Christmas Character Quotes

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You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.
Rosemarie Urquico
More often than not, people who are obsessed with their desires and feelings are generally unhappier in life vs. people that refocus their attention on service to others or a righteous cause. Have you ever heard someone say their life sucked because they fed the homeless? Made their children laugh? Or, bought a toy for a needy child at Christmas time?
Shannon L. Alder
Audiences often ask if characters are based on real people. Indeed the impulse of the amateur is to write about who one knows. The professional on the other hand understands the impossibility of such a task. The creator of the character must know more about the character than anyone could ever possibly know about a real person. The author must possess the complete knowledge; what the person was wearing on Christmas morning when he or she was five, what presents he or she received, and who gave them and how they were given. A "character" therefore is a real person who exists in another plane, a parallel universe based on the author's perceptions of reality. When it comes to people don't write about who you know but what you know of human nature.
Candace Bushnell (Los Diarios de Carrie (Los diarios de Carrie, #1))
Have you decided upon my character, or do you need more time?
Michele Sinclair (The Christmas Knight)
Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shriveled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days and didn't thaw it one degree at Christmas.
Charles Dickens (A Christmas Carol)
The important thing is character. It's my character I've got to mould. I'm sure one can do anything with oneself if one tries. It's only a matter of will.
W. Somerset Maugham (Christmas Holiday)
Well, look at the other characters in Winnie the Pooh. They all actually demonstrate that Pooh is the most mentally balanced. There’s Tigger, I mean, that tiger just can’t stay in the moment and enjoy it. He’s too much of a hedonist; he always wants the next adventure. That’s not healthy, he’ll burn out.” I started properly laughing. “And what about Eeyore?” “Well he’s a depressive, isn’t he? If Eeyore walked into my doctor’s office he’d be prescribed with a lifetime supply of antidepressants. And not just because US doctors dole them out like candy canes at Christmas.” The music stopped and I found myself clapping without even looking. “But Pooh?” “Pooh lives in the moment. He doesn’t fret about the past, or freak about the future. He’s an expert at mindfulness.” Kyle
Holly Bourne (How Hard Can Love Be? (The Spinster Club, #2))
This is difficult to comprehend when one pauses to consider the character of Christ. Admittedly there have been many false caricatures of this Person, but an unbiased look at His life quickly reveals an individual of enormous compassion and incredible integrity.
W. Phillip Keller (A Shepherd Looks at Psalm 23)
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
Goodwill to all.' I know it's techinically 'goodwill to all men,' but in my mind, I drop the 'men' because that feels segregationist/elitist/sexist/generally bad ist. Goodwill shouldn't be just for men. It should also apply to women and children, and all animals, even the yucky ones like subway rats. I'd even extend the goodwill not just to living creatures but to the dearly departed, and if we include them, we might as well include the undead, those supposedly mythic beings like vampires, and if they're in, then so are elves, fairies, and gnomes. Heck, since we're already being so generous in our big group hug, why not also embrace those supposedly inanimate objects like dolls and stuffed animals. I'm sure Santa would agree. 'Goodwill to all.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
For all his theatrics, or maybe because of them, I knew he was a strong man. I had always been more comfortable around strong people.
Maya Angelou (Singin' and Swingin' and Gettin' Merry Like Christmas (Maya Angelou's Autobiography, #3))
You can't cure people of their character,' she read. After this he had crossed something out then gone on, 'You can't even change yourself. Experiments in that direction soon deteriorate into bitter, infuriated struggles. You haul yourself over the wall and glimpse new country. Good! You can never again be what you were! But even as you are congratulating yourself you discover tied to one leg the string of Christmas cards, gas bills, air letters and family snaps which will never allow you to be anyone else. A forty-year-old woman holds up a doll she has kept in a cardboard box under a bed since she was a child. She touches its clothes, which are falling to pieces; works tenderly its loose arm. The expression that trembles on the edge of realizing itself in the slackening muscles of her lips and jaw is indescribably sad. How are you to explain to her that she has lost nothing by living the intervening years of her life? How is she to explain that to you?
M. John Harrison (Things That Never Happen)
I wonder if you've ever considered how strange it is that the educational and character-shaping structures of our culture expose us but a single time in our lives to the ideas of Socrates, Plato, Euclid, Aristotle, Herodotus, Augustine, Machiavelli, Shakespeare, Descartes, Rousseau, Newton, Racine, Darwin, Kant, Kierkegaard, Tolstoy, Schopenhauer, Goethe, Freud, Marx, Einstein, and dozens of others of the same rank, but expose us annually, monthly, weekly, and even daily to the ideas of persons like Jesus, Moses, Muhammad, and Buddha. Why is it, do you think, that we need quarterly lectures on charity, while a single lecture on the laws of thermodynamics is presumed to last us a lifetime? Why is the meaning of Christmas judged to be so difficult of comprehension that we must hear a dozen explications of it, not once in a lifetime, but every single year, year after year after year?
Daniel Quinn (The Story of B (Ishmael, #2))
You honor me just by the goodness of your character, the grace of your nature, the way you persist, the kindness you show. I’d
Regina Walker (A Christmas Comfort for Elsie (Mail-Order Brides' First Christmas, #6))
And who would dare write their own death into the script so that the rest of the characters in the tale might live? God of course.
Craig D. Lounsbrough (An Intimate Collision: Encounters with Life and Jesus)
I’m not a cold plate of m-m-macaroni. I’m a warm-hearted person. It’s the basis of my character.
Truman Capote (Breakfast at Tiffany's and Three Stories: House of Flowers, A Diamond Guitar, and A Christmas Memory)
The novelist’s perception of motive and character is equally suited to the penetration of human deceit. I am determined never to apologise for my talents in either.
Stephanie Barron (Jane and the Twelve Days of Christmas (Jane Austen Mysteries #12))
author’s note I love that my characters end up feeling like they exist off the page, but sometimes it would be nice if they could shut up and leave me alone.
Tarah DeWitt (Christmas Presents)
How were you supposed to know not to mention necrophilia at Christmas dinner?
Fern Brady (Strong Female Character)
I realise now, the character in the Christmas story we should all aspire to be is the star in the sky that shines so brightly and hopefully – that someone else who is lost can find their way.
Greg Wise (Last Christmas: Memories of Christmases Past and Hopes of Future Ones)
Trying is always more important than succeeding. It’s the effort you put into it that counts. That’s what true character is… Doing your best, even if you know you might not get rewarded for it.
Meg Muldoon (Menace in Christmas River (Christmas River #8))
It was Christmas night in the Castle of the Forest Sauvage, and all around length. It hung on the boughs of the forest trees in rounded lumps, even better than apple-blossom, and occasionally slid off the roofs of the village when it saw the chance of falling on some amusing character and giving pleasure to all. The boys made snowballs with it, but never put stones in them to hurt each other, and the dogs, when they were taken out to scombre, bit it and rolled in it, and looked surprised but delighted when they vanished into the bigger drifts. There was skating on the moat, which roared with the gliding bones which they used for skates, while hot chestnuts and spiced mead were served on the bank to all and sundry. The owls hooted. The cooks put out plenty of crumbs for the small birds. The villagers brought out their red mufflers. Sir Ector’s face shone redder even than these. And reddest of all shone the cottage fires down the main street of an evening,
T.H. White (The Once and Future King)
I didn't have anyone, I spent a lot more time alone. I loved reading, and I know it sounds stupid, but the characters in the books I read became my best friends. The only ones who would never hurt me.
