Cinderella Sayings And Quotes

She talks like you. It’s not every day you hear a four-year-old say Prince Charming is a douchebag who’s only holding Cinderella back.” "That’s my girl.

You're my best friend and I love you. I'm not ashamed to admit that I love a guy. I love you, Holder. Daniel Weasley loves Dean Holder. Always and forever." "Daniel, go make out with your girlfriend," he says, waving me off. I shake my head. "Not until you tell me you love me, too." His head falls back against Sky's headboard. "I fucking love you, now GO AWAY!" I grin. "I love you more.

When I was little and running on the race track at school, I always stopped and waited for all the other kids so we could run together even though I knew (and everybody else knew) that I could run much faster than all of them! I pretended to read slowly so I could "wait" for everyone else who couldn't read as fast as I could! When my friends were short I pretended that I was short too and if my friend was sad I pretended to be unhappy. I could go on and on about all the ways I have limited myself, my whole life, by "waiting" for people. And the only thing that I've ever received in return is people thinking that they are faster than me, people thinking that they can make me feel bad about myself just because I let them and people thinking that I have to do whatever they say I should do. My mother used to teach me "Cinderella is a perfect example to be" but I have learned that Cinderella can go fuck herself, I'm not waiting for anybody, anymore! I'm going to run as fast as I can, fly as high as I can, I am going to soar and if you want you can come with me! But I'm not waiting for you anymore.

I love that you don’t carry a purse,” I say. “I love that you don’t carry one, either,” she says with a laugh.

You talk to him about the fact that we haven't had sex?" Six says, completely embarrassed. My father shakes his head. "No, he doesn't have to. I know because every night he comes home he goes straight to his bedroom and takes a thirty-minute shower. I was eighteen once." Six covers her face with her hands. "Oh, my God." She peeks through her hands at my dad. "I guess I know who Daniel gets his personality from." My father nods. "Tell me about it. His mother is terribly inappropriate.

I might hate you by the end of the date.” “Or I might hate you,” I say. “Impossible.” She props her foot up on the dash. “I’m unhateable.

I can't take you tonight," I say. "I had my heart completely broken about an hour ago by a psychotic bitch and I need a little more time to recover from that relationship. How about tomorrow night?

Wait, wait, wait," Breckin says, interrupting the story. "You called her Cinderella? What the hell for?" Daniel shrugs. "We were in a janitor's closet. I didn't know her name and there were all these mops and brooms and shit and it reminded me of Cinderella, okay? Give me a break.

I hate them,” she says softly. “Who?” “Everybody,” she says. “I hate everybody”. I close my eyes and lift my hand, then run it down her hair, doing my best to comfort her. Finally, someone who actually gets it. I’m not sure why she hates everybody but I have a feeling she’s got a pretty valid reason.“I hate everybody too, Cinderella.

I have no idea who you even are and now you're my damn girlfriend. What the hell have you done to me?" She holds her palms up defensively. "Hey, don't blame me. I've gone eighteen years swearing off boyfriends and then you show up out of the blue with your vulgar mouth and terribly awkward first kisses and now look at me. I'm a hypocrite." "I don't even know your phone number," I say. "I don't even know your birthday," she says. "You're the worst girlfriend I've ever had.

When you ask "Do you wanna dance, my barefoot Cinderella? Don't need no slippers or a party dress,the way you're lookin' right now is what I like the best", and then you... Say "do you wanna take a chance? Stay with me forever, no one will ever be more beautiful my barefoot, my barefoot Cinderella.

The pockets,” she says. She puts her hands in them and gives a little twirl. “I love pockets.

You’re very charismatic,” she says. Jesus. Her voice completely slays me. “Thanks. You’re pretty cute yourself.

I lean forward and grab the bowl of ice cream she didn't finish and pull it to my, then take a bite. She watches me as I close my lips around the spoon and pull it out of my mouth. She scrunches up her nose staring at the spoon. "I could have herpes, you know," she says. I grin at her and wink. "You somehow just made herpes sound appealing.

Hey!" I yell. Everyone turns around and looks at us. I glance at Six and her eyes are wide. I inhale a deep breath, then turn back to the table. Specifically to Holder. "She fist bumped me,"I say, pointing at Six. "It's not my fault. She hates purses and she fist bumped me, then she made me push her on the damn merry-go-round. After that, she demanded to see where I had sex in the park, then she forced me to sneak into my own bedroom. She's weird and half the time I can't keep up with her, but she thinks I'm funny as hell. And Chunk asked me this morning if I wanted to love her someday, and I realized I've never hoped I could love someone more than I want to love her. So every single one of you who has an issue with us dating is going to have to get over it because..." I pause and turn toward Six. "Because you fist bumped me and I could care less who knows we're together. I'm not going anywhere and I don't want to go anywhere so stop thinking I'm into you because I'm not supposed to be into you." I lift my hands and tilt her face toward mine. "I'm into you because you're awesome. And because you let me accidentally touch your boob." She's smiling wider than I've ever seen her smile. "Daniel Wesley, where'd you learn those smooth moves?" I laugh. "Not moves, Six. Charisma.

She fist bumped me, I say, pointing at Six. It's not my fault. She hates purses and she fist bumped me, then made me push her on the damn merry-go-round... I'm into you because you're awesome. And because you let me accidentally touch your boob.

