent as a child sifting his bright features for his thoughts, trying to glimpse among them one that bore my name. But he was a harp with only one string, and the note it played was himself. β€œYou have always been the worst of my children,” he said. β€œBe sure to not dishonor me.” β€œI have a better idea. I will do as I please, and when you count your children, leave me out.
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Madeline Miller (Circe)
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I had been old and stern for so long, carved with regrets and years like a monolith. But that was only a shape I had been poured into. I did not have to keep it.
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Madeline Miller (Circe)
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We are sorry, we are sorry. Sorry you were caught, I said. Sorry that you thought I was weak, but you were wrong.
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Madeline Miller (Circe)
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I asked her how she did it once, how she understood the world so clearly. She told me that it was a matter of keeping very still and showing no emotions, leaving room for others to reveal themselves.
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Madeline Miller (Circe)
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Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. ... He does not mean that it does not hurt. He does not mean that we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what is means to be alive.
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Madeline Miller (Circe)
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But gods are born of ichor and nectar, their excellences already bursting from their fingertips. So they find their fame by proving what they can mar: destroying cities, starting wars, breeding plagues and monsters. All that smoke and savor rising so delicately from our altars. It leaves only ash behind.
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Madeline Miller (Circe)
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It was my first lesson. Beneath the smooth, familiar face of things is another that waits to tear the world in two.
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Madeline Miller (Circe)
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Witches are not so delicate.
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Madeline Miller (Circe)
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But of course I could not die. I would live on, through each scalding moment to the next. This is the grief that makes our kind choose to be stones and trees rather than flesh.
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Madeline Miller (Circe)
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It was their favorite bitter joke: those who fight against prophecy only draw it more tightly around their throats.
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Madeline Miller (Circe)
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It was so simple. If you want it, I will do it. If it would make you happy, I will go with you. Is there a moment that a heart cracks?
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Madeline Miller (Circe)
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How many of us would be granted pardon if our true hearts were known?
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Madeline Miller (Circe)
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But there was no wound she could give me that I had not already given myself.
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Madeline Miller (Circe)
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They do not care if you are good. They barely care if you are wicked. The only thing that makes them listen is power.
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Madeline Miller (Circe)
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I had no right to claim him, I know it. But in a solitary life, there are rare moments when another when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.
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Madeline Miller (Circe)
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Then I learned that I could bend the world to my will, as a bow is bent for an arrow. I would have done that toil a thousand times to keep such power in my hands.
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Madeline Miller (Circe)
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He liked the way the obsidian reflected his light, the way its slick surfaces caught fire as he passed. Of course, he did not consider how black it would be when he was gone. My father has never been able to imagine the world without himself in it.
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Madeline Miller (Circe)
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I stepped into those woods and my life began.
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Madeline Miller (Circe)
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All my life I have been moving forward, and now I am here. I have a mortal’s voice, let me have the rest. I lift the brimming bowl to my lips and drink.
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Madeline Miller (Circe)
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I do not think anyone can say what is in someone else.
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Madeline Miller (Circe)
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Bold action and bold manner are not the same.
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Madeline Miller (Circe)
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Timidity creates nothing.
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Madeline Miller (Circe)
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When he was gone, would I be like Achilles, wailing over his lost lover Patroclus? I tried to picture myself running up and down the beaches, tearing at my hair, cradling some scrap of old tunic he had left behind. Crying out for the loss of half my soul. I could not see it. That knowledge brought its own sort of pain.
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Madeline Miller (Circe)
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It's not fair," I said. "It cannot be." "Those are two different things," my grandmother said.
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Madeline Miller (Circe)
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Then I whispered, β€œI love you, my Lahn,” and heard the swift hiss of his intake of breath. Then he buried his face in my neck and whispered back, β€œLoot kay hansahnalay na, my Circe.” And I love you, my Circe.
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Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
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But he was a harp with only one string, and the note it played was himself.
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Madeline Miller (Circe)
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Fear of failure was the worst thing for any spell.
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Madeline Miller (Circe)
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You have always been the worst of my children," he said. "Be sure not to dishonor me." "I have a better idea. I will do as I please, and when you count your children, leave me out.
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Madeline Miller (Circe)
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The grudges of gods are as deathless as their flesh.
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Madeline Miller (Circe)
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Rabo Karabekian: I'm in the middle of a sentence. Circe Berman: Who isn't?.