Courtney Walsh (A Cross-Country Christmas (Road Trip Romance, #1))
And though I do not approve of your appropriation of the Bean King tradition"-he paused to find and issue a pointed glare at his favorite baker-"your scheme to reveal Baron Craven's true character worked.
Michele Sinclair (The Christmas Knight)
Pericles, he reflected, was a sad case. He'd been a postman all his life, a solid, reliable worker, until one Christmas when he had stolen all the gifts he was meant to deliver: wind-chimes, scented candles, Belgian chocolates, cowbells from the Bernese Oberland. Most of the haul had been lavished on his elderly mother; the rest he had stashed in his bedroom, which the old lady, being too frail to climb the stairs, no longer cleaned.
Alison Fell (The Element -inth in Greek)
Some people laughed to see the alteration in him, but he let hem laugh, and little heeded them; fore he was wise enough to know that nothin ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset
Charles Dickens (A Christmas Carol)
Most incarcerated women—nearly two-thirds—are in prison for nonviolent, low-level drug crimes or property crimes. Drug laws in particular have had a huge impact on the number of women sent to prison. “Three strikes” laws have also played a considerable role. I started challenging conditions of confinement at Tutwiler in the mid-1980s as a young attorney with the Southern Prisoners Defense Committee. At the time, I was shocked to find women in prison for such minor offenses. One of the first incarcerated women I ever met was a young mother who was serving a long prison sentence for writing checks to buy her three young children Christmas gifts without sufficient funds in her account. Like a character in a Victor Hugo novel, she tearfully explained her heartbreaking tale to me. I couldn’t accept the truth of what she was saying until I checked her file and discovered that she had, in fact, been convicted and sentenced to over ten years in prison for writing five checks, including three to Toys “R” Us. None of the checks was for more than $150. She was not unique. Thousands of women have been sentenced to lengthy terms in prison for writing bad checks or for minor property crimes that trigger mandatory minimum sentences. The collateral consequences of incarcerating women are significant. Approximately 75 to 80 percent of incarcerated women are mothers with minor children. Nearly 65 percent had minor children living with them at the time of their arrest—children who have become more vulnerable and at-risk as a result of their mother’s incarceration and will remain so for the rest of their lives, even after their mothers come home. In 1996, Congress passed welfare reform legislation that gratuitously included a provision that authorized states to ban people with drug convictions from public benefits and welfare. The population most affected by this misguided law is formerly incarcerated women with children, most of whom were imprisoned for drug crimes. These women and their children can no longer live in public housing, receive food stamps, or access basic services. In the last twenty years, we’ve created a new class of “untouchables” in American society, made up of our most vulnerable mothers and their children.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
I cast the wilderness itself as a character in the book. It is my belief that the interplay of light and dark elements, good and evil, dreams and waking hours, reality and fantasy is why fairytales enchant and delight readers. Michele Bourke's illustrations depict characters and scenes in a magical way.
Suzy Davies
Thus is the defining characteristic of gay millennials: we straddle the pre-Glee and post-Glee worlds. We went to high school when faggot wasn’t even considered an F-word, when being a lesbian meant boys just didn’t want you, when being nonbinary wasn’t even a remote option. We grew up without queer characters in our cartoons or Nickelodeon or Disney or TGIF sitcoms. We were raised in homophobia, came of age as the world changed around us, and are raising children in an age where it’s never been easier to be same-sex parents. We’re both lucky and jealous. As the state of gay evolved culturally and politically, we were old enough to see it and process it and not take it for granted–old enough to know what the world was like without it. Despite the success of Drag Race, the existence of lesbian Christmas rom-coms, and openly transgender Oscar nominees, we haven’t moved on from the trauma of growing up in a culture that hates us. We don’t move on from trauma, really. We can’t really leave it in the past. It becomes a part of us, and we move forward with it. For LGBTQ+ millennials, our pride is couched in painful memories of a culture repulsed and frightened by queerness. That makes us skittish. It makes us loud. It makes us fear that all this progress, all this tolerance , all of Billy Porter's red carpet looks can vanish as quickly as it all appeared.
Grace Perry (The 2000s Made Me Gay: Essays on Pop Culture)
Twenty centuries later, Jesus speaks pointedly to the preening ascetic trapped in the fatal narcissism of spiritual perfectionism, to those of us caught up in boasting about our victories in the vineyard, to those of us fretting and flapping about our human weaknesses and character defects. The child doesn’t have to struggle to get himself in a good position for having a relationship with God; he doesn’t have to craft ingenious ways of explaining his position to Jesus; he doesn’t have to create a pretty face for himself; he doesn’t have to achieve any state of spiritual feeling or intellectual understanding. All he has to do is happily accept the cookies, the gift of the kingdom.4
Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
David Bowie could not only sing, he could also not act, and appeared in several films, playing the homesick alien title character in E.T., and a sort of Duran Duran fairy king in the family film Muppets Vs The Goblin Crotch. He even took over Christmas, singing a special carol with Bing Crosby, Stills, Nash and Young, who’d forgotten the words, and being at the start of that cartoon about the snowman sometimes.
Jason A. Hazeley (Cunk on Everything: The Encyclopedia Philomena)
I later asked Mr. Jia about the characters for Christmas. He told me they meant 'holy...birth...festival'---Holy Birthday. So while my students may have never heard the Christmas story, their language still recognized its basic significance, all in just three characters. And those three characters expressed the essential meaning far more succinctly than the Latin-based expressions for Christmas I was familiar with.
Aminta Arrington
But the biggest news that month was the departure from Apple, yet again, of its cofounder, Steve Wozniak. Wozniak was then quietly working as a midlevel engineer in the Apple II division, serving as a humble mascot of the roots of the company and staying as far away from management and corporate politics as he could. He felt, with justification, that Jobs was not appreciative of the Apple II, which remained the cash cow of the company and accounted for 70% of its sales at Christmas 1984. “People in the Apple II group were being treated as very unimportant by the rest of the company,” he later said. “This was despite the fact that the Apple II was by far the largest-selling product in our company for ages, and would be for years to come.” He even roused himself to do something out of character; he picked up the phone one day and called Sculley, berating him for lavishing so much attention on Jobs and the Macintosh division. Frustrated, Wozniak decided to leave quietly to start a new company that would make a universal remote control device he had invented. It would control your television, stereo, and other electronic devices with a simple set of buttons that you could easily program. He informed the head of engineering at the Apple II division, but he didn’t feel he was important enough to go out of channels and tell Jobs or Markkula. So Jobs first heard about it when the news leaked in the Wall Street Journal. In his earnest way, Wozniak had openly answered the reporter’s questions when he called. Yes, he said, he felt that Apple had been giving short shrift to the Apple II division. “Apple’s direction has been horrendously wrong for five years,” he said.
Walter Isaacson (Steve Jobs)
The first unpurchasable blessing earned by every man who makes an effort to improve himself...is self-respect, and inward dignity of character, which once acquired and righteously maintained, nothing, no, not the hardest drudgery, nor the direst poverty, can vanquish. Though he should find it hard for a season even to keep the wolf of hunger from his door, let him but once have chased the dragon of ignorance from his hearth, and self-respect and hope are left him.
