“
There is a picture of me in their heads, a picture of someone I don't know yet. She is not the chubby girl with the braces and bad perm. She is not the girl hiding in the bathroom at recess. She is someone new, a blank slate they have named beautiful. That is what I am now: beautiful, with this new body and face and hair and clothes. Beautiful, with this erasing of history.
”
”
Amy Reed (Beautiful)
“
Good night, chubby baby
I can't rock you no more
I'm sorry, chubby baby
But my arms are getting sore
Sleep tight, chubby baby
And please don't get me wrong
You're a perfect sized baby
So never accept fakey beauty standards or develop unhealthy body issues...
... from this dumb song
”
”
Brian K. Vaughan (Saga, Volume 8)
“
If it is a glance about me, I will die. We are amused by the sad chubby girl who is clearly enchanted by our hipster beauty.
”
”
Becky Albertalli (The Upside of Unrequited)
“
It was that time of life: Talents were rising to the surface, weaknesses were beginning to show through, we were finding out what kinds of people we would be. Some would turn out beautiful, some funny, some shy. Some would be smart, others smarter. THe chubby ones would likely always be chubby. THe beloved, I sensed, would be beloved for life. And I worried that loneliness might work that way, too. Maybe loneliness was imprinted in my genes, lying dormant for years but now coming into full bloom.
”
”
Karen Thompson Walker (The Age of Miracles)
“
Ma was heavy, but not fat; thick with child-bearing and work. She wore a loose Mother Hubbard of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and he strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone.
”
”
John Steinbeck (The Grapes of Wrath)
“
How could I explain to a beautiful lady in a silk dress that when I picked up her baby girl, I felt that lady's long-ago chubby shape in my arms, smelled her sunshine-touched hair? That years and years of tiny memories flitted past my heart like a flock of birds spinning on invisible air? It was the smell of the little girls, slightly wet, somewhat soapy, the smell of porridge supper, and the taste of kissed-away tears. Here in my arms were the best parts of life, going on, blooming like a strong tree.
”
”
Nancy E. Turner (Sarah's Quilt (Sarah Agnes Prine, #2))
“
Chubby chasers don't prove that fat is beautiful. Chubby chasers show us that ugliness is optional.
”
”
Dan Oliverio (The Round World: Life at the Intersection of Love, Sex, and Fat)
“
As she watched, he examined the can intently, read the ingredients, then returned it to the shelf and chose another, repeating his thorough study of it.
The contrast between his rough, tough-guy appearance and the domestic act he was performing did funny things to her head.
She had a sudden, breathtaking vision of a dark-haired little boy sitting in the seat of the cart, laughing up at Cian, grabbing at his swinging braids with chubby little fists, while his daddy inspected the ingredients on a jar of baby food. Her mind’s eye
picture of sexy, strong man with beautiful, helpless child made something soft and warm blossom behind her chest.
”
”
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
“
I wonder what Lena is doing now. I always wonder what Lena is doing. Rachel, too: both my girls, my beautiful, big-eyed girls. But I worry about Rachel less. Rachel was always harder than Lena, somehow. More defiant, more stubborn, less feeling . Even as a girl, she frightened me—fierce and fiery-eyed, with a temper like my father’s once was.
But Lena . . . little darling Lena, with her tangle of dark hair and her flushed, chubby cheeks. She used to rescue spiders from the pavement to keep them from getting squashed; quiet, thoughtful Lena, with the sweetest lisp to break your heart. To break my heart: my wild, uncured, erratic, incomprehensible heart. I wonder whether her front teeth still overlap; whether she still confuses the words pretzel and pencil occasionally; whether the wispy brown hair grew straight and long, or began to curl.
I wonder whether she believes the lies they told her.
”
”
Lauren Oliver (Annabel (Delirium, #0.5))
“
The woman was on the chubby side. Young and beautiful and all that went with it, but chubby. Now a young, beautiful woman who is, shall we say, plump, seems a bit off. Walking behind her, I fixated on her body. Around young, beautiful, fat women, I am generally thrown into confusion. I don’t know why. Maybe it’s because an image of their dietary habits naturally congeals in my mind. When I see a goodly sized woman, I have visions of her mopping up that last drop of cream sauce with bread, wolfing down that final sprig of watercress garnish from her plate. And once that happens, it’s like acid corroding metal: scenes of her eating spread through my head and I lose control.