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Kurt Vonnegut Jr. (Bluebeard)
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I wake sometimes in the dark terrified by my life's precariousness, its thready breath. Beside me, my husband's pulse beats at his throat; in their beds, my children's skin shows every faintest scratch. A breeze would blow them over, and the world is filled with more than breezes: diseases and disasters, monsters and pain in a thousand variations. I do not forget either my father and his kind hanging over us, bright and sharp as swords, aimed at our tearing flesh. If they do not fall on us in spite and malice, then they will fall by accident or whim. My breath fights in my throat. How can I live on beneath such a burden of doom? I rise then and go to my herbs. I create something, I transform something. My witchcraft is as strong as ever, stronger. This too is good fortune. How many have such power and leisure and defense as I do? Telemachus comes from our bed to find me. He sits with me in the greensmelling darkness, holding my hand. Our faces are both lined now, marked with our years. Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean it does not hurt. He does not mean we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
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Madeline Miller (Circe)
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I felt the currents move. The grains of sand whispered against each other. His wings were lifting. The darkness around us shimmered with clouds of his gilded blood. Beneath my feet were the bones of a thousand years. I thought: I cannot bear this world a moment longer. Then, child, make another.
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Madeline Miller (Circe)
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I have walked in the blackest deeps. You cannot guess what spells I have cast, what poisons I have gathered to protect myself against you, how your power may rebound upon your head. Who knows what is in me? Will you find out?
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Madeline Miller (Circe)
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Ariadne’s light feet crossed and recrossed the circle. Every step was perfect, like a gift she gave herself, and she smiled, receiving it. I wanted to seize her by the shoulders. Whatever you do, I wanted to say, do not be too happy. It will bring down fire on your head. I said nothing, and let her dance.
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Madeline Miller (Circe)
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Most men do not know me for what I am.” β€œMost men in my experience are fools,” he said.
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Madeline Miller (Circe)
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This was how mortals found fame, I thought. Through practice and diligence, tending their skills like gardens until they glowed beneath the sun. But gods are born of ichor and nectar, their excellences already bursting from their fingertips. So they find their fame by proving what they can mar: destroying cities, starting wars, breeding plagues and monsters. All that smoke and savor rising so delicately from our altars. It leaves only ash behind.
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Madeline Miller (Circe)
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Let me say what sorcery is not: it is not divine power, which comes with a thought and a blink. It must be made and worked, planned and searched out, dug up, dried, chopped and ground, cooked, spoken over, and sung. Even after all that, it can fail, as gods do not.
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Madeline Miller (Circe)
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However gold he shines, do not forget his fire.
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Madeline Miller (Circe)
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I thought I cannot bear this world a moment longer. Then, child, make another.
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Madeline Miller (Circe)
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I remembered what Odysseus had said about her once. That she never went astray, never made an error. I had been jealous then. Now I thought: what a burden. What an ugly weight upon your back.
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Madeline Miller (Circe)
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Sweet son," I said "you are right, this world is a wild and terrible place, and worth shouting at. But you are safe now, and all of us need to sleep. Will you let us have a little peace?
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Madeline Miller (Circe)
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Curse Hermes and his multi-vitamins!
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Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
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It is funny,” she said, β€œthat even after all this time, you still believe you should be rewarded, just because you have been obedient. I thought you would have learned that lesson in our father’s halls. None shrank and simpered as you did, and yet great Helios stepped on you all the faster, because you were already crouched at his feet.
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Madeline Miller (Circe)
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She moved like a wave herself, graceful, but with relentless, driving motion.
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Madeline Miller (Circe)
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Sorcery cannot be taught. You find it yourself, or you do not.
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Madeline Miller (Circe)
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Of all the mortals on the earth, there are only a few the gods will ever hear of. Consider the practicalities. By the time we learn their names, they are dead. They must be meteors indeed to catch our attention. The merely good: you are dust to us.
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Madeline Miller (Circe)
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Your wife sounds like a clever woman." "She is. I cannot account for the fact that she married me, but since it is to my benefit, I try not to bring it to her attention.
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Madeline Miller (Circe)
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Amusement flashed in his eyes. I had fed off that look once, when I had been starving and thought such crumbs a feast.
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Madeline Miller (Circe)
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Once upon a time there was a wicked witch and her name was Lilith Eve Hagar Jezebel Delilah Pandora Jahi Tamar and there was a wicked witch and she was also called goddess and her name was Kali Fatima Artemis Hera Isis Mary Ishtar and there was a wicked witch and she was also called queen and her name was Bathsheba Vashti Cleopatra Helen Salome Elizabeth Clytemnestra Medea and there was a wicked witch and she was also called witch and her name was Joan Circe Morgan le Fay Tiamat Maria Leonza Medusa and they had this in common: that they were feared, hated, desired, and worshiped.
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Andrea Dworkin (Woman Hating)
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I have found my star. She is beauty and grace. Elegance and goodness. My laughter in winter. She is courageous and strong. Bold and tempting. Unlike any other in all the universe, and I cannot touch her. I dare not even try. Astrid or Aphrodite, she is my Circe. Only instead of changing a man into an animal she has made the animal human. I am such a fucking idiot, wanting a star I can’t have. But then, all stars are beyond human reach and I’m not even human. (Zarek)
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Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
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Children are not sacks of grain, to be substituted one for the other.
