Church Mouse Quotes

We've searched our database for all the quotes and captions related to Church Mouse. Here they are! All 33 of them:

I’m hungry as a church mouse, Hope. Do you have anything to eat? Hope looked down at His Whiskery Lordship swishing his black tail back and forth at her. He’d tucked a blue paper napkin into his collar. “When did you wake up?” she asked.
Lyn Key (Nozy Cat 2: A Hope Jones Cozy Mystery)
Tell me this--if you knew you would be poor as a church mouse all your life--if you knew you'd never have a line published--would you still go on writing--would you?' 'Of course I would,' said Emily disdainfully. 'Why, I have to write--I can't help it at times--I've just got to.
L.M. Montgomery (Emily of New Moon (Emily, #1))
Motherfucker, you haven't got the fucking balls God gave a goddamned church mouse. You crawled out of your mama's tattered old pussy, grabbed hold of her milk stained titties, and you ain't never looked back, motherfucker.
David Sedaris (Naked)
You are in my church where I am your God, and you are my equal. I’m not a jail, little mouse, I am your sanctuary
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
One day, you will realize that you are not trapped in a prison," he murmurs roughly. "You are in my church where I am your God, and you are my equal. I'm not a jail, little mouse, I am your sanctuary.
H.D. Carlton
She scoured the Earth, wandering and ravenous, looking for doors. And she found them. She found them in abandoned churches and the salt-rimed walls of caves, in graveyards and behind fluttering curtains in foreign markets. She found so many her imagining of the world grew lacy and tattered with holes, like a mouse-chewed map.
Alix E. Harrow (The Ten Thousand Doors of January)
What are you feeling right now?" he asks softly. My breathing escalates. "Confined." "Trapped?" he volleys back. My mouth tightens because while a part of me wants to say yes, the truth is that I don't. I feel... safe. Protected. Treasured. "One day, you will realize that you are not trapped in a prison," he murmurs roughly. "You are in my church where I am your God, and you are my equal. I'm not a jail, little mouse, I am your sanctuary.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
I remember my father, who had served in Vietnam, once talking to me about how real courage is when you're scared out of your mind but you do what you have to do anyway. I didn't feel very courageous at the moment. I felt like a small mouse in the mouth of a lion.
Anna M. Aquino
As a young cartoonist, Walt Disney faced many rejections from newspaper editors who said he had no talent. One day a minister at a church hired him to draw some cartoons. Disney was working out of a small rodent-infested shed near the church. Seeing a small mouse inspired him to draw a new cartoon. That was the start of Mickey Mouse.
Shiv Khera (You Can Win: A Step-by-Step Tool for Top Achievers)
and finally i prayed for the mouse-I prayed that he didn't get hurt when he went flying out the door of the open arms baptist church of naomi. I prayed that he landed on a nice patch of grass.
Kate DiCamillo (Because of Winn-Dixie)
Call for the robin-red-breast and the wren, Since o'er shady groves they hover, And with leaves and flow'rs do cover The friendless bodies of unburied men. Call unto his funeral dole The ant, the field-mouse and the mole, To rear him hillocks that shall keep him warm, And (when gay tombs are robbed) sustain no harm, But keep the wolf far thence, that's foe to men, For with his nails he'll dig them up again. Let holy Church receive him duly, Since he paid the church-tithes truly.
John Webster (The White Devil)
However,he also found himself constantly stalked by marriage-minded mamas and their braying daughters, and, frankly, while he'd thought it rather amusing in a twisted way when he'd been poor and knew they were getting no bargain, Daniel now found it vastly annoying. He was more than a stallion for stud with a bag of gold between his legs. And as entertaining as Suzette was, he didn't appreciate her interest in him being based only on his wealth. So he did what any reasonable man would do in this situation...he lied. "I am as poor as a church mouse," he announced with feigned regret. "In fact, poorer than a church mouse since just this last year I inherited Woodrow from my uncle and it is a terrible mess in need of a great deal of repair and care that I cannot afford.