Rick McConnell (Shadowing Dickens: A Christmas Novel)
Katie stood alone... 'They think this is so good,' he thought. 'They think it's good- the tree they got for nothing and their father playing up to them and the singing and the way the neighbors are happy. They think they're mighty lucky that they're living and it's Christmas again. They can't see that we live on a dirty street in a dirty house among people who aren't much good. Johnny and the children can't see how pitiful it is that our neighbors have to make happiness out of this filth and dirt. My children must get out of this. They must come to more than Johnnny or me or all thse people around us. But how is this to come about? Reading a page from those books every day and saving pennies in the tin-can bank isn't enough. Money! Would that make it better for them? Yes, it would make it easy. But no, the money wouldn't be enough. McGarrity owns the saloon standing on the corner and he has a lot of money. His wife wears diamond earrings. But her children are not as good and smart as my children. They are mean and greedy towards others...Ah no, it isn't the money alone... That means there must be something bigger than money. Miss Jackson teaches... and she has no money. She works for charity. She lives in a little room there on the top floor. She only has the one dress but she keeps it clean and pressed. Her eyes look straight into yours when you talk to her... She understands about things. She can live in the middle of a dirty neighborhood and be fine and clean like an actress in a play; someone you can look at but is too fine to touch... So what is this difference between her and this Miss Jackson who has no money?... Education! That was it!...Education would pull them out of the grime and dirt. Proof? Miss Jackson was educated, the McGarrity wasn't. Ah! That's what Mary Rommely, her mother, had been telling her all those years. Only her mother did not have the one clear word: education!... 'Francie is smart...She's a learner and she'll be somebody someday. But when she gets educated, she will grow away from me. Why, she's growing away from me now. She does not love me the way the boy loves me. I feel her turn away from me now. She does not understand me. All she understands is that I don't understand her. Maybe when she gets education, she will be ashamed of me- the way I talk. but she will have too much character to show it. Instead she will try to make me different. She will come to see me and try to make me live in a better way and I will be mean to her because I'll know she's above me. She will figure out too much about things as she grows older; she'll get to know too much for her own happiness. She'll find out that I don't love her as much as I love the boy. I cannot help that this is so. But she won't understand that. Somethimes I think she knows that now. Already she is growing away from me; she will fight to get away soon. Changing over to that far-away school was the first step in her getting away from me. But Neeley will never leave me, that is why I love him best. He will cling to me and understand me... There is music in him. He got that from his father. He has gone further on the piano than Francie or me. Yes, his father has the music in him but it does him no good. It is ruining him... With the boy, it will be different. He'll be educated. I must think out ways. We'll not have Johnnny with us long. Dear God, I loved him so much once- and sometimes I still do. But he's worthless...worthless. And God forgive me for ever finding out.' Thus Katie figured out everything in the moments it took them to climb the stairs. People looking up at her- at her smooth pretty vivacious face- had no way of knowing about the painfully articulated resolves formulating hin her mind.
Betty Smith
I was treated once more to a novelist's valuable lesson, however—in apprehending that one's perception of plot and character are influenced entirely by one's own experience. To hear Mary tell the story of our Christmas at The Vyne, one would have thought that she was hounded by violence from first to last—perceived more than anybody of the nature of the probable murderer—and barely escaped with her life. It was a lesson in writerly humility. We are each the heroines of our own lives.
Stephanie Barron (Jane and the Twelve Days of Christmas (Jane Austen Mysteries #12))
I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.
Alex Garland
I had always allowed myself to cry in private. But outside my doors, I was a rock. A machine. Holding myself rigid so as not to break. Any cracks or flaws at all and I would be done. Broken. I refused to be broken at work, or with my family. Only alone. Only at home. But now I started to wonder if maybe being broken wasn’t a flaw. Maybe it was a beautiful shard of glass that could one day be made into a vase again. Maybe the flaw gave it character. It couldn’t be whole again, but it could be pieced back together—each unique shard helping to press and hold the others into place, some glue around the edges. Almost like new.
Cindy Steel (Faking Christmas (Christmas Escape))
Do not allow your children to celebrate the days on which unbelief and superstition are being catered to. They are admittedly inclined to want this because they see that the children of Roman Catholic parents observe those days. Do not let them attend carnivals, observe Shrove Tuesday (Mardi Gras), see Santa Claus, or observe Twelfth Night, because they are all remnants of an idolatrous papacy. You must not keep your children out of school or from work on those days nor let them play outside or join in the amusement. The Lord has said, “After the doings of the land of Egypt, where you lived, shall ye not do: and after the doings of the land of Canaan, where I bring you, you shall not do: neither shall you walk in their ordinances” (Lev. 18:3). The Lord will punish the Reformed on account of the days of Baal (Hosea 2:12-13), and he also observes what the children do on the occasion of such idolatry (Jer. 17:18). Therefore, do not let your children receive presents on Santa Claus day, nor let them draw tickets in a raffle and such things. Pick other days on which to give them the things that amuse them, and because the days of Christmas, Easter, and Pentecost have the same character, Reformed people must keep their children away from these so-called holy days and feast days.
Jacobus Koelman
You are a thoughtless person with no consideration for the feelings of others. Your best quality is someday you’re gonna die. If you were a planet in the solar system among millions of beautiful heavenly bodies, you’d still choose to revolve around yourself. If every day was Christmas, you’d give yourself 366 gifts, two on your birthday. If you thought about looking into your soul to become a better person, you’d change your mind because there’s no mirror attached and you couldn’t admire your face or flexed muscles. If rulers could measure a man’s character, you’d be a centimeter. And if you ever again decide to call me a name, next time try Liz.
K.L. Brady (Worst Impressions)
Have you decided upon my character, or do you need more time?" Ranulf challenged. Laon's misty blue gaze surveyed the rolling waves for several seconds before he turned to reply,this time his demeanor and expression solemn. "Your temperament is obvious for the world to see." He paused for a moment as if he were trying to decide whether he should refrain from further explanation or continue.The latter was chosen. "You are neither kind nor giving, and your manner can best be described as impersonal.WHen you do engage, you are rather gruff, although I wonder how much of that is habit or intentional. However,you are fair and respectful, even to those you know little or not at all," Laon finished, pointing at the young deckhand Ranulf had assisted earlier.