In stories like Cinderella and Beauty and the Beast, they always say the heroine is 'as good as she is beautiful.' I wondered if people just wanted that to be true, wanted the beautiful to be good. I wondered if they wanted the ugly to be bad because then they wouldn't have to feel bad for them.

She chokes on her drink with her laugh. "Chunk? You call your little sister Chunk?" "We all call her Chunk. She was a fat baby." She laughs. "You have nicknames for everyone," she says. "You call Sky Cheese Tits. You call Holder Hopeless. What do you call me when I'm not around?

I slowly lean in toward her when her lips part into a smile. “Are you planning on using tongue this time?” she whispers. I squeeze my eyes shut and take a step back, completely thrown off by her comment. I rub my palms down my face and groan. “Dammit, Six. I was already feeling inadequate. Now you’ve just put expectations on it.” She’s smiling when I look at her again. “Oh, there are definitely expectations,” she says teasingly. “I expect this to be the most mind-blowing thing I’ve ever experienced, so you better deliver.

You better not turn out to be an asshole,” she says quietly. “And you better be done with that guy in Italy,” I reply.

I could have herpes, you know,” she says. I grin at her and wink. “You somehow just made herpes sound appealing.

You better not turn out to be an asshole,” she says quietly.

She Is Cinderella....Though The Shoes Are Not Hers!

This is scary,” she whispers. “I’ve never had a boyfriend before. I don’t know how this works. Do people become exclusive this fast? Are we supposed to pretend we’re not that interested for a few more dates?” Oh, dear God. I’ve never been turned on by a girl laying claim to me before. I usually run in the other direction. She’s obliterating every single thing I thought I knew about myself with every new sentence that passes those lips. “I have no interest in faking disinterest,” I say. “If you want to call yourself my girlfriend half as much as I wish you would, then it would save me a whole lot of begging. Because I was literally about to drop to my knees and beg you.” She squints her eyes playfully. “No begging. It screams desperation.” “You make me desperate,” I say, pressing my lips to hers again.

I can’t believe it’s you. Wait, why does my chart say Randy Johnson?” Reid chuckled at the ridiculous name he used for anonymity. “It’s an alias.” Wanting to erase the pained look from whatever had happened before he arrived, he gave her a wicked smile and added, “And sometimes a state of being.” Her brows gathered together for the few seconds it took to sink in, then her cheeks flushed with color and her eyes grew wide. “Reid!

Are you going to tell me how awesome that kiss was or are you going to ignore it?” She shakes her head and laughs at me. “That wasn’t even a real kiss,” she says. “You didn’t even try to put your tongue in my mouth.” ... “I didn’t have to put my tongue in your mouth,” I say. “My kisses are that intense. I don’t even really have to do anything. The only reason I pulled back was that I was sure we were about to experience a classic, ‘When Harry met Sally’ moment.

The world is full of zanies and fools, who don't believe in sensible rules, and won't believe what sensible people say. And because such daft and dewy-eyed dopes keep building up impossible hopes, impossible things are happening every day.

I'll be there at six," Breckin says. He looks at me and smirks. "I bet you'll be there are six, too, right, Daniel? You like six? Is six good for you?" He's on to us. Fucker.

I used to hate everybody,” I say. “Until I met you.

Ashley burned down the school, smeared in the ashes of her sisters, with a that tattoo on her arm saying, 'I am a pleasure to burn.

-She talks like you. It’s not every day you hear a four-year-old say Prince Charming is a douchebag who’s only holding Cinderella back. -That’s my girl.

My path has been chosen for me since birth. My future is already written, and I don’t have a say in any of it.

Cat's friends seemed like very sweet girls," Dad says. "They were the bomb," I say fervently, and he looks back at me with raised eyebrows. "'The bomb' is a good thing? Like 'sick'? "Duh," I reply, and Dad lets out a sigh. "Thirteen-year-olds should come with subtitles," he says, turning onto our street.

You know,” he says, when he sees where I’m looking. “Cinderella only left one shoe behind.” I fight my embarrassment by rolling my eyes. “Yeah, and Prince Charming didn’t break into her home to find her.” Nero grins. “The villains always have more fun.

Because it feels like her air just became my air and I suddenly want to take in fewer breaths in order to ensure she never runs out.

Maybe he'd already gone to bed. Maybe Cath could just climb into his bed like Goldilocks, and if he woke up, she'd just say "later" and run away. Goldilocks meets Cinderella.

He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

How the hell old is she? “You’re not in junior high, are you?” “God no. I’ve just never held anyone’s hand before. The guys I’ve been with seem to forget this part. But it’s nice. I like it.” “Yeah,” I agree. “It is nice.” “Wait,” she says. “You aren’t in junior high, are you?” “No. Not yet,” I say.

I can't believe it's you. Wait, why does my chart say Randy Johnson?" Reid chuckled at the ridiculous name he used for anonymity. "It's an alias and sometimes a state of being.

She says affection is all very well being imagined, like a romantic fancy, but marriage should be based on practical purposes in order to last longer.

Let me guess. Dark hair, brown eyes, great abs, white teeth, Abercrombie & Fitch.” “Close,” I say. “Light brown hair, correct on the eyes, abs, and teeth, but American Eagle Outfitters all the way.” “Impressive,” she says. “My turn,” I say. “Thick blonde hair, big blue eyes, an adorable little white dress with a matching hat, royal blue skin, and you’re about two feet tall.” She laughs loudly. “You have a thing for Smurfette?