Lynsay Sands (The Heiress (Madison Sisters, #2))
The Farmer's Bride Three Summers since I chose a maid, Too young maybe - but more's to do At harvest-time than bide and woo. When us was wed she turned afraid Of love and me and all things human; Like the shut of a winter's day Her smile went out, and 'twasn't a woman - More like a little frightened fay. One night, in the Fall, she runned away. 'Out 'mong the sheep, her be,' they said, Should properly have been abed; But sure enough she wasn't there Lying awake with her wide brown stare. So over seven-acre field and up-along across the down We chased her, flying like a hare Before our lanterns. To Church-Town All in a shiver and a scare We caught her, fetched her home at last And turned the key upon her, fast. She does the work about the house As well as most, but like a mouse: Happy enough to chat and play With birds and rabbits and such as they, So long as men-folk keep away. 'Not near, not near!' her eyes beseech When one of us comes within reach. The women say that beasts in stall Look round like children at her call. I've hardly heard her speak at all. Shy as a leveret, swift as he, Straight and slight as a young larch tree, Sweet as the first wild violets, she, To her wild self. But what to me? The short days shorten and the oaks are brown, The blue smoke rises to the low grey sky, One leaf in the still air falls slowly down, A magpie's spotted feathers lie On the black earth spread white with rime, The berries redden up to Christmas-time. What's Christmas-time without there be Some other in the house than we! She sleeps up in the attic there Alone, poor maid. 'Tis but a stair Betwixt us. Oh! my God! the down, The soft young down of her; the brown, The brown of her - her eyes, her hair, her hair!
Charlotte Mew
Key to the Pronunciations This dictionary uses a simple respelling system to show how entries are pronounced, using the symbols listed below. Generally, only the first of two or more identical headwords will have a pronunciation respelling. Where a derivative simply adds a common suffix such as -less, -ness, or -ly to the headword, the derivative may not have a pronunciation respelling unless some other element of the pronunciation also changes. as in hat //, fashion // as in day //, rate // as in lot //, father //, barn // as in big // as in church //, picture // as in dog //, bed // as in men //, bet //, ferry // as in feet //, receive // as in air //, care // as in soda //, mother /, her // as in free //, graph //, tough // as in get //, exist // as in her //, behave // as in fit //, women // as in time /t/, hire //, sky // as in ear //, pierce // as in judge //, carriage // as in kettle //, cut //, quick // as in lap //, cellar //, cradle // as in main //, dam // as in need //, honor //, maiden // as in sing //, anger // as in go //, promote // as in law //, thought //, lore // as in boy //, noisy // as in wood //, sure // as in food //, music // as in mouse //, coward // as in put //, cap // as in run //, fur //, spirit // as in sit //, lesson //, face // as in shut //, social // as in top //, seat //, forty // as in thin //, truth // as in then //, father // as in very //, never // as in wait //, quit // as in when //, which // as in yet //, accuse // as in zipper //, musician // as in measure //, vision // Foreign Sounds as in Bach // as in en route //, Rodin / / as in hors d’oeuvre //, Goethe // as in Lully //, Utrecht // Stress Marks Stress (or accent) is represented by marks placed before the affected syllable. The primary stress mark is a short, raised vertical line // which signifies that the heaviest emphasis should be placed on the syllable that follows. The secondary stress mark is a short, lowered vertical line // which signifies a somewhat weaker emphasis than on the syllable with primary stress. Variant Pronunciations There are several ways in which variant pronunciations are indicated in the respellings. Some respellings show a pronunciation symbol within parentheses to indicate a possible variation in pronunciation; for example, in sandwich //. Variant pronunciations may be respelled in full, separated by semicolons. The more common pronunciation is listed first, if this can be determined, but many variants are so common and widespread as to be ofequal status. Variant pronunciations may be indicated by respelling only the part of the word that changes. A hyphen will replace the part of the pronunciation that has remained the same. Note: A hyphen sometimes serves to separate syllables where the respelling might otherwise look confusing, as at reinforce //.