Michele Sinclair (The Christmas Knight)
On a Parisienne’s Bookshelf THERE ARE MANY BOOKS ON A PARISIENNE’S BOOKSHELF: The books you so often claim you’ve read that you actually believe you have. The books you read in school from which you remember only the main character’s name. The art books your parents give you each Christmas so you can get some “culture”. The art books that you bought yourself and which you really love. The books that you’ve been promising yourself you’ll read next summer … for the past ten years. The books you bought only because you liked the title. The books that you think makes you cool. The books you read over and over again, and that evolve along with your life. The books that remind you of someone you loved. The books you keep for your children, just in case you ever have any. The books whose first ten pages you’ve read so many times you know them by heart. The books you own simply because you must and, taken together, form intangible proof that you are well read. AND THEN THERE ARE THE BOOKS YOU HAVE READ, LOVED, AND WHICH ARE A PART OF YOUR IDENTITY: The Stranger, Albert Camus The Elementary Particles, Michel Houellebecq Belle du Seigneur, Albert Cohen Bonjour Tristesse, Françoise Sagan Madame Bovary, Gustave Flaubert L'Écume des jours, Boris Vian Lolita, Vladimir Nabokov Les Fleurs du Mal, Charles Baudelaire Journey to the End of the Night, Louis-Ferdinand Céline À la recherche du temps perdu, Marcel Proust “How to Be Parisian Wherever You Are: Love, Style, and Bad Habits” By Anne Berest, Audrey Diwan, Caroline de Maigret, and Sophie Mas
Caroline de Maigret
I read a wonderful passage in an interview with Carolyn Chute, the author of The Beans of Egypt, Maine, who was discussing rewriting: “I feel like a lot of time my writing is like having about twenty boxes of Christmas decorations. But no tree. You’re going, Where do I put this? Then they go, Okay, you can have a tree, but we’ll blindfold you and you gotta cut it down with a spoon.” This is how I’ve arrived at my plots a number of times. I would have all these wonderful shiny bulbs, each self-contained with nothing to hang them on. But I would stay with the characters, caring for them, getting to know them better and better, suiting up each morning and working as hard as I could, and somehow, mysteriously, I would come to know what their story was. Over and over I feel as if my characters know who they are, and what happens to them, and where they have been and where they will go, and what they are capable of doing, but they need me to write it down for them because their handwriting is so bad. Some
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
My God! You really like her,don't you? I knew you were attracted to the woman, but you really like her.I should have known. From the moment you returned to camp that night, grumbling about how the woman in this area were too damn pretty, I knew a female had finally burrowed underneath that hardened exterior. I just never dreamed you would also get to her." "I hope I'm around when a woman finally lays claim to your sanity. With your impetuous personality,your actions will be far more out of character than mine." Tyr clapped his mug on the table and threw his hands up in the air. "Not me. I swore an oath against women and commitments, and it is an oath I intend to keep.But you,my friend, are not me and do not have my reasons for rejecting happiness.Go to her, a woman like that would forgive a man, she might even find life in a stone. So much so,that she may even consider marrying him. Of course,he might have to grovel a little." Ranulf pushed himself up,wishing Tyr was correct.Unfortunately, Bronwyn wasn't about to marry a man like him, not before and certainly not now. "I'm going to take a walk.
Michele Sinclair (The Christmas Knight)
I’m much richer than I appear and that, thanks to well advised investments, I’ve managed to amass a small fortune. They’ve casually tried to ask me about this. I’ve said nothing to confirm or deny the rumor. They tell “Grandpa” how happy they are to see him in good form; they shower him with charming, bland smiles, telling him about the latest exploits of the youngest grandchildren and bringing him up to date on the brilliant careers of the eldest. They remind him of the names of the first great grandchildren. And then in the end, when there’s not much of a response beyond a grunt or a gurgle, they lean back in their seats saying that “Grandpa” isn’t so easygoing, he always had a difficult character and that doesn’t change with age, he could still be a bit more polite and show a little more gratitude toward this family that spends Christmas Day with him; he barely smiles, it’s true, which seems to prove that he doesn’t enjoy it and that we organize the whole hoopla for nothing, he’d rather stay at home near the radiator with a book; ah yes, books, for “Grandpa,” you’d think they were more important than human
Guy de Maupassant (A Very French Christmas: The Greatest French Holiday Stories of All Time))
Under the spell of moonlight, music, flowers, or the cut and smell of good tweeds, I sometimes feel the divine urge for an hour, a day or maybe a week. Then it is gone and my interest returns to corn pone and mustard greens, or rubbing a paragraph with a soft cloth. Then my ex-sharer of a mood calls up in a fevered voice and reminds me of every silly thing I said, and eggs me on to say them all over again. It is the third presentation of turkey hash after Christmas. It is asking me to be a seven-sided liar. Accuses me of being faithless and inconsistent if I don’t. There is no inconsistency there. I was sincere for the moment in which I said the things. It is strictly a matter of time. It was true for the moment, but the next day or the next week, is not that moment. No two moments are any more alike than two snowflakes. Like snowflakes, they get that same look from being so plentiful and falling so close together. But examine them closely and see the multiple differences between them. Each moment has its own task and capacity; doesn’t melt down like snow and form again. It keeps its character forever. So the great difficulty lies in trying to transpose last night’s moment to a day which has no knowledge of it. That look, that tender touch, was issued by the mint of the richest of all kingdoms. That same expression of today is utter counterfeit, or at best the wildest of inflation. What could be more zestless than passing out canceled checks?
Zora Neale Hurston (Dust Tracks on a Road)
My dear Michael, I have given you my heart. I have said that I loved you, and I have pledged myself to be your wife. I am as much yours through all changes of good and evil as if we had been married on the day when such words passed between us. I know you well, and know that if we should be separated and our union broken off, your whole life would be shadowed, and all that might, even now, be stronger in your character for the conflict with the world would then be weakened to the shadow of what it is!” “God help me, Christiana!” said I. “You speak the truth.” “Michael!” said she, putting her hand in mine, in all maidenly devotion, “let us keep apart no longer. It is but for me to say that I can live contented upon such means as you have, and I well know you are happy. I say so from my heart. Strive no more alone; let us strive together. My dear Michael, it is not right that I should keep secret from you what you do not suspect, but what distresses my whole life. My mother: without considering that what you have lost, you have lost for me, and on the assurance of my faith: sets her heart on riches, and urges another suit upon me, to my misery. I cannot bear this, for to bear it is to be untrue to you. I would rather share your struggles than look on. I want no better home than you can give me. I know that you will aspire and labour with a higher courage if I am wholly yours, and let it be so when you will!” I was blest indeed, that day, and a new world opened to me. We were married in a very little while, and I took my wife to our happy home.
Charles Dickens (The Complete Christmas Books and Stories)
The Bombay Chronicle asked Mohandas Gandhi what he thought of the fact that the United States was now in the war. It was December 20, 1941. 'I cannot welcome this entry of America,' Gandhi said. 'By her territorial vastness, amazing energy, unrivalled financial status and owing to the composite character of her people she is the one country which could have saved the world from the unthinkable butchery that is going on.' Now, he said, there was no powerful nation left to mediate and bring about the peace that all peoples wanted. 'It is a strange phenomenon,' he said, 'that the human wish is paralysed by the creeping effect of the war fever.' Churchill wrote a memo to the chiefs of staff on the future conduct of the war. 'The burning of Japanese cities by incendiary bombs will bring home in a most effective way to the people of Japan the dangers of the course to which they have committed themselves,' he wrote. It was December 20, 1941. Life Magazine published an article on how to tell a Japanese person from a Chinese person. It was December 22, 1941. Chinese people have finely bridged noses and parchment-yellow skin, and they are relatively tall and slenderly built, the article said. Japanese people, on the other hand, have pug noses and squat builds, betraying their aboriginal ancestry. 'The modern Jap is the descendant of Mongoloids who invaded the Japanese archipelago back in the mists of prehistory, and of the native aborigines who possessed the islands before them, Life explained. The picture next to the article was of the Japanese premier, Hideki Tojo. In the Lodz ghetto, trucks began taking the Gypsies away. They went to Chelmno, the new death camp, where they were killed with exhaust gases and buried. It was just before Christmas 1941.