”
”
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
“
In the sketch, I was sitting on the garden wall, my face in profile as I stared into the distance. My eyes were unfocused. A cigarette burned, forgotten, between my fingers. Raf drew me as I was, with round curves, folds in my stomach, and chubby thighs—but through his eyes I was beautiful. Because those features were just small parts of the picture. My face, which undoubtedly was blotchy from crying that night, was clear and angled. Even my messy bun was more of a purposeful updo, with soft tendrils that framed my face. The shirt that I'd been wearing that I'd worried was too tight instead hugged my curves purposefully and exposed a little cleavage. Or at least, that's how Raf had drawn it.
”
”
Lizzy Mason (The Art of Losing)
“
Can't we make a blusterer ourselves? asked Jón Hreggviðsson. Can't we scratch that damned sign with the ax-point onto the chopping block and get a beautiful, chubby woman in here tonight, right now-or preferably three? It was no easy matter to create such a sign, because in order to do so the two men required much greater access to the animal kingdom and the forces of nature than conditions in the dungeon permitted. The sign of the Blusterer is inscribed with a raven's gall on the rust-brown inner side of a bitch's skin, and afterward blood is sprinkled over the skin - blood from a black tomcat whose neck has been cut under a full moon by an unspoiled maiden. Where'd you find an unspoiled maiden to cut a black tomcat's neck asked Jón Hreggviðsson.
”
”
Halldór Laxness (Iceland's Bell)
“
For about 48 weeks of the year an asparagus plant is unrecognizable to anyone except an asparagus grower. Plenty of summer visitors to our garden have stood in the middle of the bed and asked, 'What is this stuff? It's beautiful!' We tell them its the asparagus patch, and they reply, 'No this, these feathery little trees.' An asparagus spear only looks like its picture for one day of its life, usually in April, give or take a month as you travel from the Mason-Dixon Line. The shoot emerges from the ground like a snub nose green snake headed for sunshine, rising so rapidly you can just about see it grow. If it doesn't get it's neck cut off at ground level as it emerges, it will keep growing. Each triangular scale on the spear rolls out into a branch until the snake becomes a four foot tree with delicate needles. Contrary to lore, fat spears are no more tender or mature than thin ones. Each shoot begins life with its own particular girth. In the hours after emergence, it lengthens but does not appreciably fatten. To step into another raging asparagus controversy, white spears are botanically no different from their green colleagues. White shoots have been deprived of sunlight by a heavy mulch pulled up over the plant's crown. European growers go to this trouble for consumers who prefer the stalks before they've had their first blush of photosynthesis. Most Americans prefer the more developed taste of green. Uncharacteristically, we're opting for the better nutritional deal here also. The same plant could produce white or green spears in alternate years, depending on how it is treated. If the spears are allowed to proceed beyond their first exploratory six inches, they'll green out and grow tall and feathery like the house plant known as asparagus fern, which is the next of kin. Older, healthier asparagus plants produce chunkier, more multiple shoots. Underneath lies an octopus-shaped affair of chubby roots called a crown that stores enough starch through the winter to arrange the phallic send-up when winter starts to break. The effect is rather sexy, if you're the type to see things that way. Europeans of the Renaissance swore by it as an aphrodisiac and the church banned it from nunneries.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
Oh doors of your body
There are nine and I have opened them all
Oh doors of your body
There are nine and for me they have all closed again
At the first door
Clear Reason has died
It was do you remember? the first day in Nice
Your left eye like a snake slides
Even my heart
And let the door of your left gaze open again
At the second door
All my strength has died
It was do you remember? in a hostel in Cagnes
Your right eye was beating like my heart
Your eyelids throbbed like flowers beat in the breeze
And let the door of your right gaze open again
At the third door
Hear the aorta beat
And all my arteries swollen from your only love
And let the door of your left ear be reopened
At the fourth gate
They escort me every spring
And listening listening to the beautiful forest
Upload this song of love and nests
So sad for the soldiers who are at war
And let the door of your right ear reopen
At the fifth gate
It is my life that I bring you
It was do you remember? on the train returning from Grasse
And in the shade, very close, very short
Your mouth told me
Words of damnation so wicked and so tender
What do I ask of my wounded soul
How could I hear them without dying
Oh words so sweet so strong that when I think about it I seem to touch them
And let the door of your mouth open again
At the sixth gate
Your gestation of putrefaction oh War is aborting
Behold all the springs with their flowers
Here are the cathedrals with their incense
Here are your armpits with their divine smell
And your perfumed letters that I smell
During hours
And let the door on the left side of your nose be reopened
At the seventh gate
Oh perfumes of the past that the current of air carries away
The saline effluvia gave your lips the taste of the sea
Marine smell smell of love under our windows the sea was dying
And the smell of the orange trees enveloped you with love
While in my arms you cuddled
Still and quiet
And let the door on the right side of your nose be reopened
At the eighth gate
Two chubby angels care for the trembling roses they bear
The exquisite sky of your elastic waist
And here I am armed with a whip made of moonbeams
Hyacinth-crowned loves arrive in droves.