Oxford University Press (The New Oxford American Dictionary)
Oh my gawd!” Dawn squealed, walking down the hallway with Jules filling her in on the night before. For a woman almost in her 50s, she sure had some energy and pep. Sometimes she sounded like a schoolgirl. “Shh!” Jules reached over, tugging on Dawn’s arm as they walked down the hall. “Don’t tell the whole world,” she chuckled. “Is it normal to feel like this? I mean, I get horny just thinking about it!” Jules whispered even more quietly. “Hot damn, girl!” Dawn was the first to grab their usual corner table in the breakroom. “Whaddya mean is it normal? To crave—” Her voice got church mouse quiet, “—sex?” “Honey, yes with a capital Y. It is if it’s that good!” Dawn replied. “Lord, have you not felt this way ever before?” she asked, her eyes widening in disbelief. Jules shook her head no. “But you know what keeps it so hot for me, Dawn? That I feel completely in control of the situation. I had him come over, we hung out and had fun, and I screwed him.” She said that part with a big grin. “I even wanted him to leave afterwards, and I have no desire to pursue it any further!” She didn’t believe herself, but hoped if she kept repeating this thought her feelings would soon follow.
Heather C. Adams (Wanted For Desire)
Cat, why can't God afford to live in these churches any more? Why does the Queen get older all the time? Pussy cat where have you been? I have a mouse still waiting to hide and a childhood dying of nursery rhymes
John Welford, Cat Poems
KNIGHTS, KNAVES, POPES, AND PENTACLES: THE HISTORY OF THE HOLY GRAIL THROUGH TAROT “Not surprising,” Langdon said to Sophie. “Some of our keywords have the same names as individual cards.” He reached for the mouse to click on a hyperlink. “I’m not sure if your grandfather ever mentioned it when you played Tarot with him, Sophie, but this game is a ‘flash-card catechism’ into the story of the Lost Bride and her subjugation by the evil Church.” Sophie eyed him, looking incredulous. “I had no idea.” “That’s the point. By teaching through a metaphorical game, the followers of the Grail disguised their message from the watchful eye of the Church.” Langdon often wondered how many modern card players had any clue that their four suits—spades, hearts, clubs, diamonds—were Grail-related symbols that came directly from Tarot’s four suits of swords, cups, scepters, and pentacles. Spades were Swords—The blade. Male. Hearts were Cups—The chalice. Feminine. Clubs were Scepters—The Royal Line. The flowering staff. Diamonds were Pentacles—The goddess. The sacred feminine.
Dan Brown (The da Vinci Code (Robert Langdon, #2))
Heidegger’s word Sein (being) cannot be easily defined, because what it refers to is not like other categories or qualities. It certainly is not an object of any kind. Nor is it an ordinary shared feature of objects. You can teach someone what a ‘building’ is by pointing to a lot of different structures from grass huts to skyscrapers; it may take a while but eventually they will get it. But you could go on forever pointing out huts, meals, animals, forest paths, church portals, festive atmospheres, and looming thunderclouds, saying each time, ‘Look: being!’, and your interlocutor is likely to become more and more puzzled. Heidegger sums this up by saying that Being is not itself a being. That is, it is not a defined or delineated entity of any kind. He distinguishes between the German word Seiende, which can refer to any individual entity, such as a mouse or a church door, and Sein, which means the Being that such particular beings have. (In English, one way of signalling the distinction is by using the capital ‘B’ for the latter.) He calls it the ‘ontological difference’ — from ‘ontology’, the study of what is. It is not an easy distinction to keep clear in one’s mind, but the ontological difference between Being and beings is extremely important to Heidegger. If we get confused between the two, we fall into errors — for example, settling down to study some science of particular entities, such as psychology or even cosmology, while thinking that we are studying Being itself.
Sarah Bakewell (At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others)
Younger? Hmm. Well, if you say so.” Elinor glanced down at herself. Her mouse-gray sweater was filthy, and there were three runs in her stockings. “Meggie, that was very kind of you to help me back there in the church,” she said, pulling her skirt down over her knees. “My knees were like jelly, I was so scared. I don’t know what’s come over me.