Generally speaking, all true children's stories make promises to their readers. Here you are, they say, unhandy and short, and there is a big world that one day will be yours. Listen to how it happened for Cinderella once upon a time, and Jack with his beanstalk, and Aladdin with his lamp.

I do the same with my books...Nothing like a good argument in the margins with someone who's already said all they have to say on the subject.

By the way, the next time you see a little girl who's excited for Halloween,and she says,"I want to be Cinderella! I want to be Cinderella!" you'll know that what she's actually saying is,"I want to be Toilet Cleaner! I want to be Toilet Cleaner!" But don't tell her that, because she'll cry.

My mother taught me that I am a whole person with or without a husband,” she says emphatically. “Who I am inside and how I treat others are the only things that matter. The same goes for you. Don’t let anybody tell you different.

Sleeping Beauty is the worst fairy tale, pretty much any way you slice it. It’s aimless and amoral and chauvinist as shit. It’s the fairy tale that feminist scholars cite when they want to talk about women’s passivity in historical narratives. (“She literally sleeps through her own climax,” as my favorite gender studies professor used to say. “Double entendre fully intended.”)... ..Even among the other nerds who majored in folklore, Sleeping Beauty is nobody’s favorite. The romantic girls like Beauty and the Beast; basic girls like Cinderella; goth girls like Snow White. Only the dying girls like Sleeping Beauty.

Let me be clear here: I object—strenuously—to the sexualization of girls but not necessarily to girls having sex. I expect and want my daughter to have a healthy, joyous erotic life before marriage. Long, long, long before marriage. I do, however, want her to understand why she’s doing it: not for someone else’s enjoyment, not to keep a boyfriend from leaving, not because everyone else is. I want her to do it for herself. I want her to explore and understand her body’s responses, her own pleasure, her own desire. I want her to be able to express her needs in relationship, to say no when she needs to, to value reciprocity, and to experience true intimacy.

Some people think they are chosen, destined to be great, and do you know what happens while they are basking in the possibility of their own greatness?" "I don't know," I say. She narrows her eyes at me. "What happens is that someone with no particular preordained purpose puts their head down, works hard, and makes something happen out of sheer will.

Before your breaths pick up pace and our bodies are aching because everything we're feeling is just making us want more and more and more of each other...until I'm afraid I'll beg you not to ask me to slow down. So instead, I regrettably tear my mouth from yours and force myself away from your bed and you life up unto your elbows and look at me, disappointed, because you kind of wished I would have kept going, but at the same time you're relieved I didn't, because you know you would have given in. So instead of giving in, we just stare. We watch each other silently as my heart rate begins to slow down and your breaths are easier to catch and the insatiable need is still there, but our minds are clearer now that I'm not pressed against you anymore. I turn around and walk to your window and leave without even saying goodbye, because we both know if either of us speaks...it'll be the collective demise of our willpower and we'll cave. We'll cave so hard.

For all his cruelty, he is a highly intelligent man,” Amina says. “I think we sometimes make the mistake of thinking monsters are abhorrent aberrations, lurking in the darkest recesses, when the truth is far more disturbing. The most monstrous of men are those who sit in plain sight, daring you to challenge them. He’s calculating and manipulative, and believe me when I say he will not stop until he finds you.

You’re beautiful’ is not something you want to say over and over to your daughter, because it’s not something that you want her to think is so important. “That said,” she continued, “there are times when it is important to say it: when she’s messy or sweaty, when she’s not dressed up, so that she gets a sense that there is something naturally beautiful about her as a person. And it’s also important to connect beauty and love. To say, ‘I love you so much. Everything about you is beautiful to me—you are beautiful to me.’ That way you’re not just objectifying her body.

I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day. I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him. Options skim through my head like a flip book. Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus. Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious. Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all. For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands. Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now. I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic. "Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest. I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me. "Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand. "I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?" He blinks, gives a slight nod. Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.

The heels of the glittering monstrosities are nearly five inches tall, and the toes are so pointed that a normal human foot could never fill its proportions. “Am I supposed to wear those?” I ask. “Obviously,” my mother says. I’m reminded that this isn’t about what I want or what I like. It’s about what everyone else thinks is best, and I’m not sure how much more of this I can take.

His eyes eat me up but I hold mine firm. The darkness there takes my breath. My demons wave at his, and I swear they wave back. I feel the ghost of a shiver up my spine. My whole body wants him to wrestle me into his truck and drive me away. “Goodbye, Cinderella,” he says and my heart stutters.

Friedrich frowned. “I hoped you two would get along, but I cannot say I wanted you to bond this well.” Cinderella blinked. “Why not?” “Do not listen to him, Cinderella; he is only jealous. Now that he has successfully won you over, he must actually return to his duties and stop kicking up his heels and using his men like a circus master. General Harbach looks forward to his full-time return,” Commander Lehn said, chuckling at the thought. “I

But your mother used to have a saying: "Pretty is pretty for a little while, but true beauty is beautiful forever." Ella pursed her lips. "How do you know if you're pretty or if you're beautiful?" "I'll give you a hint." He reaches out to playfully touch the tip of her nose. "You can't see beauty in a mirror.

No more Latin, no more French, No more sitting on a hard school bench. No more dirty bread and butter, No more water from the gutter. No more maggots in the ham, No more yukky bread and jam. No more milk in dirty jugs, No more cabbage boiled with slugs. Now’s the time to say hurray. We’re eating the Infants today!