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Madeline Miller (Circe)
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We bear it as best we can,
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Madeline Miller (Circe)
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Every moment mortals died, by shipwreck and sword, by wild beasts and wild men, by illness, neglect, and age. It was their fate, Prometheus had told me, the story they all shared. No matter how vivid they were in life, no matter how brilliant, no matter the wonders they made, they came to dust and smoke. Meanwhile every petty and useless god would go on sucking down the bright air until the stars went dark.
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Madeline Miller (Circe)
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It is a common saying that women are delicate creatures, flowers, eggs, anything that may be crushed in a moment’s carelessness. If I had ever believed it, I no longer did.
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Madeline Miller (Circe)
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But that was only a shape I had been poured into. I did not have to keep it.
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Madeline Miller (Circe)
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I have aged. When I look in my polished bronze mirror, there are lines upon my face. I am thickened too and my skin has begun growing loose. I cut myself with my herbs and the scars stay. Sometimes I like it. Sometimes I am vain and dissatisfied. But I do not wish myself back. Of course my flesh reaches for the earth. That is where it belongs.
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Madeline Miller (Circe)
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He liked such sharpness, for there was nothing in him that had any blood you might spill.
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Madeline Miller (Circe)
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...some people are like constellations that only touch the earth for a season.
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Madeline Miller (Circe)
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He does not mean that it does not hurt. He does not mean that we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
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Madeline Miller (Circe)
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Her only love was reason. And that has never been the same as wisdom.
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Madeline Miller (Circe)
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Is it not our human tragedy that some men must be beaten like donkeys before they will see reason?
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Madeline Miller (Circe)
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I had no right to claim him, I knew it. But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation he was to me.
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Madeline Miller (Circe)
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Death’s Brother is the name that poets give to sleep. For most men those dark hours are a reminder of the stillness that waits at the end of days.
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Madeline Miller (Circe)
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Odysseus, son of Laertes, the great traveller, prince of wiles and tricks and a thousand ways. He showed me his scars, and in return he let me pretend that I had none.
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Madeline Miller (Circe)
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The scars themselves I offered to wipe away. He shook his head. "How would I know myself?
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Madeline Miller (Circe)
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The world is an ugly place. We must live in it.
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Madeline Miller (Circe)
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"I gave up a world for you." He glared at me, not giving me anything. I kept right on going. "I thought, perhaps, when I learned I had powers, I might be able to use them to go home," his eyes flashed but that was all I got so I kept on going, "but not for good. My father isn't dead." Another flash. "He's alive and at home and living maybe with a fake Circe. He'll know the difference, though, I KNOW it. He's out of his mind with worry, I know that too. He's wondering where I am and if I'm okay and how to get me back. I also know that. I know that and I know that my life was good. I loved my life. I loved my home. I loved my job. I had a lot of people who loved me that loved me back." I sucked in a breath and then whispered, "But as much as your world scared me, as much as our practices repulsed me, I still chose you." His torso jerked, it was almost imperceptible, but I caught it. I kept at him. "I gave up my world for you, Lahn. I sat at your side through things people in my world would find loathsome and I did it with my head held high. I even felt 'pride' that I could endure, that I could be a good queen to you.......Everything I did in this fucking place, even before I fell in love with you, was for...fucking...YOU."
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Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
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Later, years later, I would hear a song made of our meeting. [...] I was not surprised by the portrait of myself: the proud witch undone before the hero's sword, kneeling and begging for mercy. Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep.
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Madeline Miller (Circe)
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The compelling thing about making artβ€”or making anything, I supposeβ€”is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances. Circe, Nimbue, Artemis, Athena, all the old sorceresses: they must have known the feeling as they transformed mere men into fabulous creatures, stole the secrets of the magicians, disposed armies: ah, look, there it is, the new thing. Call it a swine, a war, a laurel tree. Call it art.
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Audrey Niffenegger (The Time Traveler's Wife)
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Then the best part of him died, and he was even more difficult after that. [...] β€œWhat was his best part?” β€œHis lover, Patroclus. He didn’t like me much, but then the good ones never do. Achilles went mad when he died; nearly mad, anyway.
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Madeline Miller (Circe)
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Little by little I began to listen better: to the sap moving in the plants, to the blood in my veins. I learned to understand my own intention, to prune and to add, to feel where the power gathered and speak the right words to draw it to its height. That was the moment I lived for, when it all came clear at last and the spell could sing with its pure note, for me and me alone.