Nicholson Baker (Human Smoke: The Beginnings of World War II, The End of Civilization)
St. Just lifted his mug and peered into the contents. “Higgins explained that Goliath is a horse of particulars. Westhaven, did Valentine spit in my mug?” Westhaven rolled his eyes as he glanced at first one brother then the other. “For God’s sake, nobody spat in your damned mug. Pass the butter and drop the other shoe. What manner of horse of particulars is Sophie’s great beast?” “He does not like to travel too far from Sophie. He’ll tool around Town all day with Sophie at the ribbons. He’ll take her to Surrey, he’ll haul her the length and breadth of the Home Counties, but if he’s separated from his lady beyond a few miles, he affects a limp.” “He affects a limp?” Vim picked up his mug and did not look too closely at the contents. “I’ve never heard of such a thing.” “I’ll tell you what I’ve never heard of.” Westhaven shot him a peevish look. “I’ve never heard of my sister, a proper, sensible woman, spending a week holed up with a strange man and allowing that man unspeakable liberties.” Lord Val paused in the act of troweling butter on another roll. “Kissing isn’t unspeakable. We know the man slept in my bed, else he’d be dead by now.” And thank God that Sophie hadn’t obliterated the evidence of their separate bedrooms. “I have offered your sister the protection of my name,” Vim said. “More than once. She has declined that honor.” “We know.” Lord Val put down his second roll uneaten. “This has us in a quandary. We ought to be taking you quite to task, but with Sophie acting so out of character, it’s hard to know how to go on. I’m for beating you on general principles. Westhaven wants a special license, and St. Just, as usual, is pretending a wise silence.” “Not a wise silence,” St. Just said, picking up Lord Val’s roll and studying it. “I wonder how many cows you keep employed with this penchant you have for butter. You could write a symphony to the bovine.” Lord Val snatched his roll back. “Admit it, St. Just, you’ve no more clue what’s to be done here than I do or Westhaven does.” “Or I do.” The words were out of Vim’s mouth without his intention to speak them. But in for a penny… “I want Sophie to be happy. I do not know how to effect that result.” A small silence spread at the table, a thoughtful and perhaps not unfriendly silence. “We want her happy, as well,” Westhaven said, his glance taking in both brothers.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
He took a breath. He could feel his anxiety fade; he could feel himself returning to who he was. 'But would you sing with me?' Every morning for the past two months, they had been singing with each other in preparation for Duets. In the film, his character and the character's wife led an annual Christmas pageant, and both he and the actress playing his wife would be performing their own vocals. The director had sent him a list of songs to work on, and Jude had been practicing with him: Jude took the melody, and he took the harmony. 'Sure,' Jude said. 'Our usual?' For the past week, they'd been working on 'Adeste Fideles,' which he would have to sing a cappella, and for the past week, he'd been pitching sharp at the exact same point, at 'Venite adoremus,' right in the first stanza. He'd wince every time he did it, hearing the error, and Jude would shake his head at him and keep going, and he'd follow him until the end. 'You're overthinking it,' Jude would say. 'When you go sharp, its because you're concentrating too hard on staying on key; just don't think about it, Willem, and you'll get it.' That morning, though, he felt certain he'd get it right. He gave Jude the bunch of herbs, which he was still holding, and Jude thanked him, pinching its little purple flowers between his fingers to release its perfume. 'I think it's a kind of perilla,' he said, and held his fingers up for Willem to smell. 'Nice,' he said, and they smiled at each other. And so Jude began, and he followed, and he made it through without going sharp. And at the end of the song, just after the last note, Jude immediately began singing the next song on the list, 'For Unto Us a Child Is Born,' and after that, 'Good King Wenceslas,' and again and again, Willem followed. His voice wasn't as full as Jude's, but he could tell in those moments that it was good enough, that it was maybe better than good enough: he could tell it sounded better with Jude's, and he closed his eyes and let himself appreciate it. They were still singing when the doorbell chimed with their breakfast, but as he was standing, Jude put his hand on his wrist, and they remained there, Jude sitting, he standing, until they had sung the last words of the song, and only after they had finished did he go to answer the door. Around him, the room was redolent of the unknown herb he'd found, green and fresh and yet somehow familiar, like something he hadn't known he had liked until it had appeared, suddenly and unexpectedly, in his life.
Hanya Yanagihara (A Little Life)
You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.
Rosemarie Urquico
I first met Brother Booker at the House of Peace, while delivering donated Christmas trees and lights during the holidays. I had no grasp of the depth of the man's character, or the quality of the individuals he surrounded himself with. But I remember walking away amazed by the man, and marveling at the chaos that swirled around him...having researched his life and talked with many of his nearest and dearest, I am even more amazed today.
Willy Thorn (Brother Booker Ashe: It's Amazing What the Lord Can Do)
The broth was nearly clear and colorless, singing with notes of the sea- and Belle had never actually been to the sea. When she broke her bread to dip, the crust shattered, the crumb inside moist to the point of almost being a custard. The terrine was so rich she managed only one tiny demitasse spoonful. She and her father didn't eat fancily but they ate well enough and even had meat once or twice a week. The herbs that still flourished in her mother's garden spiced up dishes more than it seemed like they should have. They supped well, like all Frenchmen and women. But even Christmas was nothing compared to this. Belle suddenly realized she was shoveling it all in like a character from one of those stories who was tricked into eating magic food until he exploded or grew too large to escape. And a slightly more down-to-earth part of her spoke up warningly, in what she liked to pretend was her mother's voice: You are, at the very least, going to have an extremely upset stomach from this rich new food.
Liz Braswell (As Old as Time)
My family and I really enjoyed this book. We loved the characters and the illustrations in the book. It gives great insight to what those first days of school can be like. It's just a very fun and entertaining book to read. I recommend this book to all families it will not disappoint.
Dwiesha johnson
Mrs. Wiggins, our recently acquired Guernsey cow—named after a character in Freddie the Detective, one of the boys’ favorite books
Donna Andrews (How the Finch Stole Christmas! (Meg Langslow #22))
When they are married, yes; and every girl who thinks of marrying should know that in very much she must adapt herself to her husband. But I do not think that a woman should be the ivy, to take the direction of every branch of the tree to which she clings. If she does so, what can be her own character? But we must go on, or we shall be too late.
Anthony Trollope (Christmas at Thompson Hall: And Other Christmas Stories)
66. The Will To Win Means Nothing Without The Will To Train I have met a lot of people over the years who professed that they would do whatever it took to win a race or climb a big mountain. But sometimes the will to win just isn’t enough. In fact, the will to win means nothing if you don’t also have the will to train. The day of the race is the easy bit: all eyes are on you and the adrenalin is running high. But the race or the battle is really won or lost in the build-up: the unglamorous times when it is raining at 5:30 a.m. and you don’t want to get out of your warm bed to go for a run. So, don’t fall into the trap of trying hard but lacking the skills or resources that you can only gain through training. I love the story of Daley Thompson, the decathlete who won gold at two Olympics. He used to say his favourite day of the year to train was Christmas Day, as he knew it would be the only day his competitors wouldn’t be training. That is commitment, and it is part of why he won - he saw it as a chance to get 1/365th quicker than his rivals! So, remember that our goals are reached by how we prepare and train in the many months before crunch time. Train right, and the summit or gold medal will be the inevitable culmination of your commitment. I like that, because it means the rewards go to the dogged rather than the brilliant.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
Question #1: Who wrote Hunger Games? Jennifer Lawrence Suzanne Collins Mahatma Gandhi A and B Question #2: Who is the main character in “A Christmas Carol”? Kermit Tiny Tim Scrooge Not A
Melissa Knight (Feelin' the Chemistry (High School 101, #1))
Gale looked sideways at him, then down at the news sheet. “Still pretending you read?” “I’ll have you know, I am up to volume three of The Maiden Diaries, and Gale… there are certain objects that I simply do not feel should be put up one’s orifices.” “That’s probably true.” “And yet it all turns out so well for those characters.” “It’s just fantasy.” “Yes, but can a shallot—?