None of this was part of the plan all the girls I'd grown up with had been given. Not a written plan, unless the book about Cinderella counted. The plan was in the water we drank, the air we breathed. It was poured into the pavement on the streets we called home. Marry a nice man, one who was a good provider, and live happily, or at least comfortably, ever after. Safe to say I'd followed the plan. I'd married a banker. Had a baby. But the plan had failed me. It left me alone huddled in a window seat with every emotion I'd refused to let myself feel seeping through my pores until the air in my bedroom was heavy with sadness and angst and confusion. (p. 235)

Every Cinderella needs a fairy godmother, Baby-baby Panda,” he says, shrugging and putting his sunglasses on. “But sometimes your fairy godmother

have nothing to say to your Miss Bennet and I do not know the family at all.

Mel, people don’t say duds anymore.' 'And almost twenty-year-olds don’t have baby pink rooms with Cinderella furniture,' she snapped.

Stop! Stop saying things that make me grin like an idiot. My face has been hurting since the second I met you.

She squints her eyes playfully. “No begging. It screams desperation.” “You make me desperate,” I say, pressing my lips to hers again.

Thanks for buying me dinner,” she says when we reach her front door. “You didn’t really give me a choice. You left your house without a penny and then you shoved the bill in my face.

He extends his arms. “The real me.” I raise a brow. “I thought the real you preferred to wear only trousers and a shirt.” “The real me prefers to be stark naked,” he says with a wink

He laughs, then takes a drink of his tea. He scrunches his nose up. “Nah,” he says. “I would never do that, Danny-boy. I’m not the type of dad who would tell his son’s girlfriend how he talks about her incessantly. I would also never tell my son’s girlfriend that I’m proud of her for not having sex with him yet.” Holy shit. I groan and slap myself in the forehead. I should have known better than to bring her here. “You talk to him about the fact that we haven’t had sex?” Six says, completely embarrassed. My father shakes his head. “No, he doesn’t have to. I know because every night he comes home he goes straight to his bedroom and takes a thirty-minute shower. I was eighteen once.” Six covers her face with her hands. “Oh, my God.

There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book. The reason for that is that in adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult writers who deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship. But stories are vital. Stories never fail us because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. And by a story I mean not only Little Red Riding Hood and Cinderella and Jack and the Beanstalk but also the great novels of the nineteenth century, Jane Eyre, Middlemarch, Bleak House and many others: novels where the story is at the center of the writer's attention, where the plot actually matters. The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. But what characterizes the best of children's authors is that they're not embarrassed to tell stories. They know how important stories are, and they know, too, that if you start telling a story you've got to carry on till you get to the end. And you can't provide two ends, either, and invite the reader to choose between them. Or as in a highly praised recent adult novel I'm about to stop reading, three different beginnings. In a book for children you can't put the plot on hold while you cut artistic capers for the amusement of your sophisticated readers, because, thank God, your readers are not sophisticated. They've got more important things in mind than your dazzling skill with wordplay. They want to know what happens next.

While endowed with the morose temper of genius, he [Lakes, Arts Professor] lacked originality and was aware of that lack; his own paintings always seemed beautifully clever imitations, although one could never quite tell whose manner he mimicked. His profound knowledge of innumerable techniques, his indifference to 'schools' and 'trends', his detestation of quacks, his conviction that there was no difference whatever between a genteel aquarelle of yesterday and, say, conventional neoplasticism or banal non-objectivism of today, and that nothing but individual talent mattered--these views made of him an unusual teacher. St Bart's was not particularly pleased either with Lake's methods or with their results, but kept him on because it was fashionable to have at least one distinguished freak on the staff. Among the many exhilarating things Lake taught was that the order of the solar spectrum is not a closed circle but a spiral of tints from cadmium red and oranges through a strontian yellow and a pale paradisal green to cobalt blues and violets, at which point the sequence does not grade into red again but passes into another spiral, which starts with a kind of lavender grey and goes on to Cinderella shades transcending human perception. He taught that there is no such thing as the Ashcan School or the Cache Cache School or the Cancan School. That the work of art created with string, stamps, a Leftist newspaper, and the droppings of doves is based on a series of dreary platitudes. That there is nothing more banal and more bourgeois than paranoia. That Dali is really Norman Rockwell's twin brother kidnapped by gipsies in babyhood. That Van Gogh is second-rate and Picasso supreme, despite his commercial foibles; and that if Degas could immortalize a calèche, why could not Victor Wind do the same to a motor car?

How does modern science relate to religion? It seems that people have already said a million times everything there is to say about this question. Yet in practice, science and religion are like a husband and wife who after 500 years of marriage counselling still don’t know each other. He still dreams about Cinderella and she keeps pining for Prince Charming, while they argue about whose turn it is to take out the rubbish.

I will say this about that moment when you realize your worst nightmare has proven to be reality— it can be oddly comforting. After all, once you’ve hit rock bottom and lived, there’s only one place you can go, and that’s up.

Never mind, perhaps tomorrow,” says Septimus hesitantly. “Then you shall go to the ball, Cinderella.” “Does that make you an ugly stepsister?” “I’m far too handsome,” says Septimus as a gong from the Oval Office starts to ring over

(...) performance anxiety [in the worplace] is connected to other, more general fears which have to do with feeling inadequate and defenseless in the world: the fear of retaliation from someone with whom one disagrees; the fear of being critisized for doing something wrong; the fear of saying "no"; the fear of stating one's needs clearly and directly, without manipulating. These are the kinds of fears that affect women in particular, because we were brought up to believe that taking care of ourselves, asserting ourselves, is unfeminine. We wish (...) to feel attractive to men: non-threatening, sweet, "feminine". This wish crimps the joy and productiveness with which women could be leading their lives.