And let the door of your soul open again
With the ninth gate
Love itself must come out
Life of my life
I join you for eternity
And for the perfect love without anger
We will come to pure and wicked passion
According to what we want
To know everything to see everything to hear
I gave up in the deep secret of your love
Oh shady gate oh living coral gate
Between two columns of perfection
And let the door open again that your hands know how to open so well
”
”
Guillaume Apollinaire
“
She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful.
Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her.
Had they done it for her? Or for their son’s chance at a football scholarship?
She’d never know.
What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice.
Only, she hadn’t chosen for herself.
She hadn’t.
Awareness must come. And it did. Too late.
If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe.
She knew that, deep inside.
Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms.
These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world.
Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl.
She’d open her palm, and the stone had turned to dust.
She swept it away on her jeans.
A daughter doesn’t solve anything; she needed her mama to tell her this.
But she makes the world a lot less lonely. A lot less ugly.
”
”
Jennifer Givhan (Jubilee)
“
Ma was heavy, but not fat; thick with childbearing and work. She wore a loose Mother Hubbard2 of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and her strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone.
”
”
John Steinbeck (The Grapes of Wrath)
“
I opened the door with a smile on my face that soon melted when I saw his messy appearance.
The doorframe held him up as he leaned all of his weight against it. Expressionless, bloodshot eyes stared back at me as he lifted his hand and ran it roughly down his unshaved face. His hair was disheveled and there was blood on the front of his shirt. Panic rose up as I took him in. I rushed to him and ran my fingers down his body, as I checked for injuries.
“You’re bleeding! Oh my God, Devin! What happened? Are you OK?”
“It’s not my blood,” he slurred.
I took a better look at his gorgeous face. His unfocused eyes attempted to meet mine and it was then that the smell of liquor reached me.
“You’re drunk?”
“Abso-fucking-lutely.” He attempted to move toward me and almost fell over.
I wrapped my arms around him and helped him into my apartment. Once we made it to the couch I let him collapse onto the cushion before I went straight to work on his clothes. I removed his blood-stained shirt first and threw it to the side. Quickly checked him over again just to be sure that he wasn’t injured somewhere. His skin felt cold and clammy against my fingertips.
His knuckles were busted open, so I went to the bathroom and got a wet towel and the first aid kit. I cleaned his fingers then wrapped them up.
I felt fingers in my hair and looked up to see a very drunk Devin staring back at me.
“You’re so fucking beautiful,” he whispered as his heavy head fell against the back of my couch again.
Shaking my head, I dropped onto my knees on the floor and removed his boots.
Once I was done getting Devin out of his shoes, I went to the hallway closet and pulled out a blanket for him. When I got back to the couch, he was standing there looking back at me in all his tattooed, muscled glory. He was still leaning a bit to the side when his eyes locked on mine.
“Come here,” he rasped.
He looked as if he was about to crumble and I couldn’t tell if it was the alcohol or if something was really breaking him down.
“Are you OK, baby?” I asked.
He closed his eyes and sighed. “I love it when you call me baby.”
I went to him and he groaned as I softly ran my hands up his chest and put my arms around his neck. On my tiptoes, I softly kissed the line of his neck and his chin.
“Tell me what happened, Devin.”
When he finally opened his eyes, he looked at me differently. The calm and collected Devin was gone and an anxiety-ridden shell of a man stood before me. His shoulders felt tense beneath my fingers and his eyes held a crazed demeanor.
“I need you, Lilly.” He captured my face softly in his hands as he slurred the words.
“Please tell me what happened?”