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Madeline Miller (Circe)
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Even the most beautiful nymph is largely useless, and an ugly one would be nothing, less than nothing. She would never marry or produce children. She would be a burden to her family, a stain upon the face of the world. She would live in the shadows, scorned and reviled. But a monster,” he said, β€œshe always has a place. She may have all the glory her teeth can snatch. She will not be loved for it, but she will not be constrained either. So whatever foolish sorrow you harbor, forget it. I think it may be said that you improved her.
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Madeline Miller (Circe)
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I would not be able to bear it, I thought. I would seize him, hold him to me. But I only embraced him a final time, pressing hard as if to set him into my skin. Then I watched him take his place among them, stand upon the prow, outlined against the sky. The light darted silver from the waves. I lifted my hand in blessing and gave my son to the world.
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Madeline Miller (Circe)
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I wished Odysseus were there so I could ask him: but how did the king get that man to help him, the one who had struck him so deep? The answer that came to me was from a different tale. Long ago, in my wide bed, I had asked Odysseus: "What did you do? When you could not make Achilles and Agamemnon listen?" He'd smiled in the firelight. "That is easy. You make a plan in which they do not.
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Madeline Miller (Circe)
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That is what exile meant: no one was coming, no one ever would. There was fear in that knowledge, but after my long night of terrors it felt small and inconsequential. The worst of my cowardice had been sweated out. In its place was a giddy spark. I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.
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Madeline Miller (Circe)
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-’Tell me’, he said, β€˜who gives better offerings, a miserable man or a happy one’? -’A happy one, of course.’ -’Wrong. A happy man is too occupied with his life. He thinks he is beholden to no one. But make him shiver, kill his wife, cripple his child, then you will hear from him. He will starve his family for a month to buy yo a pure-white yearling calf. If he can afford it, he will buy you a hundred’. -’But surely, I said, you have to reward him eventually. Otherwise he will stop offering’. -’Oh, you would be surprised how long he will go on. But yes, in the end, it’s best to give him something. Then he will be happy again. And you can start over.
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Madeline Miller (Circe)
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There was a sort of innocence to him, I thought. I do not mean this as the poets mean it: a virtue to be broken by the story's end, or else upheld at great cost. Nor do I mean that he was foolish or guileless. I mean that he was made only of himself, without the dregs that clog the rest of us. He thought and felt and acted, and all these things made a straight line. No wonder his father had been so baffled by him. He would have always been looking for the hidden meaning, the knife in the dark. But Telemachus carried his blade in the open.
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Madeline Miller (Circe)
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Give yourself to me, Gemma, and you will never be alone again. You'll be worshiped. Adored. Loved. But you must give yourself to me- a willing sacrifice.' Tears slip down my face. 'Yes,' I murmur. Gemma, don't listen,' Circe says hoarsely, and for a moment, I don't see Eugenia; I see only the tree, the blood pumping beneath its pale skin, the bodies of the dead hanging from it like chimes. I gasp, and Eugenia is before me again. 'Yes, this is what you want, Gemma. Try as you might, you cannot kill this part of yourself. The solitude of the self taht waits just under the stairs of your soul. Always there, no matter how much you've tried to get rid of it. I understand. I do. Stay with me and never be lonely again.' Don't listen... to that... bitch,' Circe croaks, and the vines tighten around her neck. No, you're wrong,' I say to Eugenia as if coming out of a long sleep. 'You couldn't kill this part of yourself. And you couldn't accept it, either.' I'm sure I don't know what you mean.' she says, sounding uncertain for the first time. That's why they were able to take you. They found your fear.' And what, pray, was it?' Your pride. You couldn't believe you might have some of the same qualities as the creatures themselves.' I am not like them. I am their hope. I sustain them.' No. You tell yourself that. That's why CIrce told me to search my dark corners. So I wouldn't be caught off guard.' Circe laughts, a splintered cackle that finds a way under my skin. And what about you, Gemma?' Eugenia purrs. 'Have you "searched" yourself, as you say?' I've done things I'm not proud of. I've made mistakes,' I say, my voice growing stronger, my fingers feeling for the dagger again. 'But I've done good, too.' And yet, you're alone. All that trying and still you stand apart, watching from the other side of the grass. Afraid to have what you truly want because what if it's not enough after all? What if you get it and you still feel alone and apart? So much better to wrap yourself in the longing. The yearning. The restlessness. Poor Gemma. She doesn't quite fit, does she? Poor Gemma- all alone. It's as if she's delivered a blow to my heart. My hand falters. 'I-I...' Gemma, you're not alone,' Circe gasps, and my hand touches metal. No. I'm not. I'm like everyone else in this stupid, bloody, amazing world. I'm flawed. Impossibly so. But hopeful. I'm still me.' I've got it now. Sure and strong in my grip. 'I see through you. I see the truth.
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Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))