I'm just saying, when a woman in a maiden, she's in the spotlight. Everybody cares what a pretty, young girl does and says. And she's got some pretty strict archetypes to adhere to: Sleeping Beauty or Cinderella or Britney Spears. Pick your poison. But when you become a young mother? People don't give a fuck what you're doing. Their eyes glaze over before they even finish asking you. Once a woman starts doing the most important work of her life, all of a sudden, nobody wants to know a thing about it.

Because misfortune does not wait idly by until we are prepared for it, I wanted to say. Because there may not always be enough money or food. Because the world may not always be kind to your precious daughter. I wanted to say these things, but I held my tongue.

The messenger says, as he approaches him, “Look, Baggs, it didn’t happen on my watch.” The Navy theme song. “Yes?” “Somebody down below in the offices…” “Yes?” “Well, what they did is lose all your records.” Baggs can only close his eyes and wonder what sin it was that now consigns him to limbo.

The swamp roses, Gillie. It was the mare found them. She—if she hadn't run off—it was almost as if she meant me to see them." "Are you saying? . . ." "I don't know what I’m saying. Yes," she cried, a gay silliness taking her. Drunk with the music and the dancing, drunk with his closeness, she laughed up at him. It was just as in the stories, a kind of magic just like . . ." and then she stared at him, confounded.  "Just like what?"  "But in the stories . . ."  "In the stories . . . what?”  "In the stories . . ."  "In the stories there’s a prince," Gillie answered quietly. He held her away then. "So the story has come true.

In fiction, the story ends when Prince Charming whisks Cinderella away to his castle. But there’s a reason why the poor girl who wins herself a prince is usually an orphan. Because if she wasn’t… “Darling,” Charming would say in the scene after the end, “you know I love you, doll. But we have to talk about your parents. I’m thinking I should buy them a cottage, maybe something high up in the mountains, yeah? Don’t worry. You can always call. You can even visit them when I’m busy with my affairs of state.” Even with Cinderella’s essentially family-less status, the story always ends before the painful, embarrassing scenes that come a few years in. “Darling, I never meant to fall in love with Snow White. I swear it. But she was raised in a castle as a princess, you know? She gets me in a way you never will.

Are you kidnapping me?" He side-eyes me and laughs. "By george, I think she's got it."  "Fine," I say. "But could you just make sure I have my own bed wherever you're taking me? I really need to sleep. Oh, and in six weeks, this cast has to come off. And I get hostile when I don't get my daily diet coke."  "You're awfully demanding for someone who's just been taken hostage."  "You're the moron who thought I'd make a good prisoner.

TheRealCinderella: Hi, I’m Ella Reyes! Nice to meet you all. My name is Daniela, but no one calls me that. I do know Rey from last year’s math class, and she’s really cool, by the way. I have two stepsisters, Courtney and Lindsay. Maybe you know them. Anyway, feel free to introduce yourself too. TheRealCinderella: And whatever we say here, stays here. Say whatever you want. Rant. Laugh. Cry. Say what’s on your mind. My lips are sealed :)

You’ll have guys hassling you. When they get drunk, they say and do stupid shit. I’m not saying it’s right,” he shrugged one shoulder, “but you’re not unattractive, so you’ll need to deal with that.” “I’m not unattractive? Are you always this charming?” “If you’re looking for Prince Charming, it ain’t me, Sunshine” Sunshine? At least he didn’t make any empty promises or pretend to be something he wasn’t. “I don’t believe in fairytales. Or happily ever after. Prince Charming was an evil villain in disguise, and Cinderella was the doormat he wiped his feet on.

And just as Catskin went to the ball, and Cendrillon, and Aschenputtel, so must you. The ball that will be given soon in the palace; I've heard talk of it in the kitchens. The servants say one is held each year. Have you never gone?" She shook her head. "Then you must go this year dressed in a fine gown as it is done in the stories." She sat staring at him. "Me, Gillie? I don’t belong at the ball." "As much as Cinderella did." "But they are only stories; they’re not things that can happen." She studied him for a long time. He did not seem to be making a joke. "It's what you dream, Thursey. You should do what you dream of doing, else where is the good in dreaming?

Are you gonna use tongue this time?” she whispers. I squeeze my eyes shut and take a step back, completely thrown off by her comment. I rub my palms down my face and groan. “Dammit, Six. I was already feeling inadequate. Now you’ve just put expectations on it.” She’s smiling when I look at her again. “Oh, there are definitely expectations,” she says teasingly. “I expect this to be the most mind-blowing thing I’ve ever experienced, so you better deliver.” I sigh, wondering if the moment can possibly be recovered. I doubt it. “I’m not kissing you now.” She nods her head. “Yes you are.” I fold my arms over my chest. “No. I’m not. You just gave me performance anxiety.

A story of a princess named Ella, trapped at the top of a tower guarded by a dragon, forever gazing up at the stars and wishing she was free. And of handsome, charming princes in shining armor coming to her rescue but never succeeding. Never defeating the giant, fire-breathing dragon. And so the princess stayed in the tower, and I always wondered when the right prince would finally arrive to save her. I loved imagining that my life was a fairy tale. That I was really a princess, and my dad would ride in on his majestic horse to save me. That was before I grew up and found out about boys. My dad never did tell me the ending to that bedtime story. I asked him if the princess would be trapped in that tower forever, always waiting. He never gave me a straight answer, though, saying I had to figure out the ending for myself.