“Make it go away, baby,” he whispered as he leaned in and started to kiss me.
I let him as I melted against his body. He collapsed against the couch once more, but this time he took me with him. Not once did he break our kiss, and soon, I felt his velvet tongue against mine. I kissed him back and let my fingers play in the hair at the back of his neck.
He broke the kiss and started down the side of my neck.
“I need you, Lilly,” he repeated against my skin.
“I’m here.” I bit at my bottom lip to stop myself from moaning.
“Please, just make it all go away,” he drunkenly begged.
“I don’t know what’s going on, but tell me what to do to make it better. I want to make it better, Devin.” I stopped him and stared into his eyes as I waited for his response.
“Don’t leave me,” he said desperately.
“I’m not going anywhere. I’m here. I’ll do whatever it takes to make it better.” I wanted to cry.
He looked so hurt and afraid. It was strange to see such a strong, confident man so lost and unsure.
He flipped me onto my back on the couch and crawled on top of me. His movements were less calculated—slower than usual.
“I want you. I need to be inside you,” he said aggressively.
”
”
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
“
My cold-weather gear left a lot to be desired: black maternity leggings under boot-cut maternity jeans, and a couple of Marlboro Man’s white T-shirts under an extra-large ASU sweatshirt. I was so happy to have something warm to wear that I didn’t even care that I was wearing the letters of my Pac-10 rival. Add Marlboro Man’s old lumberjack cap and mud boots that were four sizes too big and I was on my way to being a complete beauty queen. I seriously didn’t know how Marlboro Man would be able to keep his hands off of me. If I caught a glimpse of myself in the reflection of the feed truck, I’d shiver violently.
But really, when it came right down to it, I didn’t care. No matter what I looked like, it just didn’t feel right sending Marlboro Man into the cold, lonely world day after day. Even though I was new at marriage, I still sensed that somehow--whether because of biology or societal conditioning or religious mandate or the position of the moon--it was I who was to be the cushion between Marlboro Man and the cruel, hard world. That it was I who’d needed to dust off his shoulders every day. And though he didn’t say it, I could tell that he felt better when I was bouncing along, chubby and carrying his child, in his feed truck next to him.
Occasionally I’d hop out of the pickup and open gates. Other times he’d hop out and open them. Sometimes I’d drive while he threw hay off the back of the vehicles. Sometimes I’d get stuck and he’d say shit. Sometimes we’d just sit in silence, shivering as the vehicle doors opened and closed. Other times we’d engage in serious conversation or stop and make out in the snow.
All the while, our gestating baby rested in the warmth of my body, blissfully unaware of all the work that awaited him on this ranch where his dad had grown up. As I accompanied Marlboro Man on those long, frigid mornings of work, I wondered if our child would ever know the fun of sledding on a golf course hill…or any hill, for that matter. I’d lived on the ranch for five months and didn’t remember ever hearing about anyone sledding…or playing golf…or participating in any recreational activities at all. I was just beginning to wrap my mind around the way daily life unfolded here: wake up early, get your work done, eat, relax, and go to bed. Repeat daily. There wasn’t a calendar of events or dinner dates with friends in town or really much room for recreation--because that just meant double the work when you got back to work. It was hard for me not to wonder when any of these people ever went out and had a good time, or built a snowman.
Or slept past 5:00 A.M.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Do you really find our hands on you so distasteful?” Lock’s eyes were wistful. “No.” Kat closed her eyes briefly. “No, you…you know I don’t.” “Then try to relax,” he urged. “Please, my lady. Here…” Kat had been lying on her side facing Lock, with Deep behind her. Now Lock turned her gently but firmly until she was lying on her back with both of them leaning over her. “This is worse,” Kat, objected, trying to cover her bare breasts and sex with her hands. “I feel so…so exposed.” “Are you ashamed to let us look at you?” Deep’s voice was surprisingly gentle. “You shouldn’t be, little Kat. I have never seen such beauty in my life.” “But I’m…” So many words hovered on her lips—fat, chubby, chunky—insults from a lifetime of being plus sized in a world where skinny women were the ideal. Living as a size eighteen in a society that preferred a size eight hadn’t been easy. “Not thin,” she finished at last. “We know.” Lock’s voice held only admiration. “You’re an elite. The most beautiful one I’ve ever seen.” That’s
”
”
Evangeline Anderson (Sought (Brides of the Kindred, #3))
“
I try to write characters that are normal, believable people with a unique sense of humor. I like characters that aren't necessarily society's idea of "perfect". I wanted to make characters that were more real. I want my potential readers to see that beauty comes in all shapes and sizes. I want them, especially the girls, to realize that whatever you look like, whether you’re chubby or skinny, dark haired or blonde, popular or the school outcast, that everyone deserves to be loved. And that if you look hard enough, there’s someone out there waiting just for you.