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
It is not too much to require that what the wisest of mankind, those who are best entitled to trust their own judgment, find necessary to war- rant their relying on it, should be submitted to by that miscellaneous collection of a few wise and many foolish individuals, called the public. The most intolerant of churches, the Roman Catholic Church, even at the canonisation of a saint, admits, and listens patiently to, a “devil’s advocate.” The holiest of men, it appears, cannot be admitted to posthu- mous honours, until all that the devil could say against him is known and weighed. If even the Newtonian philosophy were not permitted to be questioned, mankind could not feel as complete assurance of its truth as they now do. The beliefs which we have most warrant for have no safeguard to rest on, but a standing invitation to the whole world to prove them unfounded. If the challenge is not accepted, or is accepted and the attempt fails, we are far enough from certainty still; but we have done the best that the existing state of human reason admits of; we have neglected nothing that could give the truth a chance of reaching us: if the lists are kept open, we may hope that if there be a better truth, it will be found when the human mind is capable of receiving it; and in the meantime we may rely on having attained such approach to truth as is possible in our own day. This is the amount of certainty attainable by a fallible being, and this the sole way of attaining it.
John Stuart Mill (On Liberty)
You are in my church where I am your God, and you are my equal. I’m not a jail, little mouse, I am your sanctuary.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
One day, you will realize that you are not trapped in a prison,” he murmurs roughly. “You are in my church where I am your God, and you are my equal. I’m not a jail, little mouse, I am your sanctuary.” My mouth dries. The tip of my tongue darts out, wetting my bottom lip and swiping across his lips. Just a brush, but enough to light a spark. An answering growl arises as I ask, “Does that make me a goddess?” He pulls me impossibly closer, his lips now pressed against mine lightly. “Baby, you rule the fucking kingdom, and I will gladly bow to you.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
One day, you will realize that you are not trapped in a prison,” he murmurs roughly. “You are in my church where I am your God, and you are my equal. I’m not a jail, little mouse, I am your sanctuary.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
One day, you will realize that you are not trapped in a prison,” he murmurs roughly. “You are in my church where I am your God, and you are my equal. I’m not a jail, little mouse, I am your sanctuary
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
Just wait a month, and this meadow will be carpeted in bluebonnets,” Sarah promised him. “And the next month, gold and red flowers, Indian blanket, Mexican hat, primroses—Nolan, you can’t believe how beautiful it is!” “I can’t believe how beautiful you are, Sarah,” he said, cupping her cheek. “And as I said in church, how kind, how brave…” “Brave? Me? I’m not brave at all,” she protested. “Milly would tell you I’ve been a quiet little mouse all my life. She’s been the brave one, the leader.” “I don’t think she’d say that anymore, Nurse Sarah. In fact, I think you have all the qualities to make an excellent doctor’s wife.” When his words hit her, she gaped at him. “Dr. Nolan Walker! Did you just propose to me, on our very first outing together?” He grinned. “Ayuh,” he said, in a deliberately exaggerated “Downeast” accent. “We men of Maine don’t waste time. Am I going too fast, sweetheart? I promise you’ll get your courtship, never fear, but you and I both know I’ve been courting you every time we met—as much as you’d let me, anyway—ever since Founder’s Day last fall.” She considered his words. “I guess that’s true. All right, as long as you don’t stint on the courtship—we Texas ladies set great store by courting, I’ll have you know—I agree.” “Did you just say yes, Miss Sarah, on our very first outing as a courting couple?” She nodded, blushing a rosy pink that made her even lovelier still. He couldn’t wait any longer, and lowered his lips to hers.
Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
I’m hungry as a church mouse, Hope. Do you have anything to eat? Hope looked down at His Whiskery Lordship swishing his black tail back and forth at her. He’d tucked a blue paper napkin into his collar. “When did you wake up?” she asked.
Lyn Key (Nozy Cat 2: A Hope Jones Cozy Mystery)
On the other hand, even if you’re as poor as a church mouse, isn’t it nice to be able to pay, to chuck some modest lump into the vast crater of debt to your parents that, as their child, you find yourself standing in?
Robert Rowland Smith
I met you, you were timid and frightened of everything and everyone. You made the proverbial church mouse look like a happy hooker.