J.A. Rock (A Case for Christmas (The Lords of Bucknall Club, #2))
There were several occasions in the year when she could make sure beforehand of some hours to herself. Her Sundays were much occupied with the Sunday-school, and with intercourse with poor neighbours whom she could not meet on any other day : but Christmas-day, the day of the annual fair of Deerbrook, and two or three more, were her own. These were, however, so appropriated, long before, to some object, that they lost much of their character of holidays. Her true holidays were such as the afternoon of this day,— hours suddenly set free, little gifts of leisure to be spent according to the fancy of the moment. Let none pretend to understand the value of such whose lives are all leisure; who take up a book to pass the time; who saunter in gardens because there are no morning visits to make; who exaggerate the writing of a family letter into important business. Such have their own enjoyments: but they know nothing of the paroxysm of pleasure of a really hardworking person on hearing the door shut which excludes the business of life, and leaves the delight of free thoughts and hands.
Harriet Martineau (Deerbrook)
When I really asked myself a question, I still responded, here there was still something to be wrested from me, from this heap of straw that I have been for five months and whose fate, it seems, is to be set alight in the summer and to burn away before the spectator can blink. If only that would happen to me! And it should happen to me ten times over, for I don’t even regret the unhappy time. My condition is not unhappiness, but it’s not happiness either, not indifference not weakness, not fatigue, not interest in anything else, so what is it then? The fact that I don’t know is probably connected with my inability to write. And this is something I think I understand without knowing its cause. For whatever things occur to me occur not from the root, but beginning somewhere toward their middle. Just let someone try to hold them, let someone try to hold and cling to a blade of grass that only starts growing from the middle. Perhaps some can, Japanese acrobats, for example, who climb a ladder that isn’t resting on the ground but on the upturned soles of a partner lying on his back and isn’t leaning against a wall but goes straight up into the air.[ 5] This is more than I can manage, not to mention the fact that my ladder doesn’t have even those soles at its disposal. That’s not all, of course, and such a question still isn’t enough to make me speak. But each day at least one line should be pointed at me as people are now pointing telescopes at the comet.[ 6] And if I would then appear once before that sentence, lured by that sentence, as I was last Christmas, for example, when I had gone so far that I could only barely contain myself and when I really seemed to be on the last rung of my ladder, which, however, stood steadily on the ground and against the wall. But what a ground! what a wall! And yet that ladder didn’t fall, so firmly did my feet press it against the ground, so firmly did my feet raise it against the wall. Today, for example, I committed three impertinences, toward a conductor, toward a superior of mine, well there were only 2, but they’re plaguing me like stomach pains. Coming from anyone they would have been impertinences, all the more so coming from me. Thus I went outside myself, fought in the air in the mist and worst of all no one noticed that I committed, had to commit, the impertinence as an impertinence toward my companions too, had to bear the right expression, the responsibility; but the most awful thing was when one of my acquaintances took this impertinence not as a sign of a certain character but as the character itself, called my attention to my impertinence and admired it. Why don’t I stay within myself? To be sure, I now tell myself: look, the world lets you strike it, the conductor and your superior remained calm as you left, the latter even said goodbye. But that means nothing. You can attain nothing when you abandon yourself, but what do you miss anyhow in your circle. To this speech I respond only: I too would rather receive a beating within the circle than myself give a beating outside it, but where the devil is this circle? For a while I did see it lying on the earth, as if sprayed there with lime, but now it just hovers around me, indeed doesn’t even hover.
Franz Kafka (The Diaries of Franz Kafka (The Schocken Kafka Library))
The character of the victim has always something to do with his or her murder. The frank and unsuspicious mind of Desdemona was the direct cause of her death. A more suspicious woman would have seen Iago’s machinations and circumvented them much earlier.
Agatha Christie (Hercule Poirot's Christmas (Hercule Poirot, #20))
all the Christmas feels. Maybe you are lonely and discouraged. Perhaps you’ve been rejected. But know this: if you are in Christ, God leveraged the entire universe to shout to you His message of love and drew you to Himself.
Daniel Darling (The Characters of Christmas: The Unlikely People Caught Up in the Story of Jesus)
She looked like gothic architecture, like a nineties indie movie, like the night after Christmas.
Ben Spencer (Many Savage Moons)
She was a fascinating character, to say the least. A pioneer and instigator of many weird and wooly projects and who liked to “instigate” you right along with her. Every village has one, and Doris was ours. A lively individual who was always throwing herself into some harebrained scheme or other, taking no prisoners as she pulled you into her wild world of wackiness. Doris’s “urgent” could mean anything from the need to raise money for lame goats to singing at the top of a living Christmas tree.
Suzanne Kelman (The Rejected Writers' Book Club (Southlea Bay, #1))
People who struggle with Easter simply show they haven’t understood Christmas.
Andrew Wilson (Incomparable: Explorations in the Character of God)
In that same village, and in one of these very houses (which, to tell the precise truth, was sadly time-worn and weather-beaten), there lived, many years since, while the country was yet a province of Great Britain, a simple, good-natured fellow, of the name of Rip Van Winkle. He was a descendant of the Van Winkles who figured so gallantly in the chivalrous days of Peter Stuyvesant, and accompanied him to the siege of Fort Christina. He inherited, however, but little of the martial character of his ancestors. I have observed that he was a simple, good-natured man; he was, moreover, a kind neighbor, and an obedient henpecked husband. Indeed, to the latter circumstance might be owing that meekness of spirit which gained him such universal popularity; for those men are apt to be obsequious and conciliating abroad, who are under the discipline of shrews at home. Their tempers, doubtless, are rendered pliant and malleable in the fiery furnace of domestic tribulation, and a curtain-lecture is worth all the sermons in the world for teaching the virtues of patience and long-suffering. A termagant wife may, therefore, in some respects, be considered a tolerable blessing, and if so, Rip Van Winkle was thrice blessed.
Geoffrey Crayon (The Legend of Sleepy Hollow + Rip Van Winkle + Old Christmas + 31 Other Unabridged & Annotated Stories (The Sketch Book of Geoffrey Crayon, Gent.))
Blast it, Silverton, just look at the collection of suitors she’s got trailing after her, especially Broadmore.” Nigel gloomily watched the broad-shouldered Corinthian sweep Amelia gracefully down the room. “What girl wouldn’t want to be romanced by someone who looks like bloody Prince Charming?” Silverton frowned. “And you’re what? The frog on the lily pad?” “Hardly, but I can’t compete with Broadmore. He’s got every girl in town half in love with him already. Why not Amelia?” “Because Broadmore’s an arrogant ass. Do you really want Miss Easton spending the rest of her life with him? You’d be doing the poor girl a service by stealing him a march.” Nigel had never looked at it that way before. Broadmore was an arrogant ass, one who had a great deal more bottom than brains. Not that Amelia seemed to think so. As she and Broadmore spun past him, her light-hearted laugh drifted behind her, shimmering like fairy dust in the air. “I see your point,” Nigel replied. “But Amelia doesn’t seem the least bit bothered by Broadmore’s character defects.” He tried to ignore the way his heart twisted into a hard knot at the thought of Amelia married to another man. Silverton
Anna Campbell (A Grosvenor Square Christmas)
Even in a man without character, there's still a spark of Christmas.