I want to live in this moment just a little bit longer. After all, it’s my fucking fairytale. This isn’t about Cinderella and her strange feet that are different from everyone else’s feet in the kingdom. This isn’t about Rapunzel and her super strong neck muscles that can support the weight of a grown man. This isn’t about Snow White and her seven little men kink—although I’m more like her than the others. This story is about me—Winter Tews. So cue the music. Light the fireworks. Pour the scotch. Because this shit is really happening. This is the ending to a fairytale I never imagined could be mine. I give Jinx a pleading look. “One more time?” “For fuck’s sake,” he rushes out, exasperated. He cradles my face in his hands. Kisses me crazy. Doesn’t pull away until I’m breathless. Then he says it again. “I love you.” I only have one thing to say. “Ditto.” And we lived happily ever after.

The princess found herself being gently prodded and pushed and combed and magicked, and her hair felt weird. When she was spun around to face the mirror again, she was in a yellow dress, waves of sunshine spilling down from her bodice to her toes. Her shoulders were bare, which was a little strange, but they were pale and perfect and delicate. 'Swanlike,' she could hear the minstrel saying. Her hair was loosely braided over one shoulder, a yellow ribbon tying it off. The fairies gasped. "You are 'sooooo' beautiful!" Even 'more' beautiful!" "Can it be possible?" "Look at 'this'," a fairy commanded. With a serious look and a wave of her wand, she transformed the princess again. This time her hair was piled high on her head in an elegant chignon, a simple ribbon holding it back. A light blue dress puffed out around her softly, like a cloud. The finest gloves she had ever worn covered her bare arms up to her shoulders. Funny little tinkling shoes felt chilly on her feet. She put her hands on the skirt and twisted this way and that; what a dress to dance in! She would look like a fairy herself. Or a bride.

Cinderella barely recognized her own voice. She sounded strong, firm- nothing like the girl she'd once been. "Stepmother. Anastasia. Drizella." They halted in their step, turning slowly to face her. Cinderella caught her breath, not at all surprised by Lady Tremaine's upturned nose and lifted chin. She used to fear that expression, used to fear displeasing her stepmother. She no longer had that fear. The crowds had gone silent, but even if they hadn't, Cinderella wouldn't have noticed the dozens of onlookers in the chamber. A strange sense of calm had flooded her; the words she was about to say were ones she'd never dared before, but she'd dreamed of them for years. No longer would they be fantasy. "I wish we could have been a family," she said, her voice strong yet quiet. "Ever since my father married you, it's what I wished for most. Instead, you neglected me, you made me serve you, and then you tried to sell me." She paused. "But I'm not angry with you." Now she had Lady Tremaine's attention. "I thought I would be," Cinderella admitted. "I was. But then I realized that it would only make me unhappy. And after being unhappy in your house for so long, I would never choose to feel that way again. I've accepted we aren't a family, and that we never will be. I've also accepted that I cannot forget those years that you were cruel to me." The height of Lady Tremaine's chin wilted ever so slightly. She wouldn't look at Cinderella, but her stepsisters lowered their eyes, shame tingeing their cheeks. "I forgive you, Stepmother, Anastasia, Drizella. I am not angry with you; if anything, I pity you. You can't know happiness if your life is built around resentment. For your sakes, I hope your hearts change.

Didn’t you ever notice that whatever you wanted or whatever you set out to do, Cora wanted to do it too?” Noah asked. “She wasn’t like that.” “She was, Mer. And it’s okay to admit it. One of the hardest things about Cora dying is that everyone wants to erase her—the real Cora. They talk about her as though she were perfect. She wasn’t. ‘Don’t talk ill of the dead,’ people say. But if we aren’t truthful about who our loved ones were, then we aren’t really remembering them. We’re creating someone who didn’t exist. Cora loved you. She loved me. But what she did was not okay. And I’m pissed off about it.” Mercedes reeled back, stunned. “Geez, Noah. Tell me how you really feel. She still deserves our compassion,” she rebuked. He nodded. “Everyone deserves compassion. And I know suicide isn’t always a conscious act. Most of the time it’s sheer desperation. It’s a moment of weakness that we can’t come back from. But regardless of illness or weakness, if we don’t own our actions and don’t demand that others own theirs, then what’s the point? We might as well give up now. We have to expect better of ourselves. We have to. I expect more of my patients, and when I expect more—lovingly, patiently—they tend to rise to that expectation. Maybe not all the way up, but they rise. They improve because I believe they can, and I believe they must. My mom was sick. But she didn’t try hard enough to get better. She found a way to cope—and that’s important—but she never varied from it. Life has to be more than coping. It has to be.” Mercedes nodded slowly, her eyes clinging to his impassioned face. She’d struck a nerve, and he wasn’t finished. “I know it’s not something we’re supposed to say. We’re supposed to be all-loving and all-compassionate all the time. But sometimes the things we aren’t supposed to say are the truths that keep us sane, that tether us to reality, that help us move the hell on! I know some of my colleagues would be shocked to hear it. But pressure—whether it’s the pressure of society, or the pressure of responsibility, or the pressure that comes with being loved and being needed—isn’t always a bad thing. You’ve heard the cliché about pressure and diamonds. It’s a cliché because it’s true. Pressure sometimes begets beautiful things.” Mercedes was silent, studying his handsome face, his tight shoulders, and his clenched fists. He was weary, that much was obvious, but he wasn’t wrong. “Begets?” she asked, a twinkle in her eye. He rolled his eyes. “You know damn well what beget means.” “In the Bible, beget means to give birth to. I wouldn’t mind giving birth to a diamond,” she mused. “You ruin all my best lectures.” There was silence from the kitchen. Silence was not good. “Gia?” Noah called. “What, Daddy?” she answered sweetly. “Are you pooping in your new princess panties?” “No. Poopin’ in box.” “What box?” His voice rose in horror. “Kitty box.” Noah was on his feet, racing toward the kitchen. Mercedes followed. Gia was naked—her Cinderella panties abandoned in the middle of the floor—and perched above the new litter box. “No!” Noah roared in horror, scooping her up and marching to the toilet. “Maybe it won’t be a turd, Noah. Maybe Gia will beget a diamond,” Mercedes chirped, trying not to laugh. “I blame you, Mer!” he called from the bathroom. “She was almost potty-trained, and now she wants to be a cat!

Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die. So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right). Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce? Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins. Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall. He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it. That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.

After those minutes of bewilderment, they hand over to the woman who transported her, cared for and fed her in this first stage of her life. Between her arms she feels again the same calmness of every night. A man approaches her and turns to her. -Cinderella recognizes the thick voice that she has also heard during her trip and that now sweetly says: -Welcome to the planet Earth, Cindy-.

What’s in the wagon?” Cinderella asked. “You can just sense money, can’t you? It’s gold.” “What for?” “It’s the exact amount Aveyron owed Mother before you paid off the debt. It is my bribe in case you decide to say no. Sit here, on that bench. Yes, face this way, perfect.” Friedrich arranged her on the bench next to the hulking wild rose bush. “Put both feet on the ground, this shoe off, please, thank you.” Friedrich twitched one of her shoes off her feet. “Stay. There.

Yoo-hoo! Yes, you two! I need a footman and a driver. What say you?” Sybilla called out to the two nearest goats. The goats chewed mouthfuls of grass and looked unimpressed. “How is that for gratitude? Is anyone else more prone to honor than these two pigs?” she called to the rest of the herd. An ancient, shriveled buck goat Cinderella kept because she didn’t have the heart to see him slain approached Sybilla with one of the year’s baby goats—a doeling. The doeling pranced and jumped, leaping over the back of the old goat, who baaed at Sybilla before knocking the doeling in the head with his horns. “Thank you very much. I assure you the mice won’t be much trouble. I’ve already given them directions,” Sybilla said. “Now, be men!” Nothing

She tilted alarmingly and almost fell, but she righted herself at the last moment and hopped several steps. “Darned cat!” “I have to say, I’ve never seen you fall before, but you’ve gotten precariously close in the past day or so.” Cinderella stopped pinwheeling her arms and could not help the rush of relief she felt when she saw Friedrich standing not three paces away, his arms folded across his chest. “Friedrich!” she cried, throwing herself at him. “I am so glad to see you—but we have to get out of here. The prince—” Cinderella cut herself short and stepped back when her eyes finally caught up with her mind, and she realized Friedrich was not wearing his usual uniform. Friedrich wore an outfit of black, and on his head was the copper crown with the ruby setting Prince Cristoph wore. “I’m going to sit down,” Cinderella announced before her legs gave out, and she sat down hard on the ground. “I

Cinderella smiled through the tears in her eyes. “Cristoph Friedrich, before I answer, there are some things that must be stated,” she said. “Yesterday, I officially refused Julien’s suit because I realized I was in love with another man—you—and I didn’t want to marry anyone else. Also, your country ceased to bother me months ago as you have taught me to look past heritage and study a person’s heart. As for your profession, I would be proud to call a soldier—a calling of bravery and courage that I am ashamed to say I previously did not value—my husband. Finally, I will gladly make personal sacrifices if it means I can marry you.” “So,

I am Sebastiano, and your name?” he asks. “Violet,” I say as we step over the threshold. “Violetta!” he says, throwing his arms wide. “English girl, Italian name!” And across the room, I see a dark head turn in our direction. That much taller than the rest of the boys, he stands out, his straight black silky hair falling over his face, his blue eyes as bright and cold as the water of the fjord next to my grandmother’s summer rental cottage. I was looking for him before and couldn’t see him anywhere; now that I’ve been distracted by dancing and a Chianti-drinking donkey, he’s spotted me. His gaze flicks like a knife between me and the boy, who’s at the gigantic wine bottle now, filling cups and handing me one. “Salute!” Sebastiano says, touching his cup to mine, and I glance up at Luca, seeing that he’s taking this in, too. A rush of confusion fills me as I toast. I’m glad that Luca’s seen me with someone else, that I haven’t been a wallflower at this party, that I’ve proved him wrong, even a little bit, because there’s a boy here who seems to like me, who’s talking to me, anyway, getting me a drink. In films, in books, flirting with a boy is a surefire way to get the one you actually like interested in you, draw him over to your side. They’re supposed to like competition, the challenge of going after a girl who’s popular. But maybe real life doesn’t quite work that way. Because Luca arches one black eyebrow, his mouth quirks up on one side in a sneer, and he turns pointedly away sliding a cigarette into his mouth, and lighting it with a flip of his Zippo. Disgusting habit, I think as firmly as I can. I’m glad he’s not coming over, smoking a nasty stinking cancer stick. It’s awful when you lie to yourself. I do think smoking is foul, but I’m also more than aware that if Luca strolled over to talk to me, with that cigarette dangling from the corner of his mouth, I wouldn’t walk away, complaining about the smoke; I’d stand there staring up at him, trying not to grin as widely as a five-year-old meeting Cinderella at Disneyland.