Anonymous
the city, while an accumulator of the energies of culture, is also an accumulator of potencies of evil (Amos 3:9; Micah 1:5).”15 Sometimes these seats of culture making can be established to bring glory to God’s name (1 Cor 10:31) and therefore be a means of serving God and neighbor (e.g., Bezalel in Exod 31:3 – 5), or they can be erected to “make a name for ourselves” (Gen 11:4), resulting in a culture of human pride, self-salvation, violence, and oppression (Gen 4:17 – 24). Vos adds that what makes the human city fallen is not its density of population (indeed, this is what makes it an “accumulator of the energies of culture”), but its “spirit of rebellious self-dependence over against God.”16 A horse is a more valuable animal than a mouse, yet a crazed horse is capable of far more damage than a crazed mouse; so too a city’s strengths under sin can unleash more destructive evil. As the Genesis narrative unfolds, we see that warring with the city’s great potential is a profound bent toward corruption and idolatry. For most of the rest of Genesis, the city is seen in a negative light. The city is mentioned in connection
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
He distinguishes between the German word Seiende, which can refer to any individual entity, such as a mouse or a church door, and Sein, which means the Being that such particular beings have. (In English, one way of signalling the distinction is by using the capital ‘B’ for the latter.) He calls it the ‘ontological difference’ — from ‘ontology’, the study of what is. It is not an easy distinction to keep clear in one’s mind, but the ontological difference between Being and beings is extremely important to Heidegger. If we get confused between the two, we fall into errors — for example, settling down to study some science of particular entities, such as psychology or even cosmology, while thinking that we are studying Being itself. Unlike beings, Being is hard to concentrate on and it is easy to forget to think about it. But one particular entity has a more noticeable Being than others, and that is myself, because, unlike clouds and portals, I am the entity who wonders about its Being. It even turns out that I have a vague, preliminary, non-philosophical understanding of Being already — otherwise I would not have thought of asking about it. This makes me the best starting point for ontological inquiry. I am both the being whose Being is up for question and the being who sort of already knows the answer. I
Sarah Bakewell (At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others)
It was another watershed event for a woman who had for so long believed herself worthless, with little to offer the world other than her sense of style. Her life in the royal family had been directly responsible for creating this confusion. As her friend James Gilbey says: “When she went to Pakistan last year she was amazed that five million people turned out just to see her. Diana has this extraordinary battle going on in her mind. ‘How can all these people want to see me?’ and then I get home in the evening and lead this mouse-like existence. Nobody says: ‘Well done.’ She has this incredible dichotomy in her mind. She has this adulation out there and this extraordinary vacant life at home. There is nobody and nothing there in the sense that nobody is saying nice things to her--apart of course from the children. She feels she is in an alien world.” Little things mean so much to Diana. She doesn’t seek praise but on public engagements if people thank her for helping, it turns a routine duty into a very special moment. Years ago she never believed the plaudits she received, now she is much more comfortable accepting a kind word and a friendly gesture. If she makes a difference, it makes her day. She has discussed with church leaders, including the Archbishop or Canterbury and several leading bishops, the blossoming of this deep seated need within herself to help those who are sick and dying. “Anywhere I see suffering, that is where I want to be, doing what I can,” she says. Visits to specialist hospitals like Stoke Mandeville or Great Ormond Street Hospital for Sick Children are not a chore but deeply satisfying. As America’s First Lady, Barbara Bush, discovered when she joined the Princess on a visit to an AIDS ward of the Middlesex Hospital in July 1991 there is nothing maudlin about Diana’s attitude towards the sick. When a bed-bound patient burst into tears as the Princess was chatting to him, Diana spontaneously put her arms around him and gave him an enormous hug. It was a touching moment which affected the First Lady and others who were present. While she has since spoken of the need to give AIDS sufferers a cuddle, for Diana this moment was a personal achievement. As she held him to her, she was giving in to her own self rather than conforming to her role as a princess.
Andrew Morton (Diana: Her True Story in Her Own Words)
quiet as a drunken church mouse,
R.J. Silver (My Third-World Girlfriend)
It’s the difference between expressing poverty with “I have only ten dollars in my checking account” (literal, direct) and “I’m as poor as a church mouse” (figurative, indirect); hunger with “I’m very hungry” (literal) and “I could eat a horse” (figurative); or admiration with “She is young and beautiful” (literal) and “My love is like a red, red rose / that’s newly sprung in June” (figurative).
Holly Ordway (Apologetics and the Christian Imagination: An Integrated Approach to Defending the Faith (Living Faith Series))