Kristian Goldmund Aumann
Maturity, both human and supernatural, is not something we achieve instantaneously. It is a task of each day, of many small successes gained by responding to grace in small things. We have to assume the task of repeatedly practising the virtues by concrete acts. By practising the virtues with a care for detail we fashion a true character, a spirit submissive to the action of the Holy Spirit, a will fixed on the things of God, and on the needs of others for God’s sake.
Francis Fernandez (In Conversation with God – Volume 1 Part 2; Christmas and Epiphany)
As soon as Mr. Clinton became the president, Mrs. Clinton and her staff sought to repair the Clinton brand among groups they thought had been damaged during the campaign, scheduling galas, balls, and dinners. They hosted open house tours day and night, especially around Christmas and for the military. What she and her staffers failed to realize was that the White House had a budget like any other government entity. Each shindig still had to be paid either from the Executive Residence budget or the Democratic Party’s purse. Event planners dropped the ball on costs. One Rose Garden event required big, rented, air-conditioned tents that ruined the lawn. Landscaping crews and the National Park Service tore up all the dead grass, installed new sod, and sent them the bill. That’s expensive. But you can’t just have a whole White House lawn muddy and looking like crap. “Just get it done,” staffers would say. Party rental companies refused future events until they were paid. The discussions were plain embarrassing, but when I heard them I wasn’t eavesdropping. They were shouted in the hallway. The Clintons believed that a magic royal pot of money somehow existed for their every whim.
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
A character in the mock Christmas pantomime Harlequin Prince Cherrytop and the Good Fairy Fairfuck (1879) declares, “For all your threats I don’t care a fuck. / I’ll never leave my princely darling duck.” (The panto relates the story of Prince Cherrytop, who has become enslaved by the Demon of Masturbation. The Good Fairy Fairfuck helps him conquer his addiction to self-abuse, so he can embrace the joys of holy matrimony with his betrothed, the Princess Shovituppa.
Melissa Mohr (Holy Sh*t: A Brief History of Swearing)
Oh, Amy,” Gwen exclaimed, “I was waiting forever for you and Father Christmas. I’ve missed all the fun and I’ve had to hold this wretched onion to my ear for the last half hour. I don’t think it’s helped the ache one bit.” She waved the offending object under Nigel’s nose. “Good Lord,” he said. “That’s ghastly. No child should be subjected to such hideous torture.” When Gwen giggled, Nigel wisely tapped the side of his nose. “I think it’s time to do away with it, don’t you agree, Miss Gwen?” “Yes!” She bounced on the bed again. “Someone is clearly feeling better,” Amelia said. “All the more reason to get rid of the beastly thing,” Nigel said, taking the onion. When he strode to the window, Gwen tumbled out of bed to follow, impatiently squirming when Amelia insisted she put on her robe and slippers. By the time they joined Nigel he’d raised the sash, letting in a blast of winter air. “Father Christmas, what are you doing?” Gwen asked. “Getting rid of this barbaric vegetable. Never could stand the blasted things, anyway.” He tossed it out the window. Gwen shrieked with laughter, and she and Amelia crowded next to Nigel to peer down to the street. A man in a greatcoat was bending down to retrieve his hat from the ground, where it had apparently been knocked by the onion. He looked up and began to berate them in a loud voice. Both Amelia and Gwen burst into hoots. “Hush,” Nigel said, pulling them inside. “If he hears us laughing, he’ll pound on the door and demand to see your aunt. Then we’ll be in a tremendous pickle.” “But you’re Father Christmas,” Gwen said. You can do anything you want.” Nigel appeared much struck. “Very true, my dear. If the bounder challenges our right to hurl vegetables, I’ll run him through with a stake of Christmas holly.” “Who knew Father Christmas was so desperate a character,” Amelia said, trying to control her laughter. Their
Anna Campbell (A Grosvenor Square Christmas)
In the Victorian times there was much demand for Christmas books, which would make an ideal gift, as well provide amusing entertainment over the holiday period. Without a doubt the most famous of these is Dickens’ A Christmas Carol, published in 1843, but he was by no means the only popular writer of such books. Published in 1847, Thackeray’s first Christmas book, Mrs Perkins’s Ball, is a humorous portrait of a seasonal social gathering, with a broad panorama of guests, from the hilarious sot Mulligan to the prissy middle-class characters he upsets. However, it is Thackeray’s ability as an illustrator that is the most impressive in this novella.
Charles Dickens (Delphi Christmas Collection Volume I (Illustrated) (Delphi Anthologies Book 6))
Christmas Days at sea are of varied character, fair to middling and down to plainly atrocious. In this statement I do not include Christmas Days on board passenger ships. A passenger is, of course, a brother (or sister), and quite a nice person in a way, but his Christmas Days are, I suppose, what he wants them to be: the conventional festivities of an expensive hotel included in the price of his ticket.
Charles Dickens (Delphi Christmas Collection Volume I (Illustrated) (Delphi Anthologies Book 6))
Seriously? I wouldn't need to be rescued. I would find out which way was downhill and locate the nearest water source to follow or I'd climb high and look for gaps in tree lines due to roads, power cables, or train tracks. At night, I'd look for artificial light sources..." I paused when I noticed the smirk had been totally wiped off Jack's face. "Do you want me to tell you how I'd read the night sky? I can do that, too. Oh, and I also know how to make a fire out of sticks and build a rudimentary shelter. I joined an orienteering club when I was a kid to learn outdoor survival skills, and every Christmas I asked Santa for survival gear." Silence. "Boom." I opened my hand and closed it again, giving Jack my most satisfied smile. "Mic drop.
Sara Desai ('Til Heist Do Us Part (Simi Chopra #2))
So are there any good Christmas stories out there? You bet, starting with the original. The recounting of the first Christmas (you know, the baby in the manger) has all the elements of great storytelling: drama, danger, special effects, dreams and warnings, betrayals, narrow escapes, and combined with the Easter story - the happiest ending of all. And it’s got great characters - Joseph, who’s in over his head but doing the best he can; the wise men, expecting a palace and getting a stable; slimy Herod, telling them “When you find this king, tell me where he is so I can come and worship him,” and then sending out his thugs to try to murder the baby; the ambivalent innkeeper. And Mary, fourteen years old, pondering all of the above in her heart. It’s a great story - no wonder it’s lasted two thousand years.
Connie Willis (Miracle and Other Christmas Stories)
Christmas is a powerful reminder that what is important in heaven is often unimportant on earth.
Daniel Darling (The Characters of Christmas: The Unlikely People Caught Up in the Story of Jesus)
This wasn’t a big deal among most of the world, but it was a big deal in heaven.
Daniel Darling (The Characters of Christmas: The Unlikely People Caught Up in the Story of Jesus)
The presence of these men from the East—outsiders, Gentiles—is a confirmation of God’s promise to send a Messiah who would not only be the King of the Jews, but a Messiah for the nations. Jesus’ kingdom is a kingdom not just for insiders, but for outsiders. In fact, many insiders—those who were closest to Jesus—were most resistant to His message. And so it often is today. Those who are most “churched” are often those who are so blinded by self-righteousness they cannot see—we cannot see—the gospel.