Holder. He says I can't date her." I begin walking toward class and Breckin falls into step with me. "Why not? Because you're an asshole?" I stop and look at him. "I'm an asshole?" Breckin nods. "Yeah. I thought you knew that.

Do you think he is ashamed of me?” Cinderella asked. “It is not my place to say, Mademoiselle.” “Jeanne, please.” Jeanne pursed her lips. “I would find it hard to believe so, Mademoiselle. Particularly when one considers how he carries on.” Cinderella

Friedrich did what? “Von Beiler, you say?” Cinderella asked, her voice light and airy. “Yes,” Lady Therese said. Margrit and the lady’s maids shifted with unease as Cinderella folded her hands in front of her. “I will be back in a moment,” she announced. She picked up the skirts of her dress and glided down the hallway. Margrit hurried after her. “Your Grace, your wedding!” “It

What the f**k is this?” Trevor didn’t rise to the bait, as he hadn’t for the last several days. Calmly, he asked, “What?” “This.” Edgard threw the pristine, custom-made saddle on the ground within Trevor’s peripheral view. Shit. How had Edgard found it? And why in the hell had that bastard gone snooping around instead of figuring out what was wrong with Meridian like he’d promised? “Trev? I asked you a question.” “You know damn good and well what it is, Ed.” “I figured you would’ve gotten rid of it by now.” “Well, I didn’t.” Edgard practically growled, “That don’t tell me why you still have it. That don’t tell me nothin’.” Trevor turned his face toward the opposite fence to gaze across to the mountains. His reasons for keeping the saddle seemed sentimental, sloppy and stupid now, but he’d be damned if he’d share those reasons with anyone, least of all Edgard, the man responsible for those feelings. Bootsteps made a sucking sound in the muck of the corral as Edgard closed the short distance between them. “I ain’t gonna drop it. Answer me.” “Fine. You said I could do whatever I wanted with it. So I kept it.” “You didn’t use it at all, did you?” Trevor shook his head, keeping his eyes averted. “Why not?” “I have plenty of other saddles, saddles I like better.” “That’s a piss-poor excuse. Try again.” He stayed mum, wishing the damn mud would open up and swallow him like a sinkhole. “Were you hoping if you kept it I’d come back?” Trevor’s heart said yes but his mouth stayed tight as a rusty hinge. “Answer the f**king question, Trevor.” Edgard’s arrogant streak snapped Trevor’s forced patience. “What do you want me to say? It’s obvious I saved the goddamn saddle.” “Why?” “Because it reminded me of you, all right?” He kicked a chunk of mud and stalked away. “Fuck this and f**k you.” Edgard rattled off something in Portuguese, something Trevor vaguely remembered as being a plea. Or was it a threat? Dammit. His feet stopped. Trevor’s gaze zeroed in on Edgard, who’d circled him until they were standing less than a foot apart. “Tell me why.” Be cruel, that’ll nip this in the bud once and for all. “I didn’t keep the f**kin’ thing because I had some girlish goddamn hope you’d come back lookin’ for it like Cinderella’s lost glass slipper, and we’d pick up where we left off after you left me.” He locked his eyes to the liquid heat in Edgard’s, not allowing the man to look away. “Especially after you made it crystal clear you weren’t ever comin’ back.” Angry puffs of breath distorted the air between them. Several beats passed before Edgard retorted, “But I am here now, aren’t I?” “What? Am I supposed to be flippin’ cartwheels about that fact? I don’t know what you want from me, Ed. Take the saddle back if that’ll make you happy. I’ve got no use for it. I never did.” Angry, disgusted with himself, Edgard, and the whole uncomfortable situation, Trevor spun and walked toward the barn. Edgard laughed—the taunting, soft laughter that was guaranteed to raise Trevor’s hackles and his ire. “It’s that easy for you? To get pissed off and walk away?” “Yep. You’ve got no right to act so goddamned surprised since it’s a trick I learned from you, amigo.” Not two seconds later, the air left Trevor’s lungs as Edgard tackled him to the ground. Trevor rolled to dislodge the man from his back; Edgard countered, took a swing and missed. Trevor bucked and twisted his shoulders, but Edgard anticipated the move and used the momentum against Trevor to try and shove Trevor’s face against the fence. Before Edgard cornered him and held him down completely to land a punch, Trevor rolled again and pushed to his feet. A noise echoed behind him, but he ignored it as he fisted his hands in Edgard’s shearling coat, dragging him upright until they were nose to nose.

They say that it’s always darkest before the dawn, but sometimes it’s really darkest the moment you realize a dream was just a dream.

All the things they tell you when you're little, right? Fairy tales, fables, things like that. Cinderella and her prince. Wicked stepsisters with their eyes poked out." "Yes," says Laura. "I remember." "And then you grow up—and you realize it isn't like that at all. You do things—good things, bad things, cruel things, and they all just—I don't know—evaporate. Like rain. And you're just supposed to accept it.