”
”
Taylor Fenner
“
Tell our children their father loved them more than they will ever understand. Poppy, our beautiful firstborn with her perma-frown and her impossibly small fingers. My memories of her are endless and wonderful. Her tiny body in that first white bodysuit, the way she’d nuzzle into my neck on dark nights, her warm, chubby toddler body starfishing when she snuck into our bed, trick or treating dressed as a ghost running around the streets on Halloween or curled up in my lap as we watched Frozen for the billionth time. Now she is talented and funny and fiery and has her own secrets, her own opinions. We get flashes of the woman she’ll become and it takes my breath away.
”
”
Cesca Major (Maybe Next Time)
“
Apparently they’re evolving to include inner beauty, personality, intelligence, but children shouldn’t be concerned about the size of their thighs or their stomachs. As a girl who was a chubby kid, I can tell you that such a huge focus on body image at a young age just isn’t healthy.
”
”
Angela Marsons (Guilty Mothers (DI Kim Stone, #20))
“
She was moody, bright, a heaving sun. Violent. She screamed a lot. She was chubby and beautiful and insane if anyone had known enough to see it.
”
”
Akwaeke Emezi (Freshwater)
Mary E. Thompson (Chubby & Charming (Big & Beautiful, #1))
“
This new part of my life wasn't a woman who would seem attractive straight-on in a passport photograph. She had no conventional beauty, her features were not exquisitely proportioned and her face was a bit chubby. But she was lovely because the round face with the straight dyed-blonde hair, which fell over her forehead and into her eyes, was open. Her face was constantly in motion, and this was the source of her beauty.
”
”
Hanif Kureishi (The Buddha of Suburbia)
“
I am with Victor, the two of us holding hands and laughing and somehow I know it is in the future—whether years or weeks, I can’t say. We are walking along the beach at noon—the sun hot and bright overhead, the sunshine warming my skin as it hasn’t in many long years. I look up at it, squinting the way you do on a bright day, but I am not afraid. The sun is no longer my enemy but a warm, benevolent friend. Victor says something I can’t hear. I looked over and asked him to repeat it. “I said, I think she’s hungry…” “Who?” I ask but then I look down and realize I am pushing a baby stroller. Victor is already kneeling on the sandy beach, cooing to whoever is inside the stroller. “Daddy’s little princess is hungry?” he says, picking up a baby who looks to be about one and a half years old. He brings her to me and I look at her in wonder. She has Victor’s big chocolate brown eyes and my dark brown hair. Her little face is heart shaped and delicate with a button nose and a sweetly pursed candy pink mouth—perfect in every way. “She’s beautiful,” I whisper, in awe of the precious little girl. “Just like her mom,” Victor says proudly. He holds her out to me and she puts up chubby little arms, eager for me to take her. “Momma!” she says when I hold her. She nuzzles close and presses her chubby little cheek to mine. “Momma… love you.” “Oh, sweetie,” I whisper, holding her tight. “I love you too. Momma loves her little girl so much.” Victor puts his arms around both of us. “And I love you both. My two sweet girls,” he rumbles and I feel loved and protected and perfect in every way. The waves shush along the beach, the sand is rough and warm under my feet, my little girl is safe in my arms and my husband loves me—loves both of us completely. The sun beams down on us like a golden blessing and I feel a joy like I have never known, a joy I never expected to feel after Celeste… after she… she…
”
”
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
“
There’s nothing wrong with my daughter. There’s something wrong with all the boys who can’t see how wonderful she is.” “So, she’s ugly?” “Absolutely not!” she snapped. “She has a small weight problem, but she’s beautiful and that’s exactly how you will treat her. Take her out, show her a fabulous time, and make her feel like she’s the most gorgeous creature you’ve ever seen.” “Basically, you want me to blow smoke up her ass?” “Stay away from her ass, but yes…
”
”
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))