Daniel Darling (The Characters of Christmas: The Unlikely People Caught Up in the Story of Jesus)
Time in the valley will teach you to be a man, Nathan," she had said. "It's where your character will form. I hope you go through the valley so that you'll learn so that you'll learn how to love and feel and understand. And when life wounds you, I hope it is because you loved people, not because you mistreated them." It was a blessing of sorts, a blessing that forges love in the darkest places. There have been times, especially during those early years without her, that I thought time in the valley was anything but a blessing, but now I know otherwise. As I grew, I began to understand what my mother meant: It is those times of struggle and pain that teach us how to live. It's not really living until you've thrown your heart and soul on the line, rising failure and suffering loss. And I have come to realize that we're never alone; everyone has been through their own valley or is walking through it now... There were times when the grief in my life made it impossible to believe that God was alive and working, or the doubts were so great it seemed hopeless to believe anything at all, but as I look at the faces in the seats before me I now once again that we're all hear for a reason, a purpose that is often beyond us. -The Christmas Blessing by Donna VanLeire
Donna VanLiere
The good news for Christmas caroler and Christmas cranks (and everyone in between) is that Jesus came to bring joy to ordinary people like you and me.
Daniel Darling (The Characters of Christmas: The Unlikely People Caught Up in the Story of Jesus)
The Christmas story reminds us that God moves in and among those whom society most often leaves behind, that the thread of redemption woven throughout Scripture winds its way through a lot of small towns and seemingly little lives.
Daniel Darling (The Characters of Christmas: The Unlikely People Caught Up in the Story of Jesus)
Then, as now, there is a temptation to use prosperity as a measuring stick of devotion, as if God is a cosmic scorekeeper, dispensing favors based on faith...In a broken world, very bad things often happen to very good people. Job was faithful. Zechariah and Elizabeth were faithful. And yet God allowed them to suffer for their good and His glory.
Daniel Darling (The Characters of Christmas: The Unlikely People Caught Up in the Story of Jesus)
Oh yes you do. Everyone does. It’s not a skill you learn, like riding a bike. It’s part of what makes you human. You believe right now. You just choose to believe in the wrong things. You believe life is a desert with no possibility of oasis. You believe that connection with people who feel as deeply and as beautifully as you do is not real. You believe it is better to let the characters you write about, and read about, feel things for you. You believe you do not deserve to be loved.
Trevor McCall (Christmas At First Sight (The Christmas Collection Book 2))
The LORD God said to the serpent, “Because you have done this, cursed are you above all livestock and above all beasts of the field; on your belly you shall go, and dust you shall eat all the days of your life. I will put enmity between you and the woman, and between your offspring and her offspring; he shall bruise your head, and you shall bruise his heel.” (Gen. 3:14-15)
Daniel Darling (The Characters of Christmas: The Unlikely People Caught Up in the Story of Jesus)
Nowhere within me do I have the fortitude to give up power and prestige in order to walk a road of poverty and die a death of agony. And the incomprehensible nature of such rogue decision born of an irrepressible love and executed by an obstinate sacrifice can be nothing other than the stuff of God, for it is not within the character of men.
Craig D. Lounsbrough
We have populated the Christmas story with a host of enchanted characters that have no ability to tell the most enchanting story ever told.
Craig D. Lounsbrough
What does it cost me if I have a hundred times the amount I donate still sitting in the bank?” “I don’t recall anyone turning down the donations.” “But what did I accomplish? What does it say about me?” “That you’re more generous than I am?” “No! You’re not listening.” Greg’s idea sounded better to him by the second. He’d been restless and bored lately. With the holiday season looming before them, things would be quiet at work. Besides he always closed the offices over Christmas week so his employees could spend time with their families. The timing of this venture couldn’t be better. His pulse accelerated. Anticipation filled him with energy as he contemplated embarking on the adventure of a lifetime. “Think about it.” Harrison said. “What’s the real measure of a man? Where does he find his strength? Build his character?” He slapped his hand on the desk. “It’s in life’s challenges. The hardships.
Diane Burke (The Amish Suspect)
Outside, we all exclaimed at the warm summer night air. After the frigid damp of Albany, it felt luxurious. Pulling his small suitcase, duffel slung over his shoulder, Michael spun around in a circle, his eyes closed and bliss written all over his beautiful face. His…wait… What had I thought? I laughed to myself. I was really getting into character, apparently.
Keira Andrews (The Christmas Leap (Festive Fakes, #2))
explain the actions and motives of a character or to deliver an exegesis on the nature of the world surrounding him, was completely acceptable.
Les Standiford (The Man Who Invented Christmas: How Charles Dickens's A Christmas Carol Rescued His Career and Revived Our Holiday Spirits)
You could make beautiful pictures with paint, but there was nothing behind it.
Anne Perry (A Christmas Revelation)
I also discovered that sociopaths and CEOs share a lot of character traits
Emma Chase (It's a Wonderful Tangled Christmas Carol (Tangled, #4.5))
reality becomes a part of the story. “The man who sat beside you in the bus becomes the voice of the neighbor. The little girl who disappears at the beginning of the book looks like your best friend’s grandchild. You visualize the towns you’ve visited and the restaurants you’ve eaten in. What you love becomes what you love in the book, and the fears of the characters become your own. It’s immersive, but also transient. It’s like when you watch a movie made from a book. It probably doesn’t look exactly like what you thought it would, because you’re seeing the experience another person had with that book.
A.J. Rivers (The Girl and the Black Christmas (Emma Griffin FBI Mystery, #11))
As Abraham Lincoln once said, ‘Nearly all men can stand adversity, but if you want to test a man’s character, give him power.
Kate Collins (Missing Under The Mistletoe: A Flower Shop Mystery Christmas Novella (A Flower Shop Mystery, #19.1))
Jesus is long gone, he is not coming back. Worshipping him and hoping for his so-called second coming may give you comfort, but it doesn't do anything for either Jesus or the society. The only way you can make any difference in the lives of others as well as your own, is by becoming Christ-like in character and action.
Abhijit Naskar (Every Generation Needs Caretakers: The Gospel of Patriotism)
What is oinkiness?" asked Cardinal Bird Oh, don't you know? You haven't heard? said The Owl who was kind and wise, When you meet The Moon Pig you'll be surprised ... Luna has oinkiness and has it lots! You've either got it or you have not!
Suzy Davies
At twenty you have the face nature has given you; at fifty you have the face you deserve.” Time has a way of carving your character into you so that all may see it at a glance. The lines of habit cut deep, for better or worse.
Anne Perry (A New York Christmas (Christmas Stories, #12))
At the time I treated it as proof of the weakness of her character, telling myself she was just a slutty American girl who would throw herself at any handsome English boy with an accent.
Peter Swanson (The Christmas Guest)
The few people who give second-hand books as gifts for Christmas are usually eccentric, though, so it is worth opening purely for the entertainment these characters afford. They are the most interesting customers. And it wouldn’t do to close; if the shop wasn’t open, it would disappoint those few souls who do venture into rural Galloway in the winter months, and they would be unlikely to return another time. Occasionally they spend some money, and the short, cold winter days permit little by way of alternative occupation if I was to close the shop, so it is better to be open on my own and take what slim pickings there are than to be closed and take nothing.
Shaun Bythell (The Diary of a Bookseller (The Bookseller Series by Shaun Bythell Book 1))